Relix`s Laminated interview with Anna – January 2002
Transcription
Relix`s Laminated interview with Anna – January 2002
Some actually found them and upon listening were blown away as they were grooving to the Seapods, which then seamlesslysegued right into Neil Diamond's "Coming to America." sGenes For those of you scoring at home, our 'Ask The Doctor" column has morphed into "Laminated." Why? Well, rather than have you ask us questions, we thought it would be far more edi$'ing and entertaining for us to do the asking. This section will focus on behind-the-scenesinquiries as we share allaccesslaminates. In the issuesto come, look for a personal tale or two of my own (for instance, the story behind Butch Trucks' backstage phone call that saved a SIip set during the 1999 fambands.com tour). Of course) if you have any suggestions regarding topics and interview subjects, please email [email protected]. For starters, we decided to ask a few folks about promotions. People are all too happy to crow about successfi.;l promotional ideas,but we were curious to hear about some failures. Jammy award winner E{orvi* Set*leeg long-time talent buyer at New York'sLion's Den (www.cegmusic.com), sharesone of his worst... Schnee: On a really cold, snowy night a few years ago, I saw about 40-50 people dressedin Santa Claus outfits walking around the neighborhood of the Lion's Den. We were relatively empty due to the cold weather so I walked up to them and told them I'd cut the cover in half for eachone if theyall came in.When theygot to the door, they all started chanting loud and obnoxiously,"Santas payno cover! Santaspay no coverl" I rea"lizedthat the only way that they were going to stop chanting and agreeto come in was if we let them all in for fiee. I agreed, which was a big mistake. The Santasbecame more like Satansonce inside. They tormented everyone inside the club, especiallythe band on stage. In fact, many of them jumped onstage while the band was performing. It took at least a half hour to get them to leave. Chnis Zai"rn, long-time Wetlands talent buyer and currently the force behind Intransonic (www.intransonic.com), also answersthis one... Zahn: I came up with this idea to do a phony 8-track release party for the Ominous Seapods.I bought 500 used 8tracks down in New Orleans and out O m in ou s Se ap odss t ick e rso v e r t h e e x lsr ing labels. The ploy was that every fan who came in would get a free "Seapod" Strack, but in reality, it was just crappy Carpenters or Neil Diamond (or one of many other revolting'70s soft-rock titles). I thought it would go over big, but it seemed to really confuse the Podheads. Fans wanted to know if it was ever going to come out on CD. The Seapods'ile*a &{*n{eitfu chimesin... Monteith: I was psyched. It was so absurd that the New York Post,one of most classically-mutated newspapers, spilled some ink about it. Zahnhad the B-tracks sent uD to us wherewe stickeredrhem.We also *anted to go the extra step and actually get Seapods onto the B-tracks so we found an 8-track piayer with a recording function (I believe that it was Tom's lbassist Tom Pirozzil father's). The 8-track recorder had no compatible inputs with anyonet stereo so we took a box, a microphone and a Seapods bootleg and pressed play on the box and record on the 8-track and then let it roll. So we actually had 8-tracks featuring some live Seapodsand whatever was going on at "The Grunge" [the band house] at the time. Zahn is right; most peopie were confused,but a few curious fans actually cruised garage salesfor 8-track machines in order to listen to that beautiful medium of musical enioyment. I was also interested(and mildly frightened) to learn what is left behindfollowing a musicalfestival So I asked ,A*tyc*8*ofsi1r.; coowner and manager of Clean Vibes (www.cleantibes.com) to identify some of the more interesting items her organization has found when cleaning up after festivals oyer the past few years. Clean Vibes, a company "dedicatedto responsibleon-site wastemanagement of outdoor festivals and events," has worked at many notable fests, including the Phish 2000 NYE show, Gathering of rhe Vibes, Camp Creek and the Berskhire Mountain Music Festival. Borofsky: My personal grand groundscore would most definitely be my dog, Oz. He was abandoned at the Oswego Phish festival in luly of '99. He wandered around the site for three days following the festival and by Wednesday he was not really responding to humans anymore. I spent an hour coaxing him towards me, then something clicked in him and I gained his trust. He hasn't left my side since.I spent hours on the phone trying to locate an owner but without success. Unfortunately, Oz is not the only dog we have found Ieft behind at shows; it's all too common an occurrence. Oz, however, is a huge assetto the Clean Vibes crew when he is around to help out with post-show clean ups because he takes care of all the leftover food on the entire site. Beyond that the list includes: an entire car which was ieft at Camp Creek; golf tees and parts of golf clubs; love letters to band members; week-old raw meat (can you say MAGGOTS!?); a ponytail detached from f or m er o w ne r i p l as t ic m a nn eq uin s; a n averageof about 25 hibachis per show; an almost full deck of x-rated playing cards; the remains from the folks who decided to bring their own toilet, complete with fivegallon bucket and toilet seat (and they couldn't be bothered to dispose of their own). This is a definite least-favorite find. After all, as we say in Clean Vibes, we might talk a lot of trash, but you will never catch us talkins sh*t! r . 67 www.relix.com