View the playbill - Reston Community Players
Transcription
View the playbill - Reston Community Players
SAHRevolutionary O W B ISeason LL Reston Community Players 2013-2014 Season W. A . T. C . H Aw a r d s 2012 August Osage County Outstanding Cameo in a Play: Mark Yeager as “Beverly Weston” 2010 The Trip to Bountiful Outstanding Cameo in a Play: Christopher Guy Thorn as "Roy/Ticket Agent" Wonderful Town Outstanding Sound Design in a Musical: Richard Bird 2009 Curtains Outstanding Musical Outstanding Choreography: Andrea Heininge Outstanding Direction of a Musical: Andrew JM Regiec Outstanding Featured Actress in a Musical: Katie McManus as "Georgia Hendricks" Outstanding Lead Actor in a Musical: Blakeman Brophy as "Lt. Frank Cioffi" Outstanding Light Design in a Musical: Ken & Patti Crowley Outstanding Music Direction: Mark Deal Outstanding Set Construction in a Musical: Sara Birkhead Outstanding Set Design in a Musical: Skip Larson, Rick Schneider & Andrew JM Regiec Forbidden Broadway Outstanding Hair Design: Sue Pinkman, Mark Bartyczak & Anna Michelle Jackson Urinetown Outstanding Choreography: Matt Anderson & Catherine Oh Outstanding Featured Actress in a Musical: June Schreiner as "Little Sally" 2007 Seussical Outstanding Direction of a Musical: Haley Murphy Outstanding Makeup Design: Bette Williams & Sue Pinkman Outstanding Hair Design: Bette Williams & Farrell Ann M. Hartigan 2006 Joseph and the Amazing Technicolored Dream Coat Outstanding Light Design: Ken & Patti Crowley 2005 Disney's Beauty and the Beast Outstanding Musical Outstanding Costume Design: Maggie Geuting & Anita Miller Outstanding Featured Actor: Chuck Dluhy as "Lumiere" Outstanding Set Painting in a Musical: Cathy Rieder Outstanding Hair Design: Anna Michelle Jackson, Sue Pinkman, Anita Miller & Maggie Geuting Outstanding Sound Design in a Musical: Rich Bird Outstanding Light Design: Franklin Coleman Outstanding Stage Combat Choreography: Brian Farrell & Karen Schlunpf The Full Monty Best Supporting Actor in a Musical: Mike Hoskinson 2008 Outstanding Makeup Design: Arthur Rowan, Bette Williams, Anna Michelle Jackson, Sue Pinkman, & Rini Segar Outstanding Special Effects: Scott Obenchain & Jim Girardi Outstanding Stage Combat: Al Myska Experiment with an Air Pump Outstanding Special Effects: Tel Monks, Jerry Skene, Robb Hunter, Karen Schlumpf, Brian Farrell & Greg Steele www.restonplayers.org The Reston Community Players Present music by RICHARD RODGERS and ANDREW LLOYD WEBBER OSCAR HAMMERSTEIN II, CHRISTOPHER HAMPTON, MIKE BATT, TREVOR NUNN (AFTER T.S.ELIOT), CHARLES HART, DON BLACK, RICHARD STILGOE and TIM RICE lyrics by ROBERT RUSSELL BENNETT, DON WALKER, DAVID CULLEN, HERSHY KAY and ANDREW LLOYD WEBBER orchestrated by MUSICAL DIRECTOR AND CONDUCTOR Mitch Bassman VOCAL COACH Elisa Rosman STAGE MANAGER Laura Baughman PRODUCER Joshua Redford FRIDAYS AND SATURDAYS, OCTOBER 11, 12, 18, 19, 25, 26 @ 8:00PM SUNDAYS OCTOBER 20 & 27 @ 2:00PM At the Reston Community Center, CenterStage Hunters Woods Village Center 2310 Colts Neck Road, Reston, Virginia Presented through special arrangement with the R&H Concert Library: www.rnh.com. Partially Funded by Supported by Fairfax County DONORS Thanks to all these generous donations which help RCP bring quality community theater to your neighborhood. This list is accurate as of September 15, 2013. ANGEL ($1,000+) Arts Council of Fairfax County SUSTAINING ($500 – $999) Mark Humphrey Jan Whiteley BENEFACTORS ($250 – $499) Robert & Judith Essington Tom Geuting Gordon Harvey Maddie Jims Barbara King Jerome Morse Barry Moyer Lorraine and Paul Ondrasik David Patterson Rick Schneider SPONSORS ($150 – $249) Robin Richards Joyce Woodford DONORS ($100 – $149) Teri-E Belf Boeing Company Donna & Loren Bielger Sara Birkhead John Clark & Robin Parker Tom Conrad George & Joan Eckert Kenneth Glaser Elizabeth Glennon Bonnie O. Hudson Michael & Linda Kirchner Craig & Mary Mass Heather and Jason Meringolo M Eileen Roehr Ron & Laure Rolfe Jim & Beverly Seacord Barbara Schell BJ and Marilyn Silvey Rich & Paula Steinmann James & Mary Waggener Carol Watson Leonard and Elaine Wolfe PATRONS ($21 – $99) James Allred James Bennett Charles & Pauline Bias Rich Bird Sandra Clark Margaret Copernoll Thomas Costello Susan Erdman Francine Gilbert John Greenwood William J Groah Daryl Hoffman Ron & Helen Holsopple Charles Huddleston Jeffrey & Laura Hurlich David Johnson David & Julia Jones Nelson Joyner Mary King Betsy Knepley Walter & Manette Lazear Paulette Lincoln-Baker Michael Louden Bruce Mancinelli Carol Dianne Notling Carolyn Olson Sue Pinkman Kurt & Jean Pronske Carolyn Reith Kate Richards Estelle Strassler Mark Terry Christa Warden Robert J Wybraniec Virginia Wydler Thank You! Your Tax Deductible Donations can be sent to: The Reston Community Players, P.O. Box 8232, Reston, VA 20195. CAST in order of appearance Ryan Khatcherssian Harv Lester Terry Barr Tim Adams Maureen Rohn Jolene Vettese Molly Hicks Larson Jaclyn Young Joshua Redford Jennifer Lambert Lisa Anne Bailey MUSICAL NUMBERS ACT I The Carousel Waltz from Carousel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Orchestra There Is Nothin’ Like A Dame from South Pacific . . . . . . . . . . . . . . Harv Lester, Tim Adams, Terry Barr, Ryan Khatcheressian A Wonderful Guy from South Pacific . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maureen Rohn Some Enchanted Evening from South Pacific . . . . . . . . . . . . . . . . . . . . . . . . . . . . Harv Lester I Have Dreamed from The King and I . . . . . . . . . . . . . . . Ryan Khatcheressian, Jolene Vettese Shall We Dance? from The King and I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Molly Hicks Larson I Enjoy Being A Girl from Flower Drum Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jaclyn Young A Fellow Needs A Girl from Allegro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Harv Lester Do I Love You Because You’re Beautiful? from Cinderella . . . . . . Tim Adams, Jaclyn Young The Surrey With The Fringe On Top from Oklahoma . . . . . . . . . . . Terry Barr, Jolene Vettese People Will Say We’re In Love from Oklahoma . . . . . . . . . . . . . . . . Terry Barr, Jolene Vettese Oh, What A Beautiful Mornin’ from Oklahoma . . . . . . . . . . . . . . . . . . . . . . . . Joshua Redford Oklahoma from Oklahoma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tim Adams, Ensemble There will be a brief (15-20 minute) intermission. ACT II Evita Interlude/Tag/Don’t Cry For Me Argentina from Evita . . . . . . . . . . Molly Hicks Larson Starlight Sequence from Starlight Express . . . . . . . . . . . . Harv Lester, Ryan Khatcheressian Jellicle Ball from Cats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Orchestra Memory from Cats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jennifer Lambert Sunset Boulevard from Sunset Boulevard . . . . . . . . . . . . . . . . . . . . . . . . . . . Joshua Redford With One Look from Sunset Boulevard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lisa Anne Bailey All I Ask of You from Phantom of the Opera . . . . . . . . . Maureen Rohn, Ryan Khatcheressian Music of the Night from The Phantom of the Opera . . . . . . . . . . . . . . . . . . . . . . . Tim Adams Love Changes Everything from Aspects of Love . . . . . . . . . . . . . . . . . . Terry Barr, Ensemble ORCHESTRA Musicians are listed in alphabetical order by last name by section Violins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Betty Brody Suzanne Murray Brendan Slocumb, Concertmaster Kelley Williams Violas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Margie Bassman Megan Kitts Cello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Virginia Gardner Flutes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jenn Kerwin Rosalie Morrow Oboes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jane Hughes Sue Neff Mila Weiss Clarinets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alisha Coleman Allen Howe Lindsay Williams Bassoon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bill Jokela Horns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deb Kline Ako Shiffer Trumpets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Lee Vinny Prinzivalli Will Thayer Trombones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Harold Rhoads Bill Wright Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Robotham Kevin Uleck Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rick Peralta Ben Young Keyboard Synthesizers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mariko Hiller Katsuko Takahashi PLEASE TURN OFF YOUR CELL PHONES! The use of recording equipment or the taking of photographs by camera, cell phone or any other means during a performance is strictly prohibited. Patrons are also requested to turn off all cell phones, pagers, alarm watches and other electronic devices in order not to disturb others. PRODUCTION STAFF Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joshua Redford Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Baughman Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Max Frost Conductor and Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mitch Bassman Vocal Coach . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elisa Rosman Master Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Skip Larson Set Building Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Skip Larson, Sara Birkhead Light Designers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ken and Patti Crowley Light Board Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alan Sauleea Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rich Bird Sound Board Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rich Bird Rehearsal Pianist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elisa Rosman Load-In Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Birkhead, Laura Baughman, Max Frost, Skip Larson, Joshua Redford, Greg Steele, James Maxted, Scott Birkhead Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Traci j Brooks Photography House Management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daryl Hoffman Showbill Production . . . . . . . . . . . . . Ginger Kohles, Sue Pinkman, Joshua Redford U P N E XT O N C ENTERSTAG E Title of our revolutionary musical to be announced Nov. 11th You will not want to miss this show. Get your tickets Now! COMING JANUARY 2014 You can still purchase season tickets for just $66. Join us for our Revolutionary Season! www.restonplayers.org 703-501-7588 $$ SCHOLARSHIPS $$ The Shelton Hall & Bruce Marson Memorial Scholarships for the Performing Arts Awarded every year to deserving High School Seniors pursuing the performing arts. For more information, visit www.restonplayers.org COMMUNITY SPACE FOR RENT Our Rehearsal Hall in Herndon is available for rent! It is perfect for dance and exercise classes, rehearsal space, meetings and much more! PROP, COSTUME, SCENERY, and FURNITURE RENTAL For rental information, please visit our website and complete a rental request form. For more information email: [email protected]. WHO'S WHO IN THE CAST Tim Adamsis a native to the Reston area, born and raised in Herndon, VA. He has taught music for more than 13 years having worked with the Pride of Herndon Marching band and founding the Herndon Town Orchestra. Combining his love of music and dance Tim found musical theatre and has appeared in several shows throughout the DC Metropolitan area. His first show after graduating college was A Chorus Line with RCP in 2000. Other credits include: RCP: I Love You Because (Jeff); SIGNATURE: See What I Wanna See (Janitor/ Priest u/s); KENNEDY CENTER: San Francisco Ballet's Giselle (Falconer), Everything I Do (Straker); KEEGAN: Cabaret (Hans); FRINGE FESTIVAL: Lysistrata (Cinesias), Astra the Menga Musical (Zonk); TAP: 42nd Street (Billy Lawlor); KAT: The Rocky Horror Show (Brad Majors), One Red Flower (Billy Bridges), Zanna, Don't! (Steve Bookman), A New Brain (Minister); MCP: Damn Yankees (Joe Hardy), Red Hot & Cole (Paul), You're A Good Man, Charlie Brown (Linus); AMS: Crazy for You (Bobby Child); LSDT: The Pirates of Penzance (Frederic); Shenandoah (James). Lisa Anne Bailey has been active in the Northern Virginia/ Maryland area for over 35 years as an actress, director and choreographer. No stranger to the RCP stage, Lisa has been seen for RCP in leading roles in Joseph and the Amazing Technicolor Dreamcoat, South Pacific, Godspell, Peter Pan and Funny Girl and has directed for RCP The Best Little Whorehouse in Texas, Oliver, Children of a Lesser God, City of Angels, A Funny Thing Happened on the Way to the Forum, Cabaret, I Love You Because and has choreographed and stage managed many others. Lisa has also worked with ESP, TAP, MCP and SSS as an actress in such roles as Marmee in Little Women, the Musical and The Drowsy Chaperone in The Drowsy Chaperone and has directed Nine, Suburb and Next to Normal as well as many others. It is a pleasure to be “home” on the RCP stage. Terry Barris delighted to be returning to RCP for the fourth time. Previous credits include: RCP: Next to Normal (Gabe); I Love You Because (Everyman); The 25th Annual Putnam County Spelling Bee (Chip Tolentino). LSDT: The Pirates of Penzance (Pirate King); A Christmas Carol (Fred); Shenandoah (Corporal). KAT: Chicago (Mary Sunshine); Rent (Mr. Jefferson/Ensemble); The Rocky Horror Show (Phantom). AMERICAN CENTURY STAGE: Stage Door (Keith Burgess/Jimmy Deveraux). GMU OPERA WORKSHOP: Street Scene (Dick); Amahl and the Night Visitors (Page); Trouble in Tahiti (Trio); L’elisir d’amore (Ensemble). Terry is also the co-founder and co-director of Virginia Ice Theatre of Fairfax. WHO'S WHO IN THE CAST Ryan Khatcheressian made his RCP debut in last fall's production of Legally Blonde, The Musical playing the role of Emmett Forrest. Previous credits include: Henry Clerval in Frankenstein, a new musical (TFT), Mark Cohen in RENT (ESP), Big Jack Preston in Flight of the Lawnchair Man (WATCH nomination-TFT), Peter in bare (TFT), Roger in A New Brain (WATCH nomination-KAT), Radames in Aida (2FP), Charlie Brown in You’re a Good Man… (VTC), Edgar/Batboy in Batboy, the musical (2FP), Jesus of Nazareth in Jesus Christ Superstar (2FP), Che in Evita (WATCH Recipient-VTC) and Jekyll /Hyde in Jekyll and Hyde, the musical (WATCH nomination-TAP). Jennifer Lamberthas performed in several shows over the last eight years at RCP, including Honk!, Joseph and the Amazing Technicolor Dreamcoat, Twilight of the Golds, Drowsy Chaperone, and Lend Me a Tenor. She has also produced Legally Blonde, I Love You, You’re Perfect, Now Change, and Brooklyn Boy. She is thrilled to have the opportunity to perform with these fabulous singers amongst a full orchestra who plays these classics the way they were intended to be heard. Molly Hicks Larson was last seen as Paulette Bonafonte with RCP’s Legally Blonde, (Restie Award, Best Supporting Actress; MDTheater Guide nom; WATCH nom), and debuted Reston stages in 2007 as Sarah Brown in the classic Guys and Dolls. Favorite rolls include Catherine in Boston Marriage - ESP (WATCH Award’s Best Supporting Actress in a Play) Eva Peron in Evita - VTC (WATCH Award, Best Lead Actress in a musical; ACT Award's Best Actress in a Musical). Magenta in Rocky Horror Show - ESP (WATCH nom), Mary in JCS - 2FP, and Meredith Parker in Bat Boy - 2FP. Love to Jeff, Mags, and “Baby Boy” Larson (due Nov). This one is for Daddy, his strength to endure and fight, and my amazing family of his caregivers. Donate to the best team ever! foundation.inova.org/ Harv LesterRCP: Next To Normal (Dan); I Love You, You’re Perfect, Now Change (Man No. 2); Wonderful Town (Bob Baker); SIGNATURE THEATRE: Company (Peter/Larry U/S, 11 performances); KEEGAN THEATRE: A Man Of No Importance (Carney); Man Of La Mancha (Padre); NEW YORK INT’L FRINGE FESTIVAL: Gleeam (Sensitive Jock); CAPITAL FRINGE FESTIVAL: Songs From An Unmade Bed (The Man); I Like Nuts! the Musical (Rob the Angry Squirrel); Fictitious the Musical (Hugh); HOPE OPERAS: Vanilla Latte (Fred); LTA: Sweeney Todd (Sweeney); The Will WHO'S WHO IN THE CAST Rogers Follies (Will, WATCH Nom.); ESP: Falsettos (Marvin, WATCH Nom.); RMT: Baby (Nick); Into The Woods (The Baker, WATCH Award); Kiss Me Kate (Fred/Petrucchio); The Full Monty (Harold); TAP: 42nd Street (Julian Marsh); DS: The Wild Party (Jackie); Musical of Musicals, the Musical! (Jidder); KAT: 110 In The Shade (File); VLOC: Patience (Archibald Grosvenor); Ruddigore (Robin Oakapple); THEATRE LAB: Ragtime (Father). Joshua Redford (Producer/Director) is the current President of RCP and has served as a board member and artistic director. He was last seen under the lights in I Love You Because (Austin Bennet) last spring. Previous RCP credits include: Twilight of the Golds (Rob Stein), Curtains (Aaron Fox), Forbidden Broadway (Mandy Patinkin) Brooklyn Boy (Ira Zimmer); Joseph and the Amazing… (Joseph), The Crucible (John Proctor), Honk! (The Cat), Mame! (Patrick). Other area credits include: SSS: As Bees in Honey Drown (Mike Stabinski), FP: A New Brain (Roger), ESP: Side Show (The Boss), Romeo and Juliet (Mercutio), and Rooftop: The Glass Menagerie (Tom Wingfield). Directing credits include: Legally Blonde the Musical (WATCH nom.); The Drowsy Chaperone (WATCH nom.); I Love You, You’re Perfect, Now Change (WATCH nom.); Brooklyn Boy; Songs from an Unmade Bed; and Intimate Distances. He wishes to thank everyone for being a part of this monumental production. Maureen Rohnis honored to be back on the RCP stage after her dream came true last fall playing Elle Woods in Legally Blonde: The Musical. Favorite D.C. roles include Olive in ...Spelling Bee (LTA), Nancy in Oliver! (LTA), Linda in Play it Again, Sam (LTA), and The Producer’s Daughter in The Rise and Fall of Annie Hall (Theater J). A proud R&H fan, Maureen earned her B.A. in Theatre and Business at Northwestern University and M.A. in Arts Management at GMU. She currently works as the Marketing Manager for Siteworx here in Reston. She thanks the wonderful cast and crew of this enchanting concert. Thank you to Joshua for inviting me into the RCP family! Love to JAG. Jolene Vetteseis excited to be on the Reston stage again after appearing earlier this year as Diana in Next to Normal. Other roles at RCP include Woman in I Love You Because, Nikki in Curtains, various characters in Forbidden Broadway, Old Ma Strong in Urinetown, and Martha Jefferson in 1776. She has also been involved with the RCP new play project and has participated in several readings. By day she works in HR for the government. She would like to thank her amazingly supportive family for allowing her to play. David, Emma, Joey Cheeks, Mom — you guys are the best! WHO'S WHO IN THE CAST & BACKSTAGE Jaclyn Younghas been seen onstage and backstage in many productions at RCP, including Legally Blonde (Kate/ Chutney and Hair/Make-up Design) ...Spelling Bee (Schwartzy and Hair Design), Wonderful Town (Helen and Hair/Makeup Design), The Full Monty (Pam), and Drowsy Chaperone (Hair and Make-up). Other local credits include Hairspray (Penny, LTA- WATCH nom), A Midsummer Night's Dream (Hermia, ESP - WATCH nom), Metamorphoses (Alcyone and others, ESP), Reefer Madness (Mary Lane, Dominion Stage), The Great American Trailer Park Musical (Pickles - KAT), Agnes of God (Agnes, SSS - WATCH award), Urinetown (Little Sally, KAT - WATCH nom), Assassins (Squeaky, KATWATCH nom). Jaclyn is a middle school Theatre teacher in Fairfax County. Mitch Bassman (Conductor/Music Director). Mitch is thrilled that his first opportunity as music director at RCP includes conducting a full orchestra and singers on the stage in this wonderful concert. No stranger to musical theater, Mitch has performed as a woodwind doubler in well over 100 musicals in the DC area. Favorite shows with RCP include Legally Blonde, I Love You Because, The Drowsy Chaperone, The 25th Annual Putnam County Spelling Bee, Curtains, Urinetown, Joseph and the Amazing Technicolor Dreamcoat, Honk!, Mame, City Of Angels, The Wizard of Oz, Evita, and Pippin. A native of Virginia, Mitch started playing the piano as a toddler; his formal music lessons on that instrument began at age eight and continued throughout high school. His study of the clarinet began at age thirteen, and he added other woodwinds, brass, and percussion instruments during the next few years. Currently the principal clarinetist of the NOVA Annandale Symphony Orchestra, Mitch joined that orchestra in January 1996 after playing in the George Mason University Symphony Orchestra from 1980 through 1995. Previously, he had been co-principal clarinet and a charter member of the Durham (NC) Symphony Orchestra when it was founded in 1976. He has been the musical director of the choir at Congregation Adat Reyim in Springfield since founding it in 1983. Mitch recently retired from his nonmusical day job in the IT field, giving him more time to devote to his music passion. He dedicates this production to his trophy wife Margie whom he met eleven years ago in an orchestra pit. Laura Baughman (Stage Manager) is pleased to be backstage again at RCP. She has performed various backstage roles on shows including Guys and Dolls, Forbidden Broadway, The Full Monty, Curtains, As You Like It, Wonderful Town, Twilight of the Golds, Moonlight and Magnolias, The Drowsy Chaperone, Lend Me A Tenor and 33 Variations. Many thanks to the creative cast and crew for the opportunity to work with them on this show. By day, Laura is an IT analyst, and she is the caretaker of four cats who know a soft touch when they see one. WHO'S WHO BACKSTAGE Rich Bird (Sound Design) After being lucky enough to work with RCP for several years now, Rich has found himself on both sides of the stage; most recently as Anton Schindler in 33 Variations. However, he started with RCP doing sound for our extremely popular production of Curtains. Rich has been lucky enough to sound design and work with most of the singers you'll hear tonight and many of the orchestra members in shows like, Legally Blonde, Next to Normal, The Drowsy Chaperone, I Love You Because, I Love You're Perfect Now Change, and several others. It's a pleasure to see and hear them do what they do best. Elisa Rosman (Vocal Coach/ Rehearsal Pianist) is always happy to be working at RCP, where her most recent music directing adventure was Next to Normal, last spring. Other shows at RCP include I Love You Because; The 25th Annual Putnam County Spelling Bee; I Love You, You're Perfect, Now Change; Urinetown; Joseph... Dreamcoat; Honk!; Mame; A Funny... Forum; and Merrily We Roll Along. Other area credits include Broadway Christmas Carol at MetroStage and The 25th Annual Putnam County Spelling Bee at the Keegan Theatre, as well as Caroline, or Change; Passion; Falsettos; and Side Show Ken and Patti Crowley (ESP), Little Women (MCP), and A (Lighting Design) are excited to be New Brain (Foundry). Elisa has also designing at RCP again. Other RCP accompanied classes at Theater Lab designs include,Next To Normal, August and Signature’s Overtures, and music Osage County, I Love You Because, directed two Broadway Lights the Night Curtains, Twilight of the Golds, and benefits. As always, much gratitude to The Drowsy Chaperone. Their most Dan and my 4 beauties. recent designs include: LTA’s Avenue Q, Sweeney Todd, Cantorial, and The Full Monty, ESP’s The History Boys. BECOME A VOLUNTEER Other noteworthy designs include: Picnic, Secret Garden, Will Rogers Do you want to volunteer your Follies, Intimate Apparel, Into the time & skills? RCP is a great way Woods, Joseph…, Das Barbecu, and to meet new people, have fun and Teahouse of the August Moon. They participate in your community. are the humble recipients of 9 Watch Awards and 34 Nominations, along with 3 RCP Lighting Design Awards & 10 LTA Lighting Design Awards. For more information email: [email protected]. THE SHOWS RODGERS AND HAMMERSTEIN Carousel ✩ In a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the naive millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. It's easy to understand why, of all the shows they created, Carousel was Rodgers & Hammerstein's personal favorite. South Pacific ✩ Set in an island paradise during World War II, two parallel love stories are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile's proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he's fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe's life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices. The King and I ✩ East versus West makes for a dramatic, richly textured and ultimately uplifting tale of enormous fascination. It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a barbarian by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and, eventually, respect one another, in a truly unique love story. Flower Drum Song ✩ The generation gap is given the Rodgers & Hammerstein treatment in this colorful approach to the age-old conflict. In San Francisco's Chinatown of the late '50s, nightclub owner Sammy Fong's traditional family has ordered him a picture-bride from China, hoping to end his pursuit of an enticing dancer. Mei Li arrives, shy and at sea in a world she doesn't understand, and it's clear that she's the wrong gal for the totally assimilated Sammy. However, she may be just the ticket for Sammy's buddy, whose traditionalist father is fighting a losing battle with his kids against rock `n' roll, baseball, sports cars and the typical trappings of the modern American life-style. By turns raucous and heartfelt, the THE SHOWS solution to this delightful Chinese puzzle of properly matching the young people while reconciling the old is a celebration of American ingenuity. Allegro ✩ This ensemble musical chronicles nearly four decades in the life of an Everyman, Joseph Taylor, Jr., from cradle through a mid-life discovery of who he is and what his life is truly about. The first musical to be staged by a director who was also the choreographer (the legendary Agnes de Mille), the unique structural format allows the saga to whisk us from Joe's birth through his childhood, from college dorm to marriage altar, and on to his career; from the tranquility of his small Midwestern hometown to the hectic din of big city life, in a series of vignettes and musical sequences dazzling in their simplicity and stunning in their impact. Ahead of its time theatrically, Allegro remains timeless in its appeal. Cinderella ✩ The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. Oklahoma ✩ Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules of musical theatre still being followed today. Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road. That they will succeed in making a new life together we have no doubt, and that this new life will begin in a brand-new state provides the ultimate climax to the triumphant Oklahoma! ANDREW LLOYD WEBBER Evita ✩ Argentina's controversial First Lady is the subject of this dynamic musical masterpiece. As an illegitimate fifteen year old, Eva escaped her dirt-poor existence for the bright lights of Buenos Aires. Driven by ambition and blessed with charisma, she was a starlet at twenty-two, the president's mistress at twentyfour, First Lady at twenty-seven, and dead at thirty-three. Eva Peron 'saint to the working-class, reviled by the aristocracy and mistrusted by the military' was destined to leave a fascinating political legacy unique in the 20th century. Told through a compelling score that fuses haunting chorales with exuberant Latin, pop and jazz influences, Evita creates an arresting theatrical portrait as complex as the woman herself. THE SHOWS Starlight Express ✩ A child’s train set magically comes to life and the various engines compete to become the “Fastest – engine in the World”! The underdog, Rusty the Steam train, has little chance until he is inspired by the legend of the “Starlight Express” and ultimately defeats his arch-rivals “Greaseball” and ‘Electra before going on to win the hand of the lovely first class coach, Pearl. Cats ✩ Based on the universally popular poetry of T.S. Eliot, Cats tells the story, in song and dance, of the annual gathering of Jellicle cats at which time one special cat is selected to ascend to the Heaviside layer. A true musical theatre phenomenon, Cats opened at London's New London Theatre on May 11, 1981 and ran for a record-setting 21 years. Cats' London success was nearly matched on Broadway where it ran at the Wintergarden Theatre for just over 18 years. Sunset Boulevard ✩ Sunset Boulevard weaves a magnificent tale of faded glory and unfulfilled ambition. Silent movie star Norma Desmond longs for a return to the big screen, having been discarded by tinsel town with the advent of 'talkies.' Her glamour has faded in all but her mind. When she meets struggling Hollywood screen-writer Joe Gillis in dramatic circumstances, their subsequent passionate and volatile relationship leads to an unforeseen and tragic conclusion. The Phantom of the Opera ✩ The Phantom of The Opera is composed by Andrew Lloyd Webber, with lyrics by Charles Hart, additional lyrics by Richard Stilgoe, and a book by Lloyd Webber and Stilgoe. Based on the classic novel “Le Fantôme de l’Opéra” by Gaston Leroux, The Phantom of The Opera tells the story of a masked figure who lurks beneath the catacombs of the Paris Opera House, exercising a reign of terror over all who inhabit it. He falls madly in love with an innocent young soprano, Christine, and devotes himself to creating a new star by nurturing her extraordinary talents and by employing all of the devious methods at his command. Aspects of Love ✩ This bold and ambitious chamber opera explores the landscape of the human heart, charting the shifting alliances of six lovers across three generations. Alex is only seventeen when love changes everything. His brief affair with the ambitious actress, Rose, sets the course for a succession of romantic liaisons that last well into manhood. Alex loses Rose to his shrewd, worldly uncle George and they marry. In time, George's mistress, the lovely Giulietta, has a fling with Rose, who keeps her own lover, Hugo. Echoes of Rose's initial caprice with the virginal Alex haunt the proceedings when he, in turn, beds the teenage daughter Rose has borne his aging uncle. This elaborate la ronde en famille is driven by an engrossing and muscular score of pure emotional directness. ABOUT THE COMPOSERS Richard Rodgers & Oscar Hammerstein II (Music and Lyrics) After long and highly distinguished careers with other collaborators, Richard Rodgers (composer, 1902-79) and Oscar Hammerstein II (librettist/lyricist, 1895-1960) joined forces in 1943 to create the most successful partnership in the American musical theatre. Prior to his work with Hammerstein, Rodgers collaborated with lyricist Lorenz Hart on a series of musical comedies that epitomized the wit and sophistication of Broadway in its heyday. Among their greatest successes were Pal Joey, On Your Toes and Babes In Arms. Throughout the same era Hammerstein brought new life to the operetta, culminating in the masterpiece, Show Boat (music by Jerome Kern; Carnegie Hall '08). Oklahoma!, the first Rodgers and Hammerstein musical, was also the first of a new genre, the musical play, blending Rodgers' musical comedy style with Hammerstein's innovations in operetta. Oklahoma! was followed by Carousel, State Fair (film ’45, ’62; Broadway ‘96), Allegro, South Pacific, The King & I, Me & Juliet, Pipe Dream, Cinderella (television ’57, ’65, ’97; Broadway ‘13), Flower Drum Song and The Sound Of Music. Collectively, their musicals have garnered dozens of awards including: Pulitzer Prizes; Tonys, Oscars, Emmys, and Grammys; and Drama Desk, Drama Critics’ Circle, Outer Critics’ Circle, Laurence Olivier, and Evening Standard Awards. Andrew Lloyd Webber (Composer) The Likes of Us, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, By Jeeves, Evita, Variations and Tell Me on a Sunday later combined as Song & Dance, Cats, Starlight Express, The Phantom of the Opera, Aspects of Love, Sunset Boulevard, Whistle Down the Wind, The Beautiful Game, The Woman in White and Love Never Dies. He composed the film scores of Gumshoe and The Odessa File and a setting of the Latin Requiem mass. He has composed the music for Stephen Ward which opens in London on 19 December this year. As well as many of his own shows, his producer credits include Daisy Pulls It Off, Lend Me a Tenor, Shirley Valentine, La Bête, the ground-breaking Bollywood musical, A R Rahman’s Bombay Dreams, the London Palladium productions of The Sound of Music and The Wizard of Oz and the films of The Phantom of the Opera and the acclaimed Australian production of Love Never Dies. He pioneered television casting for musical theatre with the Emmy Award-winning BBC series How Do You Solve a Problem Like Maria?. His awards include seven Tonys, three Grammys including Best Contemporary Classical Composition for Requiem, seven Oliviers, a Golden Globe, an Oscar, two International Emmys, the Praemium Imperiale, the Richard Rodgers Award for Excellence in Musical Theatre, a BASCA Fellowship and the Kennedy Center Honor. He currently owns six London theatres, including the Theatre Royal, Drury Lane and the London Palladium.His future projects include support for the breeding programme of the increasingly rare Turkish swimming cat at Van in Eastern Turkey. He was knighted in 1992 and created an honorary life peer in 1997. LOCAL THEATER REFERENCE GUIDE ACCTAldersgate Church Community Theatre* 2FP 2nd-Flight (currently Taking Flight) ACCT Aldersgate Church CommunityTheatre* BCT Bowie Community Theatre* CCP Chevy Chase Players* CPA Colonial Players of Annapolis* CRT Castaways Repertory Theatre* DTC Damascus Theatre Company* DS Dominion Stage* ESP The Elden Street Players* FCT Fauquier Community Theatre* FP Foundry Players* GAC Greenbelt Arts Center* HBP Hard Bargain Players* KAT Kensington Arts Theatre* LMP Laurel Mill Playhouse* LTA Little Theatre of Alexandria* MCP McLean Community Players* MP Montgomery Playhouse* PCP Port City Playhouse* PGLT Prince George's Little Theatre* PPF Providence Players of Fairfax* PTP Port Tobacco Players* PWLT Prince William Little Theatre* RCP Reston Community Players* RGARuby Griffith Awards RLT Rockville Little Theatre* RMT Rockville Musical Theatre* RTP Rooftop Productions* SCT Springfield Community Theatre SMP St. Mark's Players* SP Sterling Playmakers SSS Silver Spring Stage* TAP The Arlington Players* TCP Tantallon Community Players* TFT Taking Flight Theatre Company* TFYA Elden Street Players Theatre for Young Audiences VTC Vienna Theatre Company* VYP Vienna Youth Players WATCH Washington Area Theatre Community Honors * Indicates a WATCH member. 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