Royal Society of P ortrait P ainters 2 0 15

Royal Society of Portrait Painters 2015
RP
therp.co.uk
2015
Annual Exhibition 2015
Royal Society of Portrait Painters
17 Carlton House Terrace, London SW1Y 5BD
Tel: 020 7930 6844
www.therp.co.uk
Cover painting
‘Fabio’ by Brendan Kelly RP
Designed and produced by Chris Drake Design
Printed by Duncan Print Group
Published by the Royal Society of Portrait Painters
© 2015 Royal Society of Portrait Painters
The Royal Society of Portrait Painters
is a Registered Charity No. 327460
Royal Society of Portrait Painters
Patron: Her Majesty The Queen
Advisory Board
Council
Hanging Committee
Anne Beckwith-Smith LVO
Paul Brason
Paul Brason
Keith Benham
Tom Coates
Simon Davis
Dame Elizabeth Esteve-Coll DBE
Saied Dai
Sam Dalby
Lord Fellowes GCB GCVO QSO
Sam Dalby
Toby Wiggins Foreman
Anupam Ganguli
Sheldon Hutchinson
Damon de Laszlo
Antony Williams
The Hon. Sandra de Laszlo
Philip Mould
Sir Christopher Ondaatje CBE OC
Mark Stephens CBE
Daphne Todd OBE PPRP NEAC Hon. SWA
Selection Committee
Jane Bond
Sam Dalby
Gallery Manager
John Deston
Exhibitions Officer
Alistair Redgrift
Simon Davis
Press and Publicity
Robin-Lee Hall
Richard Fitzwilliams
President
Sheldon Hutchinson
Liberty Rowley
Robin-Lee Hall
Melissa Scott-Miller
Vice President
Simon Davis
Honorary Secretary
Melissa Scott-Miller
Toby Wiggins
Antony Williams
Annabel Elton
‘Conversations’ Prize
Selection Committee
Anthony Eyton RA
Honorary Treasurer
Martin Gayford
Jason Walker
Philip Mould OBE
Honorary Archivist
Head of Commissions
Justin Urquhart Stewart
Toby Wiggins
3
Deceased Honorary Members
Past Presidents
2001 – 2002 Andrew Festing MBE
2002 – 2008 Susan Ryder NEAC
Sir Lawrence Alma-Tadema OM RA RWS
1891 – 1904 A. Stuart Wortley
William Bowyer RA RP RWS NEAC
1906 – 1910 Sir W. Q. Orchardson RA HRSA
Maurice Bradshaw OBE
1910 – 1924 Sir James J. Shannon RA
Derek Clarke RP RSW ARSA
1924 – 1930 Sir William Orpen KBE RA RHA
Sir George Clausen RA
1932 – 1940 Sir John Lavery RA RSA RHA Etc
Leonard McComb RA Hon. RBA
Sir Arthur Cope RA
1944 – 1948 George Harcourt RA
Tom Phillips CBE RA Hon. PS
Cowan Dobson RBA
1948 – 1953 Augustus John OM RA
Tai-Shan Schierenberg
William Dring RA RWS
1953 – 1965 Sir James Gunn RA LL.D
John Wonnacott CBE
Hugh de T. Glazebrook
1965 – 1971 Sir William Hutchison PPRSA
Kenneth Green
1971 – 1980 Edward Halliday CBE PPRBA
Sir James Guthrie PRSA RA
1980 – 1983 Norman Hepple RA
Allan Gwynne-Jones DSO RA
1983 – 1991 David Poole ARCA
J. McLure Hamilton
1991
Claude Harrison ARCA
1991 – 1994 George J. D. Bruce
Augustus John OM RA
1994 – 2000 Daphne Todd OBE
Dame Laura Knight RA RWS
2000 – 2002 Paul Brason
Leonard C. Lindsay FSA
2002 – 2008 Andrew Festing MBE
Sir William Llewellyn PRA
2008 – 2014 Alastair Adams
Edward Hall
Sir John Everett Millais PRA
A. T. Nowell
Herbert A. Oliver RI
Sir Edward Poynter PRA RWS
Hugh G. Riviere
Carlos Sancha
C. Sanders RA
John S. Sargent RA RWS
Howard Somerville
Trevor Stubley RBA RSW RWS
A. R. Thompson RA
G. F. Watts OM RA
T. Fiddes Watt RSA
J. McNeill Whistler HRSA LL.D
Walter Woodington RBA NEAC
4
Past Vice Presidents
2008 – 2014 Andrew James
Honorary Members 2015
Members 2015
Alastair Adams PPRP
Jane Bond RP NEAC
Jason Bowyer RP PNEAC PS
Paul Brason PPRP
Keith Breeden RP AGBI Steward 2014-15
Peter Brown RP NEAC PS Hon. RBA ROI
George J. D. Bruce PPRP
Tom Coates RP PPPS PPRBA RWS
PPNEAC RWA
David Cobley RP RWA NEAC
1898 – 1934 The Hon. John Collier OBE
Anthony Connolly RP
1934 – 1944 George Harcourt RA
Saied Dai RP NEAC
1944 – 1952 Sir Oswald Birley RA
Sam Dalby RP
1952 – 1953 T. C. Dugdale RA
Simon Davis RP RBSA Vice President
1953 – 1957 Simon Elwes ARA
Frederick Deane RP
1959 – 1964 Sir William Hutchison PPRSA
John Edwards RP
1966 – 1980 Norman Hepple RA
Andrew Festing MBE PPRP
1980 – 1985 John Ward CBE RA RWS
Richard Foster RP
1985 – 1991 George J. D. Bruce
David Graham RP
1991
Valeriy Gridnev RP PS ROI
Edward Hall
1991 – 1994 Richard Foster
Robin-Lee Hall RP
1994 – 1999 Trevor Stubley RWS RBA
Geoffrey Hayzer RP
1999 – 2001 Paul Brason
Sheldon Hutchinson RP
Andrew James RP
Honorary Friends
Brendan Kelly RP
Peter Kuhfeld RP NEAC
James Lloyd RP
June Mendoza AO OBE RP ROI Hon. SWA
Anthony Morris RP NEAC
Michael Noakes RP
Anastasia Pollard RP
David Poole PPRP ARCA
Susan Ryder RP NEAC
Melissa Scott-Miller RP NEAC Hon. Secretary
Stephen Shankland RP
Jeff Stultiens RP
Benjamin Sullivan RP NEAC
Jason Sullivan RP
Michael Taylor RP
Daphne Todd OBE PPRP NEAC Hon. SWA
Jason Walker RP Hon. Treasurer
John Walton RP
Emma Wesley RP
Toby Wiggins RP Hon. Archivist
Antony Williams RP PS NEAC
Neale Worley RP
Robbie Wraith RP
Ms Christina Leder
Professor Kenneth McConkey
Ms Philippa Abrahams
Ms Anne Allport
Sir Ian Amory
The Rt. Hon. Lord Archer of
Weston Super Mare
Ms Pim Baxter
Baroness Bottomley
Gyles Brandreth Esq.
Robin Buchanan-Dunlop Esq.
Gerald Carroll Esq.
Colonel William Chesshyre
Mrs Peter Cookson
Conrad Dehn Esq.
Ms Susan Engledow
Ms Katherine Eustace
Michael Fawcett Esq.
Lord Fellowes of West Stafford
Ms Moira Field
Ms Frances Gandy
Dr Rita Gardner
Martin Gayford Esq.
David Goldstone Esq.
David Messum Esq.
Dr Mark Moody-Stuart
Ms Jans Ondaatje-Rolls
Richard Ormond Esq.
William Packer Esq. NEAC Hon. RBA Hon. PS
James Partridge OBE DSc.
Ms Liz Rideal
Alasdair Riley Esq.
The Hon. Maurice Robson
Sir Timothy Sainsbury
Dr Charles Saumarez Smith
Sir David Scholey
The Lord Selborne
Robin Simon Esq.
Peyton Skipwith Esq.
Peter Spira Esq.
Prof. Dame Marilyn Strathern
The Lord Vinson of Roddam Dene LVO DL
Ian Wallace Esq.
Anthony Weale Esq.
Duncan Wilson Esq.
Andrew Wilton Esq
Philip Harley Esq.
Associate Members
Sir Max Hastings
Sir Michael Holroyd
Frances Bell Assoc RP
David Houchin Esq.
Miriam Escofet Assoc RP
Ms Sarah Howgate
Joseph Galvin Assoc RP
Ms Dotti Irving
David Miller Assoc RP
Mrs Lucy Jenkins
David R Newens Assoc RP
Dr Gillian Jondorf
Mark Roscoe Assoc RP
The Rt. Hon. Tessa Jowell MP
Sir Henry Keswick
The Lady Fellowes LVO
Sir Kirby and Lady Laing
5
FIGURATIVE ART TODAY
The Threadneedle Prize 2014
The Threadneedle Foundation is pleased to support Mall Galleries
and The Threadneedle Prize, a leading competition for figurative
and representational painting and sculpture.
Since its establishment in 2008 The Threadneedle
Prize has become recognised as one of the country’s major
art prizes and a vibrant and engaging forum for creative talent.
As well as supporting new techniques that stretch the potential
of young, emerging and established artists, it provides an exciting
and varied exhibition for everyone to see.
threadneedle.com/foundation | threadneedleprize.com
Bed Head - Tina Jenkins Winner - Threadneedle Prize 2014
Important information: Threadneedle Asset Management Limited (TAML) registered in England and Wales, no.3701768, 60 St Mary Axe, London EC3A 8JQ. TAML is authorised and regulated by the Financial Services Authority. Threadneedle Investments is a brand name
and both the Threadneedle Investments name and logo are trademarks or registered trademarks of the Threadneedle group of companies. threadneedle.com
T4230
President’s review of the year
Welcome to the 124th Royal Society of Portrait Painters Annual Open
Exhibition. The portraits on show draw from members and non-members
alike. This year, we received in the region of 1,900 portraits from our
digital submission, with a final 91 making it onto the walls.
It is also my pleasure to introduce myself as
the new President of the RP. I have been
exhibiting with the RP since the nineties and
in 2008 was elected to membership. I became
a Council member in 2009 and have sat on
the People’s Portraits Standing Committee
at Girton since 2010. I’m a practising
portrait painter and I lecture at the National
Portrait Gallery and National Gallery. My
ambition for the Society as President, is to
continue to build on our history and strong
reputation for high quality commissioned
portraiture and share our knowledge and
experience through education.
Management, we are able to offer
workshops during our show in the excellent
Learning Centre at the Mall Galleries.
We are delighted to be able to continue to
award our generous and established prizes.
Congratulations go to our 2014
prizewinners. We are, as ever, grateful for
the generosity of our sponsors’ support and
belief in the Society’s remit. This year we
have also been able to add Burke’s Peerage
Foundation. These prizes are valuable to the
recipients, many of whom establish higher
profiles from being showcased in this way.
2014 saw the Bulldog Bursary awarded
to Emma Hopkins. Emma, along with 2013
recipient, Sarah Jane Moon, has an
exhibition during the show in the Mall
Galleries’ Learning Centre.
On behalf of the Society, I would like to
thank Alastair Adams for his direction and
leadership over the last six years. Alastair
gave us a fine new website and a new
image. His enthusiasm and very hard work
helped to guide the Society through difficult
economic times. Thanks also go to Andy
James for his work alongside Alastair as
Vice President over his term. Michael Taylor
stepped down from the Council on
completion of his two-year rotation and his
contribution is greatly appreciated.
Robin-Lee Hall, the new President of the RP
All of the RP’s activities are as a result of
abundant goodwill, support and advice
from friends, members and our highly
experienced and valued Advisory Board.
This is also an opportunity for me to introduce
some new faces on the Council. Taking over
the role of Vice President is Simon Davis, Hon.
Secretary from 2010. Melissa Scott-Miller
has returned to the role of Hon. Secretary.
Sam Dalby, Sheldon Hutchinson and Tom
Coates have stepped on to the Council.
This year sees an expansion of our
relationship with Seven Investment
Management and their generous £15,000
Conversations Prize. The shortlisted works
and winner will be displayed in the
Threadneedle Space. Thanks to our
sponsorship from Seven Investment
And finally, it’s important to remember to
thank the subjects and commissioners of
our own paintings. The sitter’s time and the
patron’s willingness to support artists by
funding and loaning works is greatly
appreciated and helps make exhibitions and
artistic careers all the richer.
The People’s Portraits collection at Girton
continues to go from strength to strength
with Jason Walker donating his portrait of
‘Brooksy’. This year the collection
celebrates its 15th anniversary and there
will be a small selection of paintings on
show in the Threadneedle Space.
7
Video views
Girton College Cambridge is the
home of the People’s Portraits
collection. Video artist and Girton
College Artist in Residence,
Sonny Sanjay Vadgama, talks
about his experience in the role.
Immersing myself in University life, and
collaborating with the students and staff at
Girton College has proved to be a rich
experience. It is one that has fuelled my
own work, and as I now feel comfortable
here, I can get on with making things in a
stimulating environment. Looking back a
year, I can see how my ideas have changed,
and how my inspiration has altered and
shifted in shape. This new environment has
Self portrait C-Print by Sonny Sanjay Vadgama
8
acted as a clean slate in terms of the kind of
media I am gravitating towards, and being
constantly surrounded by portraits is
influencing the way I create work. Film and
3D continue to form the backbone of my
practice, but I am enjoying the process of
creating a new series of work, drawing
from the energy and history that is layered
within a single image. I try not to speculate
on how work will evolve, but seeing the
diversity of what has already been created
feels extremely positive.
My first weeks here demonstrated the need
to raise awareness of the Artist in
Residency scheme in order for the staff and
students at Girton (and beyond) to know
about the scheme and to interact with it. I
attempted to do this by turning the studio
into a focal point for interactivity. I
encouraged both staff and students to
collaborate with me, and to use the space to
expand their interests and think about the
intersections between different kinds of
creativity. Film nights, poetry readings and
social soirées soon followed.
Working in Girton College required a
paradigm shift in working, having grown
accustomed to compact artists’ studios that
offered limited chances for interactivity
beyond the occasional conversation in a
grotty communal kitchen. I learnt Girton
had accepted me for the residency a year
before, and initially, set about trying to plan
how to make the most of it. Such a strategy
only seemed logical, but I soon realised the
‘logical’ could hardly be applied to an
environment that I had no experience of.
Subsequently, trusting my gut was the best
compass, and immersing myself in
Sonny Sanjay Vadgama
collegiate activities proved beneficial. Not
only did it introduce me to new friends but
it also taught me how to relax and enjoy
some of the more formal traditions at
Cambridge University.
Attending lectures was one of the ‘logical’
plans I did follow through with, and I can
wholeheartedly describe the experience as
rewarding. Setting-up a new artist’s studio
has always been a challenging process for
me, so being able to attend lectures on
subjects such as Philosophy and History of
Art was food for thought and a fertile
source of inspiration that could feed ideas
into my own practice.
The People’s Portraits collection at Girton
College Cambridge is a unique collection of
portraits of ordinary people in the UK today,
painted by members of the Royal Society of
Portrait Painters. For more information, visit:
www.girton.cam.ac.uk/girton-today/
artefacts/peoples-portraits
The Bulldog Bursary 2015
Latest winner, Emma Hopkins,
talks about how she works, and
the opportunities that have arisen
from winning.
At eighteen, I moved to London from
Brighton to study for a degree in Make-up
and Prosthetics for Performance. I had
always drawn inspiration for art work from
anything human, and it seemed fitting to
use the body as my canvas.
I learnt a lot about how to work respectfully
and intimately with another person and
their body, how to guide them through
narrative, and how to portray character. By
the end of my course, I was designing,
directing and filming performance pieces.
Then, I graduated.
I tried to fit myself into the designated
performance industries, I even tried to fit
myself into the medical industry by working
for a prosthetic limb manufacturer. But I
couldn’t. I saw a psychotherapist, started
working in a little fine art supply shop,
trusted my instincts and started to paint.
Four and a half years later, and after a huge
amount of trial and error, I applied for the
Bulldog Bursary, and, to my bewilderment,
I was successful.
In this exhibition you will see my oil
painting of Geri Morgan. Within the Mall
Galleries’ Learning Centre, until 19th April,
alongside other works I have made since
winning the bursary, will be my encounters
with Geri Morgan. They are recorded
through preliminary sketches and paintings
and a collaboration with the video and
sound artist Debra Welch.
Geri Morgan was born in London in 1926.
Amongst many other things, Geri is a
painter and was the principal of the Byam
Shaw School of Art from 1970 to 1991. Each
week, I visit Geri at his home in Islington.
We make our way slowly up the winding,
creeking stairs to his studio in the attic,
where, after the ritual of a coffee and chat,
he paints me and then I paint him.
I paint, and feel lucky that I can combine my
various skills into a practice that is
beginning to take shape. Winning the
Bulldog Bursary has been a momentous
achievement for me, and given me real
confidence and support. I will be eternally
grateful for this unique opportunity.
Despite the fact that since 1948 he has used
life models for his own work, not until now
has Geri swapped roles and sat for a
painting himself. I have depicted him in a
chair used by his models for over 40 years.
I now also hold a pose in this chair for him
each week. The markings covering the chair
were crucial for me to include as they hold
the memory of the physical positions of his
models, meaningful friendships and
beautiful paintings.
I have filled Geri’s gaze with the intensity
that I see when he paints me, and also the
wealth of emotion and kindness he emits
as a friend. I chose to paint on a plain
translucent fabric as this forces you to
observe intently the person, while also
giving the work a sense of space. I have
constructed a frame that contains Geri in a
space that echos that of the sloped ceilinged
attic. I wanted the piece to have a feeling of
being unbalanced but at the same time
solid. This is because, despite Geri’s
strength as a person, he struggles at times
with the control of his body.
I am the most at ease and stimulated when
Emma Hopkins in her studio
9
Ever wondered how a portrait is commissioned?
Finding the right artist is a bit like falling in love – people know when
they have found the right portrait painter for them.
Commissioning a portrait is easy and
enjoyable. Before launching into selecting
an artist, you will need to have an idea
about who or what you would like to have
portrayed, roughly what size you would like
the work of art to be, and whether it is to be
a painting or drawing. Artists’ fees vary
from small sums to small fortunes so the
other aspect to address is a budget.
The most important stage is to select an
appropriate artist, which, without help, can
be an overwhelming task. This is why we
believe our ‘One Stop Shop’ for portrait
commissions is so useful. We pride
ourselves on our expertise and knowledge
of the portraits market, along with the
standard of our members’ work.
Annabel Elton, our Head of Commissions,
has over 30 years of experience, and she
has developed systems to ensure the whole
process is easy and enjoyable. She is able to
provide advice and guidance from artist
selection through to completion.
Our website is a good place to start
(www.therp.co.uk) with its ‘Choose an
artist’ section. In addition, Annabel offers
personal consultations either in person, by
appointment or by email.
Once chosen, it’s time to meet the artist,
discuss the detail and agree a quote, only
then do we book the first sitting. Most
artists will travel to their sitter, but some
prefer the more stable conditions of their
studio. The number of sittings needed
varies depending on the medium, the artist
and their method of work; some artists will
use photography and others work only
from life but, broadly speaking, two to
eight sittings of 1.5 hours is the average.
Most importantly, sittings are enjoyable
and friendships are often formed between
sitter and artist.
Once the work is finished, the artist will
help you to choose a frame and the
finish, and then you can enjoy the fruits of
your part in the creative process for years
to come.
Please contact us if you would like to find
out more about commissioning a portrait.
Annabel Elton
Telephone 020 7930 6844
[email protected]
www.therp.co.uk
Alice Bell
by Simon Davis VPRP RBSA
“We wanted a portrait of our ten-year
old daughter, Alice. We had never
commissioned a portrait before and
didn’t know what to expect but Annabel
helped us identify potential artists and
create a shortlist from which we chose
Simon Davis. Everything was very clear
in terms of logistics, pricing, payment,
etc. Alice is never great at sitting still but
she was very excited and honoured to be
painted! Simon was very good at
engaging her and making it fun. We are
delighted with the end result – he has
really captured Alice’s personality and
her internal world, as well as what she
looks like on the outside.”
Jean and Julian Bell
10
The Paikin Girls
by Valeriy Gridnev RP PS ROI
“I commissioned the portrait for my husband’s
birthday. We loved the whole process involving many
‘secret’ sittings with the wonderful Valeriy. We were
all thrilled with the result.”
Professor William Brown
Darwin College, Cambridge
by Geoffrey Hayzer RP
“I’ve worked with him for twelve years
and it’s like a viva! He’s sitting there
giving you a severe ‘listening to’ and
he’s about to ask the penetrating
question that’s going to be extremely
difficult to answer!”
Peter Brindle, Darwin College Cambridge
Irayne Paikin
Sir Tim Wilson
by Brendan Kelly RP
“As part of our commitment to creating
an artwork-rich campus that reflects a
whole range of our interests, having
portraits of our university founding Vice
Chancellors, created by a young and
contemporary portrait artist, allows us
to talk about our history as a university
in more traditional terms, and also
creates a permanent memorial to people
who helped us to the strong position
we are in today.”
“A photograph simply
couldn’t do the same for
us…we will treasure
this for years to come.”
Chris McIntyre, Dean of Cultural Affairs and
Director of UHArts, University of Hertfordshire
11
Annual Open Award Winners 2014
Top left to right: ‘Ali’ by Neil B Helyard (The Love and Legacy Prize sponsored by Seven Investment Management); ‘Conversations with Duncan’ by Jennifer McRae (The
Ondaatje Prize for Portraiture); ‘Jonathan Miller’ by Saied Dai RP NEAC (The Changing Faces Prize); ‘Portrait’ by Jack Joiner (The Arts Club Charitable Trust Award);
‘Study for Andrew’ by Antony Williams RP NEAC PS (The Prince of Wales’s Award for Portrait Drawing); ‘Studio 26’ by Flora Watson (The de László Foundation Award)
12
‘Conversations’ Prize
Seven Investment Management (7IM) provides investment services for a
whole range of clients – from family businesses to sports people, from ‘tech’
entrepreneurs to journalists, large company chairmen to pensioners, trusts,
charities and many more besides.
The original seven of us set up our business 13 years ago, because – simply
put – we couldn’t find an investment company that we could trust with our
own pension monies. Today, we manage around £8bn for clients who like
our straightforward approach – to managing money, to talking to them
without jargon and acronyms, and to being wholly transparent about what
we charge for it all. So conversations are at the heart of our business, it’s
only through talking to people that we get to really understand them and
appreciate what they need us to help them to do; be it provide for a family,
secure a future or protect the fruits of a working life.
We are delighted to be sponsoring the Royal Society of Portrait
Painters again this year, and the ‘Conversations’ Prize is close to our hearts.
After all, our origins go back to a conversation too, one between Justin
and Tom, our CEO, in a staff canteen discussing the kind of business
they would like to run, now they do…
The Ondaatje Prize
for Portraiture
in association with
The Royal Society of Portrait Painters
The President, Council and members are most grateful to
Sir Christopher Ondaatje CBE OC, and the Ondaatje Foundation for their
generous sponsorship of this major annual award to the painter
of the most distinguished portrait of the year.
The prize was launched in 1995 and took the form of a commission to
paint our Patron H.M. The Queen, for the Society. From 1996, the Prize has
taken the form of a cheque in addition to the Society’s Medal.
This year, 2015, sees the prize money at £10,000.
Previous Prize Winners
1995 Antony Williams 1996 Desmond Healy
1997 Thom Winterburn 1998 Paul Brason 1999 John Ward CBE
2000 Leonard Rosoman OBE RA 2001 Daphne Todd OBE
2002 Martin Yeoman 2003 Michael Reynolds 2004 Howard J. Morgan
2005 John Wonnacott CBE 2006 Saied Dai 2007 Tom Coates 2008 James Lloyd
2009 Anastasia Pollard 2010 Robin-Lee Hall 2011 Tai-Shan Schierenberg
2012 Antony Williams 2013 Mark Roscoe 2014 Jennifer McRae
The de Laszlo
Foundation Award
The Society wishes to acknowledge the considerable
interest shown by The de Laszlo Foundation in encouraging young artists
and furthering the aims of The Royal Society of Portrait Painters.
We are pleased to announce that the Silver Medal together with
a cheque for £3,000 will be awarded to the artist, aged thirty five or under,
judged to have submitted the best portrait.
The President, Council and members wish to express their gratitude
to The de Laszlo Foundation for instigating this award.
Previous Prize Winners
(Awarded by The Carroll Foundation until 2003)
1990 David Quirke 1992 Nahem Shoa 1993 Richard Smith
1994 Haydn Cottam 1995 Antony Williams 1996 Frances Turner 1997 Francis Terry
1998 Andrew James 1999 James Lloyd 2000 T. M. J. Leveritt 2001 James Schneider
2002 Benjamin Sullivan 2003 Francisco Centofanti 2004 Brendan Kelly
2005 Emma Wesley 2006 Frances Bell 2007 Patrick Bremer 2008 Ruth Murray
2009 Emma Wesley 2010 Norman Long 2011 Martha Zmpounou
2012 David Sargerson 2013 Kelvin Okafor 2014 Flora Watson
The Changing Faces Prize
The Changing Faces Prize is awarded to the artist whose portrait most powerfully conveys the energy
of their subject, the directness of their gaze and an attitude that exudes openness and confidence.
The Prize is a £2,000 commission to paint a portrait of a person who has a facial disfigurement for the
Changing Faces Collection. The Collection aims to ensure that people with unusual faces are fairly
represented in modern-day portraiture.
Each year, as our commissioned artist reveals their work, we are reminded of the power of portraiture
to challenge assumptions and expectations about what it means to have an unusual appearance. As
well as the scar, the birthmark or asymmetrical features, the artist and his subject help you see a
confident communicator, an attractive person with skills, talents and personality, and an individual
who has a valid place in society.
We look forward to congratulating the Prize winner.
James Partridge OBE, DSc (Hon), FRCSEd (Hon)
Founder and Chief Executive, Changing Faces
Previous Changing Faces Prize Winners
2002 Michael Taylor 2003 Jason Bowyer 2004 Alastair C. Adams 2005 Jean-Paul Tibbles
2006 Toby Wiggins 2007 Brendan Kelly 2008 Hynek Martinec 2009 Anthony Connolly
2010 Antony Williams 2011 Benita Stoney 2012 Mark Roscoe 2013 Andrew James 2014 Saied Dai
CLARENCE HOUSE
The Prince of Wales’s Award
for Portrait Drawing
The President, Council and members are deeply grateful to H.R.H. The Prince of Wales
for The Prince of Wales’s Award for Portrait Drawing, a framed certificate and
a cheque for £2,000, which is made annually.
Previous Prize Winners
1999 Nicholas Cochrane 2000 Tom Coates 2001 Sheldon Hutchinson 2002 Peter Kuhfeld
2003 Warren Baldwin 2004 Anthony Connolly 2005 Toby Wiggins 2006 Thomas Lumley
2007 Saied Dai 2008 Peter Brown 2009 Neil B. Helyard 2010 Louise Yates
2011 David Miller 2012 Anthony Connolly 2013 Toby Wiggins 2014 Antony Williams
Burke’s Peerage Foundation
Award for Classically Inspired
Portraiture
in association with
The Royal Society of Portrait Painters
Burke’s Peerage Foundation was established 5 January 2014,
on the 200th anniversary of the birth of Sir John Bernard Burke, CB,
Ulster King of Arms 1853–92, to advance the education of the public in
the subject of genealogy and personal heritage.
Burke’s Peerage Foundation Award for Classically Inspired Portraiture
was instituted to celebrate the art of portraiture included in Burke’s
Peerage since its foundation by John Burke in 1826. It is presented
annually with a framed certificate and a cheque for £2,000.
We are delighted to sponsor this award and look forward to
viewing the submissions.
William Bortrick
Founder and Chairman, Burke’s Peerage Foundation
The Royal Society of Portrait Painters is extremely grateful
for the generosity of the Bulldog Trust in setting-up the Bulldog
Bursary for Excellence. This is a bursary of £5,000 given annually to
an up-and-coming portrait painter. The winner is chosen by the President
and Council of the RP after a national call for entries. As well as
receiving the Bursary, during the year the recipient is mentored
by members of their choice from the Society.
The winner for 2014-2015 is Emma Hopkins.
The Bulldog Trust support the development of talent across
the arts, they set up the Bulldog Bursary with the RP to encourage
the perpetuation of the skills and excellence involved in professional
portraiture. We are delighted to be able to offer the winner the truly
unique opportunity of learning this art from the UK’s master
portrait painters themselves.
Previous Prize Winners
2007 Joseph Galvin 2008 Daniel Shadbolt 2009 David Caldwell
2010 Clara Drummond 2011 Rebecca Francesca Cartwright de Fontenelle
2012 Olha Pryymak 2013 Sarah Jane Moon
2014 Emma Hopkins
The Arts Club
Charitable Trust Award
in association with
The Arts Club
The President, Council and members would like to express their thanks to
The Arts Club Charitable Trust and The Arts Club for their award of £1,000
to the most deserving artist in the exhibition, as judged by
representatives from the Charitable Trust.
Artists’ General Benevolent Institution
Royal Society of Portrait Painters
Patron: H.R.H the Prince of Wales
You may consider making a bequest to the Royal Society of
Portrait Painters, which specifically promotes traditional values in
figurative painting and receives no public funding.
Founded in 1814 by JMW Turner, the Artists’ General Benevolent
Institution provides help to professional artists and their
dependents in times of difficulty.
Funds are always needed and donations of any amounts are
gratefully received and acknowledged.
Please send your donation to:
The Secretary
Artists’ General Benevolent Institution
Burlington House, Piccadilly
London W1J 0BB
Registered Charity No. 212667
If you would like further information, please write to:
Melissa Scott-Miller
Hon. Secretary
Royal Society of Portrait Painters
17 Carlton House Terrace
London SW1Y 5BD
Telephone 020 7930 6844
Registered Charity No. 327460
Annual Exhibition 2015
Alastair Adams PPRP
Avrom Sher
85 x 76 cm (33 x 30 ins)
Oil
22
David Wilson
101 x 67 cm (40 x 26 ins)
Oil
23
Frances Bell Assoc RP
Self Portrait (Part 1, 2 and 3)
53 x 58 cm (21 x 23 ins)
Oil
24
Jason Bowyer RP PPNEAC PS
A Small Self
38 x 38 cm (15 x 15 ins)
Oil
25
Jane Bond RP NEAC
Peter Green, Headmaster of
Ardingly College 2007 – 2014
81.5 x 74 cm (32 x 29 ins)
Oil
This portrait was commissioned by
Ardingly College. Peter Green is now
Head Master of Rugby School.
26
Lady Buckinghamshire
79 x 74 cm (31 x 29 ins)
Oil
27
Paul Brason PPRP
Eleonora and Sibylla (Study)
Mary Rees-Mogg
89 x 94 cm (35 x 37 ins)
61 x 46 cm (24 x 18 ins)
Pencil
Pencil
28
Sir Alan Battersby
97 x 107 cm (38 x 42 ins)
Oil
29
Keith Breeden RP
Professor Lord Krebs of
Wytham, Principal of
Jesus College, Oxford
100 x 90 cm (40 x 36 ins)
Oil
Courtesy of Jesus College
30
Professor Graham Russell,
Emeritus Professor of
Musculoskeletal Pharmacology
81 x 66 cm (32 x 26 ins)
Oil
Courtesy of The Botnar Research Centre
31
Peter Brown RP NEAC PS Hon. RBA ROI
Ella at the Door
and in the Hall
92 x 59 cm (36 x 23 ins)
Oil
Ella, at the brink of her
9th birthday, is a lover
of life. She appears
confident and noisy at
home but is just as shy
as any child when she
is out in the big wide
world. Here she is twice:
In the hall and on the
threshold of the house.
Hattie Asleep, Summer ’14
35.5 x 33 cm (14 x 13 ins)
Pencil
The kids are great to draw asleep. Sometimes they ask me
to draw them as they nod off. This is Hattie, the summer
before she started secondary school, finally not
sharing with her younger sister but in a room of her own.
32
Shot by Ned
137 x 107 cm (54 x 42 ins)
Oil
I have a go at a family portrait every now and
then. I am keen to record the family as it grows.
This is the first floor landing of our house: a busy
junction of the home. Bedrooms, a bathroom and
my studio lead directly off it. It becomes Ned’s
space base, Ella’s dance floor and Hattie’s Gym at
weekends. In the middle of the night panicking
feet tumble through it towards our bedroom to
escape nightmares and in the morning impatient
siblings pace the floor awaiting the bathroom slot.
It would be lovely to think we all interact
wonderfully all the time but of course the reality is
we disappear into our own worlds or that of the
ether while inhabiting the same space. Ned,
however, although self-sufficient, demands
attention from his siblings and his Mum and Dad.
Lisa here would be the only real witness to my
assassination.
33
Tom Coates RP PPNEAC PPPS PPRBA RWA RWS
Pauline with her Favourite Hat
The Black Shawl
71 x 81 cm (28 x 32 ins)
71 x 84 cm (28 x 33 ins)
Oil
Oil
34
Peter Rockwell
66 x 76 cm (26 x 30 ins)
Oil
I met Peter while staying with friends
in Tuscany. He came to sit for me each
afternoon at 3pm, wearing different
shirts each day, and normally
dropping off to sleep within ten
minutes! I learnt a lot from him about
his famous father, Norman, and his
painting methods. Peter himself is a
renowned sculptor and professor in
Rome, author of Art of Stoneworking
and international consultant on Stone
Conservation and Restoration.
35
David Cobley RP NEAC RWA
Professor Martin Daunton
112 x 86 cm (44 x 34 ins)
Oil
36
Neil Osborn
96.5 x 127 cm (38 x 50 ins)
Oil
37
Anthony Connolly RP
Annunziata
50 x 40 cm (20 x 16 ins)
Oil
38
Sam Dalby RP
Paul Kelly
70 x 60 cm (28 x 24 ins)
Oil
39
Saied Dai RP NEAC
The Musician
66 x 51 cm (26 x 20 ins)
Oil
40
The Enigma of Jasper Rose
163 x 112 cm (64 x 44 ins)
Oil
41
Simon Davis RP RBSA
Standing Nude
Standing Nude (Sepia)
71 x 61 cm (28 x 24 ins)
64 x 43 cm (25 x 17 ins)
Oil
Oil
42
Le Phare
74 x 58 cm (29 x 23 ins)
Oil
43
Miriam Escofet Assoc RP
Shubha
90 x 70 cm (35 x 28 ins)
Oil
This portrait was commissioned as a
wedding present for Shubha and her
husband James by his parents. There are
biographical elements in the portrait:
Shubha’s dress is the one she was wearing
when James proposed; her wedding sari is
draped over her arm and she is wearing her
mother in law’s jewellery. Shubha’s natural
demeanour made me think of Dominique
Ingres’ wonderful society portraits, and I
think some of that elegance has come
through in the finished piece.
44
Kathryn and Milo
95 x 80 cm (37 x 31 ins)
Oil
Work in progress
This is a mother and son portrait, in a pose
I observed them naturally adopt after an
Easter lunch last year. Something about the
rhythm of the pose, the colour and the age
old ‘mother and son’ motif really captivated
me, and I mentally archived it as a potential
portrait. Some months later, I asked Kathryn
and Milo to pose for me in the exact same
position. I always think of other artists and
works when I am painting, and with this
piece, I could not help thinking of the ‘pieta’
theme, especially with Kathryn’s outfit
(albeit in a very modern style!) of royal blue
and touches of gold.
45
Andrew Festing PPRP
Mr Stan Cribb
Mr Raymond Barnard
86 x 66 cm (34 x 26 ins)
59 x 61 cm (23 x 24 ins)
Oil
Oil
46
Mr Ricky Toomey
91.5 x 63.5 cm (36 x 25 ins)
Oil
47
Richard Foster RP
Barlow Family
Capriccio
92 x 71 cm (36 x 28 ins)
142 x 110 cm (56 x 43 ins)
Oil
Oil
48
Fishing Hut, Stobiehaugh
61 x 51 cm (24 x 20 ins)
Oil
49
Joseph Galvin Assoc RP
Dr Ann Rhys
40 x 51 cm (16 x 20 ins)
Oil
Dr Ann Rhys is fondly known in Wales as
‘Dr Ann’. Since retiring as a psychiatrist
with special interests in mental health
problems in the community in Ceredigion
and consulting psychiatrist to the University
of Wales, Aberystwyth, she has become
somewhat of a celebrity on the Welsh
language programme Prynhawn Da. For the
past 15 years she has had a weekly slot,
sharing her expert medical knowledge and
helpful advice on television and radio.
Through all this, she managed to raise seven
children, and is grandmother to 13 – she also
happens to be my mother in law, and is an
extraordinary person!
The portrait was completed over several
sittings, and was painted entirely from life.
It was a gradual process that incorporated
many subtle changes in expression and
pose. Through these many observations,
I feel that I was able to capture a true sense
of her warmth and questioning nature.
50
Richard Q Hoare OBE – Founder and
Past Chairman of The Bulldog Trust
76 x 98 cm (30 x 39 ins)
Oil
I first met Tigger in 2007 at Two Temple Place,
home to the charity, The Bulldog Trust. The
event was an exhibition of self-portraits by RP
members, which also served as the launch of
the then new Bulldog Portrait Bursary to
support portrait painters in their early career.
I was the first fortunate recipient of this
award. Receiving the Bulldog Bursary was a
life changing experience that helped me
tremendously in establishing myself as a
portrait painter. I was thrilled, therefore, to
have the opportunity to paint this portrait of
Tigger for The Bulldog Trust.
During the sittings, I was introduced to the
wonderful bronze bulldog, symbol of the Trust.
It quickly became apparent that this cast
bronze sculpture was to play an important role
in the portrait. I really enjoyed the sittings, and
with them, the opportunity of getting to know
a very kind and considerate man.
51
David Graham RP
Party Piece
76 x 63.5 cm (30 x 25 ins)
Oil
52
High Hat
94 x 58.5 cm (37 x 23 ins)
Oil
53
Valeriy Gridnev RP PS ROI
Guitarist
65.5 x 105 cm (26 x 41 ins)
Oil
54
The Framer
58 x 90 cm (23 x 35 ins)
Oil
55
Robin-Lee Hall PRP
21st Century Family
63 x 71 cm (25 x 28 ins)
Egg tempera
56
Brendan Kelly RP
Fabio
100 x 112 cm (39 x 44 ins)
Oil
57
Peter Kuhfeld RP NEAC
Michael Fawcett MVO
122 x 96.5 cm (48 x 38 ins)
Oil
58
Mark Roscoe Assoc RP
“Detail from a Larger Scene” (from The Faculty of Advocates Bench and Bar painting 2015)
52 x 62 cm (20 x 24 ins)
Oil
59
June Mendoza AO OBE RP ROI Hon. SWA
Danielle de Niese, Opera Singer
152.5 x 107 cm (60 x 42 ins)
Oil
This painting was done over a year
between Danielle’s opera engagements
in the US at the Met, Norway, or
wherever. We painted in the big Organ
Room at Glyndebourne. Danni was
marvellous, but the conditions were not:
winter sun tended to pour across the
room (death to the painting), and it was
freezing. Danni, in her gorgeous couture
dress, didn’t seem to notice – amazing!
60
Peter Avis and Andrew Keener Talking Music
107 x 152.5 cm (42 x 60 ins)
Oil
These two charmers were irresistible as a conversational subject. Immersed as they both are
professionally in music, I wanted the close interplay of empathy and separateness. Despite the
cramped room and frequent, frustrating bursts of sun (no north facing room available) it was a
thoroughly enjoyable exercise, and started, by pure coincidence before I knew of the RP’s
‘Conversations’ project.
Salena Jones, Jazz Singer
168 x 91.5 cm (66 x 36 ins)
Oil
61
Anthony Morris RP NEAC
Portrait of Jack Morris
84 x 75 cm (33 x 30 ins)
Oil
This is a portrait of my younger
brother Jack. We were both always
drawing at home and at school, where
we were lucky to have such an
inspiring art master who gave us much
encouragement.
I left school to go to Oxford School of
Art, and Jack, three years later, in 1957,
took drawings along to Morris Motors
at Cowley and joined the Technical
Publications Division. He recalls his
first test piece was to draw a fuel tank
unit, drawn with a crow quill, ruler and
french curves.
Jack spent the rest of his working life
at Cowley, producing fantastic cutaway
drawings for many publications, so
much so that you could get into the car
and drive it away. He now lives in
Garsington, Oxfordshire, with his wife
Jill, and is now producing wonderful
wildlife paintings and scenes of the
local countryside.
62
Portrait of Glyn
92 x 66 cm (36 x 26 ins)
Oil
63
David R Newens Assoc RP
Margaret
88 x 63 cm (35 x 25 ins)
Oil
64
Susie
51 x 41 cm (20 x 16 ins)
Oil
65
Michael Noakes RP PPROI
66
Sir Donald Sinden CBE (detail)
133 x 107 cm (52 x 42 ins)
Oil
We had known the Sindens for decades,
and had talked earlier about a portrait –
but it somehow did not get under way until
he was in his late eighties. He was busy,
and had been out-of-work as an actor for
only five weeks until a few years ago.
Sittings were spread over 2012 to 2014.
I had seen him in a one-man performance,
and I wished to echo that isolated single
figure on a stage, with theatrical lighting.
I made the background a vivid colour, and
I would not have done that to a more
ordinary sitter. He telephoned me once,
speaking for nearly an hour: then there
was a pause of three minutes, and he rang
again and talked for a further forty
minutes. Wonderful, wonderful stuff. And,
of course, I wanted to show his humour,
his exhilarating life-enhancing humour.
His home, Rat’s Castle, was a wonder of
theatre associations. My room when I
stayed there had numerous pictures – and
a blotter marked JG… John Gielgud. In
fact, the can he holds in the portrait had
belonged to John Mills.
I painted many theatre and film figures
years ago, and his view on them was subtly
different from mine since he had worked
with them as a relatively young actor; and
in fact I have just been commissioned to
paint Dame Judi Dench, so to my delight
that continues…
Lexie Whitter at 4¾
56 x 45 cm (22 x 18 ins)
Pencil
A couple of years ago, I drew Lexie’s brother, Charlie, when he was the
same age as she is now. I showed that portrait here too. Four and threequarters is a significant age, and an individual’s character and personality
emerges – with these two, anyway – by then.
67
Anastasia Pollard RP
Self Portrait
28 x 24 cm (11 x 9 ins)
Oil
68
Danny
28 x 24 cm (11 x 9 ins)
Oil
69
Susan Ryder RP NEAC Hon. SWA
General Sir John
Swinton with his
Daughter Tilda
104 x 114 cm (41 x 45 ins)
Oil
Work in progress
70
Nixie, Mirabel and
Grace Walduck
125 x 99 cm (49 x 39 ins)
Oil
71
Melissa Scott-Miller RP NEAC
Family in a Hampstead Garden
91 x 122 cm (36 x 48 ins)
Oil
72
Hugh Williams
84 x 72 cm (33 x 28 ins)
Oil
73
Jeff Stultiens RP
Isobel and Bertie
81.3 x 61 cm (32 x 24 ins)
Oil
Work in progress
74
Antony Williams RP NEAC PS
Andrew Looking Down
43 x 38.7 cm (17 x 15 ins)
Egg tempera
75
Benjamin Sullivan RP
David Oelman
68 x 50 cm (27 x 20 ins)
Pencil and conté
76
Sir Colin Lucas
72 x 48 cm (28 x 19 ins)
Pencil and conté
77
Daphne J Todd OBE PPRP NEAC Hon. SWA
Gerald Sklar Esq. Gesticulating
61 x 61 cm (24 x 24 ins)
Oil
78
The Right Reverend Graeme
Knowles CVO
76 x 61 cm (30 x 24 ins)
Oil
By kind permission of the Dean & Chapter,
St Paul's Cathedral
79
John Walton RP
Professor Paul Luzio
68 x 78 cm (27 x 31 ins)
Oil
Professor Paul Luzio was Master of
St Edmund’s College Cambridge from
2004 to 2014.
In his hand is a highly magnified
version of a clathrin cage representing
his research in cell biology. To the left
you see the college, its coat of arms
and a symbolic representation of its
sporting activities with their mascot.
To the right you have his wife Jane
and her Morris dancers.
80
John & Joseph
43 x 43 cm (17 x 17 ins)
Oil
Painted on a panel given to
me by Jason Bowyer to
produce a self portrait for the
show at the Hogarth Museum.
Unfortunately, I was taken ill
and didn’t complete it on time.
Joseph is my second great
grandson!
81
Toby Wiggins RP
Wee-To. Tom and Edna Waterman, Stapleford
72 x 102 cm (28 x 40 ins)
Oil
82
Guy Bamford at Dunshay Studio
Chris Bardini
135 x 85 cm (53 x 33 ins)
40 x 30 cm (16 x 12 ins)
Oil
Oil
83
John Wonnacott CBE Hon. RP
Lady with an Apple
100 x 70 cm (39 x 28 ins)
Oil
Work in progress
My portrait began with a head painting on a 10” canvas,
until my subject, a distinguished author, asked if she
might work on her laptop while I worked on my drawing,
and this set the pose for the full figure painting. Then, the
Christopher Wood hanging above the El Greco-crimson
couch began to dominate all my visual responses. To find
my way into the delicate tonal rhythms of the head and
features, I worked first with the veils of light and shadow
thrown by a table lamp to criss-cross and unify the
picture surface.
84
Taipans on the 48th Floor
115 x 160 cm (45 x 63 ins)
Oil
I first drew my Taipan subjects individually in their city offices
before following them to Hong Kong for a fortnight of backto-back company meetings. The office I was given to use as
a studio had large porthole windows looking at the harbour,
and these set the circular motifs for my final painting. The
interacting circle of figures sat together for only two or three
posed meetings, but each director would call in separately
to read through the papers or just to wind down with
conversation unrelated to company business while I worked
on my painting. The only Chinese, Hong Kong based,
director would come in early each morning to sit for a direct
painting head study while educating me with his deep
knowledge of the history of the company. My commission
was to create a painting based on a previous company
portrait by the 19th century painter George Chinnery.
85
Robbie Wraith RP
Burlesque
117 x 168 cm (46 x 66 ins)
Oil
86
Portrait Study
66 x 56 cm (26 x 22 ins)
Oil
87
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88
‘CHRIS BARDINI’ BY TOBY WIGGINS RP
Annual Exhibition 2015
Annual Exhibition 2015
1
2
3
4
5
6
ALASTAIR ADAMS PPRP
Avrom Sher
Oil
85 x 76 cm (33 x 30 ins)
NFS
9
10
David Wilson
Oil
101 x 67 cm (40 x 26 ins)
NFS
JENNIFER ANDERSON
The Directors: A Portrait of Neil MacGregor,
Director of the British Museum, London,
and Tom Campbell, Director of the
Metropolitan Museum, New York
Oil
120 x 100 cm (47 x 39 ins)
£100,000
11
12
CLAIRE ANSCOMB
Veil
Graphite
28 x 35 cm (11 x 14 ins)
£500
13
CAROLINE BAYS
Michael
Charcoal
83 x 76 cm (33 x 30 ins)
£850
14
NATHALIE BEAUVILLAIN SCOTT
Yohan
Oil
45 x 35 cm (18 x 14 ins)
£9,000
7
8
TIM BENSON VPROI
Clifford
Oil
31 x 26 cm (12 x 10 ins)
£1,050
OLGA BODROVA
Invited by John Walton RP
Girl with Apples
Oil
95 x 75 cm (37 x 30 ins)
NFS
JANE BOND RP NEAC
Lady Buckinghamshire
Oil
79 x 74 cm (31 x 29 ins)
NFS
18
Mary Rees-Mogg
Pencil
61 x 46 cm (24 x 18 ins)
NFS
20
Sir Alan Battersby
Oil
97 x 107 cm (38 x 42 ins)
NFS
21
Peter Green, Headmaster of
Ardingly College 2007 – 2014
Oil
81.5 x 74 cm (32 x 29 ins)
NFS
15
17
PETER BOWEN
Tom Ward-Thomas
Oil
45 x 35 cm (18 x 14 ins)
£1,200
JASON BOWYER RP PPNEAC PS
A Small Self
Oil
38 x 38 cm (15 x 15 ins)
£1,500
Andnous
Charcoal
30 x 25 cm (12 x 10 ins)
£650
23
24
Mr Sparksman
Ink
38 x 38 cm (15 x 15 ins)
£800
Sammy G
Charcoal
51 x 38 cm (20 x 15 ins)
£1,500
PAUL BRASON PPRP
Eleonora and Sibylla (Study)
Pencil
89 x 94 cm (35 x 37 ins)
NFS
19
22
16
FRANCES BELL Assoc RP
Self Portrait (Part 1, 2 and 3)
Oil
53 x 58 cm (21 x 23 ins)
NFS
Clive
Oil
31 x 26 cm (12 x 10 ins)
£1,050
25
KEITH BREEDEN RP
Professor Graham Russell, Emeritus
Professor of Musculoskeletal Pharmacology
Courtesy of The Botnar Research Centre
Oil
81 x 66 cm (32 x 26 ins)
NFS
Professor Lord Krebs of Wytham,
Principal of Jesus College, Oxford
Courtesy of Jesus College
Oil
100 x 90 cm (40 x 36 ins)
NFS
ILSA BRITTAIN
Rise
Oil
30 x 23 cm (12 x 9 ins)
£450
MARTIN BROOKS
Tom
Oil
53.3 x 64 cm (21 x 25 ins)
£3,500
PETER BROWN RP NEAC PS
Hon. RBA ROI
Ella at the Door and in the Hall
Oil
92 x 59 cm (36 x 23 ins)
£8,250
26
27
28
29
30
31
32
33
34
Ella on the Plan Chest
Oil
38 x 33 cm (15 x 13 ins)
£2,250
Hattie Asleep, Summer ’14
Pencil
35.5 x 33 cm (14 x 13 ins)
NFS
JOHN BURKE
Louis
Oil
30 x 20 cm (12 x 8 ins)
£4,000
ANNE-MARIE BUTLIN
Madeleine
Oil
20 x 20 cm (8 x 8 ins)
NFS
Madeleine at Plas Menai
Oil
76 x 41 cm (30 x 16 ins)
£3,000
CARL CHAPPLE
Mike Wozniak
Oil
45 x 35 cm (18 x 14 ins)
£1,200
TOMAS CLAYTON
Ghost
Oil
37 x 57 cm (15 x 22 ins)
£1,350
TOM COATES RP PPNEAC PPPS
PPRBA RWA RWS
Pauline with her Favourite Hat
Oil
71 x 81 cm (28 x 32 ins)
NFS
Peter Rockwell
Oil
66 x 76 cm (26 x 30 ins)
NFS
35
36
37
38
The Black Shawl
Oil
71 x 84 cm (28 x 33 ins)
NFS
DAVID COBLEY RP NEAC
Kirsty
Oil
42 x 37 cm (17 x 15 ins)
£1,650
Neil Osborn
Oil
96.5 x 127 cm (38 x 50 ins)
NFS
45
46
47
Professor Martin Daunton
Oil
112 x 86 cm (44 x 34 ins)
NFS
48
39
40
ANTHONY CONNOLLY RP
AMDG
Pencil
120 x 90 cm (47 x 35 ins)
NFS
49
Annunziata
Oil
50 x 40 cm (20 x 16 ins)
NFS
50
41
CPH
Oil
120 x 90 cm (47 x 35 ins)
NFS
42
The Rt. Hon. Lord Spicer
Oil
80 x 50 cm (31 x 20 ins)
NFS
43
LANTIAN D
Passersby No. 7
Oil
30 x 40 cm (12 x 16 ins)
£6,000
SAIED DAI RP NEAC
The Enigma of Jasper Rose
Oil
163 x 112 cm (64 x 44 ins)
NFS
The Musician
Oil
66 x 51 cm (26 x 20 ins)
NFS
SAM DALBY RP
Justin
Oil
90 x 80 cm (35 x 31 ins)
£12,000
Paul Kelly
Oil
70 x 60 cm (28 x 24 ins)
NFS
52
Self Portrait
Oil
45 x 35 cm (18 x 14 ins)
£6,000
BELINDA CROZIER
Linda
Conté
29 x 24 cm (11 x 9 ins)
£400
Selfie in the Studio
Oil
29 x 25 cm (11 x 10 ins)
£1,200
MERRIE CURTISS-FULLER
Simon James I
Pencil
64 x 49 cm (25 x 19 ins)
£680
51
53
44
ANNABEL CULLEN
Adrian
Oil
40 x 30 cm (16 x 12 ins)
£2,500
SIMON DAVIS VPRP RBSA
Le Phare
Oil
74 x 58 cm (29 x 23 ins)
£2,500
54
Standing Nude
Oil
71 x 61 cm (28 x 24 ins)
£2,500
55
Standing Nude (Sepia)
Oil
64 x 43 cm (25 x 17 ins)
£1,500
56
57
58
59
60
HELEN DAVISON
Selfie
Oil
31 x 25 cm (12 x 10 ins)
£350
MICHELE DEL CAMPO
Redhead
Oil
89 x 130 cm (35 x 51 ins)
£6,500
SUSANNA DEROSSI
Olivia and Terese
Oil
73 x 92 cm (29 x 36 ins)
£1,200
AJAY DESHPANDE
Raja
Oil
30 x 25 cm (12 x 10 ins)
£300
Santosh
Oil
30 x 25 cm (12 x 10 ins)
£300
63
64
65
61
62
MIRIAM ESCOFET Assoc RP
Kathryn and Milo
Oil
95 x 80 cm (37 x 31 ins)
£15,000
ANTHONY EYTON RA Hon. PS Hon. ROI
‘Conversations’ Prize Selector
Self Portrait
Oil
38 x 46 cm (15 x 18 ins)
£4,500
ANDREW FESTING PPRP
Mr Raymond Barnard
Oil
59 x 61 cm (23 x 24 ins)
NFS
73
74
75
Richard Q Hoare OBE – Founder and
Past Chairman of The Bulldog Trust
Oil
76 x 98 cm (30 x 39 ins)
NFS
LUCIE GEFFRÉ
Claire in a Woollen Hat
Oil
73 x 50 cm (29 x 20 ins)
£2,300
DAVID GRAHAM RP
High Hat
Oil
94 x 58.5 cm (37 x 23 ins)
£10,000
66
Mr Ricky Toomey
Oil
91.5 x 63.5 cm (36 x 25 ins)
NFS
76
Portrait in Marrakesh
Oil
76 x 51 cm (30 x 20 ins)
£3,500
67
Mr Stan Cribb
Oil
86 x 66 cm (34 x 26 ins)
NFS
77
Party Piece
Oil
76 x 63.5 cm (30 x 25 ins)
£10,000
68
69
70
PHOEBE DICKINSON
Carson on Set at Highclere Castle
(Part of a series of paintings documenting
the making of Downton Abbey)
Oil
35 x 18 cm (14 x 7 ins)
NFS
Shubha
Oil
90 x 70 cm (35 x 28 ins)
NFS
RICHARD FOSTER RP
Barlow Family
Oil
92 x 71 cm (36 x 28 ins)
NFS
Capriccio
Oil
142 x 110 cm (56 x 43 ins)
NFS
78
79
Fishing Hut, Stobiehaugh
Oil
61 x 51 cm (24 x 20 ins)
NFS
80
71
72
Summer Evening
Watercolour
26 x 18 cm (10 x 7 ins)
NFS
JOSEPH GALVIN Assoc RP
Dr Ann Rhys
Oil
40 x 51 cm (16 x 20 ins)
NFS
NICOLAS GRANGER-TAYLOR
Invited by Antony Williams RP NEAC PS
Tom Burke
Oil
30.5 x 20.2 cm (12 x 8 ins)
£12,000
CARL GRAUER
Roman Reads Rocamora
Oil
90 x 60 cm (35 x 24 ins)
£3,000
LYN GRAY
Monique
Oil
62 x 46 cm (24 x 18 ins)
£900
81
ANTHONY GREEN RA Hon. RBA
NEAC Hon. ROI
Invited by Melissa Scott-Miller RP NEAC
Madeleine
Oil
72 x 48 cm (28 x 19 ins)
£24,000
90
91
82
VALERIY GRIDNEV RP PS ROI
Guitarist
Oil
65.5 x 105 cm (26 x 41 ins)
NFS
83
Maria
Charcoal
50 x 70 cm (20 x 28 ins)
£3,500
84
Nina
Oil
90 x 146 cm (35 x 57 ins)
£14,500
85
86
87
88
89
The Framer
Oil
58 x 90 cm (23 x 35 ins)
NFS
RAOOF HAGHIGHI
In the Light
Acrylic
30 x 40 cm (12 x 16 ins)
£2,500
92
93
94
95
ROBIN-LEE HALL PRP
21st Century Family
Egg tempera
63 x 71 cm (25 x 28 ins)
NFS
96
ROXANA HALLS
Hero
Oil
79 x 79 cm (31 x 31 ins)
£3,300
97
PAUL HARBER
Miss Zoe Tee
Watercolour
38 x 55 cm (15 x 22 ins)
£5,000
JULIA HAWKINS
Portrait of Anna Fischer
Pencil
62 x 43 cm (24 x 17 ins)
£700
ANDREW HITCHCOCK
Yvonne
Pencil
46 x 36 cm (18 x 14 ins)
£800
PETER HOLT
Marija and Michael
Oil
78 x 52 cm (31 x 20 ins)
NFS
BENJAMIN HOPE
Self Portrait with Palette
Oil
92 x 73 cm (36 x 29 ins)
£3,800
EMMA HOPKINS
Bulldog Bursary Winner 2014/15
Geri Morgan
Oil
150 x 100 cm (59 x 39 ins)
£5,000
FLORENCE HOUSTON
Miniature of Geordie
Oil
10 x 10 cm (4 x 4 ins)
£800
TOM HUGHES
Living Rooms with Lamps
Oil
64 x 64 cm (25 x 25 ins)
£2,600
TOBY HUNT
Portrait of Simon Weston
Oil
70 x 50 cm (28 x 20 ins)
£985
98
99
ANDREW JAMES RP
Scarlet
Oil
71 x 51 cm (28 x 20 ins)
£4,000
Self Portrait with Detached Retina
Oil
122 x 91 cm (48 x 36 ins)
NFS
HERO JOHNSON
Invited by Jason Bowyer RP PPNEAC PS
100 Paulina
Oil
70 x 80 cm (28 x 31 ins)
NFS
JIRI KELLER
101 Emma
Pencil
80 x 56 cm (31 x 22 ins)
£750
102 Flavio
Oil
60 x 50 cm (24 x 20 ins)
£2,500
BRENDAN KELLY RP
103 Anne
Oil
53 x 58 cm (21 x 23 ins)
NFS
104 Fabio
Acrylic and watercolour
100 x 112 cm (39 x 44 ins)
£8,500
105 Kate
Oil
53 x 58 cm (21 x 23 ins)
NFS
106 Rebecca
Oil
53 x 58 cm (21 x 23 ins)
NFS
KENNY MCKENDRY
115 Self Portrait at 50
Oil
24 x 18 cm (9 x 7 ins)
£1,500
NASHUNMENGHE
125 Elizabeth
Oil
40 x 30 cm (16 x 12 ins)
£1,500
PETER KUHFELD RP NEAC
108 Head of a Girl
Pencil
46 x 43 cm (18 x 17 ins)
NFS
JUNE MENDOZA AO OBE RP
ROI Hon. SWA
116 Danielle de Niese, Opera Singer
Oil
152.5 x 107 cm (60 x 42 ins)
NFS
DAVID R NEWENS Assoc RP
126 Margaret
Oil
88 x 63 cm (35 x 25 ins)
NFS
109 Michael Fawcett MVO
Oil
122 x 96.5 cm (48 x 38 ins)
NFS
117 Peter Avis and Andrew Keener Talking Music
Oil
107 x 152.5 cm (42 x 60 ins)
NFS
PHILLIP KING
107 Janis
Reduction linoprint
(edition of 10)
31 x 31 cm (12 x 12 ins)
NFS
GEORGE LAWRENCE-BROWN
110 Self Portrait at 24
Oil
30 x 25 cm (12 x 10 ins)
£2,000
EDWARD LAWRENSON
111 Nihil Ultra (Self Portrait at 26)
Oil and resin
21 x 15 cm (8 x 6 ins)
£500
ELENA LELEN
112 Portrait of an Old Man
Pencil
43 x 33 cm (17 x 13 ins)
£1,500
HELEN LLOYD-ELLIOT
113 Kirsty
Oil
76 x 65 cm (30 x 26 ins)
£3,500
DAVID MAIDEN
114 Pots
Oil
40 x 40 cm (16 x 16 ins)
£4,500
118 Salena Jones, Jazz Singer
Oil
168 x 91.5 cm (66 x 36 ins)
NFS
DAVID MILLER Assoc RP
119 An Invalide
Oil
134 x 103 cm (53 x 41 ins)
NFS
120 Ewen
Oil
64 x 53 cm (25 x 21 ins)
NFS
SARAH JANE MOON
121 Jam and Emma
Oil
153 x 153 cm (60 x 60 ins)
£7,250
ANTHONY MORRIS RP NEAC
122 Portrait of a Young Girl
Pastel
56 x 46 cm (22 x 18 ins)
NFS
123 Portrait of Glyn
Oil
92 x 66 cm (36 x 26 ins)
NFS
124 Portrait of Jack Morris
Oil
84 x 75 cm (33 x 30 ins)
NFS
127 Susie
Oil
51 x 41 cm (20 x 16 ins)
£1,400
A K NEWINGTON
128 Jake
Mixed media
58 x 48 cm (23 x 19 ins)
£2,000
MICHAEL NOAKES RP PPROI
129 Lexie Whitter at 4¾
Pencil
56 x 45 cm (22 x 18 ins)
NFS
130 Sir Donald Sinden CBE
Oil
133 x 107 cm (52 x 42 ins)
NFS
ASHLEY OGILVY
Invited by Andrew James RP
131 Dirkie, Night Shelter, Cape Town
Oil
79 x 61 cm (31 x 24 ins)
£4,000
KEN PAINE PS
132 Man of the Cloth
Acrylic
95 x 75 cm (37 x 30 ins)
£5,000
TANVI PATHARE
133 A Smoke Break
Oil
130 x 70 cm (51 x 28 ins)
£8,000
HELEN PERKINS
Invited by Sam Dalby RP
134 Lana
Oil
38 x 28 cm (15 x 11 ins)
£2,000
MARK ROSCOE Assoc RP
143 “Detail from a Larger Scene”
(from The Faculty of Advocates 2015)
Oil
52 x 62 cm (20 x 24 ins)
NFS
TOM PHILLIPS CBE RA Hon. RP Hon. PS
135 Sir David Scholey
Pencil
40 x 32 cm (16 x 13 ins)
NFS
NIGEL ROSE
144 Portrait of a Man
Charcoal
60 x 42 cm (24 x 17 ins)
£950
SOPHIE PLOEG
136 Paul
Oil
54 x 44 cm (21 x 17 ins)
NFS
ILARIA ROSSELLI DEL TURCO
145 The Dancer
Oil
26 x 33 cm (10 x 13 ins)
£850
PAULINA PLUTO
Invited by Jane Bond RP NEAC
137 Me Against the Light
Oil
73.6 x 124.4 cm (29 x 49 ins)
£2,500
SUSAN RYDER RP NEAC Hon. SWA
146 General Sir John Swinton with
his Daughter Tilda
Oil
104 x 114 cm (41 x 45 ins)
NFS
ANASTASIA POLLARD RP
138 Danny
Oil
28 x 24 cm (11 x 9 ins)
£1,200
139 Self Portrait
Oil
28 x 24 cm (11 x 9 ins)
NFS
147 Miracle of a Cochlear Implant
Oil
81 x 97 cm (32 x 38 ins)
NFS
148 Nixie, Mirabel and Grace Walduck
Oil
125 x 99 cm (49 x 39 ins)
NFS
140 Sharn
Oil
44 x 37 cm (17 x 15 ins)
£2,000
CHARLIE SCHAFFER
149 Stephen
Oil
39 x 36 cm (15 x 14 ins)
NFS
CAROLINE POOLE
141 Caroline
Oil
46 x 36 cm (18 x 14 ins)
£1,000
TERI ANNE SCOBLE
150 Lord Julian Fellowes
Oil
41 x 31 cm (16 x 12 ins)
NFS
EMILY PORTER-SALMON
142 Blue Orchid
Acrylic
90 x 60 cm (35 x 24 ins)
£4,750
FIONA SCOTT
151 Henry (Young Farmer)
Oil
113 x 93 cm (44 x 37 ins)
NFS
MELISSA SCOTT-MILLER RP NEAC
152 Hugh Williams
Oil
84 x 72 cm (33 x 28 ins)
NFS
KIM SCOULLER
153 Self Portrait
Oil
30 x 30 cm (12 x 12 ins)
£1,100
SUE SIDE
154 Will
Graphite
39 x 47 cm (15 x 19 ins)
NFS
LIANE STEVENSON
155 Benedict.2.
Oil
84 x 69 cm (33 x 27 ins)
£900
156 Hilary
Oil
51 x 51 cm (20 x 20 ins)
£560
JEFF STULTIENS RP
157 Colin the Boat Builder (Bajan Portrait Series)
Pastel
67.5 x 47.5 cm (27 x 19 ins)
NFS
158 David Rogers MBE, Co-founder of
eahconsequences.com, in memory of
his son, Adam
Oil
112 x 81.3 cm (44 x 32 ins)
NFS
159 Isobel and Bertie
Oil
81.3 x 61 cm (32 x 24 ins)
NFS
160 Journey’s End – Nightfall
Oil
81.3 x 76 cm (32 x 30 ins)
NFS
BENJAMIN SULLIVAN RP
161 David Oelman
Pencil and conté
68 x 50 cm (27 x 20 ins)
NFS
162 Julian Bingley
Pencil, conté and watercolour
86 x 68 cm (34 x 27 ins)
NFS
163 Sir Colin Lucas
Pencil and conté
72 x 48 cm (28 x 19 ins)
NFS
YANKO TIHOV
164 Face One
Graphite
50 x 35 cm (20 x 14 ins)
£2,200
DAPHNE TODD OBE PPRP
NEAC Hon. SWA
165 Gerald Sklar Esq. Gesticulating
Oil
61 x 61 cm (24 x 24 ins)
NFS
166 Michael Turner with his Viola
Pastel
35.5 x 41 cm (14 x 16 ins)
NFS
167 Professor Emerita Viv Gardner, about to
Get Up and Go
Oil
76 x 61 cm (30 x 24 ins)
NFS
168 The Right Reverend Graeme Knowles CVO
By kind permission of the Dean & Chapter,
St Paul’s Cathedral
Oil
76 x 61 cm (30 x 24 ins)
NFS
STELLA TOOTH
169 Kate Adie Presenter BBC Radio 4
from our own Correspondent
Oil
83 x 74 cm (33 x 29 ins)
£2,400
NICOLE MICHELLE TULLY
170 NG 2
Oil
25 x 25 cm (10 x 10 ins)
£2,400
TOBY WARD NEAC
179 The Guitarist
Oil
76 x 84 cm (30 x 33 ins)
£9,000
SIMON TURVEY SWLA
171 Elianor Jonzen
Oil
37 x 33 cm (15 x 13 ins)
£950
COLIN WATSON
180 Saleem
Oil
33 x 44 cm (13 x 17 ins)
£3,500
172 Lily, Jude and Katie
Oil
98 x 68 cm (39 x 27 ins)
£8,500
NIKOLAOS TZOUMAS
173 The Girl with the Orange Lips, Nancy
Acrylic
40 x 40 cm (16 x 16 ins)
£450
MARCO VENTURA
174 Profile Portrait of I.C.
Graphite
15 x 10 cm (6 x 4 ins)
£1,500
175 Self Portrait
Oil
18 x 13 cm (7 x 5 ins)
£2,700
MARK WALTER
176 Close Up
Graphite
51 x 41 cm (20 x 16 ins)
£700
JOHN WALTON RP
177 John & Joseph
Oil
43 x 43 cm (17 x 17 ins)
NFS
178 Professor Paul Luzio
Oil
68 x 78 cm (27 x 31 ins)
NFS
TOBY WIGGINS RP
181 Chris Bardini
Oil
40 x 30 cm (16 x 12 ins)
NFS
182 Guy Bamford at Dunshay Studio
Oil
135 x 85 cm (53 x 33 ins)
NFS
183 Kevin Keates – Stone Mason and
Quarry Owner
Black chalk
71 x 58 cm (28 x 23 ins)
£550
184 Wee-To. Tom and Edna Waterman, Stapleford
Oil
72 x 102 cm (28 x 40 ins)
NFS
GRAEME WILCOX
185 Two Figures (In Conference)
Oil
152 x 122 cm (60 x 48 ins)
£14,000
ANTONY WILLIAMS RP NEAC PS
186 Andrew Looking Down
Egg tempera
43 x 38.7 cm (17 x 15 ins)
£17,500
187 Martin
Egg tempera
48 x 39 cm (19 x 15 ins)
NFS
JOHN WONNACOTT CBE Hon. RP
188 Lady with an Apple
Oil
100 x 70 cm (39 x 28 ins)
NFS
189 Night Portrait
Pencil
75 x 57 cm (30 x 22 ins)
NFS
190 Taipans on the 48th Floor
Oil
115 x 160 cm (45 x 63 ins)
NFS
ROBBIE WRAITH RP
191 Burlesque
Oil
117 x 168 cm (46 x 66 ins)
POA
192 Dheeba
Charcoal
64 x 52 cm (25 x 20 ins)
NFS
193 Portrait Study
Oil
66 x 56 cm (26 x 22 ins)
POA
194 Toddy Hoare
Charcoal
79 x 43 cm (31 x 17 ins)
NFS
‘Conversations’ Prize
PETER BROWN RP NEAC PS
Hon. RBA ROI
195 Shot by Ned
Oil
137 x 107 cm (54 x 42 ins)
£14,000
DAVID CALDWELL
196 Studio Portrait (Louise & I)
Oil
130 x 80 cm (51 x 31 ins)
£1,600
MARK CAZALET
197 I’ve Been Loving You Too Long
(To Stop Now)
Oil
90 x 120 cm (35 x 47 ins)
NFS
BELINDA CROZIER
198 Male Madonna
Oil
90 x 60 cm (35 x 24 ins)
£6,000
EMILY FALUDY
199 At Edmund’s House
Oil
110 x 161 cm (43 x 63 ins)
£7,000
ANTHONY MORRIS RP NEAC
203 Drinkers in The Cornwell Arms
Oil
90 x 115 cm (35 x 45 ins)
NFS
BRIAN MORRIS
204 Upp åt Bäcken (Up the Creek)
Acrylic
110 x 140 cm (43 x 55 ins)
£5,000
JOE ONGIE
205 Ruth and Scampy
Oil
91 x 91 cm (36 x 36 ins)
£1,500
SHANTI PANCHAL
206 The Date
Watercolour
101 x 81 cm (40 x 32 ins)
£8,500
MORGAN PENN
207 The Picnic
Oil
100 x 100 cm (39 x 39 ins)
NFS
MELISSA SCOTT-MILLER RP NEAC
208 Family in a Hampstead Garden
Oil
91 x 122 cm (36 x 48 ins)
NFS
DELPHINE HOGARTH
200 The Group
Oil, ink and acrylic
150 x 150 cm (59 x 59 ins)
£2,800
209 Two Brothers and their Dog
Oil
70 x 90 cm (28 x 35 ins)
NFS
TOBY HUNT
201 The Scientists
Oil
150 x 110 cm (59 x 43 ins)
£3,545
LORNA MAY WADSWORTH
210 They Have Lunch Every Tuesday /
Conversation Piece: Messrs Corbin & King
Acrylic, oil and 24 carat gold
213 x 122 cm (84 x 48 ins)
NFS
EWAN MCCLURE
202 The Last Supra
Oil
136 x 173 cm (54 x 68 ins)
£8,000
COLIN WATSON
211 Confidant
Oil
97 x 112 cm (38 x 44 ins)
£8,500
GRAEME WILCOX
212 The Anatomy Lesson
Oil
153 x 153 cm (60 x 60 ins)
£15,000
SIÂN WILKINS
213 Old Friends
Watercolour
16 x 24 cm (6 x 9 ins)
£750
JOHN WONNACOTT CBE Hon. RP
214 Ian and Lois, The White Slip
Oil
225 x 135 cm (89 x 53 ins)
NFS
People’s Portraits
JUNE MENDOZA OBE RP ROI Hon. SWA
215 Chris McCann, Scaffolder
Oil
102 x 89 cm (40 x 35 ins)
NFS
ANASTASIA POLLARD RP
216 Nick
Oil
20 x 17 cm (8 x 6.5 ins)
NFS
BENJAMIN SULLIVAN RP
217 John McWilliam
Oil
119 x 69 cm (47 x 27 ins)
NFS
DAPHNE TODD OBE PPRP
NEAC Hon. SWA
218 Ron and Ray Pett, Butchers
Oil
127 x 102 cm (50 x 40 ins)
NFS
JASON WALKER RP
219 ‘Brooksy’
Oil
53 x 51 cm (21 x 20 ins)
NFS
TOBY WIGGINS RP
220 Larry Skeats, Retired Dorset Shepherd
Oil
59 x 41 cm (22 x 16 ins)
NFS
Inside Portraits
džŚŝďŝƟŽŶ ƌƵŶƐ ϭϲ ƚŽ ϭϵ Ɖƌŝů ϮϬϭϱ
Mall Galleries Learning Centre, The Mall, London SW1
ǁǁǁ͘ƚŚĞƌƉ͘ĐŽ͘ƵŬ
Sarah Jane Moon, Tigana + Egle
Emma Hopkins, Geri Morgan
Emma Hopkins and Sarah
Jane Moon, past recipients
of the Bulldog Bursary,
give us a glimpse into the
inner workings behind the
ĮŶŝƐŚĞĚ ƉŽƌƚƌĂŝƚ͘
dŚĞ ƚǁŽ ĂƌƟƐƚƐ ŚĂǀĞ
been invited to takeover
the Mall Galleries
Learning Centre in order
to experiment with
ĂůƚĞƌŶĂƟǀĞ ǁĂLJƐ ŽĨ ƐŚĂƌŝŶŐ
their work with audiences,
ŐŝǀŝŶŐ ƚŚĞ ƉƵďůŝĐ Ă ďĞƩĞƌ
insight into their individual
ƉƌĂĐƟĐĞƐ͘ DƵůƟĚŝƐĐŝƉůŝŶĂƌLJ
works interact with the
19th century architecture
ŽĨ ƚŚĞ ƐƉĂĐĞ͕ ĐƌĞĂƟŶŐ ĂŶ
immersive environment,
ĞdžƉůŽƌŝŶŐ ƚŚĞ ƌĞůĂƟŽŶƐŚŝƉ
ďĞƚǁĞĞŶ ƉĂŝŶƟŶŐ͕
new media and other
ĚŝƐĐŝƉůŝŶĞƐ͘
ŽƚŚ ĂƌƟƐƚƐ ǁŝůů ďĞ ƉƌĞƐĞŶƚ
ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ ĞdžŚŝďŝƟŽŶ
to meet visitors and
discuss the hidden stories
ďĞŚŝŶĚ ƚŚĞŝƌ ĂƌƚǁŽƌŬƐ͘
Changing Faces – a new
perspective on disfigurement
Over one million people in the UK have
a disfigurement. Some are born with a
birthmark or congenital condition;
others acquire scarring, asymmetry or
reduced movement as a result of
accidents, violence, warfare, cancer
surgery, facial paralysis and skin
conditions.
Every day they are vulnerable to
staring, bullying, prejudice and
discrimination – on the street, at school
and in the workplace. For 20 years,
Changing Faces has been transforming
lives with empowering support while
promoting fair treatment and equal
opportunities through our Face
Equality campaign.
Michael, a psychology student, who
has facial burns, says:
“‘When I was eleven, I had a horrible
experience on a train. I was sitting next
to my Mum and I could feel the piercing
glares of everyone around me. I
couldn’t handle it so I pulled my coat
over my head and left it there the whole
journey as I shed tears. My mother then
decided that enough was enough and
sought help.
Changing Faces offered me support
from the age of eleven to 14. Sharing
my feelings with one of their team and
learning techniques to tackle the stares
was immensely helpful. I don’t feel
I’d be the person I am today without
their help.”
Changing Faces thanks the Royal Society
of Portrait Painters for continuing to
raise awareness of our work.
We rely entirely on donations to
continue supporting and representing
people with disfigurements.
Changing Faces
The Squire Centre
33-37 University Street
London WC1E 6JN
Tel: 0845 4500 275
www.changingfaces.org.uk
www.facebook.com/changingfacesuk
@faceequality
Chief Executive and Founder: James Partridge OBE
Patrons: Sir Christopher Benson, Rory Bremner, Michelle Dockery, Lord Fellowes of West
Stafford, Gloria Hunniford, Terry Mansfield CBE, Jan Ravens, William Simons, Fiona Squire,
Simon Weston OBE, Benjamin Zephaniah
Registered Charity No. 1011222
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The Michael Harding range contains superb, modern lightfast and ancient
colours. All of Michael Harding handmade oil paints have incredible tint,
concentration and saturation unlike any other oil paint.
www.michaelharding.co.uk
Facebook: Michael Harding Oil Paints
Twitter: @mhoilpaints
london
atelier of
representational
art
The London Atelier of Representational Art
[
] offers full time tuition in drawing,
painting and sculpture utilising traditional atelier techniques and practices.
Now providing intensive masterclasses in
RQTVTCKVWTG CPF ƂIWTG RCKPVKPI
The London Atelier of Representational Art
W0012/14 Basement Studios r Westminster
Business Square r 1-45 Durham Street
Vauxhall r London r SE11 5JH
Te l : 0 2 0 7 7 3 8 8 8 8 4
Email:[email protected]
Painting: ‘Iska’ by Luca Indraccolo
Places still available on our Easter and
Summer Schools.
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IMAGE - TAI SHAN SCHIERENBERG, MALI CHEEK, OIL ON CANVAS
INTRODUCING OUR
BRAND NEW
PORTRAIT
PAINTING
DIPLOMA
HEAD OF PAINTING
TAI SHAN
SCHIERENBERG
The Art Academy
Mermaid Court
165A Borough High Street
London
SE1 1HR
w w w. a r t a c a d e m y. o r g . u k
Royal Society of Portrait Painters 2015
RP
therp.co.uk
2015