education in religious symbols
Transcription
education in religious symbols
Vol 4 Issue 11 May 2015 ISSN No :2231-5063 ORIGINAL ARTICLE International Multidisciplinary Research Journal Golden Research Thoughts Chief Editor Dr.Tukaram Narayan Shinde Associate Editor Dr.Rajani Dalvi Publisher Mrs.Laxmi Ashok Yakkaldevi Honorary Mr.Ashok Yakkaldevi Welcome to GRT RNI MAHMUL/2011/38595 ISSN No.2231-5063 Golden Research Thoughts Journal is a multidisciplinary research journal, published monthly in English, Hindi & Marathi Language. All research papers submitted to the journal will be double - blind peer reviewed referred by members of the editorial board.Readers will include investigator in universities, research institutes government and industry with research interest in the general subjects. International Advisory Board Flávio de São Pedro Filho Federal University of Rondonia, Brazil Mohammad Hailat Dept. of Mathematical Sciences, University of South Carolina Aiken Hasan Baktir English Language and Literature Department, Kayseri Kamani Perera Regional Center For Strategic Studies, Sri Lanka Abdullah Sabbagh Engineering Studies, Sydney Ghayoor Abbas Chotana Dept of Chemistry, Lahore University of Management Sciences[PK] Janaki Sinnasamy Librarian, University of Malaya Ecaterina Patrascu Spiru Haret University, Bucharest Romona Mihaila Spiru Haret University, Romania Loredana Bosca Spiru Haret University, Romania Delia Serbescu Spiru Haret University, Bucharest, Romania Fabricio Moraes de Almeida Federal University of Rondonia, Brazil Anurag Misra DBS College, Kanpur Anna Maria Constantinovici AL. I. Cuza University, Romania Ilie Pintea, Spiru Haret University, Romania Xiaohua Yang PhD, USA George - Calin SERITAN Faculty of Philosophy and Socio-Political Sciences Al. I. Cuza University, Iasi ......More Titus PopPhD, Partium Christian University, Oradea,Romania Editorial Board Iresh Swami Pratap Vyamktrao Naikwade ASP College Devrukh,Ratnagiri,MS India Ex - VC. Solapur University, Solapur R. R. Patil Head Geology Department Solapur University,Solapur Rama Bhosale Prin. and Jt. Director Higher Education, Panvel Salve R. N. Department of Sociology, Shivaji University,Kolhapur Govind P. Shinde Bharati Vidyapeeth School of Distance Education Center, Navi Mumbai Chakane Sanjay Dnyaneshwar Arts, Science & Commerce College, Indapur, Pune Awadhesh Kumar Shirotriya Secretary,Play India Play,Meerut(U.P.) N.S. Dhaygude Ex. Prin. Dayanand College, Solapur Narendra Kadu Jt. Director Higher Education, Pune K. M. Bhandarkar Praful Patel College of Education, Gondia Sonal Singh Vikram University, Ujjain Rajendra Shendge Director, B.C.U.D. Solapur University, Solapur R. R. Yalikar Director Managment Institute, Solapur Umesh Rajderkar Head Humanities & Social Science YCMOU,Nashik S. R. Pandya Head Education Dept. Mumbai University, Mumbai Alka Darshan Shrivastava G. P. Patankar S. D. M. Degree College, Honavar, Karnataka Shaskiya Snatkottar Mahavidyalaya, Dhar Maj. S. Bakhtiar Choudhary Director,Hyderabad AP India. Rahul Shriram Sudke Devi Ahilya Vishwavidyalaya, Indore S.Parvathi Devi Ph.D.-University of Allahabad S.KANNAN Annamalai University,TN Sonal Singh, Vikram University, Ujjain Satish Kumar Kalhotra Maulana Azad National Urdu University Address:-Ashok Yakkaldevi 258/34, Raviwar Peth, Solapur - 413 005 Maharashtra, India Cell : 9595 359 435, Ph No: 02172372010 Email: [email protected] Website: www.aygrt.isrj.org International Recognized Double-Blind Peer Reviewed Multidisciplinary Research Journal Golden Research Thoughts ISSN 2231-5063 Volume - 4 | Issue - 11 | May - 2015 Impact Factor :3.4052(UIF) Available online at www.aygrt.isrj.org EDUCATION IN RELIGIOUS SYMBOLS Prohlad Roy Department of Education, Vinaya Bhavana, Visva-Bharati. Short Profile Prohlad Roy is working at Department of Education, Vinaya Bhavana in Visva-Bharati. ABSTRACT: A religious symbol is an iconic re p re s e ntat i o n i nte n d e d to represent a specific religion, or a specific education within a given religion. The Religion Facts and Religious Symbols Guide is an illustrated guide to just about every visual religious symbol under the sun. Religious symbolism is the use of symbols, including archetypes, acts, artwork, events, or natural phenomena, by a religion. Religions view religious texts, rituals, and works of art as symbols of compelling ideas or ideals. Symbols help create a resonant mythos expressing the moral values of the society or the teachings of the religion, foster solidarity among adherents, and bring adherents closer to their object of worship. The study of religious symbolism is either Universalist, as a component of comparative religion and mythology, or in localized scope, within the confines of a religion's limits and boundaries. KEYWORDS Religious Symbols, religion's limits. Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 1 EDUCATION IN RELIGIOUS SYMBOLS INTRODUCTION : A religious symbol is an iconic representation intended to represent a specific religion, or a specific education within a given religion. The Religion Facts and Religious Symbols Guide is an illustrated guide to just about every visual religious symbol under the sun. Religious symbolism is the use of symbols, including archetypes, acts, artwork, events, or natural phenomena, by a religion. Religions view religious texts, rituals, and works of art as symbols of compelling ideas or ideals. Symbols help create a resonant mythos expressing the moral values of the society or the teachings of the religion, foster solidarity among adherents, and bring adherents closer to their object of worship. The study of religious symbolism is either Universalist, as a component of comparative religion and mythology, or in localized scope, within the confines of a religion's limits and boundaries. OBJECTIVE: To highlight the means of education this is being nourished through different religious symbols. METHODOLOGY: To fulfill the objectives researcher has given his intension on literature review related with different articles on religion symbols. RESULT AND DISCUSSION: Symbols of Hinduism and means of education Aum Also spelled "Om," in Hindu thought this image represents a sacred sound. Go here for a full article on Aum in Hinduism. In Hinduism, Om (also spelled Aum) is a Hindu sacred sound that is considered the greatest of all mantras. The syllable Om is composed of the three sounds a-u-m (in Sanskrit, the vowels a and u combine to become o) and the symbol's threefold nature is central to its meaning. It represent several important triads: •The three worlds - earth, atmosphere, and heaven •The three major Hindu gods - Brahma, Vishnu, and Siva •The three sacred Vedic scriptures - Rg, Yajur, and Sama Thus Om mystically embodies the essence of the entire universe. This meaning is further deepened by the Indian philosophical belief that God first created sound and the universe arose from it. As the most sacred sound, Om is the root of the universe and everything that exists and it continues to hold everything together. The syllable is discussed in a number of the Upanishads, which are the texts of philosophical speculation, and it forms the entire subject matter of one, the Mandukya. AUM is a bow, the arrow is the self, And Brahman (Absolute Reality) is said to be the mark. (Mandukya Upanishad) The Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 2 EDUCATION IN RELIGIOUS SYMBOLS essence of all beings is the earth. The essence of the earth is water. The essence of water is the plant. The essence of the plant is man. The essence of man is speech. The essence of speech is the Rigveda. The essence of Rigveda is the Samveda. The essence of Samveda is OM. (Chandogya Upanishad) All those activities which people start with uttering the syllable OM do not fail to bear fruit. (Shankaracharya's Commentary on the Taittriya Upanishad 1.8.1) In the Puranas the syllable Om became associated in various ways with the major Hindu devotional sects. Saivites mark the lingam (a symbol of Shiva) with the symbol for Om, while Vaishnavites identify the three sounds as referring to the trinity of Vishnu, his wife Sri, and the worshiper. Om is spoken at the beginning and the end of Hindu mantras, prayers, and meditations and is frequently used in Buddhist and Jain rituals as well. Om is used in the practice of Yoga and is related to techniques of auditory meditation. From the 6th century, the written symbol of Om was used to mark the beginning of a text in a manuscript or an inscription. Om Parvat, a sacred peak at 6191m in the Indian Himalayas, is revered for its snow deposition pattern that resembles Om. With its threefold nature, special shape and unique sound, Om lends itself to a variety of detailed symbolic interpretations. The symbol of AUM consists of three curves (curves 1, 2, and 3), one semicircle (curve 4), and a dot. The large lower curve 1 symbolizes the waking state (jagrat), in this state the consciousness is turned outwards through the gates of the senses. The larger size signifies that this is the most common ('majority') state of the human consciousness. The upper curve 2 denotes the state of deep sleep (sushupti) or the unconscious state. This is a state where the sleeper desires nothing nor beholds any dream. The middle curve 3 (which lies between deep sleep and the waking state) signifies the dream state (swapna). In this state the consciousness of the individual is turned inwards, and the dreaming self beholds an enthralling view of the world behind the lids of the eyes. These are the three states of an individual's consciousness, and since Indian mystic thought believes the entire manifested reality to spring from this consciousness, these three curves therefore represent the entire physical phenomenon. The dot signifies the fourth state of consciousness, known in Sanskrit as turiya. In this state the consciousness looks neither outwards nor inwards, nor the two together. It signifies the coming to rest of all differentiated, relative existence This utterly quiet, peaceful and blissful state is the ultimate aim of all spiritual activity. This Absolute (non-relative) state illuminates the other three states. Finally, the semi circle symbolizes maya and separates the dot from the other three curves. Thus it is the illusion of maya that prevents us from the realization of this highest state of bliss. The semi circle is open at the top, and when ideally drawn does not touch the dot. This means that this highest state is not affected by maya. Maya only affects the manifested phenomenon. This effect is that of preventing the seeker from reaching his ultimate goal, the realization of the One, all-pervading, unmanifest, Absolute principle. In this manner, the form of OM represents both the unmanifest and the manifest, the noumenon and the phenomenon. As a sacred sound also, the pronunciation of the three-syllabled AUM is open to a rich logical analysis. The first alphabet A is regarded as the primal sound, independent of cultural contexts. It is produced at the back of the open mouth, and is therefore said to include, and to be included in, every other sound produced by the human vocal organs. Indeed A is the first letter of the Sanskrit alphabet. The open mouth of A moves toward the closure of M. Between is U, formed of the openness of A but shaped by the closing lips. Here it must be recalled that as interpreted in relation to the three curves, the three syllables making up AUM are susceptible to the same metaphorical decipherment. The dream state (symbolized by U), lies between the waking state (A) and the state of deep sleep (M). Indeed a dream is but the compound of the consciousness of waking life shaped by the unconsciousness of sleep. AUM thus also encompasses within itself the complete alphabet, since its Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 3 EDUCATION IN RELIGIOUS SYMBOLS utterance proceeds from the back of the mouth (A), travelling in between (U), and finally reaching the lips (M). Now all alphabets can be classified under various heads depending upon the area of the mouth from which they are uttered. The two ends between which the complete alphabet oscillates are the back of the mouth to the lips; both embraced in the simple act of uttering of AUM. The last part of the sound AUM (the M) known as ma or makar, when pronounced makes the lips close. This is like locking the door to the outside world and instead reaching deep inside our own selves, in search for the Ultimate truth. But over and above the threefold nature of OM as a sacred sound is the invisible fourth dimension which cannot be distinguished by our sense organs restricted as they are to material observations. This fourth state is the unutterable, soundless silence that follows the uttering of OM. A quieting down of all the differentiated manifestations, i.e. a peaceful-blissful and non-dual state. Indeed this is the state symbolized by the dot in the traditional iconography of AUM. The threefold symbolism of OM is comprehensible to the most 'ordinary' of us humans, realizable both on the intuitive and objective level. This is responsible for its widespread popularity and acceptance. That this symbolism extends over the entire spectrum of the manifested universe makes it a veritable fount of spirituality. Some of these symbolic equivalents are: •Colors : Red, White, and Black. •Seasons : Spring, Summer, and Winter. •Periods : Morning, Midday, and Evening. •States : Waking-consciousness (jagriti), Dream (svapna), and deep-sleep (sushupti). •Spheres : Earthly, Heavenly, and Intermediary. •Poetic Meters : Gayatri (24 syllables), Trishtubh (44 syllables), and Jagati (48 syllables). •Veda : Rigveda (knowledge of the meters), Yajurveda (knowledge of contents), Samaveda (knowledge of extension). •Elemental Deity : Fire (Agni), Sun (Aditya), Wind (Vayu). •Manifestation of Speech : Voice (vak), Mind (manas), Breath (prana). •Priestly Function : Making offering, Performing ritual, and Singing. •Tendencies : Revolving, Cohesive, and Disintegrating. •Quality : Energy (rajas), Purity (sattva), and Ignorance (tamas). •Ritual fire : Of the home, of the Ancestors, and of Invocation. •Goddess : Amba, Ambika, and Ambalika. •Gods : Of the elements (Vasus), of the sky (Adityas), of the sphere-of-space (Rudras). •Deity : Brahma, Vishnu, Shiva. •Action : Creation, Preservation, and Destruction. •Power : of Action (kriya), of Knowledge (jnana), and of Will (iccha). •Man : Body, Soul, and Spirit. •Time : Past, Present, and Future. •Stages of Existence : Birth, Life, and Death. •Phases of the Moon : Waxing, Full, and Waning. •Godhead : Father, Mother, and Son. Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 4 EDUCATION IN RELIGIOUS SYMBOLS •Alchemy : Sulphur, Quicksilver, and Salt. •Buddhism : the Buddha, Dharma, and Sangha (three jewels of Buddhism). •Qabalism : Male, Female, and the Uniting intelligence. •Japanese Thought : Mirror, Sword, and Jewel. •Divine Attributes : Truth, Courage, and Compassion. According to Indian spiritual sciences, God first created sound, and from these sound frequencies came the phenomenal world. Our total existence is constituted of these primal sounds, which give rise to mantras when organized by a desire to communicate, manifest, invoke or materialize. Matter itself is said to have proceeded from sound and OM is said to be the most sacred of all sounds. It is the syllable which preceded the universe and from which the gods were created. It is the "root" syllable (mula mantra), the cosmic vibration that holds together the atoms of the world and heavens. Indeed the Upanishads say that AUM is god in the form of sound. Thus OM is the first part of the most important mantras in both Buddhism and Hinduism, e.g. Om Namoh Shivai and Om Mani Padme Hum. Another ancient text equates AUM with an arrow, laid upon the bow of the human body (the breath), which after penetrating the darkness of ignorance finds its mark, namely the lighted domain of True Knowledge. Just as a spider climbs up its thread and gains freedom, so the yogis climb towards liberation by the syllable OM. The omnific and omniparous quality of OM makes it omnipresential, and in-omissible from any spiritual practice. As an omnipotent symbol, the yogi who penetrates its mystery is indeed truly omnicompetent and omnipercipient, and as an omniscient source, it is a virtual omnibus of sacred and mystical inspirations. Bindi The "dot" on the forehead of the woman pictured to the left is called a bindi. It is worn by married women. Linga This is the symbol of the god, Shiva. For a full article on linga go here. For a full article on Shiva go here. Go here to read about Hindu deities. Lotus flower The lotus flower represents beauty in Hinduism, and can also carry other meanings. In Hinduism, the lotus (Sanskrit: padma) primarily represents beauty and non-attachment. The lotus is rooted in the mud but floats on the water without becoming wet or muddy. This symbolizes how how one should live in the world in order to gain release from rebirth: without attachment to one's surroundings. "One who performs his duty without attachment, surrendering the results unto the Supreme Lord, is unaffected by sinful action, as the lotus leaf is untouched by water." -- Bhagavad Gita 5.10 . A similar meaning is given to the lotus symbol in Buddhism. The lotus is associated with several Hindu deities. Krishna is described as the "Lotus-Eyed One," referring to his divine beauty. Brahma and Lakshmi, the deities of potence and wealth, are often seen with the lotus symbol. Other deities Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 5 EDUCATION IN RELIGIOUS SYMBOLS associated with the lotus include Vishnu and Sarasvati. Finally, the lotus is also a symbol for the centers of consciousness (chakras) in the body. Pratik This symbol combines two triangels, a rising sun, and a swastika. In Hinduism, the pratik ("emblem") is the symbol of the Ananda Marga ("path of bliss") movement, which was founded in India in 1955 and emphases social service along with yoga and meditation. The pratik symbol consists of the following elements: Upward-pointing triangle representing one's external actions (social service). Downward-pointing triangle symbolizing one's internal work (meditation, self-realization). Rising sun symbolizing spiritual progress through the balance of external and internal efforts. Swastika representing fulfillment or one's ultimate spiritual goal Swastika The connotations of the swastika in the Western world aren't the same as those in the East. Go here to read a full article on the swastika in Hinduism. Learn about Karma in Hinduism here. The swastika (Sanskrit svastika, "all is well") is a cross with four arms of equal length, with the ends of each arm bent at a right angle. Sometimes the crossing lines are horizontal and vertical and other times they are an angle, forming a central "x" shape. Sometimes dots are added between each arm (e.g. the "swastika rangoli" picture below). The swastika is an ancient symbol that has been found worldwide, but it is especially common in India. Its name comes the Sanskrit word svasti (sv = well; asti = is), meaning good fortune, luck and well-being. This original meaning of the swastika is a far cry from Western associations of the symbol, which are largely negative. The swastika is most commonly used as a charm to bring good fortune (in which case the arms are bent clockwise), but it has a variety of religious meanings as well, which are described below. The right-hand swastika is one of the 108 symbols of the Hindu god Vishnu as well as a symbol of the sun and of the Hindu sun god, Surya. The symbol imitates, in the rotation of its arms, the course taken daily by the sun, which appears in the Northern Hemisphere to pass from east, then south, to west. (It is also a symbol of the sun among Native Americans) . The left-hand swastika (called a sauvastika) usually represents the terrifying Hindu goddess Kali, night and magic. However, this form of the swastika is not "evil" and it is the form most commonly used in Buddhism. The auspicious symbol of the swastika is very commonly used in Hindu art, architecture and decoration. It can be seen on temples, houses, doorways, clothing, cars, and even cakes. It is usually a major part of the decoration for festivals and special ceremonies like weddings. The Nazis adopted the swastika because it was understood as an Aryan symbol indicating racial purity and superiority. (The Nazis propogated a historical theory in which the early Aryans of India were white invaders). There may also be a connection with the swastika's magical connections, for Hitler and other Nazi leaders were keenly interested in the occult. Tilak Like a bindi, a tilak is a mark on the forehead. For a full article on tilak in Hinduism go here. For Hindiusm facts go here. For Hinduism beliefs go here. Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 6 EDUCATION IN RELIGIOUS SYMBOLS Trisula Also spelled "Trishula," this trident is an important symbol in Hinduism. Go here to read more about trisula. Learn more about Namaste in Hinduism here. In Hinduism, he trihsula (also spelled trishul or trisula, Sanskrit for "three spear") is a trident spear that is the emblem of the god Shiva. The weapon symbolizes empire and the irresistible force of transcendental reality. The three prongs of the trishula represent Shiva's three aspects of:Creator, Preserver, Ddestroyer as well as the three shaktis (powers):Will, Action, Wisdom. The fearsome goddess Durga also brandishes a trishula in one of her seven hands. Yantra In Hinduism, this symbol represents the universe. Read more about yantra here. Learn about cows in Hinduism here. Symbols of Islam and means of education Star and Crescent The star and crescent is the best-known symbol used to represent Islam. It features prominently on the flags of many countries in the Islamic world, notably Turkey and Pakistan. It's sometimes colored white with a green background. The symbolized was popularized during the Ottoman Empire. Learn more about Islam facts. Learn more about Islamic beliefs. Learn more about Islamic history. The name "Allah" The word "Allah" is very important in Islam. Certain words in Arabic script or characters can be regarded as visually representing Islam, such as "Allah." When used as a symbol, the script appears decorated. The color green Seen here in the flag of Pakistan, green is the official color of Islam. Scholars speculate that green is valued in Islam because of it's associations with life, making it important to the idea of paradise in Islam. The Quran mentions green in different places (e.g. Surah 55:76). Learn about the afterlife in Islam here. Mosque The imagery of mosques, the sacred place of worship in Islam, is sometimes used as a symbol by Muslims. The imagery can take on different forms. Variations include the rounded dome roofs upon Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 7 EDUCATION IN RELIGIOUS SYMBOLS which a crescent moon is sometimes placed as decoration. The Kaaba The Kaaba is the most sacred place in Islam, a mosque in Mecca, Saudi Arabia. It is in the shape of a black "cube" and pictures often show Muslims dressed in white walking around it in prayer. Various images of the Kaaba, real or drawn, are often used in Islam. Christian Symbol and means of education Christian symbolism is the use of symbols, including archetypes, acts, artwork or events, by Christianity. It invests objects or actions with an inner meaning expressing Christian ideas. The symbolism of the early Church was characterized by being understood by initiates only, while after the legalization of Christianity in the 4th-century more recognizable symbols entered in use. Christianity has borrowed from the common stock of significant symbols known to most periods and to all regions of the world. Christianity has not generally practised Aniconism or the avoidance or prohibition of types of images, even if the early Jewish Christians sects, as well as some modern denominations, preferred to some extent not to use figures in their symbols, by invoking the Decalogue's prohibition of idolatry. The fish as a symbol in Christianity is nearly as old as the Christian faith itself. The sign is seen in the past on things like art and architecture and today it endures on things like bumper stickers and business cards as a sign of Christian faith. The fish is thought to have been chosen by the early Christians for several reasons: The Greek word for fish (ICHTUS), works as an acrostic for I = Jesus, C = Christ, TH = God's, U = Son, S = Savior (Also see Christian beliefs about Jesus Christ). The fish would not be an obvious Christian symbol to persecutors; It is said that during the persecution of the early church, a Christian meeting someone new would draw a single arc in the sand. If the other person was a Christian, he or she would complete the drawing of a fish with a second arc. If the second person was not a Christian, the ambiguity of the half-symbol would not reveal the first person as a Christian. (Also see Christian history and Christian beliefs and Christian fast facts). Jesus' ministry is associated with fish: he chose several fishermen to be his disciples and declared he would make them "fishers of men." (Also see the New Testament and the Book of Matthew) Ichthius fish The second fish symbol (to the right) is the ICHTHUS fish, with the Greek word for fish written out to emphasize the symbolic acrostic described above. Although the word looks like IXOYE, the letters are from the Greek alphabet, so the "I" is actually an iota, the "X" is actually a chi, the "O" is actually a Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 8 EDUCATION IN RELIGIOUS SYMBOLS theta, the "Y" is an upsilon, and the "E" or "C" at the end is a sigma.Taking the first sound from each of these Greek letter names, we get the transliteration into our alphabet of ICHTHUS.Today, when Christians (in the West) do not need to worry about persecution, the Christian fish symbol often has "Jesus" written inside or includes a cross symbol. And of course, there have been many spoofs and variations of the popular Christian symbol, such as the famous "Darwin fish" (with legs).The fish is also a symbol of baptism, since a fish is at home in the water. "As Jesus walked beside the Sea of Galilee, he saw Simon and his brother Andrew casting a net into the lake, for they were fishermen. 'Come, follow me,' Jesus said, 'and I will make you fishers of men.' At once they left their nets and followed him."~ Mark 1:16-18. Christianity has always incorporated symbols - that is, visual representations and signs into its practice, as valuable expressions of truth. The depiction of an important element of the faith, by means of an animal or color, for instance, can be powerful and encouraging. What words cannot say, sometimes symbols can. While Christians are known for being people of faith, the religion has produced some of the most beautiful art in history. Whether they be carved on first-century tombs or tattooed on twenty-first century bodies, symbols matter in the Christian religion. Christians believe that God created human senses - sight, touch, taste, sound, and smell. Of course faith is of utmost importance in Christianity, but the physical abilities God gave people aren't unimportant. It is helpful to understand that the Christian worldview doesn't teach that immaterial and the material are in competition with each other or opposed to each other. in fact, faith experiences can be supported by a sensory experience such as when the Apostle Paul laid hands on people when he prayed for them (Acts 19:4-6). The Good Shepherd The image of the Good Shepherd, often with a sheep on his shoulders, is the most common of the symbolic representations of Christ found in the Catacombs of Rome, and it is related to the Parable of the Lost Sheep. Initially it was also understood as a symbol like others used in Early Christian art. By about the 5th century the figure more often took on the appearance of the conventional depiction of Christ, as it had developed by this time, and was given a halo and rich robes. Dove The dove as a Christian symbol is of very frequent occurrence in ancient ecclesiastical art. According to Matthew 3:16, during the Baptism of Jesus the Holy Spirit descended like a dove and came to rest on Jesus. For this reason the dove became a symbol of the Holy Spirit and in general it occurs frequently in connection with early representations of baptism. It signifies also the Christian soul, not the human soul as such, but as indwelt by the Holy Spirit; especially, therefore, as freed from the toils of the flesh and entered into rest and glory. The Peristerium or Eucharistic dove was often used in the past, and sometime still used in Eastern Christianity, as Church tabernacle. Peacock Ancient Greeks believed that the flesh of peafowl did not decay after death, and so it became a symbol of immortality. This symbolism was adopted by early Christianity, and thus many early Christian Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 9 EDUCATION IN RELIGIOUS SYMBOLS paintings and mosaics show the peacock. The peacock is still used in the Easter season especially in the east. The "eyes" in the peacock's tail feathers symbolise the all-seeing God and - in some interpretations - the Church. Pelican In medieval Europe, the pelican was thought to be particularly attentive to her young, to the point of providing her own blood by wounding her own breast when no other food was available. As a result, the pelican became a symbol of the Passion of Jesus and of the Eucharist since about the 12th century. A 3rd-century painting of the Good Shepherd in the Catacomb of Callixtus. Anchor The Christians adopted the anchor as a symbol of hope in future existence because the anchor was regarded in ancient times as a symbol of safety. For Christians, Christ is the unfailing hope of all who believe in him: Saint Peter, Saint Paul, and several of the early Church Fathers speak in this sense. The Epistle to the Hebrews 6:19-20 for the first time connects the idea of hope with the symbol of the anchor. Shamrock A pelican vulning itself. Lily Crucifix at Holy Trinity Church, Long Melford, Suffolk St. Patrick depicted with shamrock in detail of stained glass window in St. Benin's Church, Wicklow, Ireland Traditionally, the shamrock is said to have been used by Saint Patrick to illustrate the Christian doctrine of the Holy Trinity when Christianizing Ireland in the 5th century. The coat of arms of the Anglican diocese of Trinidad contains several Christian visual symbols Elemental symbols Elemental symbols were widely used by the early Church. Water has specific symbolic significance for Christians. Outside of baptism, water may represent cleansing or purity. Fire, especially in the form of a candle flame, represents both the Holy Spirit and light. The sources of these symbols derive from the Bible; for example from the tongues of fire that symbolized the Holy Spirit at Pentecost, and from Jesus' description of his followers as the light of the world; or God is a consuming fire found in Hebrews 12. Lily crucifix A lily crucifix is a rare symbol of Anglican churches in England. It depicts Christ crucified on a lily, or holding such a plant. The symbolism may be from the medieval belief that the Annunciation of Christ and his crucifixion occurred on the same day of the year, March 25. Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 10 EDUCATION IN RELIGIOUS SYMBOLS Sikhism symbols and means of education The Five Ks are the five items of dress and physical appearance given to Sikhs by Guru Gobind Singh when he gathered together the first members of the Khalsa on Vaisakhi day in 1699. These symbols give Sikhs a unique identity signifying discipline and spirituality. However, these items cannot be reduced to just symbols and must be worn in their full form. Kesh •Uncut hair, which is kept covered by a turban, or dastaar. •Kesh are a traditional symbol of holiness in India, and the turban is a symbol of leadership. •The dastaar is worn by men and some women to cover their long hair. Kirpan •A ceremonial sword, symbolizing readiness to protect the weak, and defend against injustice and persecution. •The kirpan is normally worn with a cloth shoulder strap called a gatra. •The kirpan exemplifies the warrior character of a Sikh. Kesh Kara Kirpan •A steel bracelet, symbolizing strength and integrity. •Steel is symbolic of strength yet resilient under stress. In the same way, the human soul must become as strong and unbreakable as steel which has been tempered in the furnace. Kara Kangha •A small wooden comb, symbolizing cleanliness and order. •The kangha is used to keep the hair clean and is normally tucked neatly in one's uncut hair. •As a Sikh combs their hair daily, he or she should also comb their mind with the Guru's wisdom. Kangha Kachhera •Cotton boxer shorts, symbolizing self-control and chastity; prohibition of adultery. Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 11 EDUCATION IN RELIGIOUS SYMBOLS Religion Symbols of Jainism and means of education Ahimsa Hand The hand represents fearlessness. The wheel on the palm represents the dharmacakra, which is the desire to stop the cycle of reincarnation through non-violence. The word in the wheel is “ahisma.” The circle on the palm of the hand represents Samasara, meaning, “continuous flow,” and depicts the Hindu belief in reincarnation, which posits that after death the soul or spirit returns to a different life form (not necessarily human). The 24 inward spokes represent the teaching of the 24 Tirthankars, w h o a re p e o p l e w h o h ave a c h i eve d enlightenment and mentor those trying to do likewise. (See Jainism fast facts and Jainism beliefs) The word “ahimsa” comes from the Sanskrit language. It combines the root for “to strike” (hims) and “injury” or “harm” (himsa). The first letter, “a”, acts as a prefix and negates what follows, so “ahimsa” literally means “no strike or injury or harm” or just “non-violence.” Ahimsa represents physical and verbal non-violence to all living things. Not only does non-violence foster harmony between all living things, but in an ultimate sense, obedience to this principle results in good karma for the individual. Conventionally, Ahisma permits self-defense. Jain Flag The flag of Jainism was first mentioned in a holy text dating back to the 5th century BC. It has five colours: White, Red, Orange, Green and Dark Blue or Black. For more on the religious use of the swastika, Jain emblem In 1974, on the 2500th anniversary of the last Jain, Tirthankara Mahavira, the Jain community collectively chose one image as an emblem to be the main identifying symbol for the religion. Use of this emblem helps to create a culture showing dedication and trust for the religion and the values that are represented by their emblem. The outter border of the image symbolizes the universe. The semicircle symbolizes Siddhashila, which is a zone beyond the three realms. All of the Siddhas (liberated bodiless souls) reside on this forever, liberated from the cycle of life and death. The three dots on the top under the semi-circle symbolize Triratna (Ratnatraya) – Samyak darshan (right belief), Samyak Gyan (right knowledge), and Samyak Charitra (right conduct). Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 12 EDUCATION IN RELIGIOUS SYMBOLS Religion Symbols of Judaism and means of education Mezuzah Mezuzah And you shall write [the words that I command you today] on the doorposts of your house and on your gates. -Deuteronomy 6:9, 11:19 On the doorposts of traditional Jewish homes (and many not-sotraditional homes!), you will find a small case like the one pictured at left. This case is commonly known as a mezuzah (Heb.: doorpost), because it is placed upon the doorposts of the house. The mezuzah is not, as some suppose, a good-luck charm, nor does it have any connection with the lamb's blood placed on the doorposts in Egypt. Rather, it is a constant reminder of G-d's presence and G-d's mitzvot. Tzitzit and Tallit Tzitzit and Tallit Tefillin Menorah Yarmulke Hamesh Hand Article Indexed in : DOAJ Google Scholar BASE EBSCO They shall make themselves tzitzit on the corners of their garments throughout their generations, and they shall place on the tzitzit of each corner a thread of techeilet. And it shall be tzitzit for you, and you will see it, and you will remember all the mitzvot of the L-RD and do them and not follow your heart or your eyes and run after them. -Numbers 15:38-40 The mitzvah to wear tzitzit applies only to four-cornered garments, which were common in biblical times but are not common anymore. To fulfill this mitzvah, adult men wear a four-cornered shawl called a tallit (pictured above) during morning services, along with the tefillin. In some Orthodox congregations, only married men wear a tallit; in others, both married and unmarried men wear one. In Conservative, Reform and Reconstructionist synagogues, both men and women may wear a tallit, but men are somewhat more likely than women to do so. A blessing is recited when you put on the tallit. See the text of the blessing at Tallit and Tefillin. There is no particular religious significance to the tallit (shawl) itself, other than the fact that it holds the tzitzit (fringes) on its corners. There are also very few religious requirements with regard to the design of the tallit. The tallit must be long enough to be worn over the shoulders (as a shawl), not just around the neck (as a scarf), to fulfill the requirement that the tzitzit be on a "garment." Likewise, it should be draped over the shoulders like a shawl, not worn around the neck like a scarf, though that is commonly done (see illustration at right). A longer tallit is commonly folded over the shoulders, to prevent the tzitzit from dragging on the ground. The tallit may be made of any material, but must not be made of a combination of wool and linen, because that DRJI Open J-Gate 13 EDUCATION IN RELIGIOUS SYMBOLS combination is forbidden on any clothing. (Lev. 19:19; Deut. 22:11). Most tallitot are white with navy or black stripes along the shorter ends, possibly in memory of the thread of techeilet. They also commonly have an artistic motif of some kind along the top long end (the outside of the part that goes against your neck). Tefillin Bind [the words that I command you today] as a sign on your arm, and they shall be ornaments between your eyes. -Deuteronomy 6:8 The Shema also commands us to bind the words to our hands and between our eyes. We do this by "laying tefillin," that is, by binding to our arms and foreheads leather pouches containing scrolls of Torah passages. The word "tefillin" is usually translated "phylacteries," although I don't much care for that term. "Phylacteries" isn't very enlightening if you don't already know what tefillin are, and the word "phylacteries" means “amulet," suggesting that tefillin are some kind of protective charm, which they are not. The word "tefillin," on the other hand, is etymologically related to the word "tefilah" (prayer) and the root Pe-Lamed-Lamed (judgment). We bind them to our head and our arm, committing both our intellect and our physical strength to the fulfillment of the mitzvot. At weekday morning services, one case is tied to the arm, with the scrolls at the biceps and leather straps extending down the arm to the hand, then another case is tied to the head, with the case on the forehead and the straps hanging down over the shoulders. Menorah One of the oldest symbols of the Jewish faith is the menorah, a seven-branched candelabrum used in the Temple. The kohanim lit the menorah in the Sanctuary every evening and cleaned it out every morning, replacing the wicks and putting fresh olive oil into the cups. The illustration at left is based on instructions for construction of the menorah found in Ex. 25:31-40. Yarmulke Cover your head so that the fear of heaven may be upon you. -Talmud Shabbat 156b R. Huna son of R. Joshua would not walk four cubits bareheaded, saying: The Shechinah [Divine Presence] is above my head. -Talmud Kiddushin 31a R. Huna son of R. Joshua said: May I be rewarded for never walking four cubits bareheaded. -Talmud Shabbat 118b The most commonly known and recognized piece of Jewish garb is actually the one with the least religious significance. The word yarmulke (usually, but not really correctly, pronounced yammica) is Yiddish. According to Leo Rosten's The Joys of Yiddish, it comes from a Tartar word meaning skullcap. According to some Orthodox and Chasidic rabbis I know, it comes from the Aramaic words "yerai malka" (fear of or respect for The King). The Hebrew word for this head covering is kippah (pronounced keypah). Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 14 EDUCATION IN RELIGIOUS SYMBOLS Chai This symbol, commonly seen on necklaces and other jewelry and ornaments, is simply the Hebrew word Chai (living), with the two Hebrew letters Cheit and Yod attached to each other. Some say it refers to the Living G-d; others say it simply reflects Judaism's focus on the importance of life. Whatever the reason, the concept of chai is important in Jewish culture. The typical Jewish toast is l'chayim (to life). Gifts to charity are routinely given in multiples of 18 (the numeric value of the word Chai). Hamesh Hand The hamesh hand or hamsa hand is a popular motif in Jewish jewelry. Go into any Judaic gift shop and you will find necklaces and bracelets bearing this inverted hand with thumb and pinky pointing outward. The design commonly has an eye in the center of the hand or various Hebrew letters in the middle. The Happy Human-our global religion (originally the Happy Man) is a secular icon and the official symbol of the International Humanist and Ethical Union (IHEU), a world body for Humanism, and has been adopted by many Humanist organisations and individuals worldwide. Its origin was a competition organised in 1965 by the British Humanist Association to find a symbol for itself. The winning Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 15 EDUCATION IN RELIGIOUS SYMBOLS design was created by Denis Barrington. BIBLIOGRAPHY : 1."Om." Encyclopædia Britannica (2007). Encyclopædia Britannica Online. 2.Nitin Kumar, "Om." Exotic India Arts 3.John Bowker, ed., Oxford Concise Dictionary of World Religions (2000). 4."swastika." Encyclopædia Britannica (2007). Encyclopædia Britannica Online. 5."Hinduism." Encyclopædia Britannica (2007). Encyclopædia Britannica Online. 6.Anna L. Dallapiccola, Dictionary of Hindu Lore and Legend. 7.Smith, Peter (2000), "greatest name", A concise encyclopedia of the Bahá'í Faith, Oxford: Oneworld Publications, pp. 167–168, ISBN 1-85168-184-1 8.Paramhans Swami Maheshwarananda, The hidden power in humans, Ibera Verlag, page 15., ISBN 385052-197-4 9.Wiccan Pentacles at Arlington, and Why Litigation Was Necessary January 31, 2012 By Jason PitzlWaters 10.Baer, Hans A. (1998). William H. Swatos, Jr, ed. "Symbols", in Encyclopedia of Religion and Society. Walnut Creek, CA, USA: Hartford Seminary, AltaMira Press. p. 504. ISBN 0761989560. Retrieved 31 October 2008. Article Indexed in : DOAJ Google Scholar BASE EBSCO DRJI Open J-Gate 16 Publish Research Article International Level Multidisciplinary Research Journal ForORIGINAL All Subjects ARTICLE Dear Sir/Mam, We invite unpublished Research Paper,Summary of Research Project,Theses,Books and Book Review for publication,you will be pleased to know that our journals are Associated and Indexed,India ¬ International Scientific Journal Consortium ¬ OPEN J-GATE Associated and Indexed,USA EBSCO ? ? Index Copernicus ? Publication Index ? Academic Journal Database ? Contemporary Research Index ? Academic Paper Databse ? Digital Journals Database ? Current Index to Scholarly Journals ? Elite Scientific Journal Archive ? Directory Of Academic Resources ? Scholar Journal Index ? Recent Science Index ? Scientific Resources Database ? 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