percussion-2

WIND and PERCUSSION--SENIOR LEVEL
AUDITION ETUDES
SET I
WINDS: All Winds required to play:
1) IMEA Scale Sheet
3 Minute Time Limit
All Notes Tongued
2) Sight reading
3) Etudes: SET 1
FLUTE/PICCOLO
Melodious and Progressive Studies - Book II, rev. Robert Cavally;
Southern Music
1) Etude #5 - Moderato, meas. 1-64,(pp. 20-21)
2) Etude by Kummer, Meas. 1-Fine, (p. 51)
OBOE/ENGLISH HORN
48 Famous Studies, Opus 31, W. Ferling, Rev. Albert Andraud; Southern Music
1) Etude #25 - Adagio con espressione, Meas. 1-Fine, (p. 13)
2) Etude #26 - Allegro con brio, Meas. 1-Fine, (p. 13)
BASSOON
Practical Method for Bassoon, Julius Weissenborn, W.F. Ambrosio; Carl
Fischer
1) Etude #13 - Allegro vivace, Meas. 1-Fine, (p. 87)
2) Etude #35 - Andante maestoso, Meas. 1-44, (p. 107)
CLARINET-Eb/Bb SOPRANO
32 Etudes for Clarinet, C. Rose; Carl Fischer
1) Etude #15 - Adagio, Meas. 1-Fine, (p. 16)
2) Etude #26 - Allegro furioso, Meas. 1-Fine, (p. 26)
CLARINET-ALTO/BASS/CONTRA
21 Foundation Studies for Alto and Bass Clarinet, ed. William E. Rhoads;
Southern Music
1) Etude #10 - Allegretto quasi andantino, Meas. 1-Fine, (p. 17)
2) Etude #18 - Moderato, Meas. 1-Fine, (p. 28)
SAXOPHONE
27 Virtuoso Studies for Saxophone or Oboe, L. Bassi trans. Gerardo
Iasilli; Carl Fischer
1) Etude - #7 - Largo sostenuto, Meas. 1-Fine, (p. 16)
2) Etude - #16 - Marziale, Meas. 1-Fine, (pp. 36-37)
TRUMPET
Complete Conservatory Method for Trumpet, J.B. Arban, ed. Edwin F.
Goldman and Walter M. Smith; Carl Fischer
1) Etude #8 - Allegro moderato, (14 Characteristic Studies), Meas. 1-Fine, (p. 292)
2) Etude #1 - (12 Celebrated Fantasies & Airs), Intro & Theme, (p. 301)
HORN
335 Melodius, Progressive, and Technical Studies for French Horn
Book I, Max Pottag and Albert Andraud; Southern Music
1) Romance - Moderato by Saint-Saens, Meas. 1-Fine, (p. 76)
2) Etude #71 - Allegro moderato, Meas. 1-Fine, (p. 90)
TROMBONE
Selected Studies for Trombone, H. Voxman; Rubank, Inc.
1) Etude in G Major - Andante con moto by Blazhevich, Meas. 1-
Fine, (p. 26)
2) Etude in A Minor - Allegretto by Vobaron, Meas. 1-Fine, (p. 21)
BASS TROMBONE
Concert Etudes for Tuba (or Bass Trombone), David Uber; R. King Music/Alphonse Leduc & Co.
1) Etude #8 - Andante con moto, Meas. 1-17, (p. 12)
2) Etude #13 - Allegretto grazioso, Meas. 1-40, (p. 17)
EUPHONIUM BC
Arban’s Famous Method for Trombone, J.B. Arban, ed. Charles L. Randall
and Simone Mantia; Carl Fischer
1) Etude #8 - Allegro moderato, (14 Characteristic Studies), Meas. 1-Fine, (pp. 214-215)
2) Cavatina, (12 Celebrated Fantasies & Airs), Intro & Theme, (p. 225)
EUPHONIUM TC
Complete Conservatory Method for Trumpet, J.B. Arban, ed. Edwin F.
Goldman & Walter M. Smith; Carl Fischer
1) Etude #8 - Allegro moderato, (14 Characteristic Studies),Meas. 1-
Fine, (p. 292)
2) Etude #1 - Andante, (12 Celebrated Fantasies & Airs)), Intro & Theme, (p. 301)
TUBA
70 Studies for BBb Tuba Volume I, Vladislav Blazhevich; R. King Music
1) Etude #9 - Andante cantabile, Meas. 1-Fine, (p. 8)
2) Etude #8 - Veloce, Meas. 1-Fine, (p.7)
PERCUSSION:
Band & Orchestra
All Percussion required to play:
1) Sight reading
2) Etudes: SET 1
SNARE DRUM
Portraits in Rhythm, Anthony J. Cirone; Belwin
1) Etude #4 - Andante grandioso, Meas. 1-Fine, (p. 6)
TYMPANI
The Solo Timpanist, Vic Firth; Carl Fischer
1) Etude #3, Meas. 9-34, (p.9)
KEYBOARD
Modern School for Xylophone, Marimba, and Vibraphone, Morris Goldenberg; Chappell and Co.
1) Etude #5 - Allegro, Meas. 1-31, (p. 64)
AUXILIARY PERCUSSION
Crash Cymbals: Orchestral Repertoire for Bass Drum and Cymbals,
Raynor Carroll
Symphony No. 4, Tchaikovsky (Letter "H" to End) - pp.80-81
Tambourine: Orchestral Repertoire for Tambourine, Triangle and Castenets, Raynor Carroll
Roman Carnival Overture, Berlioz (#3 to #6, #9 to End) - pp.7-9
ORCHESTRA WINDS & PERCUSSION
If a WIND or PERCUSSION player is selected to play in the All-State
Orchestras, they will audition on:
Winds:
1) Senior Band Division Scale Sheet
2) Orchestra Required Selection and excerpts, or complete parts,
of selected All-State/Honors repertoire.
3) Sight Reading
Each selectee will be required to prepare the principal part of their instrument (i.e. all flutes will audition on the Flute 1 part; all oboes will audition
on the Oboe 1 part). Any school needing copies of the All-State Required
Selection should request them from their District Orchestra Chairperson.
SEE ORCHESTRA DIVISION AUDITION PROCEDURES.
Percussion:
1) Complete Senior Percussion Requirements (Snare Drum/Tympani/Keyboard/Auxiliary)
2) Sight Reading
3/09
This piece should be played wl~h a feeling of two beats per measure, and with exaggeration of the ex­
tremely loud to extremely soft dynamic changes. Notice that the last five measures form a "coda".
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III This etude offers some basic 9/8 figures. The meter change from 9/8 to 3/2 is uncommon;
note that beats, not eighth~ are equa1. That makes the dotted quarter in 9/8 equal to the half note
in 3/2. At measure 15, where the two-bar rest for tuning occurs, the player should mentally
solfege the quarters. Then the transition from 9/8 to 3/2 will be smooth and without rhythmic
interruptions. The triplet quarters in measure 19 should be the same as the eighths in measure
20; measure 19 should act as a stabilizer to restate the 9/8 meter. Measure 25 is an entirely new
allegro tempo. Be sure that all tunings are done rapidly and accurately. Quickly analyze the
interval from the given note to the note desired, then proceed to tune it, tapping the head lightly
with the stick or finger. Repeat the process on every change. In tuning, perfect intonation and speed
are essential.
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