INTERVIEWS inspirati ON SERIAL

SERIAL
About2
Season One
3
Season Two
8
Photo9
Credits
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INTERVIEWS
DANA ASHBROOK 17
inspirati ON
Events19
Freakin´ 24
Merchandise
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twin peaks //
ABOUT TP
T win Peaks is an American television serial drama
created by David Lynch and Mark Frost. It follows
an investigation headed by FBI Special Agent Dale
Cooper (Kyle MacLachlan) into the murder of homecoming queen Laura Palmer (Sheryl Lee). Its pilot episode
was first broadcast on April 8, 1990 on ABC. Seven more episodes were produced, and the series was renewed for a second
season that aired until June 10, 1991. The show’s title came from
the small, fictional Washington town in which it was set. Exteriors were primarily filmed in the Washington towns of Snoqualmie and North Bend, though additional exteriors were shot
in southern California. Most of the interior scenes were shot on
standing sets in a San Fernando Valley warehouse.
Twin Peaks became one of the top-rated shows of 1990 and was
a critical success both nationally and internationally. It captured
a devoted cult fan base and became a part of popular culture
that has been referenced in television shows, commercials, comic books, video games, films and song lyrics. Declining viewer
ratings led to ABC’s insistence that the identity of Laura’s murderer be revealed midway through the second season. The series
was followed by a 1992 feature film, Twin Peaks: Fire Walk with
Me, which serves as a prequel to the television series.
The pilot episode was ranked #25 on TV Guide’s 1997 100
Greatest Episodes of All Time. TV Guide ranked the series at
#45 on TV Guide’s 50 Greatest TV Shows of All Time in 2002
and, in 2007, it was listed as one of Time’s “Best TV Shows
of All-TIME”. Twin Peaks placed #49 on Entertainment
Weekly’s “New TV Classics” list and #12 in their list of the “25
Best Cult TV Shows from the Past 25 Years”.
As with much of Lynch’s other work, notably Blue Velvet, Twin
2
Peaks explores the gulf between the veneer of small-town respectability and the seedier layers of life lurking beneath it. As
the series progresses, the inner darkness of characters who initially appeared innocent is revealed as they are seen to lead double lives.
Twin Peaks is consistent with Lynch’s work as a whole in that
it is not easily placed within an established genre. Its unsettling
tone and supernatural features are consistent with horror films,
but its campy, melodramatic portrayal of quirky characters engaged in morally dubious activities reflects a bizarrely comical
parody of American soap operas. Like the rest of Lynch’s oeuvre, the show represents an earnest moral inquiry distinguished
by both weird humor and a deep vein of surrealism.∆
Laura Palmer´s photo
One of the art pictures
about this serial film
3
twin peaks //
seASON ONE
1990
4
O
n the morning of February 24, in the town of Twin
Peaks, Washington, logger Pete Martell discovers a
naked corpse tightly wrapped in a sheet of clear plastic
on the bank of a river. When Sheriff Harry S. Truman (Michael
Ontkean), his deputies and Dr. Will Hayward arrive on the
scene, the body is discovered to be that of homecoming queen
Laura Palmer (Sheryl Lee). The news of her death spreads rapidly among the town’s residents, particularly Laura’s family and
friends. A badly injured second girl, Ronette Pulaski, is found
across the state line walking along the railroad tracks in a fugue
state. Because Ronette was discovered across the state line, FBI
Special Agent Dale Cooper is called in to investigate. Cooper’s
initial examination of Laura’s body reveals a tiny typed letter “R”
inserted under her fingernail. Cooper informs the community
that Laura’s death matches the M.O. of a killer who murdered
another girl in southwestern Washington the previous year, and
that evidence indicates the killer lives in Twin Peaks.
Laura is quickly revealed to have been living a double life. She
was cheating on her boyfriend, football captain Bobby Briggs,
with biker James Hurley and was prostituting herself through
the help of local truck driver and pimp Leo Johnson and drug
dealer Jacques Renault. Laura was also addicted to cocaine,
which she obtained by coercing Bobby into doing business with
Jacques.
Laura’s death sets off a chain reaction of events around town.
Her father, the prominent attorney Leland Palmer, suffers a
nervous breakdown. Donna Hayward (Lara Flynn Boyle), her
best friend, begins a relationship with James Hurley and, with
the help of Laura’s cousin, Maddy Ferguson (also Sheryl Lee),
begins to investigate Laura’s psychiatrist, Dr. Lawrence Jacoby
(Russ Tamblyn). Jacoby is discovered to have been obsessed
with Laura, and a plan to break into his
apartment results in an attack on Jacoby
in a park. He is revealed to be innocent,
but he suffers a heart attack and is hospitalized with no memory of the event.
Ben Horne, the richest man in Twin
Peaks, continues his plan to destroy the
town’s lumber mill and murder its owner
Josie Packard ( Joan Chen) and his lover
Catherine Martell (Piper Laurie), Josie’s
sister-in-law, so that he can purchase
the land at a reduced price and complete a long-planned development project.
Horne’s sultry, troubled daughter, Audrey
(Sherilyn Fenn), becomes infatuated with
Cooper and begins to spy around town in
an effort to help him solve Laura’s murder and gain his affections.
Cooper, during his second night in town,
has a dream in which he is approached
by a one-armed man who calls himself Mike. Mike identifies himself as an
otherworldly being and tells Cooper that
Laura’s murderer is a similar entity called
Killer BOB. BOB is a feral, denim-clad,
gray-haired man who vows to keep killing. Cooper then sees himself as twenty-five years older, sitting stationary in
a room surrounded by red curtains that
emit an otherworldly light. Across from
him are a dwarf in a red business suit,
known as “The Man from Another Place,” and Laura Palmer, whom The Man
// twin
identifies as his cousin. The Man engages in an apparently coded dialogue with
Cooper, rises from his chair, and dances
around the room while Laura whispers
in Cooper’s ear. The next morning, Cooper relates the dream to Truman. He tells
Truman that the dream was symbolic and
that if he can decipher the symbols he
will know who killed Laura.
Cooper and the Twin Peaks Sheriff ’s department find the one-armed man from
Cooper’s dream, who turns out to be
a traveling shoe salesman named Philip Gerard. Gerard does indeed know a
Bob, who is the veterinarian that treats
Jacques Renault’s pet bird. Cooper takes
this series of events to mean that Renault
is the murderer and, with Truman’s help,
tracks Renault down to One-Eyed Jack’s,
a brothel owned by Ben Horne across the
border in Canada. He lures Renault back
onto U.S. soil to arrest him, but Renault
tries to escape and is shot and hospitalized. Leland, after learning that Renault
has been arrested, sneaks into the hospital and murders him. The same night,
Ben Horne orders Leo to burn down the
lumber mill with Catherine trapped inside and has Leo gunned down by Hank
Jennings to ensure his silence. Cooper returns to his room following Jacques’ arrest
and is shot by a masked gunman, which
ends the season on a cliffhanger.
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An image of 7th episode;
“The Last Evening”
Under the orders of Ben
Horne, Leo embarks on a
plan not only to burn the
Packard Saw Mill but to
eliminate Shelly, Catherine
Martell and Bobby Briggs in
one fell swoop.
season two
1991
6
C
ooper lies in his room after having been shot. In an injured and semi-lucid state, he experiences a vision in
which a giant appears to him. The giant reveals three
clues to Agent Cooper: “there is a man in a smiling bag”, “the
owls are not what they seem”, and “without chemicals, he
points.” He then takes Cooper’s gold ring and explains that
when Cooper understands the three premonitions, his ring will
be returned.
Leo Johnson survives his shooting but is rendered severely incapacitated. Catherine Martell disappears and is presumed to
have been killed in the mill fire. Leland Palmer, whose hair has
turned white overnight, is rejuvenated by Renault’s murder and
returns to work.
Phillip Gerard is revealed as the host to MIKE, a demonic “inhabiting spirit” who used to retain the services of BOB, a lesser demonic entity, to help him kill humans. MIKE reveals that
BOB has been possessing someone in town for decades, but he
does not tell Cooper whom. Donna takes on Laura’s old route from her Meals on Wheels program in the hopes of finding
more clues to Laura’s murder. She befriends a young man named Harold Smith who is in possession of a second diary that
Laura kept. She and Maddy attempt to steal it from him, but Harold catches them in the act, loses all faith in humanity, and hangs himself in his
orchid greenhouse. The officers take possession of Laura’s secret diary in which it is revealed that BOB, a “friend of her father’s”, began to sexually molest and rape her when
she was a child and that she delved into drugs to cope with the abuse. Cooper believes
that the killer is Ben Horne, but Leland is revealed to be BOB when he brutally kills
Maddy.
Cooper doubts Horne’s guilt, so he gathers all of his suspects in the belief that he will
receive a sign to help him identify the killer. The Giant appears and confirms that
Leland is BOB’s host and the killer of Laura and Maddy. BOB assumes total control
over Leland’s body and confesses to a series of murders before forcing him to commit
suicide. Leland, free of BOB’s influence, tells Cooper that BOB has possessed him
ever since molesting him as a child. He begs for forgiveness, sees a vision of Laura
welcoming him into the afterlife, and dies in Cooper’s arms. The lawmen question
whether Leland was truly possessed or mentally ill, and consider the possibility that
BOB might still stalk the community of Twin Peaks in search of a new host.
Cooper is set to leave Twin Peaks when he is framed for drug trafficking by the criminal Jean Renault and suspended from the FBI. Renault holds Cooper responsible
for the death of his brother, Jacques. Jean Renault is killed in a shootout with police
and Cooper is cleared of all charges, but Windom Earle, Cooper’s former mentor and
FBI partner, comes to Twin Peaks to play a game of chess in which someone dies each
time he takes one of Cooper’s pieces. Cooper had begun an affair with Earle’s wife,
Caroline, while she had been under his protection as a witness to a federal crime. Earle
went mad, killed Caroline, stabbed Cooper, was committed to a mental institution and
escaped. He now hides out in the woods near Twin Peaks and plots revenge.
As this is going on, Cooper continues to try to track down the origins and whereabouts
of BOB, and learns more about the mysteries of the dark woods surrounding Twin
Peaks. It is here he learns of the existence of the White Lodge and the Black Lodge,
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twin peaks //
two mystical, extra-dimensional realms analogous to Heaven
and Hell whose gateways reside somewhere in the woods. Cooper learns that BOB, The Giant, and the Man From Another
Place all come from one of the two lodges. Meanwhile, BOB
moves from Leland to Jocelyn Packard, where it is revealed that
she is Cooper’s shooter. BOB then leaves her body as Truman
and Cooper attempt to apprehend her, and she is killed in the
process.
Cooper also falls in love with a new girl in town, Annie Blackburn. When Annie wins the Miss Twin Peaks contest, Windom
Earle kidnaps her and takes her to the Black Lodge entrance
in Glastonbury Grove. Cooper realizes that Earle’s real reason
for being in Twin Peaks is to gain entrance into the Black Lodge and harness its power for himself, and that his “chess game”
has been an elaborate decoy. With the help of the Log Lady,
Cooper follows Annie and Earle into the Lodge, which turns
out to be the red-curtained room from his dream. He is greeted
by the Man From Another Place, the Giant, and the spirit of
Laura Palmer, who each give Cooper encoded prophecies about
his future and demonstrate the properties of the Black Lodge,
which defy the laws of time and space. Searching for Annie and
Earle, Cooper encounters doppelgängers of various dead people, including Maddy Ferguson and Leland Palmer, who taunt
him with strange, false statements. The doppelgängers eventually lead Cooper to Earle, who demands that Cooper give up his
soul in exchange for Annie’s life. Cooper agrees and Earle kills
him. Seconds later, Killer BOB appears and reverses time in the
Lodge, bringing Cooper back to life. BOB tells Earle that he
cannot take human souls and then kills Earle and takes his soul.
BOB then turns on Cooper, who for the first time in the Lodge,
experiences fear. Cooper flees, pursued by BOB and a doppelgänger of himself.
Days after entering the Lodge, Cooper and Annie are discovered in the woods by Sheriff Truman. Annie is hospitalized,
but Cooper’s injuries are minor enough that Doctor Hayward
is able to treat them in Cooper’s room at the Great Northern
Hotel. Upon waking, Cooper asks about Annie’s condition, and
then states he needs to brush his teeth. When Cooper enters
the bathroom and looks into the mirror, his reflection reveals
that he is the evil version of Dale Cooper, as his reflection shows
BOB. He then rams his face into the mirror and, while laughing
manically, rhetorically asks repeatedly about Annie’s condition,
ending the series with an unresolved cliffhanger.
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//photo
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
Under the orders of Ben Horne, Leo
embarks on a plan not only to burn the
Packard Saw Mill but to eliminate Shelly, Catherine Martell and Bobby Briggs
in one fell swoop.
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photo//
// pho-
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
An image of 7th episode;
“The Last Evening”
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credits //
Título:
Twin Peaks
Título original: Twin Peaks
País: Estados Unidos
Año: 1990
Duración: 110 min.
Temporadas: 2
Género: Criminal, Drama, Thriller, Intriga
Reparto
Kyle MacLachlan, Michael Ontkean, Mädchen Amick, Dana Ashbrook, Richard Beymer, Lara lynn Boyle, Sherilyn Fenn, Warren
Frost, Peggy Lipton, James Marshall, Everett McGill, Jack Nance,
Joan Chen, Kimmy Robertson, Michael Horse, Piper Laurie, Harry
Goaz, Eric DaRe, Wendy Robie, Ray Wise, Sheryl Lee, Russ Tamblyn, Don S. Davis, Chris Mulkey, Gary Hershberger, Grace Zabriskie, Catherine E. Coulson, Ian Buchanan, Mary Jo Deschanel, Frank
Silva, Kenneth Welsh, Al Strobel, David Patrick Kelly, Miguel Ferrer,
John Boylan, Victoria Catlin, Charlotte Stewart, Jill Engels, Heather
Graham, Robyn Lively, Dan O’Herlihy, David Lynch, Billy Zane, James Booth, Don Amendolia, Annette McCarthy, Michael Parks, Ron
Blair, Carel Struycken, Mak Takano, Lance Davis, Phoebe Augustine,
Lenny von Dohlen, Brenda Strong, Robert Bauer, Hank Worden, Michael J. Anderson, Jan D’Arcy, Rick Giolito, Kevin Young, David Duchovny, Walter Olkewicz, David L. Lander, Jane Greer, David Warner,
Tony Jay, Nicholas Love, Galyn Görg, Brian Straub, Erika Anderson,
Peter Michael Goetz, Brett Vadset, Royal Dano, Clarence Williams
III, Jed Mills, Gavan O’Herlihy, Ritch Brinkley, Royce D. Applegate,
Ron Kirk, Claire Stansfield, Ron Taylor, Mary Stavin, John Apicella,
Ted Raimi, Craig MacLachlan, Jessica Wallenfels, Joshua Harris, Julee
Cruise, Andrea Hays, Gérald L’Ecuyer, Lisa Ann Cabasa, Clay Wilcox, Brenda E. Mathers, Dave Bean, Connie Woods
• Productora: Propaganda Films, Spelling Entertainment, Lynch/
Frost Productions, Twin Peaks Productions
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// cre-
• Agradecimientos: Kevin Young Jr.
• Casting: Elaine J. Huzzar Johanna Ray Johanna Ray
• Coordinación de producción: Tim Harbert
• Coproducción: Robert D. Simon, Robert Engels
• Departamento artístico: Audrey Stanzler, C.P. ‘Cass’ Quitan, David E. Robinson, Dort Clark, Jeffrey Moore, Jon Danniells, Jula
Bell, Keith Cox, Marc Fisichella, Richard Robinson, Stephen
Gibson, Thomas C. James
• Departamento de transportes: Greg Van Dyke, Steve Boyd
• Departamento editorial: Alexis Seymour, Alison M. Howard,
Bambi Sickafoose, Bob Allen, Brian Berdan, Chris Brown, Deborah Gavlak, Drew Marsh, Elizabeth Fox, Jenny Hicks, John
Refoua, John Wentworth, Ken Blackwell, Pamela Reisenleiter,
Robert Fong, Terilyn A. Shropshire
• Departamento musical: Alexis Seymour, Angelo Badalamenti,
Kinny Landrum, Lori L. Eschler, Rickio Woods
• Dirección artística: Daniel Proett, Okowita
• Directores: Caleb Deschanel, David Lynch, Duwayne Dunham,
Lesli Linka Glatter, Tim Hunter, Tina Rathborne, Todd Holland
• Diseño de producción: Richard Hoover
• Efectos especiales: Robert E. McCarthy
• Efectos visuales: Helena Packer, Raul Fernandez
• Fotografía: Frank Byers
• Guión: Barry Pullman, David Lynch, Harley Peyton, Mark Frost,
Robert Engels, Scott Frost, Tricia Brock
• Maquillaje: Andy Schoneberg, Annette E. Fabrizi, Carla Rosetto
Fabrizi, Heba Thorisdottir, Linda Vallejo
• Montaje: Duwayne Dunham, Jonathan P. Shaw, Paul Trejo, Toni
Morgan
• Música: Angelo Badalamenti, David Slusser
• Producción: Harley Peyton
• Producción asociada / Coproducción: Philip Carr Neel
• Producción ejecutiva: David<< Lynch, Mark Frost
• Productor asociado: John Wentworth
• Sonido: Adam Jenkins, Christopher Harvengt, Clive Taylor, Don
Summer, Gary Alexander, Jim Fitzpatrick, John A. Larsen, John
Haeny, Michael L. DePatie, Pat McCormick, Richard F.W. Davis, Richard Taylor, Steve Sollars, Thomas DeGorter, Tom
• Vestuario: Laurie Hudson Sara Markowitz Zoe Hale
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// interview
— How long was the period between the production of the
last episode and the movie, and what was it like to come back
into this role?
I think it was about a year. We were gonna do the movie, and
then the money didn’t happen but they kept trying to do it.
Eventually it happened and I know that Kyle played a big part
in it being made. So I guess it was a year.
It was really weird. The first scene that I shot was the last scene
that we see, with Laura and me on the couch. I came straight
from another job, literally flew in and went straight the set. I
didn’t know what I was doing, so David kinda walked me
through the scene line by line. I remember David, Sheryl and I
sat around and we rekindled with everybody. I was happy; they
were my great friends and they wrote a good part for me there.
— What was your favorite scene?
I really like that scene in the woods. It was one of my favorite scenes in the entire thing, including the series. We were
just watching, I was sitting next to my girlfriend and she said:
“Wow, Sheryl is so annoying in this scene.” And she was. I remember her being annoying while filming. It was late at night,
it was cold. It was an amazing kind of scene and she really did
go for being one of those people that are so out of control drunk
that you can not get them to sober up. I really noticed that,
watching it this time. Sheryl was doing things like putting her
finger in my ear, and I said “Stop it!“. She just did that stuff. It
was all her and not scripted.
Dana
Ashbrook
«
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— How did you get involved in Twin Peaks?
interview by UN PERIODISTA
The first scene that I shot was the last
scene that we see…
»
It was really just dumb luck. I happened to know Johanna Ray,
the casting director for the pilot. She used to cast Amazing Stories, this TV show by Spielberg. I never got on it, but I used to
audition for it a lot when I was 18 and first came to L.A. So later she was casting Twin Peaks and literally showed my picture
to David Lynch and that was it.
I remember the first meeting with David Lynch clearly. I loved
the script when I read it. Eric Da Re, Johanna’s son who played Leo Johnson and who was also running the casting session,
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interview//
started talking to me about the script, saying that it was so crazy
with the woman with the eye patch and the drapes and all that.
— Can you talk a little bit about the development of Bobby’s
infamous walk?
Well, you know. In the movie, we were dancing around and all
that. The music was really playing, and there was a bunch of
extras dancing around. The walk itself was just clunky, I don’t
know. I was wearing tight boots. And the whole going backwards thing… I remember on the pilot, David wanted me to
walk backwards. And when I got to the door, I wanted to turn
around and enter the normal way, but he wanted me to do that
backwards too.
— One of the most memorable moments with Bobby Briggs
is when his father, Major Briggs, tells him about the dream he
had. How did you experience the filming of this scene?
That was actually written with Bobby not going either way
emotionally. I went to Mark Frost and he said: “No, Bobby is
not into it and he’s just irritated by his dad.” And I was like, oh
okay, I get it. And then when we got on the set, David was like:
“No, no, no! It’s completely the opposite.” (laughs)
We did Don’s lines first. I was just listening to the story that he
was doing and he was so good. And then they turned around
on me, and David wanted me to cry but it wasn’t really working.
And instead of talking to me, David took Don aside and he
talked to him. Don came back and while we did the scene, Don
started crying off-camera. When he started crying, I started
crying. I really love Don for that, God rest his soul.
Without the soundtrack and effects, did you feel there was still
a weird intensity on the set?
Yeah, there’s a weirdness. But David listens to music while watching the monitors. He’s got a whole vibe going, and he’ll put
that music out there for everyone to vibe on too.
It can get weird. With the scene in the woods where I shot the
guy in the middle of the night, they had effects guys doing all
the brains. But David Lynch got in there with rubber gloves on
and he wanted to do the brains. It’s like an awful thing, but it’s
funny too, seeing David mess with a brain.
It was a learning experience working with someone like that.—
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// inter-
How much did the cast discuss the show?
Like everybody, we all thought about it. But it wasn’t really that
big of a deal to us, as much as it became after ABC marketed
Twin Peaks with: “Who killed Laura Palmer?” I was more into
the story of all the freaky characters.
We were really lucky to have good writing and directors. And
they were there to guide us if we had any questions. Some of
the stuff, you’re kind of winging. When David Lynch was there,
you could go to the source, but if that source wasn’t there, we
were making arbitrary decisions character-wise. But most of the
time, it’s pretty much mapped out and you just have to do what
the script says.
David likes the mystery of things, and sometimes it’s easier not to try to understand what’s going on. He meditates a lot
and comes up with stuff while doing that. I just didn’t question
it that much. As an actor you hope to meet someone in your
life that you just trust, that tells you to run backwards through a
door, or to dance with a blue rose and do stuff (laughs). I don’t
know what she [Kimberly Ann Cole who played Lil the Dancer] must’ve been thinking.
— How was it like to appear on Donahue and Letterman?
Appearing on Donahue was amazing for me, because he was
someone I grew up with watching. It was a real trip. It was surreal. And Letterman was my first trip to New York. I was 22,
got out at 30 Rockefeller center and looked up and almost fell
backwards because it was so high. The limo driver stopped me
from falling and I felt like such a country bumpkin.
— Do you remember how David directed the jail scene in the
pilot, when they bring in James?
David wanted to find some sort of intimidating thing to do in
there and we were working in this weird place. He took me on
the side roof of the building and we were out in the snow trying
different sorts of sounds. And you know in high school basketball and football games, you do this “Woo-woo-woo!” thing
with friends that is annoying, so that’s where it came from. Then
some guy that owned the building came out and told us to get
off the roof. (laughs)
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interview//
// events
— One last question. Are you still in touch with any of the
other cast members?
Yeah, I’m in touch with a few of them. We just did a tribute
episode, Psych, because the guy who is the lead is a huge Twin
Peaks fan and a friend of mine. So Sheryl, Lenny Von Dohlen,
Sherilyn, Ray… who I love, I’ve worked with Ray more than
anyone, 4 times since Twin Peaks, he’s the best. And I love them
all! †
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//exhibiti ON
//exhibiti
Twin Peaks 20th Anniversary Exhibition
In London: Art & Merchandise
From October 30th until November 3rd 2012, the Menier Gallery in London’s
Menier Chocolate Factory was the locale for Europe’s first official exhibition of
art inspired by Twin Peaks featuring 13 internationally-exhibited artists from
nine different countries. Here’s an overview of all the art and merchandise that
was on display at the Twin Peaks: 20th Anniversary Art Exhibtion.
All the art and officially licensed Twin Peaks merchandise is available for sale
online via this website while limited stock lasts.
Paul Willoughby – Laura
Participating artists
Gregory Euclide
Federico Gallo
Javier Jaen
Mengchai Lai
Will Maw
Yasuhiro Onishi
Gordon W Robertson
Peter Russell
Chris Saunders
Hiram To
Lizzie Vickery
Paul Willoughby and Wu Xiaohai
Curated by Suet-Ming Lau
with the blessing of David Lynch himself.
Paul Willoughby – Jocelyn
Paul Willoughby – Audrey
Paul Willoughby – Donna
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exhibiti ON //
Will Maw
Yasuhiro Onishi
Dale Cooper
Will Maw – Ring
//exhibiti
Laura Palmer
Sheriff
Windom Earle
Will Maw – Lodge
Gordon W Robertson
Will Maw – Photo
Will Maw – Fan
The Red Room
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Red Laura
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FREAKIN´//
DAVID LYNCH CAKE POPS
TWIN PEAKS NAIL ART
Yes, these David Lynch cake pops by Miss Insomnia
Tulip are edible. But would you? (I would!)
Laura Palmer (dead or alive) and Dale Cooper from
Twin Peaks
Frank Booth and Dorothy Valens from Blue Velvet
Henry Spencer and the baby from Eraserhead
John Merrick from The Elephant Man.
» The David Lynch cake pops are currently available
for $10.50 each (madeto order) on Etsy. (www.etsy.
com)
Alison Picard is a photographer, multi-media artist
and organizer living in Portland, Oregon. Aside
from all that, she also does nail art under the Nailed
By Ally moniker. Nail art doesn’t involve sliding cutout letters under the nail (that’s just psychopath behavior). It’s the craft of drawing pictures on acrylic
nails which can then be stuck on top of natural ones.
Now we wouldn’t be talking fingernails here if Alison didn’t recently finish this set of Twin Peaks designs. One for each finger. All done by hand.
FREAKIN´//
Make a doppelganger so
you have one for each hand.
The mitts are worked identically so there’s no designated left or right mitt.
YOUR OWN BLACK LODGE MITTS
Twin Peaks fans typically lock themselves up during the cold winter days for an
annual Twin Peaks marathon. But alas, the local donut shop doesn’t do home
deliveries so we will have to get out of the house at some point. In that case,
there’s no better way to protect our hands from sub-zero temperatures than to
wear these Black Lodge mitts. Fingerless, so we can eat a jelly donut on the way
back home!
The idea, the photos and the knitting instructions below are courtesy of Maiya,
the tattoo obsessed, redheaded knitter who kindly permitted me to share this
with you. The pattern for the Black Lodge Mitts is easy and fast, and a great way
to use up scraps as it requires less than 50 yards per color (red, white and black).
Requirements:
Size US 8 (5mm) needles for working in the round.
3 colors worsted weight yarn
Stitch marker
Darning needle to weave in ends
Bind off loosely in rib pattern. Weave in ends and
block.
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