Design - Monash University

Transcription

Design
Degree Show
Industrial Design
Interior Architecture
Multimedia
& Digital Arts
Multimedia
& Digital Arts (Honours)
Visual
Communication
Visual
Communication (Honours)
Contents
Industrial Design
008 – 034
038 – 057
Multimedia
& Digital Arts
060 – 080
Multimedia
082 – 087
Visual
Communication
090 – 159
Visual
162 – 175
Student Index
176 – 177
Acknowledgements
178
Monash University Faculty of Art & Design
Degree Show 2009
Monash Univeristy
Caulfield Campus
900 Dandenong Road
Caulfield East
Department of Design
[email protected]
www.artdes.monash.edu.au Welcome from the
Head of Department
Department
of Design
Welcome to A&D 2009, an exhibition that brings together the work
of final year students in Monash University’s Department of Design.
The exhibition represents the work of over 150 students across all design
disciplines, who have demonstrated a strong, professional and committed
attitude throughout the course of the year. I would like to congratulate
the student committee and greater student body for this achievement.
This is also an opportunity to thank the academic and visiting teaching
staff and the general and technical staff for their contribution and
commitment throughout the year.
2009 has been a particularly exciting year for all studios and this is clearly
demonstrated through the standard of work presented in this exhibition.
In addition, a number of current students and recent Alumni have on
prestigious national and international design awards for work created
during the course of their studies. These are significant achievements
for both the individual recipients of these awards and the collective
student community within the department.
The next period will be very exciting for young designers as they practice
in a world now ready to embrace sustainable and socially responsible
design. I believe this year’s group of graduates are well placed to take
on this challenge.
Congratulations to all our graduating students. We look forward to
seeing their careers develop and flourish.
Associate Professor Arthur de Bono
Head, Department of Design
Industrial
Design
We are proud to present the work of the 2009
Industrial Design graduands.
This exhibition marks the culmination of four years
of study and showcases their outstanding competency
and creativity as the next generation of young designers.
Mark Richardson
Acting Course Coordinator
Industrial Design
At Monash we focus on fostering strengths in
innovation, academic rigour and professionalism,
and we pride ourselves on the diversity and proficiency
of our students’ work. This year is no exception, with
exciting projects on topics ranging from personal
mobility and public transport, through to capital
goods and furniture. They reflect a strong emphasis
on user interaction, innovation, problem solving
and production integrity.
Looking forward, we recognise that there are
challenges never before faced by the Industrial
Design profession, particularly the imperatives of
sustainability. However, we believe these will generate
exciting new possibilities for the future – and it is
this long term vision we place at the foundation of
our program.
We trust that the graduands’ experience at Monash
stands them in good stead for the future and we wish
them a successful and rewarding design career.
Industrial
Design
008
Industrial Design
Industrial Design
Damien Armellin
Automotive – Re:Veive
Kenneth Attard
Bachelor of Industrial Design
[email protected]
darmelli.deviantart.com
m / 0404327572
Re:Veive is a rapid response unit that can be adapted to the jammed streets
of dense urbanization predicted in 2025, and maneuvering over extreme
terrain (urban and rural).
[email protected]
009
The E-mmerse represents a recontextualization of the notion of the performance
vehicle. Currently high performance vehicles have specific means to attract an
interaction with its user; be it visually through its aesthetic, audibly through
the sound it produces or sensorially through the way it drives.
010
Industrial Design
Industrial Design
Heather Barrett
Compact Caravan
Pok Hin (David) Chiu
[email protected]
The Compact Caravan offers a number of features that include a covered
elevated outdoor area, external kitchen, fold down seating, preparation area,
changing area, dinette, and sleeping area for three adults. This compact unit is
easy to store away, clean and tow, providing the user with increased efficiency,
compared to the Caravans on today’s market.
[email protected]
The proposition of this project is to develop a new concept of mobile
catering system. The objective can be divided into three main sections;
mobility, functionality and standardised. In order to understand and
achieve that, research focusing on recent consumer trend, restaurant
and kitchen design, social and historical context.
011
012
Industrial Design
Industrial Design
Leigh Hendrik Cosentino
[email protected]
Igor Derkoun
This project was initiated by the perceived need for the growing population to
utilize the usable space and usable energy through a personal transport vehicle.
The design process developed a new and stylish reconceptualisation of the
personal transport vehicle.
[email protected]
zatarra86.deviantart.com
“Lamptable”
A height-adjustable bedside and hallway table with an integrated
lamp and iphone dock.
013
014
Industrial Design
Industrial Design
Murphy Dungo
AEV Amphibian Exploration Vehicle
Jake Eadie
[email protected]
AEV (amphibian exploration vehicle) concept is designed for global warming
advocates and is responsible for the mobility of explorers/scientist to undertake
scientific research, and long term observations. This vehicle incorporates various
technologies and innovations to allow the passengers to manoeuvre through the
toughest environments.
[email protected]
m / 0418559895
The MoDiv is a new concept in wheelchair/mobility for those limited by spinal
cord injury resulting in paraplegia. The incorporated ‘Sit & Stand’ features allow
the user maximum maneuverability in any daily situation, and enhance social
intergration by allowing level eye contact and increased mobility and access.
015
016
Industrial Design
Industrial Design
Stuart Emmerson
[email protected]
‘Skoota’ is a compact urban electric scooter used for intermodality and Urban
transport. With an intergrated Super charging Lithium Ion battery supply and
rear wheel hub motor, the unique ‘K’ shaped ‘Skoota’ is a new and sustainable
way to travel. It compacts down to half its size with two simple pulling actions,
increasing its appeal to the targeted young inner urban demgraphic.
017
Liam Ferguson
AMATOYA – Fire Reconnaissance Vehicle
[email protected]
www.behance.net/liamferguson
AMATOYA introduces a new class of vehicle to the field of fire appliance
design; capable of reconnaissance and suppression, the concept aims to shift
the way authorities approach modern fire fighting. Paramount crew and vehicle
survivability along with the advantage of a truly dynamic fire suppression system
dramatically separates this vehicle from any existing appliance in operation.
018
Industrial Design
Industrial Design
Andrew Firth
Meditation Starter’s Kit
Simon Gow
[email protected]
The Starter’s Kit is designed as “training wheels” for meditation. The seating
relieves physical discomfort caused by popular meditation postures, whilst
a headset employing electroencephalographic (EEG) technology measures
the frequency of the user’s brainwaves as they meditate.
[email protected]
The Bungla is a form of human powered transport designed for the use in 3rd
world countries, commonly known as a rickshaw. Bungla uses both recumbent
seating and gearing to reduce strain on the user as opposed to current vehicles,
while allowing ease of maintenance through the unique frame joining system,
ridding the need for complicated repair methods.
019
020
Industrial Design
Industrial Design
Aki Qiu Shi Guo
[email protected]
This product is to provide the users a brand new experience of video game.
It brings comprehensive utility by offering both portable and video game console
as in once. The Joy Pad of the console is challengeable in both motion capturing
or buttons focused gaming circumstances. Built-in Projector provides the users
a freedom of ‘Anywhere’ entertainment.
021
Minh Huynh
Mai
[email protected]
minhhuynhdesigns.blogspot.com
The Mai concept is a mono-material car interior that is highly adaptable to
different family lifestyles. Through the application of a composite smart textile,
Mai interior is capable of morphing into various seating configurations, creating a
customisable and personable design. The Mai concept challenges the conventions
of today’s interiors and leads us into a future of endless possibilities.
022
Industrial Design
Industrial Design
Hamit Kanuni Kuralkan
[email protected]
hmtdesign.com
The aim of this project was to identify the sources of pollution, investigate
existing air purification techniques and provide an enhanced solution through
investigation of the relationship between man’s creation and nature, perhaps
proposing an alliance rather than a disjunction.
023
Bryan Lee
A.N.T
[email protected]
bryanleedesigns.blogspot.com
The A.N.T (Aid Necessities Transporter), designed for humanitarian organizations
such as the United Nations, transports food, water, medical supplies and housing
units to disaster stricken areas. Having swift as well as all-terrain capabilities,
the A.N.T incorporates a new efficient system of distribution running on two
modes of transportation.
024
Industrial Design
Industrial Design
Garim Lee
[email protected]
025
Pei Chun Lee
There are lots of ways to express ones emotion and an important one is
through music. After all, “Music is an outward sign of human communication”.
By translating music into vibrating pulses through band like globes, ‘VIBElearn’
is an interactive musical instrument kit, that helps deaf children express their
emotions and teaches them the concept of music.
[email protected]
“Pique unique” is a multiple size picnic hamper system. It allows users to integrate
different sizes of hamper depending on the number of people at the event and
food they bring. “Pique unique” appeals to people that appreciate the utility
of practical products but with a design flare.
026
Industrial Design
Industrial Design
Chao Yi Li
MiraQua is a 4 passenger small electric vehicle designed for urban use,
targeting at the new generation urban dwellers. Its functional innovation
is the large asymmetrical door at the front that allows for ingress/egress,
the front passenger chair can automatically fold down and stow away to
allow access to the rear seats. There are plenty of benefits of such a design.
Dineth Mapa
Transforming Furniture
[email protected]
The Transforming Storage chair is a stackable storage unit that can store
multiple books and CD’s and DVD’s for the small inner city apartments.
It can stack vertically or horizontally and can be used alone as a side table
or a lamp table or horizontally to create a coffee table type unit.
027
028
Industrial Design
Industrial Design
029
Awarded ‘Best Overall Research Award ’
by the PACE organisation for my research
Alex Matthews
[email protected]
Krank is a Portable Scaffolding Hoist designed to meet a market need
amongst Tradesman and solve the problem of the movement of heavy
tools and equipment over varying heights about worksites.
Aaron McGinnes
Interchange – Automotive Interior Concept
[email protected]
This project has been developed in two parts. The first has been in conjunction with
PACE (Partners for the Advancement of Collaborative Engineering Education) &
General Motors, where the Human-Machine Interface was developed. The second
part with AutoCRC & Futuris Automotive, where the seating system and remaining
interior components were developed.
030
Industrial Design
Kanvar Nayer
[email protected]
Industrial Design
Extinguish Flame (‘xf ’)
- Designed for the gallant fire-fighters of the world, in full consultation with them!
- Built for optimum performance, safety, and comfort
- Advanced nozzle – featuring adjustable spray, flow and pressure
- Minimum torque for ease of handling
- Aesthetic design – boosts fire-fighter’s confidence
Bradley Ratajczek
(Transportation)
[email protected]
www.zinfara.com
The Horizon is envisioned to be the future of high-speed, electric-rail, transport.
Utilizing the uniqueness of car transport surface language the design is inspired
by the double helix DNA molecule. Its design also focuses on reducing the
carbon footprint of train mobility.
031
032
Industrial Design
Industrial Design
Harsha Ravi
Airavata: The Mount of Kings
Sarah Stevens
21st Century India bursts with an eclectic visual culture that contemporises the
delicate nuances in its ancient artistic styles. Airavata journeys to discover a
distinctive Indian aesthetic together with Western luxury cues, & aims squarely
at the new niche market of energy-efficient ‘small-premium’ vehicles.
[email protected]
sarahstevens.wordpress.com
Platform is a commercial workstation concept aimed at reconnecting the user
with their workspace. By providing the worker with natural materials, tactile
surfaces and interactive planes, the emotional relationship developed is one
that provides comfort and effective inspiration.
033
034
Industrial Design
Jayden Zernich
[email protected]
Slide is a multi functional, space saving furniture unit designed to maximise the
available floor and storage space of small cafes. Slide minimizes the footprint of
stackable furniture through its internal stacking utility. Slide’s lightweight design is
gender neutal, allowing for it to be easily stacked and unstacked by all employees.
Interior
Architecture
The heterotopia is capable of juxtaposing in a
single real place several spaces, several sites that
are in themselves incompatible. Michel Foucoult
Interior architecture is deeply concerned with
the juxtaposition of potentially incompatible
activities in the public and privates spaces of our
built environment.
It seeks to understand the complex relationship
between human activity and the place within which
it occurs – and requires a refocussing from our objectcentred view of the world, to one of transaction in
volume, material and light.
The Bachelor of Interior Architecture program
at Monash strives to provide graduates with the
theoretical, conceptual and technical foundations
they need to thrive within this increasingly supple,
post-digital world. This group of students has already
begun their professional careers through our industry
based learning program; some having gained
meaningful national and international experience
at prestigious design practices.
I would also like to acknowledge the outstanding
contribution of a dedicated teaching staff that have
supported the students throughout their enriching,
Darragh O’Brien
Program Coordinator
Interior
Architecture
Principle Studio
Sponsor
Studio Sponsor
but often difficult process of discovery: Hsu-Li Teo,
Jo Dane, Michael Anderson and Michael Trudgeon.
The work you will experience in this exhibition stands
as testimony to the curiosity and determination of our
students. Over the past four years we have watched as
they have developed into imaginative, confident and
tenacious designers, with their own highly developed
sense of responsibility. During this time, there have
been many discussions about the beautiful, complex
and difficult nature of a discipline where we must face
the theoretical and actual consequences of our ideas.
This seductive blend of imagination and responsibility
is evident in much of the work. Each student selected
their site and developed their own design brief. Each
has become concerned with a specific conceptual
territory and aspect of the human condition, seeking
to balance poetic and pragmatic concerns. While
one project may tackle the issues faced by entire
communities, another responds to the specific needs
of an individual. These are more than just worthy
topics. This group of students has mined some of
the most significant issues facing our discipline today
and has managed to hold those issues in tension - this
alone requires maturity and courage. They have come
a long way and we are very proud of them all.
038
Irene Angelia
Bachelor of Interior Architecture
[email protected]
artdes.monash.edu.au/intarch09
Craft Victoria and Workshop
Nigel Butler
Former Yorkshire Brewery, Collingwood
[email protected]
Proposal is an outpatient /aftercare drug and alcohol rehabilitation facility
that offers an all encompassing approach to rehabilitation that is otherwise
unavailable in inner Melbourne. Conceptually the ideas emerged from this
notion of a re-awakening of site and self, empowering the user to build
connections to both site and peers.
039
040
Amy Cantwell
Glenferrie Oval: Sports Medicine Rehabilitation Facility
Wynn Pramana Chandra
[email protected]
Located within the Michael Tuck Grandstand, this design considers the
slowed movement of the usually fast-paced, focused athlete and the resulting
consequences on both the mind and physical body. The visual and physical
relationship with the oval entices the peripheral vision of the highly disciplined
athlete, revealing potential beauty on the unpredictable path of rehabilitation.
[email protected]
041
This project is a gallery for media art situated in CBD student precinct. Spatial
interventions to the existing building are designed to partially open up the gallery
as a public thoroughfare. Drifting through loose trajectories into more intimate
spaces gives a dynamic narrative to the experience of viewing art.
042
043
Jun Chaturapitaporn
Melbourne City Square
Amanda Flude
Beachlife
[email protected]
The project is located at Melbourne City Square. It attempts to reinforce certain
civic experiences that have been diminished on this site. The project aims to bring
people together around a timber landscape, designed so that it could be used
as a table, a place to sit, or a surface to lie down on.
[email protected]
Beachlife is a beach hospitality and experience centre that focuses on the needs
of the vision and hearing impaired. To provide an experience reflecting that of
the beach, where time slows down and people can escape. This space offers a
complete sensorial experience, to compensate for those with a sensory loss and
to provide an enhanced sensorial experience for all.
044
James Gianello
Children’s Rehabilitation Centre
Chris Jovanovic
[email protected]
The proposed centre promotes an interior that provides the opportunity to foster
a connection between the outside environment and different interstitial spaces
throughout the scheme. Through manipulating lines of sight, sound and especially
colour, developing a language that changes throughout the interior according
to different passive and active zones.
[email protected]
Installation and Live Performance Space
for Experimental Sound Artists
The aim of this space is to create more of an awareness of the experimental
sound scene within Melbourne’s diverse music culture. This flexible space is
designed around these sound sensitive activities, and can cater for a large
range of performance and installation types.
045
046
Hiroko Koike
Empty Spaces to Escape from
the Chadstone Shopping Mall
[email protected]
Shopping mall’s tend to appear busy and noisy due to the number of people,
activity and music in them. I have developed two spaces where people
experience being in another space during the journey of shopping.
Peta Lloyd
Home. Transitional Housing for Homeless Families
[email protected]
This complex has been designed to not only offer shelter in a difficult time but
also to provide a psychological, financial, legal and social support network.
A hierarchy of intercepting spaces exists, and by blurring these boundaries
between public and private, the residents are encouraged to interact and
form new connections.
047
048
Joel Ludong
[email protected]
The Food Centre is aimed to encourage people to live a healthy life by eating
healthy. The space would encourage interactions between visitors and chefs thru
a hawkers’ market experience. The cooking process will be fully exposed, allowing
people to see and to learn about healthy cooking techniques and fresh ingredients
used in a meal.
049
Adelle Mackey
Northern Approach Bays, Sydney Harbour Bridge
[email protected]
By inserting a performative architectural framework to activate the site, its possible
to approach the immaterial aspects of the existing space through the parameters
of the body, surface, program, time, place & material. This performative approach
suggests methods of exploring the architecture through dynamic intervention
within the existing heritage shell.
050
051
Sohyun Rachel Moon
Lonely Planet Travel Info Exchange
Claire Murdoch
Thinking Outside of the “Classroom”
[email protected]
Located in Melbourne, a city with a large number of transient populations.
The new Lonely Planet HQ aims to be a physical version of the LP book providing
sensory cultural experience. The space encourages users to interact with the
travel information exchange activities thereby creating extensive connections
and networks between people who are interested in other culture.
[email protected]
The Learning Pavilion is a response to the endemic use of demountable classrooms
in the education system. It utilises existing demountable structures to create a new
learning environment that supports and encourages contemporary pedagogies.
The conceptual basis of the design stems from an exploration into sensory
experience and its impact on learning.
052
A fusion of possibilities prompting an urban
way of living for young people with acquired
brain injuries (ABI)
Stephanie Rodas
Denton Mills: Retreat. Rehabilitate. Reconnect
Lisa Rus
Heide Art and Spiritual Centre
[email protected]
The focus of the design proposal was to establish the current ‘way of life’
a young person with acquired brain injuries has. My design has emerged
as an ‘urban retreat’ with emphasis on the ‘urban garden’ that allows
young individuals to reconnect with themselves.
[email protected]
The introduction of spirituality to the Heide Museum site encourages the
exploration of the various tensions and similarities between the two ‘cultures’
of art and spirituality. This centre is essentially about the co-existence between
these two cultures as spaces dissolve which create unique moments and
negotiations between each other.
053
054
Emily Shannon
[email protected]
Towards A New Living: The vision of a utopian
flexible mode of living, primarily focused on public
and private thresholds
Designing a sustainable living environment is not only about the built form,
it is about attaining a level of livability in the final design and level of detail to
accommodate different types of people for years to come. My design has been
heavily influenced by classical and modern architecture and urban design.
Stuart Stark
[email protected]
“The Goods Shed” Docklands Community Centre
The South Goods Shed is located between Flinders and Collins Street, where
a community centre to bring the Docklands and greater Melbourne residents
together is proposed, to address the lacking sense of community and further
attract people to the Docklands. This is achieved through a design that speaks
of bridging distance and connection.
055
056
057
Ruth Tjitra
Architectural Documentation Centre
Danielle Webster
Anxiety Support Facility: Abbotsford Convent
[email protected]
The need for a central area for architectural documentation in Melbourne
provides an opportunity to design a new form of Archive that breaks away from
the conventional Archives. The project becomes about an exploration to journey
of intrigue and it unveils by the showcase of the repository.
[email protected]
This site’s history of mental healthcare led to an investigation into anxiety and its
relationship to the space around us. The anxious person’s routine of withdrawal
initiated experiments into enclosure and continuity of private space. Choice and
curiosity are introduced throughout, inviting pause and relief from anxious activity.
Multimedia
& Digital Arts
The three-year Bachelor of Multimedia & Digital Arts
degree is an intensive period of learning, conceptual
development and personal growth. The degree is
designed to foster and nurture the creative and artistic
potential of our students for the highly competitive
and rapidly expanding creative industries.
Students may opt to continue into a fourth year of
Honours study in which they research, develop and
produce a major project of their own conception.
The first two years of the degree are designed to give
students the conceptual skills and practical skills to
succeed within their chosen field. In the final year of
their degree students are encouraged to specialise in
either Multimedia or Digital Arts as a studio practice.
This specialisation is an opportunity for the individual
student to focus on an area of specific interest and
a particular studio methodology. The streams are
arranged as follows:
Multimedia specialises in web design, DVD
production, interactive online games, touch screen
development and motion graphics / music video
production; Digital Arts is primarily focused on
character design, crossmedia narrative, animation,
new media arts, video and digital games development.
These studio activities support the development
of student skills in three major areas: (i) practice:
students achieve advanced conceptual and technical
knowledge and a high standard of professional
practice in digital production; (ii) folio: development
Multimedia
& Digital Arts
Troy Innocent
Mark Guglielmetti
Coordinator Third Year
Digital Arts
Coordinator Third Year
Multimedia
Coordinator
Multimedia & Digital Arts
Honours Program
of a folio featuring creative digital works developed
to a professional standard suitable for exhibition
and presentation; and (iii) self: each student realise
their unique talents and abilities through a personal
style and approach. The Honours year focuses on
developing the a particular area of multimedia and
digital arts to an advanced level of professional
practice and specialisation.
This year, five talented individuals have undertaken
the Multimedia and Digital Arts Honours program.
Using their earlier studio practice as the seed, they
have grown this practice into advanced conceptual
and technical specialisations. Ivan Hong and
Vanessa Riley have invented worlds; expressed as 3D
animation and interactive illustration. Jimmy Chan
and Yun Tae Nam have produced ambitious new
media arts installations dealing with climate change
and constructed realities.
Of course many thanks to all the lecturers and tutors
involved in the degree during the past three years
with particular thanks to Tim Burnett, Tarwin
Troh-Spijer and Cameron Gough; their expertise
and insights are invaluable.
060
One: Two: Motion graphics
Website
Kristian Bunjamin
One: Tick Tick Boom
Two: Symbiosis
Hoi Lun (Helen) Cham
New World Concept Art
Bachelor of Multimedia
& Digital Arts
[email protected]
www.kawedesign.com
One: Two: Bachelor of Multimedia
& Digital Arts
[email protected]
helencham.deviantart.com
The following works displayed are digital paintings created for the New World
Concept Art Book. New World is an RPG game created specifically for the NDS
console system. The four images on the top are the different worlds within the
game. The protagonist in red is displayed at the bottom with other characters
from the game surrounding him.
Tick Tick Boom is a typographical motion graphics based on the song Tick Tick Boom – The Hives. To view, this visit: http://ttb.kawedesign.com
Symbiosis is a Monash University’s graduand exhibition website.
To view this, visit: http://sym.kawedesign.com
061
062
063
Twinsen Chan
Speed Office Chair
Laura Chong
Print Media
& Digital Arts
[email protected]
“Speed Office Chair” is a 5 minutes short comedy including a 50 seconds opening.
In the world of “Speed Office Chair”, ‘rolling’ office chair is actually an illegal
underground racing match, which called ‘OCR’. This is a story about how a
normal undergraduate student becomes a legend of OCR.
& Digital Arts
[email protected]
A collection of printed media works from Electronic Design. The first is the inside
of DL Flyer for a celebration of Monash University’s 25 year support in glass art.
The second is CD booklet for a collection CD with songs from bands like Cold
War Kids, The Shins and Gotye.
064
Ben Foster
& Digital Arts
[email protected]
www.nemenvisual.com
Rebecca Harding
This project involved the design and development of an interactive touch
screen information kiosk and accompanying website for a fictional expo called
‘The International Guitar and Bass Expo’. The project required me to design
a layout for both landscape and portrait orientations and design interactions
specific for touch interfaces.
& Digital Arts
[email protected]
065
“The Chronicle of Spi Spi: Take of the Foolish Fly”
The tale of the Foolish Fly is an animated short about the day in the life of a spider
called Spi Spi who encounters a very rude fly. The Fly named Billy is just a trouble
maker and wanted to see Spi Spi eat her friend Gavin the Grasshopper, however
being thwarted of his fun Billy makes sure he gives the other inhabitants of the
garden a taste of his wrath until it backfires on him.
066
One: Two: Alister Kent
& Digital Arts
[email protected]
Exploring Characters Through
Film Narrative and Photography
My most enjoyed works revolved around creating and observing character.
My self-directed project contains a scene from a personal movie idea which
looks at the relation between two major characters. Their physical language
in the fight scene show linking factors that bind and contrast their nature
at the same time.
Melissa King
& Digital Arts
[email protected]
067
Short animation / Illustration
Illustration / Short animation
One: The Real Titan Kill (2009) / Alexstrasza (2008)
Two: Visual Sound: Star Guitar (2007) / Ice Cream (2009)
I’ve always had a passion for digital media that could never be realised living in
the small town of Yea. However, studying at Monash has allowed me to pursue this
passion, and has helped me get on the path towards artistic success. My speciality
is vector based illustration and concept development.
068
Yin Gi (Gill) Lin
& Digital Arts
[email protected]
One: Chess Design
Two: Character for Game
One:
Two:
Each of them represents my important friends. How I divide the
chess role for each of them is depending on their own feature.
The characters of this game are designed for children.
Players can choose a character to represent themselves.
069
Vi Nguyen
& Digital Arts
[email protected]
Digital art, photography, motion graphics and video editing are the main
categories of work I am involved in. Typically my graphical work is super colourful
vector art with a playful approach. While I enjoy photographing people that are
representational of vibrancy and joie de vivre, often I also find myself capturing
serenity within landscapes and seascapes.
070
Shane Smith
& Digital Arts
[email protected]
“Crashland” Animated Short
Ever crash-landed on an alien planet? Find out what happens to
Sgt Spangler after he crashes his Hipelite 200 into Choundlers planet!
Can you spot the Chicken in the image?
Natalie Sun
& Digital Arts
[email protected]
www.nuseilatan.com
One: Bella
Two: Secrets
071
072
Kok Siung (Jordan) Tan
Smokin Bubbles
Julianne Ting
& Digital Arts
[email protected]
http://blazerazgriz.deviantart.com
This is one of my digital paintings that I did with Corel Painter 10. Instead of
making her smoke “smoke”, I drew bubbles to lighten the mood up a little.
Since I like to add some odd spots to most of my works.
& Digital Arts
[email protected]
One: “Ultima Forsan”
Two: “Delete_Me”
“Ultima Forsan” is the opening title for a fictitious dark fantasy series featuring
sorcery and hexes. The magic of the story is emphasized by the use of pattern
overlays. In contrast, “Delete_Me” is a short animation about two girls who
are caught in a digital virus attack. Both animations utilize hand drawn
images and Adobe Flash.
073
074
Ming Yew (Jeffery) Ting
Ingredient X
Wing Yee (Venus) Tse
Lead the Change
& Digital Arts
[email protected]
[email protected]
This is an interactive comic where the story ends depend on what the user
have chosen everytime when decision making needed. The main character
fate depend on the user.
& Digital Arts
[email protected]
ven-tse.blogspot.com
This is the final project of Digital Arts Studio. I created a short film about
basketball that lasts about three and a half minutes. The short film was shot
by an animation technique, stop motions. After shooting frame by frame and
play in a continuous sequence, it will be an illusion of movement. In addition
comic’s features and motion graphics were used in the short film.
075
076
3D Modelling artwork using Maya
Chien Fu ( Jim) Wang
& Digital Arts
[email protected]
flickr.com/photos/muddy2big/
‘Sensational’
Roger Wilkie
Melbourne Street Art Document
& Digital Arts
[email protected]
http://www.msdo.com.au
Melbourne has such a diverse and large range of street art, and this
cross-media project aims to document the art in order to showcase
and inform people about the best places and artists to look out for.
077
078
Hei Man (Remi) Wong
& Digital Arts
[email protected]
hmremi-art.blogspot.com
Dance of Sparks
“Dance of Sparks” is one of the illustrations created under the story that Remi wrote
for her animation, “IronBird”. Remi sets her goal of life to be both a professional
animator and illustrator with storytelling skills. “Executing my dreams to give
people dreams” is Remi’s spirit of creation.
Felicia Yee
One: Chapter 13 / Hand Tree
Two: Catch
& Digital Arts
[email protected]
Felicia is dedicated to producing work that is both enjoyable and engaging.
Through her moving image, print and interactive work, she delights in creating
endearing characters, visually striking aesthetics and immersive experiences.
079
080
A digital image created using illustrator
as a conceptual play on shapes and ideas
Helen Zhang
& Digital Arts
[email protected]
murasakii.deviantart.com
I’ll Be Your Lighter
Multimedia
& Digital Arts
(Honours)
082
Multimedia & Digital Arts (Honours)
Jun Yi Huang
[email protected]
A Little Dream of Me
Thuan Huynh
[email protected]
Gold Road
083
084
085
Main characters from the ‘Happy Land’ project
Hidir Khasmuin
[email protected]
An animation depicting how technological progress is driving the world
toward ‘singularity’ where technology have become one with nature & life.
Angela Park
Happy Land
[email protected]
Happy Land is an interactive, split-page, children’s picture book, aimed
towards helping children improve their imagination and vocabulary.
086
Mian Sherry Ren
[email protected]
Getting Mature in AU
Xi Yi
[email protected]
http://ameblo.jp/kazuhikotomisawa
In Love With You
087
Visual
Communication
Each year brings new faces and new personalities,
but also new perspectives on design, fresh insights
and different interests.
The 2009 graduands of Visual Communication at
Monash are certainly no exception. They have asked
challenging questions — all welcomely received,
I’m sure — of myself and of other members of our
teaching staff, of themselves and of one another,
and of the discipline of which they are about to
become professional practitioners.
I hope — and I have no reason to doubt — that
they will continue to challenge themselves and the
potential of this discipline throughout their careers.
Reaching the completion of a tertiary degree is
certainly something to be celebrated, and I congratulate
all on this success. We have been pleased to be able to
share in a number of particular successes on the part
of our students throughout this year. In this year’s
Southern Cross Packaging Awards, Vincent Chan
received awards for Best-in-Show, Best Rationale
and a category Gold. Christopher Thorpe was
awarded a category Gold. Tristan Main, Emma
Danckert and Belinda Howarth also received
awards in this competition.
Dr Brad Haylock
Third Year Coordinator Bachelor of Design
(Visual Communication)
Visual
Communication
On behalf of the students and myself, thanks must
go to all of the staff who contribute to the delivery of
the Visual Communication program, firstly to the fulltime staff members, Gene Bawden, Russell Kennedy
and Sarah Jones, but also, in no particular order, to
the sessional staff members and those from elsewhere
within the faculty who perennially bring a wealth
of expertise and generosity to the delivery of this
course: Dan Milne, Wendy Ellerton, Spencer Bitcon,
Jen Butler, Warren Taylor, Regina Newey, Saffron
Newey, Friedo Ligthart, Niko Spelbrink, Spike
Hibberd, Liana Luca-Pope, Robyn Robbins, Jono
Wallace, Paul Troon and Anna Daly.
Thanks and congratulations must also go to recent
graduate Ania Przybycien for the design of this
catalogue, an unenviably complex task that,
although I write sight unseen, I am sure has been
executed with consummate professionalism.
Congratulations again to this year’s graduands.
I wish you every success in your future careers.
090
Visual Communication
091
Lauren-Elise Barlow
‘Logo Design For Dot Dash Record ’
Adriana Laura Bernardo
Matter
Bachelor of Design
[email protected]
Logo design for a Melbourne based Record Label. Dot Dash Records is an
underground and edgy label focusing on bands of alternate and individual
style. The logo designed is based on a vintage magazine stock and image,
which I had sampled. The image aims represent the labels ‘Dam the
(corporate) Man’ persona.
Bachelor of Design
[email protected]
[email protected]
Matter is a campaign aiming to facilitate the integration of Visual Communication
and Science. This invitation is for participating designers. The accompanying
imagery is used for the campaign’s varied print applications. Disciplinary
integration is the basis for Matter’s design. The figures are ‘design creeps’
aspiring to assimilate a cross-disciplinary language and thought process.
092
A1 poster
093
Annual report
Felicity Case-Mejia
Teenagers from Mars
Vincent Chan
Parcel Press
Bachelor of Design
[email protected]
www.felicitycasemejia.com
Typographical time line of skateboard graphics from the 70s, 80s and 90s.
Text is taken from Misfits song Teenagers from mars.
Bachelor of Design
[email protected]
www.vbschan.com
Parcel Press is an independent publisher that focuses on artist and designer driven
publications. This year’s annual report is themed Form is Content. The coverless,
hand-stitched document includes a report of the year, a section devoted to a
featured artist, a catalogue of the year’s publications and requisite financials.
094
Michael Francis Chiodo
She’s Gone, Untitled #53
Ka Man (Carmen) Chung
Bachelor of Design
[email protected]
She’s gone is a photographic representation of a state of mind experienced over
the past year. Photographed at the old La Rundel Mental Hospital, the images
depict the way in which a place, set up to help people, can deteriorate so quickly.
However, it is these hardships that only make you stronger.
Bachelor of Design
[email protected]
One: Visual Noise
Two: Exhibitor Book Poster
095
096
Seed packaging / Finalist 2009
Southern Cross Packaging Competition
Catalogue
Timothy Coghlan
After Dark Cinema
Emma Danckert
‘Veg Out’
Bachelor of Design
[email protected]
After The Dark Cinema runs through the summer months showing all the classic
films from over the years of cinema. This catalogue informs the view of what is
coming up over the summer programme. While also functioning as entertainment
with articles to read while waiting for the film.
Bachelor of Design
[email protected]
Able to re-use packaging as garden signage, the shape allows for easy
insertion into soil. The graphics target a broader audience than other
competitors. Instructions include pictures and language that is easy to
understand no matter what level of experience the consumer has with
gardening. Encourages a healthy lifestyle.
097
098
Identity, stationery set, catalogue and invite
Matilda Davidson
Bachelor of Design
[email protected]
“Patterns”
Sarah Dawson
Bella Bika
Bachelor of Design
[email protected]
Intention was to capture the distinctive style and attention to detail that Bella
Bika conveys through their heels with their strong use of colour and texture
and be able to follow through with applications.
099
100
Record cover
Megan Douglas
Monster Mash
Rebecca Feiner
APRT Rebrand
Bachelor of Design
[email protected]
An illustrated record cover for Monster Mash. All characters were drawn
using copic markers and liners and then compiled in photoshop. The main
focus of the cover was the characters.
Bachelor of Design
[email protected]
APRT are a group of architects based in Finland. The new identity reflects
the strong geometric repetition seen in their design. In this instance a custom
typeface has been designed to express their identity. Typographic elements
often play a large roll in my design, both using existing typefaces and creating
custom typefaces.
101
102
Sport magazine
Sarah Jane Frith
Codfish
Sahan Gamage
Bachelor of Design
[email protected]
Codfish is a series of illustrations based on a spontaneous game played with a
set of sticky foam letters, in which anybody could change the sentence over time,
without any structure or order. These pictures are of the last few rounds before
the game ended.
Bachelor of Design
[email protected]
One
103
104
Annual report cover design
Nina Gilbert
Bachelor of Design
[email protected]
Noise Radio
Marina Godoun
Silence is Golden
Bachelor of Design
[email protected]
“Silence is golden” is spelt out through the use of Auslan (Australian sign
language). The poster is related to a book I designed, where a poem written by
Melina Nugen, expresses her feelings towards being deaf. The book spells out
the poem through the media of photography with a single letter on every page.
105
106
One:
Two:
Natalia Hernandez
Bachelor of Design
[email protected]
Typeface
The educational toilet paper
One: Alpha Gursky
Two: Miss Hit
One:
Two:
A tribute to the photographer Andreas Gursky, this typeface was created using Google Maps by viewing the world’s vast anonymous architecture and landscapes.
Miss Hit was created to spread the benefits of good design with
case studies, facts and jokes printed on recycled toilet paper.
Poster design
Lok Yan Ho
Bachelor of Design
[email protected]
ECO Hong Kong
107
108
Poster / place branding project
Kuen-Hye Hong
Bachelor of Design
[email protected]
‘Samchundong’
Mira Hosmer
Bachelor of Design
[email protected]
“I Hate My Job”
A collection of hand-drawn patterns over time illustrating quirky suburbia
characters influenced by the everyday frustrations of working within the
hospitality industry.
109
110
CD Booklet
A1 Poster
Belinda Howarth
‘Portraits of Euphoria’
Jack Howe
48
Bachelor of Design
[email protected]
‘Portraits of Euphoria’ is a complementary guide to a mix disk of easy listening tracks.
The CD’s artists and songs are featured, with lyrics displayed throughout the booklet
in a vivacious yet consistent manner. The booklet contains five double page spreads,
paginated and finished with a hand-stitched bind. All photographic work was
self-directed, and die-cuts where also used as a stylistic feature.
Bachelor of Design
[email protected]
An A1 poster promoting 48, a magazine that encourages awareness and
responsibility in graphic design. The magazine has a specific theme and is
passed from studio to studio, with each participant responding to the theme
in the time provided. Once 48 pages are completed they are collated and
prepared into a magazine. This issue looks at sustainable transportation.
111
112
Cover & layout design
Elizabeth Hui
It’s Here
I Hang lo
Bachelor of Design
[email protected]
megafatliz.blogspot.com
An editorial illustration in response to the over-dramatic media coverage
of the H1N1 Swine flu outbreak.
Bachelor of Design
[email protected]
NO,CO. A Second Hand Fashion Magazine
113
114
Packaging design
Maya Kanno
Bachelor of Design
[email protected]
Cat Grass Cultivation Kits
Elise Kerr
Bachelor of Design
115
116
117
Poster design
Ioi Seng Kot
Noizi Annual Dinner
Konrad Krusemann
A Foreign Daydream, 5
Bachelor of Design
[email protected]
This is an identity design project for the NOIZI Records Corporate.
The company image is young and energetic. The colour palette and identity
is a range of vivid phonogram record machine. The poster incorporates all
the previous elements, the date and a statement creating a recognisable
branding poster.
Bachelor of Design
[email protected]
This image is part of a larger project, named a foreign daydream. created for
our EOY exhibition, the project is an exploratory chronicle of my reaction to one’s
‘headspace’, in particular my own. Furthermore, the image is intended to portray
integral parts of my aesthetic as a designer; visual provocation, layering of thought
and a sense of dynamism.
118
A fashion magazine
Annual report 2009
Anabel Lau
Childwise
Gi Young Lee
Bachelor of Design
[email protected]
The annual report is based on a company dedicated to prevent child
trafficking domestically and overseas. The flowers are prevalent across
the spreads, symbolizing the innocence that still maintains its life even
when standing in the heart of human nature’s darkest characteristics.
Bachelor of Design
[email protected]
www.cyworld.com/jy_e
‘ZiN ’ Magazine
119
120
Kwun Chun Leung
Mother Nature
Andrew Li
City Faces: Niddrie
Bachelor of Design
[email protected]
This piece of illustration is designed for ‘Random’, a magazine for creative design,
illustration, photography and other areas.
Bachelor of Design
[email protected]
Explores the typographic signage of Niddrie’s warehouses and factories,
ranging from clean crisp commercial branding to weathered industrial sites.
121
122
Tae Lim
Bachelor of Design
[email protected]
tkdrawsalot.blogspot.com
A Still Life
Siu Kin Slash Ling
Bachelor of Design
[email protected]
Spread Into The Future (Hong Kong)
123
124
Exhibition book
Madeleine Looi
Bachelor of Design
maythirtyfirst.blogspot.com
“Sometimes I Think I’m In”
An illustrative picture book, based on the social and cultural trends
seen in today’s society.
Typography book
Stephanie Lok
Bachelor of Design
[email protected]
http://stephanielok.darkfolio.com
City Faces
125
126
Place branding
Yuen Ying (Vanessa) Low
Hong Kong
Tristan Main
Bachelor of Design
This is a project that you have to choose a place and rebrand it. I chose Hong Kong
a city that I came from. Since Hong Kong itself is well known by people and has
a strong brand itself, I wanted to show people the different side of HK.
Bachelor of Design
127
128
Poster
Bonnie Mooney
Bachelor of Design
[email protected]
missingtwoteeth.wordpress.com
‘That Takes The Cake’
Hoi Fong Ng
Water Conservation
Bachelor of Design
[email protected]
Water conservation is a global issue, everyone from all around the world should
consider. My main idea of this project is to draw attention from people around
the world by using different languages of the words “SAVE WATER”.
129
130
Ingvill Oddsen
Alphatar
Kiara O’Farrell-Nugara
Bachelor of Design
[email protected]
www.ingvilloddsen.com
A small selection of found typography, Alphatar is an incidental typeface first
discovered in the car park of Caulfield Racecourse. The lines are formed by
cracks in the asphalt covered up by a tar like material. Non of the images
are manipulated in any way.
Created for a culture and used to represent a leader in vintage innovation:
Bachelor of Design
This poster entices hunters and gatherers to succumb to the treasures that
[email protected] ‘The Lost and Found Market’ has to offer. The ‘western’ style eludes that
those who dare to uncover this vintage market will be rewarded!
Lost & Found
131
132
A visual map
133
‘Southern Cross Packaging’ brief
Fushia O’Hara
‘2010’
Nadia Pancari
SauceAir
Bachelor of Design
[email protected]
fushiaohara.com
A map of one year: 365 days and 54 weeks. Each day of the week is represented
by its own colour and each week of the month is represented by the number
of rings that make up the circle.
Bachelor of Design
[email protected]
SauceAir is an exciting new product which brings something new to the thinking
of aerosols. Tomato and Mustard sauce. This revolutionary new product stands
alone in the sauce market and paves the way for new technology in food flavoring.
With its strong typographic design and bold colours the product is easily
distinguished from its competitors… Dinner time will never be the same again.
134
Laura Petrucci
Blake & Poe
Elysia Singam
Birds of a Feather
Bachelor of Design
[email protected]
Blake & Poe is a monthly poetry magazine featuring past and present poets.
The brief involved creating the layout, typesetting, branding and photos.
The magazine was presented in a textured stock and contained an eclectic
selection of photographs from my travels.
Bachelor of Design
[email protected]
Birds of a Feather is an investigation into the curious occurrence of racial
clustering in the local council district of Melbourne. The intention for this
poster design along with freely distributed cards is to encourage racial
integration throughout the Melbourne community.
135
136
Catherine Sison
Bachelor of Design
[email protected]
“Lines of Dating”
Mapping design on the perspectives of dating.
Jacqueline Smith
Richard Avedon Interview
Bachelor of Design
[email protected]
The design of this magazine interview was kept simple and clean to match
the elegance of Richard Avedon’s photography. Minimal colour to show
off the black and white images and Garamond selected for the typeface.
137
138
Spread from ‘Meanjin Journal’
Sophie Stefanakis
Meanjin Journal
Da Wei (David) Sun
Dyslexia Poster
Bachelor of Design
[email protected]
sophiestefanakis.blogspot.com
Re-design of the article ‘Varieties of Evil’ by Chris Andrews featured in the
Meanjin Crime and Law issue. Visually explores the aspects of ‘evil’ identified
in the article though the use of photography.
Bachelor of Design
[email protected]
White and black poster working to helps each other to give a message.
Skipping letters is only one of many symptoms of dyslexia.
139
140
Qian Sylvie Sun
Change
Jing Hui Sara Tan
Bachelor of Design
[email protected]
Studying at Monash has been a unique experience for me. Illustration and
Typography are favourite areas of mine. I enjoy to playing with letterforms and
colouring with photo and images. Through this course, I am allowed to define
and develop design skills required to go into the industry.
Bachelor of Design
[email protected]
Magazine Design
141
142
143
Annual report illustration
Madeline Tan
Brap
Natasha Theoharous
Never Understand
Bachelor of Design
[email protected]
One of the illustrations for the annual report of the fashion label Brap. The theme
of the report is floral and feminine to tune in with the trends and design prints of
the past season. The imagery is inspired by the seasonal designs and illustrated
as an exploration of the clothing.
Bachelor of Design
[email protected]
A7” single cover redesign by a person who hadn’t even gained the status of ‘fetus’
at the time of its original release. The imagery and lettering represent the sweet,
summery melody hidden – drowned – by a wall of feedback.
144
Christopher Thorpe
15 Mile
Lu Tian
The Discovery Book
Bachelor of Design
[email protected]
www.christhorpe.net
The design allows the bottle to lock in and rely on the tension of the card to hold
it in place. This means the pack can be carried in a number of ways, including
upside down, with the side handles provided. The bottles can also be removed
without damaging the secondary packing.
Bachelor of Design
[email protected]
To discover my favourite street in Melbourne
145
146
Identity design
Siew Ing (Jenny) Ting
Typographic Painting
Ivan Tjongkono
Unstable Ape
Bachelor of Design
[email protected]
Isadora typeface is named after a well known dancer called Isadora Duncan.
She is known to be the first modern dancer, whose inspiration is classical
movement but dances in a modern and liberating way. Her art seems to have
been fuelled by a combination of instinct, intuition, and irrestible calling from
her mother that she often said that she dances in her mother’s womb.
Bachelor of Design
[email protected]
Logo design and stationery applications for the Unstable Ape Records,
a Melbourne based independent record label.
147
148
Collage on paper
Lyn Tran
Kooky
Callum Watson
Bachelor of Design
[email protected]
Kooky is a jewellery store that sells antique and contemporary jewellery.
I wanted to create a timeless logo as it sells past and present items.
Having done so, I was able to design stationery and as well as packaging.
Bachelor of Design
[email protected]
Diamond Predator
149
150
Poster
Ella Webb
Bachelor of Design
[email protected]
‘So Very Beige’
Bradley Whitwell
Bachelor of Design
[email protected]
www.nemuis.com
Maaasive Photo Manipulation Exhibition
151
152
Willyanto Widjaja
Klik Magazine
Beth Nellie Wilkinson
Bachelor of Design
[email protected]
The magazine is a learning experience using photography and typography
elements into the design. Some of the photo taken around Melbourne and
overseas areas.
Bachelor of Design
[email protected]
“Especially Different?”
I wrote this song especially for you…
A song that cannot be sung, but can be seen.
The typography as the lyrics, the colour as the
melody and the shape as the bass.
My mind is like a river.
153
154
Annual report
William Wong
Almight & Woodlen
Janice Wu
Bachelor of Design
[email protected]
An annual report designed for an Agribusiness investment company
and contents layout.
Bachelor of Design
155
156
Jennifer Wu
Greeting Cards
Xina Xia
Bay Bee Cino
Bachelor of Design
[email protected]
http://www.jennifer-wu.net
Two sets of cards I designed, made and sent to friends and clients
for Christmas in 2008.
Bachelor of Design
[email protected]
rushofwhite.blogspot.com
An updated logo for the boutique baby store Bay Bee Cino, which was then
applied to packaging. The packaging is a ‘baby’s first bath’ gift box that
includes: a towel, miniature soap and a frame (with magnet) for a photo
of the happy occasion.
157
158
Identity design
Vicky Yi Yang
Valerie
Alexandra Yuwono
Bachelor of Design
[email protected]
Bachelor of Design
[email protected]
Soul Mama
An identity re-branding project for a vegetarian restaurant/café, Soul Mama.
An attempt to show Soul Mama’s ideal through use of pattern and shapes.
159
(Honours)
The honours year in Visual Communication at
Monash University permits an unheard of design
luxury: a year to focus, question, investigate, pull
apart and put back together again, a single project;
and what’s more, one driven by a personal – not
commercial – sense of curiosity and enquiry.
Brevity of time is the enemy of discovery, adventure
and risk. Having a year of investigation reveals
infinitely more than the rapid-fire turn-around of
commercial deadlines that are counted in hours or
days, rather than months. 2009 has been a year of
adventure, disappointment, revelation, success and
exhaustive research; and a year that has revealed the
potential for graphic design to delve well beyond its
traditional comfort zones. The honours students
have spent their year wisely: stopped, reflected,
created and challenged.
Challenge has been good for graphic design. It has
had to shift from its one-dimensional plane, driven
by a list of mundane rules, dos and don’ts, finite
possibilities and absolute certainties. The honours
students in 2009 prove that contemporary graphic
design can contentedly hover between many creative
fields unconstrained by the limitations of print and
commercial expectations.
Visual
Communication
(Honours)
Gene Bawden
Course Coordinator
Hannah Andrykanus, Tiffany Chou, Tegan Connelly,
Nick Hallam, Ramona Hamilton-Lindsay, Maria
Jardon, Sarah Jenkins, Jacquie Lawson, Abby Lippiatt,
Georgie McKenzie, Kirsty Moegerlein, Pamela
Paikopoulos, Jacinta Sobey and Ping Tung have
provided us with new avenues of design engagement.
Their collected works embrace a diverse range of
topics including the environment, cultural sensitivity,
racial insensitivity, gender, language, proportion,
creative process, structural form, pattern, history,
generational conflict, notions of home and story
telling; succeeding always in the knowledge that
curiosity is indeed “one of the permanent and
certain characteristics of a vigorous mind” (Samual
Johnson, 1709–1784).
I would like to take this opportunity to congratulate
all the honours students on their success, and in
particular Ramona Lindsay-Hamilton, who secured a
Fabrica Scholarship in Italy through the AGIdeas New
Star Awards; and Nick Hallam, Kirsty Moegerlein and
Pamela Paikopoulos who collectively won the State
of Design Iron Designer competition, snatching
victory from some of Melbourne’s most respected
design professionals.
Watch out, they may have your jobs next.
162
Visual Communication (Honours)
163
Hannelore Andrykanus
A Grey Matter
Tiffany Chou
Re:
Bachelor of Visual
[email protected]
[email protected]
www.lookslikehannah.com
A Grey Matter – when cultures merge to form a ‘grey ’ identity. In Papua New
Guinea, Hannelore conducted a cultural exchange project by using art as a form
of grassroots visual communication, which gave insight into the lives of one of
the most beautiful cultures remaining in the world today.
Bachelor of Visual
[email protected]
Umberto Eco, the Italian philosopher once said, ‘We produce signs because there is
something to be said.’ My belief is that a pattern is capable of communicating, far
more by working beyond signs and carrying not just expressions, but also emotions.
164
Tegan Connelly
A Stitch In Time
Nick Hallam
Harmony
Bachelor of Visual
[email protected]
A Stitch In Time looks at how both fairy tales and quilts tell a story and how those
stories differ between people. This project explores how stories and the meaning
of ‘fairy tales’ alter through a person’s heritage and cultural exposure.
Bachelor of Visual
[email protected]
The composition we created for a specific client brief. The design uses specific
mathematical principles of proportion as bases for its structure. Each circle
follows the proportions of 1:1.618. The page itself is a Golden Rectangle.
165
166
Ramona
Hamilton-Lindsay
Bachelor of Visual
[email protected]
A poster explaining my exhibition piece,
a physical manifestation of the internet.
167
Maria Jardon
Coffee, Cigarettes & Cunts
Bachelor of Visual
[email protected]
Coffee, Cigarettes & Cunts is a reflection of my own life experiences that have
shaped my character, and shall ultimately be my compass from years to come.
The installation aspect of my work draws upon childhood influences and how they
are manipulated and confused by adolescence and adulthood.
168
Sarah Jenkins
Everything You Wanted Me To Be
Jacqueline Lawson
Unravelled Yarns
Bachelor of Visual
[email protected]
Everything You Wanted Me To Be is based around questioning the misconceptions
and stereotypes associated with generations, in particular Generation Y. I sought
to establish why there is so much negativity around my generation and explain
how we have grown up to be everything that our parents wanted us to be.
Bachelor of Visual
[email protected]
Unravelled Yarns is a research project aimed at documenting and preserving
Australia’s European social and cultural history, through primary data
collected from recollections of personal experience.
169
170
Abby Lippiatt
Discarded
Georgie McKenzie
Dimboola: Half Way
Bachelor of Visual
[email protected]
Discarded is comprised of three individual lights/sculptures that are made from
wax cardboard, polystyrene foam packaging and plastic bags. Discarded is
intended to be a beautiful reminder of an ugly issue and aims to motivate and
inspire other Designers and Artists to approach their work with an awareness
of environmental sustainability.
Bachelor of Visual
[email protected]
www.georgiemckenzie.com
Tiny towns like Dimboola are being lost to freeways, larger cities, and other
modes of travel. When we ﬂy from point A – Z we lose points B, C, D, and so
on. I set out to discover what it is that lures people into visiting these seemingly
insigniﬁcant places.
171
172
Kirsty Moegerlein
Oztopia: Souveniring the Interior
Pamela Paikopoulos
Bachelor of Visual
[email protected]
www.kirstymoegerlein.com
Oztopia is a collection of souvenirs, which offer a critique of Australian nation
identity. From dealing with collective guilt to highlighting the limits of our
tolerance, these souvenirs ask us to examine closely the motives behind identity
creation, and to consider those who are excluded as a part of this process.
Bachelor of Visual
[email protected]
“Designology ”
Designology is an interactive exhibition space, encouraging viewers to explore
the design process through body and mind. It is a self-driven research project,
attempting to demystify the true identity of design, explore the role of the
designer and reveal the true essence of the designed object.
173
174
Jacinta Sobey
Envélop
Ping Ping Tung
Paper Play
Bachelor of Visual
[email protected]
Envélop, is an independent publication that aims to challenge
the way that magazines are perceived, read used and valued.
Bachelor of Visual
[email protected]
Paper Play is a board game and the content is based on my journey of
paper exploration in this honours year. I hope it will lead the players to
realise the aesthetics, history, cultures and develop their own personal
appreciation of paper.
175
176
177
Student Index
a
b
c
d
e
f
g
Hannelore Andrykanus
Irene Angelia
Damien Armellin
Kenneth Attard
162
038
008
009
Lauren-Elise Barlow
Heather Barrett
Adriana Laura Bernardo
Kristian Bunjamin
Nigel Butler
090
010
091
060
039
Amy Cantwell
Felicity Case-Mejia
Hoi Lun (Helen) Cham
Twinsen Chan
Vincent Chan
Wynn Pramana Chandra
Jun Chaturapitaporn
Michael Francis Chiodo
Pok Hin (David) Chiu
Laura Chong
Tiffany Chou
Ka Man (Carmen) Chung
Timothy Coghlan
Tegan Connelly
Leigh Hendrik Cosentino
040
092
061
062
093
041
042
094
011
063
163
095
096
164
012
Emma Danckert
Matilda Davidson
Sarah Dawson
Igor Derkoun
Megan Douglas
Murphy Dungo
097
098
099
012
100
014
Jake Eadie
Stuart Emmerson
015
016
Rebecca Feiner
Liam Ferguson
Andrew Firth
Amanda Flude
Ben Foster
Sarah Jane Frith
101
018
019
043
064
102
Sahan Gamage
James Gianello
Nina Gilbert
Marina Godoun
103
044
104
105
H
i
j
k
l
Simon Gow
Aki Qiu Shi Guo
019
020
Nick Hallam
Ramona Hamilton-Lindsay
Rebecca Harding
Natalia Hernandez
Lok Yan Ho
Kuen-Hye Hong
Mira Hosmer
Belinda Howarth
Jack Howe
Jun Yi Huang
Elizabeth Hui
Minh Huynh
Thuan Huynh
165
166
065
106
107
108
109
110
111
082
112
021
083
I Hang Io
113
Maria Jardon
Sarah Jenkins
167
168
Maya Kanno
Hamit Kanuni Kuralkan
Alister Kent
Elise Kerr
Hidir Khasmuin
Melissa King
Hiroko Koike
Ioi Seng Kot
Konrad Krusemann
114
022
066
115
084
067
046
116
117
Anabel Lau
Jacqueline Lawson
Bryan Lee
Garim Lee
Gi Young Lee
Pei Chun Lee
Kwun Chun Leung
Andrew Li
Chao Yi Li
Tae Lim
Yin Gi (Gill) Lin
Siu Kin Slash Ling
Abby Lippiatt
Peta Lloyd
Stephanie Lok
Madeleine Looi
118
169
023
024
119
025
120
121
026
122
068
123
170
047
125
124
m
n
o
p
r
s
Yuen Ying (Vanessa) Low
Joel Ludong
126
048
Adelle Mackey
Tristan Main
Dineth Mapa
Alex Matthews
Aaron McGinnes
Georgie McKenzie
Kirsty Moegerlein
Sohyun Rachel Moon
Bonnie Mooney
Claire Murdoch
049
127
027
028
029
171
172
050
128
051
Kanvar Nayer
Hoi Fong Ng
Vi Nguyen
030
129
069
Ingvill Oddsen
Kiara O’Farrell-Nugara
Fushia O’Hara
130
131
132
Pamela Paikopoulos
Nadia Pancari
Angela Park
Laura Petrucci
173
133
085
134
Bradley Ratajczek
Harsha Ravi
Mian Sherry Ren
Stephanie Rodas
Lisa Rus 053
031
032
086
052
Emily Shannon
Elysia Singam
Catherine Sison
Jacqueline Smith
Shane Smith
Jacinta Sobey
Stuart Stark
Sophie Stefanakis
Sarah Stevens
Da Wai (David) Sun
Qian Sylvie Sun
Natalie Sun
054
135
136
137
070
174
055
138
033
139
140
071
t
w
x
y
z
Jing Hui (Sara) Tan
Kok Siung (Jordan) Tan
Madeline Tan
Natasha Theoharous
Christopher Thorpe
Lu Tian
Julianne Ting
Ming Yew (Jeffery) Ting
Siew Ing (Jenny) Ting
Ruth Tjitra
Ivan Tjongkono
Lyn Tran 148
Wing Yee (Venus) Tse
Ping Ping Tung
141
072
142
143
144
145
073
074
146
056
147
Chien Fu (Jim) Wang
Callum Watson
Ella Webb
Danielle Webster
Bradley Whitwell
Willyanto Widjaja
Roger Wilkie
Beth Nellie Wilkinson
Hei Man (Remi) Wong
William Wong
Janice Wu
Jennifer Wu
076
149
150
057
151
152
077
153
078
154
155
156
Xina Xia
157
Vicky Yi Yang
Felicia Yee
Xi Yi
Valerie Alexandra Yuwono
158
079
087
159
Jayden Zernich
Helen Zhang
034
080
075
175
178
Acknowledgements
Steering Committee
Associate Professor Arthur De Bono
Jennifer Clark
Kit Wise
Martin Taylor
Patrick Tan
Dr. Vince Dziekan
Student Committee
Adelle Mackay
Angela Park
Christopher Thorpe
Clair Murdoch
Claire Virgona
Emily Shannon
Gabriella Calandro
George Ellis
Hamit Kuralkan
Holly Byers
Isabelle Stoner
Jake Carter
Lea Gilbert
Lisa Rus
Rebecca Rowe
Remi Wong
Roger Wilkie
Scarlett Snowden
Trinca Prudence
Catalogue Design & Layout
Notes
Ania Przybycien
www.designbyania.com
Paper supplied by
K.W Doggett Fine Paper
www.kwdoggett.com.au
Fine Arts Photography
Jessie Imam
DVD Coordination
Printed in Australia by Ego
www.egoprint.com
Roger Wilkie
Special thanks to
Celine Bowler
Gene Bawden
Jim Boyle
Lindsay Davies
Louise Zygier
Michelle Gadd
Priscilla Chow
Sue Gold
Cover Life
Catalogue Pages Hanno Art
Catalogue Typeset in Jigsaw

Design - Monash University

Transcription

Similar documents

COMPUTER SCIENCE

SW02400001K

Page 14 - Fruitport Area News

Frontiers In Life Science Bachelor

When Colette Foisy-Doll arrived in Qatar last year

bachelor of interior design - RCC Institute Of Technology

Entrance requirements - United States International University

Make a - International University of Grand

AcAdemic AppArel bAchelor pAckAge on SAle noW

academy of design - RCC Institute Of Technology