Product Catalog

Transcription

Product Catalog

Product Catalog
STEVE AOKI // ATLANTIC RECORDS // PERCY BADY // BETA RECORDS // BMI // JOHNNY BRITT //
JULIAN BUNETTA // PETER BUNETTA // HOLT VAUGHN // CALIFORNIA ROAD STUDIOS // CALI
MIGHTY YOUNG // ELAN MORRISON // J.P. NEGRETE // GRANT NICHOLAS // CHARLES NORRIS // COLBY
O'DONIS// ON POINT // OOMPH! // ROSS PALLONE // SCOTT SHAVONI PARKER // DAN PENN // NEAL POUGE //
SWAG // RICK CAMP // DYLAN CHARBENEAU // MIKE CITY // BRIAN CULBERTSON // JAMES
RAYMOND & DAVID CROSBY // HECTOR DELGADO // ERICA DENNARD // KEVIN DORSEY // BRYAN
BOB REYNOLDS // ELVIN ROSS // SERENITY EAST, SANCTUM SOUND // SERENITY WEST // FLETCHER
SHERDAN // DREW SIMPSON // SY SMITH // STEPHANIE SPRUILL // CHRISTIAN STALNECKER // MARK
DUNCAN // ECHO BAR // NOEL EDWARDS // EJYPTIAN QUEEN // RANDY EMATA // PETER MICHAEL
ESCOVIDO // FAITH EVANS // TIM FAGAN // ANDREW FRAMPTON // DAN FRAMPTON // JARED GOSSELIN //
STEPHENS // STEREOTYPES // MIKE STEVER // DOREONNE STRAMLER // SWING HOUSE // TANK // ALEX
TEAMER // ALEX TODOROV // DJ TRENTINO // TUCK & PATTI // BRIAN VIBBERTS // ERICK WALLS // ASAPH
ERIK GRIGGS // CARMEN GRILLO // MAX GOUSSE // KEITH HARRIS // DONALD HAYES // KAVIN
HOO // BOB HORN // CHAUN HORTON // WARREN HUART // LUKE HUBBARD // MARK ISHAM //
WARD // AYSHA WEBB // MICHAEL WHITE // LOUIS WHITE // JOEL WHITLEY // ALLEE WILLIS // SEAN
WINCHESTER // DERICK WRIGHT // WRIGHTRAX // FRANK ZAPPA STUDIOS ...
CHRIS JOHNSON // JESSE JOSEFSSON // PHIL KEAGGY // OM'MAS KEITH // JASON LA ROCCA //
ALICIA LAWRENCE // JENNY LAWS // ED LEARNED // STEVE LU // CORRINE MAY // JUSTIN MERRILL //
... ALL OF THEM AND MANY MORE GREAT ARTISTS AND STUDIOS TRUST IN LEWITT MICROPHONES .
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OUR STORY
OUR BELIEF
Austrian co-founder and CEO of LEWITT Roman Perschon has been deeply
Music moves people.
involved in microphone development with some of the industry's top brands and was
for many years Senior Buyer & Project Manager for one of Austria's leading
Music is passion. Inspiration. Messenger.
microphone companies.
And music deserves to be heard. Unaltered. Authentic. Memorable.
The design & research team located in Vienna, Austria – recognized as a worldleading centre of excellence in professional microphone development – does all the
product development including all software
LEWITT
and electronic engineering. This backs on
supporting music aficionados, artists and
has
dedicated
itself
to
to the company's own 45.000-sqm facility
audio engineers around the globe in
in
getting the best out of every single
China
exclusively
designed
for
manufacturing microphones. The state-of-
creative idea and every project – with
the-art
microphones that set new standards in
production
base
with
+1000
employees includes its own die casting,
terms of sound quality, technology and
clean room capsule assembly, anechoic
reliability.
chambers, the latest SMT and soldering
equipment etc., to cover all aspects of
We know about the claim for perfection
engineering, testing and production. As
that forms the basis of every studio
such, LEWITT is delivering its own unique
recording, every stage performance, every
innovations with its own technology in high
voice recording. It is the same claim for
quality propositions at reasonable prices
perfection characterizing our products.
and thus is a truly rare combination.
We also know that every voice is unique
All of the microphones sport the "LEWITT
this uniqueness with authentic, unaltered
look" that signals modernity, individuality
sound.
and are passionate about emphasizing
and technical professionalism and all have
Roman Perschon
the "LEWITT feel" that exudes ruggedness, an appealing design and a quality
International research and development know-how, cutting-edge technology
Holt Vaughn | CEO
CEO and Co-Founder
capable of fulfilling the LEWITT promise of unaltered crystal clear transmission of
and a think tank of leading minds in the field of audio science and technology
California Road Studios
your sound, making it authentic and memorable.
allow for products lending your project a distinctive, unparalleled sound.
Anywhere. Anytime. And without compromise.
"[...] We are excited to have a nice line up
of
Austrian
microphones
by
Lewitt
alongside our arsenal of classic musthave mics. We dig in particular the Lewitt
LCT 640. A pair of LCT 340's also works
nicely on acoustic axes. These are highvalue mics which help to get a unique
thing going and away from the same-oldsame old, which is super important in
music today.”
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CONTENTS
THE LCT AUTHENTICA SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08
LCT 140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
LCT 240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
LCT 340 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
LCT 540 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
LCT 640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
LCT 840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
LCT 940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
THE MTP PERFORMANCE SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
MTP 240 DM / DMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
MTP 340 CM / CMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
MTP 440 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
MTP 540 DM / DMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Oomph!
Live at Arena Wien
MTP 840 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
MTP 940 CM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
THE DTP PERCUSSION SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
DTP 340 TT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
DTP 340 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
DTP 640 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
DTP Beat Kit 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
DTP Beat Kit Pro 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
THE LTS WIRELESS SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
LTS 240 Dual C+D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
LTS 240 Diversity C+D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
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LCT 140
EMPHASIZE
THE
GENUINE
LCT 240
IN
YOUR
LCT 340
LCT 840
SOUND.
THE LCT AUTHENTICA SERIES
With the LCT Authentica Series, LEWITT introduces a new generation of highly
versatile wired condenser microphones that all aim for setting new benchmarks of
technology, sound quality and user-friendliness in both professional studio recording
and onstage use.
The microphones of the LCT Authentica Series stand for unaltered sound and
LCT 540
innovative features: llluminated Settings, Noiseless Push Buttons, Automatic
Attenuation with Clip Detection and History all ensure error-free sonic perfection and
peerless ease of use for today’s demanding recording artists and engineers.
LCT 640
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LCT 940
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"GREAT PRODUCTS,
EXTREMELY VERSATILE."
"LEWITT mics are extremely versatile. On the latest Aerosmith record, I used a pair of LCT 640's to give an accurate, inphase stereo room sound of Joey Kramer's drums. They were able to faithfully reproduce all the subtleties of Joey
Kramer, one of the world's greatest-ever rock drummers."
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Warren Huart
Producer // Engineer // Songwriter
(Aerosmith, The Fray, James Blunt, Korn, ...)
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LCT 140
SPECIFICATIONS
The LCT 140 is an extremely versatile,
easy-to-use, compact 2/3-inch backelectret condenser microphone, perfectly
suited for quality-conscious casual users.
Its low-mass diaphragm delivers an
exceptionally clear and natural sound,
making it the perfect fit for a wide range of
live and studio applications including
drums
and
percussion,
acoustic
instruments or even vocal ensembles.
Acoustical operating principle: pressure gradient
transducer, permanently polarized
Transducer Ø: 17 mm / 0,67 inch
Directional pattern: cardioid
Frequency range: 30 to 20.000 Hz
Sensitivity at 1 kHz into 1 kohms: 8 mV / Pa (-42 dBV)
Rated impedance: < 150 ohms
Rated load impedance: > 1.000 ohms
Max. SPL for 0,5 % THD:
143 dB, 0 dB pre-attenuation
Equivalent noise level (IEC 61672-1): 19 dB-A, cardioid
Signal / noise ratio: 75 dB-A
Dynamic range of the microphone amplifier: 124 dB-A
Pre-attenuation pad: 10 dB, 20 dB, switchable
Bass cut filter slope:
12 dB / octave at 40 Hz
Supply voltage (IEC 61938): 48 V +/- 4 V
Current consumption (IEC 61938): 5,3 mA
Connector: gold plated 3-pin XLR
Dimension: 24 dia. x 160 mm / 0,94 dia. x 6,3 inch
Net weight: 195 g / 6,88 oz.
Thanks to its uniform cardioid pickup
pattern that effectively suppresses off-axis
sound, a wide dynamic range of 124 dB
and its very low self-noise, the LCT 140
adds transparency and distortion-free
detail to every sound recording. Its
transformerless output design makes it
immune to electromagnetic interference.
The LED display can optionally be
switched on and off for better handling in
different environments. In short, the LCT
140 is an extremely versatile all-rounder
microphone.
FEATURES
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Neutral frequency response for natural reproduction
Cardioid polar pattern for effective background noise
rejection
Wide dynamic range of 124 dB and very low self-noise
level
3-position switchable pre-attenuation pad (0 dB, 10 dB,
and 20 dB) for handling extremely high sound pressure
levels (SPLs)
Illuminated user interface for quick and easy handling
even in dark environments
Rugged black all metal construction for reliable
performance onstage and in the studio
Hexagonal ruthenium-galvanized steel mesh grille to
prevent wear and abuse
Immune to electromagnetic interference thanks to
transformerless preamplifier circuitry
Corrosion-resistant gold-plated 3-pin XLR output
connector
Comes in a cardboard box with foam layers; includes
DTP 40 Mts shock mount, LCT 40 Ws windshield and
DTP 40 Lb artificial leather bag
TOP APPLICATIONS
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Acoustic instruments // piano, guitar, drums,
percussion, strings...
Overhead miking // drums percussion, cymbals...
Room ambiance // guitar amplifier, drums...
Wind instruments // brass and woodwinds...
Home and studio recording
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LCT 240
SPECIFICATIONS
FEATURES
With the LCT 240 2/3-inch diaphragm
condenser
microphone,
LEWITT
introduces a high precision multi-purpose
tool that sets new benchmarks in terms of
performance and ease of use. Designed
for use in live performances as well as
(home) studio recordings, the LCT 240 will
leave a lasting impression with users
expecting accurate and unaltered tracking
of speech, vocals and instruments.
transducer, permanently polarized
Transducer Ø: 17 mm / 0,67 inch
Sensitivity at 1 kHz into 1 kohms: 8 mV / Pa (-42 dBV)
Equivalent noise level (IEC 61672-1): 16 dB-A, cardioid
Dimension: 138 x 52 x 36 mm / 5,43 x 2,04 x 1,42 inch
2/3-inch small-diaphragm capsule with ultra-thin
externally biased, gold-layered low mass diaphragm for
powerful and natural sound reproduction
ɶ Neutral frequency response for authentic sound onstage
or in the studio
ɶ Cardioid polar pattern for effective isolation of the main
sound source
ɶ Low self-noise and a total dynamic range of 130 dB
provides an outstanding acoustic presence and powerful
yet authentic sound
ɶ 3-position switchable pre-attenuation pad (0 dB, 10 dB,
levels and 3-position high-pass filter
ɶ Illuminated user interface for quick and easy handling
ɶ Noiseless pushbuttons for quick and easy attenuation
and high-pass filter selection
ɶ Clipping history, automatic attenuation and key-lock
provide error-free recording and unparalleled ease of use
ɶ Rugged black all-metal construction for durable
performance onstage and in the studio
ɶ Extra-large hexagonal ruthenium-galvanized steel mesh
grille provides an open acoustic environment and
prevents unwanted internal reflections
ɶ Immune to electromagnetic interference thanks to
ɶ Corrosion-resistant gold-plated 3-pin XLR output
connector
ɶ Comes in a cardboard box with foam layers; includes
DTP 40 Mts shock mount, LCT 40 Wx windshield and
The LCT 240 is equipped with a highperformance
back-electret
capsule
delivering a warm, distortion-free and
natural sound. The very low self-noise and
a wide dynamic range ensures a detailed
sound reproduction in any setting. Like all
models of the Authentica series, the LCT
240 also features a transformerless
circuitry which makes it immune to
electromagnetic interference.
Technological improvements such as
automatic attenuation and clipping history,
as well as an illuminated user interface and
pushbuttons that allow for noiseless
switching, make this sturdy all-rounder a
highly convenient and reliable choice.
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Lead and background vocals
Overhead miking // drums, percussion...
Room ambiance pick-up // guitar amplifier, drums...
Live and studio applications
Podcasting
Recording, home recording
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LCT 340
SPECIFICATIONS
FEATURES
LEWITT’s LCT 340 is a 0.8-inch externally
polarized condenser microphone that
excels at capturing acoustic and
percussion instruments, drums and
vocals, and is perfectly suited for
sophisticated live and studio applications.
Two interchangeable capsules allow for
quick and easy switching of patterns,
ensuring
greater
flexibility
without
changing microphones.
Acoustical operating principle: pressure & pressure
gradient transducers, externally polarized
Transducer Ø: 20,32 mm / 0,8 inch
Directional pattern: cardioid, omni
Sensitivity at 1 kHz into 1 kohms:
9 mV / Pa (-41 dBV), cardioid
8 mV / Pa (-42 dBV), omni
Equivalent noise level (IEC 61672-1):
15 dB-A, cardioid
16 dB-A, omni
Pre-attenuation pad: 6 dB, 12 dB, 18 dB, switchable
0.8-inch small-diaphragm capsule with ultra-thin externally
biased, gold-layered low mass diaphragm for ultra-precise
and neutral sound reproduction
ɶ Flat frequency response for natural, authentic sound
ɶ Interchangeable capsules for cardioid and omnidirectional
pattern selection ensuring maximum flexibility and an
undisturbed workflow
ɶ Wide dynamic range of 124 dB and low self-noise level of
15 dB for ear-catching realism and distortion-free sonic
depth
ɶ 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB
and 18 dB) for handling extremely high sound pressure levels
and 4-position high-pass filter
ɶ Illuminated user interface for quick and easy handling even in
dark environments
ɶ Rugged black die-cast full-metal body ensures long life
ɶ Hexagonal ruthenium-galvanized steel mesh grille to prevent
wear and abuse
ɶ Immune to electromagnetic interference thanks to
ɶ Corrosion-resistant gold-plated 3-pin XLR output connector
ɶ Comes in a cardboard box with foam layers; includes DTP 40 Mts shock mount, LCT 40 Ws windshield, DTP 40 Lb leather
bag and an optional omnidirectional true condenser
transducer
The LCT 340 is equipped with fourposition low-cut filter and pre-attenuation
slide switches, dual-color LED indicators
and a convenient snap closure. It offers a
dynamic range of 124 dB and stands out
for its extremely low self-noise of 15 dB.
Last but not least, its transformerless
output makes this ruggedly designed promic resistant to electrical interference and
a first-class pick for true sound
enthusiasts.
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Ensembles // choral or orchestral
Demanding live and studio applications
A/B and X/Y stereo miking
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LCT 540
SPECIFICATIONS
The LCT 540 Authentica exhibits a
combination of qualities that will
undoubtedly make it a studio favorite
among audio engineers and professional
musicians. Designed to complement
modern recording techniques and meet
the expectations of ever-demanding sound
professionals, this versatile large-diaphragm
condenser microphone offers outstanding
performance in miking lead vocals, drums
and percussion instruments, brass and
woodwinds, classical music ensembles.
transducer, externally polarized
Transducer Ø: 25,4 mm / 1 inch
16 mV / Pa (-36 dBV)
Equivalent noise level (IEC 61672-1): 8 dB-A
The LCT 540's cardioid 1-inch capsule,
enclosed by an extra-large hexagonal
grille, captures elaborate, exceptionally
nuanced sonic details and optimizes
isolation of the main sound source by
rendering off-axis sounds. The LCT 540
features three levels of attenuation and
three switchable high-pass filters, twocolor LEDs as well as pushbuttons for
noiseless handling. A dynamic range of
135 dB and an extremely low self-noise of
8 dB round off the features of this
exceptional microphone.
FEATURES
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1-inch dual-system externally biased capsule with an
active front and ultra-thin, gold-layered low-mass
diaphragm for superior transient response
Tailored frequency response for rich and authentic
sound onstage or in the studio
Cardioid polar pattern for effective isolation of the main
sound source
Extremely low self-noise of 8 dB and max SPL of 143
dB for an impressive total dynamic range of 135 dB
providing a maximum of acoustic presence and clarity
Noiseless pushbuttons for quick and easy attenuation
and HPF selection
Clipping history, automatic attenuation and key-lock
Rugged all-metal construction for reliable performance
onstage and in the studio
Extra-large hexagonal ruthenium-galvanized steel mesh
connector
Comes in a black carrying case; includes LCT 40 SHx
shock mount, LCT 40 Wx windshield and DTP 40 Lb
artificial leather bag
TOP APPLICATIONS
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Ensembles // choral or orchestral
Room ambiance pick-up // guitar amplifier, drums...
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LCT 640
SPECIFICATIONS
LEWITT’s LCT 640 is designed to raise
the bar in its class of reference-quality
large-diaphragm condenser microphones.
This Austrian-designed and engineered
pro-mic delivers a smooth, unsurpassably
rich and exceptionally nuanced sound, and
exhibits a remarkable set of qualities that
enthuses even the most discerning users.
The LCT 640 excels in a variety of
demanding studio applications and stands
for unrivalled performance in miking lead
and background vocals, drums, percussion
instruments, grand pianos, brass and
woodwinds, classical music ensembles.
transducer, externally polarized
Directional pattern:
omni
broad-cardioid
cardioid
super-cardioid
figure-8
13 mV / Pa (-38 dBV), cardioid
9 mV / Pa (-41 dBV), figure-8
10 dB-A, cardioid
12 dB-A, omni
13 dB-A, figure-8
Pre-attenuation pad: 6 dB, 12 dB, 18 dB switchable
In addition to the standard omnidirectional, cardioid and figure-8 polar
patterns, the LCT 640 offers a widecardioid and super-cardioid characteristic.
It offers a dynamic range of 135 dB and
stands out for its extremely low self-noise
of 10 dB. In combination with a 4-level
high-pass filter and 4-level switchable preattenuation, the LCT 640 provides
maximum versatility in all recording
situations. Automatic attenuation, keylock, clipping history, push buttons and a
light-up user interface round off the
features of this outstanding microphone.
FEATURES
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Superior transient response from ultra-thin externally
biased, gold-layered low-mass diaphragms for earcatching realism and authentic sound
Flat frequency response for natural, authentic sound
Five consistent directional characteristics – cardioid,
omnidirectional, figure-8, broad cardioid and supercardioid
– for maximum flexibility in a wide variety of recording
applications
10 dB self-noise and max SPL of 145 dB for an
impressive total dynamic range of 135 dB, providing
maximum acoustic presence
12 dB and 18 dB) for handling extremely high sound
pressure levels and 4-position high-pass filter
and HPF selection
Clipping history, automatic attenuation and key-lock
Rugged all metal construction for reliable performance
onstage and in the studio
connector
Comes in a black carrying case; includes LCT 40 SHx
shock mount, LCT 40 Wx windshield and DTP 40 Lb
artificial leather bag
TOP APPLICATIONS
ɶ Overhead miking // drums, percussion...
ɶ Ensembles // choral or orchestral
ɶ Room ambiance pick-up // guitar amplifier, drums...
ɶ Wind instruments // brass and woodwinds...
ɶ Demanding live and studio applications
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"THEY SOUND BOTH
CURRENT AND CLASSIC."
Steve Catizone (Songwriter // Music Producer, Serenity West Recording)
"I track a lot of vocals and I usually have to tweak the EQ a ton to get that sparkle, but not with the LCT 940. Like
all LEWITT microphones they sound both current and classic."
Leo Mellace (Songwriter // Music Producer, Serenity West Recording)
"LEWITT mics are up all over my studio and never come down. If I'm getting vocals or laying down some guitars
they are always ready to deliver. I just got the LCT 940 and love it, the edge and crispness I naturally get from it is
incredible"
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Cameell Hanna (Manager // Booking Director, Serenity West Recording)
"As a studio manager I book a crazy cross section of different artists from Adele to Snoop. I love Lewitt's ethos and my clients
appreciate the incredible capture that they deliver, and they're pretty damn handsome mics to boot. The LCT 940 is a vocal mic
that I am offering up first to all of our clients."
Serenity West Recording is a haven for recording artists
like Adele, Rihanna, Justin Timberlake, Sean Combs,
Shakira, Faith Evans, Will.I.Am and many more.
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LCT 840
SPECIFICATIONS
LEWITT’s LCT 840 is a premium-class
externally polarized dual-diaphragm tube
microphone designed to excel in a variety
of demanding applications. Equipped with
a precision-engineered 1-inch capsule,
the LCT 840 stands for exceptionally warm
and classic, solid vintage sound. Perfectly
suited for miking vocals and instruments,
this rugged multi-purpose microphone
allows for highly nuanced and authentic
sound reproduction in the studio and even
on stage. Five switchable polar patterns –
omni-directional, cardioid, figure-8, widecardioid and super-cardioid – make the
LCT 840 a highly versatile tool for
professional
audio
engineers
and
performers looking for true and authentic
tube sound.
Acoustical operating principle: pressure gradient transducer,
externally polarized
Directional pattern: omni, broad-cardioid, cardioid, supercardioid, figure-8, selectable on remote control
Sensitivity: 23 mV / Pa (-33 dBV), cardioid
9 dB-A, cardioid
10 dB-A, omni
9 dB-A, figure-8
Dynamic range of mic. amp.: 130 dB-A
Max. SPL for 0,5 % THD: 139 dB, 0 dB pre-attenuation
Pre-attenuation pad: 10 dB, 20 dB, selectable on remote
control
Bass cut filter slope: 12 dB / octave at 40 Hz
Supply voltage: custom power supply unit,
230 V, 50 Hz / 110 V, 60 Hz
Current consumption: 120 mA
Cable: 8 m (26 ft), 11-pin audio cable, oxygen-free copper
Dimensions (Mic): 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch
Dimensions (PSU): 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch
Net weight (Mic): 662 g / 23,3 oz.
Net weight (PSU): 1894 g / 66,8 oz.
Like all LEWITT mics, the LCT 840 stands
out for its extremely low self-noise of 9 dB
and effective rejection of off-axis sounds.
The microphone features three levels of
attenuation and three switchable highpass filters, LEDs and pushbuttons for
noiseless handling on the power supply
unit (PSU).
Apart from user-friendly operating controls
and advanced technological features so
essential to memorable recordings, the
LCT 840 also makes an eye-catching
design statement: The microphone is
equipped with a plexiglass inspection
window on the front side of the body, so
the illuminated tube itself is fully exposed.
The inside window surface is coated with
a highly conductive, yet transparent film
preventing electromagnetic interference.
In short: The unique combination of
innovative design, high-end technology
and tube-typical sound quality ensures
magic takes.
FEATURES
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TOP APPLICATIONS
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Ultra-thin 1-inch externally biased, gold-layered lowmass diaphragms combined with a dual triode tube
ensures accurate transient response while providing
smooth, warm and airy tube sound
Five consistent directional characteristics – cardioid,
omnidirectional, figure-8, broad cardioid and
supercardioid – offer maximum flexibility
Superior dynamic range of 130 dB-A (Tube) and
extremely low self-noise of 9 dB-A for ear-catching
realism and distortion-free sonic depth
Illuminated user interface and jog dials for easy handling
and HPF selection
Unique features like clipping history and automatic
attenuation provide error-free studio recording and
unparalleled ease of use
Solid die-cast metal body with a stylish, oversized tube
inspection window specially coated for maximum
protection against electromagnetic interference
Custom PSU 840 power supply unit with sturdy fullmetal housing and brushed, anodized black aluminum
front
connector
Comes in a black case; includes PSU 840 power supply
unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable
with gold-plated 11-pin XLR connectors and LCT 40
Wxx windscreen
Acoustic instruments // piano, guitar,
drums, percussion, strings...
Demanding studio applications
25
LCT 940
SPECIFICATIONS
Sound professionals naturally rely on a set
of different high-end microphones in order
to get the best out of their sound. But
changing microphones and adjusting
settings takes valuable time, the creative
flow of a session is interrupted. With its
new Authentica series flagship LCT 940,
LEWITT now introduces a microphone
that will revolutionize modern studio
recording procedures and help engineers
and artists to react more quickly to a
desired change of style and sound.
Directional pattern: omni, broad-cardioid, cardioid, supercardioid, figure-8 and four additional intermediate pattern,
selectable on remote control
Signal / noise ratio (FET): 86 dB-A
Signal / noise ratio (Tube): 82 dB-A
Equivalent noise level (FET) (IEC 61672-1):
8 dB-A, cardioid; 9 dB-A, omni; 8 dB-A, figure-8
Equivalent noise level (Tube) (IEC 61672-1):
12 dB-A, cardioid; 13 dB-A, omni; 12 dB-A, figure-8
Dynamic range of FET mic. amp.: 135 dB-A
Dynamic range of Tube mic. amp.: 128 dB-A
Max. SPL for 0,5 % THD (FET): 143 dB, 0 dB pre-attenuation
Max. SPL for 0,5 % THD (Tube): 140 dB, 0 dB pre-attenuation
Pre-attenuation pad: 6 dB, 12 dB, 18 dB, selectable on remote
control
Bass cut filter slope: 12 dB / octave at 40 Hz
selectable on remote control
Supply voltage: custom power supply unit,
230 V, 50 Hz / 110 V, 60 Hz
Current consumption: 170 mA
Cable: 8 m (26 ft), 11-pin audio cable, oxygen-free copper
Dimensions (Mic): 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch
Dimensions (PSU): 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch
Net weight (Mic): 662 g / 23,3 oz.
Net weight (PSU): 1930 g / 68,1 oz.
The LCT 940 combines the specific
characteristics of a premium largediaphragm FET condenser microphone
and a top-notch tube microphone in one
housing. Basically, users can choose
between the two main settings "FET" and
"Tube".
"Tube" delivers the classic, warm and rich
tube sound, while "FET" stands for the
clear, exceptionally rich and nuanced
sound LEWITT condenser microphones
are renowned for. However, the LCT 940
offers another unique feature that true
recording enthusiasts will swoon over: As
the characteristics of the two main
settings can be mixed and merged
continuously variable, the LCT 940 opens
up huge creative possibilities for artists
and producers.
Furthermore, the LCT 940 features a total
of nine different polar patterns – our five
"standard" polar patterns omni-directional,
cardioid, figure-8, wide- and supercardioid and four additional intermediate
patterns. The microphone features four
levels of attenuation and four switchable
high-pass filters, LEDs and push buttons
for noiseless handling on the PSU.
Automatic attenuation and clipping history
round off the feature list of the LCT 940.
26
FEATURES
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Combines the sonic characteristics of a tube and a FET mic
in one single housing for maximum creative freedom and an
undisturbed workflow
Continuously variable switching and merging of tube
and FET sound via rotating potentiometer
1-inch externally biased, dual-system capsule with ultra-thin,
gold-layered low-mass diaphragms combined with a dual
triode tube ensures accurate transient response while
providing smooth, warm and airy tube sound
Nine consistent directional characteristics – cardioid, omnidirectional, figure-8, broad cardioid, supercardioid and four
intermediate patterns – for maximum flexibility in a wide variety
of recording applications
Superior dynamic range of 128 dB-A (Tube) / 135 dB-A
(FET) and exceptionally low self-noise of 12 dB-A (Tube)
/ 8 dB-A (FET) for ear-catching realism and distortionfree sonic depth
12 dB and 18 dB) for handling extremely high sound
pressure levels and 4-position high-pass filter
Illuminated user interface and jog dials for easy handling
Noiseless pushbuttons for quick and easy attenuation and HPF selection
Unique features like clipping history and automatic
attenuation provide error-free studio recording and
unparalleled ease of use
Custom PSU 940 power supply unit with sturdy full-metal
housing and brushed, anodized black aluminum front
Corrosion-resistant gold-plated 3-pin XLR output connector
Comes in a black carrying case; includes PSU 940 power
supply unit with sturdy full-metal housing and milled, anodized
black aluminum front, LCT 40 SHxx shock mount, LCT 40 Tr
audio cable with gold-plated 11-pin XLR connectors and
LCT 40 Wxx windscreen
TOP APPLICATIONS
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Acoustic instruments // piano, guitar, drums, percussion,
strings...
Demanding studio applications
27
"A WELCOMED ADDITION
TO MY COLLECTION."
"When I'm recording a full band in the studio, I want to put up mics that I can rely on. There's limited time to achieve the
quality of sound that I want. I need tools that I can trust. Therefore, the band can play while they are still fresh. LEWITT
microphones are innovative and productive."
28
Brian Vibberts
Recording Engineer (participation in 250 Grammynominated and 65 Grammy-awarded projects)
29
ADD
MORE
MTP 240 DM / DMs
POWER
TO
YOUR
MTP 340 CM / CMs
MTP 840 DM
TUNES.
THE MTP PERFORMANCE SERIES
Music professionals know that it’s often the smallest details that make all the
difference in vocal and instrumental recordings.
With our MTP series, we aim to exceed artists’ and audio engineers’ expectations of
reproduction accuracy and isolation of the main sound source. The new flagships
among LEWITT's performance microphones – the MTP 840 DM and the 940 CM
MTP 440 DM
are true milestones of audio technology.
All MTP microphones are professional-quality handheld dynamic and condenser
performance microphones have been developed specifically for the authentic,
crystal-clear reproduction of vocals and are also well-suited for instrumental
applications.
Customized frequency responses, a rugged construction, high gain before feedback
and extremely low handling noise make all models of the MTP series the perfect fit for
any application, any performance and any setting.
MTP 540 DM / DMs
30
MTP 940 CM
31
MTP 240 DM / DMs
SPECIFICATIONS
The MTP 240 DM and MTP 240 DMs are
rugged and exceptionally feedback-safe
dynamic cardioid microphones tuned
specifically for vocal applications. Perfectly
suited for use in live performances and
ambitious home studio recordings, these
dynamic microphones please entry-level
vocalists and professionals alike.
Acoustical operating principle: dynamic, moving coil
Sensitivity at 1 kHz into 1 kohm: 2 mV / Pa (-54 dBV)
Using
state-of-the-art
microphone
technology, the MTP 240 DM and DMs
are engineered to provide sound
reproduction with exceptional clarity and
detail. The optional on/off switch (MTP
240 DMs) and a tough steel-mesh grille
that perfectly resists wear and abuse
rounds out the models’ features.
FEATURES
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Optimized frequency response for vocal applications
Uniform cardioid polar pattern minimizes unwanted
background noise
Easily withstands high sound pressure levels
Effective integrated acoustic pop and windshield offers
excellent protection without compromising highfrequency clarity
Highly durable black all-metal construction, optimized for
rough daily touring routine
Minimally affected by varying load impedance
The MTP 240 DMs features a convenient, recessed
on/off slide switch
connector
Comes in a cardboard box including MTP 40 MCs
shock mount and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
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MTP 340 CM / CMs
SPECIFICATIONS
Our MTP 340 CM and MTP 340 CMs are
quality condenser vocal microphones with
a thin diaphragm back-electret capsule
which brings a high level of sonic detail to
demanding vocal applications. No matter
whether on stage or in the studio, the
models’ tailored frequency response
always allows for maximum precision and
unsurpassed clarity, taking professional
vocal tracking to the next level.
permanently polarized
Sensitivity at 1 kHz into 1 kohm: 3,1 mV / Pa (-50 dBV)
Max. SPL for 1 % / 3 % THD: 141 dB / 150 dB
Equivalent noise level (IEC 61672-1): 25 dB-A
The uniform cardioid pickup pattern
ensures noise-free transmission, with
essential sound sources being effectively
isolated while unwanted feedback and
background noise are eliminated. These
microphones’ rugged construction and
hardened steel-mesh grille ensure
trouble-free handling on stage and in the
studio.
FEATURES
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TOP APPLICATIONS
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Frequency response shaped specifically for vocal
applications
Uniform cardioid pickup pattern for minimum off-axis
coloration
High gain before feedback
excellent protection against plosives and sibilance
Highly durable, black all-metal construction, optimized for
rough daily touring routine
The MTP 340 CMs features a convenient, recessed
on/off slide switch
connector
35
MTP 440 DM
SPECIFICATIONS
The MTP 440 DM is an exceptionally
versatile, precision-engineered cardioid
dynamic microphone ideally suited for
upscale live sound and studio recording
applications.
Featuring
a
highperformance capsule which delivers a
remarkably bright and lively sound, the
MTP 440 is perfect for miking drums,
percussion
instruments,
brasses,
woodwinds and vocals.
The MTP 440’s cardioid pattern ensures
perfect off-axis rejection and exceptionally
high gain before feedback. Unwanted
reflections or background noise are
effectively
suppressed.
High-quality
components and rugged construction
make it a number one choice for touring
professionals and artists around the globe.
36
FEATURES
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Tailored frequency response for instrument applications
Highly consistent cardioid polar pattern for minimum offaxis coloration
High gain before feedback
Rock-solid full-metal, die-cast body for rough daily touring
routine
Corrosion-resistant gold-plated 3-pin XLR output connector
Comes in a cardboard box with foam layers; includes MTP 40
MCs shock mount and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
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Drums and Percussion // snare, hi-hat...
Instrument amps
37
MTP 540 DM / DMs
SPECIFICATIONS
LEWITT’s MTP 540 DM and MTP 540
DMs are high-performance cardioid
dynamic
handheld
microphones
optimized for vocal applications setting
new standards of sound quality in both
demanding studio recordings and onstage
use.
Sensitivity at 1 kHz into 1 kohm: 2 mV / Pa (-54 dBV)
The MTP 540 DM and DMs combine the
advanced technological features so
essential to memorable and authentic
vocal reproduction, providing just the kind
of performance you expect in a top-notch
professional dynamic microphone: the
elastic shock-mount system effectively
cuts down handling noise, while a built-in
spherical wind and pop filter compliments
specially tailored frequency response to
ensure consistently rich and powerful
output in any setting.
FEATURES
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Frequency response shaped specifically for demanding
vocal applications, with brightened midrange and bass
roll-off
Uniform cardioid pickup pattern for maximum isolation of
the main sound source
Highly shock-proof capsule minimizes handling noise
Rock-solid full-metal, die-cast body for rough daily
touring routine
Hardened hexagonal ruthenium-galvanized steel mesh
grille to prevent wear and abuse
The MTP 540 DMs features a convenient recessed
on/off slide switch
connector
MTP 40 MCs shock mount and DTP 40 Lb artificial
leather bag
TOP APPLICATIONS
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39
"PRESSURE AND DIRECTNESS ARE
PARTICULARLY IMPORTANT TO US."
"Ever since the European summer festivals of 2012, we've been using a complete set of LEWITT microphones for our
live work. Drum kit, percussion, guitars, accordion and, of course, the vocals – we mic everything with LEWITT
microphones. They sound forceful and authentic, their clarity and direct response won us over immediately"
40
Oomph!
German Rockband
Picture taken at Novarock 2012
41
MTP 840 DM
SPECIFICATIONS
LEWITT puts true studio performance
onstage – universally usable thanks to
switchable sensitivity and a multi-step
high-pass filter, infinitely durable and
optimally equipped for punishing touring
conditions without compromising on
sound.
Directional pattern: super-cardioid
Sensitivity:
2,5 mV / Pa (-52 dBV), passive mode
5 mV / Pa (-46 dBV), active mode
10 mV / Pa (-40 dBV), active mode
Equivalent noise level:
22 dB-A, Super-cardioid (IEC 61672-1)
Dynamic range, passive mode: 141 dB-A
Dynamic range, active mode:
130 dB-A, 0 dB gain
124 dB-A, 6 dB gain
118 dB-A, 12 dB gain
Max. SPL for 0,5 % THD, active mode:
152 dB, 0 dB gain
146 dB, 6 dB gain
140 dB, 12 dB gain
Gain settings, active mode: 0 dB, 6 dB, 12 dB, switchable
Supply voltage: 48 V +/- 4 V (IEC 61938)
Current consumption: 5,5 mA (IEC 61938)
Dimension: 51 dia. x 183 mm / 2 dia. x 7,2 inch
Net weight: 326 g / 11.45 oz
Excellent transient response, refined
electronics and superior capsule design
make the MTP 840 DM a unique tool for
onstage use. Innovative circuitry design
and the highest-quality components make
for low self-noise and a maximum of
dynamic range when in active mode, the
frequency curve, which is specially tailored
for vocal recordings, provides the ultimate
in sound quality. A three-step high-pass
filter directly influences the proximity
effect.
The
built-in
three-position
switchable amplifier, is specially adapted to
the MTP 840’s components, allowing
lossless recording of even far-off sources.
The LEDs on the MTP 840 DM, which
can be turned off, make checking the
microphone’s numerous settings a direct
and easy matter even in the dark.
The new dynamic flagship MTP 840 DM
transports the artist’s voice in a natural and
powerful way, consistent directionality
across the entire frequency spectrum
makes for maximum protection against
feedback, with the flexibly suspended
capsule reducing structure-borne noise to
a minimum.
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FEATURES
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Proprietary dynamic capsule tuned specifically for
demanding vocal applications, with brightened midrange
and extended low end
Uniform supercardioid pickup pattern for maximum
isolation of the main sound source
Optional active mode provides superior dynamic range
of 130 dB-A and extremely low self-noise of 22 dB-A
for ear-catching realism and distortion-free sonic depth
Optional 3-position switchable amplification (0 dB, 6 dB,
and 12 dB) for unrivalled signal quality in demanding
environments
3-position switchable high-pass filter for direct
adjustment of proximity effect according to application
and artist
Illuminated indication of microphone settings for quick
and easy handling even in dark environments
Recessed slide switches prevent unintended change of
settings
Rock-solid full metal, die-cast body for rough daily
touring routine
Hardened steel mesh grille to prevent wear and abuse
connector
TOP APPLICATIONS
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MTP 940 CM
SPECIFICATIONS
Real studio performance onstage – at
present, this can only be found in
LEWITT’s MTP Performance Series.
Meeting the highest standards onstage
and in the studio requires the world’s most
technically advanced, innovative and fullfeatured handheld condenser microphone:
the new MTP 940 CM – a milestone of
audio technology.
Directional pattern:
broad-cardioid
cardioid
super-cardioid
Equivalent noise level: 9 dB-A, cardioid (IEC 61672-1)
Dynamic range of mic. amp.: 135 dB-A
Current consumption: 5,5 mA (IEC 61938)
Dimension: 51 dia. x 183 mm / 2 dia. x 7,2 inch
Net weight: 332 g / 11.71 oz
The externally biased large-diaphragm
capsule of the MTP 940 CM lends the
lead voice the necessary presence in an
infinitely subtle, detailed and authentic
way. The source comes through clearly,
processed with impressive feedback
resistance and with undesired breath,
popping and handling noise reduced to a
minimum. The MTP 940 CM boasts a
135 dB dynamic range – the widest ever
achieved in a live microphone – due to its
high headroom and LEWITT’s own Direct
Coupling circuit design, which makes
possible an unbeatably low self-noise level
of just 9 dB. Thus the MTP 940 CM is
also ideal for use in the studio. Three
switchable polar patterns ease recording
of the most diverse sources. A three-step
high-pass filter makes it possible to
directly influence the proximity effect and
the three-position switchable attenuation
pad guarantees use even in extreme SPL
environments. LEDs that can be switched
off if desired, make checking the mic’s
numerous settings a direct and easy
matter even in the dark ensuring a fast and
trouble-free setup process.
FEATURES
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1-inch externally biased, dual-system capsule with ultrathin, gold-layered low-mass diaphragms ensure accurate
transient response for nuanced and authentic sound
Flat frequency response for natural, authentic sound
Three consistent directional characteristics – cardioid,
wide cardioid, supercardioid – for maximum flexibility in a
wide variety of live and recording applications
Superior dynamic range of 135 dB-A and exceptionally
low self-noise of 9 dB-A thanks to innovative direct
coupling technology (patent pending) for ear-catching
realism and distortion-free sonic depth
levels
3-position switchable high-pass filter for direct
adjustment of proximity effect according to application
and artist
Illuminated indication of microphone settings for quick
and easy handling even in dark environments
Recessed slide switches prevent unintended change of
settings
Rock-solid full-metal, die-cast body for rough daily
touring routine
Hardened steel mesh grille to prevent wear and abuse
connector
TOP APPLICATIONS
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For everyone who’s always dreamed of
taking their studio mic into their hands and
onstage, or of recreating a live atmosphere
in the studio at an uncompromising level
of quality, the MTP 940 CM is the only
right choice. With the optimal synergy
between versatility, innovation and sound
quality, it sets a new benchmark in the
world of high-end microphones.
44
45
PUT
MORE
DTP 340 REX
DTP 340 TT
BOOM
IN
YOUR
CHA.
THE DTP PERCUSSION SERIES
With its DTP series, LEWITT introduces a complete family of cutting-edge,
high-performance wired dynamic microphones designed specifically for drums,
percussion and bass instruments. These high-quality mics – spear-headed by our
masterpiece, the dual-element cardioid DTP 640 REX optimized for kick drum
applications – stand out thanks to their sonic accuracy on stage as well as in studio
settings. Minimally affected by varying load impedance and designed to effectively
reject off-axis sound, all models of the DTP series deliver unparalleled, memorable
sound that will turn heads in any audience. Uniform cardioids and super-cardioid
patterns allow for high gain before feedback and a hardened steel mesh grille
effectively resists wear and abuse, making DTP microphones and Beat Kits the
ultimate choice for touring professionals.
From professional drummers to discerning beat aficionados, LEWITT's DTP series
lets music lovers and performers alike discover a fine-tuned, punchy sound.
DTP 640 REX
46
47
DTP 340 TT
SPECIFICATIONS
With the DTP 340 TT LEWITT introduces
consistently
high-performing
wired
dynamic
microphones
specifically
designed to accurately capture the sound
of drums and percussion instruments
providing a maximum of acoustic presence
and clarity in live sound applications.
Directional pattern: super-cardioid
Even in high sound pressure level
applications, DTP 340 TT reproduces
instrumental sounds with sonic detail and
character. The super-cardioid polar pattern
ensures that side and rear sounds are
effectively rejected. Its rugged body and a
hardened steel-mesh grille make this
microphone highly durable professional
gear for performers and audio engineers.
FEATURES
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TOP APPLICATIONS
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Tailored frequency response for powerful yet smooth and
natural sound on percussion instruments
Uniform supercardioid pickup pattern ensures high gain
before feedback and maximum isolation of the desired
sound source
Solid full-metal, die-cast body suited for rough daily
touring routine
Highly durable steel mesh grille to prevent wear and
abuse
connector
Comes in a cardboard box with foam layers, including
DTP 40 Mts shock mount, DTP 40 Mt drum mount and
Drums and Percussion // tom tom, hi-hat...
49
DTP 340 REX
SPECIFICATIONS
The ambitious DTP 340 REX developed
for entry-level use and its upscale big
brother designed for professional use, the
DTP 640 REX, make the hearts of beat
aficionados beat faster. Thanks to its
cardioid polar pattern and customized
frequency response, the dynamic DTP
340 REX offers everything you need to
mic bass instruments: catchy, impressive
sound and reliable performance on stage
and in the studio.
EFR, ‘Enhanced FrequencyResponse’ settings:
= FFR, ‘Flat Frequency Response’
+ EFR, ‘Enhanced Frequency Response’
Sensitivity, = FFR: 0,4 mV / Pa (-69 dBV)
Sensitivity, + EFR: 0,4 mV / Pa (-69 dBV)
Net weight: 740 g / 26,1 oz
Since 2012, the DTP 340 REX offers
another innovative feature. In addition to
the accustomed neutral and pure sound –
developed for maximum application
diversity –, the ‘Enhanced Frequency
Response’ switchable right on the
microphone will deliver an unbeatably
impressive
sound
by emphasizing
frequencies from 70-150 Hz and 3-5 kHz
– especially optimized for use on kick
drums.
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FEATURES
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Switchable “Enhanced Frequency Response”
specifically tailored for a powerful kick drum sound
Perfectly suited for recording bass instruments and
percussion
Uniform cardioid pickup pattern for maximum isolation
of the main sound source
Outstanding gain before feedback
Rock-solid full metal die-cast body suited for rough daily
touring routine
Integrated stand adapter for secure mounting and easy
positioning
connector
Comes in a cardboard box with foam layers and DTP
40 Lb artificial leather bag
TOP APPLICATIONS
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Drums and Percussion // kick drum...
Low frequency instruments // double bass,
electric bass, kick drum...
51
DTP 640 REX
SPECIFICATIONS
Thanks to variably controlled dual element
technology and fine tuned frequency
responses, our flagship among drum
microphones, the DTP 640 REX, offers
unparalleled and powerful sound that will
delight professional drummers and sound
engineers alike. The DTP 640 REX is
equipped with a high quality dynamic
element and a condenser element – the
dynamic element ensures accurate
reproduction of the bass drum kick, while
the condenser element optimally captures
the rich low frequency sound of the
drum’s shell. In order to guarantee full
control over the two elements, they can be
separately mixed on their own channels.
Acoustical operating principle:
dynamic, moving coil
condenser, permanently polarized
Transducer Ø (dynamic): 31,7 mm / 1,25 inch
Transducer Ø (condenser): 22,4 mm / 0,88 inch
Directional pattern: cardioids, condenser and dynamic
Frequency range: 20 to 16.000 Hz, dynamic,
depending on EFR setting
EFR, ‘Enhanced Frequency Response’ settings:
= // = FFR, ‘Flat Frequency Response’
+ // = Dynamic EFR, ‘Dynamic Enhanced Frequency
Response’+ // + Dual EFR, ‘Dual Enhanced
Frequency Response’
Sensitivity, = // = FFR:
0,4 mV / Pa (-69 dBV) dynamic
2 mV / Pa (-54 dBV) condenser
Sensitivity, + // = Dynamic EFR:
0,4 mV / Pa (-69 dBV) dynamic
2 mV / Pa (-54 dBV) condenser
Sensitivity, + // + Dual EFR:
condenser and dynamic matched at 1 mV / Pa (-60 dBV)
Equivalent noise level:
28 dB-A (IEC 61672-1), condenser, FFR
Dynamic range of mic. amp.: 122 dB-A, condenser
160 dB,10 dB pre-attenuation
Pre-attenuation pad: 10 dB, 20 dB switchable
Rated impedance:
< 500 ohms, dynamic
< 200 ohms, condenser
Current consumption: 2 mA (IEC 61938)
Connector: gold plated 3-pin and 5-pin XLR
Cable: 1,5 m (4,95’) dual shielded Y-cable,
5-pin XLR into two 3-pin XLRs
Net weight: 755 g / 27,3 oz
Since 2012, the DTP 640 REX offers two
more features. The dynamic element
emphasizes frequency ranges relevant for
the kick drum in the ‘Dynamic Enhanced
Frequency Response’ setting switchable
right on the microphone, while the
condenser element captures the sound
neutrally. With ‘Dual Enhanced Frequency
Response’, the character of the sound can
be shaped even more individually – with
this setting, the condenser element
focuses on frequencies from 70 to 150 Hz
and delivers a full body sound. The
dynamic element provides the necessary
power by focusing on the range between
3 and 5 kHz.
The combination of these features with
the comprehensive tonal freedom of dualelement technology greatly increases the
range of use, turning the DTP 640 REX
into a universal tool for bass-heavy
applications.
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FEATURES
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Innovative dual-element design (dynamic and backelectret condenser) accurately captures the sharp
attack of the beater as well as the round tonalities of
the shell for unrivaled realism
3-position switchable "Enhanced Frequency Response"
provides various tailored frequency responses on
separate channels for maximum creative freedom
Frequency response specifically tuned for kick drum
applications and bass instruments
levels
Hardened hexagonal ruthenium-galvanized steel mesh
grille to prevent wear and abuse
Integrated stand adapter for quick and easy mounting
and positioning
connector
DTP 40 Trs cable and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
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Drums and Percussion // kick drum...
Low frequency instruments // double bass,
electric bass, kick drum...
53
DTP Beat Kit 6
The DTP Beat Kit 6 is a conveniently packaged start-up
selection of dynamic and condenser drum and percussion
microphones and mounts, designed to offer performers and
audio engineers of all experience levels everything needed for
expert live sound reinforcement, home recording and studio
recording.
FEATURES
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The 6-piece drum kit includes one DTP 340 REX and three
DTP 340 TT super-cardioid dynamic drum mics, two LCT 140
condenser mics, windshields and drum- and shock mounting
systems, and comes in a convenient black aluminium carrying
case. Thanks to carefully tailored frequency responses
optimized for drum and percussion applications, as well as
precision dynamic capsules and uniform directional pickup
patterns ensuring high gain before feedback, the DTP 340 REX
and the DTP 340 TT deliver fine-tuned drum sound with
extraordinary detail and impact onstage and in the studio.
LEWITT’s highly versatile and compact condenser all-rounder,
the LCT 140, allows for accurate and clear sound capture of
cymbals. Its transformerless design makes it immune to
electromagnetic interference, and convenient LED displays and
recessed slide switches make it a perfect fit for live applications.
ɶ
ɶ
ɶ
6 piece starter drum kit containing one DTP 340 REX, three
DTP 340 TT and two LCT 140 microphones
All microphones feature frequency responses specifically
tailored for drum and percussion instruments
Extremely durable gear for professional live and studio
applications
The LCT 140 features a transformerless design which makes
it immune to electromagnetic interference
All models are equipped with corrosion-resistant gold-plated
3-pin XLR output connectors ensuring reliable signal paths
Comes in a black carrying case with double foam layers and
artificial leather faces for easy travel and secure storage
Includes two LCT 40 Ws windshields, five DTP 40 Mts shock
mounts and three DTP 40 Mt drum mounts
The complete kit comes in a rugged aluminium case which
allows for easy travel and secure storage.
54
55
DTP Beat Kit Pro 7
The DTP Beat Kit Pro 7 is an elite full-spectrum drum set
designed for an ever growing number of professional drummers
and sound engineers looking for a high-performance all-rounder
kit that allows for reproducing authentic, powerful sound full of
detail in any setting. From upscale studio projects to big live
acts, the DTP Beat Kit Pro 7 provides just the kind of reliable
premium gear you need for a memorable performance.
This 7-piece pro-kit contains our drum mic masterpiece, the
dual-element cardioid DTP 640 REX, three dynamic DTP 340
TT mics, two LCT 340 condenser mics and one cardioid
dynamic MTP 440 DM mic, as well as a selection of shock and
drum mounts. All these pro-quality, precision-engineered
microphones feature a tailored frequency response designed
specifically for miking drums, percussions and bass
instruments. The complete package exhibits fantastic SPL
handling and off-axis sound rejection, delivering remarkably
bright, smooth and balanced sound – anytime, anywhere.
The complete kit comes in a rugged aluminium case which
allows for easy travel and secure storage.
FEATURES
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ɶ
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56
7-piece quality drum kit containing one DTP 640 REX, three
dynamic DTP 340 TT microphones, two LCT 340 condenser
microphones and one dynamic MTP 440 DM
All microphones feature frequency responses specifically
tailored for drums and percussion instruments
Highly durable all-metal constructed bodies and hardened
steel mesh grilles for reliable performance onstage and in the
studio
The LCT 340 provides interchangeable 0.8-inch smalldiaphragm capsules for cardioid and omnidirectional (optional)
pattern selection, convenient snap closure, transformerless
output and dual-color LEDs
The DTP 340 TT features a uniform supercardioid pickup
pattern for high gain before feedback and maximum isolation
of the desired sound source
The MTP 440 DM is a cardioid dynamic microphone featuring
a precision-engineered capsule for effective isolation of the
intended sound source, perfectly suited for miking snare
drums
The DTP 640 REX combines a high-performance backelectret and a dynamic capsule in one mic for a highly
balanced, rich and powerful drum sound
All models are equipped with corrosion-resistant gold-plated
3-pin XLR output connectors ensuring reliable signal paths
and low noise
Comes in a black carrying case with double foam layers and
artificial leather faces for easy travel and secure storage
Includes two LCT 40 Ws windshields, five DTP 40 Mts shock
mounts, four DTP 40 Mt drum mounts and one MTP 40 MCs
shock mount
57
"IT REALLY CAPTURES THE
TRUE SOUND OF WHATEVER
I AM RECORDING."
Keith Harris trusts in LEWITT microphones. He may be best known as the drummer and a producer for multi-platinum
selling, The Black Eyed Peas and 'Fergie'. His album credits include Michael Jackson, Mary J. Blige, Mariah Carey,
Christina Aguilera, Chris Brown, Pussy Cat Dolls, Earth Wind and Fire, John Legend and many more.
58
Keith Harris
Producer // Drummer
(Multi Grammy Award Winner)
59
GET
MORE
LTS 240 Diversity C+D
LIVE
INTO
YOUR
SHOW.
THE LTS WIRELESS SERIES
Reasonably priced, sophisticated and yet easy-to-use wireless vocal systems which
deliver solid, distortion-free sound and excel in a variety of semi-professional studio
and live applications. That's what LEWITT's tech-engineers had in mind when they
created the LTS series. No matter whether at small live gigs, conferences, regional
events or karaoke performances, LTS wireless systems are the first choice for
ambitious entry- and mid-level users looking for the perfect combination of consistent
performance, smart operation and remarkable audio quality.
Users can choose between systems with condenser or dynamic capsules, and all
LTS sets feature handheld transmitters and full metal half-rack receivers.
Unplug and dive into a great new wireless experience.
LTS 240 Dual C+D
60
61
LTS 240 Dual C+D
SPECIFICATIONS
State-of-the-art wireless technology, solid
construction, reliable performance and
quality audio transmission at an
extraordinary price-performance ratio –
that’s what LEWITT’s LTS 240 Dual C &
LTS 240 Dual D wireless start-up kits
stand for. Designed for entry-level users,
these versatile, compact wireless systems
offer artists and engineers easy-to-use
wireless technology, delivering natural and
distortion-free sound on small stages, at
events or karaoke performances.
Transmitters
Transmission principle: UHF, FM
Available channels: 2 fixed
Modulation: FM (25 kHz max. deviation), compander
system with pre- and de-emphasis
Audio bandwidth: 70 to 18.000 Hz
THD: < 0.5 % typical
Signal / noise ratio: > 80 dB-A typical
RF radiation: 10 mW
Battery life: 2 pcs AA size dry batteries: 10 hours typ.
Users can choose between systems with
condenser (LTS 240 Dual C) or dynamic
capsules (LTS 240 Dual D). Each set
contains two high-quality handheld
transmitters featuring a convenient LED
display indicating battery status, a quickacting screw thread closure and two AA
batteries for up to 10 hours continuous
use, as well as a rugged half-rack receiver
with a sturdy metal housing.
Simply unplug and rock!
Receiver
Audio outputs: balanced 3-pin XLR; unbalanced
TS 1/4" jack
Gain adjustment range: 0 - 6 dB
Dimensions: 160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch
FEATURES
ɶ
ɶ
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ɶ
ɶ
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ɶ
ɶ
TOP APPLICATIONS
ɶ
62
The LTS 240 Dual C and D wireless systems are the
perfect choice for entry-level users looking for reliable
gear that delivers distortion-free, natural sound in live
and karaoke performances
The LTS 240 Dual C kit includes two handheld
transmitters featuring quality condenser capsules and a
half-rack receiver
LTS 240 Dual D kit includes two handheld transmitters
featuring quality dynamic capsules and a half-rack
receiver
Four-part RF- and AF-level LED display
Transmitters are equipped with two AA batteries for up
to ten hours of continuous performance, a convenient
LED display indicating battery status and an
On/Off/Mute switch
Receiver features pre-programmed frequencies, FM
modulation, UHF antennas, XLR and unbalanced (6,3
phone plug) outputs
Volume level control
Solid handheld transmitters with a hexagonal side grille
and a stylish matte black finish
Half-rack metal-case receiver with a matte black finish
LTS 40 MCs shock mount
63
LTS 240 Diversity C+D
SPECIFICATIONS
With the LTS 240 Diversity C and the LTS
240 Diversity D systems, LEWITT
introduces rugged, reliable and easy-touse wireless systems designed to add a
remarkable quality to performances of
ambitious entry-level users. Perfectly
suited for use on small stages, at club
gigs, regional events or in houses of
worship, these reasonably priced wireless
systems withstand the rigors of regular
stage use and deliver reliable performance
in any setting. Convenient and easy setup
makes these wireless systems the perfect
choice for young bands, entertainers and
karaoke professionals.
Transmitters
Transmission principle: UHF, FM, diversity
Available channels: 4 selectable channels
Modulation: FM (25 kHz max. deviation), compander
system with pre- and de-emphasis
Audio bandwidth: 70 to 18.000 Hz
THD: < 0,5 % typical
Signal / noise ratio: > 85 dB-A typical
RF radiation: 10 mW
Battery life: 2 pcs AA size dry batteries: 10 hours typ.
Users can choose between systems with
condenser (LTS 240 Diversity C) or
dynamic capsules (LTS 240 Diversity D).
Each set contains a quality handheld
transmitter featuring a convenient LED
display indicating battery status, a quickacting screw thread closure and a rotary
switch for frequency selection, as well as a
rugged
diversity
half-rack
receiver
featuring
four
pre-programmed
frequencies selectable via pushbuttons.
In short, the LTS 240 Diversity C and the
LTS 240 Diversity D systems offer
everything that users expect from versatile,
modern and durable entry-level wireless
systems.
64
Receiver
Audio outputs: balanced 3-pin XLR; unbalanced
TS 1/4" jack
Gain adjustment range: 0 - 6 dB
Squelch: Yes
Dimensions: 160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch
FEATURES
ɶ
ɶ
ɶ
ɶ
ɶ
ɶ
ɶ
ɶ
ɶ
ɶ
The LTS 240 Diversity C and Diversity D wireless
systems are a top choice for ambitious entry-level users
and performances in various acoustic environments
The LTS 240 Diversity C set includes one handheld
transmitter featuring a quality condenser capsule and a
half-rack receiver with a sturdy metal housing
LTS 240 Diversity D set includes one handheld
transmitter featuring a quality dynamic capsule and a
half-rack receiver with a sturdy metal housing
Four-part RF- and AF-level LED display
Transmitters are equipped with two AA batteries for up
to ten hours of continuous performance, an LED
display indicating battery status and an On/Off/Mute
switch and a rotary switch for frequency selection
Receiver features four pre-programmed frequencies
selectable via pushbuttons, FM modulation, UHF
antennas, XLR and unbalanced (6.3 phone plug)
outputs
Squelch and volume level controls
Hardened hexagonal steel mesh grille to prevent wear
and abuse
Half-rack all-metal case receiver with a matte black
finish
Set comes in a cardboard box with foam layers and
includes LTS 40 MCs shock mount
TOP APPLICATIONS
ɶ
65
LCT Shock Mount
LCT Windscreen
Shock mount for studio microphones. Attenuates noise, shock and vibration
transmitted through mic stands, booms and mounts. Quick-acting screw thread
closure permits fast and easy setup. Compatible with 3/8" and 5/8" threads.
High-quality, ultraviolet radiation resistant foam windscreen. Prevents loud pops
from occurring when aspirated air from spoken or sung consonants like "p" and
"t" hits the microphone's diaphragm.
LCT 40 Wxx
Suitable for
LCT 40 SHxx
Suitable for
ɶ
ɶ
LCT 40 Wx
LCT 40 Ws
Suitable for
Suitable for
ɶ
LCT 840
ɶ
LCT 240
ɶ
LCT 140
ɶ
LCT 940
ɶ
LCT 540
ɶ
LCT 340
ɶ
LCT 640
LCT 40 SHx
LCT 40 SHs
LCT 40 Tr
Suitable for
Suitable for
High perfromance 11-pin audio cable. Oxygen free copper, an extremely
low resistance and a tight cable shielding ensures best signal
transmission. Cable length is 8m.
LCT 840
ɶ
LCT 940
ɶ
LCT 540
ɶ
LCT 140
LCT 640
ɶ
LCT 340
Suitable for
ɶ
LCT 40 M2
Stereobar for accurate positioning
Compatible with 3/8" and 5/8" thread.
LCT 840
ɶ
LCT 940
MTP 40 MCs
of
mics.
Small snap-in handheld microphone mount. Compatible with 3/8"
and 5/8" threads.
Suitable for
66
ɶ
MTP 240 DM
ɶ
MTP 340 CM
ɶ
MTP 440 DM
ɶ
MTP 240 DMs
ɶ
MTP 340 CMs
ɶ
MTP 540 DM
ɶ
MTP 540 DMs
67
LTS 40 MCs
DTP 40 Mts
Snap-in handheld microphone mount. Compatible with 3/8" and 5/8"
threads.
Suitable for
Suitable for
ɶ
LTS 240 MXd
ɶ
LTS 240 Mx2c
ɶ
LTS 240 MXc
ɶ
LTS 540 MXd
LTS 240 MX2d
ɶ
ɶ
Rubber microphone mount. Provides firm grip and attenuates
structure borne noise. Compatible with 3/8" and 5/8ā threads.
LTS 540 MXc
ɶ
LCT AUTHENTICA series
ɶ
DTP 340 TT
ɶ
DTP 40 Mt
LTS 40 RMs
DTP 40 Tr / Trs
Rack hardware for LTS 240 wireless
systems. Suitable for mounting up
to two receivers in a 1U 19 inch
rack.
High performance 5-pin audio cable. Oxygen free copper, extremely low
resistance and a tight cable shielding ensures best signal transmission (4
m and 1,5 m length).
Suitable for
ɶ
LTS 240
Suitable for
ɶ
DTP 640 REX
DTP 40 Mt
DTP 40 Lb
Adjustable drum microphone
mount. Compatible with 3/8"
and 5/8" threads.
Cushioned leather bag. Spray
water proof.
Suitable for
Suitable for
68
ɶ
LCT AUTHENTICA series
ɶ
DTP 40 Mts
ɶ
MTP series
ɶ
MTP 40 MCs
ɶ
DTP 340 TT
ɶ
LTS 40 MCs
ɶ
DTP 40 Mt
69
D TAI S M KE A
SO MAKE YOURSELF HEARD.
UNALTERED. AUTHENTIC. MEMORABLE.
DIF ER NCE TO T E
EA S OF Y UR
AUDI NCE.
Music moves people.
Music is passion. Inspiration. Messenger.
And music deserves to be heard. Unaltered. Authentic. Memorable.
LEWITT has dedicated itself to supporting music aficionados, artists and audio engineers around the globe in
getting the best out of every single creative idea and every project ̢ with microphones that set new standards
in terms of sound quality, technology and reliability.
LEWITT GmbH, Mooslackengasse 17,
1190 Vienna, AUSTRIA
Email: [email protected]
70
71

Product Catalog

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