product catalog - GMC Trading AG

Transcription

PRODUCT CATALOG
www.kenkoglobal.com
We open a world of imagination
Kenko Tokina Co., Ltd is Japan's largest photographic accessory
manufacturer and distributor with decades of old tradition in
manufacturing quality accessories to enhance the enjoyment of
photography. This tradition has guided the development of
innovative and reliable products that aid photographers all over
the world in their creation of beautiful images.
Kenko Tokina was founded as a manufacturer specializing in
optical products in September 1957. Based on advanced optics
technology, our business has focused on the development and
sales of photographic and industrial use filters as well as optical
products such as binoculars and astronomical telescopes. We are
now rapidly expanding business through the development and
marketing of popular new products in a diversity of fields
ranging from more and more digitalized photographs and videos
to security services. Contributing to the harmonization of people,
society and nature and the realization of a heart-warming
society through the creation and innovation of enterprises, we are
determined to fulfill our responsibility as a global corporation.
2
CIRCULAR POLARIZER
The world’s thinest, lightest circular polarizer ever
Extra Thin, Extra Light
Only 0.8mm Thin Glass, 10g Feather Light Filter
Zeta EX has a super thin 4 layer construction
thin glass and ultra thin frame combination
making it wide-angle lens compatible. Even
with being this thin, the Zeta EX still has the
front screw on function for attaching a lens
cap. The super light weight mechanically
benefits certain AF lenses.
Extra Bright
High Transparency Polarizing Film
Zeta EX transmits as much as 25% more
light through the polarizing film, giving the
photographer about 1 stop more light than a
standard circular polarizer.
Extra Anti-Reflective
ZR ( Zero Reflection ) Super Multi-Coating
This innovative coating will not interfere with
any color or light transmission. Reflections
are eliminated by allowing light to enter the
filter at virtually any angle.
Extra Smooth Glass
Nano Glass Technology
Our Nano Glass Technology creates an ultra
smooth surface from the finest particles of
glass, making it stain and scratch resistant
without any effect to the image.
AVAILABLE SIZES :
49mm 52mm 55mm
58mm
62mm
67mm
72mm
77mm
82mm
3
Zero Reflection
Super High Transparency
Super Durable
ZR ( Zero Reflection )
Super Multi-Coating
This innovative coating will not interfere with
any color or light transmission. Reflections
are eliminated by allowing light to enter the
filter at virtually any angle. This filter will
produce superior results and can be used
with any type of lens (wide angle to telephoto).
4
Ultra Smooth Surface
Nano Glass Technology
Our Nano Glass Technology creates an ultra
smooth surface from the finest particles of
glass, making it stain and scratch resistant
without any effect to the image.
High End Constructed
Ultra Thin Frame
The glass of this lens is precision machined
and attached using Retainer Ring Mount
Technology giving this filter an unsurpassed
durability. An ultra thin frame also makes it
wide-angle lens compatible.
Sophisticated
Filter Case
Sleek design and durable, a protective and
easy to use polycarbonate resin compact
case comes with the every Zeta filter.
ND Glass Uses
Deposition Proces
The Zeta ND filter is created using a deposition
process which produces superior color and
imaging.
L41 Super
UV Cut Glass
The Zeta UV L41 filter absorbs up to 410nm
of ultraviolet rays. Normal UV glass has a
slight yellow tint, but the L41 is perfectly clear
due of the use of a high-performance glass.
Premium Quality
Polarising Film
Zeta uses high transparency & high durability
premium quality C-PL film which will not
change color and light transmission.
5
Wideband C-PL (W)
Ultimate Color Enhancement
C-PL filters allow you to remove unwanted reflections from nonmetallic surfaces such as water, glass etc. They also enable colors
to become more saturated and appear clearer with better contrast.
This effect is often used to increase the contrast and
saturation in blue skies and white clouds. Kenko's C-PL filter does
not affect the overall color balance of a shot.
FEATURES:
Premium Quality Polarising Film
Ultra Smooth Surface - Nano Glass Technology
High End Constructed - Ultra Thin Frame
Sophisticated Filter Case
AVAILABLE SIZES:
49mm 52mm 55mm
58mm
62mm
67mm
72mm
77mm
82mm
UV L41 (W)
Ultimate All-Around Filter
Absorbs the ultraviolet rays which often makes outdoor
photographs hazy and indistinct. This multi-purpose, all-around filter
can serve as a permanent lens protector. While designed
specifically for digital cameras the Zeta series can be used on film
cameras as well.
FEATURES:
L41 Super UV Cut Glass
AVAILABLE SIZES:
49mm 52mm 55mm
6
58mm
62mm
67mm
72mm
77mm
82mm
Protector (W)
Ultimate Lens Protection
This is the ultimate in clear filters. It will not affect the color balance
or performance of your lenses in the slightest. However, constant
use will protect your valued lenses from expensive front element
damage which could be caused by dirt, knocks or scratches.
FEATURES:
Super Clear & Strong - Premium Optical Glass
AVAILABLE SIZES:
49mm 52mm 55mm
58mm
62mm
67mm
72mm
77mm
82mm
ND4 (W) / ND8 (W)
Ultimate Neutral Density Filters
This ND4/ND8 filter reduces the amount of light entering the lens so
wider apertures can be selected, which is perfect for portraiture to
reduce depth of field. Subject appears crisp and clear while the
background becomes a soft blur. Also widely used for photographs
of waterfalls and other nature scenes to emphasize movement.
FEATURES:
ND Glass Uses Deposition Process Technology
AVAILABLE SIZES:
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
7
Filter Series
Essential for Digital Photography
Kenko manufactures and markets the highest
quality filter glass. Our offering is PRO1 Digital
Series Filters, Key features cover DMC, new
Digital Multi Coating, Black Almite frame,
Black Rimmed Glass, Low Profile Frame,
Knurled Frame Edge, UV protected Cases.
Digital Cameras Need Multicoated Filters
Digital camera CCD or CMOS sensors are highly susceptible to
reflections - this stray light can ruin your photographs! Don't risk your
valuable photos by using bare-glass filters.
Digital Multi-Coated
Digital multi-coated filters greatly reduce the appearance
of lens flare and ghosting caused by reflections.
Black Almite Frame
Filters feature a black matte aluminum satin finish
almite frame which reduces reflections.
Black Rimmed Glass
These filters are equipped with black rimmed glass
to reduce the chance of light reflecting off the edge.
Low Profile Frame
Ultra thin filter frame to help avoid vignetting on super
wide angle lenses are also designed to hold a lens cap.
Knurling Edge Frame
These filters are equipped with a straight knurling
edge for non-slip, easy attachment and removal.
UV Protected Case
Filter cases are UV protected to further lengthen
the life of filters.
8
PROTECTOR (W)
Protect your valued lenses
This is the ultimate in clear filters. It will not
affect the color balance or performance of
your lenses in the slightest. However,
constant use will protect your valued
lenses from expensive front element
damage which could be caused by dirt,
knocks or scratches.
FEATURES:
AVAILABLE SIZES:
37mm 40.5mm 46mm 49mm 52mm 55mm 58mm 62mm 67mm 72mm 77mm 82mm
UV (W)
A multi-purpose fine-weather filter
Absorbs the ultraviolet rays which often
makes outdoor photographs hazy and
indistinct. This multi-purpose, all-around
filter can serve as a permanent lens
protector. While designed specifically for
digital cameras the PRO1 Digital series can
be used on film cameras as well.
With UV Filter
Without Filter
FEATURES:
AVAILABLE SIZES:
9
WIDE BAND CIRCULAR PL
Color and contrast enhancement
WIDE BAND CIRCULAR PL Filter allows you
to remove unwanted refelection from
nonmetallic surfaces such as water and
glass. Kenko's CIRCULAR PL uses newly
developed, innovative polarizing material.
WIDE BAND makes Digital SLR camera's
viewfinder image color difference has been
corrected.
Without Filter
With CIRCULAR PL Filter
FEATURES:
AVAILABLE SIZES:
PRO ND4(W) / PRO ND8(W) / PRO ND16(W)
For wider apertures or longer exposures
This PRO ND4/ND8/ND16 filter reduces the
amount of light entering the lens so wider
apertures can be selected, which is perfect
for portraiture to reduce depth of field.
Subject appears crisp and clear while the
background becomes a soft blur. Also
widely used for photographs of waterfalls and
other nature scenes to emphasize movement.
Without Filter
With PRO ND8 Filter
FEATURES:
AVAILABLE SIZES:
49mm 52mm 55mm
10
58mm
62mm
67mm
72mm
77mm
82mm
PRO SOFTON-A
Clear focus and soft gradation
Creates a picture with a clear focus and a
soft gradation. This effect is especially
evident on an object with a point light
source. A filter randomly arranging minute
lens shaped like drops of water on the
surface of acrylic board scatters the light
and results in a soft focus.
Without Filter
With PRO SOFTON-A Filter
FEATURES:
AVAILABLE SIZES:
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
R-CROSS SCREEN
Add a dramatic four-cross flare
The R-CROSS SCREEN filter adds a
dramatic four-cross flare to very bright
areas, giving a soft-focus effect. ldeal for
photographs of night scene illumination or
other scenes with strong reflections.
Without Filter
With R-CROSS SCREEN Filter
FEATURES:
AVAILABLE SIZES:
49mm 52mm 55mm
58mm
62mm
67mm
72mm
77mm
82mm
11
AC CLOSE-UP LENS No.3
A world of new creativity
The CLOSE-UP No.3 lens turns a normal
lens into a macro by reducing the lens,
minimum focusing distance. Depth-of-field
is shallow so use as small an aperture as
possible. CLOSE-UP NO.3 offers a world of
new creativity.
Without Filter
With AC CLOSE-UP No.3
FEATURES:
AVAILABLE SIZES:
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
R72
Most popular infrared filter in the world
Infrared filter helps cut down all other lights
except infrared light, which is not visible to
human eyes. Kenko R72 filter permits light
of around 700 wavelength to pass through,
which is the most popular infrared filter in
the world!
Without Filter
With R72 Filter
FEATURES:
AVAILABLE SIZES:
49mm
52mm
12
55mm
58mm
62mm
67mm
72mm
77mm
High Cost Performance
Slim Designed New Frame Filter
The Kenko Smart filter series are high quality camera lens filters that
are kept economical due to advanced mass production techniques.
They provide superior anti-reflection and UV cut (MC UV370 only)
coating on both sides (Circular-PL and ND8 provides on single side
only). This filter is created with a low profile aluminum frame to
match current wide angle lenses. A smart filter solution for every day
photography.
FILTER KIT
More economical than individual filter
purchases, this multiple filter kit provides
you with common photographing
applications. This filter kit includes the
MC UV370, Circular PL and ND8.
Clear PRO CPL
+ UV Absorbing
This filter uses a newly developed high
transparency film that passes more
visible light through the filter while still
filtering the same amount of polarized
light. The glass of the Clear PRO filter
also has UV absorbing properties
making the Clear PRO a combination
CPL / UV filter.
AVAILABLE SIZES (mm):
37 40.5 43
46
49
52
55
58
62
67
72
77
82
13
MC UV370 SLIM
The Smart MC UV370 filter effectively
absorbs ultraviolet rays which often
make outdoor photographs hazy and
less crisp. This is a good multi-purpose
filter that can be left on the lens at all
times for protection. This filter is multicoated on both sides of the glass to
reduce the chance of reflections or flare
that could ruin a good shot. This filter has
a high-quality, durable aluminum frame
that can stand up to years of use.
37 40.5 43
46
49
52
55
58
62
67
72
77
82
MC Protector SLIM
The Smart MC Protector is multi-coated
on both sides of the glass to reduce the
chance of reflections or flare that could
ruin a good shot. A low profile frame
helps to avoid vignetting on a wide angle
lens. This is a good multi-purpose filter
that can be left on the lens at all times for
protection. This filter has a high-quality
durable aluminum frame that can stand
up to years of use.
37 40.5 43
46
49
14
52
55
58
62
67
72
77
82
Circular PL SLIM
The Smart C-PL filter is used to increase
color saturation, darken blue skies so white
clouds stand out, and eliminate reflections
from nonmetallic surfaces like glass or
water. It will also reduce the softness in
scenery caused by atmospheric haze.
This filter will not change the overall color
balance of a photograph.
37 40.5 43
46
49
52
55
58
62
67
72
77
82
ND8 SLIM
The Smart ND8 filter allows 8-times
longer shutter speed instead of reducing
the aperture to limit light instantly. This
filter reduces the amount of light entering
the lens so wider apertures can be
selected.
37 40.5 43
46
49
52
55
58
62
67
72
77
82
15
PL FADER
ND 2.5 to ND 1,000 - Just turn the outer filter ring
Kenko’s uniquely designed variable neutral density filter provides
the equivalent brightness range of ND 2.5 to ND 1,000.
(practical use being up to ND450).
The singular versatility of the Variable NDX filter not only replaces
a whole set of stacking neutral density filters it also removes
vignetting which may be caused by using multiple filters.
■
■
■
■
■
■
■
■
DMC - Digital Multi-Coated
No Color Shift
No Polarizing Effect
For HDSLR MOVIES
For Longer Exposures
For Wider Apertures
Prevents Overexposure
Highlight Clipping
AVAILABLE SIZES:
77mm
82mm
PL FADER
ND3-ND400
The large frame considered so that
vignetting might not occur. It is ND
filter which can adjust the light
volume by one self. It is regulation
freedom between ND3-ND400 and
affordable ND filter.
Newly Developed Unique Design
The PL FADER uses two high-transparency polarizing film layers to
control the amount of light that passes through the filter and into
camera lens.
For Longer Exposure
Without changing the aperture, the PL FADER allows the freedom to
change the shutter speed according the effect desired.
For Wider Apertures
With the PL FADER, the shutter speed remains constant for a wide
aperture easily creating a blurred background effect.
Prevents Overexposure / Highlight Clipping
Even with a shutter speed of 1/8000 seconds, a large aperture of
F1.4 or F1.2 can cause overexposure/highlight clipping. With the PL
FADER, this overexposure is eliminated.
Flexible Light Control for HDSLR Video
For HD video-enabled cameras, use the PL FADER to easily adjust
light control.
16
PRO ND
PRO ND
For wider apertures or longer exposures
PRO ND series is an ND (dimmer) filter with high neutral nature
manufactured with a special coating through vacuum
deposition technology. This filter decreases the amount of
light without affecting the color of the photographic subject.
With PRO ND100
Without Filter
With PRO ND500
Without Filter
PRO ND100
PRO ND200
PRO ND100 is dimmed by 6.7
diaphragms to the 1/100 of the
light volume.
PRO ND200 is dimmed by 7.7
light volume.
PRO ND500
PRO ND1000
PRO ND500 is dimmed by 9
light volume.
PRO ND1000 is dimmed by 10
light volume.
AVAILABLE SIZES:
49mm 52mm 55mm
58mm
62mm
67mm
72mm
77mm
82mm
17
ASTRO LPR
ASTRO LPR
LIGHT POLLUTION RESISTANCE FILTER
Using a IAD (Ion Assisted Deposition) System, which irradiates
and ionizes the base material from an ion gun inside of a
vapor deposition machine, creates a film with higher
adhesion coating than normal formed by gas.
ASTRO LPR FILTER - TYPE I
Here is a filter which transmits only the light of
indispensable wavelengths for the observation
and photography of a nebula, a star cluster, a
comet, etc. The contrast of an astral body
becomes high and it becomes visible. From the
transmission of not only green and red light but
also blue light, it is an introduction filter which
can be used to photo shoot astral bodies.
Coating technology by an IAD (ion assisted
deposition) system creates coherent multilayer
films, making for a harder and more durable
coating.
With LPR TYPE I Filter
A telephoto lens capable of a focal length of
more than 100mm (converting 35mm film) is
recommended. Using this filter with a wide
angle lens may produce color shifting.
Without Filter
ASTRO LPR FILTER - TYPE II
This filter will transmit most of the light from
heavenly bodies, cutting artificial light such as
mercury lamps or sodium vapor lamps, which
are the main sources of light pollution.
This filter provides a clear image, filtering out
light pollution in astronomical observation or
photography. Because light pollution only is
filtered, changes in color balance will be well
absorbed, making image processing easier for
photography.
Coating technology by an IAD (ion assisted
deposition) system creates coherent multilayer
films, making for a harder and more durable
coating. Because a synthesis fused silica glass
With LPR TYPE II Filter
is used, the surface accuracy of the glass is
excellent which enables a higher quality of
photography.
Without Filter
A telephoto lens capable of a focal length of
more than 100mm (converting 35mm film) is
recommended. Using this filter with a wide
angle lens may produce color shifting.
AVAILABLE SIZES:
18
1T ONE-TOUCH FILTER - ADAPTER
U.S. PATENT PENDING
&
Easy Installation - Easy Attachment
ONE-TOUCH FILTER - CPL
32mm / 37mm
The Kenko 1T One Touch Filter is a great
solution to enjoy the benefits of full scale
photography even with a compact camera.
Since it utilizes a magnet, it is easy to attach
through a mounting ring. High transmission PL
film is used so a natural light is reproduced
even as polarization is being carried out. Since
this C-PL filter is also equipped with the
capability to absorb UV light, it can be used as
a UV/C-PL filter.
KIT INCLUDES:
1 1T FILTER / 2 MOUNT RING / 1 CARRYING POUCH
ONE-TOUCH FILTER ADAPTER
49mm / 52mm
The 1T Filter system uses a thin, low profile,
metal adhesive ring to attach to the front of
your compact camera lens. When you are
ready to use your filter, the 1T Filter Adapter
attaches through strong magnets built into the
1T Filter Adapter body. This kit comes with the
threaded 1T Filter Adapter along with 2
adhesive metal rings.
KIT INCLUDES:
1 1T FILTER ADAPTER / 2 MOUNT RING / 1 CARRYING POUCH
19
CLOSE UP LENS
CLOSE UP LENS
High quality attachment lenses for close-up work
Magnification can be chosen by changing the type of close
up lens. Vivid details can be depicted of a flower or an insect
expanding the ability of capturing a world which cannot
usually be seen.
MC Close-Up Lenses No.1, 2, 3, 10
Basic close-up lenses. If your original lens has
a minimum shooting distance of 1 m or more,
select No.1. If the lens' minimum shooting
distance is 50 cm or so, select No.3.
If you want to depict the subject as big as
possible, choose No.10 close-up lens. When
the shooting distance of your original lens is ∞,
this lens lets you capture the subject at a close
distance of just 10 cm.
No.1,2,3 Filter Size (mm) :
40.5-43-43.5-46-48-49-52-55-58-62-67-72-77-82
No.10 Filter Size (mm) : 49-52-55-58
With No.1 Lens
With No.2 Lens
With No.3 Lens
With No.10 Lens
Without Lens
AC Close-up Lenses No.2, 3, 4, 5
These are high-performance achromatic
lenses consisting of a set of two component
lenses. The lineup includes general close-up
lenses such as No.2 and No.3 and No.4 and
No.5, which is suitable for lenses with short
minimum shooting distances.
No.2 Filter Size (mm) : 49-52-55-58-62-67-72-77
No.3, 4, 5 Filter Size (mm) : 49-52-55-58
20
With No.2 Lens
With No.3 Lens
With No.4 Lens
With No.5 Lens
Without Lens
DG SERIES
12mm, 20mm, 36mm EXTENSION TUBE SET
AUTO EXTENSION TUBE SET DG
Extension tubes are designed to enable a lens
to focus closer than its normal set minimum
focusing distance. Getting closer has the effect
of magnifying your subject (making it appear
larger in the viewfinder and in your pictures).
They are exceptionally useful for macro
photography, enabling you to convert almost
any lens into a macro lens at a fraction of the
cost while maintaining its original optical quality.
The DG extension tubes have no optics. They
are mounted in between the camera body and
lens to create more distance between the lens
and film plane. By moving the lens father away
from the film or CCD sensor in the camera, the
lens is forced to focus much closer than normal.
The greater the length of the extension tube, the
closer the lens can focus.
50mm 1.4 L lens only
SPECIFICATIONS
50mm 1.4 L +
20mm Extension Tube
12mm
Diaphragm coupling:
Mount Available for:
36mm
Perfect coupling
12mm
Diameter of tubes:
Weight:
20mm
Perfect coupling
TTL.EE metering:
Length of tubes:
50mm 1.4 L +
36mm Extention Tube
20mm
36mm
62mm approx.
72g (2.5 oz.)
84g (2.9 oz.)
112g (3.9 oz.)
Canon-EF/EF-S, Nikon-AF, SONY21
TELEPLUS DGX/DG SERIES
TELEPLUS DGX/DG
S E R I E S
F O R D I G I TA L S L R s
CLOSER
Compatibility List URL:
http://kenkoglobal.com/pdf/TELEPLUS_DGX_series_CompatibilityList.pdf
22
1.4X, 2X TELEPHOTO CONVERTER
PRO 300 AF 1.4X and 2.0X DGX
KENKO TELEPLUS PRO 300 DGX converters
are made with precision quality multi-coated
optical glass supplied by Hoya Corporation, the
worlds largest manufacturer of optical glass.
These glass elements were designed to match
the optical quality of the prime lens (even at the
edges) and telephoto zoom lenses. The optical
design of the elements and light path is wide
enough not to cause vignetting.
The PRO 300 family are designed specifically to
be used with prime telephoto lenses of 100mm or
above, such as 300 mm f/2.8 lenses, and work
best with telephoto lenses of 200mm to 500mm.
The PRO 300 can be used with telephoto zoom
lenses as well as prime lenses. However, Kenko
does not recommend them for zoom lenses that
have a range starting under 50 mm.
KENKO PRO 300 AF TELEPLUS converters have
genuine Gate Array IC (Integrated Circuitry). It
means that the converter’s own unique circuitry
maintains signal integrity between the camera
body and lens. These converters are designed to
electronically operate the same way as an original
manufacturer’s converter.
Full AF operation with PRO 300 2.0X DGX is
possible when using camera lenses with
maximum aperture of F2.8 or brighter. Please be
aware that AF will work properly only if there is
enough light and contrast on the subject to
activate the camera’s AF sensors. (Manual focusing
is required when using lenses with smaller
maximum f-stop value than those given above.)
With the PRO 300 1.4X DGX, full AF operation is
possible with camera lenses having a maximum
aperture of F4 or brighter. The same light and
contrast requirements apply.
Most Canon EOS camera bodies
are programmed to shut down
auto focus if the calculated
effective aperture for the lens and
teleconverter is smaller than f/5.6,
the Kenko TELEPLUS PRO 300
converters work the same way.
The TELEPLUS DGX converters have updated
circuitry to record exif data more accurately. In the
exif exposure data (meta-data recorded with a
digital picture) TELEPLUS DGX converters record
the equivalent aperture and focal length of the
lens setting plus tele-converter. Optically and
mechanically they are the identical to the prior
high-quality TELEPLUS DG series converters.
SPECIFICATIONS
1.4X
Magnification:
1.4x
2.0x
Depth of field:
1/1.4 of prime lens
1/2 of prime lens
Minimum focus distance:
Same as prime lens
Same as prime lens
Construction:
Diaphragm coupling:
Lens coating:
Exposure magnification:
Barrel length:
2.0X
5E / 4G
7E / 4G
Fully automatic
Fully automatic
Digital Multi Coating
Approx. 2 times
Approx. 4 times
(equivalent to 1 diaphragm)
27.0mm approx.
51.0mm approx.
Weight:
132g (4.6 oz.)
184g (6.4 oz.)
Canon-EOS*
Canon-EOS*
Nikon-AF
Nikon-AF
7
*Canon EF-S lenses are not applicable.
23
HD 1.4X and 2.0X DGX for Canon EOS EF/EF-S
Placed between the camera body and lens, a
teleconverter contains a set of optics that will
effectively increase the focal length of any lens
with which it is used. The KENKO TELEPLUS
HD 1.4X / 2.0X DGX converter has the effect of
multiplying the focal length of your lens by
1.4x / 2.0x, turning a 300mm lens into an
equivalent 420mm lens for the 1.4x and
600mm for the 2.0x.
Both the HD 1.4X and 2.0X DGX converters
have genuine Gate Array IC (Integrated
Circuitry). This means the converter’s unique
circuitry maintains signal integrity between the
camera body and lens. The 3~5-element design
made with high quality multi-coated optical
glass supplied by Hoya Corporation, the world’s
largest manufacturer of optical glass.
Full AF operation with the TELEPLUS HD 2.0X /
1.4X is possible using a camera lens with an
open aperture of F4 or brighter while the 2.0X
DGX would require an open aperture of F2.8 or
brighter. Please be aware that AF will work
properly only if there is enough light and contrast
on the subject to activate the camera’s AF
sensors properly. (Manual focusing may be
necessary when using lenses with smaller open
f-stop values than that given above.)
circuitry to record exif data more accurately.
In the exif exposure data (meta-data recorded
with a digital picture) TELEPLUS DGX converters
record the equivalent aperture and focal length
of the lens setting plus teleconverter. Optically
and mechanically they are identical to the prior
high-quality TELEPLUS DG converters.
Lens performance has been improved
dramatically as compared to the MC4 and MC7
models. The improvement in resolution is
especially marked, 150% for 1.4X and 180% for
2X respectively in comparison to the current
models.
SPECIFICATIONS
1.4X
Magnification:
1.4x
2.0x
Depth of field:
1/1.4 of prime lens
1/2 of prime lens
Same as prime lens
Same as prime lens
Construction:
Diaphragm coupling:
Lens coating:
Barrel length:
Weight:
24
2.0X
3E / 2G
5E / 3G
Fully automatic
Fully automatic
Approx. 2 times
Approx. 4 times
25mm
35.8mm
110g (3.8 oz.)
157g (5.5 oz.)
Canon-EF/EF-S
Canon-EF/EF-S
MC7 AF 2.0X DGX / MC4 AF 1.4X and 2.0X DGX
MC7 AF 2.0X DGX - MC4 AF 1.4X / 2.0X DGX
converter has the effect of multiplying the focal
length of your lens by 1.4x / 2.0x, turning a
300mm lens into an equivalent 420mm lens
for the 1.4x and 600mm for the 2.0x.
Both the MC7 AF 2.0X DGX / MC4 AF 1.4X
and 2.0X DGX converters have genuine Gate
Array IC (Integrated Circuitry). This means the
converter’s unique circuitry maintains signal
integrity between the camera body and lens.
The 4-element design (MC7: 7-elementis ) made
with high quality multi-coated optical glass
supplied by Hoya Corporation, the world’s
largest manufacturer of optical glass.
Full AF operation with the TELEPLUS MC7 AF
2.0X / TELEPLUS MC4 AF 1.4X is possible
using a camera lens with an open aperture of F4
or brighter while the 2.0X DGX would require an
open aperture of F2.8 or brighter. Please be
activate the camera’s AF sensors properly.
(Manual focusing may be necessary when using
lenses with smaller open f-stop values than that
given above.)
circuitry to record exif data more accurately.
In the exif exposure data (meta-data recorded
with a digital picture) TELEPLUS DGX converters
record the equivalent aperture and focal length
of the lens setting plus teleconverter. Optically
and mechanically they are identical to the prior
high-quality TELEPLUS DG converters.
MC7 2.0X
MC4 1.4X
Magnification:
SPECIFICATIONS
2.0x
1.4x
2.0x
Depth of field:
1/2 of prime lens
1/1.4 of prime lens
1/2 of prime lens
Same as prime lens
Same as prime lens
Same as prime lens
7E / 5G
4E / 4G
4E / 4G
Fully automatic
Fully automatic
Fully automatic
Approx. 4 times
Approx. 2 times
Approx. 4 times
Construction:
Diaphragm coupling:
Lens coating:
MC4 2.0X
(equivalent to 2 diaphragm) (equivalent to 2 diaphragm) (equivalent to 2 diaphragm)
Barrel length:
35.7mm approx.
25mm approx.
26.0mm approx.
Weight:
157g (5.5 oz.)
110g (3.8 oz.)
111g (3.9 oz.)
Canon-EOS*
Canon-EOS*
Canon-EOS*
Nikon-AF
Sony Alpha
Nikon-AF
Sony Alph
Nikon-AF
Sony Alph
*Canon EF-S lenses are not applicable.
25
TELEPLUS DG SERIES
MC7 AF 2.0X DG
MC4 AF 1.4X and 2.0X DG for PENTAX
MC4 AF 1.4X and the MC7 AF 2.0X DG
converters have the effect of multiplying the focal
length of your lens by 1.4x and 2.0x, respectively, turning a 300mm lens into an equivalent
420mm lens for the 1.4X and 600mm for the
2.0X.
Both the MC4 AF 1.4X and the MC7 2.0X DG
converters have genuine Gate Array IC
(Integrated Circuitry). This means the converter's
unique circuitry maintains signal integrity
between the camera body and lens. The
4-element design (for the MC4) and 7-element
design (for the MC7) are made with high quality
multi-coated optical glass supplied by Hoya
Corporation, the world's largest manufacturer of
optical glass.
Full AF operation with the TELEPLUS MC4 AF
1.4X and the MC7 AF 2.0X DG is possible using
a camera lens with an open aperture of F4 or
brighter while the 2.0X DG would require an
open aperture of F2.8 or brighter. Please be
activate the camera's AF sensors properly.
(Manual focusing may be necessary when using
lenses with smaller open f-stop values than
those given above.)
SPECIFICATIONS
MC7 2.0X
MC4 1.4X
Magnification:
2.0x
1.4x
2.0x
Depth of field:
1/2 of prime lens
1/1.4 of prime lens
1/2 of prime lens
Same as prime lens
Same as prime lens
Same as prime lens
7E / 5G
4E / 4G
4E / 4G
Fully automatic
Fully automatic
Fully automatic
Approx. 4 times
Approx. 2 times
Approx. 4 times
Construction:
Diaphragm coupling:
Lens coating:
MC4 2.0X
(equivalent to 2 diaphragm) (equivalent to 1 diaphragm) (equivalent to 2 diaphragm)
Barrel length:
Weight:
35.5mm
18.0mm
26.0mm
165g (5.8 oz.)
100g (3.5 oz.)
130g (4.5 oz.)
Pentax
* TELEPLUS DG converters is not applicable to record accurate exif data.
26
7
MOUNT ADAPTER
MOUNT ADAPTER
M Mount Adapter
This M Mount Adapter allows to attach Leica M Mount Lenses to the
mirror-less type camera bodies. All the products are designed and
manufactured in Japan.
LM Adapter
This mount adapter allows to attach L lens by Leica (screw mount) to
M mount (bayonet mount) body. M-type Leica body provides
several finder frame as a function of appropriate frame size of the
interchangeable lens. When the lens is exchanged, an appropriate frame
will be displayed in the finder automatically.
T Mount Adapter
This T Mount Adapter allows to attach the T mount type camera lenses or
telescopes to the SLR camera bodies. No electoric termination is provided.
27
LIGHT METER
Light Meter
One of most important value for Photograph is exposure.
Kenko light meter can select best exposure value.
KFM-1100 AUTO DIGI METER
For Both Flash and Ambient Light Readings
Simple, Easy-to-Use, Accurate
The Kenko KFM-1100 Autometer is a user-friendly
and ergonomically designed light meter for reading
both ambient and flash light. This simple and reliable
meter is both comfortable in your hand and logically
designed, with a minimum of confusing buttons.
The large LCD display reads out in "F" numbers in
10ths of stops and in 1/2 stop increments in a
pointer scale across the top of the display. With a
shutter speed range of 1/8000 second to 30
minutes, this meter is quite sensitive. In its cine
mode, frame rates of 8-128 can be achieved.
As a flash meter, the KFM-1100 can be used with or
without a sync cord, and has an aperture range of
F/1.0 - f/128. As an added bonus, both flash and
ambient lighting can be analyzed to determine the
lighting ratio of any scene. This feature is very handy
in scenes where a flash is being used to "open up"
a shadowed area left by ambient (natural) light.
The meter's "Calculation" function can be used to
average measurements that have been stored in
memory, very useful in reflected light measurements,
to capture highlight or shadow detail more
accurately.
The KFM-1100 can store 2 measurements that can
be recalled for reference or for averaging. Just press
the "M" button after each reading to store it in
memory. If the memory has two readings stored, it
will delete the oldest reading to store the current
information.
28
KFM-1100 AUTOLIGHT
DIGI METER
METER
KFM-2200 FLASH METER
Light Meter For Both Flash and
Ambient Meter With Integrated Spot Meter.
Include ISO variable mode
The Kenko KFM-2200 Cine & Flash Meter is a
digital handheld exposure meter capable of both
incident and reflected light measurement, including
flash and strobes. The KFM-2200 utilizes a spherical
diffuser with a 270° rotation angle for most
readings, including the ability to take a 1° spot
measurement using the viewfinder. It can then use
one of three measurement modes depending on
your specific needs.
For working with both cinema and still photography
use, there are a variety of additional settings,
especially a large selection of shutter speeds from
30 minutes to 1/16000 second. It even features a
flash sync terminal for metering your strobes for still
photography. Also, it can display an aperture range
from f/1.0 to f/128 and 9/10.
The digital LCD display is backlit to increase readability
and shows a variety of parameters, each of which
can be set to determine proper exposure values for
your camera settings. The KFM-220 also features a
viewfinder with diopter adjustment for taking spot
measurements of reflected light. It includes a soft
case and strap for storage and travel.
KCM-3100 COLOR METER
Knowing the color temperature before taking
a photograph saves you time and money
The Kenko KCM-3100 Color Temperature Meter
reads both ambient and flash light. In photography,
accuracy is what counts. When shooting in any kind
of mixed lighting scenario, a good, reliable color
temperature meter is the only true and proven way
to get accurate readings. In areas such as commercial,
fashion and certainly architectural work, a color
temperature meter is a "must".
This meter is designed with a minimum of clutter
and is very user-friendly. The large LCD readout
combined with its variety of features make this
meter a top contender.
The KCM-3100 has 3 display modes for displaying
color temperature. Each mode is designed for a
certain type of photography or filtering system. LB
(Light Balancing) index is used to select the
necessary amber or blue LB filter; The Mired
difference between the specific photographic color
temperature for the selected film type and the
light source.
CC (Color-Correction) displays the Kodak filter
number(s) of the necessary light-balancing filter(s) to
make for easy selection of the required light
balancing filter. Whereas the LB system uses amber
or blue filters, the CC system uses magenta or
green color compensating filters.
Finally, it displays photographic color temperature in
degrees Kelvin. This is a useful setting to determine
filtration based on the light source and the spectral
sensitivity of the film used.
Other benefits of this meter are its ability to read in
either sync or non-sync mode, i.e. without a cord. It
also has an "Analyzer Mode" for measurement of
flash lighting only. Setting the shutter speed to "F",
the meter will only read light from flash.
29
M I LT O L
Kenko developed Telescopic and Photographic
lenses in one product: the MILTOL system.
The Kenko telescopic lens system MILTOL is a fieldscope, telescope
and telephoto camera lens all in one system. When a photographer
goes out into the field for photography and observation, they must
carry both a fieldscope or telescope and telephoto camera lens. This
is both heavy and bulky. With the ability to attach an eyepiece to a
telescopic lens and camera mount it is possible to use your lens for
both a telescope and photography.
Kenko is the biggest camera and optical accessory products
manufacuturer in Japan. With the Kenko MILTOL lens system, high
quality lens elements create an unparalleled clarity. MILTOL also
utilizes a T-Mount system which can be used with most camera
bodies with T-Mount adapter, not only Nikon and Canon.
400mm F6.7 ED LENS
Standard lenses of 400mm for wild bird and
in airplane photography.
F value is 6.7 and has become a modest setting, however using the ED
lens to target lens and configuring small lens with 2 elements in 1 group, it
is possible to obtain a good image without any color blur. MILTOL system
is a customized telephoto lens system where telescope and camera lens
are combined into one product.
With the combination of various parts like mount or eyepiece, you can do
a variety of combinations like telephoto shots, astronomical telescope and
fieldscope to match each scene and purpose.
For users who mainly want astronomical observation, “Telescope 400mm
F6.7 ED lens kit” is provided with the items of astronomical
observation in a set. For ground observations, "Field scope 400mm F6.7
ED lens kit" is provided with items for ground observation in a set. And for
shooting, "400mm F6.7 ED lens <for Nikon / for Canon >" is provided with
T-mount in a set.
30
M I LT O L
200mm F4 Lens
Attractive 200mm lens with simple configuration of
4 elements in 2 groups.
Although it is a simple lens configuration, we have aimed to arrange the
two relay system lens to lens rear group, until you get a good image of
surrounding. It is not possible to adjust the depth of field with the aperture
due to the system structure, it is possible to suppress the F value to F4,
and maneuverability of the lens is good. It has specifications where the
blur in the near-medium range, a moderate depth of field in landscape
photography can be obtained.
Mirror Lens 400mm F8
The mirror lens is the telephoto lens with reflector of
two elements is used.
It is designed by reflecting the light on the mirror, and as compared with a
general optical lens with the same focal length, it is possible to shorten the
overall length and also it has a lightweight.
MILTOL system is a customized telephoto lens system where telescope
and camera lens are combined into one product. With the combination of
various parts like mount or eyepiece, you can do a variety of combinations
like telephoto shots, astronomical telescope and fieldscope to match each
scene and purpose. (* This lens will not turn as astronomical telescope)
For the users who mainly want ground observations, “Field Scope Mirror
Lens 400mm F8 Lens Kit” is provided with items for ground observation in
a set, and for shooting, “Mirror Lens 400mm F8 with hood” is provided with
each T-mount in a set.
31
M I LT O L
Scope Eyepiece Kit
for Nikon, Canon,
T Mount Lens
Scope Eyepiece Kit with 22mm eyepiece isavailable as a field scope
by simply attaching to an SLR interchangeable lens (Nikon F mount,
Canon EOS mount, T-mount).
Magnification will change based on the focal length of the lens. Since
the eyepiece is interchangeable, you can change the magnification
with other optional eyepieces.
A removable tripod adapter with a U1/4 screw is included.
For Nikon F Mount lens
For Canon Mount lens
For T Mount lens
32
LCD MONITOR PROTECTION FILM
LCD MONITOR PROTECTION FILM
SUPER HIGH GRADE LCD PROTECTION
Kenko LCD Monitor Protection Film are comprised of multiple layers
to give the best screen protection as well as the best enhanced
viewing of the LCD. The layers consist of:
1.Anti-smudging top coating to reduce finger-prints
2.AR Anti-reflection coating to enhance viewing in lighting conditions such
as bright sunlight were reflections can be problem for LCD viewing
3.Core hard coating layer to protect the LCD from scratches
4.Base film
5.Adhesive laying to attach to the LCD
The Kenko LCD Monitor Protection Film comes in many different
sizes to match to todays most popular digital SLR cameras and
some high-end point and shoot digital cameras as well. The camera
type is shown prominently on the packing. Many come with a
protector for the main LCD on the back of the camera and a second
fitted smaller protector if the model of camera has a second LCD
control panel.
Kenko LCD Monitor Protection Film are available for the following cameras:
Canon:
EOS1DX, EOS5D MarkIII, EOS6D, EOS7D, EOS60D, EOS70D
PowerShot G1X/A3400IS, PowerShot G1X Mark II
PowerShot A3500IS/A2600/S120/S110/G16/G15
Nikon:
D4S/D4, D3/D3x, D800/D800E, D810, D610/D600, D700, D5300,
D3300/D3200, Df, D7100, Nikon1 AW1, Nikon1 J4, Nikon1 S2
Olympus: E-PL6/E-PL5/E-PM2, E-P5
Panasonic: LUMIX G6, LUMIX FZ1000, LUMIX GM/GX7, LUMIX GH4/GH3
Sony:
α7S/α7/α7R, NEX-5T/NEX-5R, RX100III/RX100II/RX1R/RX1
Other:
General Purpose 2.5 /2.7 /3.0 in. AR Coated
Note: Film applicator is shown in blue and peals off after the clear monitor
protector is adhered to the camera's LCD.
33
INTERCEPTOR CAMERA BAG
INTERCEPTOR
Aosta provides unique weather proof, casual
camera bags which you can use to carry out your
devices in any kind of weather.
■ Outer Material: Waterproof Tarpaulin - plastic-coated nylon & polyester mix
■ Seamless high frequency welding ■ Water resistant zipper
Sling Bag
Color:
Black
Messenger Bag (Small)
Blue
Pink
Tote Bag
Color:
34
Black
Color:
Black
Orange
Pink
Messenger Bag (Medium)
Yellow
Pink
Color:
Black
Yellow
Orange
FILTER SIZE CHART
Filter Size Chart
Filter / Size (mm)
32 37 40.5 43 46 48 49 52 55 58 62 67 72 77 82
ZETA EX C-PL
ZETA UV L41(W)
ZETA PROTECTOR(W)
ZETA C-PL
ZETA ND4
ZETA ND8
PRO1D C-PL(W)
PRO1D C-PL(NWB)
PRO1D PROTECTOR(W)
PRO1D UV
PRO1D ND4
PRO1D ND8
PRO1D ND16
PRO1D R72 Infrared
PRO1D R-Cross Screen(W)
PRO1D PRO Softon-A(W)
PRO1D AC CLOSE-UP No.3
MC ND400
MC ND400 PRO
Variable NDX
PL Fader
Smart C-PL SLIM
Smart MC PROTECTOR SLIM
Smart ND8 SLIM
Smart MC UV370 SLIM
FILTER KIT
CLEAR PRO C-PL
ASTRO LPR Filter Type1
ASTRO LPR Filter Type2
One Touch Filter
*1
*2
*1
*2
MC C-UP No.1
MC C-UP No.2
MC C-UP No.3
MC C-UP No.10
AC C-UP No.2
AC C-UP No.3
AC C-UP No.4
AC C-UP No.5
*1
ASTRO LPR Filter Type1,2 31.7mm
*2
ASTRO LPR Filter Type1,2 48mm
35
We open a world of imagination
KENKO INTERNATIONAL DIVISION
5-68-10 Nakano, Nakano-ku,
Tokyo 164-8616, Japan
Tel: 81-3-5982-3206 Fax: 81-3-5982-3229
Visit our website at www.kenkoglobal.com

product catalog - GMC Trading AG

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