Press Kit - Try This Films

> contact
John Helde
TRY THIS FILMS, LLC
ND
2843 NW 72 Street
Seattle, WA 98117
206.931.9888
[email protected]
www.trythisfilms.com
Jennifer Rice
RICE PUBLIC RELATIONS LLC
(206) 285-5175
[email protected]
An untold story of Americans in China…
One son’s journey to uncover his father’s past.
“Very moving…a story of a son coming to understand his father – and of
what it means to be at home.” - Moira MacDonald, The Seattle Times
(out of 4)
“Fascinating.” – Christopher Frizzelle, The Stranger
“...Takes a refreshing approach to the subject of home, homeland, [and]
the powerful imprint of childhood...” - Belinda Acosta, The Austin Chronicle
> synopsis
At a time when the world's eyes are focused on China, MADE IN CHINA uncovers a rare
glimpse of America's connection to Chinese culture. This critically-acclaimed documentary follows
the filmmaker on an international journey to uncover his white American father’s remarkable
childhood in pre-Mao China. Through stunning home movies, photographs and interviews, MADE IN
CHINA reveals an untold story of Americans whose cultural “double-vision” shaped their lives.
Ultimately, though, MADE IN CHINA is the story of a son’s search to understand his father – and a
poignant exploration of the meaning of home.
> info
Running time: 70 minutes/53:30 minutes
Color/black & white
Shooting format video: miniDV; film: Super 8 Kodak negative film 100D, 250T
Presentation format: Sony HDCAM 1080i 16:9, Sony DigiBeta 16:9 anamorphic, DVCAM, DVD
Sound: Dolby Stereo
Cameras: Panasonic DVX-100A, Sony VX-2000, Sony PD-150
Editing system: Avid XpressPro
> what critics are saying
> what audiences are saying
(out of 4) “Like many of the best
documentaries, John Helde's personal and very
moving MADE IN CHINA starts out to be about
one thing - a look at Helde's father’s childhood as
an American boy in 1930s China - and, in doing so,
ends up being about something else…The result is
both an overseas journey and a thoughtful
film…”
“One of the most honest films I have ever seen
about someone in my generation finding
meaning in the things we don't understand
about our parents.”
- Lisa, 40, network administrator
- Moira MacDonald, The Seattle Times
“Family documentary is hard to do well. Made in
China...marked the debut of a director with the
subtle gifts needed to pull it off. Helde has a
sense of humor and a talent for drawing
links between things…The quest—Helde's
search for details of his father's life that his father
would never discuss—becomes as interesting
as the answers Helde uncovers.
- Christopher Frizzelle, The Stranger
“...Takes a refreshing approach to the subject
of home, homeland, [and] the powerful imprint of
childhood...”
- Belinda Acosta, The Austin Chronicle
“Helde finds a group of extremely articulate
storytellers...With his wry sense of humour and
gentle, easy-going manner, he lets the story unfold
around him.”
- Kevin Griffin, The Vancouver Sun
Alex Deleon for filmfestivals.com calls it
“a poignant film…”
Moira MacDonald also cited MADE IN CHINA as
one of her four top documentaries of the
2007 Seattle International Film Festival.
“I totally related to the themes… when I was
six, we lived in Sweden, and I learned the
language and made friends. When we had to
come back to America, I didn’t want to go - it
was one of the most traumatic experiences of
my life.”
- Jay, 25, graphic designer, foreign service brat
“As an American who has lived overseas for
many years, I am often confronted with the
question of Where is Home? MADE IN CHINA
brilliantly explored this theme…”
- Cheryl, 42, Peace Corps manager
“…a beautiful depiction of how, given curiosity
and courage, relationships can grow even at the
end of life. My heart was captured from the
very start and I was moved to tears
throughout.”
- Mindy, 30, volunteer coordinator
“The film exposed universal parallels that exist
in father/son relationships, and how they cross
cultures.”
- Kyle, 37, insurance sales
“Remarkable stories of Americans’ experience
in Asia - especially when they traveled back to
modern day China…”
- Maxine, 45, marketing director for an Asian community
health service
“Fascinating how the film visually conveyed the
enormity of change - from the China of the "Y"
missionaries to the China of today…”
- Bob, 62, attorney
> bios
JOHN HELDE (director, writer, producer) got his start in film with the New York
documentary-makers Maysles Films. An accomplished film editor, he has worked with
notable directors Alan Rudolph, Julia Sweeney and Chris Eyre. John has directed
several short films, including HELLO, starring Eric Stoltz, which won the IFP Spotlight
Award production grant and the CSA Artios Award for Best Short Film Casting. In
2007, he was shortlisted for The Stranger (Seattle) Genius Awards. John’s critically
acclaimed feature documentary MADE IN CHINA premiered in 2007. The story of
John’s father’s lost childhood as an American growing up in China, the documentary is
currently on the festival circuit.
ADAM SINGER (co-producer) has been an associate of Chicago’s Kartemquin Films
and a member of the independent documentary film community for over eighteen years
working both in the US and internationally as a producer, director, cameraman and
sound recordist. His credits include The War Tapes, The New Americans, Hoop Dreams
and co-producing Vietnam Long Time Coming, for which he won a national Emmy.
JOSEPH HUDSON (director of photography - China) began his award-winning
career shooting social issue documentaries in Montana over 20 years ago. An avid
traveler and outdoors enthusiast, he has lensed projects on 4 continents and in most of
the 50 states.
TANYA HUGHES' (director of photography - USA) work as director of
photography or camera operator has been seen in numerous documentaries, including
the Margaret Cho film The Notorious C.H.O., and Immigrant Workers Freedom Ride, a
documentary about the unique cross-country bus activism of 2003.
ERIK AHO (composer) attended Berklee College of Music, and began his career doing
instrumental and arrangement work for producers Rick Parashar (Pearl Jam, Nickelback)
and Jonathan Plum (Candlebox). Aho has written music for The Bachelor (ABC), The
Amazing Race (CBS) and The Miracle Workers (ABC). His film credits include the 2003
feature Inheritance and the 2004 feature documentary Busting Out, among others.
BAD ANIMALS/SEATTLE (sound design/editing/mixing) is an internationally
recognized audio post production house specializing in sound design, original music
composition, and sound mixing for feature films, television, radio, and interactive media.
The creative team, winners of 21 National Emmy Awards, is led by sound mixer/sound
designer Dave Howe, sound designer Mike McAuliffe and composer Tom McGurk.
Recent credits include Iraq in Fragments.
> director’s statement
Maybe it’s because my own 1970’s suburban upbringing was so completely uneventful by contrast – we never even moved once – that I became so fascinated with my
father’s childhood as a white American boy in China. Or maybe it’s because he didn’t
talk about those years. So many of us grow quickly tired of our parents’ well-worn
stories; but in my case I was well into adulthood before I realized just how much there
was to know.
My father Tom was, in fact, the family storyteller. A history professor, he
understood the importance of delivery; he also loved a good laugh. But he rarely
entertained us with stories of his childhood. It wasn’t until I was well into my thirties
that I opened a book called Golden Inches, the journals of Grace Service. Grace and her
husband Bob were close friends of my grandparents George and Ruth Helde, and they
all made Chengdu, Sichuan their home in the early 1920’s, as Bob and George worked
to establish a YMCA there. Inside the book, I found a photo of George and Ruth on the
road to Chengdu, accompanied by a brace of smiling Chinese. I also found Grace’s
heart-wrenching story of my father’s birth on Bailuding, a remote Sichuan mountain: my
grandmother Ruth died there at the family’s summer home three days after she
delivered my father.
Seeing the story in print, the dramatic circumstances of my father’s first
moments fully hit me. The idea of this special place – a place deep in China, where my
father burst on the scene, losing his mother in the process – lodged itself in my
consciousness. Then I came across a stash of photos I’d never seen – my father as a boy
in China, calmly holding the cook’s hand on the porch, playing with his dog, exploring
the marketplace, journeying up the Yangtze. The pictures felt like a window into
another world. I realized I knew virtually nothing about my father’s childhood. I also
was beginning to realize how little I knew him.
MADE IN CHINA sprang from the urge to uncover this story, a story that was
much more personal than anything I’d done. But when I started filming, and digging into
my father’s past, I found that such things do not come naturally to either him or me.
Talking - especially about things not usually talked about - was not the most comfortable
activity for us; and although I thought we should go back to the country he left in 1935,
he seemed content to leave the past in the past. Suggestions from my dad led me to
some of his childhood peers, and I traveled around interviewing them, looking for
answers to the big questions of the story: What did it mean to grow up in a country so
different from your parents’ “home” country? How did it feel to “return” to an
America you hardly knew? What do you call “home” anyway? In their entirely
unsurprising domestic surroundings, these aging Americans recounted a childhood far
removed from what we think of as “American,” often detouring into fluent Mandarin.
When my father died of cancer in December, 2003, just a year or so after I
began shooting, I couldn’t let the project end there. Going to China, even if on my own,
felt like a way to linger in the connection we had formed, and to continue to explore
the meaning of “home.” I wanted to see what would happen when I tried to find his
past in twenty-first century Shanghai, Changsha, and Chengdu; and I wanted to make it
to Bailuding, his mountain birthplace – to see this mythical summit as real, and,
hopefully, in some small way, close a circle.
-- John Helde
> about the production
When director John Helde opened a book from his parents’ bookshelf and found
a heart-wrenching description of his father’s birth in the summer of 1920 on a beautiful
Sichuan mountaintop called Behludin, he didn’t realize he was beginning a new film – and
a five-year journey bridging continents and family silences. His father, Tom Helde, grew
up in China for most of the first 15 years of his life. It was this part of his life that John
realized he knew the least about – and now, as Tom entered his eighties, it was also the
part that John most wanted to understand.
John was an editor of features and documentaries who was beginning his career
as a director with a few short narrative films under his belt. He had started in the film
business with documentary-makers Maysles Films in New York City, but had until now
focused his own career more on fiction filmmaking. As he talked with his father, and
found more and more photos of Tom’s early life in China, John began to feel that this
was a film asking to be made – a unique story of a childhood lived among and between
two cultures, and a story so unlike John’s own childhood.
John went to visit his father in 2002, and shot the first interviews with Tom.
Soon Tom offered his son directories and newsletters of groups that connected the
community of Americans who grew up in China - a community of thousands, it turned
out – and John widened his interviewing, tracking down several other Americans who
shared his father’s China childhood.
With good footage in the can, John returned to the editing room in Seattle to
cut a trailer that would help raise funds to continue the project. Having explored the
childhoods of his father and several other China-born Americans, John now felt that the
second half of the story lay in the present. With China immersed in economic
expansion and change, it would be an incredibly dynamic and poignant time to visit, and
he began planning to travel to China to search for the places his father once called
home. But Tom, unlike many of his contemporaries, felt otherwise – he had never been
back to China since he arrived in the States in 1935, and had largely put that past behind
him.
It was only eight months after beginning filming when John got the news that his
father had been diagnosed with lung cancer. The search for funding for this new
documentary was slow-going, and for many months the film sat untouched. In
November of 2003, Humanities Washington made a major grant to MADE IN CHINA,
an amount that would allow John to finish filming by going to China. But in December
of 2003, Tom Helde died of complications from lung cancer.
BJ Elder, whom John had already interviewed for the film, told him of her plans
to visit her hometown of Changsha after a Shanghai American School reunion in
October of 2004. John found her plans dovetailed well with his to film in China: given
that his father could not go, BJ’s return to Changsha might provide a window into what
it means to “go back.” Her visit would tie the interviews to the present and serve as a
bridge between John’s personal story and the stories of American children in China.
Director of Photography Joseph Hudson came on board, along with co-producer and
sound mixer Adam Singer, and in mid-October 2004 the three left for Shanghai.
Although Joseph and Adam had some experience in Asian countries, none of the three
had been to China. To some degree, they would be winging it – as in many
documentary situations, they had no idea what would happen. Two small Panasonic
DVX-100 video cameras and a professional microphone kept the filming team light and
nimble.
The China filming was structured around the three key cities of Tom Helde’s
childhood: Shanghai on the coast, Changsha, the capitol of Hunan, and Chengdu in
Sichuan. Although the crew spent a week in each place, each city has a different
resonance in the film. Shanghai is a chaotic entry point into the country. Changsha, an
industrial city of over five million, was the most important city of Tom Helde’s
childhood – the place where he grew from a young kid into a teenager. Here, the crew
followed BJ Elder and her friends as they searched for the Yale-China hospital where
they were born, and filmed an evening conversation with BJ and two friends as they
reveal their feelings about their return to China, and the meaning of home.
In Chengdu, William Hua introduced John to the beautiful 1920’s YMCA building
his grandfather helped design – here at last was something concrete of the past he can
touch. William, the retired director of the YMCA, also revealed a surprise: he and his
brother-in-law had driven to the foot of Bailuding, the mountain where Tom Helde was
born. Over an hour’s drive from Chengdu, Bailuding towers over tiny rural villages with
a distinctive hump shape. It looked possible to get to the top, with the help of a guide.
But there will be a little bushwhacking, William adds. On a clear day, the crew drives to
the tiny town of Bailu. Everyone is interested in John’s quest, and when they finally set
off there are no less than five guides to accompany the crew. The day is beautiful, and
the hiking easy at first. Nearer the top, the trail disappears, and the promised
bushwhacking materializes. When the group finally makes it to the summit, the guides
smoke cigarettes and pick bananas while John attempts to experience, and film, his
father’s birthplace. It’s difficult to absorb the climax of a several-years journey in the
space of half an hour. But there is lots of help – a group of children has scampered up
the mountain and they and the guides finally surround John to pore over the photos of
his five-year-old father on the porch of his parents’ Bailuding cottage – irrevocably, and
quite by chance, a small part of this place, and of China’s past.
> credits
for Doc
written, produced and directed by
JOHN HELDE
director of photography - China
JOSEPH HUDSON
director of photography - USA
TANYA HUGHES
co-producer
ADAM SINGER
co-producer
KAREN HELDE
associate producer
AJ EPSTEIN
original music by
ERIK AHO
editor
JOHN HELDE
sound design and mix
DAVE HOWE
additional camera
ERICH ROLAND
ADAM SINGER
JOHN HELDE
production sound
ADAM SINGER
PAUL RUSNAK
TOM HELDE, JR.
assistant editor
MATT SMITH
production coordinator
SUSIE MOORE
archival research
JOSEPH HARRIS, ABSOLUTELY ARCHIVES
KRISTINE WONG
audio post production
BAD ANIMALS SEATTLE
HD post
FLYING SPOT
online editor
SHANE DILLON
colorist
JEFF TILLOTSEN
title designer
JONATHAN BAAB
post producer
KELLI GARCES
film transfer
FLYING SPOT FILM TRANSFER
PRO 8MM
legal counsel
LANCE ROSEN, ROSEN LEWIS LAW FIRM
featuring
(in order of appearance)
TOM HELDE
CHARLES ROBERTS
JOYCE ROBERTS
MIRIAM C. LEE
EVELYN BIRKEL THOMPSON AYE
BEATRICE SCOTT STEVENSON
BJ RUGH ELDER
SYDNEY THOMSON BROWN
RITA ALLGOOD TUBBS
ANNE LOCKWOOD ROMASCO
MARY CLARK HOWLAND
ELSA ALLGOOD PORTER
WILLIAM HUA
JOHN LEE
“Little Piece of Henan,” “Listening to the Pines,” “Petrel,” “High Mountains and Flowing Water,” and
“Homeward Prose” from The Hugo Masters: An Anthology of Chinese Classical Music
(Celestial Harmonies 19901-2)
courtesy of Celestial Harmonies
“Wheelbarrow”
composed and performed by Andrea Wittgens
recorded by Vincent Gates at Commontone Studio, Seattle
“Hui Xiang”
music by Patrick Napper
lyrics traditional Chinese
performed by Zhang Qi and Patrick Napper
recorded and produced at IQBeats Seattle by Patrick Napper
executive producer Dennis Su
“Girl from Da Ban Town”
performed by George Sapounidis
courtesy of George Sapounidis
“I also love you, China”
music and lyrics by George Sapounidis
performed by George Sapounidis
courtesy of George Sapounidis
family footage and photographs courtesy of
THE ROBERTS FAMILY
THE THOMSON FAMILY
THE HELDE FAMILY
THE STANNARD FAMILY
BJ ELDER
archival footage, photographs and documents courtesy of
YALE UNIVERSITY LIBRARY
CHINA RECORDS PROJECT, YALE DIVINITY SCHOOL LIBRARY
KAUTZ FAMILY YMCA ARCHIVES
THE FILM HISTORY FOUNDATION
THE NATIONAL ARCHIVES
ABSOLUTELY ARCHIVES
KULING AMERICAN SCHOOL ASSOCIATION – F.P. LAURIDSEN
with deep gratitude to my family
TOM & JOAN HELDE
TOM HELDE, JR. & ANDREA ABRAMS
KAREN HELDE
special thanks to
HENRY ALLEN
ROSARIO AGLIALORO
OSCAR ARMSTRONG
ART XCHANGE GALLERY
KIRSTEN ATIK
DAVID AUERBACH
BRIAN BERDAN
MICHAEL BERLIN
EDWARD BLISS, JR.
MARGARET ANN BOLLMEIER
JOE BORICH
WILLIAM BRENT
PEGGY CASE
ALLISON WRIGHT CLARK
SARAH CLARK
PEYTON CRAIGHILL
PIERCE DAY
WARREN ETHEREDGE
FORD VIDEO
AJ EPSTEIN
BEAU GENOT
MARK GOLDMAN
IAN GRANT
TONY GROB
SUSAN HAN
JIM HARNSBERGER
WALTER HASKELL
WINSTON HASKELL
SCOTT HEINLEIN
THEODOR HEINRICHSOHN
ISABELLA HUA
WILLIAM HUA
LINDA JACOBS
GEORGE & RUTH KULSTAD
KENING LI
BOB MARTS
ANGIE MILLS
HARRIET MILLS
DOREEN MITCHUM
MICHAEL MONHART
RUTH OLIVER MOODY
MARGARET S. MOORE
NATIONAL VIDEO TAPE
JENNIFER PINEDA
PATRICIA RASKIN
JIM SANDER
SEATTLE GRIP & LIGHTING
PAUL SHERERTZ
TED STANNARD
LISA STOFFER
DENNIS SU
GLADYS SWIFT
BOONCHIN TAN
ELLEN TERRY
MARY TIKALSKY
RICHARD THAU
PEGGY THOMSON
KATHLEEN THORNE
ANNE TYNG
UNICOI LODGE
NANCY THOMSON WALLER
MARY & BOB WANG
JIN WEI
WANG XIYUE
MARY STONE YAHNKER
YALE-CHINA ASSOCIATION
YALI MIDDLE SCHOOL
DAVID YOU
YING ZHOU
The Kuling American School Association
EDITH VONGEHR BRIDGES-CONE
JIM DAY
KIM WHITENER
PETER LAURIDSEN
PAUL KELLER
China Records Project, Yale Divinity School Library
MARTHA SMALLEY
JOAN DUFFY
Yale University Library
WILLIAM MASSA
Kautz Family YMCA Archives
DAGMAR GETZ
made possible in part by funding from:
HUMANITIES WASHINGTON DOCUMENTARY FUND
MARTIN-FABERT FOUNDATION, HUGH AND JANE FERGUSON FOUNDATION, CLEAR PICTURES,
THE ETHEREAL MUTT - LIMITED, VULCAN PRODUCTIONS AND HUMANITIES WASHINGTON
THE FREEMAN FOUNDATION
4 CULTURE
THE WHITEHEAD FAMILY FOUNDATION
THE ETHEREAL MUTT - LIMITED
LINDA & JOHN CUNNINGHAM
JAMES & CHRISTINE GROB
JOAN & TOM HELDE
TOM HELDE, JR. & ANDREA ABRAMS
THE LEYERLE FAMILY CHARITABLE FUND
RICHARD L. MILLS
DAVID & CATHERINE SKINNER
CHERYL TURNER
SID ANDERSON
KIRSTEN ATIK
BETTY G. AUSTIN
MARGARET ANN BOLLMEIER
BETTY CAMPBELL
JOHN COMERFORD
CHARLES T. CROSS
DANIEL D. CROUSE
ABBY DYLAN
ELIZABETH ERICKSON
WINSTON HASKELL
WISTAR C. KAY
PAUL N. KELLER
BIK-LAM LEE
WHITNEY MACMILLAN
DAVID F. MERWIN
NANCY PARLETTE
JENNIFER PINEDA
PATRICIA-LYNNE RASKIN
JOYCE ROBERTS
FRANK & MARJORIE SMITH
DENNIS SU
CHARLES Y.B. WAY
produced in association with
NORTHWEST FILM FORUM
in memory
RUTH TOLMAN HELDE
GEORGE GRACE HELDE
ERMA FORBES HELDE
THOMAS TOLMAN HELDE
© 2008 TRY THIS FILMS, LLC
all rights reserved