PDF - The Kent State University Press

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PDF - The Kent State University Press
Books for 2011
The
The Kent
UniversityPress
Press
Kent
StateStateUniversity
contents
New Titles
1 1950s Radio in Color: The Lost
Photographs of Deejay Tommy
Edwards Kennedy
2WIXY 1260: Pixies, Six-packs, and
Supermen Olszewski & Berg
3 Animals of Ohio’s Ponds and Vernal Pools FitzSimmons & Meszaros
4 Out and About with Winsor French Wood
5Queen Victoria’s Stalker: The Strange
Case of the Boy Jones Bondeson
6 Born to Lose: Stanley B. Hoss and
the Crime Spree That Gripped a
Nation Hollock
7Murder and Martial Justice: Spying
and Retribution in World War II
America Adams
8The Christmas Murders Goodman
8 The Supernatural Murders Goodman
9 The Collected Stories of Ray
Bradbury: A Critical Edition,
Volume 1, 1938–1943 Touponce & Eller
10 Jim Tully: American Writer, Irish
Rover, Hollywood Brawler Bauer & Dawidziak
11 “Feel the Bonds That Draw”: Images
of the Civil War at the Western
Reserve Historical Society Dee
12 Shadows of Antietam Kalasky
13“They Have Left Us Here to Die”: The
Civil War Prison Diary of Sgt. Lyle G.
Adair, 111th U.S. Colored Infantry
Robins
21 Literature in Translation: Teaching
Issues and Reading Practices Maier & Kenney
22The Imperfect Revolution: Anthony
Burns and the Landscape of Race in
Antebellum America Barker
Books are hindrances to persisting
stupidity.—Spanish Proverb
23 Interpreting American History:
The Age of Andrew Jackson McKnight & Humphreys
For the second year running we are
pleased to announce an entire year’s
new books in a single catalog.
As the five-year sesquicentennial
anniversary of the Civil War begins,
we feature a number of new studies
of America’s greatest conflict, and
we are delighted to introduce
historian Lesley Gordon as the new
editor of Civil War History, the
field’s premier journal, now in its
sixth decade. We offer inaugural
volumes in two new series—
Interpreting American History
and American Abolitionism and
Antislavery—and a variety of titles
in established series: New Studies
in U.S. Foreign Relations, Sacred
Landmarks, Voices of Diversity,
Translation Studies, True Crime
History, and the Wick Poetry Series.
Literary highlights include the first
volume of The Collected Stories
of Ray Bradbury and an engaging
biography of vagabond novelist Jim
Tully with a foreword by Ken Burns.
From true crime to literature,
regional studies to history, and
poetry to popular culture, our 2011
list has something to entice anyone
who loves good books.
24 Arguing Americanism: Pro-Franco
Lobbyists, Roosevelt’s Foreign Policy,
and the Spanish Civil War Chapman
25 Safe for Decolonization: The
Eisenhower Administration, Britain,
and Singapore Long
26Seeing Drugs: Modernization,
Counterinsurgency, and U.S.
Narcotics Control in the Third World,
1969–1976 Weimer
27Trilateralism and Beyond: Great
Power Politics and the Korean
Security Dilemma during and after
the Cold War Wampler
28A Cleveland Jewish Reader Rubinstein, Grabowski, Wertheim &
Bennett
29An Integrated Boyhood: Coming of
Age in White Cleveland Richards
30 Eric Mendelsohn’s Park Synagogue:
Architecture and Community Leedy
31 A Higher Contemplation: Sacred
Meaning in the Christian Art of the
Middle Ages Fliegel
32 Dedication: The Work of
William P. Ginther, Ecclesiastical
Architect Valleriano
14 The Story of a Thousand Tourgée
33 The Local World Rosenthal
15 Army Raiders: The Special Activities
Group in Korea Kiper
34 Tethering World Rambo
16Slings and Slingstones: The
Forgotten Weapons of Oceania and
the Americas York & York
17 Green Suns and Faërie: Essays on
J. R. R. Tolkien Flieger
18 Hemingway’s The Garden of Eden:
Twenty-five Years of Criticism del Gizzo & Svoboda
19 Hemingway, Race, and Art:
Bloodlines and the Colorline
Dudley
20 Darling Ro and the Benét
Women Hively
A Note from the Director
34 The Lonely-wilds Breese
35
35
36
44
45
46
47
IBC
New in Paper
Revised and Expanded
Recent Releases
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The Kent State University Press is a
proud member of the Association of
American University Presses.
1950s radio in color
The Lost Photographs of Deejay Tommy Edwards
Christopher Kennedy
Foreword by Terry Stewart
A remarkable collection of photographs by one of rock’s early
champions
Between 1955 and 1960, popular Cleveland deejay Tommy Edwards photographed the parade of performers who passed through the WERE-AM
radio studio for on-air interviews, shooting more than 1,700 Ektachrome
slides. Following his death in 1981, most of the collection vanished and was
presumed lost. The few images that remained were often reprinted and
rarely credited to Edwards, labeled “photographer unknown.” Until now.
Discovered by musician Chris Kennedy in 2006, Tommy Edwards’s
candid photographs capture the birth of rock ’n’ roll at its flashpoint: Elvis
Presley while he was still dangerous; a raw and incomplete Chuck Berry
before his star ascended; and some beady-eyed, high-voiced kid named
Roy Orbison. It wasn’t just the architects of rock music whom Edwards had
in his viewfinder. There were also pop and country music’s biggest stars,
mysterious, unknown hopefuls, and vulnerable, deglamourized Hollywood
celebrities. Edwards’s passion for photography immortalized hundreds of
pioneers of rock ’n’ roll and pop culture in the radio studio, a setting that
was often unseen. His photos offer a rare look behind a closed door.
In 2009, Kennedy located the only surviving copy of the “T.E. Newsletter” collection, Tommy Edwards’s self-published weekly two-page
recap of Cleveland radio and record news for music business insiders,
spanning from 1953 through 1960. The wealth of information and dates
contained in the newsletters are the photo collection’s indispensable companion piece, and Edwards’s anecdotal quips are interspersed throughout
the text of the book.
1950s Radio in Color gives Tommy Edwards his due recognition as
the deejay responsible for perhaps the most important photographic
and written documentation of twentieth-century music ever produced.
Featuring over 200 color photographs, this book will transport readers
back in time, allowing them to step into Edwards’s shoes for a moment
and to feel the wonder and excitement he must have felt every day while
witnessing a cultural revolution.
Christopher Kennedy is a passionate music fan and an accomplished
Music/Regional History March
Cloth $49.00t
isbn 978-1-60635-072-0
c. 264 pp., 8½ x 11
illustrations, index
songwriter and musician, having released five albums with the band Ruth
Ruth. He discovered this collection during his research into the long-lost
rock ’n’ roll film The Pied Piper of Cleveland, which is rumored to contain
some of the earliest footage of Elvis Presley. He is still looking for the
film. Terry Stewart is President and CEO of The Rock and Roll Hall of
Fame and Museum in Cleveland.
c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2
1
“Through extensive interviews
with insiders, the authors
chronicle WIXY’s relatively brief yet
exciting run and how the station
came to dominate the airwaves in
the ’60s and ’70s with a winning
combination of tastemaking
playlists, unforgettable on-air
personalities, and outlandish promotions. It’s a fun story, recounted
with ample humor.”
—John Soeder, Music Critic,
The Cleveland Plain Dealer
Black Squirrel Books September
Paper $22.95t
isbn 978-1-60635-099-7
c. 160 pp., 6 x 9
illustrations, biblio., index
Of Related Interest
Radio Daze: Stories from
the Front in Cleveland’s
FM Air Wars
Mike Olszewski
Paper $29.00t
isbn 978-0-87338-773-6
Rock ’n’ Roll and the
Cleveland Connection
Deanna R. Adams
Paper $39.00t
isbn 978-0-87338-691-3
wixy 1260
Pixies, Six-packs, and Supermen
Mike Olszewski and Richard Berg with Carlo Wolff
The story of one of Cleveland’s most popular and influential radio
stations
Before FM radio and the commanding album rock stations of the 1970s,
there was WIXY 1260, a tiny Northeast Ohio AM radio station that
became an entertainment powerhouse. Three visionaries assembled a
legendary staff of on-air personalities and, with savvy programming and
groundbreaking promotions, created WIXY 1260—a station that would
become synonymous with 1960s pop culture. A Midwest juggernaut,
WIXY aired everything from surf and Motown to country and the British
Invasion. Crossing cultural and generational lines in one of the hottest
radio markets in the country, it regularly took in more than fifty percent
of the Greater Cleveland audience.
Bob Weiss, Norman Wain, and Joe Zingale knew the kind of radio
Cleveland wanted to hear. They also knew how to market that sound to
make it a lifestyle. They bought a small station with a weak signal and
renamed it WIXY, and it wasn’t long before their competition fell by the
wayside. Mike Olszewski and Richard Berg spin a lively tale of popular
culture that will appeal to everyone from baby boomers to media scholars and cultural historians.
Mike Olszewski is a veteran radio and television personality, historian,
and educator. He is best known for his work at WMMS-FM and has written several books concerning the history of Northeast Ohio broadcasting. Along with many regional and national broadcasting awards, Mike
won a 2009 Emmy for his TV documentary Radio Daze: Cleveland’s FM
Air Wars. Along with his broadcasting career, he also teaches media and
communication courses at Kent State University, Notre Dame College,
and the University of Akron. Mike and his wife, Janice, live in Aurora,
Ohio. Richard Berg is a longtime media historian and is recognized as
one of the leading authorities on Northeast Ohio radio. Richard’s firsthand knowledge comes from close relationships he has established with
some of the biggest names in the industry. He’s currently working on
extensive projects concerning the history of Akron radio and Cleveland’s
KYW/WKYC-AM. Carlo Wolff, a journalist and pop culture historian
living in South Euclid, Ohio, is the author of Cleveland Rock & Roll
Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs,
Promoters, and Fans Who Made the Scene in the ’60s, ’70s, and ’80s.
Black Squirrel Books
The Black Squirrel Books imprint
includes new nonfiction for the
general reader as well as reprints of
valuable studies of Ohio and its people,
including historical writings, literary
studies, biographies, and literature.
2
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Animals of Ohio’s Ponds and
Vernal pools
David S. FitzSimmons
Photographs by Gary Meszaros
A fascinating and beautiful guide to Ohio’s extraordinary wetland wildlife
The Buckeye State’s many ponds and vernal pools are populated by a dizzying variety of wildlife. Animals of Ohio’s
Ponds and Vernal Pools takes a close-up look at unique
wetlands—from fascinating fish and amphibians to intriguing insects and birds—and examines pond and vernal pool
ecology, Ohio’s geologic history influencing wetland formation, and hydrology and energy cycles.
In prose that enlightens and entertains, author David S.
FitzSimmons uncovers both the rare and common life-forms
found in and around Ohio’s ponds and vernal pools. First he
discusses the Buckeye State’s variety of small lakes, covering
everything from managed farm ponds to glacially formed
basins. He then turns to vernal pools, temporary waters that
fill in the late winter or spring and dry up in the summer. He
describes specialized amphibian breeding habitats including a vivid account of rainy spring nights when hundreds
of mole salamanders slip into the filling waters while equal
numbers of wood frogs “clack” loudly in the dark. Accompanying these scientifically accurate and poetic descriptions are
Gary Meszaros’s extraordinary photographs, including closeups of multicolored dragonflies, underwater shots of fish, beautiful images
of birds, and idyllic vistas of Ohio’s serene ponds and secluded pools.
Animals of Ohio’s Ponds and Vernal Pools is a wonderful resource
about wetlands and wildlife that will inspire readers to learn about and
protect their own natural environments.
David S. FitzSimmons is a professor of English at Ashland University
in Ohio. A freelance writer and photographer, his work has appeared in
Ohio Magazine, Natural Ohio, Popular Photography & Imaging, Shutterbug, and other magazines, as well as in numerous newspapers and online
publications. Gary Meszaros, a retired schoolteacher, has been a dedicated nature photographer for more than twenty-five years. His photographs
have appeared in many publications, including Smithsonian, National
Wildlife, National Parks Magazine, Natural History, and Timeline.
Ohio History/Natural History September
Cloth $48.00t
isbn 978-1-60635-081-2
160 pp., 8¼ x 10½
photographs, index
Of Related Interest
Creatures of Change: An
Album of Ohio Animals
Carolyn V. Platt with
photography by Gary
Meszaros
Cloth $35.00t
isbn 978-0-87338-585-5
Birds of the Lake Erie
Region
Carolyn V. Platt with
photography by Gary
Meszaros
Paper $28.00t
isbn 978-0-87338-690-6
c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2
3
out and about with winsor french
James M. Wood
How a gay newspaper columnist dominated a city’s nightlife from
the 1930s to the 1960s
Biography/Regional History September
Paper $29.00t
isbn 978-1-60635-060-7
c. 224 pp., 6 x 9
illustrations, notes, biblio., index
Winsor French was a journalist with a singular voice. A self-described
“effeminate young man,” French occupied desks in city rooms drenched
with masculinity, enduring his colleagues’ homophobia and risking the
loss of his job by defending unconventional behavior. He ignored newspaper taboos by publishing the price of bootlegged liquor during Prohibition and by writing stories about “sepia” entertainers, Jewish socialites,
schoolchildren in wheelchairs, and men who found males more exciting
than females.
French’s reports of urban nightlife appeared in Parade, a magazine
he founded and edited, as well as in two Cleveland newspapers, the
News and the Press. His most illuminating observations were items in
an about-town column, a metropolitan newspaper format begun in the
1920s to publicize the local affairs of café society. French’s wanderlust,
however, led him to extend his geographical boundaries from downtown
Cleveland to the “smoke and music” haunts of Havana, Hollywood,
Manhattan, Paris, London, and Pago Pago. His sources were crooners,
deckhands, fan dancers, hoboes, gangsters, millionaires, redcaps, torch
singers, and several of the twentieth century’s most celebrated stage,
film, and literary artists, including Noël Coward, Marlene Dietrich, Cary
Grant, Somerset Maugham, and Cole Porter.
The four decades of French’s professional career are often described
as an era that forced homosexuals to be sexually vague and anonymous,
especially if they aspired to prominence in their local community. But
French’s life and career contradicted that assumption. He never hid his
sexuality yet achieved journalistic leadership and unchallenged influence
over Cleveland’s social life. Richly illustrated with contemporary news
photographs and editorial drawings, Out and About with Winsor French
documents the powerful role played by about-town columnists during a
raucous episode in the history of American newspapers.
James M. Wood is an award-winning journalist, former about-town
columnist for Cleveland Magazine, and author of four books on Cleveland social history: Halle’s: Memoirs of a Family Department Store, One
Hundred Twenty-Five, Helen’s Twentieth Century, and The Tavern.
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queen victoria’s stalker
The Strange Case of the Boy Jones
Jan Bondeson
The unusual tale of one of history’s earliest celebrity stalkers
Following her coronation in 1838, Britain’s Queen Victoria was a very
frightened young woman. She was being relentlessly pursued by a
strange teenager, Edward “the Boy” Jones, who had an uncanny ability to
sneak into Buckingham Palace without being detected. Once, he entered
her bedroom and stole her underwear, and twice he sat on the throne.
“If he had come into my bedroom, how frightened I would have been,”
the Queen wrote in her journal after the Boy Jones had been hauled out
from underneath a sofa in her dressing room.
As a result of his multiple intrusions into Buckingham Palace, the Boy
Jones became a media celebrity. His exploits were the subject of popular
verse, songs, and prints and lewd newspaper speculation about what
he had really seen in the young Queen’s dressing room. Fearful that he
might injure or even assassinate the Queen, or kidnap the Princess Royal,
the government of Prime Minister Lord Melbourne wanted to get rid of
the Boy Jones at all costs.
But “simple trespass,” even into Buckingham Palace itself, was not a
criminal offense. However, the government was so fearful of what tales
the Boy Jones might tell about the various intimate details he had seen
when spying in the Queen’s private rooms that Jones was twice tried in
camera and sentenced to three months in prison by the Privy Council.
He remains the last person to have been given this dubious honor.
Since the Boy Jones kept stalking the Queen, Lord Melbourne’s government took the extreme step of kidnapping him on board a ship bound
for Brazil. When he returned, he was again kidnapped by government
agents and forced to serve as a sailor in the Royal Navy for more than
five years without charge or trial.
Queen Victoria’s Stalker is the first full-length account of the Boy
Jones’s persistent stalking of Queen Victoria and the journalism and
literature inspired by his intrusions. By comparing this case to other
instances of celebrity stalking and discussing various theories of stalking
mentality, Jan Bondeson offers a fresh analysis of this unique and unclassifiable case.
Jan Bondeson is the author of several critically acclaimed books, includ-
ing Cabinet of Medical Curiosities, The Feejee Mermaid, The Two-Headed
Boy, The London Monster, The Great Pretenders, and the best-selling
Buried Alive. He teaches at Cardiff University, Wales.
“An enlightening study of the
phenomenon of celebrity stalking.”
—Albert Borowitz, author of
Musical Mysteries: From Mozart to
John Lennon and Blood and Ink: An
International Guide to Fact-Based
Crime Literature
True Crime History Series May
Cloth $29.95t
isbn 978-1-60635-077-5
c. 200 pp., 6 x 9
illustrations, index
USAC
c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2
5
Born to lose
Stanley B. Hoss and the Crime Spree That Gripped a
Nation
James G. Hollock
Foreword by James Jessen Badal
A small-time hoodlum who became the most hunted man in
America
True Crime History Series May
Paper $34.95t
isbn 978-1-60635-097-3
c. 384 pp., 6⅛ x 9¼
illustrations, notes, biblio., index
“Hollock’s total command of his
materials allows him to deftly shift
the character of his narrative from
a documentary-like recounting of
the events to a gripping evocation
of suspense worthy of a first-rate
novel.”
—from the Foreword
6
Stanley Barton Hoss was a burglar, thief, and local thug from the Pittsburgh area. In eight short months in 1969, however, he became a rapist,
prison escapee, murderer, and kidnapper; the subject of an intense
nationwide manhunt; and one of the FBI’s Ten Most Wanted.
In Born to Lose, author James G. Hollock traces Hoss from his earliest
misdemeanors at the age of fourteen to a daring rooftop escape from the
Allegheny Workhouse in Blawnox, Pennsylvania, where he was being
held on a rape charge, to his killing of police officer Joseph Zanella in
Oakmont, Pennsylvania, to his kidnapping near Cumberland, Maryland,
and ultimate murder of Linda Peugeot and her two-year-old daughter
Lori in the autumn of 1969. Their bodies have never been found.
Although indicted for the Peugeot kidnappings, these charges were
later dropped because it was determined his constitutional right to a
speedy trial was denied. Hoss was, however, convicted of the murder of
Officer Zanella and initially sentenced to death, and that sentence was
subsequently commuted to life in prison. But his killings didn’t end there.
In December 1973, while incarcerated at Western Penitentiary, Hoss conspired with two fellow white inmates in the savage murder of the popular
and well-respected corrections officer Lieutenant Walter Peterson, one of
the first African Americans hired by the Pennsylvania prison system. As
a result of this final homicide, Hoss was transferred to an isolation facility
in Philadelphia where in 1978 he hanged himself.
By consulting previously sealed state and federal archives and interviewing sixty individuals who witnessed or had significant knowledge of
Hoss’s series of felonies, James G. Hollock vividly re-creates the crimes,
police dispatches, and court proceedings in this gripping narrative. He
poignantly characterizes the players involved, especially those who suffered either directly or indirectly at the hands of Stanley B. Hoss.
James G. Hollock has 30 years of experience with the Pennsylvania
Department of Corrections, primarily at Western Penitentiary in Pittsburgh. James Jessen Badal is the author of In the Wake of the Butcher:
Cleveland’s Torso Murders, Twilight of Innocence: The Disappearance of
Beverly Potts, and Though Murder Has No Tongue: The Lost Victim of
Cleveland’s Mad Butcher, all published by The Kent State University Press.
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murder and martial justice
Spying and Retribution in World War II America
Meredith Lentz Adams
A remarkable story of how the U.S. military tortured German
POWs into confessing their guilt
During World War II, the United States maintained two secret interrogation camps in violation of the Geneva Convention—one just south
of Washington, D.C., and the other near San Francisco. German POWs
who passed through these camps briefed their fellow prisoners, warning
them of turncoats who were helping the enemy—the United States—
pry secrets from them. One of these turncoats, Werner Drechsler, was
betrayed and murdered by those he spied on.
U.S. military authorities reacted harshly to Drechsler’s death, even
though he was not the first captive to be assassinated by his fellow POWs.
How had military intelligence been compromised? Were fanatical Nazis
terrorizing their countrymen on American soil? Would Hitler take
reprisals against the GIs he held if the United States did not protect the
German POWs from violence and death while confined at the interrogation camps? At one of the secret camps, U.S. officials forced Drechsler’s
seven murderers to confess. The next problem faced by authorities was
how to court-martial them when their confessions were legally invalid.
Their secret trial was stage-managed to deliver death sentences while
apparently complying with U.S. and international law.
This presented U.S. authorities with further problems. The Geneva
Convention entitled the prisoners’ governments to the full facts about
their crimes, trials, and sentencing. Despite escalating German complaints, the War Department adopted a policy of giving as little information as possible about any of the several POW murder trials in order to
avoid releasing inconvenient facts about the Drechsler case. Unsurprisingly, the Reich began sentencing GIs to death. Gambling with American
lives, the War Department stalled every German attempt to trade these
men for the convicted German murderers until the war ended. Every
American was saved; every German but one was hanged.
The Drechsler case foreshadows current controversies: creative
circumvention of the Geneva Convention, secret interrogation centers,
torture, and the consequent problem of how to provide a fair trial to
prisoners coerced into self-incrimination. Author Meredith Lentz Adams
sees a familiar pattern of cover-ups, leading to difficulties with public and
international relations. In contrast to recent policies, she points out how
leaders during World War II felt constrained by their respect for Geneva
and by fear of retribution against their own soldiers.
Murder and Martial Justice is a fascinating and provocative book that
will appeal to those with an interest in World War II, POWs, international law, foreign policy, and true crime history.
True Crime History May
Cloth $45.00t
isbn 978-1-60635-075-1
c. 288 pp., 6 x 9
notes, biblio., index
“An expert dissection of the crime, its
witnesses, and Washington’s shifting
goals. Murder and Martial Justice is
an engaging and detailed murder
mystery, based on a solid examination of the various contradictions and
exasperating bureaucratic villains.”
—Arnold Krammer, author of Nazi
Prisoners of War in America and Undue
Process: The Untold Story of America’s
German Alien Internees
Meredith Lentz Adams, professor emeritus of history at Missouri State
University, taught German and Russian history and presented graduate
seminars about the Nuremberg War Crimes Trials for 37 years. She has
presented papers at many local, national, and international conferences
until retirement enabled her to write this book.
c a l l t o o r d e r 4 1 9 - 2 8 1 - 1 8 0 2
7
the Christmas murders
The Supernatural Murders
Edited by Jonathan Goodman
With a new Preface by Albert Borowitz
Edited by Jonathan Goodman
With a new Preface by Albert Borowitz
A seasonal gift for connoisseurs of true crime
Sure to capture the imagination of devotees of
true crime and the occult
Here are ten murder cases of “the old-fashioned
sort”—evoking a nostalgia more obviously associated with fiction—that all took place during the
festive period from mid-December to Twelfth Night
between 1811 and 1933. The settings of these grisly
tales range from the Knickerbocker Athletic Club
in New York (where a gentleman named Molineux
provided a drastic cure for hangovers by putting
cyanide in a gift-wrapped bottle of Bromo Seltzer) to
an apartment in Glasgow (home of a wealthy Scotswoman whose demise seemed to have been satisfactorily explained by local constables, until Arthur
Conan Doyle assumed the role of Sherlock Holmes)
and from a builder’s workshop in North London (site
of a murder committed by a man called Furnace, who
suited his criminal action to his name) to the elegant
dwelling of a ménage à trois near the Thames (scene
of a puzzling poisoning that, years later, Raymond
Chandler tried, unofficially, to solve).
In The Christmas Murders, Jonathan Goodman
has collected stories as fascinating and compulsively
readable as one would expect from a writer described
by Jacques Barzun as “the
greatest living master of
true-crime literature” and by
Julian Symons as “the premier
investigator of crimes past.”
True Crime History May
Paper $19.95t
isbn 978-1-60635-082-9
c. 224 pp., 5½ x 8½
illustrations
This anthology of thirteen
true crime stories includes
the mysterious slaying of
Charles Walton, who was
found slashed and pierced
to death in an area notorious for its associations with
black magic; the murder of
Eric Tombe, whose body
was located because of a
recurring dream in which
his mother saw Eric down a
well; the terrorizing of Hammersmith, London, in the
early nineteenth century by the nocturnal appearance
of a “ghost”; the Salem witchcraft trials; the murder
of Rasputin, who was believed by some in Russia to
be a miracle worker and by others to be a dangerous
charlatan; a Scottish tale in which evidence given by
the ghost of the victim was allowed at the murderer’s
trial; and the bizarre goings-on at 112 Ocean Avenue,
Amityville, New York, where Ronnie DeFeo Jr.
murdered his entire family—the new occupants were
subjected to all manner of sinister events, including
the presence of poltergeists, or were they?
True Crime History May
Paper $18.95t
isbn 978-1-60635-083-6
c. 206 pp., 5½ x 8½
illustrations
Jonathan Goodman, considered to have been Britain’s leading crime historian, died in January 2008.
After service in the RAF, he began his career in the theater, working first as a stage manager and then as a
producer. While with the theater in Liverpool, Goodman, who had already written a crime novel and the
entertaining Bloody Versicles (reprinted in the United States by The Kent State University Press, 1993), an
anthology of rhymes in crime, researched the celebrated case of William Wallace, who was convicted in
1931 of the murder of his wife Julia. The Killing of Julia Wallace (1969) was a great success, and Goodman’s
career took off. The Kent State University Press has published Goodman’s The Passing of Starr Faithfull
(1996), Tracks to Murder (2005), and Murder on Several Occasions (2007).
8
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the collected stories of ray
bradbury: a critical edition
Volume 1, 1938–1943
Edited by William F. Touponce and Jonathan R. Eller
William F. Touponce, General Editor
Inaugurating a critical edition of one of America’s most popular
storytellers
In the past, collections of Bradbury’s works have juxtaposed stories with
no indication as to the different time periods in which they were written.
Even the mid- and late-career collections that Bradbury himself compiled contained stories that were written much earlier—a situation that
has given rise to misconceptions about the origins of the stories themselves. In this new edition, editors William F. Touponce and Jonathan R.
Eller present for the first time the stories of Ray Bradbury in the order in
which they were written. Moreover, they use texts that reflect Bradbury’s
earliest settled intention for each tale. By examining his relationships
with his agent, editor, and publisher, Touponce and Eller’s textual commentaries document the transformation of the stories—and Bradbury’s
creative understanding of genre fiction—from their original forms to the
versions known and loved today.
Volume 1 covers the years 1938 to 1943 and contains thirteen stories
that have never appeared in a Bradbury collection. For those that were
previously published, the original serial forms recovered in this volume
differ in significant ways from the versions that Bradbury popularized
over the ensuing years. By documenting the ways the stories evolved
over time, Touponce and Eller unveil significant new information about
Bradbury’s development as a master of short fiction.
Each volume in the proposed three-volume edition includes a general
introduction, chronology, summary of unpublished stories, textual
commentary for each story, textual apparatus, and chronological catalog.
The Collected Stories of Ray Bradbury is edited to the highest scholarly
standards by the Center for Ray Bradbury Studies and bears the Modern
Language Association’s seal of approval for scholarly editions.
General editor William F. Touponce is professor of English and adjunct
professor of American studies at the Institute for American Thought at
Indiana University–Purdue University, Indianapolis. He is the coauthor,
with Jonathan R. Eller, of Ray Bradbury: The Life of Fiction (The Kent
State University Press, 2004) and editor of The New Ray Bradbury Review,
an annual review of the life and works of Ray Bradbury published by The
Kent State University Press. Jonathan R. Eller is professor of English and
senior textual editor for the Institute for American Thought. He is the
cofounder of the Institute’s Center for Ray Bradbury Studies and is textual editor for the Writings of Charles S. Peirce and The Works of George
Santayana. He is also the coauthor, with William F. Touponce, of Ray
Bradbury: The Life of Fiction. Since 2000, he has edited several archival
volumes of Bradbury’s fiction. Becoming Ray Bradbury, his extensive
study of Bradbury’s early career, is forthcoming.
“Beyond Ernest Hemingway, Ray
Bradbury has influenced more writers
than anyone else in the twentieth
century. Practically everyone has read
and loved his remarkable works.”
—William F. Nolan, coauthor of
Logan’s Run
“Ray Bradbury’s work makes the spirit
sing . . . an undeniable medicine for
melancholy which anyone who is ‘in’
on its magical properties has been
self-administering since they first
encountered it, be that exposure to a
novel or one of the hundreds of short
stories with which he has justifiably
made his reputation. Truly, those who
have grown tired of Ray Bradbury’s
gentle eloquence—by turns chilling
and uplifting—have grown tired
of the lyricism of language and the
wonder of words.”
—Peter Crowther, Editor,
PostScripts (UK)
“The early stories of Ray Bradbury
are among my very favorites. Highly
colored—frightening and exalting at
once—these stories helped launch
the young Ray Bradbury, over the
next ten years, into international
stardom.”
—Greg Bear, Hugo and Nebula
Award–winning author of
Blood Music and The Forge of God
“Ray Bradbury occupies a place all his
own in the history of the fantastic, in
his approach to life itself—passionate, vital, endlessly involved. All that
can be felt in these early stories, an
engagement with life and a promise
of things to come from a writer whose
life is as much a creation as the fiction
itself.” —James Gunn, Damon Knight
Memorial Grand Master of the Science
Fiction and Fantasy Writers of America
Literature and Literary
Criticism Now Available
Cloth $65.00s
isbn 978-1-60635-071-3
544 pp., 61/8 x 91/4
illustrations, appendixes, notes,
textual apparatus, index
USAC
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9
jim tully
American Writer, Irish Rover, Hollywood Brawler
Paul J. Bauer and Mark Dawidziak
Foreword by Ken Burns
The first biography of the hard-boiled vagabond writer who
rocked Hollywood during the Roaring Twenties
“Wonderful, hugely important”—Ken Burns, from the Foreword
“If all men wrote as honestly as Jim
Tully, setting forth their goodness
and their nastiness equally, with no
attempt at exaggerating either, books
would be better and fewer.”
—The Saturday Review of Literature
Biography/Literature May
Cloth $39.95t
isbn 978-1-60635-076-8
376 pp., 6⅛ x 9¼
appendix, illustrations, notes, index
The son of an Irish ditch-digger, Jim Tully (1886–1947) left his hometown
of St. Marys, Ohio, in 1901, spending most of his teenage years in the
company of hoboes. Drifting across the country as a “road kid,” he spent
those years scrambling into boxcars, sleeping in hobo jungles, avoiding railroad cops, begging meals from back doors, and haunting public
libraries. After six years on the road, he jumped off a railroad car in Kent,
Ohio, with wild aspirations of becoming a writer. While chasing his
dream, Tully worked as a chain maker, boxer, newspaper reporter, and
tree surgeon. All the while he was crafting his memories of the road into
a dark and astonishing chronicle of the American underclass.
After moving to Hollywood and working for Charlie Chaplin, Tully
began to write a stream of critically acclaimed books mostly about his
road years, including Beggars of Life, Circus Parade, Blood on the Moon,
Shadows of Men, and Shanty Irish. He quickly established himself as a
major American author and used his status to launch a parallel career as
a Hollywood journalist. Much as his gritty books shocked the country,
his magazine articles on movies shocked Hollywood. Along the way,
he picked up such close friends as W. C. Fields, Jack Dempsey, Damon
Runyon, Lon Chaney, Frank Capra, and Erich von Stroheim. He also
memorably crossed paths with Jack London, F. Scott Fitzgerald, George
Bernard Shaw, James Joyce, and Langston Hughes.
Sure to be the definitive biography for decades to come, Jim Tully:
American Writer, Irish Rover, Hollywood Brawler compellingly describes
the hardscrabble life of an Irish American storyteller, from his immigrant
roots, rural upbringing, and life as a hobo riding the rails to the emergent
dream factory of early and Golden Age Hollywood and the fall of his
fortunes during the Great Depression.
Many saw the dark side of the American dream, but none wrote about
it like Jim Tully.
Paul J. Bauer is a used and rare book dealer in Kent, Ohio. He is the coauthor of Frazier Robinson’s autobiography, Catching Dreams: My Life in the Negro Baseball Leagues. Mark Dawidziak has been the television critic at
The Cleveland Plain Dealer since 1999. A theater, film, and television reviewer for thirty years, his many nonfiction books include The Barter Theatre Story: Love Made Visible, The Columbo Phile: A Casebook, Mark My
Words: Mark Twain on Writing, The Night Stalker Companion: A 25th Anniversary Tribute, Horton Foote’s The
Shape of the River: The Lost Teleplay about Mark Twain, and The Bedside, Bathtub & Armchair Companion to
Dracula. He is also a novelist and a playwright. Ken Burns has been making documentary films since the early
1980s. He has directed and produced some of the most acclaimed historical documentaries ever made, including
The Civil War, Baseball, Jazz, The War, and The West.
10
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“feel the bonds that draw”
Images of the Civil War at the Western Reserve
Historical Society
Christine Dee
A Civil War sesquicentennial volume featuring the collection of
one of the nation’s leading historical societies
For a century and a half, images of the Civil
War have allowed millions of Americans to
experience, commemorate, and reinterpret the conflict. Photographs, engravings,
lithographs, and original artwork have
revealed heroic volunteers, mobilized regiments, battle preparations, and the war’s
grim aftermath.
“Feel the Bonds That Draw” presents
nearly 200 images from the extensive Civil
War photographic collections of Cleveland’s Western Reserve Historical Society,
complementing author Christine Dee’s
reflections on topics such as historical
memory, the war as economic engine, and
the impact of mobilization and combat on
civilians and the environment.
Included in the volume are stirring
images by Mathew Brady, preeminent Civil War photographer, and by
Henry Moore, who documented military fortifications and soldiers, particularly at Fort Pulaski on the Sea Islands of South Carolina and Georgia.
Moore photographed troops in traditional poses and groupings, and he
captured the likenesses of formerly enslaved African Americans. These
latter pictures played an important role in shaping public opinion in the
North in support of emancipation.
“Feel the Bonds That Draw” is a fine addition to the library of anyone
interested in the history of America’s cruelest conflict.
WRHS Illustrated History Series September
Cloth $34.95t
isbn 978-1-60635-091-1
c. 160 pp., 81/2 x 11
illustrations, notes, biblio, index
Published in cooperation with the Western Reserve Historical Society
Christine Dee is assistant professor of history at Fitchburg State Univer-
sity in Fitchburg, Massachusetts, and is the author of Ohio’s War: The
Civil War in Documents.
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11
shadows of antietam
Robert J. Kalasky
A revolutionary re-creation of the historic Antietam Battlefield
photographs
“Kalasky has produced a seminal study
on the photography of Antietam. This
important work should be required
reading for all serious students of the
battle.”
—Ted Alexander, Chief Historian,
Antietam National Battlefield
“Kalasky brings to the living the dead
of Antietam.”
—Dennis Frye, author of Antietam
Revealed
Civil War History/Military History October
Cloth $49.00t
isbn 978-1-60635-088-1
c. 224 pp., 11 x 8½
illustrations, notes, biblio., index
The Battle of Antietam, fought in Sharpsburg, Maryland, on September 17,
1862, was the bloodiest single day of the Civil War, with 23,000 casualties
on both sides. While the battle was tactically inconclusive, it resulted in
two significant milestones. First, because Robert E. Lee failed to carry
the war successfully into the North, Great Britain was dissuaded from
recognizing the Confederate States of America diplomatically. Second,
the battle gave President Abraham Lincoln the confidence to issue the
Emancipation Proclamation.
After the battle, two photographers sent by Mathew Brady—
Alexander Gardner and James Gibson—recorded the horror of war with
the first-ever images of dead American soldiers. Gardner’s and Gibson’s
legendary photos have been the subject of debate for decades. The lack of
information about locations, dates, and times in the thousands of photographs taken during the war has limited any thorough understanding of
the photographers’ work and led to much speculation.
In Shadows of Antietam, Robert J. Kalasky has painstakingly re-created
Gardner’s and Gibson’s output, retracing their footsteps by location, date,
and time to chronologically and sequentially place their images. With
the help of reenactors and black-and-white photography, Kalasky has
assembled a comprehensive study, based on sunlight and shadow, of the
74 known glass plates recorded by Gardner and Gibson at Antietam. Civil
War photography historians and buffs will appreciate this groundbreaking research for correcting previous errors and misjudgments made
about the photographers’ trek across the battlefield and for answering
150-year-old questions about their photographs.
Robert J. Kalasky attended Kent State University and graduated from
the Northeast Ohio School of Massotherapy. He is currently a practicing
massotherapist and is a lifelong resident of Youngstown, Ohio.
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“they have left us here to die”
The Civil War Prison Diary of Sgt. Lyle G. Adair, 111th U.S.
Colored Infantry
Edited by Glenn Robins
The chronicle of a Union soldier’s seven months in captivity
Besides the risks of death or wounding in combat, the average Civil War
soldier faced the constant threat of being captured by the enemy. It is
estimated that one out of every seven soldiers was taken captive—more
than 194,000 of them from Union regiments—and held in prison camps
infamous for breeding disease and death.
Sgt. Lyle G. Adair of the 111th United States Colored Troops joined
the thousands of Union prisoners when part of his regiment tasked
with guarding the rail lines between Tennessee and northern Alabama
was captured by Confederate cavalrymen. Adair, who had first enlisted
in the 81st Ohio Volunteer Infantry at the age of seventeen and later
became a recruiting agent in the 111th, spent the remainder of the war
being shuffled from camp to camp as a prisoner of war. By the war’s end,
he had been incarcerated in five different Confederate camps: Cahaba,
Camp Lawton, Blackshear, Thomasville, and Andersonville.
“They Have Left Us Here to Die” is an edited and annotated version
of the diary Sergeant Adair kept of his seven months as a prisoner of
war. The diary provides vivid descriptions of each of the five camps as
well as insightful observations about the culture of captivity. Adair notes
with disdain the decision of some Union prisoners to take the oath of
allegiance to the Confederacy in exchange for their freedom and covers
the mock presidential election of 1864 held at Camp Lawton, where he
and his fellow inmates were forced to cast votes for either Lincoln or
McClellan. But most significantly, Adair reflects on the breakdown of the
prisoner exchange system between the North and South, especially the
roles played by the Lincoln administration and the Northern home front.
As a white soldier serving with African Americans, Adair also makes
revealing observations about the influence of race on the experience of
captivity.
Complete with numerous annotations comparing Adair’s accounts
with other diaries, memoirs, and official reports, “They Have Left Us Here
to Die” provides a platform for delving deeper into the culture of captivity
and the Civil War soldier experience.
Glenn Robins is associate professor of history at Georgia Southwestern
State University, just outside Andersonville. He is the author of The
Bishop of the Old South: The Ministry and Civil War Legacy of Leonidas
Polk and coeditor of and contributor to America and the Vietnam War:
Re-examining the Culture and History of a Generation.
Civil War in the North Series November
Cloth $19.95t
isbn 978-1-60635-101-7
c. 72 pp., 5½ x 8½
illustrations, notes, biblio., index
Civil War in the North Series
Lesley J. Gordon, Editor
Civil War in the North highlights
innovative scholarship that broadens our
understanding of what the American
Civil War meant to Northern society.
Launched in 2006, this series encompasses overlooked and underresearched
topics, from the battlefield to the home
front, from the antebellum era through
Reconstruction.
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13
The Story of a Thousand
Albion W. Tourgée
Edited by Peter Luebke
Forgotten Civil War testimony from a major American writer
Civil War in the North Series November
Cloth $59.00t
isbn 978-1-60635-102-4
c. 516 pp., 6 x 9
illustrations, appendix, notes,
biblio., index
This facsimile edition of Albion W. Tourgée’s regimental history of the
105th Ohio Volunteer Infantry was first published in 1896. Tourgée, a
lawyer and outspoken abolitionist from Williamsfield, Ohio, is best
known for his semi-fictional novels about the reconstruction of the
South following the Civil War, A Fool’s Errand and Bricks Without Straw.
Both critically acclaimed best sellers, the novels catapulted Tourgée and
his relentless efforts to secure equality for African Americans into the
national spotlight.
The Story of a Thousand also received a warm reception upon its
publication, although it never achieved the level of recognition of his other
works. Written at the behest of his former comrades in the 105th Ohio, The
Story of a Thousand draws on Tourgée’s own wartime papers, as well as
diaries, letters, and recollections of other veterans, to detail the remarkable
story of the regiment during its campaigns
in Tennessee, Kentucky, Georgia, and Sherman’s March to the Sea. Tourgée concentrates
on the lives and experiences of the enlisted
soldiers, describing the backgrounds of the
men and how they rallied around the Union
flag as citizen soldiers and also on discussions
about the role of slavery as the impetus of
the war. Tourgée’s concern for the common
soldier prefigures the scholarship of twentiethcentury historians, such as Bell Irvin Wiley,
who devoted attention to the men in the ranks
rather than the generals and politicians in
charge.
Historian Peter Luebke revives Albion W.
Tourgée’s lost testimony of the war in this
new edition of The Story of a Thousand. He
includes an index and a scholarly introduction
that draws on extensive research to describe
the writing, production, and reception of
the book. Luebke also places the work in the
context of recent Civil War scholarship. The
inclusion of famed illustrator Frederic Remington’s engravings, which
accompanied the book’s serialization in The Cosmopolitan magazine in
1894 and 1895, also enhances the text.
Scholars, students, and enthusiasts of the Civil War and Ohio history
are sure to enjoy this military account by one of Reconstruction’s harshest and most articulate critics.
Peter Luebke received a B.A. from the College of William & Mary and
an M.A. in history from the University of Virginia. He studies the American Civil War, with a focus on Northern soldiers.
14
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Army Raiders
The Special Activities Group in Korea
Richard L. Kiper
Examines the role of American special operations during the
Korean War
Despite being an elite combat unit and
participating in highly classified and
dangerous missions in Korea, members of the Far East Command Raider
Company and its parent organization,
the Special Activities Group, have
received little attention from historians. Typically relegated to a paragraph
at most, but more often a footnote,
the Raider story usually begins and
ends on the night of September 12,
1950, with a raid near Kunsan. From
then until being inactivated on March
31, 1951, the Special Activities Group
simply disappears from Korean War
histories. Army Raiders corrects this
omission.
Primarily the history of one company and its headquarters, Army Raiders tells the story of ordinary human
beings who carried out extraordinary
missions. Boarding rubber boats in the Yellow Sea and paddling far
behind enemy lines, they landed at Inchon, sailed to the Wonsan area of
North Korea, and conducted counter-guerrilla operations until overwhelming Chinese intervention forced all Allied units to withdraw from
the North. Those critical missions continued into the difficult fighting of
early 1951.
Much of Army Raiders is based on the words of the participants themselves. Using little-known primary sources, oral histories, and official
records, author Richard L. Kiper tells this unit’s riveting tale. Where
possible, first-person accounts have been verified and supplemented with
official reports, maps, and documents. In reconciling personal memories
and official reports, Army Raiders fills a gap in the historiography of the
Korean War.
U.S. Army photograph
History/Military History August
Cloth $39.95t
isbn 978-1-60635-084-3
c. 320 pp., 6 x 9
illustrations, maps, appendixes,
notes, biblio., index
Richard L. Kiper is a retired lieutenant colonel (West Point, 1967) who
earned his Ph.D. in history from the University of Kansas. He is the
author of Major General John Alexander McClernand: Politician in Uniform (The Kent State University Press, 1999), the coauthor of U.S. Army
Special Operations in Afghanistan, and the editor of Dear Catherine, Dear
Taylor: The Civil War Letters of a Union Soldier and His Wife. Kiper has
taught at West Point, the U.S. Army Command and General Staff College,
and Kansas City Kansas Community College. He is currently an analyst
at the U.S. Army Counterinsurgency Center in Ft. Leavenworth, Kansas.
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15
Slings and Slingstones
Anthropolgy/Archaeology/
Weapons October
Cloth $55.00s
isbn 978-1-60635-107-9
c. 224 pp., 7 x 10
illustrations, notes, biblio., index
The Forgotten Weapons of Oceania and the Americas
Robert York and Gigi York
A fascinating examination of an overlooked weapon
For most of us, our knowledge of slings and slingstones begins and ends
with the biblical tale of David slaying Goliath. Scholars and archaeologists have told us that slings like the one David employed were common
in the Old World, used not just for shepherd boys to kill giants but for
protecting herds, hunting, and combat. However, few scholars have
addressed the function slings have occupied outside of Eurasian civilizations, especially their use in Oceania and the Americas.
In this astounding new archaeological survey, authors Robert York
and Gigi York examine the history of Oceania and the Americas to unveil
the significant role slings and slingstones played in developing societies.
They present new evidence that suggests that unlike David who plucked
rounded pebbles from a stream, inhabitants of the Pacific Islands deliberately fashioned sling missiles out of coral, stone, and clay into uniquely
deadly shapes. They also show that the use of slings in the Americas was
more pervasive and inclined to variability than previously recognized.
Well documented, bountifully illustrated, and thoroughly researched,
Slings and Slingstones is sure to engage readers interested in expanding
their knowledge of the past. It is an essential
reference for archaeologists, historians, and
students of the history of arms and weaponry.
Robert York and Gigi York are fellows of the
University of Wyoming’s Frison Institute of
Archaeology and Anthropology in Laramie. They
also hold research associate appointments at the Nevada
State Museum in Carson City and at the Commonwealth of
the Northern Marianas Islands Museum of History and Culture
in Saipan. Between them, they share some sixty years of professional
experience in the fields of archaeology, museum collections, and
cultural resources management. They have written and published
numerous reports and articles about their work.
16
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Green Suns and Faërie
Essays on J. R. R. Tolkien
Verlyn Flieger
A major contribution to the growing body of Tolkien scholarship
With the release of Peter Jackson’s The Lord of the
Rings movie trilogy and forthcoming film version of
The Hobbit, J. R. R. Tolkien’s popularity has never been
higher. In Green Suns and Faërie, author Verlyn Flieger,
one of world’s foremost Tolkien scholars, presents
a selection of her best articles—some never before
published—on a range of Tolkien topics.
The essays are divided into three distinct sections.
The first explores Tolkien’s ideas of sub-creation—the
making of a Secondary World and its relation to the
real world, the second looks at Tolkien’s reconfiguration of the medieval story tradition, and the third
places his work firmly within the context of the twentieth century and modernist literature. With discussions ranging from Tolkien’s concepts of the hero to
the much-misunderstood nature of Bilbo’s last riddle
in The Hobbit, Flieger reveals Tolkien as a man of both
medieval learning and modern sensibility—one who
is deeply engaged with the past and future, the regrets
and hopes, the triumphs and tragedies, and above all
the profound difficulties and dilemmas of his troubled
century.
Taken in their entirety, these essays track a major
scholar’s deepening understanding of the work of the
master of fantasy. Green Suns and Faërie is sure to
become a cornerstone of Tolkien scholarship.
Verlyn Flieger is professor of English at the University of Maryland
where she teaches courses on Tolkien, medieval and modern literature,
and comparative mythology. She has written three books on Tolkien:
Splintered Light, A Question of Time, and Interrupted Music (all published
by The Kent State University Press). She has also edited a critical edition
of Tolkien’s novella Smith of Wootton Major and an expanded edition
with notes and commentary of Tolkien’s most influential theoretical
essay, “On Fairy-Stories.”
Literature and Literary
Criticism August
Paper $24.95t
isbn 978-1-60635-094-2
c. 224 pp., 6 x 9
notes, biblio., index
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17
Hemingway’s The Garden of Eden
Twenty-five Years of Criticism
Edited by Suzanne del Gizzo and Frederic J. Svoboda
Hemingway Studies/
Literature and Literary
Criticism August
Cloth 55.00s
isbn 978-1-60635-080-5
c. 352 pp., 6⅛ x 9¼
illustrations, notes, biblio., index
First book-length study of the novel that transformed Hemingway scholarship
When The Garden of Eden appeared in 1986, roughly twenty-five years
after Ernest Hemingway’s death, it was a watershed event that changed
readers’ and scholars’ perceptions of the famous American author. Following five months in the life of protagonist David Bourne, a rising
young writer of fiction, and his highly intelligent but artistically frustrated wife, Catherine, the novel is unique among Hemingway’s works.
Its exploration of gender roles and identities, unconventional sexual
practices, race, and artistic expression challenged the traditional notions
scholars and readers had of the iconic writer, and it sparked a debate that
has revolutionized Hemingway studies.
It was also the first of Hemingway’s posthumously published novels
to garner a storm of criticism regarding the editing of its text. Many
comparative studies have been done between the original manuscript,
which contains over 2,000 pages, and its heavily edited published version, which has little over 200 pages. Despite the whirlwind surrounding
The Garden of Eden, no book-length study of the novel has ever been
published—until now.
In Hemingway’s The Garden of Eden, editors Suzanne del Gizzo and
Frederic J. Svoboda have collected the best essays and reviews—pieces
that examine the novel’s themes, its composition and structure, and the
complex issue of editing a manuscript for posthumous publication—and
placed them in a single, cohesive volume. Among the included works
are E. L. Doctorow’s famous New York Times review “Braver Than We
Thought,” a new essay by Tom Jenks examining his editing process in
“Editing Hemingway: The Garden of Eden,” and Mark Spilka’s “Hemingway’s Barbershop Quintet: The Garden of Eden Manuscript,” a precursor
to his groundbreaking study of Hemingway’s concerns with sex and
gender roles, Hemingway’s Quarrel with Androgyny.
Hemingway’s The Garden of Eden is a must-read text for scholars,
students, and readers of Hemingway.
Suzanne del Gizzo is assistant professor of English at Chestnut Hill Col-
lege in Philadelphia. She received her Ph.D. in English literature from
Tulane University in 2003. Her articles and reviews on Hemingway have
appeared in The Hemingway Review, Journal of the History of Sexuality,
Modern Fiction Studies, and other publications. She is a board member of
the Ernest Hemingway Foundation and Society. Frederic J. Svoboda is
chair of the Department of English at the University of Michigan–Flint.
He received his Ph.D. in English from Michigan State University in 1978.
He is the author of Hemingway and The Sun Also Rises: The Crafting of a
Style and the coeditor of Hemingway: Up in Michigan Perspectives.
18
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HEMINGWAY, RACE, AND ART
Bloodlines and the Color Line
Marc Kevin Dudley
A social historical reading of Hemingway through the lens of race
William Faulkner has long been considered the great racial interrogator of the early-twentieth-century South. In Hemingway, Race, and Art,
author Marc Kevin Dudley suggests
that Ernest Hemingway not only
shared Faulkner’s racial concerns
but extended them beyond the
South to encompass the entire
nation. Though Hemingway wrote
extensively about Native Americans
and African Americans, always in
the back of his mind was Africa.
Dudley sees Hemingway’s fascination with, and eventual push toward,
the African continent as a grand
experiment meant to both placate
and comfort the white psyche, and
to challenge and unsettle it, too.
Twentieth-century white
America was plagued by guilt in
its dealings with Native Americans; simultaneously, it faced an
increasingly dissatisfied African American populace. Marc Kevin Dudley
demonstrates how Hemingway’s interest in race was closely aligned to
a national anxiety over a changing racial topography. Affected by his
American pedigree, his masculinity, and his whiteness, Hemingway’s
treatment of race is characteristically complex, at once both a perpetuation of type and a questioning of white self-identity.
Hemingway, Race, and Art expands our understanding of Hemingway
and his work and shows how race consciousness pervades the texts of
one of America’s most important and influential writers.
Hemingway Studies/American
Literature/African American
Studies September
Cloth $45.00s
isbn 978-1-60635-092-8
c. 160 pp., 6 x 9
notes, biblio., index
Marc Kevin Dudley is assistant professor of English at North Carolina
State University in Raleigh. He received his Ph.D. from the University
of North Carolina at Chapel Hill. He has published in the Hemingway
Review and is currently at work on an anthology of Afro-European literature. This is his first book.
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19
Darling Ro and the Benét Women
Evelyn Helmick Hively
The first book-length study of a gifted American writer and her
life during the 1920s
Biography/Literature July
Cloth $34.95s
isbn 978-1-60635-096-6
c. 160 pp., 5½ x 8½
illustrations, notes, biblio., index
Of Related Interest
The Benét name immediately evokes Stephen Vincent and his older
brother William Rose, Pulitzer Prize–winning poets and novelists during the first half of the twentieth century. Less well remembered are the
remarkable women related to the Benét brothers, including Rosemary
Carr, Stephen’s wife; Laura, his sister; Elinor Wylie, William’s second
wife; and Kathleen Norris, the popular novelist who raised the children
of her brother-in-law William.
Darling Ro and the Benét Women presents a revealing glimpse of social
and literary life in New York and Paris during the 1920s. Using a recently
released collection of letters from the Benét Collection at Yale University,
author Evelyn Helmick Hively extracts captivating anecdotes and impressions about a talented group of writers and impressive feminist figures.
Written by Rosemary Carr Benét to her mother, Dr. Rachel Hickey Carr
(one of Chicago’s first women physicians), the compilation of letters and
short dispatches from Paris provides the focus of the book.
A gifted poet and journalist, Rosemary Carr was a prolific writer of
articles for the New York Herald-Tribune, Harper’s Bazaar, and Vogue; of
stories and poems for The New Yorker and other magazines; and hundreds of letters. She belonged to a remarkably skillful, social, and artistic
group of men and women who bonded early in life, and her letters paint
fascinating portraits of their lives, careers, and relationships.
Darling Ro and the Benét Women offers an insider’s perspective of a
well-known cosmopolitan American family.
Evelyn Helmick Hively has been professor of English, director of American Studies, academic dean, and vice president of the American Association of State Colleges and Universities. She is the author of Willa Cather’s
Novel Cycle and A Private Madness: The Genius of Elinor Wylie (The Kent
State University Press, 2003) and the editor of Selected Works of Elinor
Wylie (The Kent State University Press, 2005).
A Private Madness
Evelyn Hively
Paper, $29.00t
isbn 978-0-87338-746-0
Selected Works of Elinor
Wylie
Evelyn Helmick Hively
Paper, $29.00t
isbn 978-0-87338-829-0
20
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Literature in Translation
Teaching Issues and Reading Practices
Edited by Carol Maier and Françoise Massardier-Kenney
New pedagogy for studying literature in translation
In the last several decades, literary works from around the world have
made their way onto the reading lists of American university and college
courses in an increasingly wide variety of disciplines. This is a cause for
rejoicing. Through works in translation, students in our mostly monolingual society are at last becoming acquainted with the multilingual and
multicultural world in which they will live and work. Many instructors
have expanded their reach to teach texts that originate from across the
globe. Unfortunately, literature in English translation is frequently taught
as if it had been written in English, and students are not made familiar
with the cultural, linguistic, and literary context in which that literature
was produced. As a result, they submit what they read to their own
cultural expectations; they do not read in translation and do not reap the
benefits of intercultural communication. Here a true challenge arises for an instructor. Books in translation
seldom contain introductory information about the mediation that translation implies or the stakes involved in the transfer of cultural information. Instructors are often left to find their own material about the author
or the culture of the source text. Lacking the appropriate pedagogical
tools, they struggle to provide information about either the original work
or about translation itself, and they might feel uneasy about teaching
material for which they lack adequate preparation. Consequently, they
restrict themselves to well-known works in translation or works from
other countries originally written in English.
Literature in Translation: Teaching Issues and Reading Practices squarely addresses this pedagogical lack. The book’s sixteen essays provide for
instructors a context in which to teach works from a variety of languages
and cultures in ways that highlight the effects of linguistic and cultural
transfers.
Carol Maier is professor of Spanish at Kent State University, where she
is affiliated with the Institute for Applied Linguistics. A recipient of
translation fellowships from both the NEA and NEH, she has written
extensively on translation theory; coedited, with Anuradha Dingwaney,
Between Languages and Cultures: Translations and Cross-Cultural Texts;
and published translations of work by numerous authors, most recently
Nivaria Tejera’s The Ravine and Rosa Chacel’s Dream of Reason.
Françoise Massardier-Kenney is professor of French and director of the
Institute for Applied Linguistics at Kent State University. She is the editor
of the American Translators Association Scholarly Series and coeditor
of the journal George Sand Studies. Her publications include the monograph Gender in the Fiction of George Sand, the newly edited edition of
Translating Slavery, Volumes 1 and 2 (The Kent State University Press,
2009), and translations of Sand’s Valvèdre and Antoine Berman’s Toward
a Translation Criticism: John Donne (The Kent State University Press,
2009).
Translation Studies Series Now Available
Cloth $49.00s
isbn 978-1-60635-049-2
Paper $39.00s
isbn 978-1-60635-108-6
272 pp., 6 x 9
notes, biblio., index
Of Related Interest
Translating Slavery,
Volume 1
Doris Y. Kadish and
Françoise MassardierKenney
Paper, $39.95
isbn 978-1-60635-008-9
Translating Slavery,
Volume 2
Doris Y. Kadish and
Françoise MassardierKenney
Paper, $29.95s
isbn 978-1-60635-020-1
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21
The Imperfect Revolution
Anthony Burns and the Landscape of Race in
Antebellum America
Gordon S. Barker
Gripping re-examination of the rendition of Anthony Burns
American Abolitionism and
Antislavery Series Now Available
Cloth $39.95s
isbn 978-1-60635-069-0
192 pp., 6 x 9
notes, index
American Abolitionism and
Antislavery Series
John David Smith, Editor
American Abolitionism and Antislavery
is a new series that will present the best
scholarship on antislavery activism and
abolitionism in the eighteenth- and
nineteenth-century United States. The
series will include books by promising
young scholars as well as by established
leaders in the field. Volumes published
in the series will include biographies,
monographs, anthologies, and new editions of classic works on the antislavery
and abolitionist crusades.
22
On June 2, 1854, crowds lined the streets of Boston, hissing and shouting
at federal authorities as they escorted the fugitive slave Anthony Burns
to the ship that would return him to his slaveholders in Virginia. Days
earlier, handbills had littered the streets decrying Burns’s arrest, and abolitionists, intent on freeing Burns, had attacked with a battering ram the
courthouse in which he was detained, leaving one dead, several wounded,
and thirteen in custody. In the end it would take federal officials nearly
2,000 troops and $40,000 to send Burns back to Virginia. No fugitive
slave would be captured in Boston again.
Carried out under the Fugitive Slave Act of 1850, which permitted
slaveholders to seize runaway slaves across state lines by merely testifying ownership, Burns’s arrest and Boston’s subsequent campaign to free
him is generally regarded by scholars as the impetus that spurred the
adoption of outright confrontational tactics by abolitionists across the
North—an impetus that led, ultimately, to war. Such interpretations,
however, gloss over the confusion and chaos many midcentury Bostonians felt over abolition.
In The Imperfect Revolution, author Gordon Barker challenges the
traditionally held notion that the rendition of Anthony Burns fueled an
antislavery groundswell in the North. He exposes the diverse beliefs—
many of which were less than noble—held by Bostonians struggling to
make sense of the racial, class, and ethnic conflicts arising in the city.
Drawing on newspaper accounts, cutting-edge scholarship, and Burns’s
own writings, Barker shows how antislavery sentiments competed with a
wide range of other opinions, including the desire to preserve the Union
as it was, concerns about preserving law and order, mistrust of whites by
their black neighbors, and outright racism.
A much-needed addition to the study of abolition and antislavery
activism, The Imperfect Revolution will be of value to historians and students.
Gordon S. Barker is assistant professor of history at Bishop’s University
in Quebec, Canada. His works have appeared in the Virginia Magazine of
History and Biography and the American Encyclopedia of Civil Liberties.
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Interpreting American History
The Age of Andrew Jackson
Edited by Brian D. McKnight and James S. Humphreys
The inaugural volume in a new historiography series
Historians possess the power to shape the view of history
for those who come after them. Their efforts to illuminate
significant events of the past often result in new interpretations, which frequently conflict with ideas proposed by earlier
historians. Invariably, this divergence of thoughts creates a
dissonance between historians about the causes and meanings
of prior events. The Kent State University Press’s new Interpreting American History Series aims to help readers learn how
truth emerges from the clash of interpretations present in the
study of history.
In the series’s first volume, Interpreting American History:
The Age of Andrew Jackson, experts on Jacksonian America
address the changing views of historians over the past century
on a watershed era in U.S. history. A two-term president of
the United States, Jackson was a powerful leader who widened
constitutional boundaries on the presidency, shaping policy
himself instead of deferring to the wishes of Congress.
The essayists in this volume review the most important issues
of the period—including the Corrupt Bargain, Nullification
Crisis, Indian Removal Act, and Jacksonian democracy, economics, and
reform—and discuss their interpretation over the last hundred years by
such historians as Frederick Jackson Turner, Richard Hofstadter, Arthur M.
Schlesinger Jr., Sean Wilentz, Robert V. Remini, Daniel Feller, and David
Walker Howe.
An insightful compilation of essays, Interpreting American History:
The Age of Andrew Jackson will acquaint readers with the nineteenthcentury world of Andrew Jackson and the ways in which historians have
interpreted his life and times.
Brian D. McKnight is associate professor of history at University of Virginia’s College at Wise. He is the editor of Life in the Coal Camps of Wise
County and author of Contested Borderland: The Civil War in Appalachian Kentucky and Virginia. James S. Humphreys is assistant professor
of Southern history at Murray State University in Kentucky. He is the
author of Francis Butler Simkins: A Life.
Interpreting American History
Series November
Paper $29.95s
isbn 978-1-60635-098-0
c. 160 pp., 5½ x 8½
notes, biblio., index
Interpreting American History Series
Brian D. McKnight and
James S. Humphreys, Editors
Intended for graduate students and
others interested in historiography, the
Interpreting American History Series surveys historiographical interpretations of
important U.S. historical eras and events,
examining not only the intellectual shifts
that have taken place but the various
catalysts that drove these shifts.
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23
Arguing Americanism
Pro-Franco Lobbyists, Roosevelt’s Foreign Policy, and
the Spanish Civil War
Michael E. Chapman
New Studies in U.S. Foreign
Relations Series September
Cloth $60.00s
isbn 978-1-60635-078-2
c. 288 pp., 6⅛ x 9¼
appendix, notes, biblio., index
New Studies in U.S. Foreign Relations
Series
Mary Ann Heiss, Editor
This series focuses on works that
expand the parameters of U.S. foreign
relations. Chronologically broad and
topically diverse, it is designed to further
the internationalization—indeed,
globalization—of the field by publishing a wide variety of innovative books,
including interdisciplinary studies, that
place the United States within a larger,
transnational context. Areas of focus
include, but are not limited to, identity
formation and projection, borderlands
studies, comparative history, and
cultural transfer.
The struggle to define U.S. national identity through a political
struggle in Spain
In 1938 the United States was embroiled in a vicious debate between
supporters of the two sides of the Spanish Civil War, who sought either
to lift or to retain the U.S. arms embargo on Spain. The embargo, which
favored Gen. Francisco Franco’s Nationalist regime over the ousted
Republican government of the Loyalists, received heavy criticism for
enabling a supposedly fascist-backed takeover during a time when the
Nazi party in Germany was threatening the annexation of countries
across Europe. Supporters of General Franco, however, saw the resistance
of the Loyalists as being spurred on by the Soviet Union, which sought to
establish a communist government abroad.
Since World War II, American historians have traditionally sided with
the Loyalist supporters, validating their arguments that the pro-Nationalists were un-American for backing an unpalatable dictator. In Arguing
Americanism, author Michael E. Chapman examines the long-overlooked
pro-Nationalist argument. Employing new archival sources, Chapman
documents a small yet effective network of lobbyists—including engineer
turned writer John Eoghan Kelly, publisher Ellery Sedgwick, homemaker Clare Dawes, muralist Hildreth Meière, and philanthropist Anne
Morgan—who fought to promote General Franco’s Nationalist Spain and
keep the embargo in place.
Arguing Americanism also goes beyond the embargo debate to examine the underlying issues that gripped 1930s America. Chapman posits
that the Spanish embargo argument was never really about Spain but
rather about the soul of Americanism, the definition of democracy, and
who should do the defining. Pro-Loyalists wanted the pure democracy of
the ballot box; pro-Nationalists favored the checks and balances of indirect democracy. By pointing to what was happening in Spain, each side
tried to defend its version of Americanism against the foreign forces that
threatened it. For Franco supporters, it was the spread of international
Marxism, toward which they felt Roosevelt and his New Deal were too
sympathetic. The pro-Nationalists intensified an argument that became
a precursor to a fundamental change in American national identity—a
change that would usher in the Cold War era.
Arguing Americanism will appeal to political scientists, cultural historians, and students of U.S. foreign relations.
Michael E. Chapman is associate professor of history at Peking University.
He has published several journal articles and books, including Lessons of
the War in Spain and Thesis Writer’s Guide. He divides his time between
Beijing and Boston, where he lives with his wife and two children.
24
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Safe for Decolonization
The Eisenhower Administration, Britain, and Singapore
S. R. Joey Long
How America left its indelible footprint on the culture and politics
of Singapore
In the first decade after World War II, Singapore underwent radical
political and socioeconomic changes with the progressive retreat of
Great Britain from its Southeast Asian colonial empire. The United States,
under the Eisenhower administration, sought to fill the vacuum left by
the British retreat and launched into a campaign to shape the emerging
Singapore nation-state in accordance with its Cold War policies. Based
on a wide array of Chinese- and English-language archival sources from
Great Britain, the Netherlands, Singapore, and the United States, Safe
for Decolonization examines in depth the initiatives—both covert and
public—undertaken by the United States in late-colonial Singapore.
Apart from simply analyzing the effect of American activities on the
politics of the island, author S. R. Joey Long also examines their impact
on the relationship between Great Britain and the United States, and how
the Anglo-American nuclear policy toward China and the establishment
of a regional security institution (the Southeast Asia Treaty Organization) affected the security and decolonization of a strategic British base.
Long sketches a highly detailed and nuanced account of the relations
between the United States, Great Britain, and Singapore. He not only
describes the often clumsy attempts by covert American operatives to
sway top political leaders, infiltrate governments, influence labor unions,
and shape elections, but he also shows how Eisenhower’s public initiatives proved to have far-reaching positive results and demonstrates that
the Eisenhower administration’s policies toward Singapore, while not
always well advised, nonetheless helped to lay the foundation for friendly
Singapore–U.S. relations after 1960.
As the first multi-archival work on the U.S. intervention in Singapore,
Safe for Decolonization makes an important contribution to the literature
on Southeast Asia–U.S. relations. It will be of interest to specialists in
decolonization, diplomatic history, modern Southeast Asian history, and
the history of the early Cold War.
New Studies in U.S.
Foreign Relations Series June
Cloth $60.00s
isbn 978-1-60635-086-7
c. 288 pp., 6⅛ x 9¼
notes, biblio., index
S. R. Joey Long is assistant professor of history and international affairs
at the S. Rajaratnam School of International Studies, Nanyang Technological University, Singapore. A Fulbright scholar in 2010, Long received
his Ph.D. in history from the University of Cambridge. His research
interests are in the history of Southeast Asia–U.S. relations and contemporary Asia-Pacific security.
c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2
25
Seeing Drugs
Modernization, Counterinsurgency, and U.S. Narcotics
Control in the Third World, 1969–1976
Daniel Weimer
New Studies in U.S. Foreign
Relations Series June
Cloth $65.00s
isbn 978-1-60635-059-1
c. 328 pp., 6⅛ x 9¼
maps, notes, biblio., index
“Daniel Weimer’s Seeing Drugs
puts a new spin on scholarship
dealing with U.S. drug-control
policy during the period 1969–
1976 by examining it through the
lens of cultural diplomacy.”
—Mary Ann Heiss, Editor, New
Studies in U.S. Foreign Relations
Series
“Essential reading for anyone
interested in both the history of
U.S. drug policy and the process
of modernization during the Cold
War.”
—William O. Walker III, author of
Drug Control in the Americas and
Opium and Foreign Policy
A timely historical analysis of a persistent global problem
Since its declaration in the early 1970s, the American drug war has
spanned the globe in a quest to stop the flow of illegal drugs into the
United States. Explaining the conceptual framework within which policymakers understood illegal opium production and trafficking, Seeing
Drugs examines the genesis of the war on drugs during the Nixon and
Ford administrations when the United States developed the policies that
set the parameters of subsequent American drug control abroad.
Faced with rising heroin use in the United States and the fear of
drug-addicted Vietnam veterans carrying their affliction home and
propelled by the belief that heroin addiction spreads like a contagious
disease, U.S. officials identified three Third World nations—Thailand,
Burma, and Mexico—as the primary sources of illegal narcotics servicing
the American drug market. Author Daniel Weimer demonstrates that
drug-control officials in these countries confronted a host of interlocking
factors shaping the illicit narcotics trade and that, in response to these
challenges, policymakers applied modernization and counterinsurgency
theory to devise strategies to assist the Thai, Burmese, and Mexican
governments in curbing drug trafficking. The Nixon and Ford administrations sincerely believed their policies could rein in the narcotics trade
and diminish addiction within the United States. In the end, however,
the drug war only guaranteed continued American intervention in the
Third World, where the majority of illegal drug crops grew.
Through interdisciplinary and comparative analysis, Seeing Drugs
examines the contours of the burgeoning drug war, the cultural significance of drugs and addiction, and their links to the formation of national
identity within the United States, Thailand, Burma, and Mexico. By
highlighting the prevalence of modernization and counterinsurgency
discourse within drug-control policy, Weimer reveals an unexplored and
important facet of the history of U.S–Third World interaction.
Daniel Weimer is assistant professor of history at Wheeling Jesuit University, where he teaches courses on contemporary America, international
relations, and environmentalism. His current research explores the
theme of the control of nature within American foreign relations.
26
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Trilateralism and Beyond
Great Power Politics and the Korean Security Dilemma
during and after the Cold War
Edited by Robert A. Wampler
A new study that sheds light on the history of a critical Cold War
flashpoint
The fall of the Berlin Wall more than two decades ago brought an end to
the Cold War for most of the world. But the legacy of that era remains
unresolved on the divided Korean peninsula, which still presents a clear
danger for the United States and its allies. Two triangular alliances—one
comprised of the United States, South Korea, and Japan, and the other of
Russia, China, and North Korea—lie at the heart of the security challenge and all efforts to pursue a final peace treaty.
Trilateralism and Beyond brings together a collection of essays by
leading American, South Korean, and Japanese scholars that probe the
historical dynamics formed and driven by the Korean security dilemma.
Drawing on newly declassified documents secured by the National Security Archive’s Korea Project, along with new archival resources in China
and former Warsaw Pact countries, the contributors examine the critical
relationship between the United States and South Korea, exploring the
delicate balancing act of bolstering the security alliance and fostering
greater democracy in South Korea. The volume expands its focus to
include Japan and a look at the history and future challenges of trilateral
security cooperation on the peninsula; impending difficulties for security
cooperation between the United States, South Korea, and Japan; and
the trials that Russia and China have experienced in dealing with an
often demanding, unpredictable ally in North Korea. The authors move
beyond simple images of ideological support by the two great powers to
draw a more complex and nuanced picture.
Trilateralism and Beyond offers an essential historical perspective on
one of the most enduring challenges for U.S. foreign policy—ensuring
stability on the tumultuous Korean peninsula.
New Studies in U.S. Foreign
Relations Series October
Cloth $55.00s
i sbn 978-1-60635-104-8
c. 192 pp., 61/8 x 91/4,
notes, biblio., index
Robert A. Wampler is a senior fellow at the National Security Archive, a
nonprofit foreign policy research institute based at George Washington
University. He is the editor of three declassified document collections,
including The United States and Japan: Diplomatic, Security and Economic Relations, 1960–1976 and 1977–1992 and The United States and the Two
Koreas, 1969–2000. He also is coeditor of Partnership: The United States
and Japan, 1951–2001.
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27
Remembering: Cleveland’s Jewish
Voices
Edited by Judah Rubinstein, John J. Grabowski, Sally H.
Wertheim, and Alan Bennett
A literary collection that gives voice to a
significant Northeast Ohio immigrant community
Voices of Diversity Series April
Paper $24.00t
isbn 978-1-60635-074-4
352 pp., 6 x 9
illustrations, notes, biblio.,
index
Since the early nineteenth century, Cleveland
and the surrounding region have benefited from
the emigration of European Jewry. A unique
anthology of essays, short stories, and poems,
Remembering gathers for the first time
rare and previously inaccessible writings about
the Jewish experience in Northeast Ohio.
Dating from the late 1800s to the 1980s, this
collection is organized along five major themes—
arts and culture, civic life, work and business,
continuity, and philanthropy and service. The
editors present a variety of voices that discuss the
Jewish cultural gardens, Yiddish theater, socialism in the working class
and women’s role in the Garment Strike, the cigar industry and Jewish
farming, the Alsbacher Document, philanthropic efforts by the Jewish
Community Federation of Cleveland, and many other topics.
Including two pieces by editor Judah Rubinstein, A Cleveland Jewish
Reader presents a narrative approach to regional history and will appeal
to students of cultural history, urban studies, and Ohio history, as well as
to members of the Jewish community.
Published in Cooperation with the Jewish Community Federation of Cleveland
Voices of Diversity Series
John J. Grabowski, Editor
In celebration of the Cleveland area’s
rich ethnic heritage, Voice of Diversity
focuses on firsthand accounts of the
ethnic experience in Northeast Ohio.
Through personal narratives, translations
or reprints of previously published
accounts, and hard-to-find histories of
regional immigrant communities, the
stories and experiences of the people
who make up this diverse community
are told, adding to our understanding of
the history of the region.
28
Judah Rubinstein (1921–2003) helped develop and maintain the Cleveland
Jewish Archives at the Western Reserve Historical Society. He began his
career documenting local Jewish history at the Jewish Theological Seminary’s American Jewish History Center and was the first research director
of the Jewish Community Federation. He is the coauthor of Merging Traditions: Jewish Life in Cleveland (The Kent State University Press, 2004). John
J. Grabowski is the Krieger-Mueller Associate Professor of Applied History
at Case Western Reserve University and vice president for collections at
the Western Reserve Historical Society. Sally H. Wertheim is dean emeritus
and professor emeritus of education at John Carroll University. Alan Bennett, executive vice president emeritus of the Jewish Education Center of
Cleveland, is a founder of the National Association of Temple Educators.
He is the author of The Vision and the Will: A History of the National Association of Temple Educators, 1954-2004.
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An Integrated Boyhood
Coming of Age in White Cleveland
Phillip M. Richards
The memoir of a bookish black youth in mid-twentieth century
Cleveland
When Phillip M. Richards graduated from Yale in 1972, he had fulfilled
his parents’ dreams. Like many other black Clevelanders of their generation, they had come up from the South in the late forties and moved
from neighborhood to neighborhood in search of better schools. As
they followed bourgeois African Americans’ circular migration from Mt.
Pleasant to Lee Harvard to South Taylor Road and finally to Forest Hills,
Richards’s parents provided him with all of what they called “the good
situations”—major work, classes at the Institute of Music, Boy Scouts,
and education at University School—which midcentury Cleveland could
offer its most ambitious new black residents.
In An Integrated Boyhood, Richards candidly describes how this
exemplary middle-class Cleveland sojourn left him hopelessly confused
and dislocated at the very moment of his parents’ triumph. His narrative
of success provides the background to a more private turmoil: Richards’s
struggle to read the shifting meanings of his privileged experience amid
the city’s shifting racial lines, the fringe on the Left, the tumult of rising
black consciousness, and the fears of nervous white suburban neighbors.
This coming-of-age story sings the undersong of an older generation’s
hard-won success. Like all black Clevelanders, Richards was forced to
struggle for his understanding of the city’s—and his own—endless racial
confusion in the midst of frightening historical change. It is this reality that recurs throughout Richards’s memoir: the early encounters of a
scared, bookish African American boy from Mt. Pleasant with what can
only be described as the real world.
Voices of Diversity Series September
Cloth $29.95t
isbn 978-1-60635-100-0
c. 160 pp., 6 x 9
illustrations
Phillip M. Richards teaches at Colgate University, where he is a professor in the Department of English. He is the author of Black Heart: The
Moral Life of Recent African American Letters. He has published widely in
professional journals and literary magazines.
c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2
29
Sacred Landmarks Series
Laura Wertheimer, Editor
Michael J. Tevesz, Founding
Editor
A collaborative publishing venture
between the Kent State University
Press and Cleveland State University’s
College of Liberal Arts and Social
Sciences, the Sacred Landmarks Series
includes both works of scholarship and
general interest that preserve history
and increase understanding of religious
sites, structures, and organizations in
Northeast Ohio, in the United States, and
around the world.
Sacred Landmarks Series September
Cloth $45.00t
isbn 978-1-60635-085-0
c. 192 pp., 8½ x 11
illustrations, notes, biblio., index
Eric Mendelsohn’s Park Synagogue
Architecture and Community
Walter C. Leedy Jr.
Edited by Sara Jane Pearman
A thorough examination of an influential building and the architect behind its design
Eric Mendelsohn’s modernist building, The Park Synagogue in Cleveland Heights, Ohio, is one of the most significant post–World War II
buildings in the United States. Notable for its magnificent dome and its
natural wooded setting, it also had an immense architectural influence
on other religious structures in the Midwest.
Erected during the late 1940s, the Synagogue was built in response to
a large majority of the downtown Cleveland Jewish population moving
to the eastern suburbs. In 1934, under the leadership of Rabbi Armond
Cohen, the struggling Anshe Emeth Beth Tefilo congregation bought the
twelve-acre property of the defunct Park School in Cleveland Heights
and later purchased an additional twenty-one acres of land adjacent to
the Park property owned by John D. Rockefeller. Plans were developed
for a new synagogue to be designed and built by the famous European
architect Eric Mendelsohn. Today The Park Synagogue, dedicated in 1950,
is home to one of the nation’s major Conservative congregations.
Eric Mendelsohn’s Park Synagogue tells the story of the construction of
The Park Synagogue and examines how Mendelsohn consciously sought
to express the ideals and traditions of the congregation and Judaism
in its architectural forms. From one of the world’s largest copper-clad
domes weighing 680 tons to the shape of the sanctuary and spectacular
bimah, Mendelsohn sought to incorporate the architecture into Jewish
ritual and worship. He favored dramatic curves of glass walls, circular
stairwells, and porthole windows, and he used the circle as a dominant
form throughout his career. The Park Synagogue is one of the few Mendelsohn buildings that remains virtually as it was built.
Author Walter C. Leedy Jr. discusses how the construction of The Park
Synagogue solidified the congregation, attracted new members, and set
the stage for expansion into the next century. Eric Mendelsohn’s Park
Synagogue brings unique insight into the development of the American
Jewish community during the post–World War II period and into the
evolution of Mendelsohn’s architecture.
Walter C. Leedy Jr. was an architectural historian and a professor at
Cleveland State University. He passed away in 2006, shortly before Eric
Mendelsohn’s Park Synagogue was finished. The book was completed by
his longtime personal friend, Sara Jane Pearman, who is now retired
from the Cleveland Museum of Art.
Photo by Bruce Cline
30
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A Higher Contemplation
Sacred Meaning in the Christian Art of the Middle Ages
Stephen N. Fliegel
Understanding medieval Christian art
Sacred Landmarks Series October
Cloth $42.00t
isbn 978-1-60635-093-5
c. 136 pp., 8½ x 11
illustrations, notes, glossary,
biblio., index
During the Middle Ages, religious art had a variety of functions and
was prevalent in churches, public spaces, and private homes. Sculptures
and paintings were used as altarpieces, movable images, choir screens,
piers or niches, and reliquaries. They were placed behind, above, or near
altars as well as on pulpits, lecterns, building exteriors, holy water fonts,
tombs, and roadside shrines. They were also used for private devotion in the home. In addition to the obvious didactic function of
religious images in medieval art, they filled other needs of both
the beholder and the church: veneration. Candles were lit and
censed before the sacred images; offerings were made in
the name of the figures who were honored and cherished
in a very direct way. Sacred images, an aid to meditation,
served to remind Christians of the pious and virtuous
lives of the saints and of their sacrifices. They embellished sacred spaces, giving them an otherworldly luster.
Sacred art was an important ingredient in the formative
power and energy of medieval piety.
Some of the most profound and enduring works of art
in Western civilization were produced for private devotion
and public worship. Indeed, many of the most significant
artists of the Middle Ages and Renaissance earned their
livelihoods producing religious art in the service of the
church. To access and understand this art today, we
must be aware of its context, its intended audience, and
its functions in the public or private space. In A Higher
Contemplation, author Stephen N. Fliegel introduces
medieval Christian iconography and its forms, meaning,
function, context, and symbolism to twenty-first-century
audiences. Serving as a guide to the subtleties, complexities, richness, range, and antiquity of medieval Christian
artistic traditions and the multiple levels in which they can
be understood, this book will aid the reader in a journey
of discovery and understanding of those sacred images.
Beautifully designed with full-color illustrations throughout, A Higher Contemplation will appeal to students, teachers, travelers, art lovers, and those with an interest in the
culture of the Middle Ages and the history of religion.
Stephen N. Fliegel is curator of medieval art at the
Cleveland Museum of Art. He has published numerous
scholarly articles, catalogs, and books on the subject of
medieval art and has organized several international
exhibitions on the subject. He lectures widely and is the
author of Resplendent Faith: Liturgical Treasuries of the
Middle Ages (The Kent State University Press, 2009).
Fundación Colección Thyssen-Bornemisza, Pedralbes
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Dedication
The Work of William P. Ginther, Ecclesiastical Architect
Anthony J. Valleriano
An illustrated compendium of a prolific designer of Ohio churches
Sacred Landmarks Series October
Cloth $39.00t
isbn 978-1-60635-103-1
c. 128 pp., 8½ x 11
illustrations, notes, biblio., index
Akron-based architect William P. Ginther (1858–1933) designed sixtythree Roman Catholic churches, primarily in Ohio and Pennsylvania.
Dedication is the first book to document his architectural designs. By
combining historical images with twenty-first-century photographs,
author Anthony J. Valleriano presents the most comprehensive overview
of Ginther’s architectural career available today.
The son of German immigrants, Ginther demonstrated considerable
drawing skills at an early age. In grade school, he was known for illustrating pictures of the school building and grounds. As his skills advanced,
Ginther was encouraged to study architecture as a profession at Buchtel
College (now the University of Akron). Frank Wheary, a leading Akron
architect of the time, spotted Ginther’s drawing talents and promptly
put him to work. Under Wheary’s guidance, Ginther learned the craft of
architectural drafting and engineering and helped design and supervise
the construction of his first building, McKinley Church, in Canton, Ohio.
Ginther became one of the most influential ecclesiastical
architects in Ohio during the late nineteenth and early twentieth centuries. The designer of churches in Cleveland, Akron,
Columbus, Pittsburgh, Erie, and many other communities,
he defined the sense of sacred space for countless worshipers and enriched the aesthetic and religious lives of the
region’s residents.
Those interested in religious architecture or in Ohio
historical architecture will find Dedication a valuable addition to their libraries.
Anthony J. Valleriano is graphic design manager
at Case Western Reserve University.
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The Local World
Mira Rosenthal
Winner of the 2010 Stan and Tom Wick Poetry Prize
Maggie Anderson, Judge
“Mira Rosenthal’s The Local World incorporates deeply lived experience
and mystery in a fluent shape-shifting that can take you anywhere—and
bring you back, changed. The poems are beautifully crafted narratives of
loss, travel, and salvage. There is a damaged family at the heart of these
poems, an abandoned farm, and many rooms, parks, and train cars in far
places. Yet, like all really good poems, Rosenthal’s language consistently
rises above its cries to wonder and beauty. What a joy to find this stunning first book to award the Stan and Tom Wick Poetry Prize.”
—Maggie Anderson, Judge
Wick Poetry First Book #17 September
Paper $15.00t
isbn 978-1-60635-105-5
c. 72 pp., 5½ x 8½
Mira Rosenthal’s poetry has appeared widely in journals, including Ploughshares, The American Poetry Review, Notre Dame Review, West Branch, and
Slate. Her translations of Polish poetry have appeared in numerous journals and anthologies, and in 2007 Zephyr Press published her translation
of The Forgotten Keys by Tomasz Rozycki. She has received grants from the
NEA, the PEN American Center, ACLS, and the Fulbright Commission, as
well as fellowships from the MacDowell Colony, the Vermont Studio Center, the Banff Center, and elsewhere. She is also the founding editor of Lyric
Poetry Review. After graduating from Reed College, she earned an M.F.A.
from the University of Houston and is currently a doctoral candidate in
comparative literature at Indiana University.
The Stan and Tom Wick Poetry Prize is awarded annually to a poet who has not
previously published a full-length collection of poems. It is made possible through the Wick
Poetry Center, directed by David Hassler. For guidelines, write to David Hassler, Director, Wick
Poetry Center, 301 Satterfield Hall, Kent State University, P.O. Box 5190, Kent, Ohio 44242-0001;
email the Wick Center at [email protected]; or visit them online at www.kent.edu/wick.
Recent First Book Winners
Visible Heavens
Joanna Solfrian
The Infirmary
Edward Micus
Far from Algiers
Djelloul Marbrook
Constituents of Matter
Anna Leahy
Intaglio
Ariana-Sophia M. Kartsonis
c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2
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Tethering World
The Lonely-wilds
Jody Rambo
Elizabeth Breese
“Jody Rambo’s poems push and pull, travel and rest,
occupy and set free. Her ‘tether’ both holds her fast
to the facts and words that make up our world, but
at the same time it liberates her to roam and travel,
inclined as she says, ‘to wander off into the green
beyond recoverable limits.’ What I admire most
about this book is the way the wide arc of history
and narrative and the smallest gesture of image and
word come together—tethered—into something
wondrous and new.” —Jeffrey Thomson
“Jody Rambo’s first book of poetry, Tethering World,
is lyrical, tactile, and transcendent—in a word,
enthralling. The very texture embodies a personal
way of seeing and saying, as does the extraordinary
range of circumstances. There is a beguiling strangeness to the writing, and philosophical smarts to boot.
‘I am weatherly,’ says the speaker in Tethering World,
and she truly is, singularly so. This book is poetry
top to bottom.” —Marvin Bell
“Pitched between Emily Dickinson’s ‘Dare you see
a Soul at the White Heat?’ and William Blake’s ‘I
want! I want!,’ Jody Rambo’s Tethering World offers
an elegant, somatic pastoral, a ‘weatherly’ sensibility that forges the post-Lapsarian realm of loss and
desire into an alchemical mix of rue, awe, beauty,
and change—what John Keats called a ‘vale of soulmaking.’ Intelligent, prescient, eloquent, Rambo’s
tethering of poems compels us to inherit its manifold, exquisitely wrought linguistic ravishments, its
vision.” —Lisa Russ Spaar
Jody Rambo holds an M.F.A. from Colorado State
University. Her poems have appeared in Barrow
Street, Gulf Coast, Notre Dame Review, Quarterly
West, Verse, Virginia Quarterly Review, and other
publications. She is the recipient of two Individual
Excellence Awards from the Ohio Arts Council, as
well as a Jerome Foundation Travel and Study Grant.
She teaches creative writing at Wittenberg University
in Springfield, Ohio.
Wick Poetry Chapbook Series Four, #9 January
Paper $7.00t
isbn 978-1-60635-073-7
c. 36 pp., 51/2 x 81/2
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“Traveling from her pastoral America to Neruda’s
Chile and the Ireland of St. Kevin, Elizabeth
Breese sings the lonely-wild lyric of ditch flowers
and raw honey, tornados and radios, broken
birds and sailors lost at sea. Her ars poetica: ‘little
bee hand in pocket editions, the rough- / cut
paper combs, dancing for the things it loves.’”
—Harryette Mullen
“As with Dickinson and Stevens, to understand an
Elizabeth Breese poem is beside the point; one
apprehends it, the way one does a scent or strain
of music. Roving, impure, funny, brainy, and
passionate, hers is work I want to keep beside me
for the good company and generous pleasures it
offers line by gorgeous line.” —Kathy Fagan
Elizabeth Breese teaches composition at the
Columbus College of Art and Design. She
received her M.F.A. from The Ohio State University. Recent poems have appeared or are forthcoming in Barrow Street, FIELD, and Hayden’s
Ferry Review.
Wick Poetry Chapbook Series Four, #10 January
Paper $7.00t
isbn 978-1-60635-070-6
c. 36 pp., 51/2 x 81/2
Manuscripts for the Wick Poetry Chapbook Series are
selected through an open competition of Ohio poets and
through a competition for students enrolled in Ohio colleges
and universities. For guidelines, write to David Hassler,
Director, Wick Poetry Center, 301 Satterfield Hall, Kent State
University, P.O. Box 5190, Kent, Ohio 44242-0001; email the
Wick Center at [email protected]; or visit them online at
www.kent.edu/wick.
New in Paper
Revised and Expanded
The Ohio &
Erie Canal: A
Glossary of
Terms
“Ungraspable
Phantom”
Essays on MobyDick
Edited by John
Bryant, Mary K.
Bercaw Edwards, and
Timothy Marr
“By invoking the notion
of Melville’s ‘ungraspable
phantom of life,’ the editors of this volume want to suggest that the collection
as a whole acknowledges the multiplicity in Melville’s
novel. If Moby-Dick is ‘ungraspable,’ it is only because
it cannot be grasped through one approach only.
And the fact that the novel lends itself to multiple
approaches and numerous interpretations accounts
for both its appeal to some and repulsion for others.”
—from the Preface
Melville Studies Paper $59.00s
isbn 978-1-60635-068-3
392 pp., 6 x 9
biblio., index
Second Edition,
Revised and
Expanded
Compiled by Terry K.
Woods
People who lived and worked on and alongside the
Ohio & Erie Canal had a vocabulary all their own.
Originally published in 1995, this glossary was the
first to list in one source the terms used to describe
the boats, crews, locks, equipment, and canals. Terry
K. Woods provides a dictionary of primary terms
selected from official reports as well as terms taken
from interviews with former boatmen. This new edition includes additional terms and a new introduction detailing the canal’s route—elevation, engineering, locks, feeders, and the businesses and communities along the way.
Terry K. Woods is past president of both the Canal
Society of Ohio and the American Canal Society. He
is former editor of Towpaths, the journal of the Canal
Society of Ohio, and is widely recognized as an expert
on the Ohio & Erie Canal. He is also the author of
Ohio’s Grand Canal: A Brief History of the Ohio & Erie
Canal (The Kent State University Press, 2008).
Regional Paper $15.00t
isbn 978-1-60635-106-2
c. 56 pp., 51/2 x 81/2
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Recent Releases
The Last Muster
Musical Mysteries
Images of the
Revolutionary War
Generation
Maureen Taylor
With David Allen
Lambert
From Mozart to John
Lennon
Albert Borowitz
A remarkable work of documentary history, The Last
Muster is a collection of rare nineteenth-century
photographic images—primarily daguerreotypes,
ambrotypes, and carte de visite paper photographs—of
the Revolutionary War generation. This extraordinary
volume assigns faces to an un-illustrated war and
tells the stories of our nation’s founding fathers and
mothers, updating and supplementing research last
collected and published over a century ago.
Cloth $45.00t isbn 978-1-60635-055-3
Though Murder Has
No Tongue
The Lost Victim of
Cleveland’s Mad Butcher
James Jessen Badal
With an Afterword
and Appendix by
Cathleen A. Cerny,
M.D.
James Jessen Badal tells
a gripping tale of justice
gone wrong in this story
about Frank Dolezal, the
only man actually arrested for the infamous “Torso
Murders” in Cleveland, Ohio, during the 1930s. It is
also a modern story of forensic analysis as compelling as an episode of CSI. Using 1930s police reports,
inquest testimony, autopsy and archival photographs,
notes from primary investigators, and analyses from
top forensic anthropologists and medical examiners, Badal establishes the facts, dispels rumors, and
presents a thorough examination of the actual cause
of Frank Dolezal’s mysterious death and theorizes on
the identity of the real killer. Included are an analysis
of the likely killer and a chronology of his gruesome
spree by forensic psychiatrist Cathleen Cerny.
Paper $22.95t isbn 978-1-60635-062-1
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In Musical Mysteries,
renowned true crime
historian Albert Borowitz
turns his attention to the
long and complex history
of music and crime. This
interdisciplinary study
of musical crimes and
criminals offers readers Borowitz’s characteristic
close, learned analysis and insightful, engaging prose
and will appeal to true crime aficionados as well as
students of social and music history.
Cloth $32.00t isbn 978-1-60635-026-3
The Adventuress
Murder, Blackmail, and
Confidence Games in the
Gilded Age
Virginia A.
McConnell
This is the tale of Minnie
Walkup, a nineteenthcentury black widow, and
her remarkable life of
crime. Author Virginia
A. McConnell tells a story
full of scandal, gossip,
theft, and murder and reveals the fascinating cast of
characters who revolved around Walkup, including a
former Louisiana governor and senator, a prominent
Ohio banking family, the partner of a famous railway
tycoon, and a sleazy New Orleans district court judge.
Cloth $29.95t isbn 978-1-60635-034-8
Meet Me on Lake Erie,
Dearie!
The Sportswriter
Who Punched Sam
McDowell
Cleveland’s Great Lakes
Exposition, 1936–1937
John Vacha
In the summers of 1936
and 1937 the Great Lakes
Exposition was presented
in Cleveland, Ohio, along
the Lake Erie shore, just
north of the downtown
business area. At the time,
Cleveland was America’s sixth largest city. The Exposition commemorated the centennial of Cleveland’s
incorporation and was conceived as a way to energize
a city hit hard by the Great Depression. More than
seven million people visited the Exposition during its
two-summer run.
Paper $24.95t isbn 978-1-60635-058-4
And Other Sports Stories
Bob Dolgan
When he retired in 2006,
Bob Dolgan had been a
sportswriter for forty-five
years at the Cleveland
Plain Dealer. Known for
his unique perspectives
on sports figures, Dolgan’s style, instincts, and
experience as a reporter were evident in his columns
that were beloved by his readers and admired by his
colleagues. As one of the “deans” of Cleveland sports
writing, Dolgan’s skills and expertise shine through in
his columns.
Paper $28.95t isbn 978-1-60635-044-7
The Washington
Senators
Christmas Stories
from Ohio
Shirley Povich
Foreword by Richard
“Pete” Peterson
This facsimile edition of
the celebrated 1954 history
of the Senators originally
appeared as part of the
popular series of major
league team histories
published by G. P. Putnam.
With their colorful prose and delightful narratives, the
Putnam books have been described as the Cadillac
of the genre and are prized collectibles for baseball
readers and historians. Legends like Walter Johnson,
Gabby Street, Bucky Harris, Roger Peckinpaugh, Sam
Rice, Joe Cronin, and Leon “Goose” Goslin fill these
pages, and their colorful exploits are woven into the
fabric of each season’s story.
Paper $18.00t isbn 978-1-60635-052-2
Edited by Dorothy
Dodge Robbins and
Kenneth Robbins
This celebration of
Christmas in the Buckeye State rejoices in the
many moods of yuletide
in Ohio. Including both
fiction and memoir from
some of Ohio’s most
highly regarded classic and
contemporary authors—including Kay Boyle, Paul
Laurence Dunbar, Nikki Giovanni, Langston Hughes,
and James Thurber—these tales span the generations,
offering an entertaining perspective on midwinter
holiday traditions.
Cloth $29.95t isbn 978-1-60635-064-5
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37
Recent Releases
Snow Hill
In the Shadows of the
Ephrata Cloister
Denise A. Seachrist
In an appealing narrative that chronicles with
humor and insight her
research into this fascinating community of German
Seventh-Day Baptists,
Denise Seachrist tells the
story of Snow Hill—its
spiritual and work life; its
music, writings, architecture, and crafts tradition; and its sad demise in the
waning days of the twentieth century. Snow Hill is a
long-overdue study of one of America’s experiments
in communal living. It speaks to another time and
place and stands as a testament to the idealism of
community and the tenacity of the human spirit.
Cloth $45.00t isbn 978-1-60635-065-2
Beggars of Life
Jim Tully
With an
Introduction by Paul
J. Bauer and Mark
Dawidziak
Jim Tully left his hometown of St. Marys, Ohio,
in 1901, spending most of
his teenage years in the
company of hoboes. Drifting across the country,
he scrambled into boxcars, slept in hobo jungles, begged meals from back
doors, and haunted public libraries. He crafted these
memories into a dark and astonishing chronicle of the
American underclass. Originally published in 1924,
this is the book that defined Tully’s hard-boiled style
and set the pattern for the books that followed over
the next two decades.
Paper $21.95t isbn 978-1-60635-000-3
38
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The Bruiser
Jim Tully
With an
Introduction by Paul
J. Bauer and Mark
Dawidziak
Foreword by Gerald
Early
When The Bruiser was first
published in 1936, almost
every reviewer praised
Jim Tully’s gritty boxing
novel for its authenticity—a hard-earned attribute.
“It’s a pip of a story because it is written by a man who
knows what he is writing about,” said sportswriter and
Guys and Dolls author Damon Runyon. “He has some
descriptions of ring fighting in it that literally smell of
whizzing leather. He has put bone and sinew into it,
and atmosphere and feeling.” More than just a riveting
picture of life in the ring, The Bruiser is a portrait of
an America that Jim Tully knew from the bottom up.
Paper $19.95t isbn 978-1-60635-056-0
The Coming of
Fabrizze
A Novel
Raymond DeCapite
Foreword by Tony
Ardizzone
First published in 1960,
The Coming of Fabrizze
has been called by the
New York Herald Tribune
a “comic folklore festival
about an Italian American
colony in Cleveland, Ohio, back in the 1920s when all
the land was a little slaphappy—and no one more so
than these transplanted countrymen of the Medicis,
Giuseppe Garibaldi, Christopher Columbus . . . and
others whose hearts have belonged to Italia.” More a
legend than a realistic or sociological novel, Fabrizze
is a celebration of the working class and a heroic tale
of an immigrant who succeeds by virtue of hard work
and honesty.
Paper $19.95t isbn 978-1-60635-028-7
A Lost King
Ernest Hemingway
and the Geography
of Memory
A Novel
Raymond DeCapite
Foreword by Thomas
DePietro
If the mood of The Coming
of Fabrizze is joyous, that
of A Lost King is somber.
Each of DeCapite’s novels
is original in its own
way, perhaps inspired by
different moods. Orville
Prescott described A Lost King as “an apologia for
dreamers. A more mature book, it deals with a more
serious theme—the relationship of a father and son . . .
a pathetic and perhaps tragic conflict of personalities.”
Paper $19.95t isbn 978-1-60635-027-0
The Country Doctor
Revisited
Edited by Mark
Cirino and Mark P.
Ott
Hemingway’s work reverberates with a blend of
memory, geography, and
lessons of life revealed
through the trauma of
experience. Travel was the
engine of his creative life, as the recurrent contrast
between spaces provided him with evidence of his
emerging identity as writer. The contributors to this
collection employ an intriguing range of approaches
and use the concept of memory as an interpretive
tool to enhance the understanding of Hemingway’s
creative process.
Cloth $45.00s isbn 978-1-60635-042-3
We Wear the Mask
A Twenty-First Century
Reader
Edited by Therese
Zink
This is a captivating collection of essays, poems, and
short stories written by
rural health care professionals on the experiences
of doctors and nurses
practicing medicine in
remote environments, such as farms, reservations,
and migrant camps. Alternately compelling, thought
provoking, and moving, they speak of the diversity
of rural health care providers, the range of patients
served, the variety of settings that comprise the rural
United States, and the resources and challenges faced
by rural health care providers today.
Paper $32.00t isbn 978-1-60635-061-4
Paul Laurence Dunbar
and the Politics of
Representative Reality
Edited by Willie J.
Harrell Jr.
This collection of essays
on Dunbar’s work builds
on the research published
over the last two decades.
Employing an array of
approaches to Dunbar’s
poetic creations, the
contributors closely examine the self-motivated and
dynamic effect of his use of dialect, language, rhetorical strategies, and narrative theory to promote racial
uplift. They situate Dunbar’s work in relation to the
issues of advancement popular during the Reconstruction era and against the racial stereotypes proliferating
in the early twentieth century while demonstrating its
relevance to contemporary literary studies.
Cloth $45.00s isbn 978-1-60635-046-1
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39
Recent Releases
Reading The Century
Illustrated Monthly
Magazine
American Literature and
Culture, 1870–1893
Mark J. Noonan
Scribner’s Monthly: An
Illustrated Magazine for
the People, which became
The Century Illustrated
Monthly Magazine in
1881, offered its predominantly upper-middle-class
readership historical and biographical essays, serialized novels, scientific and technological updates, and
discussions of contemporary events and issues. Mark
J. Noonan examines the worldview projected by the
publications’ editors and how those editors sought to
slant issues according to their own value systems and
looks at how the magazine, by the mid-1890s, had lost
its dominance in the American cultural arena.
Cloth $65.00t isbn 978-1-60635-063-8
Northerners at War
Reflections on the Civil
War Home Front
J. Matthew Gallman
This collection, by one of
America’s most distinguished Civil War scholars,
tackles a range of home
front topics, from urban
violence and Gettysburg’s
wartime history to entrepreneurial endeavors and
the war’s economic impact.
It also examines gender issues, with a fascinating
review of the career of orator Anna E. Dickinson and
an insightful examination of how northerners used
gendered notions of masculinity in rhetoric to recruit
African American soldiers.
Cloth $39.95t isbn 978-1-60635-045-4
40
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The Antebellum
Crisis and America’s
First Bohemians
Mark A. Lause
Amid the social and
political tensions plaguing
the United States prior to
the Civil War, the North
experienced a boom of
cultural activity. Young
writers, artists, and musicians settled in northern
cities and called themselves
“bohemians.” Building on midcentury abolitionist,
socialist, and free labor sentiments, bohemian influence reached beyond the arts to political radicalism
and social revolution. Focusing on the overlapping
nature of culture and politics, historian Mark A. Lause
delves into the world of antebellum bohemians and
the newspapermen who surrounded them.
Cloth $45.00s isbn 978-1-60635-033-1
A German Hurrah!
Civil War Letters of
Friedrich Bertsch and
Wilhelm Stängel, 9th
Ohio Infantry
Translated and
Edited by Joseph R.
Reinhart
Bertsch and Stängel were
German immigrants fighting in a German regiment.
Their letters from the
battlefront were published
in German American newspapers. Published here for
the first time in English, these contemporary letters
are historically significant and superior to accounts
written decades after the events occurred.
Cloth $59.00t isbn 978-1-60635-038-6
The Admirable
Radical
Staughton Lynd and Cold
War Dissent, 1945–1970
Carl Mirra
Foreword by Howard
Zinn
In this first full-length
study of Lynd’s activist
career, Mirra charts the
development of the New
Left and traces Lynd’s journey into the southern civil rights and anti–Vietnam
War movements during the 1960s and concludes with
Lynd’s move to Niles, Ohio, in 1970 where he assisted
in the struggle to keep the steel mills open.
Cloth $34.95t isbn 978-1-60635-051-5
Democratic Peace in
Theory and Practice
Edited by Steven W.
Hook
Historical patterns suggest
that democratic governments, which often fight
wars against authoritarian
regimes, maintain peaceful
relationships with other
governments that uphold
political freedoms and
empower their civil societies. This timely collection of essays by leading scholars
examines how democracies maintain relationships
and how democratic principles are spread throughout
the world.
Paper $29.95s isbn 978-1-60635-031-7
Kent State and May
4th: A Social Science
Perspective
Seeking the Sacred
in Contemporary
Religious
Architecture
Third Edition, Revised and
Expanded
Edited by Thomas R.
Hensley and Jerry M.
Lewis
This volume of essays seeks
to answer frequently raised
questions while correcting
historical inaccuracies. The third edition includes a
new essay that analyzes a group of television documentaries about May 4 and an overview of the legal
aftermath of the shootings, including governmental
investigations to determine responsibility and how
students were affected by these events.
Paper $45.00s isbn 978-1-60635-048-5
Douglas R. Hoffman
Foreword by Michael
J. Crosbie
This is an exploration of
sacredness in houses of
worship and an examination of the critical question of what architectural elements contribute to make sacred space. The underlying premise is that sacred space, while ephemeral, can
be perceived and understood through a careful investigation of its architecture. Illustrated with dozens of
color photographs, this book presents the notion of
the sacred in cogent, engaging prose.
Cloth $34.95t isbn 978-1-60635-047-8
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Recent Releases
Botanical Essays
from Kent
Some Botanical Features
of a University Town in
Ohio
Tom S. Cooperrider
Foreword by Hope
Taft
Afterword by David
E. Boufford
With personal narratives based on fifty years
of experience, the author
provides fascinating botanical tales on the study and
conservation of Ohio flora, the Herrick Magnolia
Garden, the work of other local botanists, the protection of rare species and unique areas such as Kent’s
tamarack bog, the discovery of lost plants, the survival
of a famous cultivated tree, and the invasiveness of
alien plant species.
Cloth $16.95t isbn 978-1-60635-043-0
Ohio Outback
Learning to Love the
Great Black Swamp
Claude Clayton
Smith
Claude Smith offers a
vibrant, humorous portrait
of life that focuses on
individuals and events
in out-of-the-way places
throughout northwest
Ohio. The pieces in this
book reflect a growing
curiosity and fondness for Ohio, with topics ranging
from the manufacturing process of NFL footballs
and the anatomy of ditches to Smith’s reflections as a
licensed professional boxing judge.
Cloth $24.95t isbn 978-1-60635-054-6
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Modernity and
National Identity
in the United States
and East Asia, 1895–
1919
Carol C. Chin
In her comprehensive,
thought-provoking intellectual history of American, Chinese, and Japanese
thinking on modernity, national identity, and
internationalism during the early twentieth century,
Carol Chin considers how the United States’, China’s,
and Japan’s understanding of modernity shaped, and
were shaped by, notions of their place in the world.
Cloth $65.00s isbn 978-1-60635-041-6
Translating Slavery,
Volume 2
Ourika and Its Progeny
Edited by Doris Y.
Kadish and Françoise
Massardier-Kenney
Volume 2 of Translating
Slavery contains the original
translation of Claire de
Duras’s Ourika as well as
a series of original critical
essays by twenty-firstcentury scholars of translation studies. First published
anonymously in 1823, Ourika signifies an important
shift from nineteenth-century notions of race, nationality, and kinship toward the identity politics of today.
Paper $29.95s isbn 978-1-60635-020-1
Leading Them to the
Promised Land
Woodrow Wilson,
Covenant Theology, and
the Mexican Revolution,
1913–1915
Mark Benbow
Through careful investigation of Wilson’s writings
and correspondence, along
with other contemporary
sources, author Mark
Benbow shows how Wilson’s
religious heritage shaped his worldview, including
his assumption that nations should come together in
a covenant to form a unitary whole like the United
States. As a result, Wilson attempted to nurture a
democratic state in revolutionary Mexico when rivals
Venustiano Carranza and Pancho Villa threatened
U.S. interests. His efforts demonstrate the difficulty a
leader has in reconciling his personal religious beliefs
with his nation’s needs.
Cloth $49.00s isbn 978-1-60635-025-6
The New Ray
Bradbury Review
Number 2 (2010)
Edited by William F.
Touponce
This review is designed
principally to study the
impact of Ray Bradbury’s
writings on American
culture. In this second
number, scholars discuss
Bradbury’s view of the
role of art and aesthetics in our modern technological
lives. Included are Bradbury’s correspondence with
renowned Renaissance art historian and aesthetician Bernard Berenson, a fragment from Bradbury’s
screenplay “The Chrysalis,” a review of Now and Forever, and insightful essays by Jon Eller and Roger Lay.
Paper $25.00t isbn 978-1-60635-037-9
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