catalogue - Pro Music Australia!

B
The Acoustic People
catalogue
amplification systems sonic excellence for acoustic, electric and bass
Preliminary
Editorial
Udo Roesner
Director
Across the world, acoustic instruments have come
into focus. All kinds of instruments from traditional
to modern, acoustic to electric can be enjoyed in solo
or ensemble settings and within all musical styles. As
little ‚plugged in‘ the ‚unplugged‘ may be authentic
amplification is more important than ever! Every instrument deserves the chance to be evenly heard in its
natural beauty. Since 1992 we at AER have never let
go our passion for instruments, music, tone and that
little bit extra we can put on top to push things further,
perform better – we just love it.
Being regarded the reference class in acoustic amplification (we received our 5th MIPA award for best
acoustic amp in 2007) and with the many positive
comments of you, thrilled and committed musicians,
we have a lot of confidence and motivation to keep
on going! It is to say ‚thank you‘ for your support and
understanding and for staying with us even if things
take a little longer.
There are many ways for us to explore still, to improve
and get better. We do feel the road has not ended yet,
thus we advance into other fields including musical
instruments and accessories. We know little things can
make a big difference and be sure if we can hear a difference we will pass it on to you.
2
Besides this we will maintain what we are doing: deliver extraordinary solutions for musicians from the instrument to the loudspeaker. We are very serious about
what we do, how we do it and where we do it – a lot
of research, well thought out concepts, exquisite com-
Michael Eisenmann
Director
ponents and materials, high manufacturing standards
and quality control. We respect musical instruments,
we care about you and your musical needs. You can
talk to us and you will find that there are specialists
close to you. AER products are no commodities. You
will find them in qualified, serious and passionate
stores for musical instruments in your country. People
there are experienced to answer your questions and
they provide the opportunity to help you to make up
you mind. They are backed up by a network of excellent distributors who are responsible for AER in your
country.
Be sure any issue will be dealt with quick, uncomplicated and satisfying. If you ask us for recommendation… please understand, we can only partly do that!
We always say what we believe in… besides that and
the ‚fog‘ out there, there is no way around ‚ getting
out there‘, evaluating yourself, with your instrument
in your environment and talking to people that you
trust… eye to eye. We do not want to spoil your pleasure having come to a decision and enjoying it! If it
is with AER… fantastic, if not… it is more than OK. It is
your decision that counts!
This catalogue gives you an overview on the latest AER
product range. Product is always subject to change without notice. Attached arabic numbers indicate major
version changes (e. g. concept), small indexes indicate model updates effecting e. g. speakers, amps or
effects.
We hope it helps a bit.
Acoustic
Alpha
Solutions
systems that cut through
Actually not our first system the Alpha defines the starting
point of serious acoustic amplification at AER. Based on the success and the experience with the Compact 60 we have developed an even smaller lightweight model that has no difficulties
living up to the rigors of the road.
Shorty knows his way
Modell: Alpha (APH)
Single-channel, two inputs, acoustic system, 40 watt
Input 1:
combined XLR/6.3 mm (1/4”)
input jack socket as high-quality lineor balanced microphone input stage
24V phantom power, gain control
Input 2:
6.3 mm (1/4”) input jack socket as highimpedance line input stage with pad (high/
low attenuation) and gain control
Colour-switch:
‘mid-cut-treble-boost’-filter
Open sounding and quick in response this amp masters different ranges and is thus not afraid of bigger instruments.
Two inputs, 3 band EQ, digital-reverb, dynamic control,
40 watt, 6.15 kg
small, smart, surprising
EQ:
three band tone controls
Effect:
digital-reverb
Power amp:
hybrid, 40 W/4 ohm RMS, class a/b,
dynamic control
Speaker:
8”-twin-cone speaker-system,
extended range
Features:
tuner-, line-, headphones-, DI-out,
effect loop, footswitch: effect on/off
Specials:
microphone stand adapter
Accessories:
padded gigbag
Cabinet:
0.47“ (12 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
260 mm x 265mm x 235 mm
(10.24“ x 10.34“ x 9.25“), HxWxD
6,15 kg (13.56 lbs)
Weight:
3
Acoustic
Compact 60
Solutions
2
systems that cut through
The Compact has proven to a bigger, more interested and experienced public that there is an all-round, small, powerful and
yet simple to use complete solution for stage, studio and home
use that works up to the highest demands and standards of
acoustic players.
Relaxed, everything under control
Model: Compact 602 (CPT)
Twin-channel acoustic system, 60 watt
Channel 1:
6.3 mm (1/4”) input jack socket as highimpedance line input stage with high/low
attenuation, gain control
Colour-switch:
‘mid-cut-treble-boost’- filter
Channel 2:
Two channels, 3 and 2 band EQ, digital-reverb,
dynamic control, 60 watt, 7,55 kg
combined XLR/6.3 mm (1/4”) input jack
socket as high-quality line- or balanced
microphone input stage with 24 V
phantom power, gain control
EQ:
ch 1: three band tone controls
ch 2: two band tone controls
Partner in a long-term relationship.
Effect:
digital-effect, 4 presets, effect-pan,
effect-return,
Pos1: warm hall reverb
Pos2: bright hall reverb
Pos3: chorus with reverb
Pos4: flanger
Power amp:
hybrid, 60 W/4 ohm RMS,
class a/b, dynamic control
Speaker:
8”-twin-cone speaker-system,
extended range
Features:
tuner-, line-, headphones-, DI-out,
effect loop, footswitch: effect on/off
It has found many friends around the world with its size - smiled
at in the beginning – being its second strongest side. It has become the standard equipment – the amp of choice – for those
musicians who value sound, simplicity and independence. It has
qualified for nearly all instruments and applications.
Specials:
microphone stand adapter
Accessories:
padded gigbag
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
265 mm x 330 mm x 235 mm
(10.4” x 12.99” x 9.25”), HxWxD
7,55 kg (16.65 lbs)
Weight:
4
Acoustic
Solutions
systems that cut through
Compact Classic pro
To boldly go…
The Compact Classic pro is aimed at classical players and
their instruments. Compared to the Compact 60, the Compact Classic benefits from an improved 2-way-speaker system, a more complex three band EQ with parametric bass
and the 32bit AER digital effect processor with carefully designed presets for classical instruments.
Model: Compact Classic professional (CPC)
All the features combine perfectly to more allow for the
finer tonal texture of a classical instrument throughout the
full audio band. It enhances the low frequency response without increasing the feedback risk and creates beautiful ambiences that support the tone. Many pickup systems and their
relevant combinations are used to match the instruments
thus four pre-amp and two phantom-power options are provided in an input matrix.
• M:
Two inputs, 3 band EQ with bass parametric, 16 effect
presets, dynamic control, 60 watt, 7,75 kg
• 48V:
• 9V:
Single-channel, two inputs, acoustic system, 60 watt
Input 1:
• L:
• P:
• P/M:
Input 2:
combined XLR/6.3 mm (1/4”) input jack
socket to access the input matrix (pre-amp
section with 6 presets to be addressed by DIP switch
on the rear side), gain control
sources with microphone level,
balanced or unbalanced
sources with line level, instruments with
active pre-amps and/or magnetic pickups
sources with piezo level, instruments
with passive pickup systems only
piezo/electret-microphone – blender mode
twin signal is directly passed to input 1 and 2 by
stereo cable.
phantom power supply for microphone function
phantom power supply for line function
Accessories:
Cabinet:
6.3 mm(1/4") input jack socket as
high-impedance line input stage or
AER-piezo input stage,
gain control
three band tone controls with bass
parametric, and bandwidth(Q-factor) switch
32bit AER digital effect processor, 16 presets
hybrid, 60 W/4 ohm RMS, class a/b,
dynamic control
two-way speaker system, 8"-twin-cone
speaker plus tweeter
high pass, fc= 2.7 kHz/12 dB /oct.
AUX-in, tuner-, line-, headphones-, DI-out
adjustable and pre/post effect switchable,
effect loop, footswitch: effect on/off
insert, input mute, presence control, L-R out
with stereo widening, microphone stand
adapter
padded gigbag
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
265 mm x 330 mm x 235 mm
(10.4” x 12.99” x 9.25”), HxWxD
Weight:
7,8 kg (17.2 lbs)
Thanks to HDA, Houpert Digital Audio and our friend
Sandor for their support.
EQ:
Effect:
Power amp:
Speaker:
Crossover:
Features:
Specials:
5
Acoustic
Compact XL
Solutions
systems that cut through
A new member within the Compact family. A new discrete‚
power amp design for additional dynamic headroom. A new
speaker configuration for additional tonal range and the
continuation of the well–proven features and functionality of
the Compact 60.
A beautiful sounding powerhouse for those who need more
volume, a more defined tone but yet love the straightforwardness of the Compact 60.
Two channels, 3 and 2 band EQ, two-way speaker system,
digital-effect, dynamic control, 200 watt, 10,6 kg
New acoustic system…eXtra loud
Model: Compact XL (CXL)
Twin-channel acoustic system, 200 watt
Channel 1:
6.3 mm (1/4”) input jack socket as highimpedance line input stage with high/low
attenuation, gain control
Colour-switch:
‘mid-cut-treble-boost’- filter
Channel 2:
combined XLR/6.3 mm (1/4”) input jack
socket as high-quality line- or balance
microphone input stage with 48 V
phantom power, gain control
EQ:
ch 1: three band tone controls
ch 2: two band tone controls
Effect:
digital-effect, 4 presets, effect pan,
effect-select, effect-level
1: short reverb
2: long reverb
3: short delay
4: long delay
Power amp:
200 W/8 ohms,
descrete bipolar transistor design
Speaker:
2-way system, 8” polypropylen
low-midrange + 1” dome tweeter,
light-weight neodymium alloy magnets
Features:
tuner-, line-, headphones-, DI-out, AUX- in,
effect loop, footswitch: effect on/off
Accessories:
padded gigbag
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions: 325 mm x 330 mm x 285 mm
(12.8“ x 13.0“ x 11.2“), HxWxD
Weight:
10,6 kg (23.3 lbs)
6
Acoustic
Solutions
systems that cut through
Musicians often asked us for a system for acoustic instruments that provides AER sound and quality everywhere…
independent from the mains.
Compact
mobile 2
This amp is made for walking…
Model: Compact mobile 2 (CPM)
Twin-channel acoustic system, 60 watt, battery powered
Channel 1:
This is exactly what the Compact mobile has been developed for. Based on the Compact 60, thus identical in sound,
but with adapted technology and slightly changed dimensions you can play without the mains for three to four hours
– whether you chose to play in the old town or on a glacier.
The sound is clear and omnipresent.
6.3 mm (1/4“) input jack socket as highquality line input stage with high/low
attenuation and gain control
Colour-switch:
‚mid-cut-treble-boost‘- filter
Channel 2:
Besides the features of the Compact 60, the Compact
mobile 2 has got an AUX input which can be used to mix a
battery-powered CD player to the sound.
combined XLR/6.3 mm (1/4“) input jack
socket as high-impedance line- or balanced
microphone input stage with switchable
48 V phantom power and gain control
EQ:
ch 1: three band tone controls
ch 2: two band tone controls
Effect:
digital-effect, 4 presets, effect-pan,
effect-return
Power amp:
hybrid, 60 W/4 ohm RMS, class a/b,
dynamic control
Speaker:
8“-twin-cone speaker-system,
extended range
Features:
tuner-, line-, headphones-, DI-out, AUX-in,
effect loop, footswitch: effect on/off
Specials:
two lead-acid batteries (6V/12 Ah),
battery power control
Accessories:
padded gigbag
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
325 mm x 330 mm x 285 mm
(12.8“x 13.0“ x 11.22“), HxWxD
13,85 kg (30.54 lbs)
In case of insufficient battery power the intelligent power
control gives a warning and thus saves you from lack of power during performance. Moreover it prevents the batteries
from being completely exhausted.
Intelligent solutions for the demands of musicians.
Weight:
7
Acoustic
Domino
Solutions
systems that cut through
The Domino 2 is the answer to musicians requests for more…
more power, more volume, more channels to be more suitable
for bigger venues!
Thus the Domino 2 consists of two 8”-twin-cone speakers,
driven by two 60 watt amps. It is equipped with four channels
(ch 3 and 4 use a combined EQ), the 32 bit AER digital effect
processor with 16 presets addressable by individual sends per
channel that delivers a variety of very suitable effects for voice
and instruments.
…and the winner is
Model: Domino 2 (DOM)
Four-channel acoustic system, 2 x 60 watt
Channel 1 and 4:
Channel 2 and 3:
Left and right out (2 x mono) in combination with the pre-master out allow direct use of additional active speaker systems
(AS 281, Q8) to extend the Domino 2 to a small club PA.
Thanks to HDA, Houpert Digital Audio and our friend Sandor
for their support.
Note: Domino 2 always works in mono–stereo widening broadens the sound radiation.
6.3 mm (1/4“) input jack socket as highimpedance line input stage with high/low
attenuation, gain control, colour-switch:
‘mid-cut-treble-boost‘- filter
combined XLR/6.3 mm (1/4“) input jack
socket as high-quality line- or balanced
microphone input stage with switchable
48 V phantom power and gain control,
colour-switch: ‘mid-cut-treble-boost‘- filter
EQ:
(ch1, ch2 and ch3+ch4)
three band tone controls
Effect:
32 bit AER digital effect processor with 16
presets, individual effect sends per channel
Power amp:
hybrid, 2 x 60 W/4 ohm RMS, class a/b,
dynamic control,
Speaker:
2 x 8“-twincone speaker-system,
extended range
Features:
adjustable AUX-in, tuner-, line-, headphones-,
DI-out, effect loop , footswitch: effect on/off
Specials:
insert, channel mute, L-R out with stereo
widening and pre-master control,
48 V phantom-power, switchable
Accessories:
SoftCover
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
365 mm x 420 mm x 297 mm
(14.37“ x 16.53“x 11.69“), HxWxD
13,95 kg (30.76 lbs)
Weight:
8
2
acoustiCube 3
Acoustic
Solutions
systems that cut through
This is where it all started and it is undoubtedly regarded the
reference system for acoustic instruments and the best that we
can do in a small box like this (3 MIPA awards) – the ultimate
solution for a soloist.
For more than 16 years this little giant has set standards and we
have done our best to push the limits further and further.
In its 3rd generation now we have implemented advanced
dynamic control technology and have extended the dynamic
range substantially. The new two-way speaker system is an incredible improvement! It allows a much clearer and defined
bass response and much lighter, more vivid reproduction of the
complete range up to finest texture.
Cube 3 is a full two channel version now allowing identical
features on both channels. It needed a face-lift for more operational clarity and to allow additional important controls on the
front panel.
In essence we have combined all the suggestions of Cube
enthusiasts over the years with all our knowledge and experience… without compromise… and we are more than pleased.
Thanks to HDA, Houpert Digital Audio and our friend Sandor
for their support.
His master‘s voice turns audiophile
Model: acoustiCube 3 (ACU)
Twin-channel 2-way acoustic system – reference class, 120 watt
Channel 1 and 2 equally equipped with:
6.3 mm (1/4”) input jack socket to access the
pre-amp section with 6 presets
(to be addressed by mode switch)
• Piezo:
• Line:
• 9V:
• Mic:
• 48V:
• E/P:
sources with piezo level,
instruments with passive pickup systems only
sources with line level, instruments with
active pre-amps and/or magnetic pickups
phantom power supply for line function, activated by
keeping the mode switch pushed for 3 seconds
sources with microphone level,
balanced or unbalanced
phantom power supply microphone function, activated
by keeping the mode switch pushed for 3 seconds
electret-microphone / piezo - blender mode. Twin signal
is directly passed to channel 1 and 2 by stereo cable.
pad (high/low) attenuation, mute and gain control, colour-switch: ‚mid-cut-treble-boost‘- filter
EQ:
three band tone controls
Effect:
32bit AER digital effect processor with
100 presets, stereo
Power amp: discrete 120 W/8 ohm RMS, class a/b,
dynamic control
Speaker:
two-way speaker system with 8“- diecast
neodymium, kevlar® cone bass and
neodymium tweeter
Crossover:
2-Way, fc= 3.5 kHz, 18 dB/oct.
Features:
AUX-in, tuner-, line-, DI-out: adjustable and pre/
post effect switchable, stereo effect
loop: serial/parallel switch, effect pan and return
Specials:
USB, ACU3 effects-software, AER-footpedal,
L-R out and pre-master control, stereophonic
headphones amplifier, notch filter, recording
outs, insert
Accessories: padded gigbag, acoustiCube footswitch
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions: 325 mm x 335 mm x 260 mm
(12.8“ x 13.2“x 10.2“), HxWxD
Weight:
13,0 kg (28.67 lbs)
9
Bass
Solutions
for Acoustic, Jazz and Fusion
The BassCube 2 has proven to do an excellent job to reproduce
double bass authentically.
Now, in its 2nd generation we have identified a real coaxial
speaker-system (12“ and a 1“ horn) that works extremely well in
its very small bass-reflex cabinet. It has lost some weight and is
much clearer in its functions and features.
We have also implemented AER’s new advanced dynamic control technology and have extended the dynamic range substantially. Driven by the new AER 550 W/8 ohm class d power amp
the BassCube 2 has got the power to go down to the lowest
frequencies in an effortless manner.
Well balanced analogue sound design covers the ranges
gently and proportionate so that tone stays always clear, crisp
and transparent yet powerful and defined without any stress!
Its two channels are equally equipped and allow two different
instruments set up in all comfort – and be sure it work very well
for electric bass too.
Whether ‘arco’ or ‘pizzicato’ – the BassCube 2 sounds like your
bass: round and open – you can hear the stroke of your bow as
true to life as the placing of your fingers on the fingerboard.
…An AcoustiCube for Bass…
10
BassCube 2
Analogue sound design, digital power
Model: BassCube 2 (BCU)
Twin-channel 2-way coaxial system, 550 watt
Channel 1 and 2 equally equipped with:
combined XLR/6.3 mm (1/4“) input jack socket
to access the pre-amp section with 6 presets
(to be addressed by mode switch)
• Piezo:
• Line:
• 9V:
• Mic:
• 48V:
• E/P:
EQ:
sources with piezo level, instruments with passive
pickup systems only
sources with line level, instruments with
active pre-amps and/or magnetic pickups
phantom power supply for line function, activated by
keeping the mode switch pushed for 3 seconds
sources with microphone level, balanced or unbalanced
phantom power supply microphone function, activated
by keeping the mode switch pushed for 3 seconds
electret-microphone / piezo - blender mode. Twin signal
is directly passed to channel 1 and 2 by stereo cable.
3-band-EQ with parametric
mid-range and contour
Effect:
compressor with ratio and threshold, notch-filter
with frequency, level and bandwidth switch
Power amp: class d, 550 W/8 ohm RMS, dynamic control
Speaker:
two-way coaxial neodymium speaker system,
12“ bass plus 1“ HF driver
Crossover:
two-way, fc = 3.9 kHz, 12dB/oct.
Features:
AUX-in, tuner-, line-out, effect loop,
footswitch: channel mute, ensemble/solo
Specials:
AUX-out, monitor, subbass, hf level
Accessories: SoftCover
Cabinet:
0.7“ (18 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions: 405 mm x 405 mm x 365 mm
(15.9“ x 15.9“x 14.37“), HxWxD
Weight:
20 kg (44 lbs)
Bass
Solutions
for Acoustic, Jazz and Fusion
The Basic Performer is a solution for Bass and instruments of
the lower registers based on the experience of multiplying well
proven AER acoustic systems.
Regardless of scale lengths, body sizes and resonance problems
just to name some trouble zones of acoustic bass instruments
– they require the same approach and care to reproduce well
balanced and clear registers.
A small twin-cone system seems perfect – it is fast, provides a
superior coverage for the critical mid-range and has got enough
substance in the bass range. So in the Basic Performer four
8“-twin-cone speakers, individually powered by four 60 watt
power amps provide for the required surface area and the necessary sound pressure level.
The AER band-pass/bass-reflex cabinet design supports the
reproduction of even the lowest frequencies with definition. Hiend preamps, proper filters and additional professional sound
design make the Basic Performer a multitalented all-round
solution.
The sound characteristics are full range thus open and light
yet breathing as well as grumbling and surprisingly appropriate
for far more instruments than the bass-related instruments such
as harp, cello, accordion…
or even try a jazz guitar!
Basic
Performer
The twin-cone bass-system
Model: Basic Performer (BPF)
Twin-channel acoustic system for low-range, 4x60 watt
Channel 1:
combined XLR/6.3 mm (1/4“) input jack
socket as high-quality line- or balanced
microphone input stage with switchable 24 V
phantom power, gain control
Channel 2:
6.3 mm (1/4“) input jack socket as high-impedance line input stage with 9 V switchable
phantom power pad (high/low attenuation)
and gain control
Colour-switch:
‘mid-cut-treble-boost‘- filter
EQ:
ch1: three band tone controls
ch2: contour and three band-EQ with
parametric mid-range
Effect:
compressor, notch-filter
Power amp:
hybrid, 4 x 60 W/4 ohm RMS, class a/b
dynamic control
Speaker:
2 x 8“ woofer
2 x 8“ twin-cone extended range
Features:
AUX-in: adjustable, tuner-, line-,
headphones-, DI-out, effect loop,
footswitch: effect on/off
Specials:
insert, channel mute, two independent
master controls (ensemble, solo), combined
band-pass / bass-reflex cabinet
Accessories:
SoftCover
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
485 mm x 360 mm x 405 mm
(19.1“ x 14.17“x 15.95“), HxWxD
23 kg (50,72 lbs)
Weight:
11
Bass
Bottom Line
Combo amp for Rock and Pop
It seems like we have done it again...
You have asked us over many years for something small for
electric bass... simple, powerful and with a performance hard
to believe...
Amp one
Simply irresistible
Model: Amp one (AP1)
Single-input, bass combo amplifier, 200 watt
Input:
6.3 mm (1/4”) input jack socket as highimpedance line input stage with pad (high/low
attenuation) and gain control
EQ:
bass
± 8 dB / 80 Hz
middle ± 15 dB / 200…2000 Hz (adjustable)
treble ± 12 dB / 6 kHz
bass boost + 10 dB / 55 Hz
colour -1 db / 400 Hz, +13 db / 4 kHz
And here it is – the AER Bottom Line Amp one.
Based on a superb 10“ in a bassreflex encolsure, in combination
with a serious 200 watt power amp, more than sufficient
power-supply and extended dynamic headroom not to forget
Paul’s helping hands and ears it is finally done.
With a smile on our face... for your entertainment
Tone balance: the tone balance enables the bass- or treble
emphasis or a combination of both
Compressor: 1 mV… 350 mV at instrument input
ratio = 1:1… 10:1
Power amp:
Speaker
system:
Features:
200 W/8 ohms,
descrete bipolar transistor design
10“ woofer, neodymium magnet
adjustable DI-out, lineout, headphones, tuner,
effect loop, sub bass
footswitch: input muting, effect loop on/off
Accessories: padded gigbag
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions: 325 mm x 376 mm x 296 mm
(12.8“ x 14.8“x 11.6“), HxWxD
Weight:
13,5 kg (29.5 lbs)
12
Bass
Bottom Line
Combo amp for Rock and Pop
Amp two
Powerful and versatile
Amp two is the second member of the Bottom Line combo bass amps. Based on Amp one, but with more defined
speaker-system and more power. A 12“ neodymium woofer for quick and full bass response combined with a 4“
mid-high direct radiating speaker for gentle trebles allows
a wider range of sounds from funk to pop, rock and jazz.
Model: Amp two (AP2)
Input:
6.3 mm (1/4”) input jack socket as highimpedance line input stage with pad (high/
low attenuation) and gain control
In further difference to the Amp one the signal path is lead
trough adjustable compression pre EQ- to provide even
more dynamic headroom.
EQ:
bass
± 8 dB / 80 Hz
middle ± 15 dB / 200…2000 Hz (adjustable)
treble ± 12 dB / 6 kHz
bass boost + 10 dB / 55 Hz
colour -1 db / 300 Hz, + 8 db / 3,7 kHz
Tone balance:
the tone balance enables the bass- or treble
emphasis or a combination of both
Compressor:
1 mV… 350 mV at instrument input
ratio = 1:1… 10:1
Power amp:
200 W/8 ohms,
descrete bipolar transistor design
Single-input, bass combo amplifier, 240 watt
Speaker system: 12“ (300 mm) woofer, neodymium magnet,
bass reflex enclosure, 4“ (100 mm) mid-high
direct-radiation speaker
Features:
adjustable DI-out, lineout, headphones,
tuner, sub-out, effect loop
footswitch: input muting, effect loop on/off
Accessories:
padded gigbag
Cabinet:
0.7“ (18 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
500 mm x 420 mm x 350 mm
(19.7“ x 16.5“x 13.8“), HxWxD
23,5 kg (51.7 lbs)
Weight:
13
Bass
Bottom Line
Equipment for Rock and Pop
With all the experience in acoustics, dynamic control and
sound design AER reaches out into the field of professional bass
amplification and launches the AER Bottom Line series.
The concept: a small, light-weight two channel class d integrated amplifier that covers the range from Anglo-saxon ‘punch’
to european ‘hifi’ orientated sounds. Head one can be used in
three operational modes: 2 channel full-range mode, 2-wayactive mode and bridge-mode in combination with Cab one,
Cab two or Cab three. It is equipped with ‘tube emulation’ for
‘drive’ sounds, two independent EQs, ‘colour-switch’ and ‘tone lever’. Class d amps are getting more popular as besides efficiency
they can be made so surprisingly small and light. Besides these
benefits they inherit a lot of problems (noise, distortion, cut-off )
especially if they are used in ‘limit mode’. Their overall performance is extremely depending on the design and the smart use
of controls and protections to guarantee proper functionality.
We have done a lot to make that happen!
Thanks to Paul from ‘Bass matters’ for his time,
effort and advice.
14
Head one
Integrated amplifier for electric bass
Model: Head one (HD1)
Single-input, class d integrated bass amplifier
Input (clean): 6.3 mm (1/4“) input jack socket as
high-end line input stage
Drive:
tube emulation with
gain 2 as drive control
Harmonics: blend between even and uneven
harmonics and tone to adjust the high
frequency level of drive stage
Mix:
blend clean (gain 1) and drive (gain 2)
EQ:
two independent four band-EQs allows
two different ‘presets‘ to be addressed
by (foot)switch
EQ 1:
bass
+/- 9 dB @ 45 Hz
low mid
+/- 9 dB @ 240 Hz
high mid +/- 9 dB @ 880 Hz
treble
+/- 9 dB @ 7,2 kHz
EQ 2:
bass
+/- 9 dB @ 45 Hz
low mid
+/- 9 dB @ 420 Hz
high mid +/- 9 dB @ 880 Hz
treble
+/- 9 dB @ 7,2 kHz
Colour-switch: ‘mid-cut-treble-boost‘- filter for EQ 1 and 2
Tone:
the tone balance enables the bass- or treble
emphasis or a combination of both
Power amp:
2 channel class d, dynamic control,
HF out: 275 W/4 ohm
LF out: 275 W/4 ohm
bridge mode: 550 W/8 ohm
Features:
adjustable DI-out and switchable pre/post EQ,
tuner- , line-out, effect loop,
footswitch 1: channel select, harmonics on/off
footswitch 2: effect on/off, solo/ensemble
Accessories: padded gigbag
Dimensions: 88 mm x 366 mm x 306 mm
(3.46“ x 14.41“x 12.05“), HxWxD
Weight:
6 kg (13.23 lbs)
Bass
Cab one
Bottom Line Cabinets
Loudspeaker systems for electric bass-guitars
Design features, besides efficiency, light in weight, small in size,
reproduction of a truthfull tone, have mainly been fast attack
time, low distortion and high power handling. All of this is extremely demanding and requires a lot of attention to all detail.
Cab one is a two way full range loudspeaker system. To extend
the bass range we decided to apply two 10“ speakers in pushpull mode. This allows smaller cabinet size keeping the low cutoff frequency and thus allows more low end besides performing
with less distortion.
Instead of a horn or tweeter whose ‘harshness’ we are not really friends with we relied on the performance of the AER 8“
twin cone extended range chassis to cover the mid and high
frequency range.
Model: Cab one (CB1)
Two-way full-range loudspeaker-system
Speaker:
two-way system with vented 2 x 10“
neodymium in push-pull mode plus 1 x 8“twin-cone extended range
Rated power:
300 W
Impedance:
4 ohm
Frequency
response:
65 Hz –15 kHz
Crossover:
2-way, fc = 3.9 kHz, 12 dB/oct.
Accessories:
SoftCover, 1 m cable with Speakon® plug
Cabinet:
0.71“ (18 mm) birch plywood
Finish:
water based acrylic, black spatter finish
Dimensions:
570 mm x 480 mm x 440 mm
(22.44“x 18.90“x 17.32“), HxWxD
27 kg (59.54 lbs)
Weight:
Cab one, 2x10“ plus 1x 8“
15
Bass
Cabinets
Cab two
& three
Loudspeaker systems for electric bass-guitars
Cab two is a 15“, Cab three a 12“ neodym bass reflex loudspeaker-system. Both work stand alone with Head one. Cab
two in addition is the perfect match to work in conjunction
with Cab one as full stack.
Besides many other design concepts bass reflex still is a very
valid compromise that provides extended bass range in a relatively small cabinet with reasonable step response.
The cabinets are all made with extreme care, rock-solid
components and a lot of additional bracing to keep the level
of static noise as low as possible.
Model: Cab two (CB2)
15“ (Cab two) Bassreflex loudspeaker-system
Cab two
Speaker:
1 x 15“ neodymium woofer
98 dB 1 watt @1m
Rated power: 350 W
Impedance:
4 ohm
Frequency
response:
45 Hz – 1.5 kHz
Accessories:
SoftCover, 1 m cable with Speakon® plug
Cabinet:
0.71“ (18 mm) birch plywood
Finish:
water based acrylic, black spatter finish
Dimensions:
570 mm x 480 mm x 440 mm
(22.45“x 18.90“x 17.32“), HxWxD
24 kg (52.91 lbs)
Weight:
Cab two, 15“
Model: Cab three (CB3)
12“ (Cab three) Bassreflex loudspeaker-system
Cab three
Speaker:
1 x 12“ neodymium woofer
98 dB 1watt @ 1m
Rated power: 250 W
Cab three, 12“
16
Impedance:
8 ohm
Frequency
response:
60 Hz – 2 kHz
Accessories:
SoftCover, 1 m cable with Speakon® plug
Cabinet:
0.71“ (18 mm) birch plywood
Finish:
water based acrylic, black spatter finish
Dimensions:
405 mm x 400 mm x 365 mm
(15.95“x 15.74“x 14.37“), HxWxD
16 kg (35.3 lbs)
Weight:
Guit
Amps
Combo amp for electric guitars
It has been a challange for long and so here it is: The first AER
amp explicity for electric guitar.
Solid state input-stage, tube input-stage, tube distortion, 200
watt high efficiency solid state power-amp.
According to AER‘s sound philosophy, the cheeky d. is extremly
clear, powerful and direct. It offers the sensitivity and distinction
to follow the smallest changes and provide you with enormeous
dynamic reserves
Endlessly clear for jazz, fast as hell for country-rock and fat and
loud for rock ‘n‘ roll.
For the player with ‘music in his hands‘.
cheeky d.
Outstanding
Model: cheeky d. (Chd)
Single-channel, two inputs, electric guitar amplifier, 200 watt
Input 1:
6.3 mm (1/4”) input jack socket as highimpedance instrument input. Can also be
switched to tube-input
Input 2:
tube-input: 6.3 mm (1/4”) input jack socket as
high-impedance instrument input. Clean or
distorted
Equalizer:
three band tone control,
colour switch (mid-cut, treble-boost),
dark/bright switch for input 1
Effects:
digital-effect, 4 presets, effect pan,
effect-select, effect-level
1: short reverb
2: long reverb
3: short delay
4: long delay
Power amp:
200 W/8 ohms,
descrete bipolar transistor design
Speaker:
10“ twin cone full-range speaker
Features:
tube distortion, speaker simulation, mute
switches, liner out, parallel effect loop,
insert pre eq, insert post eq, AUX-in, DI-out,
footswitches (input select, distortion, effect
on/off, and dark/bright)
Accessories:
padded gigbag, footswitch
Cabinet:
0.59“ (15 mm) birch plywood
Finish:
waterbased acrylic, black spatter finish
Dimensions:
325 mm x 376 mm x 296 mm
(12.8“ x 14.8“ x 11.65“), HxWxD
Weight:
15,5 kg (34.17 lbs)
17
System AG 82
Components
Active Loudspeaker, Full-range
The AG 82 is an active loudspeaker-system making use of
‘compact‘ system components as: twin-cone speaker, poweramp, controller and cabinet.
Without special acoustic voicing the focus is mainly on its superb audio-abilities and thus it offers an additional range of
applications as e. g.:
floor/stage or keyboard monitor, self powerd full-range
P. A. system or in combination with electric guitar modeling
amps …
and for sure it is a valid supplement to any AER acoustic amp
using twin-cone speaker technology.
Line, mic, RCA inputs and master 2-band EQ add up to the versatility to the system.
Monitoring, reproducing,
supplementing
Model: self powered full-range system AG 82 (AG8)
Monitor with 3 inputs, 60 watt
Line:
6.3 mm (1/4“) input jack socket as line-input
with 9 V switchable phantom power,
gain control
Mic:
combined XLR/6.3 mm (1/4“) input socket as
line input- or balanced microphone-inputstage with 48 V phantom-power, gain control
RCA:
RCA-Input sockets as line input,
gain control
EQ:
two band master tone controls
Power amp:
hybrid, 60 W/4 ohm RMS, class a/b,
dynamic control
Speaker:
8“-twin-cone speaker-system,
extended range
Features:
line, mic, AUX-in, pre/post EQ insert
Accessories: SoftCover
Cabinet:
0.59“ (15 mm)
birch plywood
Finish:
water based acrylic,
black spatter finish
Dimensions: 265 x 335 x 260 mm
(10.4“ x 13.1“ x 10.2“),
HxWxD
7,5 kg (16.5 lbs)
Weight:
18
System CX 82
Components
Active Loudspeaker, Full-range
CX 82 is the revised 2nd generation of the former CX 8.
Crisp and clear
Model: CX 82 (CX8)
It is a small self powered 2 way full range system based on a
custom made 8“ diecast low mid speaker with Kevlar® cone for
improved stiffness and reduced distortion plus tweeter.
Self powered 2 way full-range system, 120 watt
Input:
electronically balanced, 10 kOhm
XLR-connector female and male
It‘s high-class discrete power amplifier delivers 120 watt at 8/
ohms with substantial power reserve due to oversized power
supply.
Frequency Response: (1 watt @1m): -6dB: 75 Hz -20 kHz
axial sensivity: 99 dB SPL, 1 watt @ 1m
Crossover:
passive, 3,7 kHz, 12dB/Oct.
It is a stand alone system for general reinforcement /installation
purposes and any monitor applications. It is perfectly matched
to complement acoustiCube 3 as stereo extention. In combination with AS 360 D/Sub it forms a small mini PA system for small
clubs and/or acoustic, jazz or fusion ensembles.
Power amp:
class a/b 120 W/8 ohm
Speaker:
2-way, 8” low-midrange speaker, neodymium magnet, kevlar® honeycomb cone,
1“ dome tweeter,
neodymium magnet
Features:
dynamic bass boost, clip indicator,
analog signal processing (subsonic filter,
RMS limiter)
Mounting Methods:
top hat, flying points
Accessories:
SoftCover
Cabinet:
0.59“ (15 mm) birch plywood, black finish
protective grill: steel with foam covering
Finish:
Dimensions:
waterbased acrylic, black spatter finish
335 mm x 265 mm x 260 mm
(13.2“ x 10.43“ x 10.2“), HxWxD
12 kg (26.5 lbs)
Weight:
19
System AS 281
Components
Active Loudspeaker, Full-range
AS 281 is a small full range 2 way active system in D’Appolito
construction, based on 2x8“ low mid speakers with polypopylen
cone embracing a bi-radial horn (LM-H-LM). The main advantage of the D‘Appolito-concept is constant directivity especially
in the ‘hand over’ range of the speakers.
It is equipped with a high-quality hybrid power amplifier that
delivers 120 watt at 8 ohm with substantial power reserve due
to oversized power supply.
It is a stand alone system for general reinforcement/installation purposes or any monitor application. It is perfectly matched
to complement AER products as acoustiCube 3 or the Domino
into full stereo systemss. In combination with AS 550 D/Sub it
forms a PA system for small clubs and/or acoustic, jazz or fusion
ensembles.
Slim line D‘Appolito
Model: AS 281 (281)
Self powered 2 way full-range system in
D’Appolito construction, 120 watt
Input:
electronically balanced, 10 kOhm
XLR-connector female and male
Frequency Response: (1 watt @1m): -6 dB: 65 Hz -20kHz
axial sensivity 97 dB SPL, 1Watt @ 1m
Calculated Maximum Output (dB SPL @ 1m)
peak: 118, long term: 115
Crossover:
passive, 5 kHz, 18 dB/oct.
Power amp:
120 W/8 ohm
Speaker:
2-way system, 2 x 8“ polypropylene lowmidrange speaker, biradial horn tweeter
Features:
dynamic bass boost, clip indicator, analog
signal processing (subsonic filter, RMS
limiter)
Mounting Methods: floor application, top hat, flying points
20
Accessories:
SoftCover
Cabinet:
0.59“ (15 mm) birch plywood,
black spatter finish
protective grill: steel with foam covering
Finish:
water based acrylic,
black spatter finish
Dimensions:
560 x 260 (front) x 135 (back) x 285 mm
trapezoid angle 50°
(22.0“ x 10.2“ x 5.31“ x 11.22“) HxWxD
Weight:
14 kg (30.68 lbs)
System AS Q8
Components
Active Loudspeaker, Full-range
AS Q8 is a small full-range 2-way active system in bandpass /
bassreflex construction.
The concept behind the construction is to have a small sound
system, tonally well balanced with excellent speech intelligibility, sufficient bass yet quick in response. A combination of
bass reflex and band-pass supports the low ranges. Four power
amplifiers driving four extended range 8“ loudspeakers and a
dome-tweeter, are hidden within this simple looking full-range
system.
This quick, direct and authentic system is particularly
suitable for near-field PA.
Quick, direct, authentic…
Model: AS Q8 (Q8)
Self powered 2 way full-range system in
bandpass/bassreflex construction, 4x60 watt
Input:
electronically balanced, 10 kOhm
XLR-Connector female and male
Frequency
Response:
Crossover:
(1 watt @1m): -6 dB: 65 Hz -20 kHz
axial sensivity 99 dB SPL, 1watt @ 1m
passive, 2,7 kHz, HP 12 dB/oct.
Power amp:
4 x 60 W/4 ohms
Speaker:
2 x 8“ woofer
2 x 8“ twin-cone full-range
1 x 1“ dome-tweeter with horn
Features:
Dynamic bass boost, limiter indicator,
analog signal processing (subsonic filter,
harmonics enhancer, peak limiter)
Specials:
bass/treble boost, mid cut, gnd lift
Mounting
Methods:
flying points, top hat
Accessories:
SoftCover
Cabinet:
0.59“ (15 mm) birch plywood
protective grill: steel with foam covering
Finish:
Dimensions:
Weight:
waterbased acrylic, black spatter finish
485 mm x 360 mm x 405 mm
(19.1“ x 14.17“x 15.95“) HxWxD
26 kg (57.32 lbs)
21
System AS 550 D
Components
Active Loudspeaker
Mid-High Systems
Self-powered 2-way mid-high systems
The design concepts of AS 360/D and AS 550/D are corresponding: direct radiating coaxial self-powered systems in small
bass-reflex enclosures. They are mutually capable to handle
multiple applications e.g speech, delay-line or near-field PA
where no sub bass is required.
Their components are matched, optimised for maximum efficiency and tuned for superb sound reproduction.
Through the use of integrated class d amplifiers and switch
mode power supplies we can keep size and weight surprisingly
low however electronically well oversized they allow maximum
dynamic range.
Model: AS 550/D Top
Self-powered mid-high system
Description:
12“ lf and 2“ hf coaxial driver
Frequeny Response: 60 Hz – 18 kHz, (-6dB)
Axial Sensitivity:
99 dB SPL, 1 watt @ 1m
Calculated
max. Output:
peak: 125,
long term: 121 dB SPL @ 1m
Crossover:
passive, 1,6 kHz, 18 dB/oct.
Audio Input:
electronically balanced, 10 kOhm;
XLR-connector female and male,
pin 1: gnd, pin 2: +signal,
pin 3: -signal
nom. input level: 0 dBV
max. input level: +20 dBV
Power amp:
class d, 550 W/8 ohm
AC Power:
connector: Neutrik PowerCon
Voltage:
115/230V, 50-60Hz
Additional Data:
integrated signal controller
Mounting Methods: flying points
22
Accessories:
SoftCover
Cabinet:
0.71“ (18 mm) birch plywood
protective grill: steel with foam covering
Finish:
water based acrylic, black spatter finish
Dimensions:
490 x 480 x 485 mm
(19.2“x 18.9“ x 19.1“), HxWxD
Weight:
37,80 kg (81.15 lbs)
360 D
System AS
AS 550 D
Components
Active Loudspeaker
Woofer Systems
Self-powered subwoofer
AS 550/D sub and AS 360/D sub are self-powered bassreflex
with 15“ or 12“ low frequency chassis .
The tuned cabinets and the class d power amp with 550 W/
8 ohm permanent power (1000 W impuls power) deliver
substantial bass in a very small cabinet. It also allows enough
dynamic headroom for high step response.
Model: AS 360/D Sub and AS 550/D Sub
Self-powered subwoofer
AS 360/D Sub
AS 550/D Sub
Description:
Description:
12“ lf-driver in a reflex enclosure
15“ lf-driver in a reflex enclosure
Frequeny Response: 45 – 125 Hz
Frequency Response: 35 – 125 Hz
Axial Sensitivity:
97 dB SPL, 1 watt @ 1m
Calculated
max. Output:
peak: 122,
long term: 118 dB SPL@1m
Axial Sensitivity:
Calculated
max. Output:
97 dB SPL, 1 watt @ 1m
peak: 127,
long term: 124 db SPL@1m
Crossover:
active, 125 Hz, 24 dB/oct., LR-4
Crossover:
active, 125 Hz, 24dB/oct., LR-4
Audio Input:
electronically balanced, 10 kOhm;
XLR-connector female and male,
pin 1: gnd, pin 2: +signal,
pin 3: -signal
nom. input level: 0 dBV
Audio Input:
electronically balanced, 10 kOhm;
XLR-connector female and male,
pin 1: gnd, pin 2: +signal,
pin 3: -signal
nom. input level: 0 dBV
Power amp:
class d, 360 W/8 ohm
Power amp:
class d, 550 W/8 ohm
AC Power:
connector: Neutrik PowerCon
AC Power:
connector: Neutrik PowerCon
Voltage:
115/230V, 50–60Hz
Voltage:
115/230V, 50–60Hz
Additional Data:
integrated signal controller
Additional Data:
integrated signal controller
Mounting Methods: flying points, K&M connector plate
Accessories:
SoftCover
Cabinet:
0.71“ (18 mm) birch plywood
protective grill: steel with
foam covering
Finish:
water based acrylic, black spatter finish
Dimensions:
405 mm x 405 mm x 365 mm
(15.9“ x 15.9“x 14.37“), HxWxD
Mounting Methods:
Accessories:
Cabinet:
flying points, K&M connector plate
SoftCover
0.71“ (18 mm) birch plywood
protective grill: steel with
foam covering
water based acrylic, black spatter finish
490 x 480 x 485 mm
(19.2“x 18.9“ x 19.1“), HxWxD
Weight:
Weight:
21,50 kg (47.4 lbs)
Finish:
Dimensions:
36,20 kg (79.8 lbs)
23
24
Audio Electric Research GmbH
Christine-Englerth-Str. 30
D-45665 Recklinghausen
www.aer-amps.com
February 2009