PDF - The Kent State University Press
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PDF - The Kent State University Press
Books for 2011 The The Kent UniversityPress Press Kent StateStateUniversity contents New Titles 1 1950s Radio in Color: The Lost Photographs of Deejay Tommy Edwards Kennedy 2WIXY 1260: Pixies, Six-packs, and Supermen Olszewski & Berg 3 Animals of Ohio’s Ponds and Vernal Pools FitzSimmons & Meszaros 4 Out and About with Winsor French Wood 5Queen Victoria’s Stalker: The Strange Case of the Boy Jones Bondeson 6 Born to Lose: Stanley B. Hoss and the Crime Spree That Gripped a Nation Hollock 7Murder and Martial Justice: Spying and Retribution in World War II America Adams 8The Christmas Murders Goodman 8 The Supernatural Murders Goodman 9 The Collected Stories of Ray Bradbury: A Critical Edition, Volume 1, 1938–1943 Touponce & Eller 10 Jim Tully: American Writer, Irish Rover, Hollywood Brawler Bauer & Dawidziak 11 “Feel the Bonds That Draw”: Images of the Civil War at the Western Reserve Historical Society Dee 12 Shadows of Antietam Kalasky 13“They Have Left Us Here to Die”: The Civil War Prison Diary of Sgt. Lyle G. Adair, 111th U.S. Colored Infantry Robins 21 Literature in Translation: Teaching Issues and Reading Practices Maier & Kenney 22The Imperfect Revolution: Anthony Burns and the Landscape of Race in Antebellum America Barker Books are hindrances to persisting stupidity.—Spanish Proverb 23 Interpreting American History: The Age of Andrew Jackson McKnight & Humphreys For the second year running we are pleased to announce an entire year’s new books in a single catalog. As the five-year sesquicentennial anniversary of the Civil War begins, we feature a number of new studies of America’s greatest conflict, and we are delighted to introduce historian Lesley Gordon as the new editor of Civil War History, the field’s premier journal, now in its sixth decade. We offer inaugural volumes in two new series— Interpreting American History and American Abolitionism and Antislavery—and a variety of titles in established series: New Studies in U.S. Foreign Relations, Sacred Landmarks, Voices of Diversity, Translation Studies, True Crime History, and the Wick Poetry Series. Literary highlights include the first volume of The Collected Stories of Ray Bradbury and an engaging biography of vagabond novelist Jim Tully with a foreword by Ken Burns. From true crime to literature, regional studies to history, and poetry to popular culture, our 2011 list has something to entice anyone who loves good books. 24 Arguing Americanism: Pro-Franco Lobbyists, Roosevelt’s Foreign Policy, and the Spanish Civil War Chapman 25 Safe for Decolonization: The Eisenhower Administration, Britain, and Singapore Long 26Seeing Drugs: Modernization, Counterinsurgency, and U.S. Narcotics Control in the Third World, 1969–1976 Weimer 27Trilateralism and Beyond: Great Power Politics and the Korean Security Dilemma during and after the Cold War Wampler 28A Cleveland Jewish Reader Rubinstein, Grabowski, Wertheim & Bennett 29An Integrated Boyhood: Coming of Age in White Cleveland Richards 30 Eric Mendelsohn’s Park Synagogue: Architecture and Community Leedy 31 A Higher Contemplation: Sacred Meaning in the Christian Art of the Middle Ages Fliegel 32 Dedication: The Work of William P. Ginther, Ecclesiastical Architect Valleriano 14 The Story of a Thousand Tourgée 33 The Local World Rosenthal 15 Army Raiders: The Special Activities Group in Korea Kiper 34 Tethering World Rambo 16Slings and Slingstones: The Forgotten Weapons of Oceania and the Americas York & York 17 Green Suns and Faërie: Essays on J. R. R. Tolkien Flieger 18 Hemingway’s The Garden of Eden: Twenty-five Years of Criticism del Gizzo & Svoboda 19 Hemingway, Race, and Art: Bloodlines and the Colorline Dudley 20 Darling Ro and the Benét Women Hively A Note from the Director 34 The Lonely-wilds Breese 35 35 36 44 45 46 47 IBC New in Paper Revised and Expanded Recent Releases Ohio History Journal Civil War History Journal Order Form Sales Information Sales Representatives Will Underwood The Kent State University Press is a proud member of the Association of American University Presses. 1950s radio in color The Lost Photographs of Deejay Tommy Edwards Christopher Kennedy Foreword by Terry Stewart A remarkable collection of photographs by one of rock’s early champions Between 1955 and 1960, popular Cleveland deejay Tommy Edwards photographed the parade of performers who passed through the WERE-AM radio studio for on-air interviews, shooting more than 1,700 Ektachrome slides. Following his death in 1981, most of the collection vanished and was presumed lost. The few images that remained were often reprinted and rarely credited to Edwards, labeled “photographer unknown.” Until now. Discovered by musician Chris Kennedy in 2006, Tommy Edwards’s candid photographs capture the birth of rock ’n’ roll at its flashpoint: Elvis Presley while he was still dangerous; a raw and incomplete Chuck Berry before his star ascended; and some beady-eyed, high-voiced kid named Roy Orbison. It wasn’t just the architects of rock music whom Edwards had in his viewfinder. There were also pop and country music’s biggest stars, mysterious, unknown hopefuls, and vulnerable, deglamourized Hollywood celebrities. Edwards’s passion for photography immortalized hundreds of pioneers of rock ’n’ roll and pop culture in the radio studio, a setting that was often unseen. His photos offer a rare look behind a closed door. In 2009, Kennedy located the only surviving copy of the “T.E. Newsletter” collection, Tommy Edwards’s self-published weekly two-page recap of Cleveland radio and record news for music business insiders, spanning from 1953 through 1960. The wealth of information and dates contained in the newsletters are the photo collection’s indispensable companion piece, and Edwards’s anecdotal quips are interspersed throughout the text of the book. 1950s Radio in Color gives Tommy Edwards his due recognition as the deejay responsible for perhaps the most important photographic and written documentation of twentieth-century music ever produced. Featuring over 200 color photographs, this book will transport readers back in time, allowing them to step into Edwards’s shoes for a moment and to feel the wonder and excitement he must have felt every day while witnessing a cultural revolution. Christopher Kennedy is a passionate music fan and an accomplished Music/Regional History March Cloth $49.00t isbn 978-1-60635-072-0 c. 264 pp., 8½ x 11 illustrations, index songwriter and musician, having released five albums with the band Ruth Ruth. He discovered this collection during his research into the long-lost rock ’n’ roll film The Pied Piper of Cleveland, which is rumored to contain some of the earliest footage of Elvis Presley. He is still looking for the film. Terry Stewart is President and CEO of The Rock and Roll Hall of Fame and Museum in Cleveland. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 1 “Through extensive interviews with insiders, the authors chronicle WIXY’s relatively brief yet exciting run and how the station came to dominate the airwaves in the ’60s and ’70s with a winning combination of tastemaking playlists, unforgettable on-air personalities, and outlandish promotions. It’s a fun story, recounted with ample humor.” —John Soeder, Music Critic, The Cleveland Plain Dealer Black Squirrel Books September Paper $22.95t isbn 978-1-60635-099-7 c. 160 pp., 6 x 9 illustrations, biblio., index Of Related Interest Radio Daze: Stories from the Front in Cleveland’s FM Air Wars Mike Olszewski Paper $29.00t isbn 978-0-87338-773-6 Rock ’n’ Roll and the Cleveland Connection Deanna R. Adams Paper $39.00t isbn 978-0-87338-691-3 wixy 1260 Pixies, Six-packs, and Supermen Mike Olszewski and Richard Berg with Carlo Wolff The story of one of Cleveland’s most popular and influential radio stations Before FM radio and the commanding album rock stations of the 1970s, there was WIXY 1260, a tiny Northeast Ohio AM radio station that became an entertainment powerhouse. Three visionaries assembled a legendary staff of on-air personalities and, with savvy programming and groundbreaking promotions, created WIXY 1260—a station that would become synonymous with 1960s pop culture. A Midwest juggernaut, WIXY aired everything from surf and Motown to country and the British Invasion. Crossing cultural and generational lines in one of the hottest radio markets in the country, it regularly took in more than fifty percent of the Greater Cleveland audience. Bob Weiss, Norman Wain, and Joe Zingale knew the kind of radio Cleveland wanted to hear. They also knew how to market that sound to make it a lifestyle. They bought a small station with a weak signal and renamed it WIXY, and it wasn’t long before their competition fell by the wayside. Mike Olszewski and Richard Berg spin a lively tale of popular culture that will appeal to everyone from baby boomers to media scholars and cultural historians. Mike Olszewski is a veteran radio and television personality, historian, and educator. He is best known for his work at WMMS-FM and has written several books concerning the history of Northeast Ohio broadcasting. Along with many regional and national broadcasting awards, Mike won a 2009 Emmy for his TV documentary Radio Daze: Cleveland’s FM Air Wars. Along with his broadcasting career, he also teaches media and communication courses at Kent State University, Notre Dame College, and the University of Akron. Mike and his wife, Janice, live in Aurora, Ohio. Richard Berg is a longtime media historian and is recognized as one of the leading authorities on Northeast Ohio radio. Richard’s firsthand knowledge comes from close relationships he has established with some of the biggest names in the industry. He’s currently working on extensive projects concerning the history of Akron radio and Cleveland’s KYW/WKYC-AM. Carlo Wolff, a journalist and pop culture historian living in South Euclid, Ohio, is the author of Cleveland Rock & Roll Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs, Promoters, and Fans Who Made the Scene in the ’60s, ’70s, and ’80s. Black Squirrel Books The Black Squirrel Books imprint includes new nonfiction for the general reader as well as reprints of valuable studies of Ohio and its people, including historical writings, literary studies, biographies, and literature. 2 w w w. k ent s tateuniver sit y pre ss.com Animals of Ohio’s Ponds and Vernal pools David S. FitzSimmons Photographs by Gary Meszaros A fascinating and beautiful guide to Ohio’s extraordinary wetland wildlife The Buckeye State’s many ponds and vernal pools are populated by a dizzying variety of wildlife. Animals of Ohio’s Ponds and Vernal Pools takes a close-up look at unique wetlands—from fascinating fish and amphibians to intriguing insects and birds—and examines pond and vernal pool ecology, Ohio’s geologic history influencing wetland formation, and hydrology and energy cycles. In prose that enlightens and entertains, author David S. FitzSimmons uncovers both the rare and common life-forms found in and around Ohio’s ponds and vernal pools. First he discusses the Buckeye State’s variety of small lakes, covering everything from managed farm ponds to glacially formed basins. He then turns to vernal pools, temporary waters that fill in the late winter or spring and dry up in the summer. He describes specialized amphibian breeding habitats including a vivid account of rainy spring nights when hundreds of mole salamanders slip into the filling waters while equal numbers of wood frogs “clack” loudly in the dark. Accompanying these scientifically accurate and poetic descriptions are Gary Meszaros’s extraordinary photographs, including closeups of multicolored dragonflies, underwater shots of fish, beautiful images of birds, and idyllic vistas of Ohio’s serene ponds and secluded pools. Animals of Ohio’s Ponds and Vernal Pools is a wonderful resource about wetlands and wildlife that will inspire readers to learn about and protect their own natural environments. David S. FitzSimmons is a professor of English at Ashland University in Ohio. A freelance writer and photographer, his work has appeared in Ohio Magazine, Natural Ohio, Popular Photography & Imaging, Shutterbug, and other magazines, as well as in numerous newspapers and online publications. Gary Meszaros, a retired schoolteacher, has been a dedicated nature photographer for more than twenty-five years. His photographs have appeared in many publications, including Smithsonian, National Wildlife, National Parks Magazine, Natural History, and Timeline. Ohio History/Natural History September Cloth $48.00t isbn 978-1-60635-081-2 160 pp., 8¼ x 10½ photographs, index Of Related Interest Creatures of Change: An Album of Ohio Animals Carolyn V. Platt with photography by Gary Meszaros Cloth $35.00t isbn 978-0-87338-585-5 Birds of the Lake Erie Region Carolyn V. Platt with photography by Gary Meszaros Paper $28.00t isbn 978-0-87338-690-6 c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 3 out and about with winsor french James M. Wood How a gay newspaper columnist dominated a city’s nightlife from the 1930s to the 1960s Biography/Regional History September Paper $29.00t isbn 978-1-60635-060-7 c. 224 pp., 6 x 9 illustrations, notes, biblio., index Winsor French was a journalist with a singular voice. A self-described “effeminate young man,” French occupied desks in city rooms drenched with masculinity, enduring his colleagues’ homophobia and risking the loss of his job by defending unconventional behavior. He ignored newspaper taboos by publishing the price of bootlegged liquor during Prohibition and by writing stories about “sepia” entertainers, Jewish socialites, schoolchildren in wheelchairs, and men who found males more exciting than females. French’s reports of urban nightlife appeared in Parade, a magazine he founded and edited, as well as in two Cleveland newspapers, the News and the Press. His most illuminating observations were items in an about-town column, a metropolitan newspaper format begun in the 1920s to publicize the local affairs of café society. French’s wanderlust, however, led him to extend his geographical boundaries from downtown Cleveland to the “smoke and music” haunts of Havana, Hollywood, Manhattan, Paris, London, and Pago Pago. His sources were crooners, deckhands, fan dancers, hoboes, gangsters, millionaires, redcaps, torch singers, and several of the twentieth century’s most celebrated stage, film, and literary artists, including Noël Coward, Marlene Dietrich, Cary Grant, Somerset Maugham, and Cole Porter. The four decades of French’s professional career are often described as an era that forced homosexuals to be sexually vague and anonymous, especially if they aspired to prominence in their local community. But French’s life and career contradicted that assumption. He never hid his sexuality yet achieved journalistic leadership and unchallenged influence over Cleveland’s social life. Richly illustrated with contemporary news photographs and editorial drawings, Out and About with Winsor French documents the powerful role played by about-town columnists during a raucous episode in the history of American newspapers. James M. Wood is an award-winning journalist, former about-town columnist for Cleveland Magazine, and author of four books on Cleveland social history: Halle’s: Memoirs of a Family Department Store, One Hundred Twenty-Five, Helen’s Twentieth Century, and The Tavern. 4 w w w. k ent s tateuniver sit y pre ss.com queen victoria’s stalker The Strange Case of the Boy Jones Jan Bondeson The unusual tale of one of history’s earliest celebrity stalkers Following her coronation in 1838, Britain’s Queen Victoria was a very frightened young woman. She was being relentlessly pursued by a strange teenager, Edward “the Boy” Jones, who had an uncanny ability to sneak into Buckingham Palace without being detected. Once, he entered her bedroom and stole her underwear, and twice he sat on the throne. “If he had come into my bedroom, how frightened I would have been,” the Queen wrote in her journal after the Boy Jones had been hauled out from underneath a sofa in her dressing room. As a result of his multiple intrusions into Buckingham Palace, the Boy Jones became a media celebrity. His exploits were the subject of popular verse, songs, and prints and lewd newspaper speculation about what he had really seen in the young Queen’s dressing room. Fearful that he might injure or even assassinate the Queen, or kidnap the Princess Royal, the government of Prime Minister Lord Melbourne wanted to get rid of the Boy Jones at all costs. But “simple trespass,” even into Buckingham Palace itself, was not a criminal offense. However, the government was so fearful of what tales the Boy Jones might tell about the various intimate details he had seen when spying in the Queen’s private rooms that Jones was twice tried in camera and sentenced to three months in prison by the Privy Council. He remains the last person to have been given this dubious honor. Since the Boy Jones kept stalking the Queen, Lord Melbourne’s government took the extreme step of kidnapping him on board a ship bound for Brazil. When he returned, he was again kidnapped by government agents and forced to serve as a sailor in the Royal Navy for more than five years without charge or trial. Queen Victoria’s Stalker is the first full-length account of the Boy Jones’s persistent stalking of Queen Victoria and the journalism and literature inspired by his intrusions. By comparing this case to other instances of celebrity stalking and discussing various theories of stalking mentality, Jan Bondeson offers a fresh analysis of this unique and unclassifiable case. Jan Bondeson is the author of several critically acclaimed books, includ- ing Cabinet of Medical Curiosities, The Feejee Mermaid, The Two-Headed Boy, The London Monster, The Great Pretenders, and the best-selling Buried Alive. He teaches at Cardiff University, Wales. “An enlightening study of the phenomenon of celebrity stalking.” —Albert Borowitz, author of Musical Mysteries: From Mozart to John Lennon and Blood and Ink: An International Guide to Fact-Based Crime Literature True Crime History Series May Cloth $29.95t isbn 978-1-60635-077-5 c. 200 pp., 6 x 9 illustrations, index USAC c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 5 Born to lose Stanley B. Hoss and the Crime Spree That Gripped a Nation James G. Hollock Foreword by James Jessen Badal A small-time hoodlum who became the most hunted man in America True Crime History Series May Paper $34.95t isbn 978-1-60635-097-3 c. 384 pp., 6⅛ x 9¼ illustrations, notes, biblio., index “Hollock’s total command of his materials allows him to deftly shift the character of his narrative from a documentary-like recounting of the events to a gripping evocation of suspense worthy of a first-rate novel.” —from the Foreword 6 Stanley Barton Hoss was a burglar, thief, and local thug from the Pittsburgh area. In eight short months in 1969, however, he became a rapist, prison escapee, murderer, and kidnapper; the subject of an intense nationwide manhunt; and one of the FBI’s Ten Most Wanted. In Born to Lose, author James G. Hollock traces Hoss from his earliest misdemeanors at the age of fourteen to a daring rooftop escape from the Allegheny Workhouse in Blawnox, Pennsylvania, where he was being held on a rape charge, to his killing of police officer Joseph Zanella in Oakmont, Pennsylvania, to his kidnapping near Cumberland, Maryland, and ultimate murder of Linda Peugeot and her two-year-old daughter Lori in the autumn of 1969. Their bodies have never been found. Although indicted for the Peugeot kidnappings, these charges were later dropped because it was determined his constitutional right to a speedy trial was denied. Hoss was, however, convicted of the murder of Officer Zanella and initially sentenced to death, and that sentence was subsequently commuted to life in prison. But his killings didn’t end there. In December 1973, while incarcerated at Western Penitentiary, Hoss conspired with two fellow white inmates in the savage murder of the popular and well-respected corrections officer Lieutenant Walter Peterson, one of the first African Americans hired by the Pennsylvania prison system. As a result of this final homicide, Hoss was transferred to an isolation facility in Philadelphia where in 1978 he hanged himself. By consulting previously sealed state and federal archives and interviewing sixty individuals who witnessed or had significant knowledge of Hoss’s series of felonies, James G. Hollock vividly re-creates the crimes, police dispatches, and court proceedings in this gripping narrative. He poignantly characterizes the players involved, especially those who suffered either directly or indirectly at the hands of Stanley B. Hoss. James G. Hollock has 30 years of experience with the Pennsylvania Department of Corrections, primarily at Western Penitentiary in Pittsburgh. James Jessen Badal is the author of In the Wake of the Butcher: Cleveland’s Torso Murders, Twilight of Innocence: The Disappearance of Beverly Potts, and Though Murder Has No Tongue: The Lost Victim of Cleveland’s Mad Butcher, all published by The Kent State University Press. w w w. k ent s tateuniver sit y pre ss.com murder and martial justice Spying and Retribution in World War II America Meredith Lentz Adams A remarkable story of how the U.S. military tortured German POWs into confessing their guilt During World War II, the United States maintained two secret interrogation camps in violation of the Geneva Convention—one just south of Washington, D.C., and the other near San Francisco. German POWs who passed through these camps briefed their fellow prisoners, warning them of turncoats who were helping the enemy—the United States— pry secrets from them. One of these turncoats, Werner Drechsler, was betrayed and murdered by those he spied on. U.S. military authorities reacted harshly to Drechsler’s death, even though he was not the first captive to be assassinated by his fellow POWs. How had military intelligence been compromised? Were fanatical Nazis terrorizing their countrymen on American soil? Would Hitler take reprisals against the GIs he held if the United States did not protect the German POWs from violence and death while confined at the interrogation camps? At one of the secret camps, U.S. officials forced Drechsler’s seven murderers to confess. The next problem faced by authorities was how to court-martial them when their confessions were legally invalid. Their secret trial was stage-managed to deliver death sentences while apparently complying with U.S. and international law. This presented U.S. authorities with further problems. The Geneva Convention entitled the prisoners’ governments to the full facts about their crimes, trials, and sentencing. Despite escalating German complaints, the War Department adopted a policy of giving as little information as possible about any of the several POW murder trials in order to avoid releasing inconvenient facts about the Drechsler case. Unsurprisingly, the Reich began sentencing GIs to death. Gambling with American lives, the War Department stalled every German attempt to trade these men for the convicted German murderers until the war ended. Every American was saved; every German but one was hanged. The Drechsler case foreshadows current controversies: creative circumvention of the Geneva Convention, secret interrogation centers, torture, and the consequent problem of how to provide a fair trial to prisoners coerced into self-incrimination. Author Meredith Lentz Adams sees a familiar pattern of cover-ups, leading to difficulties with public and international relations. In contrast to recent policies, she points out how leaders during World War II felt constrained by their respect for Geneva and by fear of retribution against their own soldiers. Murder and Martial Justice is a fascinating and provocative book that will appeal to those with an interest in World War II, POWs, international law, foreign policy, and true crime history. True Crime History May Cloth $45.00t isbn 978-1-60635-075-1 c. 288 pp., 6 x 9 notes, biblio., index “An expert dissection of the crime, its witnesses, and Washington’s shifting goals. Murder and Martial Justice is an engaging and detailed murder mystery, based on a solid examination of the various contradictions and exasperating bureaucratic villains.” —Arnold Krammer, author of Nazi Prisoners of War in America and Undue Process: The Untold Story of America’s German Alien Internees Meredith Lentz Adams, professor emeritus of history at Missouri State University, taught German and Russian history and presented graduate seminars about the Nuremberg War Crimes Trials for 37 years. She has presented papers at many local, national, and international conferences until retirement enabled her to write this book. c a l l t o o r d e r 4 1 9 - 2 8 1 - 1 8 0 2 7 the Christmas murders The Supernatural Murders Edited by Jonathan Goodman With a new Preface by Albert Borowitz Edited by Jonathan Goodman With a new Preface by Albert Borowitz A seasonal gift for connoisseurs of true crime Sure to capture the imagination of devotees of true crime and the occult Here are ten murder cases of “the old-fashioned sort”—evoking a nostalgia more obviously associated with fiction—that all took place during the festive period from mid-December to Twelfth Night between 1811 and 1933. The settings of these grisly tales range from the Knickerbocker Athletic Club in New York (where a gentleman named Molineux provided a drastic cure for hangovers by putting cyanide in a gift-wrapped bottle of Bromo Seltzer) to an apartment in Glasgow (home of a wealthy Scotswoman whose demise seemed to have been satisfactorily explained by local constables, until Arthur Conan Doyle assumed the role of Sherlock Holmes) and from a builder’s workshop in North London (site of a murder committed by a man called Furnace, who suited his criminal action to his name) to the elegant dwelling of a ménage à trois near the Thames (scene of a puzzling poisoning that, years later, Raymond Chandler tried, unofficially, to solve). In The Christmas Murders, Jonathan Goodman has collected stories as fascinating and compulsively readable as one would expect from a writer described by Jacques Barzun as “the greatest living master of true-crime literature” and by Julian Symons as “the premier investigator of crimes past.” True Crime History May Paper $19.95t isbn 978-1-60635-082-9 c. 224 pp., 5½ x 8½ illustrations This anthology of thirteen true crime stories includes the mysterious slaying of Charles Walton, who was found slashed and pierced to death in an area notorious for its associations with black magic; the murder of Eric Tombe, whose body was located because of a recurring dream in which his mother saw Eric down a well; the terrorizing of Hammersmith, London, in the early nineteenth century by the nocturnal appearance of a “ghost”; the Salem witchcraft trials; the murder of Rasputin, who was believed by some in Russia to be a miracle worker and by others to be a dangerous charlatan; a Scottish tale in which evidence given by the ghost of the victim was allowed at the murderer’s trial; and the bizarre goings-on at 112 Ocean Avenue, Amityville, New York, where Ronnie DeFeo Jr. murdered his entire family—the new occupants were subjected to all manner of sinister events, including the presence of poltergeists, or were they? True Crime History May Paper $18.95t isbn 978-1-60635-083-6 c. 206 pp., 5½ x 8½ illustrations Jonathan Goodman, considered to have been Britain’s leading crime historian, died in January 2008. After service in the RAF, he began his career in the theater, working first as a stage manager and then as a producer. While with the theater in Liverpool, Goodman, who had already written a crime novel and the entertaining Bloody Versicles (reprinted in the United States by The Kent State University Press, 1993), an anthology of rhymes in crime, researched the celebrated case of William Wallace, who was convicted in 1931 of the murder of his wife Julia. The Killing of Julia Wallace (1969) was a great success, and Goodman’s career took off. The Kent State University Press has published Goodman’s The Passing of Starr Faithfull (1996), Tracks to Murder (2005), and Murder on Several Occasions (2007). 8 w w w. k ent s tateuniver sit y pre ss.com the collected stories of ray bradbury: a critical edition Volume 1, 1938–1943 Edited by William F. Touponce and Jonathan R. Eller William F. Touponce, General Editor Inaugurating a critical edition of one of America’s most popular storytellers In the past, collections of Bradbury’s works have juxtaposed stories with no indication as to the different time periods in which they were written. Even the mid- and late-career collections that Bradbury himself compiled contained stories that were written much earlier—a situation that has given rise to misconceptions about the origins of the stories themselves. In this new edition, editors William F. Touponce and Jonathan R. Eller present for the first time the stories of Ray Bradbury in the order in which they were written. Moreover, they use texts that reflect Bradbury’s earliest settled intention for each tale. By examining his relationships with his agent, editor, and publisher, Touponce and Eller’s textual commentaries document the transformation of the stories—and Bradbury’s creative understanding of genre fiction—from their original forms to the versions known and loved today. Volume 1 covers the years 1938 to 1943 and contains thirteen stories that have never appeared in a Bradbury collection. For those that were previously published, the original serial forms recovered in this volume differ in significant ways from the versions that Bradbury popularized over the ensuing years. By documenting the ways the stories evolved over time, Touponce and Eller unveil significant new information about Bradbury’s development as a master of short fiction. Each volume in the proposed three-volume edition includes a general introduction, chronology, summary of unpublished stories, textual commentary for each story, textual apparatus, and chronological catalog. The Collected Stories of Ray Bradbury is edited to the highest scholarly standards by the Center for Ray Bradbury Studies and bears the Modern Language Association’s seal of approval for scholarly editions. General editor William F. Touponce is professor of English and adjunct professor of American studies at the Institute for American Thought at Indiana University–Purdue University, Indianapolis. He is the coauthor, with Jonathan R. Eller, of Ray Bradbury: The Life of Fiction (The Kent State University Press, 2004) and editor of The New Ray Bradbury Review, an annual review of the life and works of Ray Bradbury published by The Kent State University Press. Jonathan R. Eller is professor of English and senior textual editor for the Institute for American Thought. He is the cofounder of the Institute’s Center for Ray Bradbury Studies and is textual editor for the Writings of Charles S. Peirce and The Works of George Santayana. He is also the coauthor, with William F. Touponce, of Ray Bradbury: The Life of Fiction. Since 2000, he has edited several archival volumes of Bradbury’s fiction. Becoming Ray Bradbury, his extensive study of Bradbury’s early career, is forthcoming. “Beyond Ernest Hemingway, Ray Bradbury has influenced more writers than anyone else in the twentieth century. Practically everyone has read and loved his remarkable works.” —William F. Nolan, coauthor of Logan’s Run “Ray Bradbury’s work makes the spirit sing . . . an undeniable medicine for melancholy which anyone who is ‘in’ on its magical properties has been self-administering since they first encountered it, be that exposure to a novel or one of the hundreds of short stories with which he has justifiably made his reputation. Truly, those who have grown tired of Ray Bradbury’s gentle eloquence—by turns chilling and uplifting—have grown tired of the lyricism of language and the wonder of words.” —Peter Crowther, Editor, PostScripts (UK) “The early stories of Ray Bradbury are among my very favorites. Highly colored—frightening and exalting at once—these stories helped launch the young Ray Bradbury, over the next ten years, into international stardom.” —Greg Bear, Hugo and Nebula Award–winning author of Blood Music and The Forge of God “Ray Bradbury occupies a place all his own in the history of the fantastic, in his approach to life itself—passionate, vital, endlessly involved. All that can be felt in these early stories, an engagement with life and a promise of things to come from a writer whose life is as much a creation as the fiction itself.” —James Gunn, Damon Knight Memorial Grand Master of the Science Fiction and Fantasy Writers of America Literature and Literary Criticism Now Available Cloth $65.00s isbn 978-1-60635-071-3 544 pp., 61/8 x 91/4 illustrations, appendixes, notes, textual apparatus, index USAC c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 9 jim tully American Writer, Irish Rover, Hollywood Brawler Paul J. Bauer and Mark Dawidziak Foreword by Ken Burns The first biography of the hard-boiled vagabond writer who rocked Hollywood during the Roaring Twenties “Wonderful, hugely important”—Ken Burns, from the Foreword “If all men wrote as honestly as Jim Tully, setting forth their goodness and their nastiness equally, with no attempt at exaggerating either, books would be better and fewer.” —The Saturday Review of Literature Biography/Literature May Cloth $39.95t isbn 978-1-60635-076-8 376 pp., 6⅛ x 9¼ appendix, illustrations, notes, index The son of an Irish ditch-digger, Jim Tully (1886–1947) left his hometown of St. Marys, Ohio, in 1901, spending most of his teenage years in the company of hoboes. Drifting across the country as a “road kid,” he spent those years scrambling into boxcars, sleeping in hobo jungles, avoiding railroad cops, begging meals from back doors, and haunting public libraries. After six years on the road, he jumped off a railroad car in Kent, Ohio, with wild aspirations of becoming a writer. While chasing his dream, Tully worked as a chain maker, boxer, newspaper reporter, and tree surgeon. All the while he was crafting his memories of the road into a dark and astonishing chronicle of the American underclass. After moving to Hollywood and working for Charlie Chaplin, Tully began to write a stream of critically acclaimed books mostly about his road years, including Beggars of Life, Circus Parade, Blood on the Moon, Shadows of Men, and Shanty Irish. He quickly established himself as a major American author and used his status to launch a parallel career as a Hollywood journalist. Much as his gritty books shocked the country, his magazine articles on movies shocked Hollywood. Along the way, he picked up such close friends as W. C. Fields, Jack Dempsey, Damon Runyon, Lon Chaney, Frank Capra, and Erich von Stroheim. He also memorably crossed paths with Jack London, F. Scott Fitzgerald, George Bernard Shaw, James Joyce, and Langston Hughes. Sure to be the definitive biography for decades to come, Jim Tully: American Writer, Irish Rover, Hollywood Brawler compellingly describes the hardscrabble life of an Irish American storyteller, from his immigrant roots, rural upbringing, and life as a hobo riding the rails to the emergent dream factory of early and Golden Age Hollywood and the fall of his fortunes during the Great Depression. Many saw the dark side of the American dream, but none wrote about it like Jim Tully. Paul J. Bauer is a used and rare book dealer in Kent, Ohio. He is the coauthor of Frazier Robinson’s autobiography, Catching Dreams: My Life in the Negro Baseball Leagues. Mark Dawidziak has been the television critic at The Cleveland Plain Dealer since 1999. A theater, film, and television reviewer for thirty years, his many nonfiction books include The Barter Theatre Story: Love Made Visible, The Columbo Phile: A Casebook, Mark My Words: Mark Twain on Writing, The Night Stalker Companion: A 25th Anniversary Tribute, Horton Foote’s The Shape of the River: The Lost Teleplay about Mark Twain, and The Bedside, Bathtub & Armchair Companion to Dracula. He is also a novelist and a playwright. Ken Burns has been making documentary films since the early 1980s. He has directed and produced some of the most acclaimed historical documentaries ever made, including The Civil War, Baseball, Jazz, The War, and The West. 10 w w w. k ent s tateuniver sit y pre ss.com “feel the bonds that draw” Images of the Civil War at the Western Reserve Historical Society Christine Dee A Civil War sesquicentennial volume featuring the collection of one of the nation’s leading historical societies For a century and a half, images of the Civil War have allowed millions of Americans to experience, commemorate, and reinterpret the conflict. Photographs, engravings, lithographs, and original artwork have revealed heroic volunteers, mobilized regiments, battle preparations, and the war’s grim aftermath. “Feel the Bonds That Draw” presents nearly 200 images from the extensive Civil War photographic collections of Cleveland’s Western Reserve Historical Society, complementing author Christine Dee’s reflections on topics such as historical memory, the war as economic engine, and the impact of mobilization and combat on civilians and the environment. Included in the volume are stirring images by Mathew Brady, preeminent Civil War photographer, and by Henry Moore, who documented military fortifications and soldiers, particularly at Fort Pulaski on the Sea Islands of South Carolina and Georgia. Moore photographed troops in traditional poses and groupings, and he captured the likenesses of formerly enslaved African Americans. These latter pictures played an important role in shaping public opinion in the North in support of emancipation. “Feel the Bonds That Draw” is a fine addition to the library of anyone interested in the history of America’s cruelest conflict. WRHS Illustrated History Series September Cloth $34.95t isbn 978-1-60635-091-1 c. 160 pp., 81/2 x 11 illustrations, notes, biblio, index Published in cooperation with the Western Reserve Historical Society Christine Dee is assistant professor of history at Fitchburg State Univer- sity in Fitchburg, Massachusetts, and is the author of Ohio’s War: The Civil War in Documents. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 11 shadows of antietam Robert J. Kalasky A revolutionary re-creation of the historic Antietam Battlefield photographs “Kalasky has produced a seminal study on the photography of Antietam. This important work should be required reading for all serious students of the battle.” —Ted Alexander, Chief Historian, Antietam National Battlefield “Kalasky brings to the living the dead of Antietam.” —Dennis Frye, author of Antietam Revealed Civil War History/Military History October Cloth $49.00t isbn 978-1-60635-088-1 c. 224 pp., 11 x 8½ illustrations, notes, biblio., index The Battle of Antietam, fought in Sharpsburg, Maryland, on September 17, 1862, was the bloodiest single day of the Civil War, with 23,000 casualties on both sides. While the battle was tactically inconclusive, it resulted in two significant milestones. First, because Robert E. Lee failed to carry the war successfully into the North, Great Britain was dissuaded from recognizing the Confederate States of America diplomatically. Second, the battle gave President Abraham Lincoln the confidence to issue the Emancipation Proclamation. After the battle, two photographers sent by Mathew Brady— Alexander Gardner and James Gibson—recorded the horror of war with the first-ever images of dead American soldiers. Gardner’s and Gibson’s legendary photos have been the subject of debate for decades. The lack of information about locations, dates, and times in the thousands of photographs taken during the war has limited any thorough understanding of the photographers’ work and led to much speculation. In Shadows of Antietam, Robert J. Kalasky has painstakingly re-created Gardner’s and Gibson’s output, retracing their footsteps by location, date, and time to chronologically and sequentially place their images. With the help of reenactors and black-and-white photography, Kalasky has assembled a comprehensive study, based on sunlight and shadow, of the 74 known glass plates recorded by Gardner and Gibson at Antietam. Civil War photography historians and buffs will appreciate this groundbreaking research for correcting previous errors and misjudgments made about the photographers’ trek across the battlefield and for answering 150-year-old questions about their photographs. Robert J. Kalasky attended Kent State University and graduated from the Northeast Ohio School of Massotherapy. He is currently a practicing massotherapist and is a lifelong resident of Youngstown, Ohio. 12 w w w. k ent s tateuniver sit y pre ss.com “they have left us here to die” The Civil War Prison Diary of Sgt. Lyle G. Adair, 111th U.S. Colored Infantry Edited by Glenn Robins The chronicle of a Union soldier’s seven months in captivity Besides the risks of death or wounding in combat, the average Civil War soldier faced the constant threat of being captured by the enemy. It is estimated that one out of every seven soldiers was taken captive—more than 194,000 of them from Union regiments—and held in prison camps infamous for breeding disease and death. Sgt. Lyle G. Adair of the 111th United States Colored Troops joined the thousands of Union prisoners when part of his regiment tasked with guarding the rail lines between Tennessee and northern Alabama was captured by Confederate cavalrymen. Adair, who had first enlisted in the 81st Ohio Volunteer Infantry at the age of seventeen and later became a recruiting agent in the 111th, spent the remainder of the war being shuffled from camp to camp as a prisoner of war. By the war’s end, he had been incarcerated in five different Confederate camps: Cahaba, Camp Lawton, Blackshear, Thomasville, and Andersonville. “They Have Left Us Here to Die” is an edited and annotated version of the diary Sergeant Adair kept of his seven months as a prisoner of war. The diary provides vivid descriptions of each of the five camps as well as insightful observations about the culture of captivity. Adair notes with disdain the decision of some Union prisoners to take the oath of allegiance to the Confederacy in exchange for their freedom and covers the mock presidential election of 1864 held at Camp Lawton, where he and his fellow inmates were forced to cast votes for either Lincoln or McClellan. But most significantly, Adair reflects on the breakdown of the prisoner exchange system between the North and South, especially the roles played by the Lincoln administration and the Northern home front. As a white soldier serving with African Americans, Adair also makes revealing observations about the influence of race on the experience of captivity. Complete with numerous annotations comparing Adair’s accounts with other diaries, memoirs, and official reports, “They Have Left Us Here to Die” provides a platform for delving deeper into the culture of captivity and the Civil War soldier experience. Glenn Robins is associate professor of history at Georgia Southwestern State University, just outside Andersonville. He is the author of The Bishop of the Old South: The Ministry and Civil War Legacy of Leonidas Polk and coeditor of and contributor to America and the Vietnam War: Re-examining the Culture and History of a Generation. Civil War in the North Series November Cloth $19.95t isbn 978-1-60635-101-7 c. 72 pp., 5½ x 8½ illustrations, notes, biblio., index Civil War in the North Series Lesley J. Gordon, Editor Civil War in the North highlights innovative scholarship that broadens our understanding of what the American Civil War meant to Northern society. Launched in 2006, this series encompasses overlooked and underresearched topics, from the battlefield to the home front, from the antebellum era through Reconstruction. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 13 The Story of a Thousand Albion W. Tourgée Edited by Peter Luebke Forgotten Civil War testimony from a major American writer Civil War in the North Series November Cloth $59.00t isbn 978-1-60635-102-4 c. 516 pp., 6 x 9 illustrations, appendix, notes, biblio., index This facsimile edition of Albion W. Tourgée’s regimental history of the 105th Ohio Volunteer Infantry was first published in 1896. Tourgée, a lawyer and outspoken abolitionist from Williamsfield, Ohio, is best known for his semi-fictional novels about the reconstruction of the South following the Civil War, A Fool’s Errand and Bricks Without Straw. Both critically acclaimed best sellers, the novels catapulted Tourgée and his relentless efforts to secure equality for African Americans into the national spotlight. The Story of a Thousand also received a warm reception upon its publication, although it never achieved the level of recognition of his other works. Written at the behest of his former comrades in the 105th Ohio, The Story of a Thousand draws on Tourgée’s own wartime papers, as well as diaries, letters, and recollections of other veterans, to detail the remarkable story of the regiment during its campaigns in Tennessee, Kentucky, Georgia, and Sherman’s March to the Sea. Tourgée concentrates on the lives and experiences of the enlisted soldiers, describing the backgrounds of the men and how they rallied around the Union flag as citizen soldiers and also on discussions about the role of slavery as the impetus of the war. Tourgée’s concern for the common soldier prefigures the scholarship of twentiethcentury historians, such as Bell Irvin Wiley, who devoted attention to the men in the ranks rather than the generals and politicians in charge. Historian Peter Luebke revives Albion W. Tourgée’s lost testimony of the war in this new edition of The Story of a Thousand. He includes an index and a scholarly introduction that draws on extensive research to describe the writing, production, and reception of the book. Luebke also places the work in the context of recent Civil War scholarship. The inclusion of famed illustrator Frederic Remington’s engravings, which accompanied the book’s serialization in The Cosmopolitan magazine in 1894 and 1895, also enhances the text. Scholars, students, and enthusiasts of the Civil War and Ohio history are sure to enjoy this military account by one of Reconstruction’s harshest and most articulate critics. Peter Luebke received a B.A. from the College of William & Mary and an M.A. in history from the University of Virginia. He studies the American Civil War, with a focus on Northern soldiers. 14 w w w. k ent s tateuniver sit y pre ss.com Army Raiders The Special Activities Group in Korea Richard L. Kiper Examines the role of American special operations during the Korean War Despite being an elite combat unit and participating in highly classified and dangerous missions in Korea, members of the Far East Command Raider Company and its parent organization, the Special Activities Group, have received little attention from historians. Typically relegated to a paragraph at most, but more often a footnote, the Raider story usually begins and ends on the night of September 12, 1950, with a raid near Kunsan. From then until being inactivated on March 31, 1951, the Special Activities Group simply disappears from Korean War histories. Army Raiders corrects this omission. Primarily the history of one company and its headquarters, Army Raiders tells the story of ordinary human beings who carried out extraordinary missions. Boarding rubber boats in the Yellow Sea and paddling far behind enemy lines, they landed at Inchon, sailed to the Wonsan area of North Korea, and conducted counter-guerrilla operations until overwhelming Chinese intervention forced all Allied units to withdraw from the North. Those critical missions continued into the difficult fighting of early 1951. Much of Army Raiders is based on the words of the participants themselves. Using little-known primary sources, oral histories, and official records, author Richard L. Kiper tells this unit’s riveting tale. Where possible, first-person accounts have been verified and supplemented with official reports, maps, and documents. In reconciling personal memories and official reports, Army Raiders fills a gap in the historiography of the Korean War. U.S. Army photograph History/Military History August Cloth $39.95t isbn 978-1-60635-084-3 c. 320 pp., 6 x 9 illustrations, maps, appendixes, notes, biblio., index Richard L. Kiper is a retired lieutenant colonel (West Point, 1967) who earned his Ph.D. in history from the University of Kansas. He is the author of Major General John Alexander McClernand: Politician in Uniform (The Kent State University Press, 1999), the coauthor of U.S. Army Special Operations in Afghanistan, and the editor of Dear Catherine, Dear Taylor: The Civil War Letters of a Union Soldier and His Wife. Kiper has taught at West Point, the U.S. Army Command and General Staff College, and Kansas City Kansas Community College. He is currently an analyst at the U.S. Army Counterinsurgency Center in Ft. Leavenworth, Kansas. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 15 Slings and Slingstones Anthropolgy/Archaeology/ Weapons October Cloth $55.00s isbn 978-1-60635-107-9 c. 224 pp., 7 x 10 illustrations, notes, biblio., index The Forgotten Weapons of Oceania and the Americas Robert York and Gigi York A fascinating examination of an overlooked weapon For most of us, our knowledge of slings and slingstones begins and ends with the biblical tale of David slaying Goliath. Scholars and archaeologists have told us that slings like the one David employed were common in the Old World, used not just for shepherd boys to kill giants but for protecting herds, hunting, and combat. However, few scholars have addressed the function slings have occupied outside of Eurasian civilizations, especially their use in Oceania and the Americas. In this astounding new archaeological survey, authors Robert York and Gigi York examine the history of Oceania and the Americas to unveil the significant role slings and slingstones played in developing societies. They present new evidence that suggests that unlike David who plucked rounded pebbles from a stream, inhabitants of the Pacific Islands deliberately fashioned sling missiles out of coral, stone, and clay into uniquely deadly shapes. They also show that the use of slings in the Americas was more pervasive and inclined to variability than previously recognized. Well documented, bountifully illustrated, and thoroughly researched, Slings and Slingstones is sure to engage readers interested in expanding their knowledge of the past. It is an essential reference for archaeologists, historians, and students of the history of arms and weaponry. Robert York and Gigi York are fellows of the University of Wyoming’s Frison Institute of Archaeology and Anthropology in Laramie. They also hold research associate appointments at the Nevada State Museum in Carson City and at the Commonwealth of the Northern Marianas Islands Museum of History and Culture in Saipan. Between them, they share some sixty years of professional experience in the fields of archaeology, museum collections, and cultural resources management. They have written and published numerous reports and articles about their work. 16 w w w. k ent s tateuniver sit y pre ss.com Green Suns and Faërie Essays on J. R. R. Tolkien Verlyn Flieger A major contribution to the growing body of Tolkien scholarship With the release of Peter Jackson’s The Lord of the Rings movie trilogy and forthcoming film version of The Hobbit, J. R. R. Tolkien’s popularity has never been higher. In Green Suns and Faërie, author Verlyn Flieger, one of world’s foremost Tolkien scholars, presents a selection of her best articles—some never before published—on a range of Tolkien topics. The essays are divided into three distinct sections. The first explores Tolkien’s ideas of sub-creation—the making of a Secondary World and its relation to the real world, the second looks at Tolkien’s reconfiguration of the medieval story tradition, and the third places his work firmly within the context of the twentieth century and modernist literature. With discussions ranging from Tolkien’s concepts of the hero to the much-misunderstood nature of Bilbo’s last riddle in The Hobbit, Flieger reveals Tolkien as a man of both medieval learning and modern sensibility—one who is deeply engaged with the past and future, the regrets and hopes, the triumphs and tragedies, and above all the profound difficulties and dilemmas of his troubled century. Taken in their entirety, these essays track a major scholar’s deepening understanding of the work of the master of fantasy. Green Suns and Faërie is sure to become a cornerstone of Tolkien scholarship. Verlyn Flieger is professor of English at the University of Maryland where she teaches courses on Tolkien, medieval and modern literature, and comparative mythology. She has written three books on Tolkien: Splintered Light, A Question of Time, and Interrupted Music (all published by The Kent State University Press). She has also edited a critical edition of Tolkien’s novella Smith of Wootton Major and an expanded edition with notes and commentary of Tolkien’s most influential theoretical essay, “On Fairy-Stories.” Literature and Literary Criticism August Paper $24.95t isbn 978-1-60635-094-2 c. 224 pp., 6 x 9 notes, biblio., index c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 17 Hemingway’s The Garden of Eden Twenty-five Years of Criticism Edited by Suzanne del Gizzo and Frederic J. Svoboda Hemingway Studies/ Literature and Literary Criticism August Cloth 55.00s isbn 978-1-60635-080-5 c. 352 pp., 6⅛ x 9¼ illustrations, notes, biblio., index First book-length study of the novel that transformed Hemingway scholarship When The Garden of Eden appeared in 1986, roughly twenty-five years after Ernest Hemingway’s death, it was a watershed event that changed readers’ and scholars’ perceptions of the famous American author. Following five months in the life of protagonist David Bourne, a rising young writer of fiction, and his highly intelligent but artistically frustrated wife, Catherine, the novel is unique among Hemingway’s works. Its exploration of gender roles and identities, unconventional sexual practices, race, and artistic expression challenged the traditional notions scholars and readers had of the iconic writer, and it sparked a debate that has revolutionized Hemingway studies. It was also the first of Hemingway’s posthumously published novels to garner a storm of criticism regarding the editing of its text. Many comparative studies have been done between the original manuscript, which contains over 2,000 pages, and its heavily edited published version, which has little over 200 pages. Despite the whirlwind surrounding The Garden of Eden, no book-length study of the novel has ever been published—until now. In Hemingway’s The Garden of Eden, editors Suzanne del Gizzo and Frederic J. Svoboda have collected the best essays and reviews—pieces that examine the novel’s themes, its composition and structure, and the complex issue of editing a manuscript for posthumous publication—and placed them in a single, cohesive volume. Among the included works are E. L. Doctorow’s famous New York Times review “Braver Than We Thought,” a new essay by Tom Jenks examining his editing process in “Editing Hemingway: The Garden of Eden,” and Mark Spilka’s “Hemingway’s Barbershop Quintet: The Garden of Eden Manuscript,” a precursor to his groundbreaking study of Hemingway’s concerns with sex and gender roles, Hemingway’s Quarrel with Androgyny. Hemingway’s The Garden of Eden is a must-read text for scholars, students, and readers of Hemingway. Suzanne del Gizzo is assistant professor of English at Chestnut Hill Col- lege in Philadelphia. She received her Ph.D. in English literature from Tulane University in 2003. Her articles and reviews on Hemingway have appeared in The Hemingway Review, Journal of the History of Sexuality, Modern Fiction Studies, and other publications. She is a board member of the Ernest Hemingway Foundation and Society. Frederic J. Svoboda is chair of the Department of English at the University of Michigan–Flint. He received his Ph.D. in English from Michigan State University in 1978. He is the author of Hemingway and The Sun Also Rises: The Crafting of a Style and the coeditor of Hemingway: Up in Michigan Perspectives. 18 w w w. k ent s tateuniver sit y pre ss.com HEMINGWAY, RACE, AND ART Bloodlines and the Color Line Marc Kevin Dudley A social historical reading of Hemingway through the lens of race William Faulkner has long been considered the great racial interrogator of the early-twentieth-century South. In Hemingway, Race, and Art, author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner’s racial concerns but extended them beyond the South to encompass the entire nation. Though Hemingway wrote extensively about Native Americans and African Americans, always in the back of his mind was Africa. Dudley sees Hemingway’s fascination with, and eventual push toward, the African continent as a grand experiment meant to both placate and comfort the white psyche, and to challenge and unsettle it, too. Twentieth-century white America was plagued by guilt in its dealings with Native Americans; simultaneously, it faced an increasingly dissatisfied African American populace. Marc Kevin Dudley demonstrates how Hemingway’s interest in race was closely aligned to a national anxiety over a changing racial topography. Affected by his American pedigree, his masculinity, and his whiteness, Hemingway’s treatment of race is characteristically complex, at once both a perpetuation of type and a questioning of white self-identity. Hemingway, Race, and Art expands our understanding of Hemingway and his work and shows how race consciousness pervades the texts of one of America’s most important and influential writers. Hemingway Studies/American Literature/African American Studies September Cloth $45.00s isbn 978-1-60635-092-8 c. 160 pp., 6 x 9 notes, biblio., index Marc Kevin Dudley is assistant professor of English at North Carolina State University in Raleigh. He received his Ph.D. from the University of North Carolina at Chapel Hill. He has published in the Hemingway Review and is currently at work on an anthology of Afro-European literature. This is his first book. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 19 Darling Ro and the Benét Women Evelyn Helmick Hively The first book-length study of a gifted American writer and her life during the 1920s Biography/Literature July Cloth $34.95s isbn 978-1-60635-096-6 c. 160 pp., 5½ x 8½ illustrations, notes, biblio., index Of Related Interest The Benét name immediately evokes Stephen Vincent and his older brother William Rose, Pulitzer Prize–winning poets and novelists during the first half of the twentieth century. Less well remembered are the remarkable women related to the Benét brothers, including Rosemary Carr, Stephen’s wife; Laura, his sister; Elinor Wylie, William’s second wife; and Kathleen Norris, the popular novelist who raised the children of her brother-in-law William. Darling Ro and the Benét Women presents a revealing glimpse of social and literary life in New York and Paris during the 1920s. Using a recently released collection of letters from the Benét Collection at Yale University, author Evelyn Helmick Hively extracts captivating anecdotes and impressions about a talented group of writers and impressive feminist figures. Written by Rosemary Carr Benét to her mother, Dr. Rachel Hickey Carr (one of Chicago’s first women physicians), the compilation of letters and short dispatches from Paris provides the focus of the book. A gifted poet and journalist, Rosemary Carr was a prolific writer of articles for the New York Herald-Tribune, Harper’s Bazaar, and Vogue; of stories and poems for The New Yorker and other magazines; and hundreds of letters. She belonged to a remarkably skillful, social, and artistic group of men and women who bonded early in life, and her letters paint fascinating portraits of their lives, careers, and relationships. Darling Ro and the Benét Women offers an insider’s perspective of a well-known cosmopolitan American family. Evelyn Helmick Hively has been professor of English, director of American Studies, academic dean, and vice president of the American Association of State Colleges and Universities. She is the author of Willa Cather’s Novel Cycle and A Private Madness: The Genius of Elinor Wylie (The Kent State University Press, 2003) and the editor of Selected Works of Elinor Wylie (The Kent State University Press, 2005). A Private Madness Evelyn Hively Paper, $29.00t isbn 978-0-87338-746-0 Selected Works of Elinor Wylie Evelyn Helmick Hively Paper, $29.00t isbn 978-0-87338-829-0 20 w w w. k ent s tateuniver sit y pre ss.com Literature in Translation Teaching Issues and Reading Practices Edited by Carol Maier and Françoise Massardier-Kenney New pedagogy for studying literature in translation In the last several decades, literary works from around the world have made their way onto the reading lists of American university and college courses in an increasingly wide variety of disciplines. This is a cause for rejoicing. Through works in translation, students in our mostly monolingual society are at last becoming acquainted with the multilingual and multicultural world in which they will live and work. Many instructors have expanded their reach to teach texts that originate from across the globe. Unfortunately, literature in English translation is frequently taught as if it had been written in English, and students are not made familiar with the cultural, linguistic, and literary context in which that literature was produced. As a result, they submit what they read to their own cultural expectations; they do not read in translation and do not reap the benefits of intercultural communication. Here a true challenge arises for an instructor. Books in translation seldom contain introductory information about the mediation that translation implies or the stakes involved in the transfer of cultural information. Instructors are often left to find their own material about the author or the culture of the source text. Lacking the appropriate pedagogical tools, they struggle to provide information about either the original work or about translation itself, and they might feel uneasy about teaching material for which they lack adequate preparation. Consequently, they restrict themselves to well-known works in translation or works from other countries originally written in English. Literature in Translation: Teaching Issues and Reading Practices squarely addresses this pedagogical lack. The book’s sixteen essays provide for instructors a context in which to teach works from a variety of languages and cultures in ways that highlight the effects of linguistic and cultural transfers. Carol Maier is professor of Spanish at Kent State University, where she is affiliated with the Institute for Applied Linguistics. A recipient of translation fellowships from both the NEA and NEH, she has written extensively on translation theory; coedited, with Anuradha Dingwaney, Between Languages and Cultures: Translations and Cross-Cultural Texts; and published translations of work by numerous authors, most recently Nivaria Tejera’s The Ravine and Rosa Chacel’s Dream of Reason. Françoise Massardier-Kenney is professor of French and director of the Institute for Applied Linguistics at Kent State University. She is the editor of the American Translators Association Scholarly Series and coeditor of the journal George Sand Studies. Her publications include the monograph Gender in the Fiction of George Sand, the newly edited edition of Translating Slavery, Volumes 1 and 2 (The Kent State University Press, 2009), and translations of Sand’s Valvèdre and Antoine Berman’s Toward a Translation Criticism: John Donne (The Kent State University Press, 2009). Translation Studies Series Now Available Cloth $49.00s isbn 978-1-60635-049-2 Paper $39.00s isbn 978-1-60635-108-6 272 pp., 6 x 9 notes, biblio., index Of Related Interest Translating Slavery, Volume 1 Doris Y. Kadish and Françoise MassardierKenney Paper, $39.95 isbn 978-1-60635-008-9 Translating Slavery, Volume 2 Doris Y. Kadish and Françoise MassardierKenney Paper, $29.95s isbn 978-1-60635-020-1 c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 21 The Imperfect Revolution Anthony Burns and the Landscape of Race in Antebellum America Gordon S. Barker Gripping re-examination of the rendition of Anthony Burns American Abolitionism and Antislavery Series Now Available Cloth $39.95s isbn 978-1-60635-069-0 192 pp., 6 x 9 notes, index American Abolitionism and Antislavery Series John David Smith, Editor American Abolitionism and Antislavery is a new series that will present the best scholarship on antislavery activism and abolitionism in the eighteenth- and nineteenth-century United States. The series will include books by promising young scholars as well as by established leaders in the field. Volumes published in the series will include biographies, monographs, anthologies, and new editions of classic works on the antislavery and abolitionist crusades. 22 On June 2, 1854, crowds lined the streets of Boston, hissing and shouting at federal authorities as they escorted the fugitive slave Anthony Burns to the ship that would return him to his slaveholders in Virginia. Days earlier, handbills had littered the streets decrying Burns’s arrest, and abolitionists, intent on freeing Burns, had attacked with a battering ram the courthouse in which he was detained, leaving one dead, several wounded, and thirteen in custody. In the end it would take federal officials nearly 2,000 troops and $40,000 to send Burns back to Virginia. No fugitive slave would be captured in Boston again. Carried out under the Fugitive Slave Act of 1850, which permitted slaveholders to seize runaway slaves across state lines by merely testifying ownership, Burns’s arrest and Boston’s subsequent campaign to free him is generally regarded by scholars as the impetus that spurred the adoption of outright confrontational tactics by abolitionists across the North—an impetus that led, ultimately, to war. Such interpretations, however, gloss over the confusion and chaos many midcentury Bostonians felt over abolition. In The Imperfect Revolution, author Gordon Barker challenges the traditionally held notion that the rendition of Anthony Burns fueled an antislavery groundswell in the North. He exposes the diverse beliefs— many of which were less than noble—held by Bostonians struggling to make sense of the racial, class, and ethnic conflicts arising in the city. Drawing on newspaper accounts, cutting-edge scholarship, and Burns’s own writings, Barker shows how antislavery sentiments competed with a wide range of other opinions, including the desire to preserve the Union as it was, concerns about preserving law and order, mistrust of whites by their black neighbors, and outright racism. A much-needed addition to the study of abolition and antislavery activism, The Imperfect Revolution will be of value to historians and students. Gordon S. Barker is assistant professor of history at Bishop’s University in Quebec, Canada. His works have appeared in the Virginia Magazine of History and Biography and the American Encyclopedia of Civil Liberties. w w w. k ent s tateuniver sit y pre ss.com Interpreting American History The Age of Andrew Jackson Edited by Brian D. McKnight and James S. Humphreys The inaugural volume in a new historiography series Historians possess the power to shape the view of history for those who come after them. Their efforts to illuminate significant events of the past often result in new interpretations, which frequently conflict with ideas proposed by earlier historians. Invariably, this divergence of thoughts creates a dissonance between historians about the causes and meanings of prior events. The Kent State University Press’s new Interpreting American History Series aims to help readers learn how truth emerges from the clash of interpretations present in the study of history. In the series’s first volume, Interpreting American History: The Age of Andrew Jackson, experts on Jacksonian America address the changing views of historians over the past century on a watershed era in U.S. history. A two-term president of the United States, Jackson was a powerful leader who widened constitutional boundaries on the presidency, shaping policy himself instead of deferring to the wishes of Congress. The essayists in this volume review the most important issues of the period—including the Corrupt Bargain, Nullification Crisis, Indian Removal Act, and Jacksonian democracy, economics, and reform—and discuss their interpretation over the last hundred years by such historians as Frederick Jackson Turner, Richard Hofstadter, Arthur M. Schlesinger Jr., Sean Wilentz, Robert V. Remini, Daniel Feller, and David Walker Howe. An insightful compilation of essays, Interpreting American History: The Age of Andrew Jackson will acquaint readers with the nineteenthcentury world of Andrew Jackson and the ways in which historians have interpreted his life and times. Brian D. McKnight is associate professor of history at University of Virginia’s College at Wise. He is the editor of Life in the Coal Camps of Wise County and author of Contested Borderland: The Civil War in Appalachian Kentucky and Virginia. James S. Humphreys is assistant professor of Southern history at Murray State University in Kentucky. He is the author of Francis Butler Simkins: A Life. Interpreting American History Series November Paper $29.95s isbn 978-1-60635-098-0 c. 160 pp., 5½ x 8½ notes, biblio., index Interpreting American History Series Brian D. McKnight and James S. Humphreys, Editors Intended for graduate students and others interested in historiography, the Interpreting American History Series surveys historiographical interpretations of important U.S. historical eras and events, examining not only the intellectual shifts that have taken place but the various catalysts that drove these shifts. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 23 Arguing Americanism Pro-Franco Lobbyists, Roosevelt’s Foreign Policy, and the Spanish Civil War Michael E. Chapman New Studies in U.S. Foreign Relations Series September Cloth $60.00s isbn 978-1-60635-078-2 c. 288 pp., 6⅛ x 9¼ appendix, notes, biblio., index New Studies in U.S. Foreign Relations Series Mary Ann Heiss, Editor This series focuses on works that expand the parameters of U.S. foreign relations. Chronologically broad and topically diverse, it is designed to further the internationalization—indeed, globalization—of the field by publishing a wide variety of innovative books, including interdisciplinary studies, that place the United States within a larger, transnational context. Areas of focus include, but are not limited to, identity formation and projection, borderlands studies, comparative history, and cultural transfer. The struggle to define U.S. national identity through a political struggle in Spain In 1938 the United States was embroiled in a vicious debate between supporters of the two sides of the Spanish Civil War, who sought either to lift or to retain the U.S. arms embargo on Spain. The embargo, which favored Gen. Francisco Franco’s Nationalist regime over the ousted Republican government of the Loyalists, received heavy criticism for enabling a supposedly fascist-backed takeover during a time when the Nazi party in Germany was threatening the annexation of countries across Europe. Supporters of General Franco, however, saw the resistance of the Loyalists as being spurred on by the Soviet Union, which sought to establish a communist government abroad. Since World War II, American historians have traditionally sided with the Loyalist supporters, validating their arguments that the pro-Nationalists were un-American for backing an unpalatable dictator. In Arguing Americanism, author Michael E. Chapman examines the long-overlooked pro-Nationalist argument. Employing new archival sources, Chapman documents a small yet effective network of lobbyists—including engineer turned writer John Eoghan Kelly, publisher Ellery Sedgwick, homemaker Clare Dawes, muralist Hildreth Meière, and philanthropist Anne Morgan—who fought to promote General Franco’s Nationalist Spain and keep the embargo in place. Arguing Americanism also goes beyond the embargo debate to examine the underlying issues that gripped 1930s America. Chapman posits that the Spanish embargo argument was never really about Spain but rather about the soul of Americanism, the definition of democracy, and who should do the defining. Pro-Loyalists wanted the pure democracy of the ballot box; pro-Nationalists favored the checks and balances of indirect democracy. By pointing to what was happening in Spain, each side tried to defend its version of Americanism against the foreign forces that threatened it. For Franco supporters, it was the spread of international Marxism, toward which they felt Roosevelt and his New Deal were too sympathetic. The pro-Nationalists intensified an argument that became a precursor to a fundamental change in American national identity—a change that would usher in the Cold War era. Arguing Americanism will appeal to political scientists, cultural historians, and students of U.S. foreign relations. Michael E. Chapman is associate professor of history at Peking University. He has published several journal articles and books, including Lessons of the War in Spain and Thesis Writer’s Guide. He divides his time between Beijing and Boston, where he lives with his wife and two children. 24 w w w. k ent s tateuniver sit y pre ss.com Safe for Decolonization The Eisenhower Administration, Britain, and Singapore S. R. Joey Long How America left its indelible footprint on the culture and politics of Singapore In the first decade after World War II, Singapore underwent radical political and socioeconomic changes with the progressive retreat of Great Britain from its Southeast Asian colonial empire. The United States, under the Eisenhower administration, sought to fill the vacuum left by the British retreat and launched into a campaign to shape the emerging Singapore nation-state in accordance with its Cold War policies. Based on a wide array of Chinese- and English-language archival sources from Great Britain, the Netherlands, Singapore, and the United States, Safe for Decolonization examines in depth the initiatives—both covert and public—undertaken by the United States in late-colonial Singapore. Apart from simply analyzing the effect of American activities on the politics of the island, author S. R. Joey Long also examines their impact on the relationship between Great Britain and the United States, and how the Anglo-American nuclear policy toward China and the establishment of a regional security institution (the Southeast Asia Treaty Organization) affected the security and decolonization of a strategic British base. Long sketches a highly detailed and nuanced account of the relations between the United States, Great Britain, and Singapore. He not only describes the often clumsy attempts by covert American operatives to sway top political leaders, infiltrate governments, influence labor unions, and shape elections, but he also shows how Eisenhower’s public initiatives proved to have far-reaching positive results and demonstrates that the Eisenhower administration’s policies toward Singapore, while not always well advised, nonetheless helped to lay the foundation for friendly Singapore–U.S. relations after 1960. As the first multi-archival work on the U.S. intervention in Singapore, Safe for Decolonization makes an important contribution to the literature on Southeast Asia–U.S. relations. It will be of interest to specialists in decolonization, diplomatic history, modern Southeast Asian history, and the history of the early Cold War. New Studies in U.S. Foreign Relations Series June Cloth $60.00s isbn 978-1-60635-086-7 c. 288 pp., 6⅛ x 9¼ notes, biblio., index S. R. Joey Long is assistant professor of history and international affairs at the S. Rajaratnam School of International Studies, Nanyang Technological University, Singapore. A Fulbright scholar in 2010, Long received his Ph.D. in history from the University of Cambridge. His research interests are in the history of Southeast Asia–U.S. relations and contemporary Asia-Pacific security. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 25 Seeing Drugs Modernization, Counterinsurgency, and U.S. Narcotics Control in the Third World, 1969–1976 Daniel Weimer New Studies in U.S. Foreign Relations Series June Cloth $65.00s isbn 978-1-60635-059-1 c. 328 pp., 6⅛ x 9¼ maps, notes, biblio., index “Daniel Weimer’s Seeing Drugs puts a new spin on scholarship dealing with U.S. drug-control policy during the period 1969– 1976 by examining it through the lens of cultural diplomacy.” —Mary Ann Heiss, Editor, New Studies in U.S. Foreign Relations Series “Essential reading for anyone interested in both the history of U.S. drug policy and the process of modernization during the Cold War.” —William O. Walker III, author of Drug Control in the Americas and Opium and Foreign Policy A timely historical analysis of a persistent global problem Since its declaration in the early 1970s, the American drug war has spanned the globe in a quest to stop the flow of illegal drugs into the United States. Explaining the conceptual framework within which policymakers understood illegal opium production and trafficking, Seeing Drugs examines the genesis of the war on drugs during the Nixon and Ford administrations when the United States developed the policies that set the parameters of subsequent American drug control abroad. Faced with rising heroin use in the United States and the fear of drug-addicted Vietnam veterans carrying their affliction home and propelled by the belief that heroin addiction spreads like a contagious disease, U.S. officials identified three Third World nations—Thailand, Burma, and Mexico—as the primary sources of illegal narcotics servicing the American drug market. Author Daniel Weimer demonstrates that drug-control officials in these countries confronted a host of interlocking factors shaping the illicit narcotics trade and that, in response to these challenges, policymakers applied modernization and counterinsurgency theory to devise strategies to assist the Thai, Burmese, and Mexican governments in curbing drug trafficking. The Nixon and Ford administrations sincerely believed their policies could rein in the narcotics trade and diminish addiction within the United States. In the end, however, the drug war only guaranteed continued American intervention in the Third World, where the majority of illegal drug crops grew. Through interdisciplinary and comparative analysis, Seeing Drugs examines the contours of the burgeoning drug war, the cultural significance of drugs and addiction, and their links to the formation of national identity within the United States, Thailand, Burma, and Mexico. By highlighting the prevalence of modernization and counterinsurgency discourse within drug-control policy, Weimer reveals an unexplored and important facet of the history of U.S–Third World interaction. Daniel Weimer is assistant professor of history at Wheeling Jesuit University, where he teaches courses on contemporary America, international relations, and environmentalism. His current research explores the theme of the control of nature within American foreign relations. 26 w w w. k ent s tateuniver sit y pre ss.com Trilateralism and Beyond Great Power Politics and the Korean Security Dilemma during and after the Cold War Edited by Robert A. Wampler A new study that sheds light on the history of a critical Cold War flashpoint The fall of the Berlin Wall more than two decades ago brought an end to the Cold War for most of the world. But the legacy of that era remains unresolved on the divided Korean peninsula, which still presents a clear danger for the United States and its allies. Two triangular alliances—one comprised of the United States, South Korea, and Japan, and the other of Russia, China, and North Korea—lie at the heart of the security challenge and all efforts to pursue a final peace treaty. Trilateralism and Beyond brings together a collection of essays by leading American, South Korean, and Japanese scholars that probe the historical dynamics formed and driven by the Korean security dilemma. Drawing on newly declassified documents secured by the National Security Archive’s Korea Project, along with new archival resources in China and former Warsaw Pact countries, the contributors examine the critical relationship between the United States and South Korea, exploring the delicate balancing act of bolstering the security alliance and fostering greater democracy in South Korea. The volume expands its focus to include Japan and a look at the history and future challenges of trilateral security cooperation on the peninsula; impending difficulties for security cooperation between the United States, South Korea, and Japan; and the trials that Russia and China have experienced in dealing with an often demanding, unpredictable ally in North Korea. The authors move beyond simple images of ideological support by the two great powers to draw a more complex and nuanced picture. Trilateralism and Beyond offers an essential historical perspective on one of the most enduring challenges for U.S. foreign policy—ensuring stability on the tumultuous Korean peninsula. New Studies in U.S. Foreign Relations Series October Cloth $55.00s i sbn 978-1-60635-104-8 c. 192 pp., 61/8 x 91/4, notes, biblio., index Robert A. Wampler is a senior fellow at the National Security Archive, a nonprofit foreign policy research institute based at George Washington University. He is the editor of three declassified document collections, including The United States and Japan: Diplomatic, Security and Economic Relations, 1960–1976 and 1977–1992 and The United States and the Two Koreas, 1969–2000. He also is coeditor of Partnership: The United States and Japan, 1951–2001. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 27 Remembering: Cleveland’s Jewish Voices Edited by Judah Rubinstein, John J. Grabowski, Sally H. Wertheim, and Alan Bennett A literary collection that gives voice to a significant Northeast Ohio immigrant community Voices of Diversity Series April Paper $24.00t isbn 978-1-60635-074-4 352 pp., 6 x 9 illustrations, notes, biblio., index Since the early nineteenth century, Cleveland and the surrounding region have benefited from the emigration of European Jewry. A unique anthology of essays, short stories, and poems, Remembering gathers for the first time rare and previously inaccessible writings about the Jewish experience in Northeast Ohio. Dating from the late 1800s to the 1980s, this collection is organized along five major themes— arts and culture, civic life, work and business, continuity, and philanthropy and service. The editors present a variety of voices that discuss the Jewish cultural gardens, Yiddish theater, socialism in the working class and women’s role in the Garment Strike, the cigar industry and Jewish farming, the Alsbacher Document, philanthropic efforts by the Jewish Community Federation of Cleveland, and many other topics. Including two pieces by editor Judah Rubinstein, A Cleveland Jewish Reader presents a narrative approach to regional history and will appeal to students of cultural history, urban studies, and Ohio history, as well as to members of the Jewish community. Published in Cooperation with the Jewish Community Federation of Cleveland Voices of Diversity Series John J. Grabowski, Editor In celebration of the Cleveland area’s rich ethnic heritage, Voice of Diversity focuses on firsthand accounts of the ethnic experience in Northeast Ohio. Through personal narratives, translations or reprints of previously published accounts, and hard-to-find histories of regional immigrant communities, the stories and experiences of the people who make up this diverse community are told, adding to our understanding of the history of the region. 28 Judah Rubinstein (1921–2003) helped develop and maintain the Cleveland Jewish Archives at the Western Reserve Historical Society. He began his career documenting local Jewish history at the Jewish Theological Seminary’s American Jewish History Center and was the first research director of the Jewish Community Federation. He is the coauthor of Merging Traditions: Jewish Life in Cleveland (The Kent State University Press, 2004). John J. Grabowski is the Krieger-Mueller Associate Professor of Applied History at Case Western Reserve University and vice president for collections at the Western Reserve Historical Society. Sally H. Wertheim is dean emeritus and professor emeritus of education at John Carroll University. Alan Bennett, executive vice president emeritus of the Jewish Education Center of Cleveland, is a founder of the National Association of Temple Educators. He is the author of The Vision and the Will: A History of the National Association of Temple Educators, 1954-2004. w w w. k ent s tateuniver sit y pre ss.com An Integrated Boyhood Coming of Age in White Cleveland Phillip M. Richards The memoir of a bookish black youth in mid-twentieth century Cleveland When Phillip M. Richards graduated from Yale in 1972, he had fulfilled his parents’ dreams. Like many other black Clevelanders of their generation, they had come up from the South in the late forties and moved from neighborhood to neighborhood in search of better schools. As they followed bourgeois African Americans’ circular migration from Mt. Pleasant to Lee Harvard to South Taylor Road and finally to Forest Hills, Richards’s parents provided him with all of what they called “the good situations”—major work, classes at the Institute of Music, Boy Scouts, and education at University School—which midcentury Cleveland could offer its most ambitious new black residents. In An Integrated Boyhood, Richards candidly describes how this exemplary middle-class Cleveland sojourn left him hopelessly confused and dislocated at the very moment of his parents’ triumph. His narrative of success provides the background to a more private turmoil: Richards’s struggle to read the shifting meanings of his privileged experience amid the city’s shifting racial lines, the fringe on the Left, the tumult of rising black consciousness, and the fears of nervous white suburban neighbors. This coming-of-age story sings the undersong of an older generation’s hard-won success. Like all black Clevelanders, Richards was forced to struggle for his understanding of the city’s—and his own—endless racial confusion in the midst of frightening historical change. It is this reality that recurs throughout Richards’s memoir: the early encounters of a scared, bookish African American boy from Mt. Pleasant with what can only be described as the real world. Voices of Diversity Series September Cloth $29.95t isbn 978-1-60635-100-0 c. 160 pp., 6 x 9 illustrations Phillip M. Richards teaches at Colgate University, where he is a professor in the Department of English. He is the author of Black Heart: The Moral Life of Recent African American Letters. He has published widely in professional journals and literary magazines. c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 29 Sacred Landmarks Series Laura Wertheimer, Editor Michael J. Tevesz, Founding Editor A collaborative publishing venture between the Kent State University Press and Cleveland State University’s College of Liberal Arts and Social Sciences, the Sacred Landmarks Series includes both works of scholarship and general interest that preserve history and increase understanding of religious sites, structures, and organizations in Northeast Ohio, in the United States, and around the world. Sacred Landmarks Series September Cloth $45.00t isbn 978-1-60635-085-0 c. 192 pp., 8½ x 11 illustrations, notes, biblio., index Eric Mendelsohn’s Park Synagogue Architecture and Community Walter C. Leedy Jr. Edited by Sara Jane Pearman A thorough examination of an influential building and the architect behind its design Eric Mendelsohn’s modernist building, The Park Synagogue in Cleveland Heights, Ohio, is one of the most significant post–World War II buildings in the United States. Notable for its magnificent dome and its natural wooded setting, it also had an immense architectural influence on other religious structures in the Midwest. Erected during the late 1940s, the Synagogue was built in response to a large majority of the downtown Cleveland Jewish population moving to the eastern suburbs. In 1934, under the leadership of Rabbi Armond Cohen, the struggling Anshe Emeth Beth Tefilo congregation bought the twelve-acre property of the defunct Park School in Cleveland Heights and later purchased an additional twenty-one acres of land adjacent to the Park property owned by John D. Rockefeller. Plans were developed for a new synagogue to be designed and built by the famous European architect Eric Mendelsohn. Today The Park Synagogue, dedicated in 1950, is home to one of the nation’s major Conservative congregations. Eric Mendelsohn’s Park Synagogue tells the story of the construction of The Park Synagogue and examines how Mendelsohn consciously sought to express the ideals and traditions of the congregation and Judaism in its architectural forms. From one of the world’s largest copper-clad domes weighing 680 tons to the shape of the sanctuary and spectacular bimah, Mendelsohn sought to incorporate the architecture into Jewish ritual and worship. He favored dramatic curves of glass walls, circular stairwells, and porthole windows, and he used the circle as a dominant form throughout his career. The Park Synagogue is one of the few Mendelsohn buildings that remains virtually as it was built. Author Walter C. Leedy Jr. discusses how the construction of The Park Synagogue solidified the congregation, attracted new members, and set the stage for expansion into the next century. Eric Mendelsohn’s Park Synagogue brings unique insight into the development of the American Jewish community during the post–World War II period and into the evolution of Mendelsohn’s architecture. Walter C. Leedy Jr. was an architectural historian and a professor at Cleveland State University. He passed away in 2006, shortly before Eric Mendelsohn’s Park Synagogue was finished. The book was completed by his longtime personal friend, Sara Jane Pearman, who is now retired from the Cleveland Museum of Art. Photo by Bruce Cline 30 w w w. k ent s tateuniver sit y pre ss.com A Higher Contemplation Sacred Meaning in the Christian Art of the Middle Ages Stephen N. Fliegel Understanding medieval Christian art Sacred Landmarks Series October Cloth $42.00t isbn 978-1-60635-093-5 c. 136 pp., 8½ x 11 illustrations, notes, glossary, biblio., index During the Middle Ages, religious art had a variety of functions and was prevalent in churches, public spaces, and private homes. Sculptures and paintings were used as altarpieces, movable images, choir screens, piers or niches, and reliquaries. They were placed behind, above, or near altars as well as on pulpits, lecterns, building exteriors, holy water fonts, tombs, and roadside shrines. They were also used for private devotion in the home. In addition to the obvious didactic function of religious images in medieval art, they filled other needs of both the beholder and the church: veneration. Candles were lit and censed before the sacred images; offerings were made in the name of the figures who were honored and cherished in a very direct way. Sacred images, an aid to meditation, served to remind Christians of the pious and virtuous lives of the saints and of their sacrifices. They embellished sacred spaces, giving them an otherworldly luster. Sacred art was an important ingredient in the formative power and energy of medieval piety. Some of the most profound and enduring works of art in Western civilization were produced for private devotion and public worship. Indeed, many of the most significant artists of the Middle Ages and Renaissance earned their livelihoods producing religious art in the service of the church. To access and understand this art today, we must be aware of its context, its intended audience, and its functions in the public or private space. In A Higher Contemplation, author Stephen N. Fliegel introduces medieval Christian iconography and its forms, meaning, function, context, and symbolism to twenty-first-century audiences. Serving as a guide to the subtleties, complexities, richness, range, and antiquity of medieval Christian artistic traditions and the multiple levels in which they can be understood, this book will aid the reader in a journey of discovery and understanding of those sacred images. Beautifully designed with full-color illustrations throughout, A Higher Contemplation will appeal to students, teachers, travelers, art lovers, and those with an interest in the culture of the Middle Ages and the history of religion. Stephen N. Fliegel is curator of medieval art at the Cleveland Museum of Art. He has published numerous scholarly articles, catalogs, and books on the subject of medieval art and has organized several international exhibitions on the subject. He lectures widely and is the author of Resplendent Faith: Liturgical Treasuries of the Middle Ages (The Kent State University Press, 2009). Fundación Colección Thyssen-Bornemisza, Pedralbes c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 31 Dedication The Work of William P. Ginther, Ecclesiastical Architect Anthony J. Valleriano An illustrated compendium of a prolific designer of Ohio churches Sacred Landmarks Series October Cloth $39.00t isbn 978-1-60635-103-1 c. 128 pp., 8½ x 11 illustrations, notes, biblio., index Akron-based architect William P. Ginther (1858–1933) designed sixtythree Roman Catholic churches, primarily in Ohio and Pennsylvania. Dedication is the first book to document his architectural designs. By combining historical images with twenty-first-century photographs, author Anthony J. Valleriano presents the most comprehensive overview of Ginther’s architectural career available today. The son of German immigrants, Ginther demonstrated considerable drawing skills at an early age. In grade school, he was known for illustrating pictures of the school building and grounds. As his skills advanced, Ginther was encouraged to study architecture as a profession at Buchtel College (now the University of Akron). Frank Wheary, a leading Akron architect of the time, spotted Ginther’s drawing talents and promptly put him to work. Under Wheary’s guidance, Ginther learned the craft of architectural drafting and engineering and helped design and supervise the construction of his first building, McKinley Church, in Canton, Ohio. Ginther became one of the most influential ecclesiastical architects in Ohio during the late nineteenth and early twentieth centuries. The designer of churches in Cleveland, Akron, Columbus, Pittsburgh, Erie, and many other communities, he defined the sense of sacred space for countless worshipers and enriched the aesthetic and religious lives of the region’s residents. Those interested in religious architecture or in Ohio historical architecture will find Dedication a valuable addition to their libraries. Anthony J. Valleriano is graphic design manager at Case Western Reserve University. 32 w w w. k ent s tateuniver sit y pre ss.com The Local World Mira Rosenthal Winner of the 2010 Stan and Tom Wick Poetry Prize Maggie Anderson, Judge “Mira Rosenthal’s The Local World incorporates deeply lived experience and mystery in a fluent shape-shifting that can take you anywhere—and bring you back, changed. The poems are beautifully crafted narratives of loss, travel, and salvage. There is a damaged family at the heart of these poems, an abandoned farm, and many rooms, parks, and train cars in far places. Yet, like all really good poems, Rosenthal’s language consistently rises above its cries to wonder and beauty. What a joy to find this stunning first book to award the Stan and Tom Wick Poetry Prize.” —Maggie Anderson, Judge Wick Poetry First Book #17 September Paper $15.00t isbn 978-1-60635-105-5 c. 72 pp., 5½ x 8½ Mira Rosenthal’s poetry has appeared widely in journals, including Ploughshares, The American Poetry Review, Notre Dame Review, West Branch, and Slate. Her translations of Polish poetry have appeared in numerous journals and anthologies, and in 2007 Zephyr Press published her translation of The Forgotten Keys by Tomasz Rozycki. She has received grants from the NEA, the PEN American Center, ACLS, and the Fulbright Commission, as well as fellowships from the MacDowell Colony, the Vermont Studio Center, the Banff Center, and elsewhere. She is also the founding editor of Lyric Poetry Review. After graduating from Reed College, she earned an M.F.A. from the University of Houston and is currently a doctoral candidate in comparative literature at Indiana University. The Stan and Tom Wick Poetry Prize is awarded annually to a poet who has not previously published a full-length collection of poems. It is made possible through the Wick Poetry Center, directed by David Hassler. For guidelines, write to David Hassler, Director, Wick Poetry Center, 301 Satterfield Hall, Kent State University, P.O. Box 5190, Kent, Ohio 44242-0001; email the Wick Center at [email protected]; or visit them online at www.kent.edu/wick. Recent First Book Winners Visible Heavens Joanna Solfrian The Infirmary Edward Micus Far from Algiers Djelloul Marbrook Constituents of Matter Anna Leahy Intaglio Ariana-Sophia M. Kartsonis c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 33 Tethering World The Lonely-wilds Jody Rambo Elizabeth Breese “Jody Rambo’s poems push and pull, travel and rest, occupy and set free. Her ‘tether’ both holds her fast to the facts and words that make up our world, but at the same time it liberates her to roam and travel, inclined as she says, ‘to wander off into the green beyond recoverable limits.’ What I admire most about this book is the way the wide arc of history and narrative and the smallest gesture of image and word come together—tethered—into something wondrous and new.” —Jeffrey Thomson “Jody Rambo’s first book of poetry, Tethering World, is lyrical, tactile, and transcendent—in a word, enthralling. The very texture embodies a personal way of seeing and saying, as does the extraordinary range of circumstances. There is a beguiling strangeness to the writing, and philosophical smarts to boot. ‘I am weatherly,’ says the speaker in Tethering World, and she truly is, singularly so. This book is poetry top to bottom.” —Marvin Bell “Pitched between Emily Dickinson’s ‘Dare you see a Soul at the White Heat?’ and William Blake’s ‘I want! I want!,’ Jody Rambo’s Tethering World offers an elegant, somatic pastoral, a ‘weatherly’ sensibility that forges the post-Lapsarian realm of loss and desire into an alchemical mix of rue, awe, beauty, and change—what John Keats called a ‘vale of soulmaking.’ Intelligent, prescient, eloquent, Rambo’s tethering of poems compels us to inherit its manifold, exquisitely wrought linguistic ravishments, its vision.” —Lisa Russ Spaar Jody Rambo holds an M.F.A. from Colorado State University. Her poems have appeared in Barrow Street, Gulf Coast, Notre Dame Review, Quarterly West, Verse, Virginia Quarterly Review, and other publications. She is the recipient of two Individual Excellence Awards from the Ohio Arts Council, as well as a Jerome Foundation Travel and Study Grant. She teaches creative writing at Wittenberg University in Springfield, Ohio. Wick Poetry Chapbook Series Four, #9 January Paper $7.00t isbn 978-1-60635-073-7 c. 36 pp., 51/2 x 81/2 34 w w w. k ent s tateuniver sit y pre ss.com “Traveling from her pastoral America to Neruda’s Chile and the Ireland of St. Kevin, Elizabeth Breese sings the lonely-wild lyric of ditch flowers and raw honey, tornados and radios, broken birds and sailors lost at sea. Her ars poetica: ‘little bee hand in pocket editions, the rough- / cut paper combs, dancing for the things it loves.’” —Harryette Mullen “As with Dickinson and Stevens, to understand an Elizabeth Breese poem is beside the point; one apprehends it, the way one does a scent or strain of music. Roving, impure, funny, brainy, and passionate, hers is work I want to keep beside me for the good company and generous pleasures it offers line by gorgeous line.” —Kathy Fagan Elizabeth Breese teaches composition at the Columbus College of Art and Design. She received her M.F.A. from The Ohio State University. Recent poems have appeared or are forthcoming in Barrow Street, FIELD, and Hayden’s Ferry Review. Wick Poetry Chapbook Series Four, #10 January Paper $7.00t isbn 978-1-60635-070-6 c. 36 pp., 51/2 x 81/2 Manuscripts for the Wick Poetry Chapbook Series are selected through an open competition of Ohio poets and through a competition for students enrolled in Ohio colleges and universities. For guidelines, write to David Hassler, Director, Wick Poetry Center, 301 Satterfield Hall, Kent State University, P.O. Box 5190, Kent, Ohio 44242-0001; email the Wick Center at [email protected]; or visit them online at www.kent.edu/wick. New in Paper Revised and Expanded The Ohio & Erie Canal: A Glossary of Terms “Ungraspable Phantom” Essays on MobyDick Edited by John Bryant, Mary K. Bercaw Edwards, and Timothy Marr “By invoking the notion of Melville’s ‘ungraspable phantom of life,’ the editors of this volume want to suggest that the collection as a whole acknowledges the multiplicity in Melville’s novel. If Moby-Dick is ‘ungraspable,’ it is only because it cannot be grasped through one approach only. And the fact that the novel lends itself to multiple approaches and numerous interpretations accounts for both its appeal to some and repulsion for others.” —from the Preface Melville Studies Paper $59.00s isbn 978-1-60635-068-3 392 pp., 6 x 9 biblio., index Second Edition, Revised and Expanded Compiled by Terry K. Woods People who lived and worked on and alongside the Ohio & Erie Canal had a vocabulary all their own. Originally published in 1995, this glossary was the first to list in one source the terms used to describe the boats, crews, locks, equipment, and canals. Terry K. Woods provides a dictionary of primary terms selected from official reports as well as terms taken from interviews with former boatmen. This new edition includes additional terms and a new introduction detailing the canal’s route—elevation, engineering, locks, feeders, and the businesses and communities along the way. Terry K. Woods is past president of both the Canal Society of Ohio and the American Canal Society. He is former editor of Towpaths, the journal of the Canal Society of Ohio, and is widely recognized as an expert on the Ohio & Erie Canal. He is also the author of Ohio’s Grand Canal: A Brief History of the Ohio & Erie Canal (The Kent State University Press, 2008). Regional Paper $15.00t isbn 978-1-60635-106-2 c. 56 pp., 51/2 x 81/2 c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 35 Recent Releases The Last Muster Musical Mysteries Images of the Revolutionary War Generation Maureen Taylor With David Allen Lambert From Mozart to John Lennon Albert Borowitz A remarkable work of documentary history, The Last Muster is a collection of rare nineteenth-century photographic images—primarily daguerreotypes, ambrotypes, and carte de visite paper photographs—of the Revolutionary War generation. This extraordinary volume assigns faces to an un-illustrated war and tells the stories of our nation’s founding fathers and mothers, updating and supplementing research last collected and published over a century ago. Cloth $45.00t isbn 978-1-60635-055-3 Though Murder Has No Tongue The Lost Victim of Cleveland’s Mad Butcher James Jessen Badal With an Afterword and Appendix by Cathleen A. Cerny, M.D. James Jessen Badal tells a gripping tale of justice gone wrong in this story about Frank Dolezal, the only man actually arrested for the infamous “Torso Murders” in Cleveland, Ohio, during the 1930s. It is also a modern story of forensic analysis as compelling as an episode of CSI. Using 1930s police reports, inquest testimony, autopsy and archival photographs, notes from primary investigators, and analyses from top forensic anthropologists and medical examiners, Badal establishes the facts, dispels rumors, and presents a thorough examination of the actual cause of Frank Dolezal’s mysterious death and theorizes on the identity of the real killer. Included are an analysis of the likely killer and a chronology of his gruesome spree by forensic psychiatrist Cathleen Cerny. Paper $22.95t isbn 978-1-60635-062-1 36 w w w. k ent s tateuniver sit y pre ss.com In Musical Mysteries, renowned true crime historian Albert Borowitz turns his attention to the long and complex history of music and crime. This interdisciplinary study of musical crimes and criminals offers readers Borowitz’s characteristic close, learned analysis and insightful, engaging prose and will appeal to true crime aficionados as well as students of social and music history. Cloth $32.00t isbn 978-1-60635-026-3 The Adventuress Murder, Blackmail, and Confidence Games in the Gilded Age Virginia A. McConnell This is the tale of Minnie Walkup, a nineteenthcentury black widow, and her remarkable life of crime. Author Virginia A. McConnell tells a story full of scandal, gossip, theft, and murder and reveals the fascinating cast of characters who revolved around Walkup, including a former Louisiana governor and senator, a prominent Ohio banking family, the partner of a famous railway tycoon, and a sleazy New Orleans district court judge. Cloth $29.95t isbn 978-1-60635-034-8 Meet Me on Lake Erie, Dearie! The Sportswriter Who Punched Sam McDowell Cleveland’s Great Lakes Exposition, 1936–1937 John Vacha In the summers of 1936 and 1937 the Great Lakes Exposition was presented in Cleveland, Ohio, along the Lake Erie shore, just north of the downtown business area. At the time, Cleveland was America’s sixth largest city. The Exposition commemorated the centennial of Cleveland’s incorporation and was conceived as a way to energize a city hit hard by the Great Depression. More than seven million people visited the Exposition during its two-summer run. Paper $24.95t isbn 978-1-60635-058-4 And Other Sports Stories Bob Dolgan When he retired in 2006, Bob Dolgan had been a sportswriter for forty-five years at the Cleveland Plain Dealer. Known for his unique perspectives on sports figures, Dolgan’s style, instincts, and experience as a reporter were evident in his columns that were beloved by his readers and admired by his colleagues. As one of the “deans” of Cleveland sports writing, Dolgan’s skills and expertise shine through in his columns. Paper $28.95t isbn 978-1-60635-044-7 The Washington Senators Christmas Stories from Ohio Shirley Povich Foreword by Richard “Pete” Peterson This facsimile edition of the celebrated 1954 history of the Senators originally appeared as part of the popular series of major league team histories published by G. P. Putnam. With their colorful prose and delightful narratives, the Putnam books have been described as the Cadillac of the genre and are prized collectibles for baseball readers and historians. Legends like Walter Johnson, Gabby Street, Bucky Harris, Roger Peckinpaugh, Sam Rice, Joe Cronin, and Leon “Goose” Goslin fill these pages, and their colorful exploits are woven into the fabric of each season’s story. Paper $18.00t isbn 978-1-60635-052-2 Edited by Dorothy Dodge Robbins and Kenneth Robbins This celebration of Christmas in the Buckeye State rejoices in the many moods of yuletide in Ohio. Including both fiction and memoir from some of Ohio’s most highly regarded classic and contemporary authors—including Kay Boyle, Paul Laurence Dunbar, Nikki Giovanni, Langston Hughes, and James Thurber—these tales span the generations, offering an entertaining perspective on midwinter holiday traditions. Cloth $29.95t isbn 978-1-60635-064-5 c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 37 Recent Releases Snow Hill In the Shadows of the Ephrata Cloister Denise A. Seachrist In an appealing narrative that chronicles with humor and insight her research into this fascinating community of German Seventh-Day Baptists, Denise Seachrist tells the story of Snow Hill—its spiritual and work life; its music, writings, architecture, and crafts tradition; and its sad demise in the waning days of the twentieth century. Snow Hill is a long-overdue study of one of America’s experiments in communal living. It speaks to another time and place and stands as a testament to the idealism of community and the tenacity of the human spirit. Cloth $45.00t isbn 978-1-60635-065-2 Beggars of Life Jim Tully With an Introduction by Paul J. Bauer and Mark Dawidziak Jim Tully left his hometown of St. Marys, Ohio, in 1901, spending most of his teenage years in the company of hoboes. Drifting across the country, he scrambled into boxcars, slept in hobo jungles, begged meals from back doors, and haunted public libraries. He crafted these memories into a dark and astonishing chronicle of the American underclass. Originally published in 1924, this is the book that defined Tully’s hard-boiled style and set the pattern for the books that followed over the next two decades. Paper $21.95t isbn 978-1-60635-000-3 38 w w w. k ent s tateuniver sit y pre ss.com The Bruiser Jim Tully With an Introduction by Paul J. Bauer and Mark Dawidziak Foreword by Gerald Early When The Bruiser was first published in 1936, almost every reviewer praised Jim Tully’s gritty boxing novel for its authenticity—a hard-earned attribute. “It’s a pip of a story because it is written by a man who knows what he is writing about,” said sportswriter and Guys and Dolls author Damon Runyon. “He has some descriptions of ring fighting in it that literally smell of whizzing leather. He has put bone and sinew into it, and atmosphere and feeling.” More than just a riveting picture of life in the ring, The Bruiser is a portrait of an America that Jim Tully knew from the bottom up. Paper $19.95t isbn 978-1-60635-056-0 The Coming of Fabrizze A Novel Raymond DeCapite Foreword by Tony Ardizzone First published in 1960, The Coming of Fabrizze has been called by the New York Herald Tribune a “comic folklore festival about an Italian American colony in Cleveland, Ohio, back in the 1920s when all the land was a little slaphappy—and no one more so than these transplanted countrymen of the Medicis, Giuseppe Garibaldi, Christopher Columbus . . . and others whose hearts have belonged to Italia.” More a legend than a realistic or sociological novel, Fabrizze is a celebration of the working class and a heroic tale of an immigrant who succeeds by virtue of hard work and honesty. Paper $19.95t isbn 978-1-60635-028-7 A Lost King Ernest Hemingway and the Geography of Memory A Novel Raymond DeCapite Foreword by Thomas DePietro If the mood of The Coming of Fabrizze is joyous, that of A Lost King is somber. Each of DeCapite’s novels is original in its own way, perhaps inspired by different moods. Orville Prescott described A Lost King as “an apologia for dreamers. A more mature book, it deals with a more serious theme—the relationship of a father and son . . . a pathetic and perhaps tragic conflict of personalities.” Paper $19.95t isbn 978-1-60635-027-0 The Country Doctor Revisited Edited by Mark Cirino and Mark P. Ott Hemingway’s work reverberates with a blend of memory, geography, and lessons of life revealed through the trauma of experience. Travel was the engine of his creative life, as the recurrent contrast between spaces provided him with evidence of his emerging identity as writer. The contributors to this collection employ an intriguing range of approaches and use the concept of memory as an interpretive tool to enhance the understanding of Hemingway’s creative process. Cloth $45.00s isbn 978-1-60635-042-3 We Wear the Mask A Twenty-First Century Reader Edited by Therese Zink This is a captivating collection of essays, poems, and short stories written by rural health care professionals on the experiences of doctors and nurses practicing medicine in remote environments, such as farms, reservations, and migrant camps. Alternately compelling, thought provoking, and moving, they speak of the diversity of rural health care providers, the range of patients served, the variety of settings that comprise the rural United States, and the resources and challenges faced by rural health care providers today. Paper $32.00t isbn 978-1-60635-061-4 Paul Laurence Dunbar and the Politics of Representative Reality Edited by Willie J. Harrell Jr. This collection of essays on Dunbar’s work builds on the research published over the last two decades. Employing an array of approaches to Dunbar’s poetic creations, the contributors closely examine the self-motivated and dynamic effect of his use of dialect, language, rhetorical strategies, and narrative theory to promote racial uplift. They situate Dunbar’s work in relation to the issues of advancement popular during the Reconstruction era and against the racial stereotypes proliferating in the early twentieth century while demonstrating its relevance to contemporary literary studies. Cloth $45.00s isbn 978-1-60635-046-1 c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 39 Recent Releases Reading The Century Illustrated Monthly Magazine American Literature and Culture, 1870–1893 Mark J. Noonan Scribner’s Monthly: An Illustrated Magazine for the People, which became The Century Illustrated Monthly Magazine in 1881, offered its predominantly upper-middle-class readership historical and biographical essays, serialized novels, scientific and technological updates, and discussions of contemporary events and issues. Mark J. Noonan examines the worldview projected by the publications’ editors and how those editors sought to slant issues according to their own value systems and looks at how the magazine, by the mid-1890s, had lost its dominance in the American cultural arena. Cloth $65.00t isbn 978-1-60635-063-8 Northerners at War Reflections on the Civil War Home Front J. Matthew Gallman This collection, by one of America’s most distinguished Civil War scholars, tackles a range of home front topics, from urban violence and Gettysburg’s wartime history to entrepreneurial endeavors and the war’s economic impact. It also examines gender issues, with a fascinating review of the career of orator Anna E. Dickinson and an insightful examination of how northerners used gendered notions of masculinity in rhetoric to recruit African American soldiers. Cloth $39.95t isbn 978-1-60635-045-4 40 w w w. k ent s tateuniver sit y pre ss.com The Antebellum Crisis and America’s First Bohemians Mark A. Lause Amid the social and political tensions plaguing the United States prior to the Civil War, the North experienced a boom of cultural activity. Young writers, artists, and musicians settled in northern cities and called themselves “bohemians.” Building on midcentury abolitionist, socialist, and free labor sentiments, bohemian influence reached beyond the arts to political radicalism and social revolution. Focusing on the overlapping nature of culture and politics, historian Mark A. Lause delves into the world of antebellum bohemians and the newspapermen who surrounded them. Cloth $45.00s isbn 978-1-60635-033-1 A German Hurrah! Civil War Letters of Friedrich Bertsch and Wilhelm Stängel, 9th Ohio Infantry Translated and Edited by Joseph R. Reinhart Bertsch and Stängel were German immigrants fighting in a German regiment. Their letters from the battlefront were published in German American newspapers. Published here for the first time in English, these contemporary letters are historically significant and superior to accounts written decades after the events occurred. Cloth $59.00t isbn 978-1-60635-038-6 The Admirable Radical Staughton Lynd and Cold War Dissent, 1945–1970 Carl Mirra Foreword by Howard Zinn In this first full-length study of Lynd’s activist career, Mirra charts the development of the New Left and traces Lynd’s journey into the southern civil rights and anti–Vietnam War movements during the 1960s and concludes with Lynd’s move to Niles, Ohio, in 1970 where he assisted in the struggle to keep the steel mills open. Cloth $34.95t isbn 978-1-60635-051-5 Democratic Peace in Theory and Practice Edited by Steven W. Hook Historical patterns suggest that democratic governments, which often fight wars against authoritarian regimes, maintain peaceful relationships with other governments that uphold political freedoms and empower their civil societies. This timely collection of essays by leading scholars examines how democracies maintain relationships and how democratic principles are spread throughout the world. Paper $29.95s isbn 978-1-60635-031-7 Kent State and May 4th: A Social Science Perspective Seeking the Sacred in Contemporary Religious Architecture Third Edition, Revised and Expanded Edited by Thomas R. Hensley and Jerry M. Lewis This volume of essays seeks to answer frequently raised questions while correcting historical inaccuracies. The third edition includes a new essay that analyzes a group of television documentaries about May 4 and an overview of the legal aftermath of the shootings, including governmental investigations to determine responsibility and how students were affected by these events. Paper $45.00s isbn 978-1-60635-048-5 Douglas R. Hoffman Foreword by Michael J. Crosbie This is an exploration of sacredness in houses of worship and an examination of the critical question of what architectural elements contribute to make sacred space. The underlying premise is that sacred space, while ephemeral, can be perceived and understood through a careful investigation of its architecture. Illustrated with dozens of color photographs, this book presents the notion of the sacred in cogent, engaging prose. Cloth $34.95t isbn 978-1-60635-047-8 c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 41 Recent Releases Botanical Essays from Kent Some Botanical Features of a University Town in Ohio Tom S. Cooperrider Foreword by Hope Taft Afterword by David E. Boufford With personal narratives based on fifty years of experience, the author provides fascinating botanical tales on the study and conservation of Ohio flora, the Herrick Magnolia Garden, the work of other local botanists, the protection of rare species and unique areas such as Kent’s tamarack bog, the discovery of lost plants, the survival of a famous cultivated tree, and the invasiveness of alien plant species. Cloth $16.95t isbn 978-1-60635-043-0 Ohio Outback Learning to Love the Great Black Swamp Claude Clayton Smith Claude Smith offers a vibrant, humorous portrait of life that focuses on individuals and events in out-of-the-way places throughout northwest Ohio. The pieces in this book reflect a growing curiosity and fondness for Ohio, with topics ranging from the manufacturing process of NFL footballs and the anatomy of ditches to Smith’s reflections as a licensed professional boxing judge. Cloth $24.95t isbn 978-1-60635-054-6 42 w w w. k ent s tateuniver sit y pre ss.com Modernity and National Identity in the United States and East Asia, 1895– 1919 Carol C. Chin In her comprehensive, thought-provoking intellectual history of American, Chinese, and Japanese thinking on modernity, national identity, and internationalism during the early twentieth century, Carol Chin considers how the United States’, China’s, and Japan’s understanding of modernity shaped, and were shaped by, notions of their place in the world. Cloth $65.00s isbn 978-1-60635-041-6 Translating Slavery, Volume 2 Ourika and Its Progeny Edited by Doris Y. Kadish and Françoise Massardier-Kenney Volume 2 of Translating Slavery contains the original translation of Claire de Duras’s Ourika as well as a series of original critical essays by twenty-firstcentury scholars of translation studies. First published anonymously in 1823, Ourika signifies an important shift from nineteenth-century notions of race, nationality, and kinship toward the identity politics of today. Paper $29.95s isbn 978-1-60635-020-1 Leading Them to the Promised Land Woodrow Wilson, Covenant Theology, and the Mexican Revolution, 1913–1915 Mark Benbow Through careful investigation of Wilson’s writings and correspondence, along with other contemporary sources, author Mark Benbow shows how Wilson’s religious heritage shaped his worldview, including his assumption that nations should come together in a covenant to form a unitary whole like the United States. As a result, Wilson attempted to nurture a democratic state in revolutionary Mexico when rivals Venustiano Carranza and Pancho Villa threatened U.S. interests. His efforts demonstrate the difficulty a leader has in reconciling his personal religious beliefs with his nation’s needs. Cloth $49.00s isbn 978-1-60635-025-6 The New Ray Bradbury Review Number 2 (2010) Edited by William F. Touponce This review is designed principally to study the impact of Ray Bradbury’s writings on American culture. In this second number, scholars discuss Bradbury’s view of the role of art and aesthetics in our modern technological lives. Included are Bradbury’s correspondence with renowned Renaissance art historian and aesthetician Bernard Berenson, a fragment from Bradbury’s screenplay “The Chrysalis,” a review of Now and Forever, and insightful essays by Jon Eller and Roger Lay. Paper $25.00t isbn 978-1-60635-037-9 Recent Awards Musical Mysteries Recent Honors and Awards From Mozart to John Lennon Albert Borowitz • USA Book News Best Books 2010, Finalist (True Crime) With an award-winning list of scholarly and general-interest publications, The Kent State University Press exemplifies Excellence in Action, the guiding principle of Kent State University’s academic mission The Last Muster Christmas Stories from Ohio Images of the Revolutionary War Generation Maureen Taylor • USA Book News Best Books 2010, Finalist (U.S. History) Dorothy Dodge Robbins and Kenneth Robbins • USA Book News Best Books 2010, Winner (Fiction & Literature: Anthology) Though Murder Has No Tongue Clyde Singer’s America The Lost Victim of Cleveland’s Mad Butcher James Jessen Badal • USA Book News Best Books 2010, Winner (True Crime) M. J. Albacete • International Book Awards, Winner (Art: General) c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 43 Recent Awards Orlando M. Poe Civil War General and Great Lakes Engineer Paul Taylor • The Historical Society of Michigan, 2010 State History Award Winner Wild Ohio All Man! Hemingway, 1950s Men’s Magazines, and the Masculine Persona David M. Earle • International Book Awards, Winner (Popular Culture) • International Book Publishers Association Ben Franklin Awards, Winner (Poetry/Literary Criticism) • ForeWord Magazine Awards, Bronze The Best of Our Natural Heritage Jim McCormac and Gary Meszaros • 2010 Ohioana Book Award, Winner (About Ohio) • International Book Publishers Association Ben Franklin Awards, Finalist (Cover Design) • ForeWord Magazine Awards, Honorable Mention (Nature) The Heart’s Truth Essays on the Art of Nursing Cortney Davis • Independent Publisher Book Awards, Silver (Essay/Creative Fiction) Beyond Forgetting Poetry and Prose about Alzheimer’s Disease Holly J. Hughes • Independent Publisher Book Awards, Silver (Aging/Death & Dying) 44 Above the Thunder Reminiscences of a Field Artilery Pilot in World War II Raymond C. Kerns • Army Historical Foundation, Grand Prize (Autobiography/Memoir) • International Book Awards, Finalist (Autobiography/Memoir) Revelations Photographs of Cleveland’s African American Churches Michael Stephen Levy • International Book Awards, Winner (Photography) Far from Algiers Djelloul Marbrook • International Book Awards, Winner (Poetry) Hemingway’s Cuban Son Above & Beyond Reflections on the Writer by His Longtime Major Domo René Villarreal and Raúl Villarreal • International Book Publishers Association Ben Franklin Awards, Finalist (Autobiography/Memoir) Tim Mack, the Pole Vault, and the Quest for Olympic Gold Bill Livingston • International Book Awards,Winner (Sports: Autobiography/Biography) w w w. k ent s tateuniver sit y pre ss.com Ohio History Ohio History L. Diane Barnes, editor Submit articles for consideration and books for review to: L. Diane Barnes Associate Professor, History Youngstown State University One University Plaza Youngstown, Ohio 44555 For more than 100 years, Ohio History, an annual peer-reviewed journal, has published scholarly essays, research notes, edited primary documents, and book reviews spanning the political, military, social, economic, ethnic, archaeological, architectural, and cultural history of Ohio and the Midwest. In addition, the journal publishes essays on subjects concerning the nation and the Midwest with an Ohio focus. Now under the editorship of L. Diane Barnes, Ohio History continues this venerable and useful scholarly work in its second century. Volume 118 includes articles about William Henry Harrison’s speaking tour for the presidency, a study of power and resistance at Camp Chase Prison during the Civil War, funding relief during the 1913 Dayton flood, the Crippled Children’s Movement, an Ohio dentist’s health crusade against aluminum, and the formation of the Latino community in Northeast Ohio during the twentieth century. Ohio History is published annually in the spring. 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Box 5190, Kent OH 44242-0001 c a l l t o o r d e r 4 19 -2 8 1 -1 8 0 2 45 Civil War History Civil War History Lesley J. Gordon, editor Now in its sixth decade, Civil War History is the foremost scholarly journal of the American Civil War era. Focusing on social, cultural, economic, political, and military topics from the antebellum period through Reconstruction, Civil War History belongs in every major library collection, including those for students, historians, buffs, and the interested general reader. Civil War History is published quarterly in March, June, September, and December. Submit articles for consideration and books for review to: Lesley J. Gordon, Editor Civil War History Department of History University of Akron Akron OH 44325-1902 [email protected] U.S./Domestic Institutional 1 year $75.00 2 years $140.00 Individual 1 year $50.00 2 years $90.00 Canada/Foreign (includes shipping) $107.00 $172.00 $82.00 $122.00 Single issues $20.00 individual, $35.00 institution. 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