Five Centuries of Master Prints from a Private Collection

FROM DURER TO PICASSO
Five Centuries of Master Prints
from a Private
Collection
This checklist accompanies an exhibition of the
same name at the Bowdoin College Museum of
Art from October
5
to
December
9,
1990.
Design by Michael Mahan Graphics, Bath, Maine
Typesetting by Black Spruce Type/Graphics
Printed by
Penmor
Lithographers, Lewiston, Maine
Photographs by Dennis Griggs
Cover: Hendrik Goltzius (Dutch, 1558-16
17),
Bacchus, engraving, cat. no. 12.
All rights reserved
Copyright
©
by the President and Trustees of
Bowdoin College, 1990
FROM DURER TO PICASSO
Five Centuries of Master Prints
from a Private
Collection
Bowdoin College Museum of Art
Brunswick, Maine
1990
Digitized by the Internet Archive
in
2015
https://archive.org/details/fromdrertopicassOObowd
THIS
KXllinrnoN's nrLK, From Diircr
Piaisso: Five Centuries
to
of Muster Prints
frotn a Private Collection,
emphasizes the
historical breadth ot the collection but
cannot
prepare the visitor for the beauty or the spiritual
The
content of the images.
prints speak, as well, of
the invisible presence of the person
the collection.
of
The
collection
and of experience;
life
friendship and of travel;
courage, the courage to
is
who formed
biography,
view
a
reflection of
it is a
document of
acquire beyond fashion
a
it is
and to concentrate on the quintessential
— the
power of images.
The
ninety-one works that comprise the
exhibition were chosen specifically to encourage
public understanding and appreciation of prints
and to complement Bowdoin College's curriculum.
During the
fall
semester of 1990, students
in
two
courses, History of the Graphic Arts, with
Professor Clifton C. Olds, and Printmaking
Associate Professor
exhibition as
technique.
Mark
a library
C. Wethli,
with
I,
will use the
of printmaking history and
The Museum
of Art's docents will
receive special training so that they can include the
exhibition in their public tours.
The museum
also presenting a series of public gallery talks
evening lectures that
exhibition in
On
will
is
and
examine aspects of the
some depth.
Museum
behalf of the
of Art,
I
wish to thank
the collector for the privilege of showing these
great works of
art.
In choosing to remain anon-
ymous, that individual adds modesty to generosity.
For their help with the exhibition and
production of the checklist,
Donald
I
also wish to
thank
A. Rosenthal, associate director and
curator of collections; Eric. E. Hirshler, former
chair of the
Department of Art History
at
Dennison University, currently a volunteer at the
museum; Michael W. Mahan '73, graphic designer;
and Susan L. Ransom and Lucie G. Teegarden, of
the Office of Public Relations and Publications.
All of the
members of the museum
staff
have
contributed in various ways to making this
exhibition possible.
I
am most
Katharine J. Watson
Director
grateful.
Works
in the Exhibition
Albrecht Diirer
German,
St.
147 1 -1528
Jerome
in Penitence, ca. 1496-97
cm
Engraving, 32.1 x 22.5
Bartsch 1496;
Meder
(i2-/k x SVk in)
57a
Watermark: Imperial orb (Meder
53)
Albrecht Diirer
St.
John's Vision of the Seven Candlesticks,
ca. 1498,
from the Apocalypse
Woodcut,
cm
39.5 X 28.6
Bartsch 62;
Meder
x
(i <^''Ah
1
1
'/*
in)
165 (1498 edition with
Provenance: Henry
S.
German
Theobald (1847-1934; Lugt
text)
1375);
Siegfried Harden (1854-1917; Lugt 218)
Lucas van Leyden
Netherlandish,
David Playing
ca.
1489/1494-1533
Harp before Saul,
18.5 cm (io'/i6 x 7'/4 in)
the
Engraving, 25.6 x
ca.
1
508
Bartsch 27; Hollstein 27
Watermark: crossed Cs, crown above
Provenance: Chevalier J. Camberlyn (1783-1861; Lugt 514)
Albrecht Diirer
Knight, Death, and the Devil, 1513
Engraving, 24.6 x 18.9
Bartrsch 98,
Meder
cm
(9"/i6 x
7''/ifi
in)
74
Provenance: Pierre Mariette
(i
634-1 716;
Lugt 1789-90); two
indistinguishable collector's marks on verso
Inscribed in pen and
brown ink top
right recto (faded): "P.
mariette [date undecipherable]"
Monogrammist CB
German,
active
David Playing
i
;
524-1 531
the
Etching, 21.1 X 28.8
Bartsch
1
(Christoffel Bockstorffer?)
Harp
cm
before Saul, 1531
(8716 x
Hollstein, Gei-man,
1 1
i
V\h in)
ii/ii
Indecipherable watermark
Provenance: Cabinet Brentano-Birckenstock (Lugt 345)
Albrecht Diirer (German, 1471-1528), Knight, Death, and the
Devil,
1
5
1
3
,
engraving, cat. no.
4.
1
Jan or Lucas van Duetechum
Netherlandish,
6
ca. 1530-after 1606; flourished
ca. 1559
Alpine Landscape, after Pieter Bruegel the Elder
Engraving, 30 x 42.5
Bastelaer
9;
cm
Hollstein
(ii'Via x 16-A in)
Riggs,
9;
no. 28.4.
p. 318,
Indecipherable watermark
Inscribed recto in red chalk in sky: "i"
Jan or Lucas van Duetechum
7
Feast at the Village, after
Etching, 22.7 X 32.1
Hollstein [Bol] 8
cm
i/ii;
(8'-/i6
Hans Bol
x
12%
in)
Riggs, p. 312, no. 4.2
Watermark: indecipherable
initials
Federico Barocci
Italian, ca.
8
1
535-1612
Saint Francis Receiving the Stigmata,
Etching and engraving, 22.7 x
Bartsch
14.8
cm
ca.
1
58
(8"/i6 x 5' Vi6 in)
3
Hendrik Goltzius
Netherlandish,
9
1
558-1617
Hercules and Cacus,
Color woodcut
41.2
I
in black
^SS
and two shades of brown,
x33 cm (i6'/4Xi3in)
Bartsch 231;
TIB 3(Commentary).2 56.2 3i
iii
or
iv/iv;
Hollstein 373
Indecipherable oval watermark
Provenance: Duplicate from the Rijksprentenkabinet,
Amsterdam (Lugt 240
[with 1847 acquisition date]; 789a)
Hendrik Goltzius
10
Di7rk Volckertsz. Coornhert,
ca.
1591-92
Engraving, 52.6 x 41.8 cm, including border
Bartsch 164;
TIB 3(Commentary). 174.164
(2()"/ic.
iii/iii;
Provenance: unidentified collector's mark verso
within diamond)
x i6V\f. in)
Hollstein 180
(initials [?]
Henclrik Goltzius
1
I
The
Ciir/i///iision,
Engraving, 47.5
Bartsch
18;
TIB
1594
cm
x ^5.5
(iSVn x 14 in)
3((]ommcntary).j 1.018
Watermark: six-pointed
1
loilsicin 12
star within a circle
brown
Inscribed in pen antl
iii/v;
ink verso: "P. mariette 1670"
Provenance: Pierre Mariette (1634-1
7 16;
^ugt 1789-90);
another pen ownership inscription on the verso has been
abraded
Hendrik Goltzius
12
Bacchus
Engraving,
cm
24. 8 x 18.2
TIB 3(Commentar)')
{i)VA x jVv. in)
5^-i6od
i
i/ii;
Ilollstein 134
Watermark: coat of arms w ith tower, golden
(repr.
fleece
below
TIB
3[Commentar\'].:58
1)
Hendrik Goltzius
1
3
Adoi'ation of the Shepherds
Engraving, 21.2 x
Bartsch 21;
1
5.2
cm (8%
x 6 in)
TIB 3(Commentary). 24.02
1
ii/v;
Hollstein 15
Watermark: coat of arms with tower, golden
(repr.
TIB 3 [Commentary]. 38
Provenance:
fleece
below
1)
Fiirst zu Fiirstenberg (19th c;
Lugt 995)
Giuseppe Scolari
Italian, active ca.
14
1
580-1607
The Rape of Proserpine
45.7 X 35.3 cm (18
Woodcut,
Rosand
& Muraro
X
13%
in)
104B
Nicolaes de Bruyn
Dutch, active 1601 -1656
15
Elisha Cursifig the Children of Bethel, 1602, after
Gillis
van Coninxloo
Engraving, 46.2 x
59.1
cm
(i8'/i6 x 23'/* in)
Hollstein 53
Watermark: crowned
shield with fleur-de-lis
1
Jan Saenredam
Dutch, 1565-1607
16
The Five
Foolish Virgins Revelling, ca. 1605
Engraving, 26.6 x 36.9
Bartsch
cm
Hollstein 29
3;
{xoVi x
14'/: in)
i/iii
Watermark: crozier over three
balls (repr.
TIB
[Commentary] .381)
3
Provenance: Count Moriz von Fries
(i
777-1 826; see
2903); Franz Rechberger (1771-1843; Lugt
Lugt
2133); Spencer-
Churchill Collection
brown
Inscribed pen and
ink on verso: "F Rechberger
1
8 16"
Jan Saenredam
17
The Five Wise Virgins Received by
Engraving, 26.4 x 36.7
Bartsch
5;
cm
Hollstein 31
i/iii
Watermark: crozier over three
3
the Lord, 1605
(io-/« x \^'/\h in)
balls (repr.
TIB
[Commentary]. 38
Provenance: Count Moriz von Fries (1777-1826; see Lugt
2903); Franz Rechberger (1771-1843; Lugt 2133); Spencer-
Churchill Collection
brown ink on
Inscribed pen and
verso:
"F Rechberger
18 16"
Hendrik Goudt
Dutch,
18
1580/85-1648
ca.
The Mocking of Ceres, 1610, after Adam Elsheimer
3
.5 x 24.7 cm {iiVa x 9% in)
Engraving,
Hollstein
1
5 i/ii
Watermark: large crowned
shield.
brown ink
Inscribed pen and
verso: "86"
Wenceslaus Hollar
Czech, worked in England,
19
Tobias
and
the Angel, ca.
1
1
607-1 677
646-49, after
Adam
Elsheimer
Etching, 12.7 x 18.3
Pennington
75
cm
(5
x
7-/1A in)
i/iii
Provenance: Robert Dighton
(ca.
1752-18
14;
Lugt
J.
Burleigh James (mid-igth c; Lugt 1425); G.A.
(i
865-1942; Lugt
stamp with
1
initials
1
34); British
Museum
727);
Cardew
(Lugt 297 as blind
H.S. in stamp and pen
initials
blind duplicate stamp [Lugt 703]); unidentified
CMC,
mark
with
Rembrandt van
Rijn (Dutch, 1606-1669), The Descent from
Cross by Torchlight, 1654, etching and drypoint, cat. no. 41.
Jan van de Velde
Dutch,
20
1
II
593-1641
The Coach Attacked,
after Esaias
cm
Etching and engraving, 28.5 x 42.5
Franken
&
van de Velde
(i
iVa x
van der Kellen 108; Hollstein 147
in)
ii/ii
Watermark: bunch of grapes
Jan van de Velde
2
1
II
The Mo?nh of May, 1616
Etching, 5.6 X 30 cm (6'/h x
i
1
Franken
&
van der Kellen
i
'
Vic in)
166; Hollstein
50
i/ii
Indecipherable watermark
22
Jan van de Velde II
Castle Ruins Surrounded by a Moat,
Etching, 13.7 X 19.9
&
Franken
cm
23
x ]^V\h in)
(5-/«
van der Kellen 279
Jan van de Velde
1616
iii/iv;
Hollstein 240
ii/iii
II
Evening: Travelers on a Road near an Inn, 1616
Etching, 13.5 X 19.7
&
Franken
cm
{^-/\(^
x
van der Kellen 281
7'/* in)
iii/iv;
Hollstein 242
ii/iii
Jusepe de Ribera
Spanish, worked in
24
St.
Italy, 1591-1652
Jerojne Heating the Trumpet of the Last
Judgment,
1621
Etching and engraving,
Bartsch
32.3 x 24
cm
(i2"/i(. x 9'/ia in)
Brown 4
5;
Claude Lorrain
French, worked in
25
The Departure for
Etching, 12.9 X 17.9
Blum
15
ii/iii;
Italy, i6(X)-i682
the Fields
cm
(5'/ia
Mannocci 34
x
]V\(, in)
iii(c)/iv
Peter Paul Rubens
Flemish,
26
1
577-1640
Saint Catherine in the Clouds
Etching and engraving, 29.6 x
Hollstein
i
19.8
cm
(i
i
Vh x -j-A in)
iii/iii
Watermark: foolscap with
five tassels
over
initials
Inscribed pen and ink verso (faded): "44i/4"
Christoffel Jegher
Flemish, 1596-ca. 1652
27
Susannah and the
Elders, ca. 1632-36
Woodcut,
cm
44.3 X 57.8
HoUstein
(lyVif. x 22
'/t
in)
i/ii
1
Watermark: crowned shield with three fleurs-de-Hs,
initials
below
Provenance: Theodore C.L. Hippert (1839-1919; Lugt 1377)
Bowdoin College Museum of Art, Anonymous
Schelte
Bolswert
a
Netherlandish,
28
Gift (1989.17)
ca.
1
586-1659
Stormy Landscape with Philemon and Baucis, after
Peter Paul Rubens
cm
Engraving, 46.7 x 63.1
(iB'/h x
24% in-trimmed)
Hollstein 299
Watermark:
large
crowned
shield with fleur-de-lis
Jacques Callot
French,
29
ca.
1
592-1635
Adoration of the Kings
Etching, 10.
Lieure 671
1
X
7
cm
(4 x 2-A in)
i/ii
Watermark: fragment of top of shield with
fleur-de-lis
Jacques Callot
30
Beggar on Two Crutches
Etching, 13.9 x 8.8
Lieure 482
cm
(5'/;
x 3^16 in)
i/ii
Watermark: indecipherable fragment
Jacques Callot
3
^
Beggar
Woman
Etching, 13.8 X 8.7
Lieure 498
with Bowl
cm
(5'/i6
x
3'/i6 in)
i/ii
Jacques Callot
32
The Coach Attacked,
1633,
from The Large Miseries
of War
Etching,
8.1 X 18.5
Lieure 1346
ii/iii
cm
(3 Vk.
x
-jV^
in)
Jacques Callot
The Temptation of Saint Anthony, 1635
Etching, 35.3 X 46.2 cm (13% x i8'/i6 in)
Lieure 141 6
iii/v
Ottavio Leoni
Italian,
1
578-1630
Self- Portrait, 1625
Engraving and etching,
14.2 x 11.2
cm
(5''/i6
x
i\Vv.
in)
Bartsch 9
Simone Cantarini
1612-1648
Italian,
Saint Sebastian
cm
Etching, 19.2 x 12.7
(y'/ir,
x
5 in)
Bartsch 24; Belhni 25
Inscribed pen and ink verso: "PesaresA^5f'
Provenance: unidentified armorial collector's mark.
Giulio Carpioni
Italian, 161
3-1679
The Agony
in the
cm
Etching, 32.2 x 22
Bartsch
2;
Calabi 4
Watermark:
Garden
initial
(i2"/i6 x
8%
in)
ii/ii
"A" plus indecipherable figure
Inscribed graphite verso: "Pond's Sale
Provenance: Richard Houlditch
Pond, according
to inscription
-
1760
(d. 1744;
on verso
/
Lugt
(ca.
N"
15"
2214);
Lugt 2038).
Adriaen van Ostade
Dutch,
1
61 0-1685
Standing Peasant
Etching, 8.7 x 6.4
Bartsch
2
1
;
cm
Godefroy
(3'/i6
2
1
x 2V2 in)
iv/vi;
Hollstein
2
1
iv/vii
Provenance: collector's stamp "vB" (not in Lugt)
Anthonie Waterloo
Dutch,
ca.
1610-1690
Landscape with Mercury and Argus
Etching and engraving, 29 x 24.4
Bartsch 137
i/ii
cm
(1
1
'/«
Arthur
1705-1758; see
x ()% in)
Salvator Rosa (Italian, 1615-1673), Diogenes Casting Away His
Bowl, 1661-1662, etching in drypoint, cat. no. 46.
Jacob van Ruisdael
Dutch, ca. 1628/29-1682
39
A
Cottage on a Hill, ca. 1650-55
Etching, 19.4 X 2%
Bartsch
3;
cm
Hollstein
(y Vs x
3 ii/ii;
1
in)
1
&
Slive
Hoetink,
cat.
loyB
Rembrandt van Rijn
Dutch, 1606-1669
40
David
in Prayer, 1652
cm
Etching and drypoint, 14.4 x 9.4
Bartsch 41;
Hind
Watermark:
White
258;
initials
FD
{^Vv.
& Boon 41
x 3"/i6 in)
i/iii
[ED?]
Rembrandt van Rijn
41
The Descent from
Dutch,
1
the Cross by Torchlight, 1654
606-1 669
Etching and drypoint,
Bartsch 83;
Hind
280;
21 x 16.2
cm
&
White
(8'/4
Boon
x 6'/h in)
83
Inscribed graphite verso: "B. 83/CP5/756II/N0. 83/3235/9"
Provenance: Friedrich August
II (i
797-1 854;
Lugt97i)
Rembrandt van Rijn
42
The Agony
in the
Etching and
drj'point, 11 x 8.4
Bartsch 75;
Hind
Garden,
293;
ca.
1657
cm
& Boon
White
x 37^. in)
75
Watermark: phoenix (fragment)
Stefano della Bella
Italian, 161
43
0-1664
The Satyr Family
Etching, 22.3 x 22.2
cm
De Vesme & Massar
(S'/t
103
x
8'/) in)
ii/iii
Indecipherable watermark
Stefano della Bella
44
Ornament with Death Playing a Drum
Etching, 16.5 X 6.7
cm
De Vesme & Massar
(6'/:
1014
x
zVi^
in)
Cnovaiini
45
I^
rancesco Grimaldi
Itnlian, ca.
1606-1680
The Flight
into
Egypt
cm
Ktching, ^2.5 X46.1
Bartsch
(ij'Vu, x i8'/sin)
51
Watermark:
flciir-dc-lis
Inscribed pen and
1805/In.
N"
within double circle
brown
ink verso: "(i Storck
a
Milano
[indecipherable]"
Provenance: Giuseppe Storck (1766- 1836; Lugt 2319)
Salvator Rosa
Italian, 161 5-1 673
46
Diogenes Casting
Away His
Bowl, 1661-62
Etching with drypoint, 46.3 x 27.7
Bartsch
Wallace 103
5;
Watermark:
cm
(iS'/t x lo'/n in)
ii/ii
fleur-de-lis within
double circle
Bowdoin College Museum of Art, Anonymous Gift
(1988.9.2)
Wallerant Vaillant
Dutch,
47
Jacob's
1
623-1677
Dream,
Mezzotint, 39.5 x 34.4
Wessely
Jan Jansz. van Bronchorst
cm (1 5''/k. x 3''/i6 in)
after
69; Hollstein 12
Watermark: crowned shield with
IHS
below; also
with cross over
fleur-de-lis, initials
initials
WR
RC
Inscribed graphite verso: "Netscher pinxit / Wallerant
Vaillant sc"; further indecipherable
German
inscription
Cornelis Dusart
Dutch,
48
The
1
660-1 704
Village Festival, 1685
Etching, 25.8 X 33.8
Bartsch
16;
cm
Hollstein 16
(io'/h x 13716
in-sheet)
ii/iii
Watermark: arms of Amsterdam with
initials
DCI
Giovanni Battista Piranesi
ItaHan,
49
1
720-1 778
The Grand Piazza, from Carceri (Prisons),
ca.
1748-49
Etching and engraving with burnishing,
(21-/* X
Hind,
1
(?)
i
54.3 x 41.3
6'/) in)
Piranesi, 4
Watermark:
ii/iii;
Robison
fleur-de-lis within
31 iv/vi
double circle
cm
Giovanni Battista Piranesi
50
View of the Falls at
Etching, 47.5 X 70.8
Hind,
Tivoli, 1766
cm
(i8"/ia x 2-jVa in)
Piranesi, 75 ii/v
Indecipherable watermark
Giovanni Antonio Canal, called Canaletto
1697-1768
Italian,
5
I
Imaginary View of Padua
Etching, 30 X 43.1
Bromberg
cm
(i
i
x
"/16
1
7 in)
ii/iii
1 1
Bernardo Bellotto
Italian,
52
worked
in
Germany and
Poland,
1
720-1 780
Side View of the Galleries of the Zwinger, Dresden,
1758
Etching, 55.4 X 83.3
De Vesme
21;
cm
(2178 x 32-/4 in)
Kozakiewicz 160
Bowdoin College Museum of Art, Anonymous Gift
(1986.20)
Giovanni Domenico Tiepolo
Italian,
53
1
727-1 804
The Holy Family Being Ferried across
from The Flight
Etching, 17.8 X 24
De Vesme
the River,
into Egypt, 1750-53
cm
17, Rizzi 83
(7 x g^iA in)
ii/ii
Giovanni Domenico Tiepolo
54
Saint Vincent Ferrer
Etching, 16 X 10.8
De Vesme
cm
72; Rizzi
(6'/!^,
x
4'/4 in)
no i/ii
Provenance: Tomas Harris (stamp, not in Lugt)
55
Marco
Ricci
Italian,
1676-1729
Landscape with Two Hermit Saints,
Etching, 25.1 X 35.6
Bartsch
56
17;
cm (9%
ca.
1723
x 14 in)
Pilo 219
Francisco
Goya
Spanish,
746-1 828
1
The Garroted Man (El Agarrotado),
Etching, 32.6 x 21
cm
(i27k x
Delteil 21; Harris 21 III
8'/»
ca.
1778
in)
3
Inscribed in purple ink verso "?"; graphite "rV77i"
Jean Frangois Millet (French, 1814-1875), Departing for Work,
1863, etching, cat. no. 71.
Francisco
57
Goya
Nobody Knows Himself (Nadie se conoce), from
Caprichos
Etching and aquatint with burnishing,
(8'/:
Delteil 43; Harris 41
Francisco
58
III
1
.5
x
1
5.3
cm
i
Goya
Bon Voyage (Buen viage), from Caprichos
Etching and aquatint,
2
Francisco
The
x
.5
1
Delteil loi; Harris 99 III
59
2
X 6 in)
1
5.
i
cm
(8'/:
x 6 in)
i
Goya
PT'overbs,
or
Follies (Los Proverbios, also titled
Disparates) ca. 1816-23
,
Bound volume of eighteen
24.3 X 35.1
cm
{g''A(>
x
etchings and aquatints, each ca.
13"/!?. in)
Delteil 202-19; Harris 248-65 III
1
(first
edition of 1864)
David Lucas
British, 1802-1881
60
Weymouth Bay,
Dorsetshire, ca. 1830, after John
Constable
cm
Mezzotint, 17.8x22.9
(7
x 9 in-plate); 14.4 x 18.3
cm
(5yK X iV\h in-image)
Wedmore
18;
Shirley 13, progressive proof a
Inscribed in graphite verso:
"Weymouth/Oblong
Constable/No 9 South Room/Early State before birds"
Paul
Huet
French, 1803-1869
61
Landscape with a Heron, 1833
Etching, 29.1 X 37
Delteil 7
cm
(i
i7k, x x^'Ag in)
iii/iii
Provenance: the
artist's
studio (Lugt 1269)
Honore Daumier
62
French, 1808- 1879
Enfonce Lafayette! ...Attrappe, vion vieuxl {Lafayette,
done for!
...Sei~ues
Lithograph, 29.2 x 42
you light, old man!), 1834
cm
(11'/: x 16'/: in)
Delteil 134
Provenance: Leon Delaroche (Lugt 1721a); unidentified
collector's
stamp verso
Honore Daumier
Le Bapthne
(The Baptism of Achilles),
(VAchille
1842
Lithograph, 25 x
Delteil 946
cm
19.5
(9'yi6 x 7"/i6 in)
iii/iii
Honore Daumier
Vn Caiicheniar de M.
cle
Bii;?nark-Merci!
(A Nightmare for Bismarck-Thank You!), 1870
Gillotage after
Delteil 3802
a
drawing, 24 x 22.3
cm
(9'/i6
x %-A in)
ii/ii
Eugene Delacroix
French,
798-1 863
1
A Lion Devouring a Horse,
Lithograph,
17 x 23.6
cm
1844
(6"/i6 x 9'/* in)
Delteil 126 iv/v
Provenance: Heinrich Stinnes
(d. 1932;
Lugt 1376a)
Eugene Blery
French,
1
805-1 887
Viburnum and Bindweed,
ca.
1847
Softground etching, 30.8 x 22
cm
(iz'/s
x
SVti in)
LeBlanc 202
Inscribed graphite upper right:
forte pur
i^"^"^^
etat
Viorme
et
"N"
4.";
bottom: "EB/Eau
Liseron au vernis
mou/i^'^'^ Essais
E. Blery. 2 Epr*^* uniques Planche brisee." Erased, below:
"Ep
a
[...]
naturelle Res.
Charles
Meryon
French,
1
St.
EB"
821 -1868
Etienne du Mont, 1852
Etching on green paper, 24.6 x
Delteil-Wright 30
12.8
cm
(9 "/15 x 5 in)
iv/viii
James Abbott McNeill Whistler
American, worked in England, 1 834-1 903
The Limeburner, 1859
cm {()^V\f,
Etching, 25.2 x 17.6
Kennedy
46
x 6'yi6 in)
ii/ii
Fragmentary watermark of device within double
lettering
circle
of
Sir Francis
1818-1910
British,
69
Seymour Haden
Shere Mill Pond, 1860
Etching with drypoint,
Harrington
38;
17.7 x 32.9
Schneiderman
cm
(7 x i2'V'i6 in)
37 v/ix
Signed in graphite below: "Seymour Haden"
Rodolphe Bresdin
French,
70
1
822-1 885
The Good Samaritan, 1^61
cm
Lithograph, 56.2 x 44.1
Van Gelder
(22'/h x i-jVn in)
100, second or third edition
Jean Francois Millet
French, 1814-1875
7
I
Departing for Work, 1863
Etching, 38.5 X 30.8
Delteil 19
cm
(i5'/» x i2'/« in)
i/vii
Inscribed in graphite lower
par
left:
"Tres belle
Ep de i"
etat/tire
moi/Aug Delatre"
Edouard Manet
French,
72
Dead
1
832-1 883
Christ with Angels, 1866-67
Etching, 32.8 X 27.9
(15'/;
x
i2'/k
Guerin
cm
(1
278 x
1 1
in-image); 39.4 x 32.7
cm
in-plate)
Manet,
34; Harris,
51; Fisher 38
iii/iii
Samuel Palmer
British,
73
1
805-1 881
Christmas, 1850
Etching, 12.4 X lo.i
Alexander 4
cm
v/v; Lister
{^Vt,
x 4 in)
E4 v/v
Inscribed in graphite below: "F.S.-MH.-FLG"; lower right
Fragmentary watermark of crowned shield
Charles Francois Daubigny
French, 181 7-1 878
74
Night
Effect, 1862
Cliche-verre,
Delteil 144;
15.
i
x 18.9
Glassman
&
cm
(5^16 x 7'/i6
Symmes,
in-image)
cat. 43.
Provenance: A. Bouasse-Lebel; Felix Somary (stamp verso,
not in Lugt)
Giorgio Morandi
(Italian,
1890-1964), Still Life with Five
Objects, 1956, etching, cat. no. 91.
Bracquemond
Felix
French,
75
1 833-1 914
Edmofid de Goncourt, 1882
cm
Etching, 46.1 X 32.3
Beraldi 54
vii
or
(i8'/k x i2"/i6
in-image)
viii/viii
Buhot
Felix
French, 1847- 1898
76
The Storm (Hindley Heath),
after John
Drypoint and roulette on Japanese paper,
(5%
X
8' 716
Constable
15 x 22.7
cm
in)
Bourcard-Goodfriend 145
Provenance: the
artist's
iv/vii
studio (Lugt 977)
Odilon Redon
French,
77
1
840-1 916
Closed Eyes, 1890
Lithograph, 31.3 x 24.3
cm
(i2yi6 x
in)
Mellerio 107, second edition
Eugene Carriere
French, 1849- 1906
78
Paul
Verlaine, 1896
Lithograph, 52.2 x 40.6
cm
(20'/: x 16 in)
Delteil 26
Signed
in
graphite below
left
"Eugene Carriere"
Felix Vallotton
Swiss, 1865-1925
79
The Rhone
Woodcut,
Vallotton
Glacier, 1892
14.5 X 25.4
&
Goerg,
Stamped with
"fV"
cm
(5"/i'>
x 10 in)
p. 106, edition c
and numbered
in graphite
20/25
Robert Sargent Austin
British,
80
1
Autumn,
895-1 973
1922
Etching, 17.7 X 15.3
YDod^son, Austin,
cm
(7 x 6 in)
ii/iii
3 5
Signed in graphite below: "Robert Austin. 1922."; inscribed
graphite below:
"Autumn 29/40 out of print A Brown."
Watermark: "FJ Head
&
Co."
Ernest Haskell
American, 1876-1925
8
I
The Hunchback
Etching on Japanese paper,
Pousette-Dart,
14.9 x 12
cm
(5'/k
x i\-A in)
30
p.
Signed in graphite verso: "Ernest Haskell"; inscribed
graphite verso:
"
1
1
a
The Hunchback"
Kathe Kollwitz
German, 1867 -1945
82
Self-Portrait in Profile, 1927
Lithograph, 32.5 x 30
cm
x
(i2'-/i6
1
in)
i^V\<^
Klipstein 227b
Signed in graphite lower
right:
"Kathe Kollwitz 1927";
inscribed graphite verso: "Verk. S. Hrotz"
James McBey
British,
83
1883-1959
Venetian Night, 1925
Etching on green paper, 27.5 x 42.5
Hardie 254 [dates
cm
(lo'Vic. x
16V4 in)
193(1]
Signed in pen and black ink below: "XXII James
Watermark: bunch of grapes
with
a
handle
David Young Cameron
Sir
British,
84
(?)
McBey"
1
The Five
865-1 945
Sisters,
York Minster,
1907
Etching and drypoint on Japanese paper, 38.9 x 18
(i ^V\(y
X
7'/i6
Rinder 397
cm
in)
iv/iv
Signed in graphite below right: "D.Y. Cameron."
Sir
Muirhead Bone
British, 1876-1953
85
Ayr
Prison, i()0^
Drypoint on Japanese paper,
Dodgson, Bone,
12.6 x 17.7
cm
{£\^V\b
x
7 in)
179
Signed in graphite below right: "Muirhead Bone 8"
86
Graham
Sutherland
British,
903 -1 980
1
Cottage in Dorset (Wood End),
Etching, 14 X 17.7
Man
cm
(5'/:
i()2()
x 7 in)
33; Tassi 28
Signed in graphite below: "35/60
inscribed in graphite below:
Graham
"Wood End"
Sutherland";
Robin Tanner
British,
87
1
904- 1 988
Christmas, 1929
cm
Etching, 33.6 X 27.6
Signed
in graphite
graphite below
British,
x io'/k in)
below: "Robin Tanner"; numbered in
left:
"3/50"
Frederick Landseer
88
(i3'/-»
Maur Griggs
876-1938
1
The Cross Hands, 1935
Etching, 17.6 X 23.8 cm (6'^!^
Comstock
Signed
x gMt in)
52 iii/vii
in graphite
below: "To
my dear
friend Frank Short,
Christmas 1936 F.L. Griggs"
Provenance: Sir Erank Short
Pablo Picasso
worked
Spanish,
89
in France,
1
881 -1973
Langouste (Crayfish), 1936, fi*om G.L. Leclerc,
Comte de
Buffon, Histoire naturelle, Paris 1942
Etching and aquatint, 29 x 22
cm
(i
i
Vir.
Bloch 352; Goeppert, Goeppert-Erank,
x
&
S'/s
in-image)
Cramer
37/25
Watermark: "Vollard"
Jacques Villon
French,
90
1
875-1 963
The Athlete, 1938
cm
Etching, 27.3 X 21.8
Auberty
&
(lo'/t x
8''/!
6
Perussaux 321; Ginestet
in)
&
Pouillon E441
Signed in graphite below: "43/50 Jacques Villon"
Watermark: "B E
K
Rives"
Giorgio Morandi
Italian,
9
1
1
Still Life
890-1 964
with Five Objects, 1956
Etching, 14 X 20
Vitali
1
Signed
16
cm
{^Vi x
7%
in)
iii/iv
in graphite
below: "9/150 Morandi"
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