Exhibition list of works - Art Gallery of South Australia

catalog u e of works
The following checklist lists all the works included
in the exhibition and is presented in alphabetical order.
Measurements are given in centimetres, height before width.
Provenance information is given where known, with reference
to Lugt, the standard catalogue for collectors’ marks, if a mark
appears on the work. Standard catalogue raisonné references
for the works have been included, where these exist. The
abbreviation ‘B’ refers to Adam Bartsch, Le Peintre Graveur,
Leipzig, 1854–76, followed by the volume number, page
number and catalogue number. Therefore, B.XVIII.192.17 is
Bartsch vol. 18, p. 192, no. 17. For prints that exist in more
than one state, the state of the impression is listed, for example,
ii/iv meaning second state of four.
Cherubino ALBERTI, Italy, 1553–1615
after MICHELANGELO Buonarroti, Italy, 1475–1564
Seated man with drapery
c.1573, Rome
published 1573 by Antonio Lafreri, Rome
engraving on paper
32.4 x 22.3 cm (plate & sheet)
Not signed. Dated in plate bot.c., “1573”.
Bequest of David Murray 1908
084G1989
cat. rais. B.XVII.105.149
prov.
i/ii
David Murray (1829–1907), Adelaide.
Stefano della BELLA, Italy, 1610–1664
Entrance of the Polish ambassador into Rome
27 November 1633, 1633, Rome
etching on paper
15.5 x 42.6 cm (plate)
17.3 x 44.0 cm (sheet)
Signed and dated in plate, l.l., “Stefano della Bella”;
c., “...MDCXXXIII”.
Gift of Margaret Bennett, Pam McKee, Marion Wells
and Janet Worth through the Art Gallery of South
Australia Foundation Collectors’ Club 2009
20097G134(a)
cat. rais. De
prov.
Vesme & Massar (1971) 44 i/iii
etching on paper
14.7 x 42.0 cm (plate)
16.8 x 43.5 cm (sheet)
Not signed. Not dated.
Gift of Margaret Bennett, Pam McKee, Marion
Wells and Janet Worth through the Art Gallery of
South Australia Foundation Collectors’ Club 2009
20097G134(d)
cat. rais. De
Vesme & Massar (1971) 47 i/iii
Sale Sotheby’s, New York, 13 May 1987;
purchased from Hill-Stone, New York.
Entrance of the Polish ambassador into Rome
27 November 1633, 1633, Rome
etching on paper
15.5 x 42.7 cm (plate)
16.7 x 43.6 cm (sheet)
Not signed. Not dated.
Gift of Margaret Bennett, Pam McKee, Marion Wells
and Janet Worth through the Art Gallery of South
Australia Foundation Collectors’ Club 2009
etching on paper
15.6 x 42.5 cm (plate)
16.9 x 43.5 cm (sheet)
Not signed. Not dated.
Gift of Margaret Bennett, Pam McKee, Marion
Wells and Janet Worth through the Art Gallery of
South Australia Foundation Collectors’ Club 2009
cat. rais. De
cat. rais. De
20097G134(b)
prov.
Sale Sotheby’s, New York, 13 May 1987;
purchased from Hill-Stone, New York.
Entrance of the Polish ambassador into Rome
27 November 1633, 1633, Rome
prov.
Entrance of the Polish ambassador into Rome
27 November 1633, 1633, Rome
Vesme & Massar (1971) 45 i/iii
Sale Sotheby’s, New York, 13 May 1987;
purchased from Hill-Stone, New York.
Entrance of the Polish ambassador into Rome
27 November 1633, 1633, Rome
etching on paper
15.5 x 42.5 cm (plate)
17.0 x 43.5 cm (sheet)
Not signed. Not dated.
Gift of Margaret Bennett, Pam McKee, Marion Wells
and Janet Worth through the Art Gallery of South
Australia Foundation Collectors’ Club 2009
20097G134(e)
cat. rais. De
prov.
Vesme & Massar (1971) 48 i/iii
Sale Sotheby’s, New York, 13 May 1987;
purchased from Hill-Stone, New York.
20097G134(c)
prov.
Vesme & Massar (1971) 46 i/iii
Sale Sotheby’s, New York, 13 May 1987;
purchased from Hill-Stone, New York.
Entrance of the Polish ambassador into Rome
27 November 1633, 1633, Rome
etching on paper
15.2 x 50.0 cm (plate)
17.0 x 51.5 cm (sheet)
Not signed. Not dated.
Gift of Margaret Bennett, Pam McKee, Marion
Wells and Janet Worth through the Art Gallery of
South Australia Foundation Collectors’ Club 2009
20097G134(f)
cat. rais. De
prov.
Vesme & Massar (1971) 49 i/iii
Sale Sotheby’s, New York, 13 May 1987;
purchased from Hill-Stone, New York.
Stefano della BELLA, Italy, 1610–1664
Stefano della BELLA, Italy, 1610–1664
Bartolomeo BISCAINO, Italy, 1629–1657
Moses rescued from the Nile
Polish hussar with wings
A child teaching a dog to sit
from the series Black, Polish and Hungarian cavaliers
c.1651, published 1651, Florence
etching on paper
17.7 x 17.9 cm (plate & sheet)
Signed in plate l.r., ‘S.D.Bella.”. Not dated.
Bequest of David Murray 1908
20094G47
084G2258
cat. rais. De
prov.
Vesme & Massar (1971) 276 i/i
cat. rais. De
prov.
David Murray (1829–1907), Adelaide.
Child carrying a puppy on his left shoulder
c.1655–60, Florence
etching, drypoint, lavis on paper
14.8 x 13.6 cm (plate), 15.1 x 14.2 cm (sheet)
Signed in plate l.l., “S.D. Bella”. Not dated.
V.B.F. Young Bequest Fund 2009
20094G48
cat. rais. De
prov.
1655–60, Florence
etching, drypoint, lavis on paper
14.2 x 11.2 cm (plate), 16.0 x 11.6 cm (sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
Vesme & Massar (1971) 99 iii/iii
Purchased from Hill-Stone, New York.
Vesme & Massar (1971) 98 ii/iii
ErnestThéophile Devaulx (1831–1901), Paris
(Lugt 670); purchased from Hill-Stone, New
York.
084G1932
cat. rais. B.XXI.183.2;
prov.
TIB 4718.002.S2
David Murray (1829–1907), Adelaide.
Bernardo BELLOTTO, Italy/Poland, 1721–1780
Niccolò BOLDRINI, Italy, active 1530–70
after Tiziano Vecellio called TITIAN
Italy, c.1485/90–1576
A view of Padua from the fortifications, seen
through arches
Samson and Delilah
from the series Italian landscapes, c.1742, Venice?,
printed 1762–66, Dresden
etching, watercolour on paper
14.7 x 20.4 cm (plate)
16.0 x 21.7 cm (sheet)
Signed in plate l.l., “Bernardo Beloto detto [reverse]”.
Not dated.
Bequest of David Murray 1908
084G2637
cat. rais. De
prov.
mid-1650s, Genoa
etching on paper
18.9 x 23.7 cm (plate & sheet)
Signed in plate, l.l., “BISCAINVS/ GENV.SIS F”.
Not dated.
Bequest of David Murray 1908
Vesme (1906) 6; Kozakiewicz (1972) 48
David Murray (1829–1907), Adelaide.
c.1540–45, Venice
woodcut on paper
31.4 x 51.0 cm (image & sheet)
Not signed. Not dated.
Bequest of David Murray 1908
084G1955
cat. rais. Rosand
prov.
& Muraro (1976) 39
David Murray (1829–1907), Adelaide.
Niccolò BOLDRINI, Italy, active 1530–70
after Tiziano Vecellio called TITIAN
Italy, c.1485/90–1576
Giovanni Antonio da BRESCIA, Italy, c.1460–c.1520 attributed to Giovanni BRITTO
Italy, active 1530–50
after PREMIER ENGRAVER, Italy, c.1431–1506
after Tiziano Vecellio called TITIAN
after Andrea MANTEGNA, Italy, 1430/31–1506
Italy, c.1485/90–1576
Landscape with a milkmaid
Venus and Cupid
1566, Venice
woodcut on paper
31.6 x 23.6 cm (plate), 31.7 x 23.8 cm (sheet)
Signed and dated, in block, l.l., “TITIANVS INV/
Nicolans Boldrinus/ Vincentinus inci/ debat. 1566”.
Bequest of David Murray 1908
084G1957
cat. rais. B.XII.126.29
prov.
i; Rosand & Muraro (1976) 72B
Hercules and Antaeus
1507 or later (later impression), Mantua?
engraving on paper
24.9 x 17.1 cm (trimmed within platemark)
Signed in plate u.r., “I0.AN.BX.”. Not dated.
Bequest of David Murray 1908
084G1565
084G1953
cat. rais. Rosand
& Muraro (1976) 21; see also Paris
(1993) 210
prov.
cat. rais. B.
XIII. 324.13; TIB 2511.018a; Hind (1948)
V.36.3; Sheehan in Washington (1973) 88;
Boorsch in Martineau (1992) 87 ii/ii
David Murray (1829–1907), Adelaide.
Giulio BONASONE, Italy, c.1510–after 1576
after MICHELANGELO Buonarroti
Italy, 1475–1564
c.1525, Venice
woodcut on paper
37.3 x 52.8 cm (image & sheet)
Not signed. Not dated.
Bequest of David Murray 1908
prov.
Benjamin Robert Haydon (1786–1846),
London (Lugt 412); David Murray (1829–
1907), Adelaide.
David Murray (1829–1907), Adelaide.
Giovanni Antonio da BRESCIA
Italy, c.1460–c.1520
after Marcantonio RAIMONDI
Italy, c.1407/82–1527/34
Jacques CALLOT, France/Italy, 1592–1635
Frontispiece
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.0 x 9.0 cm (trimmed within platemark)
Signed, engraved in plate l.l., “Jac Callot in. fec.”.
Not dated.
V.B.F. Young Bequest Fund 2009
20093G28
cat. rais. Lieure
Woman watering a plant (Grammar)
Last Judgement
c.1546, Rome
engraving on paper
59.0 x 44.7 cm (plate & sheet)
Signed in plate, l.l., “IVLIVS Bonsonius ...”.
Not dated.
Gift of Gary and Michael Morgan 2009
20096G93
cat. rais. B.XV.132.80;
TIB 2803.080.52 Massari (1983)
79 ii/vi
prov.
Gary Morgan (b. 1945), Adelaide.
prov.
(1924–27) 379 i/iii
Purchased from David Tunick, New York.
c.1510s, Rome
engraving on paper
21.3 x 13.6 cm (trimmed within platemark)
Not signed. Not dated.
David Murray Bequest Fund 1949
4910G162
cat. rais
B.XIII. 329.21; TIB 2511.034.S1; Hind (1948)
V.46.30 i/ii (trimmed)
prov.
Purchased from P. & D. Colnaghi, London,
on the advice of Harold Wright and Malcolm
Osborne.
Jacques CALLOT, France/Italy, 1592–1635
Cucorongna and Pernoualla
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.1 x 8.3 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
20093G11
Cicho Sgarra and Collo Francisco
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.2 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
20093G14
cat. rais.
Lieure (1924–27) 380 i/ii
cat. rais. Lieure
prov.
Purchased from David Tunick, New York.
prov.
Cap. Ceremonia and Sig. Lavinia
(1924–27) 383 i/ii
Riciulina and Metzetin
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.3 x 9.2 cm (plate), 7.5 x 9.3 cm (sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
20093G17
cat. rais. Lieure
prov.
(1924–27) 386 i/ii
Purchased from David Tunick, New York.
Purchased from David Tunick, New York.
Gian Fritello and Ciurlo
Pullicinello and Sig. Lucretia
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.3 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.3 x 9.1 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.6 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
cat. rais. Lieure
cat. rais. Lieure
cat. rais. Lieure
20093G12
prov.
(1924–27) 381 i/ii
Purchased from David Tunick, New York.
Smaraolo Cornuto and Ratsa di Boio
20093G15
prov.
(1924–27) 384 i/ii
Purchased from David Tunick, New York.
Guatsetto and Mestolino
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.0 x 8.9 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.1 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
cat. rais. Lieure
cat. rais. Lieure
20093G13
prov.
(1924–27) 382 i/ii
Purchased from David Tunick, New York.
20093G16
prov.
20093G18
prov.
(1924–27) 387 i/ii
Purchased from David Tunick, New York.
Cap. Spessa Monti and Bagattino
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.4 x 9.2 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
20093G19
(1924–27) 385 i/ii
Purchased from David Tunick, New York.
cat. rais. Lieure
prov.
(1924–27) 388 i/ii
Purchased from David Tunick, New York.
Jacques CALLOT, France/Italy, 1592–1635
Scaramucia and Fricasso
Cap. Esgangarato and Cap. Cocodrillo
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.1 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.1 x 9.2 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
cat. rais. Lieure
cat. rais. Lieure
20093G20
prov.
(1924–27) 389 i/ii
Purchased from David Tunick, New York.
Scapino and Cap. Zerbino
20093G23
prov.
(1924–27) 392 i/ii
Purchased from David Tunick, New York.
Cap. Malagamba and Cap. Bellavita
Fracischina and Gian Farina
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.3 cm (plate & sheet)
V.B.F. Young Bequest Fund 2009
20093G26
cat. rais. Lieure
prov.
(1924–27) 395 i/ii
Purchased from David Tunick, New York.
Bello Sguardo and Coviello
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.1 x 9.2 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.4 x 9.7 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.3 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
20093G21
20093G24
cat. rais. Lieure
cat. rais. Lieure
cat. rais. Lieure
prov.
(1924–27) 390 i/ii
Purchased from David Tunick, New York.
prov.
(1924–27) 393 i/ii
Purchased from David Tunick, New York.
20093G27
prov.
(1924–27) 396 i/ii
Purchased from David Tunick, New York.
Cap. Bonbardon and Cap. Grillo
Cap. Babeo and Cucuba
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.2 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.2 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.3 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
cat. rais. Lieure
cat. rais. Lieure
20093G22
20093G25
cat. rais. Lieure
prov.
(1924–27) 391 i/ii
Purchased from David Tunick, New York.
prov.
(1924–27) 394 i/ii
Purchased from David Tunick, New York.
Razullo and Cucurucu
20093G29
prov.
(1924–27) 397 i/ii
Purchased from David Tunick, New York.
Jacques CALLOT, France/Italy, 1592–1635
Pasquariello Truonno and Meo Squaguava
Antonio Canal, called CANALETTO, Italy, 1697–1768
Franca Trippa and Fritellino
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.2 x 9.3 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.3 x 9.1 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
cat. rais. Lieure
cat. rais. Lieure
20093G30
prov.
(1924–27) 398 i/ii
Purchased from David Tunick, New York.
Sig. Lucia and Trastullo
20093G33
prov.
(1924–27) 401 i/ii
Purchased from David Tunick, New York.
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.1 x 9.3 cm (trimmed within platemark)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
cat. rais. Lieure
cat. rais. Lieure
prov.
(1924–27) 399 i/ii
Purchased from David Tunick, New York.
from the series Vedute (Views), c.1740–44, Venice, Italy
etching on paper, 29.9 x 42.9 cm (plate), 41.6 x 58.5 cm (sheet)
Signed in plate l.l., “A. Canal f.”. Not dated.
Morgan Thomas Bequest Fund 1964
6412G41
cat. rais. De
prov.
Vesme (1906) 2 i/ii; Bromberg (1971) 2 ii/iii
Purchased from Craddock & Barnard, London.
Taglia Cantoni and Fracasso
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.5 x 9.6 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
20093G31
The tower of Marghera
20093G34
prov.
(1924–27) 402 i/ii
Purchased from David Tunick, New York.
View of a town on a river bank
from the series Vedute (Views), c.1740–44, Venice, Italy
etching on paper, 29.8 x 42.8 cm (plate), 32.0 x 45.5 cm (sheet)
Signed in plate bot.c., “A. Canal f”. Not dated.
David Murray Bequest Fund 1949
4910G164
cat. rais. De
prov.
after Domenico CAMPAGNOLA, Italy, 1500–1564
Vesme (1906) 9 ii/ii; Bromberg (1971) 9 ii/ii
Purchased from Craddock & Barnard, London
on the advice of Harold Wright and Malcolm
Osborne.
Cap. Cardoni and Maramao
from the series Balli di Sfessania (Dances of Sfessania)
c.1622, Nancy, France
etching on paper
7.1 x 9.1 cm (plate & sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 2009
20093G32
cat. rais. Lieure
prov.
(1924–27) 400 i/ii
Purchased from David Tunick, New York.
Landscape with a couple gathering fruit
c.1540–45, Venice
woodcut on paper, 36.9 x 51.2 cm (image & sheet)
Not signed. Not dated.
Bequest of David Murray 1908
084G1956
from the series Vedute (Views), c.1740–44, Venice
etching on paper, 30.3 x 43.2 cm (plate), 39.3 x 54.3 cm (sheet)
Signed in plate bot.c., “A. Canal f.v.”. Not dated.
V.B.F. Young Bequest Fund 2009
20094G46
cat. rais. Rosand
prov.
The portico with a lantern
& Muraro (1976) 30
Samuel Leith (1800–1857) Edinburgh,
Scotland (Lugt 1767); David Murray
(1829–1907), Adelaide.
cat. rais. De
prov.
Vesme (1906) 10 i/ii; Bromberg (1974) 10 ii/iii
Private collection, California U.S.A. (R.E. Lewis?
from 1950s); purchased from David Tunick,
New York.
Ugo da CARPI, Italy, active c.1502–32
Giulio CARPIONI, Italy, 1613–1678
Agostino CARRACCI, Italy, 1557–1602
after Andrea BOSCOLI?, Italy, c.1560–1608
after Bernardo BUONTALENTI, Italy, c.1523–1608
Venus with Amorini chasing a hare
1510–30, Rome
chiaroscuro woodcut printed in black and three
shades of green/yellow ink on paper
26.8 x 40.7 cm (oval, image & sheet)
Signed in block bot.c., “PER.VGO/ DA CARPO”.
Not dated.
Bequest of David Murray 1908
084G1806
cat. rais. B.
prov.
XII.107.3; Johnson (1982) rejected
David Murray (1829–1907), Adelaide.
Apollo and the Python
The penitent Magdalen
c.1640s, Verona?
etching on paper
20.0 x 14.2 cm (trimmed within platemark)
Signed in plate, l.r., “CARPIONI VENE/ FEC.”.
Not dated.
Bequest of David Murray 1908
1589–92, Florence?
etching, engraving on paper
23.8 x 33.8 cm (trimmed within platemark)
Signed in plate l.r., “Carracius fe.”. Not dated.
Bequest of David Murray 1908
084G1626
cat. rais. B.XVIII.106.122;
TIB 3901.187.S1 or S3;
DeGrazia Bohlin (1979) 154 (sheet trimmed)
prov.
David Murray (1829–1907), Adelaide.
084G2154
cat. rais. B.XX.184.10;
prov.
TIB 4504.010 S1; Pilo (1961) 10
David Murray (1829–1907), Adelaide.
Ugo da CARPI, Italy, active c.1502–32
after Baldassarre PERUZZI, Italy, 1481–1536
Agostino CARRACCI, Italy, 1557–1602
St Anthony of Padua
Hercules chasing Avarice from the Temple of the
Muses, c.1516–17, Rome
chiaroscuro woodcut printed in black
and beige inks on paper
29.8 x 22.7 cm (image), 30.0 x 22.9 cm (support)
Signed in block, l.l., “BAL.SEN”; l.r., “PERVGO”.
Not dated.
David Murray Bequest Fund 1949
4910G163
cat. rais. B.XII.133.12.ii/ii;
prov.
Johnson (1982) 5 i/i
Purchased from P. & D. Colnaghi & Co.,
London, on the advice of Harold Wright and
Malcom Osborne.
c.1640s, Verona?
etching on paper
20.5 x 14.1 cm (trimmed within platemark)
Signed in plate, l.l., “CARPIONI VENETO”.
Not dated.
Bequest of David Murray 1908
084G2156
cat. rais. B.XX.185.11;
TIB 4504.011; Calabi (1924)
i/iii; Pilo (1961) 15
prov.
David Murray (1829–1907), Adelaide.
Fan or A headpiece in the form of a fan
c.1589–95, Florence?
engraving on paper
36.2 x 25.0 cm (plate & sheet)
Signed in plate l.l., “August. Carrazza
Inv. e.fe.” Not dated.
Bequest of David Murray 1908
084G1630
cat. rais. B.XVIII.149.260;
TIB 3901.188 S2; DeGrazia
Bohlin (1979) 193 ii/ii
prov.
David Murray (1829–1907), Adelaide.
Agostino CARRACCI, Italy, 1557–1602
Annibale CARRACCI, Italy, 1560–1609
Giovanni Benedetto CASTIGLIONE
Italy, 1609–1664
Venus and a satyr
Venus punishing Profane Love
after 1590–95, Italy
engraving on paper
15.4 x 11.3 cm (plate)
16.0 x 12.0 cm (sheet)
Not signed. Not dated.
Bequest of David Murray 1908
1592, Bologna
etching, engraving on paper
15.8 x 22.7 cm (plate)
15.8 x 22.9 cm (sheet)
Signed and dated in plate l.l., “1592. A.C.”
Bequest of David Murray 1908
084G1628
cat. rais. B.XVIII.192.17;
TIB 3906.016; DeGrazia
Bohlin (1979) 17
prov.
David Murray (1829–1907), Adelaide.
from the series Small studies of heads in oriental
headress
1645–50, Genoa or Rome
etching on paper
11.3 x 8.5 cm (plate & sheet)
Not signed. Not dated.
Purchased from the Estate of David Murray 1909
097G1574
cat. rais. B.XXI.32.46;
084G1639
prov.
cat. rais. B.XVIII.109.135,
copy; TIB 3901.209 C2;
DeGrazia Bohlin (1979) 182, copy 2
prov.
Man holding a large banderole
TIB 4602.046.S1
David Murray (1829–1907), Adelaide.
David Murray (1829–1907), Adelaide.
Agostino CARRACCI, Italy, 1557–1602
after Federico BAROCCI, Italy, 1535–1612
Aeneas and his family fleeing Troy
1595, Rome
engraving on paper
40.4 x 52.2 cm (plate & sheet)
Signed and dated in plate l.r., “Ago. Car./ Fe/ 1595”;
l.l., “Augustinus Carracci”.
Bequest of David Murray 1908
084G1646
cat. rais. B.XVIII.99.110;
TIB 3901.192; DeGrazia
Bohlin (1979) 203 i/i
prov.
David Murray (1829–1907), Adelaide.
The Drunken Silenus (The Tazza Farnese)
1597–1600, Rome
engraving on paper
22.5 cm (diam.) (trimmed within platemark)
Not signed. Not dated.
Bequest of David Murray 1908
084G1629
cat. rais. B.XVIII.193.18;
TIB 3906.018; DeGrazia
Bohlin (1979) 19
prov.
William Sharp (19th century), Manchester,
England (Lugt 2650); David Murray
(1829–1907), Adelaide.
The philosopher Diogenes searching for an honest
man
c.1645–47, Genoa; published c.1648 by
Giandomenico de Rossi, Rome
etching on paper
21.9 x 30.8 cm (plate)
23.6 x 32.5 cm (sheet)
Signed in plate l.l. “G. BENED CASTgLIOnVS/ in.
P.”. Not dated.
Purchased from the Estate of David Murray 1909
097G1578
cat. rais. B.XXI.20.21;
prov.
TIB 4602.021.S2; Percy (1971)
E15
David Murray (1829–1907), Adelaide.
Giovanni Benedetto CASTIGLIONE
Italy, 1609–1664
CLAUDE Lorrain
France/Italy, 1604/05–1682
Cornelis CORT
The Netherlands, 1533–before 1578
after Federico ZUCCARO, Italy, 1543–1609
The Nativity with God the Father and angels
after 1647, Rome
etching on paper
20.4 x 40.2 cm (plate), 20.8 x 40.4 cm (sheet)
Signed in plate, c.r., “GENOVESE/CASTIGLIONE/
p”. Not dated.
V.B.F. Young Bequest Fund 2009
Le Campo Vaccino (The Roman Forum)
1636, Rome
etching on paper
cat. rais. B.XXI.13.7; TIB 4602.007.S1; Percy (1971) E18 19.8 x 26.1 cm (plate)
20.9 x 27.3 cm (sheet)
prov.
Purchased from Helmut Rumbler, Frankfurt,
Signed and dated in image l.r., “CLAUDIO/1636/
Germany.
ROMAE”; l.l., “C.L. I”
Gift of the Art Gallery of South Australia
Foundation 1989
20096G55
893G3
cat. rais. R–D
prov.
(1835) 23; Mannocci (1989) 17 v/ix
Lino Mannocci (b.1945) London; purchased
from Thomas Agnew & Sons, London.
Justice rewarding the worthy
1566, Rome; published by Antonio Lafreri, Rome
engraving on paper
26.1 x 31.5 cm (plate & sheet)
Signed and dated in plate: l.l. “Fed.cus Zuccarus
Urbin.’ Invent.”; bot.c. “1566”.
Bequest of David Murray 1908
084G278
cat. rais. Holl.
prov.
V.59.223; New Holl. 156 i/ii
David Murray (1829–1907), Adelaide.
Giuseppe DIAMANTINI
Italy, 1621–1705
Head of a young man in a feathered hat
(so-called Self-portrait of Castiglione)
late 1640s, Rome
etching on paper
14.3 x 11.8 cm (trimmed within platemark)
Not signed. Not dated.
Purchased from the Estate of David Murray 1909
097G1575
cat. rais. B.XXI.27.31;
TIB 4602.031 (sheet trimmed);
Percy (1971) E19
prov.
David Murray (1829–1907), Adelaide.
Shepherd and shepherdess conversing in a landscape
late 1650s, Rome
etching on paper
20.0 x 26.3 cm (plate & sheet)
Not signed. Not dated.
d’Auvergne Boxall Bequest Fund 1964
6412G56
cat. rais. R–D
(1835) 21 ii/vi; Mannocci (1988) 41
iii/vii
prov.
Purchased from Craddock & Barnard,
London.
Bacchus, Ceres and Venus
1690s?, Venice
etching on paper
25.9 x 17.4 cm (plate & sheet)
Signed in plate l.r., “Joseph Diamantini D.D.D.”.
Not dated.
Bequest of David Murray 1908
084G2417
Circe with companions of Ulysses changed into animals,
1650–51, Rome
etching on paper
21.8 x 31.0 cm (plate), 31.0 x 46.3 cm (sheet)
Signed in plate l.r., “G.BENED. CASTILIONUS/
GENOVENSIS IN Pin”. Not dated.
V.B.F. Young Bequest Fund 2009
cat. rais. B.XXI.281.27;
TIB 4730.027;
Calabi (1936) 38
prov.
David Murray (1829–1907), Adelaide.
20096G56
cat. rais. B.XXI.21.22;
prov.
TIB 4602.022.S1; Percy (1971) E.23
Purchased from Helmut Rumbler, Frankfurt,
Germany.
Gianantonio FALDONI, Italy, 1689–c.1770
after Sebastian RICCI, Italy, c.1659–1734
The Holy Family
Giorgio GHISI, Italy, 1520–1582
after Giulio ROMANO, Italy, 1499?–1546
The Death of Procris
c.1720–70, Venice
engraving, etching on paper
30.0 x 41.2 cm (plate), 31.0 x 42.0 cm (sheet)
Signed in plate l.l., “Sebast. Ricci inv. et pinxit”; l.r.,
“L. Ant. Faldoni Sculpsit”. Not dated.
Bequest of David Murray 1908
c.1540, Rome or Mantua; published by Antonio
Lafreri, Rome
engraving on paper
39.6 x 57.1 cm (plate), 39.6 x 57.4 cm (sheet)
Signed in plate bot. c. “G. MAF.” in monogram.
Not dated.
Bequest of David Murray 1908
cat. rais. Nagler
cat. rais. B.XV.409.61;
084G2523
prov.
(1835–52) IV.448
David Murray (1829–1907), Adelaide.
Giuliano GIAMPICCOLI
Italy, 1703–1759
084G1821
prov.
Boorsch/Lewis (1985) 5 vii/x
David Murray (1829–1907), Adelaide.
A scholar with a picture of a mythical being
instructing the animals
c.1735–59, Venice
engraving, etching on blue paper
12.2 x 7.0 cm (trimmed within platemark)
Signed in plate, l.r., “Guili Giampicoli”.
Not dated.
Bequest of David Murray 1908
084G2696
cat. rais. See
prov.
Nagler (1835–52) V.430
David Murray (1829–1907), Adelaide.
Giovanni Francesco GRIMALDI
Italy, 1606–1680
Paolo FARINATI, Italy, 1524–1606
The colossal busts
Allegorical figure holding a sphere
Venus and Cupid
1566, Verona
etching, engraving on paper
26.8 x 25.7 cm (plate & sheet)
Signed and dated in plate l.r. “.1566..P.F.”
Bequest of David Murray 1908
084G1928
cat. rais. B.XVI.166.6
prov.
10
David Murray (1829–1907), Adelaide.
mid-1560s, Antwerp, Belgium?
engraving on paper
24.4 x 13.6 cm (trimmed within platemark)
Signed in plate bot. c. “G MF.” in monogram.
Not dated.
Bequest of David Murray 1908
084G1837
cat. rais. B.XV.399.34;
prov.
Boorsch/Lewis (1985) 38 i/i
David Murray (1829–1907), Adelaide.
c.1630s, Rome
etching on paper
19.3 x 19.1 cm (plate)
20.0 x 19.6 cm (sheet)
Signed in plate, l.l. “Gio Franc.co Grimaldi Bolognese
inv et fec”. Not dated.
South Australian Government Grant 1990
903G35
cat. rais. B.XIX.86.1;
prov.
Bellini (1976) 1
Hugh Howard (1675–1737), London
(according to inscriptions on verso Sale
Sotheby’s 12 December 1873 part of lot
731); purchased from Christopher Mendez,
London.
Giovanni Francesco GRIMALDI
Italy, 1606–1680
MASTER OF THE DIE, Italy, active 1530–60
after Baldassarre PERUZZI, Italy, 1481–1536
Giuseppe Maria MITELLI, Italy, 1634–1718
after Annibale CARRACCI, Italy, 1560–1609
Landscape with figures at the right
1643, Rome
etching on paper
27.7 x 38.5 cm (plate)
28.7 x 39.2 cm (sheet)
Not signed. Dated in plate, l.l. “1643”.
V.B.F. Young Bequest Fund 2005
20057G92
cat. rais. B.XIX.107.41;
prov.
Bellini (1974) 43 i/ii
Purchased from Christopher Mendez,
London.
Neighbouring rivergods consoling Peneus
on the loss of his daughter
from the series The story of Apollo and Daphne
c.1525–35, Rome
engraving on paper
24.5 x 17.8 cm (bord.)
24.7 x 18.2 cm (sheet)
Signed in plate, l.r., “[monogram]”. Not dated.
Bequest of David Murray 1908
084G1586
cat. rais. B.XV.198.22
prov.
Andrea MANTEGNA, Italy, 1430/31–1506
David Murray (1829–1907), Adelaide.
An onion merchant
plate 28 from the series Di Bologna l’Arti per via
(The Arts of the street in Bologna)
1660, Bologna
etching on paper
28.4 x 19.8 cm (plate & sheet)
Signed in plate l.r. “G M M” in monogram.
Not dated.
Bequest of David Murray 1908
084G2133
cat. rais. B.XIX.304.150;
prov.
Varignana (1978) 28
David Murray (1829–1907), Adelaide.
Giuseppe Maria MITELLI, Italy, 1634–1718
after Annibale CARRACCI, Italy, 1560–1609
Giuseppe Maria MITELLI, Italy, 1634–1718
The street bricklayer
Miser
The entombment
early 1470s, Mantua
engraving on paper
22.7 x 39.6 cm (trimmed within platemark)
Not signed. Not dated.
Bequest of David Murray 1908
084G1562
cat. rais. B.
XIII. 229. 3; Hind (1948) V.10.2;
Washington (1973) 70 iv/iv; Landau in
Martineau (1992) 39 ii/ii
prov.
David Murray (1829–1907), Adelaide.
plate 10 from the series Di Bologna l’Arti per via
(The Arts of the street in Bologna)
1660, Bologna
etching on paper
28.3 x 19.7 cm (plate & sheet)
Signed in plate l.r., “G M M” in monogram.
Not dated.
Bequest of David Murray 1908
plate 2 from the series Twenty four hours of human
happiness (Le Ventiquattr’ hore dell’ humana felicità)
1675, Bologna
etching on paper
27.2 x 19.3 cm (bord.)
27.3 x 19.7 cm (sheet)
Signed in plate l.r., “GM Mitelli.F”. Not dated.
Bequest of David Murray 1908
cat. rais. B.XIX.301.121;
cat. rais. B.XIX.307,
084G2127
prov.
Varignana (1978) 10
David Murray (1829–1907), Adelaide.
084G2125
prov.
additional; Varignana (1978) 143
David Murray (1829–1907), Adelaide.
11
Antonio Maria MONTI
Italy, active Bologna c.1680
Agostino dei MUSI, also known as Agostino
Veneziano, Italy, c.1490–after 1536
after Giulio ROMANO, Italy, 1499–1546
Giovanni Battista PIRANESI, Italy, 1720–1778
The Nativity
Landscape with a square tower and a round tower
plate 3 from the series Idee di Paese
(Thoughts on Landscape)
c.1670–90, Bologna?
etching on paper
24.0 x 23.8 cm (diam.)
30.4 x 24.1 cm (sheet)
Not signed. Not dated.
Bequest of David Murray 1908
1531, Rome
engraving on paper
26.1 x 38.4 cm (plate & sheet)
Signed and dated in plate, l.l., “1531/ A.V”.
David Murray Bequest Fund 1949
4910G210
cat. rais. B.XIV.18.17
prov.
i
Richard Fisher (1809–1890), Hill Top,
Midhurst, England (Lugt 2204); purchased
from P. & D. Colnaghi & Co., London, on
the advice of Harold Wright and Malcolm
Osborne.
084G2328
cat. rais. B.XIX.259.3
prov.
Title plate
plate 1 from the series Carceri d’invenzioni (Imaginary
prisons), c.1749–50 & 1761, Rome; published Second
Edition, Third Issue mid-1760s–early 1770, Rome
etching, engraving, sulphur tint or open bite on paper
54.7 x 41.6 cm (plate), 72.6 x 52.5 cm (sheet)
Signed in plate l.l., ‘Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G1
cat. rais. Focillon
David Murray (1829–1907), Adelaide.
(1918) 24; Hind (1922) 1 iii/iii;
Robison (1986) 29 vii/ix; Wilton-Ely (1994) 26
prov.
Purchased from Craddock & Barnard, London.
Giovanni Battista PIRANESI, Italy, 1720–1778
The skeletons
Rocky landscape with a distant city
plate 9 from the series Idee di Paese
(Thoughts on Landscape)
c.1670–90, Bologna?
etching on paper
23.7 x 24.0 cm (diam.) (plate)
30.5 x 24.1 cm (sheet)
Not signed. Not dated.
Bequest of David Murray 1908
084G2334
cat. rais. B.XIX.260.9
prov.
David Murray (1829–1907), Adelaide.
from the series Grotteschi (Grotesques)
1747–49, published 1750–early 1770s, Rome
etching, drypoint, burnishing on paper
39.5 x 55.5 cm (plate)
50.0 x 62.5 cm (sheet)
Signed in plate, l.r., “Piranesi F.”. Not dated.
V.B.F. Young Bequest Fund 2009
20093G36
cat. rais. Focillon
(1918) 30; Robinson (1986) 21 ii/v;
Wilton-Ely (1994) 21
prov.
Purchased from David Tunick, New York.
The man on the rack
plate 2 from the series Carceri d’invenzioni (Imaginary
prisons), 1761, Rome; published Second Edition, Fourth
Issue – Fifth Issue, mid-1770s–1839, Rome
etching, engraving on paper
55.9 x 41.5 cm (plate), 71.5 x 52.0 cm (sheet)
Signed in plate l.r., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G2
cat. rais. Focillon
(1918) 25; Hind (1922) 2 i/ii; Robison
(1986) 43v/vi; Wilton-Ely (1994) 27
prov.
12
Purchased from Craddock & Barnard, London.
Giovanni Battista PIRANESI, Italy, 1720–1778
The round tower
plate 3 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Second Edition, Fourth Issue – Fifth
Edition, mid-1770s–c.1835, Rome
etching, engraving, sulphur tint or open bite on paper
54.7 x 41.2 cm (plate), 71.4 x 52.7 cm (sheet)
Signed within plate l.l., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G3
cat. rais. Focillon
(1918) 26; Hind (1922) 1 ii/iii; Robison
(1986) 30 v/vi; Wilton-Ely (1994) 28
prov.
plate 5 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome
etching, engraving on paper
56.2 x 41.2 cm (plate), 71.2 x 52.7 cm (sheet)
Signed in plate l.r., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G5
cat. rais. Focillon
(1918) 28; Hind (1922) 5 ii/iii;
Robison (1986) 44 ii/iii; Wilton-Ely (1994) 30
prov.
Purchased from Craddock & Barnard, London.
The grand piazza
plate 4 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Second Edition, Fourth Issue – Fifth Edition,
mid-1770s–c.1835, Rome
etching, engraving, sulphur tint or open bite on paper
54.4 x 41.0 cm (plate), 71.0 x 52.6 cm (sheet)
Signed in plate l.r., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G4
cat. rais. Focillon
(1918) 24; Hind (1922) 4 iii/iii;
Robison (1986) 31 v/iv; Wilton-Ely (1994) 29
prov.
The lion bas-reliefs
Purchased from Craddock & Barnard, London.
Purchased from Craddock & Barnard,
London.
The smoking fire
plate 6 from the series Carceri d’invenzioni (Imaginary
prisons), c.1749–50 & 1761, Rome; published Fourth
Edition (First Paris Edition), 1800–1809, Paris
etching, engraving, sulphur tint or open bite on paper
54.4 x 40.0 cm (plate), 72.0 x 52.5 cm (sheet)
Signed in plate l.l., “Piranesi. F”. Not dated.
Morgan Thomas Bequest Fund 1961
612G6
The drawbridge
plate 7 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Second Edition, Fourth State – Fifth
Edition, mid-1770s–c.1835, Rome
etching, engraving, scratching on paper
54.3 x 41.0 cm (plate), 72.2 x 52.6 cm (sheet)
Signed in plate l.l., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G7
cat. rais. Focillon
(1918) 30; Hind (1922) 7 ii/iii; Robison
(1986) 33 v/vi; Wilton-Ely (1994) 32
prov.
Purchased from Craddock & Barnard, London.
Staircase with trophies
plate 8 from the series Carceri d’invenzioni (Imaginary
prisons), c.1749–50 & 1761, Rome; published Fourth
Edition (First Paris Edition), 1800–1809, Paris
etching, engraving on paper
55.2 x 41.0 cm (plate), 71.8 x 52.5 cm (sheet)
Signed in plate l.l., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G8
cat. rais. Focillon
(1918) 29; Hind (1922) 6 ii/iii;
Robison (1986) 32 vi/vii; Wilton-Ely (1994) 31
cat. rais. Focillon
prov.
Purchased from Craddock & Barnard, London.
prov.
(1918) 31; Hind (1922) 8 ii/iii; Robison
(1986) 34 v/vi; Wilton-Ely (1994) 33
Purchased from Craddock & Barnard, London.
13
Giovanni Battista PIRANESI, Italy, 1720–1778
The giant wheel
plate 9 from the series Carceri d’invenzioni (Imaginary
prisons), c.1749–50 & 1761, Rome; published Fourth
Edition (First Paris Edition), 1800–1809, Paris
etching, engraving on paper
55.2 x 40.4 cm (plate), 71.2 x 52.3 cm (sheet)
Signed in plate l.l., “Piranesi f”. Not dated.
Morgan Thomas Bequest Fund 1961
612G9
The arch with a shell ornament
The well
plate 11 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Fourth Edition (First Paris Edition),
1800–1809, Paris
etching, engraving, scratching, sulphur tint or open
bite, drypoint on paper
40.7 x 55.0 cm (plate)
52.5 x 70.5 cm (sheet)
Signed in plate l.l., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
plate 13 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Fourth Edition (First Paris Edition),
1800–1809, Paris
etching, engraving, scratching, burnishing, lavis on
paper
40.5 x 55.2 cm (plate), 52.5 x 71.5 cm (sheet)
Signed in plate l.r., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G11
cat. rais. Focillon
(1918) 36; Hind (1922) 13 ii/iii;
Robison (1986) 39 v/vi; Wilton-Ely (1994) 38
cat. rais. Focillon
(1918) 34; Hind (1922) 11 ii/iii;
Robison (1986) 37 vi/vii; Wilton-Ely (1994)
36
prov.
cat. rais. Focillon
(1918) 32; Hind (1922) 9 ii/iii;
Robison (1986) 35 vii/viii; Wilton-Ely (1994) 34
prov.
612G13
prov.
Purchased from Craddock & Barnard,
London.
Purchased from Craddock & Barnard,
London.
Purchased from Craddock & Barnard, London.
Prisoners on a projecting platform
plate 10 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Fourth Edition (First Paris Edition),
1800–1809, Paris
etching, engraving, sulphur tint or open bite,
burnishing on paper
41.6 x 55.0 cm (plate), 52.7 x 70.7 cm (sheet)
Signed in plate l.l., “Piranesi f.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G10
The sawhorse
plate 12 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Fourth Edition (First Paris Edition),
1800–1809, Paris
etching, engraving, sulphur tint or open bite,
scratching on paper
41.3 x 55.7 cm (plate), 52.6 x 71.2 cm (sheet)
Signed in plate l.l., “C. Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G12
The Gothic arch
plate 14 from the series Carceri d’invenzioni
(Imaginary prisons), 1749–50 & 1761, Rome;
published Fourth Edition (First Paris Edition),
1800–1809, Paris
etching, engraving, sulphur tint or open bite,
burnishing on paper
41.6 x 55.0 cm (plate), 52.7 x 71.0 cm (sheet)
Signed in plate l.l., “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G14
cat. rais. Focillon
(1918) 33; Hind (1922) 10 ii/iii;
Robison (1986) 36 v/vi; Wilton-Ely (1994) 35
cat. rais. Focillon
(1918) 35; Hind (1922) 12 ii/iii;
Robison (1986) 38v/vi; Wilton-Ely (1994) 37
cat. rais. Focillon
prov.
Purchased from Craddock & Barnard,
London.
prov.
Purchased from Craddock & Barnard,
London.
prov.
14
(1918) 37; Hind (1922) 14 ii/iii;
Robison (1986) 40 v/vi; Wilton-Ely (1994) 39
Purchased from Craddock & Barnard,
London.
Giovanni Battista PIRANESI, Italy, 1720–1778
Remains of the Aqueduct of Nero ...
The pier with a lamp
plate 15 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Fourth Edition (First Paris Edition),
1800–1809, Paris
etching, engraving, sulphur tint or open bite,
burnishing on paper
41.2 x 55.2 cm (plate), 52.7 x 71.0 cm (sheet)
Signed in plate l.l. “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G15
View of the Arch of Constantine and the Flavian
Amphitheatre, called the Colosseum
from the series Vedute di Roma (Views of Rome and
Environs), c.1746–1748?, Rome; published by G.B.
Piranesi, Rome
etching on paper
40.6 x 54.2 cm (plate), 54.2 x 68.0 cm (sheet)
Signed in plate l.r., “Piranesi del. sculp.”.
Not dated.
Bequest of David Murray 1908
084G3080
cat. rais. Focillon
(1918) 38; Hind (1922) 15 ii/iii;
Robison (1986) 41vi/vii; Wilton-Ely (1994) 40
cat. rais. Focillon
prov.
Purchased from Craddock & Barnard,
London.
prov.
(1918) 805; Hind (1922) 56 iv/vi;
Wilton-Ely (1994) 152
plate 16 from the series Carceri d’invenzioni
(Imaginary prisons), c.1749–50 & 1761, Rome;
published Fourth Edition (First Paris Edition),
1800–1809, Paris
etching, engraving, sulphur tint or open bite,
burnishing on paper
40.3 x 54.6 cm (plate), 52.5 x 71.4 cm (sheet)
Signed in plate l.l. “Piranesi F.”. Not dated.
Morgan Thomas Bequest Fund 1961
612G16
cat. rais. Focillon
from the series Vedute di Roma (Views of Rome and
Environs)
c.1750s, Rome; published by G.B. Piranesi, Rome
etching on paper
44.0 x 70.0 cm (plate), 49.3 x 76.5 cm (sheet)
Signed in plate l.r., “Piranesi F.”. Not dated.
Bequest of Sir Samuel Way 1916
165G498
cat. rais. Focillon
(1918) 758; Hind (1922) 57 i/v;
Wilton-Ely (1994) 191
prov.
084G3069
cat. rais. Focillon
(1918) 850; Hind (1922) 118 i/iv;
Wilton-Ely (1994) 251
prov.
David Murray (1829–1907), Adelaide.
David Murray (1829–1907), Adelaide.
View of the Flavian Amphitheatre, called the
Colosseum
The pier with chains
from the series Vedute di Roma (Views of Rome and
Environs)
1770s, Rome
etching on paper
48.6 x 70.6 cm (plate); 52.8 x 78.6 cm (sheet)
Signed in plate l.l. “Cavalier Piranesi F.”.
Not dated.
Bequest of David Murray 1908
Samuel Way (1836–1916), Adelaide.
Cross-section of Hadrian’s Mausoleum (left)
plate 10 from the series Le Antichitá Romane (Roman
Antiquities) vol. 4
c.1756, Rome, published by Bouchard and Gravier,
Rome
etching on paper
45.2 x 69.8 cm (plate), 55.0 x 80.1 cm (sheet)
Not signed. Not dated.
South Australian Government Grant 1970
708G51
cat. rais. Focillon
prov.
(1918) 345; Wilton-Ely (1994) 478
Purchased from Colnaghi & Co., London.
(1918) 39; Hind (1922) 16 ii/iii;
Robison (1986) 42 v/vi; Wilton-Ely (1994) 41
prov.
Purchased from Craddock & Barnard,
London.
15
Giovanni Andrea PODESTÀ, Italy, 1608–c.1674
Marcantonio RAIMONDI
Italy, c.1470/82–1527/34
after RAPHAEL, Italy, 1483–1520
Marcantonio RAIMONDI
Italy, c.1470/82–1527/34
after Giulio ROMANO, Italy, 1499?–1546
Allegory of the Arts
1640, Rome
etching, engraving on paper
26.2 x 39.0 cm (plate & sheet)
Not signed. Dated in plate bot.c., “1640”.
Bequest of David Murray 1908
084G2345
cat. rais. B.XX.171.5;
prov.
TIB 4503.005 S1
William Esdaile (1758–1837), London (Lugt
2617); David Murray (1829–1907), Adelaide.
Poetry
c.1515, Rome
engraving on paper
18.0 x 15.1 cm (plate & sheet)
Not signed. Not dated.
Bequest of David Murray 1908
084G1687
cat. rais. B.
prov.
XIV. 291. 382; Shoemaker (1981) 27
David Murray (1829–1907), Adelaide.
The holy family with the young St John the Baptist,
also known as Virgin with the long thigh
c.1520–25, Rome
engraving on paper
40.1 x 26.7 cm (plate)
41.0 x 27.6 cm (sheet)
Signed in plate l.l. “[tablet]” artist’s insignia.
Not dated.
South Australian Government Grant 1970
703G6
cat. rais. B.
prov.
Marcantonio RAIMONDI
Italy, c.1470/82–1527/34
after RAPHAEL, Italy, 1483–1520
XIV.64.57; Shoemaker (1981) 59
Purchased from P. & D. Colnaghi & Co.,
London, on the advice of Christopher White.
Jusepe RIBERA, Italy, c.1591–1652
Martyrdom of St Cecilia
Faun playing with a child
c.1509, Rome
engraving on paper
17.7 x 13.7 cm (plate & sheet)
Not signed. Not dated.
Bequest of David Murray 1908
084G1686
cat. rais. B.
XIV. 223. 296; Shoemaker/Broun (1981)
15
prov.
16
David Murray (1829–1907), Adelaide.
c.1520–25, Rome
engraving on paper
24.0 x 40.6 cm (plate), 24.0 x 40.8 cm (sheet)
Signed in plate, c.r., “MAF” in monogram.
Not dated.
David Murray Bequest Fund 1949
4910G169
cat. rais. B.
prov.
XIV. 104. 117; Shoemaker (1981) 55
Peter Lely (1618–1680), London (Lugt 2092);
purchased on the advice of Harold Wright
and Malcom Osborne.
The poet
c.1620–21, Naples
etching on paper
16.1 x 12.4 cm (plate & sheet)
Not signed. Not dated.
David Murray Bequest Fund 1949
4910G183
cat. rais. B.XX.82.10;
prov.
Brown (1973) 3
Peter Lely (1618–1680), London (Lugt 2092);
purchased from P. & D. Colnaghi & Co.,
London, on the advice of Harold Wright and
Malcom Osborne.
Marco RICCI, Italy, 1676–1730
Landscape with a hilltown and straining oxcart
1723–30, Venice, published 1730 by Carlo Orsolini,
Venice
etching on paper
29.2 x 43.1 cm (plate), 36.2 x 48.1 cm (sheet)
Signed in plate, l.l., “MR f” in monogram.
Not dated.
V.B.F. Young Bequest Fund 2005
Salvator ROSA, Italy, 1615–1673
left: Two figures wearing turbans, one of which is
standing with a sword and shield
1660s?, Rome
pen & brown ink on paper
11.3 x 7.6 cm (sheet)
Not signed. Not dated.
South Australian Government Grant 1991
917D28
prov.
20057G94
cat. rais. B.XXI.315.5;
TIB 4736.005.S4; Pilo (1963)
210
prov.
Purchased from Christopher Mendez,
London.
Cristofano ROBETTA
Italy, bapt.1462–after 1534
Earl of Gainsborough, London, ?1924
(according to inscription on mount);
Meatyard (?), 1925? (according to inscription
on mount); purchased from C.G. Boerner,
Düsseldorf, Germany.
right: Young man bathing his feet in water, a man
behind him holding a towel
Glaucus and Scylla
c.1661, Rome
pen & ink, brush & ink wash on paper
20.3 x 15.2 cm (irreg. sheet)
Not signed. Not dated.
V.B.F. Young Bequest Fund 1985
856D9
prov.
c.1664, Rome
pen & brown ink on paper
11.3 x 7.6 cm (sheet)
Not signed. Not dated.
South Australian Government Grant 1991
Earl Spencer (1734–1783) Althorp, England
(Lugt 1531); second Earl of Spencer (1758–
1834); John Young (1880–1946), Sydney; Jean
Campbell (1913–2008), Canberra.
917D29
prov.
Earl of Gainsborough, London, ?1924
(according to inscription on mount);
Meatyard (?), 1925? (according to inscription
on mount); purchased from C.G. Boerner,
Düsseldorf, Germany.
Adoration of the Magi
c.1496–1500 (later impression), Florence
engraving on paper
30.1 x 27.7 cm (plate & sheet)
Signed in plate l.r., “ROBETTA”. Not dated.
David Murray Bequest Fund 1949
4910G168
cat. rais. B.XIII.396.6;
prov.
TIB 25.2521.010 i/i
G.A. Cardew (1865–1942), London (Lugt
1134); Hermann Marx (d.1948), Cobham,
Surrey, England; purchased from Craddock
& Barnard, London, on the advice of Harold
Wright and Malcolm Osborne.
Standing figure holding sword in right hand
and left arm outstretched
c.1655–57, Rome
pen & brown ink, red chalk on paper
14.3 x 8.1 cm (sheet)
Not signed. Not dated.
South Australian Government Grant 1991
917D27
prov.
Earl of Gainsborough, London, ?1924
(according to inscription on mount);
Meatyard (?), 1925? (according to inscription
on mount); purchased from C.G. Boerner,
Düsseldorf, Germany.
Two soldiers, one pointing towards the left,
the one below holding a shield
from the Figurine series
c.1655–57, Rome
etching, drypoint on paper
14.5 x 9.6 cm (plate)
28.2 x 21.3 cm (sheet)
Signed in plate l.l. “SR” in monogram. Not dated.
David Murray Bequest Fund 1993
936G18
cat. rais. B.XX.284.54;
TIB 4512.071.S2; Wallace
(1979) 51 ii/ii
prov.
Purchased from L’Arte Antica, Turin, Italy.
17
Salvator ROSA, Italy, 1615–1673
Orazio de SANCTIS, Italy, active 1568–84
after Pompeo AQUILANO, Italy, active 1540–71
Christ and Mary Magdalene
Albert, companion to St William, tied to a tree
1661, Rome
etching, drypoint on paper
34.8 x 22.9 cm (plate & sheet)
Signed in plate l.l., “S Rosa”. Not dated.
Bequest of David Murray 1908
084G2223
cat. rais. B.XX.269.2;
TIB 4512.002; Wallace (1979)
100 i/i
prov.
David Murray (1829–1907), Adelaide.
Alexander in the studio of Apelles, c.1662, Rome
etching, drypoint on paper
46.0 x 27.6 cm (plate), 47.0 x 29.0 cm (sheet)
Signed in plate bot.c., “Salvator Rosa Inv. scul.”.
Not dated.
Gift of Mr H.J.L. Wright 1949
4910G207
cat. rais. B.XX.269.4;
TIB 4512.004.S2; Wallace (1979)
1572, Rome?
engraving on paper
27.4 x 25.1 cm (plate)
29.5 x 27.0 cm (sheet)
Signed and dated in plate, l.l., “Horatio d.s.f. 1572”.
Bequest of David Murray 1908
084G1930
cat. rais. B.XVIII.11.11
prov.
David Murray (1829–1907), Adelaide.
114 ii/ii
prov.
Harold J.L. Wright (1885–1961), London.
The descent from the cross
Glaucus and Scylla, c.1661, Rome
etching, drypoint on paper
35.2 x 23.5 cm (plate)
47.3 x 34.8 cm (sheet)
Signed in plate, l.r. “SRosa”. Not dated.
V.B.F. Young Bequest Fund 1993
936G19
cat. rais. B.XX.275.20;
TIB 4512.021.S3; Wallace
(1979) 101 iii/iii
prov.
Purchased from L’Arte Antica, Turin, Italy.
Diogenes and Alexander, 1662, Rome
etching, drypoint on paper
45.6 x 27.5 cm (plate), 46.1 x 27.9 cm (sheet)
Signed in plate bot.c., “Salvator Rosa Inv. scul.”.
Not dated.
Bequest of David Murray 1908
084G2218
cat. rais. B.XX.270.6;
TIB 4512.006.S2; Wallace (1979)
108 ii/ii
prov.
18
David Murray (1829–1907), Adelaide.
1572, Rome?
engraving on paper
27.2 x 24.9 cm (plate)
28.8 x 26.9 cm (sheet)
Signed and dated in plate, l.l.,,“Horat. d. s. Aql. fac.
1572”.
Bequest of David Murray 1908
084G1931
cat. rais. B.XVII.10.8
prov.
ii/ii
David Murray (1829–1907), Adelaide.
Andrea SCHIAVONE, Italy, c.1510–1563
Antonio TEMPESTA, Italy, 1555–1630
The angel of the Lord vanquishing the army of Sennacherib
Battle scene, 1605, Rome
The homage of the young St John
c.1550–54, Venice
etching, drypoint, grey wash on paper
34.5 x 21.6 cm (plate & sheet)
Not signed. Not dated.
South Australian Government Grant 1970
pen & brown ink over traces of black chalk on paper
38.7 x 50.5 cm (sight)
Signed and dated bot c.l.r., pen & brown ink
“Antonio Tempesta Inventor et fecit/ ano inbillai
[illeg.] 1605”.
Gift of William Bowmore AO OBE through the
Art Gallery of South Australia Foundation 2007
prov.
prov.
prov.
TIB 3501.256
David Murray (1829–1907), Adelaide.
Pietro TESTA, Italy, 1612–1650
Richardson (1980) 64
Giuseppe SCOLARI, Italy, c.1560–1625
An allegory of painting
The defeat of the Ethiopians
plate 5 from the series Battles of the Old Testament
1613, Rome; published by Nicolas van Aelst, Rome
etching on paper
19.1 x 28.7 cm (plate), 19.4 x 29.1 cm (sheet)
Signed in plate bot.c., “AT TE” in monogram. Not dated.
Bequest of David Murray 1908
084G2016
cat. rais. B.XVII.129.240:
prov.
Virgin lamentating the Dead Christ
c.1592–1607, Venice?
woodcut on paper
44.0 x 40.9 cm (image & sheet)
Not signed. Not dated.
Bequest of David Murray 1908
084G1979
prov.
cat. rais. B.XVII.131.256;
Comte J.P. van Suchtelen (1751–1836),
St Petersburg, Russia (Lugt 2332);
William Bowmore (1909–2008), Brisbane.
George Hibbert (1757–1837) London (Lugt
2849); Sir M. Masterman Sykes (1771–1823),
York, England, acquired 1809 (according
to inscription on verso); William Esdaile
(1758–1837), London, acquired 1824 (Lugt
2616); purchased from P. & D. Colnaghi &
Co., London, on the advice of Christopher
White.
cat. rais. Rosand
084G2032
20077D30
703G7
cat. rais. B.XVI.63.64;
plate 21 from the series Battles of the Old Testament
1613, Rome; published by Nicolas van Aelst, Rome
etching on paper, 20.3 x 28.1 cm (trimmed within platemark)
Signed in plate l.r., “AT TE” in monogram. Not dated.
Bequest of David Murray 1908
& Muraro (1976) 101
David Murray (1829–1907), Adelaide.
TIB.3501.240
David Murray (1829–1907), Adelaide.
1637–38, Rome, published by Giovanni
Giacomo de’ Rossi, Rome
etching on paper
28.8 x 33.7 cm (plate), 33.0 x 38.0 cm (sheet)
Signed in plate l.r., “Pietro Testa”. Not dated.
Bequest of John Bagot 1891
095G1570
cat. rais. B.XX.223.29;
TIB 4506.029.S2; Bellini (1976)
15 ii/iii; Cropper (1988) 37
prov.
Sir Joshua Reynold (1723–1792), London
(Lugt 2364); John Bagot (1849–1910),
Adelaide.
Joshua ordering the sun to stand still
plate 11 from the series Battles of the Old Testament
1613, Rome; published by Nicolas van Aelst, Rome
etching on paper
20.5 x 28.2 cm (plate), 20.5 x 28.5 cm (sheet)
Signed in plate l.l., “AT TE’ in monogram. Not dated.
Bequest of David Murray 1908
084G2024
cat. rais. B.XVII.130.246;
prov.
TIB 3501.246
David Murray (1829–1907), Adelaide.
The suicide of Cato
1648, Rome; published by Arnoldus van Westerhout, Rome
etching, drypoint on paper
28.2 x 41.4 cm (plate), 28.3 x 41.5 cm (sheet)
Signed and dated in plate l.r., “P. Testa 1648”.
Bequest of David Murray 1908
084G2177
cat. rais. B.XX.220.20:
TIB 4506.020.S2; Bellini (1976) 39
ii/iv; Cropper (1988) 116
prov.
David Murray (1829–1907), Adelaide.
19
Pietro TESTA, Italy, 1612–1650
The birth and infancy of Achilles
1648–50, Rome
etching, drypoint on paper
27.3 x 42.3 cm (trimmed within platemark)
Signed in plate l.r., “P. Testa fecit”. Not dated.
Bequest of David Murray 1908
084G2175
cat. rais. B.XX.220.21;
TIB 4506.021.S1; Bellini (1976)
36 (sheet trimmed); Cropper (1988) 118
prov.
David Murray (1829–1907), Adelaide.
A woman with her arms in chains and
four other figures
from the series Capricci
c.1735–42, Venice; published 1749, Venice
etching on paper
13.6 x 17.1 cm (plate)
14.0 x 18.2 cm (sheet)
Signed in plate c.l. “Tiepolo”. Not dated.
David Murray Bequest Fund 1949
4910G167
cat. rais. De
prov.
Vesme (1906) 9; Rizzi (1971) 35
Purchased from P. & D. Colnaghi & Co.,
London, on the advice of Harold Wright and
Malcolm Osborne.
Punchinello talking to two magicians
from the series Scherzi di Fantasia
c.1743–57, Venice; published 1775, Venice
etching on paper
23.3 x 18.3 cm (plate & sheet)
Signed in plate l.r., “BT” in monogram
[the B in reverse]. Not dated.
A.R. Ragless Bequest Fund 1975
757G40
cat. rais. De
prov.
Giambattista TIEPOLO, Italy, 1696–1770
Giandomenico TIEPOLO, Italy, 1727–1804
The astrologer and the young soldier
from the series Capricci
c.1735–42, Venice; published 1749, Venice
etching on paper
13.3 x 17.2 cm (plate)
14.2 x 18.4 cm (sheet)
Signed in plate, c.r., “Tiepolo”. Not dated.
David Murray Bequest Fund 1949
4910G166
cat. rais. De
prov.
Vesme (1906) 11; Rizzi (1971) 37
Purchased from P. & D. Colnaghi & Co.,
London, on the advice of Harold Wright and
Malcolm Osborne.
Holy Family escorted by an angel
The happy satyr and his family
from the series Scherzi di Fantasia
c.1743–57, Venice; published 1775, Venice
etching on paper
23.0 x 17.7 cm (plate & sheet)
Signed in plate l.l. “Tiepolo” [in reverse]. Not dated.
d’Auvergne Boxall Bequest Fund 1964
6412G42
cat. rais. De
prov.
20
Vesme (1906) 21 i/ii; Rizzi (1971) 12 i/ii
Purchased from Thomas Agnew & Sons Ltd.,
London, on the advice of Christopher White.
Vesme (1906) 22 i/ii; Rizzi (1971) 13 i/ii
Purchased from Craddock & Barnard,
London.
plate 12 from the series Flight into Egypt
c.1750–53, Venice or Würtzburg, Germany
etching on paper
18.6 x 24.7 cm (plate)
19.5 x 25.3 cm (sheet)
Signed in plate, l.r., “Do: Tiepolo in: et fec.”.
Not dated.
V.B.F. Young Bequest Fund 2009
20096G57
cat. rais. De
Vesme (1906) 12; Rizzi (1971) 78,
unrecorded state without the number
prov.
Unidentified collector (Lugt 3498); purchased
from Helmut Rumbler, Frankfurt, Germany.
Giandomenico TIEPOLO, Italy, 1727–1804
UNKNOWN, Italy, active 17th century?
Giuseppe Niccolò VICENTINO
Italy, active c.1540–c.50
after RAPHAEL, Italy, 1483–1520
Venus chastising Cupid
etching on paper
13.6 x 9.4 cm (plate)
13.8 x 9.7 cm (sheet)
Not signed. Not dated.
Bequest of David Murray 1908
084G1638
cat. rais. See
The triumph of Hercules
c.1759, Venice, Italy; published 1775, Venice
etching on paper
68.8 x 50.8 cm (plate)
Signed in plate bot.c., “Joannes Dominicus Tiepolo/
invenit pinxit, et delineavit, inc.”. Not dated.
South Australian Government Grant 1970
707G28
cat. rais. De
Vesme (1906) 101 iii/iii; Rizzi (1971) 147
iii/iii
prov.
prov.
DeGrazia Bohlin (1979) pp. 289–90.
David Murray (1829–1907), Adelaide.
attributed to Giuseppe Niccolò VICENTINO
Italy, active c.1540–c.1550
after Girolamo Francesco Mazzola, called
PARMIGIANINO, Italy, 1503–1540
Hercules and the Nemean Lion
c.1528, Rome
chiaroscuro woodcut printed in black and brown
inks on paper
25.2 x 19.4 cm (image)
25.5 x 19.7 cm (sheet)
Signed in block, l.l., “RAPH.VR”. Not dated.
David Murray Bequest Fund 1949
4910G165
cat. rais. B.XII.119.17
prov.
Purchased from P. & D. Colnaghi & Co,
London, on the advice of Christopher White.
Giandomenico TIEPOLO, Italy, 1727–1804
after Giambattista TIEPOLO, Italy, 1696–1770
ii
Unidentified collector; A. Chariatte (early
20th century), London (Lugt Supp. 88a);
purchased from P. & D. Colnaghi & Co.,
London, on the advice of Harold Wright and
Malcolm Osborne.
Enea VICO, Italy, 1523–1567
after Marcantonio RAIMONDI
Italy, c.1407/82–1527/34
Bacchanale
plate 9
from the series Raccolta de Teste
(The collection of heads), II
c.1771–74, Venice; published c.1774, Venice
etching on paper
11.5 x 8.3 cm (plate)
11.6 x 8.5 cm (sheet)
Not signed. Not dated.
Bequest of David Murray 1908
The surprise
cat. rais. De
cat. rais. B.
097G1573
prov.
Vesme (1906) 156; Rizzi (1971) 200 i/ii
David Murray (1829–1907), Adelaide.
c.1530–40, Rome
chiaroscuro woodcut printed in black, green and
brown inks on paper
26.6 x 18.2 cm (image & sheet)
Signed in block, l.l., “AA” in monogram.
Not dated.
Bequest of David Murray 1908
084G1983
prov.
c.1540s?, Rome
engraving on paper
14.8 x 51.0 cm (plate & sheet)
Signed in plate l.r., “AEN”. Not dated.
Bequest of David Murray 1908
084G1802
cat. rais. B.XI.298.33;
prov.
TIB.26.248.201
Samuel Leith (?1800–1857), Edinburgh,
Scotland (according to inscriptions on verso);
David Murray (1829–1907), Adelaide.
XII.146.10 iii/iii
David Murray (1829–1907), Adelaide.
21