Traditional Architecture in Syria: a Mediterranean dwelling
Transcription
Traditional Architecture in Syria: a Mediterranean dwelling
CORPUS Levant presents you: :ºµd Ωó≤j ¿Éaƒd ¢SƒHQƒc Traditional Architecture in Syria: a Mediterranean Dwelling IQɪ©dG ájó«∏≤àdG :ájQƒ°S »a øµ°ùdG »£`q °SƒàªdG An account of the ties men and women sustain with their home, a very particular kind of dwelling we call traditional: the homes of our forefathers. Though old, this architectural heritage is alive and enduring in modern Syria. ∫ɢLô˘dG §˘Hô˘J »˘à˘dG á˘bÓ˘©˘dG ø˘«˘Ñ˘j ƒ˘˘g ¢UÉîdG êÉàædG Gòg ,º¡æµ°ùH AÉ°ùædGh ,á˘j󢫢∏˘≤˘J IQɢª˘Y Ωƒ˘«˘dG ¬˘«˘ª˘°ùf …ò˘dG kÉ«M ≈≤Ñj ƒgh ,OGóLC’Gh AÉHB’G øµ°ùe .¬eób ºZQ IÉ«ëdÉH ¢†Ñæj Gk Oóéàe With the support of: EUROPEAN COMMISSION MEDA-EUROMED HERITAGE :™e ¿hÉ©àdÉH á«HhQhC’G áYƒªéªdG »aÉ≤ãdG çGôà∏d ó«ehQhCG - Gó«e Aleppo Izra’a Ö∏M Izra’a ´QREG ´QREG Ksibei áÑ«°ùc Aleppo A place to rest Ö∏M ...¿Éµe áMGô∏dh In spite of the years, this house still offers good shelter. How ɪa ,¥ó°üf ’ Oɵf ?øeõdG äGô«KCÉJ øe âfÉY »àdG 䃫ÑdG »g √òg πg many times have you sat outside the door watching the hours of á˘æ˘«˘fCɢª˘£˘dG ɢæ˘ë˘æ˘e ɢª˘dɢW …ò˘dG ¬˘°ùØ˘f º˘«˘ª˘˘ë˘˘dG ¿É˘˘µ˘˘ª˘˘dG âdGR the day flow by? ≈dEG â°üæJ É¡«∏Y â°ù∏L »àdG áÑà©dG √òg ôcòJ âdR ÉeCG .á櫵°ùdGh .øeõdG äGó¡æJ á°û«©ª∏d Izra’a ´QREG A playground Tiara GQÉ«J Palmyra ôeóJ Tiara GQÉ«J Palmyra ôeóJ Tartous ¢SƒWôW Oronte »°UÉ©dG OGhQCG IôjõL Arwad Island ...¿Éµe Ö©∏dh Listening from the main room, how often have you heard children ¿ƒÑ©∏j ºgh »ëdG ∫ÉØWCG äGƒ°UCG ∂©eÉ°ùe ≈dEG ≈gÉæJ Iôe øe ºc skipping and playing in the alleyways? They have always lived wrapped º˘¡˘Mô˘e ø˘°†à˘ë˘à˘d á˘fƒ˘æ˘ë˘dG á˘bRC’G ¿GQó˘L º˘¡˘H §˘«˘ë˘J ¿hõ˘Ø˘≤˘jh by these surrounding walls, where life passes, sweet and peaceful. .º¡JOÉ©°Sh á°ü°üfl Aleppo Damascus Ö∏M Homs ¢üªM Aleppo ≥°ûeO Homs ¢üªM Damascus A place for daily shopping Ö∏M ≥°ûeO ...¿Éµe ¥ƒ°ùà∏dh Years go by without our realising; we walk through life caught up IÉ«ëdG ≈∏Y π≤ãJ áHÉJôdÉa ,∑Qóf ¿CG ¿hO øe ôªJ äGƒæ°ùdG »g Ég in our daily routine. We must provide for our families: “we need ܃K AGô°T ÖLGƒdG øe ,á∏FÉ©dG á°û«©e ø«eCÉJ ÖLGƒdG øe .á«eƒ«dG a new dress for the little one, we also need this… and that...” Not π«îJ ™«£à°ùf ’ ÉæfEG ,¿hôJCG.....,ÖLGƒdG øe ,ÖLGƒdG øe ,Iô«¨°ü∏d a single morning goes by without our paying a visit to the Souk to .¥ƒ°ùdG IQÉjR ¿hO øe QÉ¡f run our errands. äÉZGôa ´QREG Izra’a Damascus IRƒdO Dallozeh ≥°ûeO Mashqita A place for work Éà«≤°ûe Oó°U Sadad ...¿Éµe πª©∏dh We come across walls that have withstood the ages through the IOGQEG ɢ¡˘à˘YQ ...ø˘eõ˘dG äɢjOɢY âehɢb ¿GQó˘L ≈˘˘∏˘˘Y ɢ˘æ˘˘Jô˘˘cGP π˘˘é˘˘°ùf efforts and fortitude of our grandparents and great-grandparents. »àdG É¡°ùØf øcÉ°ùªdG »g âdGR ÉeCG iôoJ .ÉfOGóLCGh ÉæFÉHBG äÉYGóHEGh Perhaps are these walls still our homes today? Such are the áaÉédG ≥WÉæªdG ±GôWCG ≈∏Y äCÉ°ûf »àdG øcÉ°ùªdG ∂∏J ?É¡«a Éæ°ûY houses of the Medina: buildings surrounded by dry, harsh and .á∏MÉ≤dG inhospitable fields. ôeóJ Palmyra Izra’a ´QREG Rihan ¿ÉëjQ Tiara A place for gathering GQÉ«J Ksibei áÑ«°ùc ...¿Éµe ´ÉªàLÓd Remember the place where your father used to gather with his πg ?¬FÉbó°UCG ™e ¬«a ™ªàéj ∑ódGh ¿Éc …òdG ™°VƒªdG ôcòJ πg friends, where you first met your own, where you used to spend äóàYG …òdG øcôdG ,∑AÉbó°UCG ¬«a ∂°ùØf âfCG â∏HÉb …òdG øcôdG ôcòJ your summer nights, and these old walls with fading colours will ɢ¡˘fGƒ˘dCɢH á˘eô˘¡˘dG ¿GQó˘é˘dG √ò˘gh ?∞˘«˘°üdG »˘dɢ«˘d ¬˘˘«˘˘a »˘˘°†ª˘˘J ¿CG surely come alive in your memories. ?á≤dCÉàe á«M ∂JôcGP OÉeQ øe ≥ãÑæJ »gh á«°TÓàªdG ÉæKGôJ øe In Bosra iô°üH My name is Jozeph and my father is the owner of this house, our òæe Éæà∏FÉY …hCÉj …òdG QGódG √ò¡d ∂dÉe …ódGh ,¿Gójƒ°S ∞jRƒL »ª°SG family has lived here for many generations. It was built over the ≈dEG Oƒ©j ¿ƒaóe ∫õæe ≈∏Y øµ°ùªdG Gòg »æH ó≤d .IOó©àe ∫É«LCG vestiges of a now buried Roman house: to enter the court, you walk ∫õæªdG øe »∏°UG º°ùb RÉ«àLÉH AÉæØdG ≈dEG π°üf ,»fÉehôdG ô°ü©dG through some original parts dug in the rock wall that we have AGƒjEG πLCG ø˘e á˘jÉ˘æ˘©˘H ¬˘ª˘«˘¶˘æ˘à˘H É˘æ˘ª˘b ó˘≤˘d ,ô˘î˘°üdG »˘a Qƒ˘Ø˘ë˘e converted into a shelter for animals and a stock area for fodder. All óLGƒàj å«M ,AÉæØdÉH QGódG ±ôZ πc §«ëJ .∞∏©dG øjõîàdh äÉfGƒ«ëdG the rooms of the house revolve around the court, in the middle of ,Ωƒj ó©H kÉeƒj AɪdÉH ÉfójhõàH ôªà°ùj …òdGh ÉæaÓ°SCG ó¡Y ≈dEG Oƒ©j ôÄH which you shall fall upon an ancestral well that has supplied the .¿ôb ó©H kÉfôbh family with water day after day, for centuries and centuries. AõL kÉ≤M É¡ In Aleppo What do you think of my hotel? I'm the manager: the orthodox Ö∏M »a Ö∏M »a á«°ùcPƒKQC’G á°ù«æµdG ∂∏àªJ ?√ôjOCG …òdG ¥óæØdÉH ºµjCGQ Ée Greek church of Alep owns Beit Wakil, of which I am the tenant. I º«eôàdG ∫ɪYCÉH »°ùØæH äô°TÉH ó≤d .…QhóH √ôLCÉà°SCG …òdGh π«ch â«H started the restoration work myself, to make the hotel as appealing »∏°UC’G QƒµjódG ¿EG .¿ÉµeE’G Qób øFÉHõ∏d kÉëjôeh kÉHGòL ≈æѪdG π©éd and comfortable as possible for customers. The original wooden .ø«dôH ∞ëàe »a ¢Vhô©e ≈æѪdG Gòg ±ôZ ióMEG äÉ«Ñ°ûîd decoration of one of the rooms of this building is so outstanding it is now exhibited in a Berlin museum! ¡``fEG ,É¡«a ¢û In Tiara GQÉ«J »a I have always been proud to see our village as very unique in our øe »≤H πg iôJ .ÉgOôØJh Égõ«ªàHh ,»àjô≤H ôîØdÉH â°ù°ùMCG ɪdÉ£d area. What a pity there are so few people who can still build earth ∂ÄdhCG ,ºcƒLQCG Gƒ∏°†ØJ ?ÜÉÑ≤dG √òg πãe »æÑj ¿CG ™«£à°ùj Qɪ©e cupolas. Please, won’t you come in? May I introduce you to my Ghô©°ûJ ¿CG ºµæµªj ,πNGódG »a Éægh ,IóédG ™e áKÓãdG »FÉæHCG ºg three children and their grandmother? Inside here, it is always nice .∞«°üdG »a ¢û©æeh ,AÉà°ûdG »a ∞«£d ƒ¡a ,kɪFGO áMGôdÉH and warm in winter and cool in summer. û`«YCG »àdG …Q In the surroundings of Palmyra I hardly believe our house is of any interest to you, but please, you ôeóJ §«ëe »a á∏FÉY øëf .ΩGôµdG »aƒ«°V Éj ºµeɪàgG ô«ãJ ób …QGO ¿CG ¥ó°UCG OÉcCG ’ are most welcome. We are a large family and need a rather big AGQh kÉ«©°S π«Mô∏d ô£°†æ°S .ÉæÑ°SÉæJ Iô«Ñc ᪫N ≈dEG êÉàëfh Iô«Ñc tent for us all. We would like to move on to find greener pastures... ºLÉ¡J ¿CG ∞°SDƒªdG ɪd ¬fEG ...πLCG ,πLCG ...IQÉ°†fh Iô°†N ôãcCG »YGôe yes; it is quite a pity wolves so often attack our cattle. .ºFGO πµ°ûH ÉæfÉ©£b ÜÉFòdG GO ¤EG Ghô¶fG In Serqilla á«°ùæªdG ¿óªdG ºµd Ωó≤f πg .kÉLRÉW ∫GR Ée õYɪdG Ö«∏M .ÉfQGO ºàaô°T ,Gƒ∏°†ØJ Please, won’t you come in? We has just finished milking the goats; øe êQÉN ¬fCÉch ∂d hóÑj πg .Éædõ`æe ƒg Gògh ,…O’hCG ºg Ég ?…É°ûdG would you care for some tea? We have a son and two daughters. ¿CG ÉfhôÑNCGh ø«æ°S ™°†H òæe ø««°UÉ°üàN’G ¢†©H ÉfQGR ó≤d ?ïjQÉàdG And this house, you may ask? Yes, it does seem quite old, doesn’t .ΩÉjC’G øe Ωƒj »a ¬d kÉæµ°ùe √òîJG ¿ƒµj ób kÉ«fÉehQ kɪcÉM it? A few years ago, specialists paid us a visit and alleged a Roman governor had maybe lived here at one stage. Sfireh IÒØ°ùdG Tradition is culture Damascus ≥°ûeO çGôJ ó«dÉ≤àdG Indeed, heritage symbolises culture. Monuments are not its only ,IQɢ°†ë˘dG ɢgó˘Mh â°ù«˘d ó˘HGhC’Gh ,IQɢ°†ë˘∏˘d 󢫢°ù颢J ƒ˘˘g çGô˘˘à˘˘dG form: traditional architecture is also one of the gems of our country. ,ÉæJQÉ°†M ó≤Y »a á°ù«Øf IQóc ÉgQhóH º¶àæJ ájó«∏≤àdG IQɪ©dÉa Every dwelling can represent and constitute Syrian heritage. .ájQƒ°ùdG IQÉ°†ëdG øe kGAôL ¿ƒµj ¿CG øµªj øµ°ùe πch Aleppo Ö∏M Aleppo Ö∏M Damascus Ö∏M Damascus ≥°ûeO Aleppo Damascus ≥°ûeO Aleppo Urban house with a court ≥°ûeO ájhɪ°ùdG áë°ùØdG hP »fóªdG øµ°ùªdG From the street, perhaps the least noticeable house, the most mysterious øëfh ¬¶ë∏f Oɵf ’ ÉæfEG ?¢Vƒª¨dG Gòg πc Ée ?∫õ`æªdG Gòg ƒg øjCG dwelling. Hidden behind compacted earth walls, life resides within, ø«£dG øe ᵫª°S ¿GQóL ∞∏N ôàà°ùj ƒg Ég .´QÉ°ûdG ôÑY Üôà≤f concealed in the deepest intimacy. But once the threshold is crossed, ∫ƒNódG ôªe ôÑ©f ¿EG Ée ...øµdh ,á≤«ªY ᫪«ªëH kÉ«Øàîe ,∑ƒcóªdG what refreshing coolness! What peace and quiet! .Ahó¡dGh á櫵°ùdGh ¢TÉ©àf’G øe ƒéH •Éëf ≈àM Al Kasqunia Bosra á«fƒµ°ùµdG Sfireh IÒØ°ùdG Sadad Oó°U iô°üH Bosra iô°üH Bosra iô°üH Rural house with a courtyard ájhɪ°ùdG áë°ùØdG hP »ØjôdG øµ°ùªdG The rooms of the house surround an inside courtyard on two or πµ°ûàa ,çÓK hCG ø«à¡L øe ájhɪ°ùdG áë°ùØdG ∫ƒM ±ô¨dG ™°VƒàJ three sides. These are simple houses with wooden ceilings or earth íàØJ òaGƒfh ,ø«£dG øe áÑb hCG Ö°ûîdG øe ∞≤°ùH kÉ£«°ùH kÉæµ°ùe cupolas, with windows opening on a patio. The latter is used as a á«HôJh Iô°†î∏d ΩRÓdG ÆGôØdG øeDƒJ »àdG .ájhɪ°ùdG áë°ùØdG ≈∏Y court, a farmyard and a place for family feasting and gathering. .ÉgOÉ«YCGh Iô°SC’G äÉ©ªéàdh kÉæ«M øLGhódG ÉfOÓH Ö∏M Aleppo Arwad Island OGhQCG IôjõL Hamra GôªM Ma’lula ’ƒ∏©e Houses in Riwaq or Iwan Ma’lula ’ƒ∏©e Arwad Island OGhQCG IôjõL ¿GƒjE’G hCG ¥GhôdG hP øµ°ùªdG Who hasn’t noticed these houses near a sunny hillside? Their arcades É¡«∏Y â£≤°S óbh ∫ÓàdG ÖfGƒL ≈∏Y 䃫ÑdG √òg ßMÓj ºd Éæe øe provide shelter in the external spaces where most household activities ƒëf ìƒàتdG ºFÓªdG ¿ÉµªdG É¡àbhQCG â∏µ°T óbh ,¢ùª°ûdG á©°TCG are undertaken: a place for children’s games and a resting place for Qɨ°üdG Ö©∏d ¿Éµe »¡a ,á«eƒ«dG äÉ«dÉ©ØdG Ö∏ZCG ºàJ å«M êQÉîdG the elderly, sometimes even storage room for farming tools. .áØ∏àîªdG áYGQõdG äGhOCG É¡«a ∑ôàJ ób m¿É«MCG »ah ,QÉѵdG áMGQh ‘ 䃫ÑdG ôeóJ Palmyra Palmyra ôeóJ Palmyra ôeóJ Palmyra ôeóJ Nomad housing Tents have always been part of the landscape in certain parts of Palmyra ôeóJ …hóÑdG øµ°ùªdG ájQƒ°ùdG ≥WÉæªdG ¢†©Ñd »˘©˘«˘Ñ˘£˘dG ó˘¡˘°ûª˘dG »˘a Ωɢ«˘î˘dG è˘eó˘æ˘J Syria. It is an ancestral mobile type of housing, deeply enrooted in Qòéàe π≤æàe øµ°ùc ∫É«LC’G É¡àKQGƒJ ,á©«Ñ£dG øe kGAõL íÑ°üàa these hostile lands. Through the centuries, the tent technique has ᫪c Oôée øe ôãcCG √ò«ØæJ á«æ≤J Ö∏£àJ ,»°SÉ≤dG §«ëªdG Gòg »a required little more than canvas, wooden stakes and rope. .OÉJhCGh ∫ÉÑëH •ƒHôªdG ¢Tɪ≤dG øe êPɉ ≈∏Y Zahra GôgR Sulas ¢S’ƒ°S The basic house Oronte Mashqita »°UÉ©dG Éà«≤°ûe Bosra iô°üH Izra’a ´QREG »dhC’G â«ÑdG So much has been built with very little means. The house may ,IôgɶdG ¬àWÉ°ùH ºZQ ,ƒgh ,ᣫ°ùH äÉ«fɵeEÉH ô«Ñc RÉéfEG øe ¬d Éj indeed seem very basic and simple, but it is nonetheless most ™°Sƒàf ¿CG ™«£à°ùf ∂dòd áLÉëdG ƒYóJ Éeóæ©a ,ô«Ñc óM ≈dEG »∏ªY practical. When it proves necessary, we will enlarge it on the right- ìƒØ°S ≈∏Y hCG ∫ƒ¡°ùdG »a ÉædƒéJ Ée GPEGh .∫ɪ°ûdG äGPh ø«ª«dG äGP hand side or on the left. This kind of house can be found easily in ™e kÉéeóæe kɢë˘jô˘°U kɢ뢰VGh ɢæ˘d Rô˘Ñ˘j ɢe ¿É˘Yô˘°S á˘jQƒ˘°ùdG ∫É˘Ñ˘é˘dG plains or huddled up against the slopes of Syrian mountains, where .§«ëªdG it blends remarkably well with the landscape. ±ô©àæd IÒØ°ùdG Sfireh Damascus ≥°ûeO Aleppo Ö∏M A quest for know-how and quality Damascus ≥°ûeO á«YƒædGh áaô©ªdG øY kÉãëH Should we give up plumbing systems, electricity, or cars to live in πLCG øe IQÉ«°ùdG øY hCG ,AÉHô¡µdG ,AɪdG øY »∏îàdG ÖLGƒdG øe πg traditional homes? Of course not! We must just find a compromise OÉéjEG áWÉ°ùÑHh ÖLGƒdG øe ,ó«cCÉàdÉHh ,Óc ?…ó«∏≤J ∫õæe »a ¢û«©dG between modernity and the heritage transmitted to us by our parents. .OGóLC’G Éæd É¡côJ »àdG ádÉ°UC’Gh áKGóëdG ø«H Ée ájƒ°ùJ ?ΩÉY áÄe ¤EG Oƒ©J QG Damascus Sfireh Damascus ≥°ûeO Maloula ≥°ûeO IÒØ°ùdG ’ƒ∏©e Aleppo Ö∏M The stone cutter, the carpenter, the plasterer, etc ¿ƒfÉgódGh ¿hQÉéædGh ôéëdG ƒJÉëf We suffer from a lack of such craftsmen. We don’t need these men ’h ,IójóL äGQÉM AÉæH πLCG øe ’ ,ø««aôëdG A’Dƒg πc ≈dEG êÉàëf ÉæfEG of the art to build whole new districts or make homes "pretty" with ≈dEG êÉàëf ÉæfEG .π«ªéàdGh áaôNõ∏d äÉæ«jõàdG ¢†©H π«µ°ûJ πLCG øe decorative ornaments, no: we need their know-how to rehabilitate äÉÑ∏£àªdGh ≥aGƒààd øcÉ°ùªdG ≥fhQ IOÉYEG πLCG øe á«aôëdG º¡JGQÉ¡e traditional houses, to adapt homes to modern needs while preserving Gòg ¢Uƒ°üîH ÉÄ«°T Gƒ∏©aG .…ó«∏≤àdG øØdG ≈∏Y ®ÉØëdG ™e áãjóëdG the traditional art. You can act upon this point: ask your local »a √ƒcô°TCG ,ºµdõæe øe Üô≤dÉH óLGƒàªdG »aôëdG øY GƒãëHG ,ôeC’G craftsman for help, and entrust him with your project. .´hô°ûªdG Gòg O ‘ ¢û«©f Aleppo Damascus Hafr Ö∏M ≥°ûeO ôØM Bosra iô°üH Bosra iô°üH Damascus Aleppo Ksibei Ksibei áÑ«°ùc Oronte »°UÉ©dG ≥°ûeO Ö∏M áÑ«°ùc Oronte Al Aababe »°UÉ©dG IOÉÑY It’s not too late ó©H ¿GhC’G âØj ºd Look at the decoration in traditional buildings: stuccos, earth and á«°üédG ±QÉNõdG :ájó«˘∏˘≤˘à˘dG äƒ˘«˘Ñ˘dG »˘a äÉ˘æ˘«˘jõ`à˘dG äó˘gɢ°T π˘g straw renderings, stone lintels... Don't you recognise them? Haven’t »a É¡aOÉ°üJ ºdCG ?É¡˘«˘∏˘Y ±ô˘©˘à˘J º˘dCG ?ÜGƒ˘HC’G äÉ˘Ñ˘à˘Yh ,᢫˘æ˘«˘£˘dGh you not already often come across them in so many villages in the ?ájQƒ°S Ö∏b »a iô≤dG øe ójó©dG very heart of Syria? ¿CG Ωƒ«dG Éæd Al Frouqlos Izra’a Aleppo ¢ù∏bôa ´QREG Ö∏M Ksibei áÑ«°ùc Aleppo Ö∏M What about traditional trades and craftsmen? ?ø««aôëdGh ájó«∏≤àdG äÉ«æ≤àdG øY GPÉeh Let us not be mistaken, it is impossible to preserve heritage without ájó«∏≤àdG ø¡ªdG ≈dEG ´ƒLôdG ¿hO øe çGôàdG ≈∏Y ßaÉëf ¿CG åÑ©dG øe traditional trades. Traditional constructions are simple in concept ɪ«a ≥«bO ¬æµdh π¡°S ájó«∏≤àdG ∫RÉæªdG AÉæÑa .É¡H áfÉ©à°S’Gh but meticulous in their building processes. The worse choice consists A»˘°T …CG ∫ó˘Ñ˘à˘°ùf ¿CG ø˘µ˘ª˘ª˘dG ô˘˘«˘˘Z ø˘˘e .Aɢ˘°ûfE’G ᢢ«˘˘∏˘˘ª˘˘Y ¢üj in pulling together four concrete blocks and covering them with á©«ÑW äGP á«fó©e áë«Ø°Uh áfÉ°SôîdG øe ÖdGƒb ™HQCG ΩGóîà°SÉH sheet-metal roofing; this cannot be the right solution. .áLƒªàe æd øµÁ πg Hamra GôªM Hama GôªM Ma’lula ’ƒ∏©e Sfireh Aleppo Ö∏M As times change, so do dwellings Aleppo Ö∏M Damascus øµ°ùªdG ô«¨àj Gòc ¿ÉeRC’G ô«¨àJ ɪc It is no doubt preferable not to live lingering in the past; we must ô¶ædG ¬«LƒJ π°†aC’G ,»°VɪdG »a AÉ≤ÑdG hCG ¢û«©dG ΩóY π°†aC’G øe turn to the future. Yet, inevitably, forgetting what we once were »a ¬«∏Y Éæc ɪH Ωɪàg’G ΩóY ¿Éa ,∂dP øe ºZôdÉH .πÑ≤à°ùªdG ƒëf portends losing some of our past values. We stop in the middle of »a á¶ëd ∞bƒàæd .º«≤∏d …ôgƒL ´É«°V ≈dEG ɪàM …ODƒj ≥HÉ°ùdG a street; we raise our eyes to the surrounding buildings: yes, we ᣫëªdG ∫RÉæªdG ógÉ°ûæd ,≈∏YC’G ƒëf ÉfQɶfCG ¬Lƒædh IQÉëdG §°Sh certainly could improve the preservation of this worthy heritage. ™«£à°ùJ ÉæfCG ócDƒªdG øe ,Oƒ¡éªdG øe QGó≤ªdG ¢ùØf ∫òÑHh :ÉæH .π°†aCG πµ°ûH øcÉ°ùªdG √òg ≈∏Y ®ÉØëdG IÒØ°ùdG ≥°ûeO §°SƒàªdG ¢` `VƒM á`≤`£æ Mugla, Turkey É«côJ ,á∏Zƒe Mugla, Turkey É«côJ ,á∏Zƒe Lindos, Greece ¿Éfƒ«dG ,¢Shóæ«d Málaga, Spain Ibouharen-Fasha, Morocco … a bridge of blue sea É«fÉÑ°SEG ,á≤∏e Tunis, Tunisia ¢ùfƒJ ,¢ùfƒJ Üô¨ªdG ,É°TÉa ¿QÉMƒHEG ¥QRCG ôëH øe ô°ùL ¬fEG The Mediterranean basin, both so far and so near, holds so much ¬HÉ°ûàJh ,kɪ«¶Y kÉKGôJ º°†j ,ó«©ÑdG Öjô≤dG »£°SƒàªdG ¢VƒëdG Gòg traditional heritage. In any given country, one can come across πÑ≤à°ùªdG ¬LGƒæ∏a .kGô«ãc ∫ƒ∏ëdG ¬HÉ°ûàJ ɪc ¬fGó∏H »a πcÉ°ûªdG similar problems to ours, and therefore find solutions that are .≥jô£dG Éæd ô«æJ ádOÉÑàªdG á≤ãdG ´óædh ,kÉ©e identical to ours. Thus let us face the future together, and let mutual trust and confidence show the way. æe »a IÉ«ëdG Ghardaia, Algeria Chaouen, Morocco Üô¨ŸG ,øjhÉ°T Tozeur, Tunisia ôFGõédG ,ÉjGOôZ ¢ùfƒJ ,QRƒJ Neighbouring lands Elmali, Turkey É«côJ ,‹ÉŸEG IQhÉéàªdG ≥WÉæªdG Our towns and cities resemble so many other towns and cities in äGó∏Hh ¿óe øe ô«ãµdG ™e ¬HÉ°ûàJ ÉæJGó∏Hh Éæfóe ¿CG kɪFGO ôcòàæd the Mediterranean area. Let us remember this, and better »a ájó«∏≤àdG IQɪ©dG º«b ≈∏Y ±ô©àædh ,§°SƒàªdG ¢VƒM á≤£æe acknowledge the invaluable worth of traditional architecture in .»LPƒªf »£°Sƒàe øµ°ùe ¬fEG .áØ∏àîe ø«©H ájQƒ°S Syria, a true Mediterranean way of life. Traditional Architecture in Syria: a Mediterranean Dwelling Produced by: CORPUS Levant CORPUS Levant is a consortium with: Ecole d’Avignon Direction Générale des Antiquités du Liban General Direction of Antiquities and Museums of Syria Col·legi d’Aparelladors i Arquitectes Tècnics de Barcelona With the support of: European Commission MEDA-EUROMED HERITAGE :á`jQƒ°S »a á`jó«∏≤àdG IQÉ`ª©dG »£q`°Sƒàª`dG øµ`°ù`dG :êÉàfEG ¿Éaƒd ¢SƒHQƒc :øe ∞dCÉàj ¿Éaƒd ¢SƒHQƒc ¿ƒ«æaCG »a π«gCÉàdG πLCG øe ÖjQóàdG õcôe ¿ÉæÑd »a QÉKBÓd áeÉ©dG ájôjóªdG ájQƒ°S »a ∞MÉàªdGh QÉKBÓd áeÉ©dG ájôjóªdG áfƒ∏°TôH »a ø«æ≤àdG ø«jQɪ©ªdG áaôZ :øe ºYóH á«HhQhC’G áYƒªéªdG »aÉ≤ãdG çGôà∏d ó«ehQhCG - Gó«e Team Syria (DGA): Direction: Tammam Fakouch Co-ordination: Maan Chibli,Hazar Emmran Collaborators: Kamal Bitar, Oqba Fakouch, Yarob Badr, Dalia Mokayed, Ghada Rifai, Dina Mouffock, Laila Helou Team France: Direction: Co-ordination: Gilles Nourissier Christophe Graz Team Spain: Direction: Co-ordination: Xavier Casanovas Ramon Graus and Joan Casanovas Collaborators: Montse Villaverde Graphic Design: LM,DG – Stella Moreno Printed by: Leogravure Acknowledgements: To each one of the Syrian families whom nobility has permitted the birth of this little tribute to the traditional architecture of Syria. Damascus, February, 2004 ¢TƒcÉa ΩɪJ ¿GôªY QGõg ,»∏Ñ°T ø©e ,QóH Üô©j ,¢TƒcÉa áÑ≤Y ,QÉ£«H ∫ɪc ƒ∏M ≈∏«d ,≥aƒe ÉæjO ,»YÉaQ IOÉZ ,ó«≤e É«dGO :…Qƒ°ùdG ≥jôØdG :IQGOE’G :≥«°ùæàdG :¿ƒcQÉ°ûªdG :»°ùfôØdG ≥jôØdG ¬«°ùjQƒf π«L :IQGOE’G RGôZ ±ƒà°ùjôc :≥«°ùæàdG :»fÉÑ°SE’G ≥jôØdG ¢SÉaƒfGRÉc ¬«aGõc :IQGOE’G ¢SÉaƒfGRÉc ¿GƒL ,¢ShGôZ ¿ƒeGQ :≥«°ùæàdG √Oô«aÓ«a ¬«°ùàfƒe :¿ƒcQÉ°ûªdG ƒæjQƒe Ó«à°S - .Ω.∫ :»YÉÑ£dG º«ª°üàdG QƒaGôZƒ«d :áYÉÑ£dG :ôµ°T π°†ØdG º¡∏Ñæd ¿Éc øjòdG ájQƒ°ùdG ô°SC’G OGôaCG øe Oôa πµd ∫Éée »a á©°VGƒàªdG áªgÉ°ùªdG √òg Qƒ¡X »a ôÑcC’G .ájQƒ°ùdG ájó«∏≤àdG IQɪ©dG 2004 ,•ÉÑ°T ,≥°ûeO