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APRIL - JUNE 2015
Lighting Up a Place of Worship
The
Tua Pek Kong
Temple
Bukit T imah,
Singapore
by Light Collab
INSIDE
Show Previews / Reviews
Interview with the CLDA
Lighting for Facades + Landscapes
Lighting for Interior Spaces
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THAILAND
lighting fair
PROVINCIAL
ELECTRICITY
AUTHORITY
Presented by
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19 – 21
August 2015
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Tel : +66 (0) 2641 5483 ext. 100, 111, 112, 117
Bangkok International Trade
and Exhibition Centre
(BITEC)
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1000
Upgrading of CHAMPIONSgolf Driving Range at Bukit Timah
Before
After
editor’s note
Dear Readers,
Welcome to this issue of Lighting Today. I hope that 2015 has
been a pleasant year for you so far; and I thought I’d share a bit
of my personal thoughts on architectural lighting.
Prior to this role as Editor of this magazine, my knowledge of
lighting design had been rather minimal; lights were just a basic
necessity for use indoors and at night, powered by simple on-off
switches. Sure, I knew about street lighting and façade lighting,
but their importance and creative elements hardly crossed my
mind. Now, one and a half years later and after putting together
six issues of Lighting Today, I find myself having what I’d call an
“occupational habit”; my eyes often wandering up to ceilings and
walls, evaluating how the lighting design affects me consciously
and subconsciously.
It is really incredible though, how technology has given lighting
designers countless design possibilities which are unique yet
relevant to the overall concept. Gracing this issue is the splendid
lighting design of the Tua Pek Kong Temple here in Bukit Timah,
Singapore, by lighting designers from Light Collab. As with any
cultural building or place of worship, the right ambience within
the compound and from the exterior creates an air of reverence
and respect for culture and tradition. Read on to find out how
Light Collab gave the temple’s lighting design a facelift.
Also in this issue, check out a range of specially selected interior
and exterior lighting design projects and products, as well as
comprehensive previews and reviews of international exhibitions
within the lighting industry.
Happy reading!
Jo-Ann Elicia Teo
Editor
2
Contents
040
008
Light Talk by Martin Klaasen
010
Lighting in the News
022
Show Preview
•Guangzhou International Lighting Exhibition
•Thailand Lighting Fair 2015
•Shanghai International Lighting Fair
030
Show Review
•Light India
•LED Expo Delhi
038
Special Feature
•A Closer Look: Lear Hsieh
•Airstar Night Light
044
Cover Story
Tua Pek Kong Temple, Singapore
044
050
Lighting Façades and Landscapes
•Melbourne Airport
•Angsana Xi’An Lintong Resort
•Private Residence Backyard Lighting
064
Lighting Spatial Envelopes
•Pencil & Monk Design Studio
•Sofitel So Hotel
•Opera Café
•Fera Restaurant @ Claridge’s
082
Lighting Controls
•NuBryte Smart Home Lighting and Safety Console
•connecDIM: Decentralised Light Management 2.0
•Kingspan Launches ZerO Energy Lighting
Solution to Cut Business Energy Costs
050
089
•LED Built-In Modules by Vossloh-Schwabe
•LUMINOSE – The Lovely Lamp
•LG Chem OLED Light Panel
•Scout Lamp for Grandvalira Ski Resort
•Modern Lighting for Interior Spaces by Kanarien Singapore
•High Performance LED Projectors by Grunzell
064
4
lighting today jan-mar 2012
illumina - Product Showcase
102
Product Focus
108
Events & Expositions /
Advertisers Index
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PUBLISHER
Steven Ooi [email protected]
EDITOR
Jo-Ann Elicia Teo [email protected]
GROUP MARKETING MANAGER
Eric Ooi [email protected]
MARKETING MANAGER
Felix Ooi [email protected]
APRIL - JUNE 2015
Lighting Up a Place of Worship
The
Tua Pek Kong
Temple
Bukit T imah,
Singapore
by Light Collab
SENIOR MARKETING EXECUTIVE
Wong Theng [email protected]
GRAPHIC DESIGNER
Siti Nur Aishah [email protected]
HEAD OF GRAPHIC DEPT/ADVERTISEMENT
COORDINATOR
Fawzeeah Yamin [email protected]
CIRCULATIONS EXECUTIVE
Yvonne Ooi [email protected]
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INSIDE
Interview with the CLDA
Lighting for Facades + Landscapes
Lighting for Interior Spaces
CALL FOR SUBMISSIONS
On the Cover: The Tua Pek Kong Temple
Photo Credits: N.D Photography
Cover Design by Siti Nur Aishah
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6
∞ lighting today ∞ Issue Four Oct - Dec 2010
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light talk by martin klaasen
CLDA
or how the Chinese Lighting Designers Association is taking off where PLDA left…
Through my frequent travel in the region and China specifically,
as well as my years of being “around” in the business of lighting
design in this part of the world, it is not a surprise that I have
developed close ties with the lighting enthusiasts, designers
and manufacturers, certainly when it comes to promoting
the benefits of better lighting design, for most of us a daily
passion. With the unfortunate demise of the Professional
Lighting Design Association last year, a void was created with
many of the former PLDA members left feeling abandoned by
their association. Most of us switched over to the IALD (the
International Association of Lighting Designers) headquartered
in the USA, but with still this need for a complementary
association more engrained with the ways of working in the
Asia Pacific.
The Chinese Lighting Design Association (CLDA) was set up
several years ago in consultation and with the blessing of the
PLDA at the time, with MOU’s signed between the organisations
for cooperation, exchange of programs and joined activities. A
similar cooperation agreement was signed with the IALD. The
void that was created with the demise of the PLDA now seems
to be gradually filled in by the CLDA who is spreading its wings
more actively over the last year or so supported by some of the
former PLDA members.
The CLDA is an exclusive membership limited in numbers
and open to Chinese lighting designers only, with the
members under scrutiny to perform and deliver quality work
throughout the year, failing which their membership maybe
revoked. In other words, membership to the CLDA is subject to
performance and continued delivery of quality work. In order
to help assess and maintain these levels of quality the CLDA is
assisted by an International Advisory Council (IAC) of which I
am a member. The role of the IAC members (most of whom are
previously PLDA members) is to safeguard the integrity and
the professionalism of our profession by its members.
The CLDA further promotes the role of the lighting designer and
the importance of good lighting design through a platform it
calls the Declaration of Green (DOG). Yes, a lot of abbreviations,
I know. The DOG focuses on the sustainability of lighting
(green) and the benefits of better lighting design. Till recently,
DOG’s had been held on a nearly monthly basis in various key
cities throughout China, but since November last year the
CLDA is exploring overseas opportunities as well with its first
DOG event held in Hong Kong during the Autumn Light Fair.
The objectives are two-fold; first it wants to promote lighting
design in China and as such the CLDA offers to be a portal into
the Chinese market for overseas designers potentially through
cooperation with local Chinese lighting designers. Secondly,
it also wants to export the Chinese lighting design brand
overseas. Chinese lighting designers are coming of age (as
do many of the in China manufactured lighting products) and
with the ever expanding reach of multi-national property and
infra-structure developers the outreach of Chinese lighting
designers becoming active overseas is rapidly growing. This
offers in turn opportunities for cooperation with overseas
8
lighting designers. It is this international bilateral cooperation
that will help grow the Chinese lighting design industry as an
accepted force not only in China but also abroad.
This year’s DOG event schedule is already pretty much lined up
with a mix of events in China and abroad. Based on last year’s
DOG success in Hong Kong the fair organisation has asked
the CLDA back for its spring edition. Other overseas events
are being planned in Milano (during Euroluce at the Salone di
Mobile) and Singapore. Each of the events will have a mix of
International and Chinese lighting designers as guest speakers
sharing their experiences. I have been invited to a few of them
and look forward to contribute my little piece of mind.
My vested interest is of course my continued project activities
in Asia Pacific and China specifically where I have now been
active for more than 20 years. Through the CLDA and the DOG
platforms we have excellent ways to educate and reach out to
the public and project related stakeholders. It is noteworthy to
mention that the CLDA now also facilitates the first certified
lighting designer’s course at the Sichuan Fine Arts Institute
in Chongqing. I had the pleasure to visit and address the
students last year as part of their curriculum (English language
proficiency is mandatory!) and was impressed by their level
and quality of work.
The CLDA is clearly moving ahead and providing new horizons
to the lighting design fraternity in this part of the world,
gradually filling part of the void left behind by the PLDA.
Elsewhere in this issue you will find an interview with the
president of the CLDA and its plans for the future.
Essence of Clair LED, The evolution of Lighting
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lighting in the news |top stories
ZHAGA CONSORTIUM STARTS WORK ON NEW SPECIFICATION FOR
COB LED ARRAYS
In response to feedback from a broad range of stakeholders, the new
Zhaga Book will specify a family of six rectangular or square LED
modules with different dimensions.
T
he Zhaga Consortium, which develops specifications
for interchangeable LED light sources, is now working
on a new Book that will include Chip-on-Board (COB) LED
arrays.
COB arrays are already in widespread use throughout the
LED lighting industry, but different manufacturers offer a
wide range of alternative sizes. This creates problems for
luminaire makers and other stakeholders such as COB
holder suppliers, and limits their options to use alternative
products from different suppliers without changing their
luminaire or holder designs.
“We consulted many luminaire makers, and received broad
support for our plans to standardize this type of LED
light source,” said Musa Unmehopa, Secretary General
of the Zhaga Consortium. “These companies asked us to
standardize properties such as the mechanical dimensions
of the module, the position of electrodes, and the diameter
of the light-emitting surface.”
Zhaga standardization removes arbitrary variations in a small
number of parameters, in order to enable interchangeability
of LED light sources. For customers, this simplifies the
comparison and selection of products. For COB-array
makers, this will allow a focus on areas where they can offer
value-added differentiation to customers, such as thermal
properties, quality of light or luminous efficacy.
“For Zhaga Books to be successful, they need to reflect the
wishes of the market,” said Unmehopa. “We welcome any
input from COB makers or other companies, who are invited
to join Zhaga and contribute to the ongoing discussions.”
Specification details
The new Zhaga Book will define LED light engines comprising
rectangular and square LED modules with a circular lightemitting surface (LES) and a separate LED driver. The Book
will define a family of modules with different dimensions.
In the majority of cases, modules that are compliant with
the new Book will employ COB technology* for the lightemitting section. However, the Zhaga specification will not
prevent the use of alternative technology approaches.
To lay the groundwork for the new Book, Zhaga analysed the
main COB-array products on the market, and checked the
requirements of luminaire makers. After extensive discussion
it was decided to specify a family of six rectangular or
square modules, with the following PCB dimensions: 12 x
15 mm, 16 x 19 mm, 19 x 19 mm, 20 x 24 mm, 24 x 24 mm,
and 28 x 28 mm.
The circular LES sizes defined in the new Book will
correspond to the LES categories specified in several
current Zhaga Books that cover spotlight modules (Books
3, 5, 10 and 11).
The circular LES sizes defined in the new Book will
correspond to the LES categories specified in several
current Zhaga Books that cover spotlight modules (Books
3, 5, 10 and 11).
COB LED arrays are used both with and without holders,
depending on the luminaire type and application. It is likely
that the new Zhaga Book will also include specifications for
these holders.
In common with other Zhaga specifications, the new
Book will only restrict the parameters necessary to
enable interchangeability. In addition to PCB dimensions
and thickness, such parameters are likely to include the
location of the LES centre point; the position and size of
the electrode positions; and the location of the thermal
measurement point.
Screw holes will be optional, since many COB arrays
are mounted directly using a thermal interface material.
However, if screw holes are used then their position and
size should conform to the Zhaga specification.
As part of the Book-writing process, Zhaga will discuss
whether other features should be part of the specification.
This may include the addition of a current-setting resistor
to the board, for example, or the addition of a temperature
sensor to prevent over-temperature operation.
(footnote)
* Chip-on-board or COB is a manufacturing technology in which the
LED chips are mounted directly onto a PCB or printed circuit board.
The phosphor coating necessary to produce white light is either
applied to each individual chip, or applied across the entire array.
About Zhaga
Zhaga is a global lighting-industry consortium that is
developing specifications to enable the interchange of
LED light engines, modules and drivers made by different
manufacturers.
CONTACT LENS MERGES PLASTICS AND ACTIVE ELECTRONICS
VIA 3-D PRINTING
A
s part of a project demonstrating new 3-D printing
techniques, Princeton researchers have embedded tiny
light-emitting diodes into a standard contact lens, allowing
the device to project beams of colored light.
Michael McAlpine, the lead researcher, cautioned that the
lens is not designed for actual use — for one, it requires an
external power supply. Instead, he said the team created the
10
device to demonstrate the ability to “3-D print” electronics
into complex shapes and materials.
“This shows that we can use 3-D printing to create complex
electronics including semiconductors,” said McAlpine,
an assistant professor of mechanical and aerospace
engineering. “We were able to 3-D print an entire device, in
this case an LED.”
To conduct the research,
the team built a new type
of 3-D printer that McAlpine
described
as
“somewhere
between
off-the-shelf
and
really fancy.” Dan Steingart,
an assistant professor of
mechanical and aerospace
engineering and the Andlinger
Center, helped design and
build the new printer, which
McAlpine estimated cost in the
neighborhood of $20,000.
Michael McAlpine, an assistant professor of mechanical and aerospace engineering at Princeton, is
leading a research team that uses 3-D printing to create complex electronics devices such as this
light-emitting diode, shown here printed on curved glass. (Photo by Frank Wojciechowski)
The hard contact lens is made of plastic. The researchers used tiny crystals, called
quantum dots, to create the LEDs that generated the colored light. Different size dots
can be used to generate various colors.
“We used the quantum dots [also known as nanoparticles] as an ink,” McAlpine said. “We
were able to generate two different colors, orange and green.”
The contact lens is also part of an ongoing effort to use 3-D printing to assemble diverse,
and often hard-to-combine, materials into functioning devices. In the recent past, a team
of Princeton professors including McAlpine created a bionic ear out of living cells with an
embedded antenna that could receive radio signals.
Yong Lin Kong, a researcher on both projects, said the bionic ear presented a different
type of challenge.
“The main focus of the bionic ear project was to demonstrate the merger of electronics
and biological materials,” said Kong, a graduate student in mechanical and aerospace
engineering.
Kong, the lead author of a Oct. 31 article describing the current work in the journal
Nano Letters, said that the contact lens project, on the other hand, involved the printing
of active electronics using diverse materials. The materials were often mechanically,
chemically or thermally incompatible — for example, using heat to shape one material
could inadvertently destroy another material in close proximity. The team had to find
ways to handle these incompatibilities and also had to develop new methods to print
electronics, rather than use the techniques commonly used in the electronics industry.
“For example, it is not trivial to pattern a thin and uniform coating of nanoparticles
and polymers without the involvement of conventional microfabrication techniques, yet
the thickness and uniformity of the printed films are two of the critical parameters that
determine the performance and yield of the printed active device,” Kong said.
To solve these interdisciplinary challenges, the researchers collaborated with Ian
Tamargo, who graduated this year with a bachelor’s degree in chemistry; Hyoungsoo
Kim, a postdoctoral research associate and fluid dynamics expert in the mechanical and
aerospace engineering department; and Barry Rand, an assistant professor of electrical
engineering and the Andlinger Center for Energy and the Environment.
McAlpine said that one of 3-D printing’s greatest strengths is its ability to create
electronics in complex forms. Unlike traditional electronics manufacturing, which builds
circuits in flat assemblies and then stacks them into three dimensions, 3-D printers can
create vertical structures as easily as horizontal ones.
“In this case, we had a cube of LEDs,” he said. “Some of the wiring was vertical and
some was horizontal.”
12
McAlpine said that he does not
envision 3-D printing replacing
traditional
manufacturing
in
electronics
any
time
soon;
instead,
they
are
complementary
technologies
with very different strengths.
Traditional
manufacturing,
which uses lithography to
create electronic components,
is a fast and efficient way
to
make
multiple
copies
with a very high reliability.
Manufacturers are using 3-D
printing, which is slow but easy
to change and customize, to
create molds and patterns for
rapid prototyping.
Prime uses for 3-D printing
are situations that demand
flexibility and that need to
be tailored to a specific use.
For
example,
conventional
manufacturing
techniques
are not practical for medical
devices that need to be fit to
a patient’s particular shape
or devices that require the
blending of unusual materials
in customized ways.
“Trying to print a cellphone
is probably not the way to
go,” McAlpine said. “It is
customization that gives the
power to 3-D printing.” In this
case, the researchers were able
to custom 3-D print electronics
on a contact lens by first
scanning the lens, and feeding
the geometric information back
into the printer. This allowed
for conformal 3-D printing of
an LED on the contact lens.
Besides
McAlpine,
Kong,
Tamargo, Kim, Rand and
Steingart,
the
researchers
involved in the project included
postdoctoral researchers Blake
Johnson, Maneesh Gupta and
Tae-Wook Koh, and graduate
student Huai-An Chin.
Support for the project was
provided by the Air Force Office
of Scientific Research and the
Defense Advanced Research
Projects Agency.
LIGHTING DESIGN FORUM: THE NEW SUMMIT FOR LIGHTING
EXPERTS AND DESIGNERS
T
he Lighting Design Forum
was held on Tuesday,
25 November 2014 at the
National Design Centre in
Singapore. The main aim of
the Lighting Design Forum
is to congregate experts,
designers
and
students
involved in the study of
architecture,
design
and
lighting design every year.
Sponsored by Reggiani,
Performance
in
Lighting
and
Eye
Lighting
Asia
Pacific, this inaugural event
was promoted by Roberto
Baggio, General Manager
of Performance in Lighting
Singapore and supported
by the Italian Chamber of
Commerce
in
Singapore
(ICCS),
DesignSingapore
Council and the Professional
Lighting Design Convention
(PLDC).
ICCS
President
Federico
Donato introduced the Guest
of
Honour,
Dr
Gianluca
Rubagotti,
Deputy
Head
of Mission of the Embassy
of Italy in Singapore who
delivered
the
welcome
speech. After presenting the
programme and objective of
the Lighting Design Forum,
Baggio welcomed Jean Wee,
Director of the National
Heritage Board, who spoke
about the importance of light
and the significance of the
year 2015 which has been
announced by UNESCO as
the International Year of Light.
The great idea of a lighting
design forum sparked from
an ambition to create a
place for professionals in
the lighting business where
ideas and best practices
can be unveiled and shared.
“We wanted to create a new
meeting point for designers,
students and lecturers to
meet and exchange ideas,
goals and aims about past
experiences and future ones.
2015 will be the International
Year of Light and I thought it
was the perfect moment to
drive this new initiative.” said
Baggio.
With the participation of
prestigious speakers, experts
in lighting, the theme of the
conference’s first edition was
the lighting of historic art
and monuments. Louis and
Emmanuel Clair from Light
Cibles explained creative architectural lighting approaches of world heritage sites when
design is governed by conservation restrictions on drilling and using screws, from Mont
Saint-Michel in France to the lighting concept of Indonesia’s Borobudur.
Serena Tellini and Francesco Iannone from Consuline presented their discovery named the
Monza Method – a new technique for lighting historic art, giving a practical demonstration
on how the correct approach can lead to a deeper understanding of the artist’s work.
Earlier on Monday, 24 November, Tellini and Iannone conducted a student workshop and
training for the Lighting Design Forum staff with a focus on their Monza Method.
Baggio added: “People in Asia, from China to Indonesia, are discovering the importance
of their origins and finding a cause for preserving prestigious monuments and retrieving
pieces of art. We think that 100 museums will open next year in China. The key role and
great opportunities of heritage lighting are so huge that we could not ignore them.”
Find out more about the Lighting Design Forum at www.lightingdesignforum.com.
13
STG AEROSPACE INSTALLS LITEMOOD® IN LATIN AMERICA
L
eading aircraft cabin lighting company STG Aerospace
is delighted to announce that Copa Airlines has become
the latest airline to install its liTeMood® retrofit LED lighting
system representing the first airline in Latin America to
complete a 737-800 liTeMood® installation.
With many of their 737NG fleet installed with Boeing Sky
Interior, Copa Airlines looked for a cost effective solution to
upgrade and harmonise the look and feel of cabin interiors
of the older aircraft installed with fluorescent lighting. The
liTeMood® installation followed an on-wing demonstration
in Panama during 2014. Founded in 1947, Copa Airlines
serves as Panama’s flag carrier flying more than 11 million
passengers a year to destinations in 30 countries in North,
Central and South America and the Caribbean.
liTeMood® is a versatile, programmable, fully plug-andplay system which can be installed quickly and easily and
offers a highly cost-effective upgrade for airlines seeking
to improve passenger experience and increase yields. It
features significantly increased reliability over traditional
lighting systems, thereby reducing ongoing maintenance
and operational costs, and also delivers important
environmental benefits. Not only is liTeMood® up to 40kg
lighter than original-fit fluorescent lighting, it also consumes
70% less power, increasing both the aircraft’s fuel and
electrical efficiency.
Despite the simplicity of its design, liTeMood® incorporates
the latest research into the effects of ambient lighting on
individual passenger comfort and wellbeing and, as a result
of its versatility, can also be applied to achieve impactful
brand differentiation.
Marcus Williams, Director of Sales & Marketing added: “As
the first ever liTeMood® installation in Latin America, this
is an important win for STG Aerospace and we’re looking
forward to the opportunity to work closely with Copa Airlines
going forward. With the Latin American aviation industry
continuing to exhibit strong growth and representing a
strategically important market for us, we’re keen to promote
liTeMood®’s many benefits across the region”.
lighting in the news |america
JONATHAN SPEIRS SCHOLARSHIP FUND – 2014 WINNER
ANNOUNCED
T
he Trustees of the Jonathan Speirs Scholarship Fund are
pleased to announce that its 2014 award has been made
to Cashel Brown, a post-graduate student of Lighting Design
at Edinburgh Napier University. Cashel, who holds a degree
in architecture from the Edinburgh School of Architecture and
Landscape Architecture (ESALA), University of Edinburgh
was selected from a strong field of candidates drawn from
14
a wide variety of schools of architecture in the UK and US.
A detailed selection process ultimately determined that the
combination of Cashel’s passion for light and the strong
recommendation received from his university made him the
worthy winner of the £10,000 scholarship. The funding will
be used to support his ongoing education and investigation
into the relationship between light and architecture.
lighting in the news |america
Chairman of the JSSF John Roake spoke on behalf of the Trustees
of the Jonathan Speirs Scholarship Fund: “We are delighted to have
made this second award. Whilst the selection process was every bit
as demanding as our inaugural award in 2013, it was a unanimous
decision to offer a scholarship to Cashel Brown. As a graduate
architect who is now engaged in a postgraduate course in lighting
design, Cashel absolutely represents the quality and type of student
this award was originally aimed at. We have no doubt that the financial
support will help him immensely as he makes his way in his chosen
profession as a Lighting Designer.”
Cashel Brown commented:
“I feel extremely privileged to have received the second Jonathan
Speirs Scholarship, and intend to use the opportunity to fuel my
passion for lighting design.”
John Roake concluded with a plea for ongoing support:
“Once again this award has only been made possible as a result of
the incredible generosity of a number of companies and individuals
who came forward with donations. It is our stated intention that we
will make a minimum of one award each year
until 2023. To that end we still need further
financial help. We would therefore like to
use this opportunity to appeal to companies,
professional practices and individuals who
both knew Jonathan or benefitted from his
incredible insight into light and architecture to
give generously going into the future.”
Details of the Jonathan Speirs Scholarship
Fund, including ways to donate, are available at
www.jssf.org.uk.
LUMINUS APPOINTS MARK PUGH, LED INDUSTRY VETERAN, AS
VICE PRESIDENT OF MARKETING
experience to the company adding new depth and market knowledge to the Luminus
executive management team.
Before joining Luminus, Mark co-founded Xicato in July 2007 and was instrumental
in creating the “LED Module” category for the SSL industry. Over the last 7 years at
Xicato, he developed the product and business strategy establishing Xicato’s dominant
position in the critical lighting designer and specification market. Prior to Xicato, Mark
was a founding member of the Lumileds joint venture (JV) between Hewlett Packard and
Philips. Mark was based in the Netherlands and was responsible for manufacturing and
marketing. He successfully established and cultivated numerous global partnerships,
channels and developed new markets. Mark later became the Vice President of
Business Development and Strategic Marketing as the JV expanded in 1999 starting
new businesses for Lumileds such as LED backlighting for televisions and displays.
L
uminus Devices, Inc., a
global manufacturer of
high-performance LEDs and
solid-state
light
sources,
announced
today
the
appointment of Mark Pugh as
Vice President of Marketing.
Mark
brings
tremendous
solid state lighting (SSL)
“We are delighted to have Mark join our executive team,” said Dr. Decai Sun, Chairman
and Chief Executive Officer of Luminus. “It is a testament to the expansion of our
intellectual property portfolio and growing market traction that we can continue to
attract top industry leaders such as Mark to join the team and help fulfill our vision.”
“Luminus offers the market a never before seen portfolio of solutions aimed at multiple
market segments, said Mark Pugh. “From high volume consumer and commercial
applications like retrofit lamps and general illumination fixtures to high value specialty
lighting applications in medical, entertainment and projection displays. Luminus is
poised to become the market leader in high quality LED light sources. I am honored
to be joining this organization to help build upon and accelerate its success. It is an
exciting time in the history of Luminus.”
15
lighting in the news |europe
ARCHITAINMENT LIGHTING APPOINTS PAUL HILL AS KEY ACCOUNT
MANAGER
A
rchitainment Lighting Ltd. Is thrilled to announce the
newest member to the team, Paul Hill, who has been
appointed the role of Key Account Manager with immediate
effect. Paul previously worked for Architainment from May
2006 to November 2010 and left to fulfil his travelling
dreams, now with a renewed sense of energy and sense
of self-accomplishment Paul rejoins the team and we
couldn’t be happier.
During his time in the industry and previous time here at
Architainment, Paul has gained a wealth of experience,
brings valuable know-how and will be a great asset to the
sales team. He will contribute directly to Architainment’s
overall growth strategy by increasing offerings to both
existing and new clients.
Commenting on his position, Paul said: “I’m really pleased
to be back with the team at Architainment, working with
friends offering great products and great service.”
Commenting on the new appointment, Managing
Director, Nic Tolkien said: “It’s great to have Paul
back in the Architainment Team again. In the past
4 years Architainment has grown and developed
significantly so having Paul back here to add his
experience and industry knowledge to our strong
portfolio of products and services is an excellent
move forwards for the Company and a great start
to 2015.”
For further information please contact
Architainment’s
sales
team
at
[email protected]
/
01494
471340 or by visiting the company website
www.architainment.co.uk.
THE LIGHTING INDUSTRY ASSOCIATION (LIA) SECURES £1.3M
FUNDING FROM THE REGIONAL GROWTH FUND (ROUND 6)
T
he UK’s Lighting Industry received a huge boost this
week as the Lighting Industry Association received a
share of the Government’s Regional Growth Fund to further
develop its laboratory services (LIA Laboratories) and new
Lighting Training Academy.
The funds will help the Lighting Industry Association create
a new Lighting Testing Laboratory to cope with increased
demand, which will house a unique R&D centre that will
be available for UK manufacturers to use and develop new
lighting products.
Alongside the new laboratory, the Lighting Industry
Association will also build a Lighting Academy that will
provide education, learning and awareness services for
the whole lighting supply chain. Being sited at the Lighting
Industry Association’s HQ in Telford, means that the courses
will have a distinctly ‘hand-on’ feel and will help drive the
introduction of new lighting technology and low energy
initiatives.
“These new facilities will be a fantastic asset for the
industry,” said Steve Davies, CEO. “It will shorten lead times
for the introduction of new products especially for the UK
SME market as well as raising awareness of the potential
of such products – consequently jobs will be secured and
16
created both within the Lighting Industry Association itself
but also across the Lighting Industry as a whole”.
The Lighting Academy will be a unique proposition for
the industry. Whilst the Lighting Industry Association will
continue to deliver and develop its well-respected technical
content for the lighting industry, the scope will increase to
include the retail and wholesale aspects of the market. It is
envisaged that specifiers and designers will also benefit as
courses are developed over the next 12 months.
Already the UK’s largest independent lighting test laboratory,
the new facility will house new ‘state-of-the-art’ testing
equipment that ordinarily would be out of reach of many of
the Lighting SME’s.
The LIA Laboratories is already accredited by the United
Kingdom Accreditation Service (UKAS) to ISO/IEC 17065,
“General requirements for the competence for product
certification”, the main ISO standard used for certifying a
products safety and performance and has plans to extend
its capability for European and world-wide accreditation
services.
The award is subject to the clearance of satisfactory due
diligence.
lighting in the news |asia pacific
STUDENTS PASS WITH FLYING COLORS ASSISTED BY HARMAN’S
MARTIN PROFESSIONAL AT 2014 SINGAPORE NIGHT FESTIVAL
Photo Credit: Martin Professional Pte Ltd.
T
aking inspiration from a swarm of butterflies in midflight, a group of students from Singapore University
of Technology and Design (SUTD) developed the unique
‘Flights of Fancy’ display for the 2014 Singapore Night
Festival. The installation, which was the culmination of
the University’s 10-week Urban Lighting course, used the
Singapore National Design Centre’s expansive space to
bring a true on-of-a-kind experience to life with help from
HARMAN’s Martin Professional Exterior 400 LED lighting
fixtures.
Throughout the University’s Urban Lighting course, students
learned about the effects of both natural and artificial light
on space as well as fundamental design concepts. The
students then had the opportunity to develop an installation
for the Singapore Night Festival as part of their final course
project and according to the SUTD student team leader,
Kenickie Cher Jia Jun, Martin Professional fixtures were
crucial in bringing the team’s vision for ’Flights of Fancy’
to life.
Created by the careful positioning of lights and shadows,
‘Flights of Fancy’ offered unique effects depending on the
time of day to ensure no experience was the same—not
even for two people standing beside each other. The display
featured a large floating sculpture made of hanging dichroic
films, a reflective material the team used to mimic butterflies
ascending into the sky. To do this the SUTD student team
needed a large, tall space with white walls and used eight
Marin Exterior 400s, a MAC 700 Profile, and a MAC 250
Krypton to produce a powerful light for reflections.
“One of the things we liked about the Martin fixtures was
our ability to program a dynamic design,” said Kenickie.
“The installation became ever-changing, and that made the
experience unique for each visitor. The strong light source
amplified the colors of the reflections and refractions
created by the dichroic film, creating the full effect that our
team had envisioned from the beginning.”
The Martin fixtures were concealed in two floor boxes below
the floating sculpture and programmed to gradually change
intensity and direction. Each box contained four Exterior
400 fixtures that provided color washes that were slowly
dimmed and then brighten constantly over time. “The Martin
fixtures were extremely powerful and effective,” said Lighting
Designer Shigeki Fujii, the students’ course instructor.
“The dimming and movement of the lighting fixtures truly
amplified the colors and the effects of the display. Most
observers did not even notice the lights were changing
intensity and direction, they thought the effect was simply
due to the wind.”
The SUTD team also programmed Martin’s MAC 700 Profile
and MAC 250 Krypton moving head fixtures slowly move
across the sculpture. Additionally, the lightweight of the
dichroic films and the subtle movement of air throughout
the space paired with the lighting effects helped animate the
color reflections into a sea of shimmering lights.
“Space, material and light source were the three most
important components of the design,” said Fujii. “The space
had to be white because it need to receive reflected light
as a canvas and we also wanted daylight in the space to
allow for dramatic effect changes from day to night. The
light source had to be powerful and sharp to create crisp
reflections on the space as well as programmable to allow
us to amplify the dynamic effects.”
According to Fujii, the fixtures were instrumental in helping
the student team develop one of the most powerful pieces
in the festival, “the students would not have been able to
complete their final project without the support of Martin’s
team and the outstanding quality of their products!”
For more information, please visit: www.martin.com.
17
CRESTRON ASIA ANNOUNCES WAVE OF TOP MANAGEMENT
APPOINTMENT
Mr. Tony Yeung
C
restron Asia Limited (Crestron Asia), is globally
known as a leading manufacturer of advanced
control and automation systems. Over past decades,
Crestron Asia keeps relentless innovations and sets new
standard for the industry, demonstrating industry-leading
technologies through its 22 regional offices across Asia.
Mr. Harry Lam
Mr. Stuart Craig
Lam will be responsible for the alignment and prioritization
of company investments, ensuring operational excellence,
the best practices and policies are centred on internal and
external benefits across the company.
Tony Yeung Named Chairman
To lead a team of experienced and passionate professionals,
with immediate effect, Mr. Tony Yeung, Director of Crestron
Asia, will be moving into a new role as Chairman of Crestron
Asia which focuses on strategic initiatives for company
growth. Mr. Yeung’s leadership and strong background
bring an intimate knowledge to the company; also motivate
the team to achieve further success with his guidance.
Team Up and Go Further Together
Crestron Asia welcomes to our Board Mr. Stuart Craig,
the Crestron Electronics US Chief Executive Officer (CEO)
of Asia Pacific Region. Mr. Craig oversees business across
Australia & New Zealand, China, India, Japan, North East
Asia, and South East Asia to contribute his depth of industry
experience, level-headed approach and insightful ideas
which help lead the company to its next phase of innovation.
Specifically Mr. Craig will direct the sales, marketing and
support functions across the Asia Pacific Region.
Harry Lam Appointed as COO
Mr. Harry Lam is promoted to Chief Operating Officer (COO)
of Crestron Asia which oversees all finance, administration
and logistics aspects of the company. In this new role, Mr.
With this forward-thinking team in the leadership position,
Crestron Asia is confident to tap on potential new markets
and drive the company’s growth toward its next decades of
success and beyond.
EDISON OPTO INTRODUCES THE INDUSTRY’S BRIGHTEST FLASH
ES03
W
ith the increasing demand for smartphones, the
market request for mobile phone pixel has been
rising. To provide the best photography effects for
customers, mobile phone manufacturers require the
specification of phone flash should be upgraded. At
present, the brightness range of Flash LEDs is between
180~280lm, with each smartphone using 1-2 LED pieces.
Benefitting from the booming up smartphone market,
the usage volume of Flash LED has continued to grow.
Aiming for the business opportunity, the Taiwanese LED
packaging manufacturer, Edison Opto, has invested in
the R&D and production of Flash LED, and introduced the
industry’s brightest Flash ES03 which breaks through the
technology threshold to obtain the exclusive phosphor film
patent. The package size of Flash ES03 is 2.0x1.6mm (2016)
which is the mainstream dimension in Flash LED market.
Flash ES03 gives off high brightness (320lm which is driven
by 1A) within ultra small emitting area (only 1.1x1.1mm).
18
Compared with the traditional spray coating process,
phosphor film features high color uniformity and can achieve
the optimum brightness performance with second optical
design (the efficiency is higher than spray process by 10%).
Furthermore, the small package dimension makes design
more flexible especially suitable for closely packed LED
array module. In the aspect of color temperature control,
the CCT range of ES03 is much narrower than spray process
which demonstrates that Edison Opto can control the color
consistency effectively and provide stable quality products.
Flash ES03 has been introduced into mobile phone flash
market and successfully entered the supply chain of leading
cell phone manufacturers. Besides, Flash ES03 can be
applied in automotive lighting and medical applications
(such as endoscope). In addition to the white ES03, Edison
Opto has also launched full-color Flash LED products which
can be widely used in warning lights, stage lights, mood
lighting and decorative lighting.
LG CHEM LEADS WORLD’S BIGGEST BUILDING INSTALLATION OF
OLED LIGHTING AT SNU
Photo Credits: LG Chem
Top Korean university library selects OLED lighting because it offers
eye comfort with no glare.
L
G Chem., Ltd., the world’s largest OLED light panel
manufacturer has unveiled the world’s biggest
building installation of OLED lighting at the inauguration
ceremony for Seoul National University’s new main library.
LG Chem supplied 1,100 OLED light panels for reading
lights at the KwanJeong Library at Korea’s premier
university.
Seoul National University (SNU) adopted OLED lighting for
the library’s reading lights because it is energy efficient and
is extremely comfortable to the eyes. OLED lighting comes
closest of any lighting source to natural sunlight and does
not emit UV, which increases eye fatigue, or produces blue
light, which can cause eye damage.
University officials also selected the OLED light panels
because their slim and modern design conforms with the
library’s cutting-edge architecture. OLED light panels are
only the surface light source that is currently available,
which makes them ideal for various design applications.
“Lighting is the most important factor for a library facility
since we want to avoid eye fatigue for our students,” said
an administrator of the Seoul National University Library.
“OLED lighting is the best lighting option for the library’s
study areas since it protects the eyes while offering a
soothing and simple design, and we selected LG Chem’s
lighting products because of the company’s technology
leadership in the sector.”
“The adoption of OLED light panels at Seoul National
University Library is a recognition of OLED lighting’s
superiority,” said Park Sung-Soo, Vice President of the
OLED Light Business at LG Chem. “LG Chem plans to
commercially market in March the OLED reading lights
installed at the Seoul National University Library, in addition
to its ‘Frame’, OLED lighting lamp, which is already being
sold online. This is part of LG Chem’s efforts to create new
consumer experiences with OLED lighting products,” he
added.
The OLED light panels used at the SNU Library measure
320mm x 110mm, with a light efficacy of 60lm/W and a
lifetime of 40,000 hours. The brightness of the lighting is
easily adjusted with a dimming control between 300lx and
850lx. The standard brightness for a reading light ranges
from 300lx to 600lx, according to the Korean standard
illumination index.
The thickness of the OLED light panel is 0.88mm, and even
with an aluminum housing, it is still just 2.2mm, offering an
ultra slim design.
Mr. Park said the SNU Library OLED lighting project marks
a significant milestone in the worldwide adoption of OLED
lighting. Sales of the OLED lighting industry are set to
grow rapidly to reach an estimated $4.7 billion by 2020,
according to UBI Research, a consultancy.
19
7-ELEVEN MALAYSIA AND GE LIGHTING LEAD THE WAY FOR
SUSTAINABLE RETAIL ILLUMINATION IN MAJOR LED DEAL
More than 1,700 Stores Retrofitted with GE
LED Lamps and Fixtures in $2 Million Project
to Reap Anticipated Energy Savings of $2.4
Million Annually.
M
alaysia’s
7-Eleven
Holdings
Berhad is joining with GE
Malaysia’s Lighting Division in a $2
million (or RM 6.6 million) project
to retrofit its 7-Eleven ® stores with
the latest sustainable retail lighting
solutions. Leveraging GE’s global
strategic relationship with 7-Eleven
and as a trusted advisor for lighting
solutions, GE Lighting secured the
opportunity to work with 7-Eleven
Malaysia to install energy-efficient
LED lamps and fixtures in more than
1,700 stores across the country.
In recent years, GE Lighting has grown
its relationship with 7-Eleven in North
America and extended the relationship
on a global scale, including in
Southeast Asia. The latest project with
7-Eleven in Malaysia follows another
highly successful LED application at
7-Eleven stores in Southern Thailand.
(L-R) Gary Brown, CEO 7-Eleven Malaysia; Maryrose Sylvester, CEO & President GE
Lighting; Tan U-Ming, Executive Director 7-Eleven Malaysia; Henry Eng, President and CEO
of GE Lighting Asia.
“We’ve had a dedicated and successful
relationship with 7-Eleven, working to
provide innovative and cost-effective
LED solutions that create a pleasant
shopping environment for customers,
while helping 7-Eleven achieve overall
sustainability and energy-efficiency
goals,” said Henry Eng, President and
CEO of GE Lighting Asia.
W ith a strong focus on delivering
customer
value
and
effective
outcomes, GE is committed to
providing advanced lighting solutions.
7-Eleven Malaysia selected GE from
among numerous companies based
on an overall value proposition of
product, price, brand and service.
Gary Brown, CEO for 7-Eleven
Malaysia,
said:
“We
challenged
GE with aggressive deadlines for
completing audits and installations,
and the company was extremely
responsive, from going over site plans
to getting everyone comfortable and
then working in step.”
Brown added, “7-Eleven is a household
name. While looking to reduce overall
operating costs, our attention turned
to LED lighting. It is an efficient and
sustainable source of light that would
also provide good illumination for an
optimal shopping environment at our
stores. The new range of lighting
provided by GE complements our next
generation concept stores as well as
enhancing our existing stores.”
Test
20
results
showed
that
using
Photo Credits: GE Lighting
GE’s LED lighting solutions will help 7-Eleven to reduce power consumption
substantially compared to its existing conventional fluorescent lighting.
“We’ve begun retrofitting more than 1,700 7-Eleven stores in Malaysia,”
explained Swee Aun, GE Lighting Malaysia country manager. “GE Lighting is
a total LED solutions provider and long-term trusted business partner to its
clients, offering sophisticated operating platforms, a comprehensive suite of
smart products and systems, convenient multiple channels and value-added
services. We’re pleased to bring this same level of service to 7-Eleven. “
In addition to the retrofitting project in Malaysia, GE Lighting is also providing
its retail LED solutions to 7-Eleven’s rebranded facilities. A combination of GE
Hemisphere Downlights and PAR30 LED lights with track fittings serve to create
a store ambience that reinforces 7-Eleven’s strong brand positioning.
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Guangzhou International
Lighting Exhibition
9th – 12th June 2015
China Import and Export Fair Complex,
Guangzhou, China
Photo Credits: Guangzhou International Lighting Exhibition
Guangzhou International Lighting Exhibition helps
lighting businesses navigate evolving landscape in
2015
The lighting industr y is undergoing positive
transformation and welcoming a wave of innovation. I t
is moving beyond the traditional focus of brightness and
bringing smar t lighting to the forefront of ever yone’s
attention. The shift to a multifaceted emphasis on
enhancing quality and well-being will provide longterm growth momentum for the industr y. With this
change comes numerous oppor tunities for lighting
and LED enterprises this year. The 20th edition of the
Guangzhou International Lighting Exhibition, scheduled
to be held from 9 – 12 June 2015 at the China Impor t
and Expor t Fair Complex, is set to help industr y players
navigate the evolving business landscape. Ms Lucia Wong, Deputy General Manger of Messe
Frankfur t (Shanghai) Ltd, commented on the exhibition’s
22
significance in the sector. Ms Wong stated: “ The
outlook for the lighting and LED industr y is promising.
Technologies are not only growing smar ter, but they are
also becoming more multidimensional and sustainable.
Falling in sync with industr y development is the fair ’s
2015 slogan “20th Onwards – Inspire & Be Inspired”. I t
represents our continued commitment in encouraging
exper ts to share information and transform the industr y.
For example, a complete range of organised information
sessions at the fair will facilitate network ing to assist
professionals in their pursuit for brighter business
oppor tunities.” Top brands confident of market trajector y confirm
show par ticipation early Being at the forefront of the industr y, the Guangzhou
International Lighting Exhibition recognises the latest
trends and presents them to par ticipants, creating
unparalleled fair experiences. Nearly 2,000 domestic
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and international brands in lighting
and LEDs confirmed to promote
the latest innovations at the 2015
edition, which is estimated to
span over 225,000 sqm. These
early figures are a testament to
exhibitors’
market
confidence.
Arranged by product categories,
some par ticipating world-renowned
brands include: • Lighting applications, accessories
and electronic components: Opple (China), Everlight ( Taiwan),
Alanold
(Germany)
and
BJB
(Germany) • LED chips, packages, modules
and light engines: Samsung
(Korea),
LG
Innotek
(Korea), Cree (the US), Epistar
( Taiwan), Bridgelux (the US) and
Seoul Semiconductor (Korea) • LED drivers, driver ICs and
controllers: Helvar
(Finland),
NXP
(the
Netherlands), Power Integrations
(the US) and Tridonic (Austria) • LED components and packing
materials: Dow Corning (the US), Panasonic
( Japan) and Shin-etsu ( Japan) • LED inspection, testing and
manufacturing equipment: Ever fine (China), Labsphere (the
US), LPKF (Germany), Konica Minolta
( Japan) and Radiant Zemax (the US) Mr Sean Zhou, Asia Marketing
Director of Philips Lumileds, noted:
“For us, the China market is ver y
critical to our business’ success.
China is the manufacturing base
of the lighting industr y and there
is unmatched consumption of
LED technology from domestic
manufacturers. The
Guangzhou
International Lighting Exhibition
is the biggest lighting show in
the region, so it is ver y impor tant
for us to leverage this platform to
deliver our brand message to both
local and overseas manufacturing
firms. Visitor attendance and quality
were well within our expectations
for the 2014 show. There were
many customers visiting our booth
for meetings and dialogue about
emerging industr y trends.” Another
exhibitor
confident
about market trends is Mr Steve
Ho, Lighting Product Director of
Macroblock Inc, who explained: “Brightness is no longer the sole focus
in the LED industr y. There are boundless expansion possibilities and the
future of the industr y will concentrate on the enhancement of quality, with
intelligent lighting being significant evidence of that.” Mr Andy Man, Vice President of Sales – Die Business of Bridgelux Inc, added:
“ We expect the LED lighting to exhibit continuously strong growth in 2015.
Industr y players will need to leverage technology to win in the increasingly
competitive market.” Pavilions demonstrate convergence of global lighting industr y sectors Also optimistic about the future of lighting are industr y associations and
governments worldwide. They are well aware of the progressive direction
the industr y is moving in and suppor t their local enterprises’ expansion
effor ts through pavilion par ticipation. Pavilions demonstrate the core
competencies of businesses from countr y and regional perspectives. As
industr y exper ts congregate at the Guangzhou International Lighting
Exhibition, various global lighting sectors will converge in one location. The US Pavilion, organised by the Depar tment of Commerce of the
Consulate General of the US in Guangzhou, will return in 2015 for its sixth
consecutive edition. After receiving positive reviews from past par ticipating
exhibitors, the pavilion will expand its lot and include a designated area for
US exhibitors to present their latest LED innovations and lighting solutions.
The solid state lighting technologies being displayed cover optics, drivers,
pack aging materials and more. The Taiwan Pavilion, suppor ted by the Taiwan Lighting Fixture Expor t
Association, also returns for its sixth time and remains the largest overseas
pavilion in 2015. Leading brands featured will be Adata Technology,
Beautiful Light and others. A range of LED technologies and applications
across the LED value chain will be showcased, including LED residential
lighting, chips, pack aging, driver ICs and controllers, and more. The Hong Kong Pavilion, organised by the Hong Kong Electronic Industries
Association, will make its fifth return. Hong Kong SMEs interested in
penetrating and expanding to the mainland Chinese market can be found
here. Product groups covered include LED lighting fixtures, retrofit lamps,
back lights, architectural lights, commercial lights, construction lights and
more. The Guangzhou Electrical Building Technology is held concurrently with
the Guangzhou International Lighting Exhibition. Both fairs are headed by
the biennial Light + Building event, which will take place from 13 – 18
March 2016 in Frankfur t, Germany. For more information regarding the shows, please visit www.light.
messefrankfur t.com.cn or email [email protected] t.com.
23
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Thailand
Lighting Fair 2015
19th – 21st August 2015
Bangkok International Trade and
Exhibition Centre (BITEC),
Bangkok, Thailand
Don’t miss the great oppor tunity to be par t of Thailand’s
first international trade fair on lighting technology,
innovation and solutions, powered by Messe Frankfur t
As Thailand is strategically located as a gateway of
AEC, the oppor tunity as such is immense. “ THAILAND
Lighting Fair 2015”; The Complete Lighting Solution in
Thailand and AEC, is initiated by The ExhibiZ Co., Ltd.
with the good collaboration with Messe Frankfur t and
the PEA (Provincial Electricity Authority of Thailand),
and will be held from 19-21 August 2015 at Bangkok
International Trade and Exhibition Center (BITEC ).
24
Meet the leading manufacturers and distributors of the
lighting industr y from Thailand and overseas with more
than 350 booths showcasing their latest innovative
lighting products for energy saving. Don’t miss the
oppor tunity to attend the international seminars
conducted by well-k nown speakers and specialists
on lighting technology, innovation and design from
overseas and local organizations.
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Shanghai International
Lighting Fair 23th – 25th September 2015
Shanghai New International Expo Centre, Shanghai, China
Photo Credits: Shanghai International Lighting Fair / Messe Frankfurt
The 2015 edition of the Shanghai International
Lighting Fair will emphasise project-based and
intelligent lighting business oppor tunities
The successful close of the Shanghai International
Lighting Fair ’s debut last fall marked the beginning of
planning for the next show. The return of the second
edition, which will continue to concentrate on projectbased and intelligent lighting oppor tunities across
Central and Eastern China, is to take place from 23 –
25 September 2015 at the Shanghai New International
Expo Centre. I t is expected to occupy 20,000 sqm of
fairground space. Commenting on the future of the mark et and exhibition,
Ms Lucia Wong, Deput y General Manager of Messe
Frankfur t (Shanghai) Ltd remark ed: “Given that many
26
central governments are committed to advancing
energy- efficient regulations, it is expec ted that the
number of green and intelligent lighting projec ts will
grow. I n turn, this will fuel development of the lighting
industr y. Mark et oppor tunities abound, the Shanghai
I nternational Lighting Fair was launched in 2014 as a
platform helping the industr y to capture new business.
The debut edition was a success, and attracted 11,115
project-based and trade -based professional visitors
from 40 countries and regions. With organisation of the
second edition under way, we will continue to explore
the bright future for project-based lighting businesses.
We aim to deliver fair par ticipants market oppor tunities
by highlighting in-demand and interrelated intelligent
lighting technologies such as intelligent solution
systems, sustainable lighting applications and wireless
control solutions.” show preview
structures will be local commercial
facilities spanning a minimum area
of 300,000 sqm. Fair delivers business oppor tunities in line with industr y movements
Star ting in 2012, tremendous effor ts have been allocated to projects
attempting to phase out traditional lighting for more sustainable LED
solutions in Shanghai. Under the city ’s renovation scheme, construction
of new buildings will be affected. As a result, not only is the number of
small and medium lighting projects swelling, but commercial lighting and
municipal engineering projects are also increasing. Shanghai, China’s economic hub, takes the lead in the nation’s development
projects. According to targets outlined in the current 12th Five -Year Plan
on economic and social development, a total of 64 commercial centres
ranging from Grade -A office towers to multi-purpose spaces are to be
constructed in the city by 2020, all of which are to be compliant with green
construction standards. On the municipal level, 14 of these structures will
be business centres measuring no less than 500,000 sqm. The remaining 50
I t is evident that the impor tance
of green building and intelligent
technologies
in
the
lighting
market and for its respective
projects is mounting. In fact, due
to regulations laid out by the
Government of China, 95% of new
urban building construction will
meet energy efficiency standards in
2015 and investments to facilitate
this goal are projected to reach
USD 240.4 billion by 2020. As such,
the intelligent lighting sector is
forecasted to experience quickened
development and is on track to
generate an added USD 9.6 billion
by the end of the year from 2013
figures. Compound market growth
is estimated at 30% per annum and
may generate upwards of USD 12.8
billion by 2018. Recognising
these
industr y
movements, the 2015 fair will focus
on project-based and intelligent
lighting business oppor tunities,
as well as showcase cuttingedge technologies and products.
Moreover, informative seminars and
forums will be held to promote highlevel dialogue on the latest green
and intelligent lighting designs and
solutions. 27
show preview
Complementar y concurrent fairs form
a holistic platform for intelligent and
green building solutions The Shanghai International Lighting
Fair 2015 will run concurrently with
three other complementar y technical
events.
They
include
Shanghai
Intelligent Building Technology, ISH
Shanghai & CIHE, and Building Solar
China. Collectively, these four events
form the “Intelligent Green Building
– IGB” exhibition platform, which
is estimated to span 50,000 sqm of
exhibition space in 2015. This holistic
platform aims to provide one -stop
trading and sourcing oppor tunities
for players in the intelligent and green
building industries. The platform covers a diversified
por tfolio of interrelated building
and energy technologies on heating,
ventilation, air conditioning, lighting
and LEDs, sun shading, photovoltaic
construction, building automation,
28
smar t home energy management,
data centres, cloud computing and
more. The integration of diverse
technologies
optimises
synergies
between industries, and the seminars
fur ther assist exhibitors, project-based
visitors and end-users alike to discuss
and discover new energy-efficient
building technologies and sustainable
development trends. The platform
also enables par ticipants to explore
vast chances to establish cross-sector
par tnerships. The Shanghai International Lighting Fair
and Guangzhou International Lighting
Exhibition, two comprehensive lighting
and LED sister events in Asia, are
headed by the biennial Light + Building
event that takes place from 13 – 18
March 2016 in Frankfur t, Germany.
For
more
information
regarding
the shows, please visit www.light.
messefrankfur t.com.cn
or
email
[email protected] t.com.
International LED + Lighting Technology Show
A Part of the Architectural & Building Management Series 2015
show review
show review
Light India
18th – 21st September 2014
Pragati Maidan,
New Delhi, India
Photo Credits: Light India / Messe Frankfurt
Light India 2014 showcases LED lighting innovations and
new developments in LED technology and applications
Impressive demonstration of new technologies breaks
visitor records of the debut edition
Establishing itself as the driving force of innovations
and oppor tunities in the lighting industr y, the 2nd
edition of India’s premier trade fair for the international
lighting industr y drew to a close with excellent results
of new product launches, technology previews,
k nowledge exchange and intense network ing among
exhibitors and attendees.
30
With an emphasis on green and energy efficient
lighting technology, Light India 2014 played host to
200 domestic and international exhibitors from China,
Spain, India, I taly, Japan, Korea, Russia, Taiwan, Turkey,
the UAE and the UK . The show was spread across five
halls covering an area of 16,000 sqm, and attracted
12,652 business visitors from across the spectrum of
lighting applications as well as decision makers and
government authorities. Inaugurated by Hon’able Shri
Piyush Goyal, Union Minister of Power, Government
of India, the show was appreciated for its role in
bringing for ward competitive solutions and raising
consciousness about energy efficient and LED lighting.
show review
Dr. Ajay Mathur, Director General, Bureau of
Energy Efficiency who was also present at the
inauguration as well as conferences at Light India
said: “Consumers need to k now the investment
benefits to adopt LED and I believe cost and
credibility will be key drivers of change from
GLS & CFLs to LEDs. The government ’s mission
is to encourage bulk procurement and char t out
quality standards for lighting products as that
will create demand and bring down prices and
Light India has become an impor tant event for
the lighting sector as the industr y converges to
show products and exper tise and reach out to
users.” Noting the increasing demand, he fur ther
added: “By 2020, LED will be the largest selling
technology in the market.”
With an impressive line -up of LED and new
lighting technologies on the show floor, Light
India saw the launch of :
1. A first- of-its k ind water, dust, weather, chemical,
and explosion proof lighting technologies by
Zalux S. A
2. Moving head weather resistant light for the
first time in India by Modern Stage Ser vice
3. Lighting with batter y back and Lithium-ion by
EON Electric Ltd.
4. 3-in-1 Innovative module that can be conver ted
to baylight, street light and floodlight by Halonix
Ltd.
5. Out of 22 new recent launches by the company,
Trilux Lighting India Pvt Ltd. unveiled Lateralo
Line LED, Plus LED, Arimo Slim CDP LED, Arimo
Slim MRX LED and Polaron IQ LED to the Indian
market
6. “S” shape LED strip that can be bended 360
degrees by Tron Top
Besides, the trade fair also saw progressive and
future lighting solutions by leading brands such
as Anchor Electricals Pvt Ltd., Crompton Greaves
Ltd, Ever fine, HPL Electric & Power Pvt Ltd., Opple
Lighting India Pvt Ltd., Orient Electricals and many
others. Tak ing about the enormous potential and
oppor tunities that the Indian market presents, Mr.
Yoichi Ibi, President and Chief Executive Officer,
Toshiba Lighting & Technology Corporation said:
“Light India is an interesting platform as exhibitors
here are not just displaying products but lighting
concepts. Indian market holds a lot of potential
and we are considering coming back at the next
edition of Light India.”
Foraying into the Indian market with big plans,
Mr. Alber t Zomer, Head of International Business
Unit, Opple Lighting said: “ You can’t be a global
leader if you are not in India and with Light India
being the largest fair for the lighting sector, it was
a fantastic oppor tunity to present ourselves here.
This is the first time we are displaying our products
at such a scale in India. We want to grasp specifics
of the Indian market and understand what the
consumer wants. We met many distributers and
potential customers interested to do business.
Tak ing note of their feedback, we plan to add
more products to our por tfolio.”
Thrilled with the numerous orders and response
received at the fair Mr. V.P. Mahendru, ChairmanManaging Director, EON Electric Ltd. said: “ The
platform has helped us introduce our product to
31
show review
the right target segments and reach out to many more
customers. Right from the inspiring message from the
Minister during inauguration to the visitor response and
conference sessions, the show has been ver y positive
for our business.”
Crompton Greaves Limited also picked Light India as
a platform to showcase its new range of Facade LED
lighting, smar t series of LED downlighters. When asked
for feedback , Mr. Ramesh Kumar N., Product Line Head
of Lighting said: “I t has been an enriching experience
at Light India with new learnings and many impor tant
business leads for immediate closure. We could engage
with prospective par tners and discuss collaborations
and supplier agreements. This is a great platform to
k now about the innovations tak ing place across the
industr y.”
Realising the energy and cost saving potential of
LEDs and their long term benefits, several architects,
interior designers, project consultants, town planners
and government sector professionals visited the fair
to understand how they can adopt these in urban
planning and future projects. Mr. Sourabh Gupta –
Managing Director, ARCHOHM Consults who visited the
fair said: “Light India presented the per fect offering for
a host of our projects in architecture, landscape, urban
design, interiors and product design and after several
discussions with the companies present here we have
decided to work with Trilux, HPL, Havells & Anchor for
our upcoming projects. We have also tied-up with Trilux
for the Luck now International Memorial center by the
Govt. of UP and will be commencing work on it soon.”
Mr. Prabhat Kumar – JT. GM Electrical BSNL Corp Delhi
who also attended the fair with the intention of sourcing
and exploring energy saving lighting alternatives
mentioned: “ The showcase of Jaguar lighting for home,
wall, landscape and street lighting technology is ver y
useful to BSNL’s large infrastructure expanse which
ranges from commercial spaces, recreation centers,
staff quar ters and project lighting operations. We will
explore these technologies fur ther for usage at our
Delhi operations.”
Aimed at encouraging the future development of
lighting and LED industr y, Light India also saw five
k nowledge seminars hosted by notable industr y
associations including the Energy Research Institution
( TERI), Institute of Interior Designs, Delhi (IIID),
International Solid State Lighting Alliance (ISA) and
Bracecorp Publications. Scheduled alongside the
fair, the seminars covered creative, technical and
commercial aspects of the lighting sector and was an
impor tant k nowledge sharing stage.
M r. Sachin Jak hotia, Sourcing Manager, MES I ndia
Sourcing Pvt. Ltd., who was visiting from Pune
found the sessions ver y motivating. He said: “ The
issue discussed at Light I ndia conferences were ver y
relevant to what is presently going on in the industr y
and gave good insight into the government ’s goal of
energy efficienc y and creating models that are viable
to consumers. Having the exhibition and conference
together is great as it helps understand consumer
demand and the k ind of produc ts that are being
introduced in the mark et.”
32
Impressed with the audience who wanted to learn more
about the technology and opportunities, Mr. Lawrence
Lin, General Manager MLS Co & Ltd., exhibitor and one
of the key speakers at the conference by International
Solid State Lighting Alliance (ISA) said: “ We met several
buyers at our stall, got inquiries from government
contractors and even signed some major business
deals during the fair. More communication always leads
to more opportunities and the conference was an apt
platform. It was very interactive and I got to hear some
ver y interesting inputs from the attendees. Technical
issues in retrofit lamps were brought up and the session
concluded with some ver y interesting and practical
show review
solutions that the new technology presents. MLS Co &
Ltd also signed a MoU for more corporation with industr y
majors during the seminar.”
Expending the platform to showcase new connected
lighting systems that can create ecologically responsible,
efficient businesses and safer, sustainable cities, Mr.
Sumit Joshi, Head – Marketing, Philips Lighting India
also thought that the various discussion platforms at
Light India offered a great opportunity for interactions
and deliberation on important industr y matters whereas
Mr. Mangesh Khisty, Sr. General Manager – Marketing
Luminaries BU was of the opinion that Light India is
a credible platform to bring industr y together, on a
common level, and shape the future of lighting.
Light India is organised by Messe Frankfurt in partnership
with the apex body of India’s lighting industry, Electric
Lamp and Component Manufacturers Association
(ELCOMA). The fair is a part of Messe Frankfurt’s building
and energy shows, headed by the biennial Light +
Building event in Frankfurt, which will take place from 13
– 18 March 2016.The next Light India will be held in 2016.
For more information about the fair, please visit
www.light-india.in.
33
show review
show review
LED Expo Delhi
5th – 7th December 2014
Pragati Maidan,
New Delhi, India
Photo Credits: Messe Frankfurt / LED Expo
LED Expo, the annual convergence of India’s LED
technology sector players in the capital city, successfully
concluded its three -day run with bright prospects and
big profits for the 16195 business visitors and 218
exhibiting companies from China, Finland, India, Korea,
Singapore, Russia and Taiwan. Spread across 3,000 sqm
of exhibition space, visitors could see pioneering LED
34
technologies such as LED lighting systems, soldering
machines, automotive lighting, aluminium die casting
par ts, industr y lighting, LED drivers and components
such as heat sinks, PCBs, manufacturing equipment
etc. on display affirming the phase -out of inefficient
lighting movement in India.
show review
The exhibition, which has come
to be k nown as an innovation
spotlight for new technologies
and products in the LED segment,
also saw the launch of extrusion
type street lights and flood
lights by Mak lites, Andslite’s new
streetlights product range, NovaPro Professional - an LED Display
Controller by Novastar, Filament
bulbs
by
Sunlitlux,
3-step
Dimming Control IC by Mik asa
Shoji (Impex) Pte Ltd, Lustrous
Technology ’s patented products
AC-XOB & Lustron 7 Series and
many other introductions for
the first time in India. FIEM
Industries’ aluminium based heat
sink LED bulbs, KORE’s complete
k it of fixtures and PCB and ERD
Group’s PC and steel format slim
downlights proved to be a huge
draw while Toshiba had crowds
encircling the stalls to see their
LED dies on 200mm.
Appreciating the convergence of
strong domestic and international
LED players at the show, Mr Shyam
Sujan, Secretar y General, ELCOMA,
the apex body representing the
Indian Lighting Industr y said: “LED
has been garnering tremendous
impor tance not only in India, but
around the world. This energy
efficient
lighting
technology
has been largely accepted by
government and institutions and
with the growing focus on energy
saving policies and initiatives
in India, its acceptance among
commercial and residential sector
is slated to rise. LED Expo being
the only show focusing solely on
LED products, components and
technologies can strategically
bring focus on innovations in the
sector, encourage competition
and drive its adoption among
end-use sectors.”
Commending
the
organisers
for creating this collaborative
platform, Dr Ajay Mathur, Director,
Bureau of Energy Efficiency
said: “A platform like LED Expo
suppor ts bilateral interactions
as manufacturers understand
user needs and requirements,
and customers can see and
35
show review
experience the products available in the market. India was the first countr y
to introduce standard for LED applications and the government in its effor t
to accelerate implementation is work ing with electricity ser vice companies
to bring the price down and has also introduced BEE Label for LEDs to
meet standards. Through the various tenders, the government has already
received the lowest quote of Rs. 149 and is concentrating effor ts to fur ther
sustain its affordability. By bringing manufacturers, users and the entire
LED suppor t eco-system together, LED Expo can greatly aid development
of the sector.”
Mr Sandeep Kumar Arora, Vice President, ERD Group shared that exhibiting
at LED Expo proved to be a ‘rewarding experience’. He said: “ The event
has successfully drawn attention to the need and impor tance of energyefficient lighting in India and we acquired some ver y strong leads through
the show.” Mr Arun Kumar, Senior Manager, Semiconductor and Storage
Division, Toshiba India Pvt Ltd added: “I am glad to see that the quality of the
fair has not changed over the years. Quality of exhibitors has improved and
serious players in the LED industr y are all here mak ing this an interesting
and competitive platform.”
According to Mr Giri Prasad GV, Countr y Manager, Everlight Electronics Co
Ltd, LED Expo is not just an impor tant industr y event for his company but
has catalytic effect for the sector ’s development. He said: “For a powerstar ved countr y like India, LED technology ’s power-saving features holds
great significance and it is impor tant to first understand the requirements
and market drivers in the countr y. By connecting LED industr y business
36
players to prospective buyers, the
exhibition creates a platform to
understand requirements and reach
out to the right segments. I t is a
chain reaction that star ts from LED
Expo.”
Appreciating
the
platform’s
enhanced professional structure
under Messe Frankfurt is Mr Yogender
Chhabra, Partner of Chhabra Electric
Co. “ This is the third time that I am
visiting the LED Expo and there is a
visible difference in the organisation
under the Messe Frankfurt, as it has
become more professional and wellmanaged. I also saw a lot of new
innovations, new products and more
players this time round making it the
best place to source the products we
require.” he said.
Mr D P Srivastava, President
(Marketing), Broadway Consulting
show review
India who also visited the show stated: “ The LED
industr y in India is still in its infancy and I believe
that given the right suppor t, the industr y will
provide the gaps that we have in our power supply.
The market presents a huge oppor tunity here and
the LED Expo is a ver y good platform to open new
vistas to people who are unexposed. There will be a
lot of impor t of k nowledge and machiner y in India
from other countries. The exhibition is a small star t
but the rewards will be great.”
Mr D K Pandya, Energy Efficiency and Conser vation
Specialist is also happy with the strong international
par ticipation and new product launches by domestic
players on one single stage. He said: “Having seen a
plethora of products here, at the LED Expo, makes
it easier to update myself on the products available
in the domestic and international LED market.”
Another visitor, Mr Vivek K apur, Architect, Interior
Concepts added: “ We have found a lot of inspiration
and products at the show.”
With the Indian government ’s active urbanisation
policies, initiatives and rural electrification
programmes, India’s LED industr y is radiant with
oppor tunities and is fast drawing attention as a
high-potential market on a global platform. Dr
Guaann - Jyh Lee, Executive Director, Economic
Division, Taipei Economic and Cultural Center in
India who was visiting the fair remarked: “Indian
market is ver y significant for the Taiwan LED
industr y and is a par t of its Asian growth strategy.
The Taiwan government has a vision for Taiwan LED
Industr y players to better connect with the global
players and has emphasised on par ticipating at LED
Expo as it is one of the foremost events to reach out
to the Indian market, find the right par tners and
facilitate better economy and trade relations.”
The next edition of LED Expo is scheduled in
financial capital of the countr y from 7 – 9 May at
Bombay Exhibition Centre, Mumbai. The trade fair
is headed by the biennial Light + Building event,
which will take place from 13 – 18 March 2016 in
Frankfur t, Germany.
To find out more about LED Expo, please visit
www.theledexpo.com.
37
special feature
A
Closer
Look
As the President of the CLDA, what are your roles and responsibilities?
Lear Hsieh (LH): I am responsible of taking care of CLDA’s missions;
to ensure that the members have good education about lighting
design and that they follow the code of ethics during their lighting
design practices. My role is also to develop educational programs and
activities around the world for the members, and to communicate with
all the consultants or members of the International Advisory Council
(IAC).
How is the CLDA making a difference to the lighting design industry
in Asia?
LH: Currently, out of 60 members of the CLDA, 35 are independent
lighting designers. We believe that lighting designers lead the trends
in the lighting industry, and that we need to have professional ethics
and apply international quality standards in what we do. International
lighting designers have been helping us to become more professional,
and at the same time, we have been helping manufacturers to
understand that there is a professional lighting design association in
China which only accepts certain standards and product qualities to
move the lighting industry forward. That is one of the major missions
of the CLDA – to let manufacturers know that they need to raise the
quality levels of their products.
How receptive have lighting professionals been to the CLDA since
it’s inception in 2008?
LH: The two Memorandum of Understanding (MOUs) that were
signed between us and the PLDA and IALD is proof that we have
been receptive in the professional lighting industry. Many local and
international lighting designers have been actively trying to apply to be
members of the CLDA, even though the current maximum number of
members is maintained at 60.
How has the CLDA helped to connect lighting professionals?
LH: The CLDA has helped to bring professionals in industry closer to
one another by keeping each other updated about new trends, helping
to solve problems and communicating regularly.
What are some significant milestones reached by the CLDA?
LH: In the 5th year of operation in 2013, we become more international
and well-known, thanks to the PLDA and IALD, who helped us and
walked with us. Last year, we started the IAC, which consists of
advisors and members from around the world. The Declaration of
Green (DOG) lighting design was launched in 2010 and we started to
branch out internationally in 2014 at the Hong Kong Lighting Fair. By
the 10th year, we hope to have at least one or two Chinese lighting
designers taking up projects internationally. We have a target to
become a “surviving association” after the first 10 years.
Lighting design has always played a role in the built
environment and architectural industries and as the demand
for good and professional lighting design increases, it is
important to have qualified and trusted lighting designers
and manufacturers. With China being a powerhouse of
designers and manufacturers, it is important to strive
for quality services and products. The Chinese Lighting
Designer Association (CLDA) was formed voluntarily in 2008
by the industry’s independent designers and professionals.
Their goal is to follow the rules of international lighting
design associations closely to define strict guidelines for
designers and manufacturers, ensuring high standards of
lighting design practices and products.
Any challenges faced so far? How has the CLDA overcome such
hurdles?
Lighting Today sat down with Mr Lear Hsieh, the President
of the CLDA, to find out more about what they do.
LH: We hope that the DOG will be a success and that our members
can enjoy the International Year of Light. Many members have already
been asking how they can get involved! This year is the 7 th year the
CLDA has been around and our goal is to continue on the road to
reach 10 years of operation.
38
LH: There are challenges all the time. The lighting industry, technology
and economy is changing all the time, so we have to keep up to date
with new trends. We are stabilizing our and education programs by
trying to make them regular events. Also, we try to cooperate with
institutes and international communities to share information and
insights.
Are there any goals or plans for 2015, which is the International Year
of Light?
special feature
Airstar Night Light
are the Perfect
Après Ski for
Val d’Isère
Photo Credits: www.andyparant.com
40
special feature
A
irstar, a world leader in lighting balloon technology
for the event and staging industry, has been at
the centre of the Val d’Isère Airstar Night Light
since 2012. Every Thursday evening, between December
and March, the manufacturer showcases various lighting
technologies, and all its savoir-faire, to illuminate the
French ski resort.
This year, over 30 Airstar lighting balloons of various
shapes, sizes and colours were deployed: The Tourism
Office square boasted a magnificent Star shaped balloon
as well as four hanging Crystals of various sizes (130cm
to 160cm), covered by a printed « planet » cover, while
the main road hosted six Crystal Diamond 130, three air
inflated Stars 160 on a pole and 12x DMX controllable
standalone Towair Evo Flame. A further four red Airstar
Towairs (four metres high) lit up a live show.
During the ski holiday season, the Airstar Night Light
proves to be a great point of differentiation for Val d’Isère.
David Hemelsdael, Events and Entertainment Manager at
the Val d’Isère Tourism Office, explains: « We were looking
for a unique identity in order to stand out as a resort, and
so sought an innovative lighting solution that would have a
wow effect while being easy to deploy. »
In less than 10 minutes, the Tourism Office technical team
can stop the traffic on the main road, cover it entirely with
snow, and set up the entertainment activities as well as
the lighting balloons with the help of an Airstar team. The
41
special feature
centre of the village then becomes
the stage of a lighting show like no
other. Various animations brighten
up the public as they wander about,
using Airstar lighting solutions: ice
sculpting, DJ sets, live performances,
percussionists; all these animations
create a magical and festive ambiance
for all ages.
The Airstar Night Light also allows
the lighting manufacturer to test and
validate new lighting solutions such
as the new « mobile » made of three
Ball and Rock Delices attached under
each Diamond and Star balloons, as
well as the purposed built 160cm wide
Crystal cover on a pole.
« We are simply delighted with the
results. As far as I know, Airstar is the
only company capable of offering cost
effective solutions that are capable
of lighting up a street so quickly.
No wonder they are the undisputed
leader in their field», comments David
Hemelsdael. « Our main challenge is
to reinvent ourselves each year : last
year we had a marine theme, with
jellyfish and fish shaped balloons; this
year we chose a galactic theme, and
we are already working closely with
Airstar on a new concept for 2016 »,
he concludes.
www.airstar-light.com
42
special feature
43
cover story
Tua Pek Kong
Temple
Bukit T imah, Singapore
44
cover story
Architectural Design: SPORES_Studio
Project Manager: SPORES_Studio
Structural Engineer: KKC Consultancy Services
Lighting Consultant: Light Collab
Main Contractor: ID Mission
Photography: N.D Photography
T
he transformation of an existing open courtyard into a
semi-enclosed prayer space is at the heart of SPORES_
Studio’s additions and alterations to the Bukit Timah
Tua Pek Kong Temple in Singapore. In this project, SPORES_
Studio innovatively fulfilled the client’s brief of providing
additional prayer space through fundamental rethinking and
reconfiguring of the existing congested circulation routes.
By introducing a frameless glazed canopy over an existing
open courtyard, SPORES_Studio’s inspired approach
introduced a new all-weather prayer space spanning from
the main building to the temple’s front entrance archway. The
existing courtyard’s floor level is further raised to allow direct
45
cover story
46
cover story
access to the rest of the temple. This
decision removed previous awkward
and jarring changes in level and allows
for the first time easy wheelchair access
across the entire temple premise.
The glazed canopy, which is the
highlight of the project, is an intricately
detailed roof designed jointly by
SPORES_Studio, structural engineer
KKC Consultancy Services and the
main contractor. To ensure devotees
retain visual connectivity between the
new prayer area and the sky, SPORES_
Studio proposed for the new canopy
to be conceived entirely out of glazed
structural system. Using Low-E self
-cleaning glass for both the canopies
and structural beams, high level of
transparency is achieved while reducing
solar gain and maintenance. The new
canopy is also designed as a two-tiered
system to encourage natural ventilation
while negotiating complex interfacing
between the new and old roof.
As part of the refurbishment, SPORES_
Studio also collaborated with lighting
design firm Light Collab to design and
improve the overall lighting system of
the temple. Prior to the improvement
works, there was no façade lighting
and the temple disappeared into
darkness in the night time. Existing
luminaires had poor optics and using
compact fluorescent lamps made
the architecture and spaces rather
flat. The internal prayer hall was also
very dim and did not really highlight
the double volume space of the inner
prayer hall. Careful selections of good
luminaires with efficient LED and optics
established the temple as a night time
47
cover story
48
cover story
landmark in the midst of the urban bustle
in Upper Bukit Timah Road. Although more
fittings were introduced, the overall energy
consumption did not increase significantly.
Further introduction of sensitive and subtle
lighting systems help to enhance the
architectural spatial quality of the temple;
celebrating and revealing the forms,
textures, colours and motifs of the temple.
Tiered roof forms are carefully lit up with
asymmetric LED linear uplighters from
LUCI so that the architectural roof form
can be seen from street level and from
afar. To enhance the vividness of the red
columns, double-emission LED uplighters
from LAMP Lighting with 2700K and good
colour rendering were used and further
enhances the warmth of the temple.
Some of the challenges faced include
convincing the client to mount the fittings
on high level which would not be accessible
easily unless scaffolding is used. As it is
rather expensive to erect scaffolding to
maintain fittings, it is important that the
lighting system invested is durable and will
be lasting. As it is an existing building, it
is rather challenging to run wiring and to
conceal them neatly so that the beautiful
architecture would not be ruined by
unsightly cables and remote LED drivers.
The overall result was very satisfactory and
the investment for good lighting design
not just brings out the aesthetics of the
architecture, but also provides effective
use of energy. It is definitely worth doing it
right the first time.
49
facades & landscapes
Melbourne Airport
Melbourne, Australia
Client: Melbourne Airport - Australia Pacific Airports (Melbourne)
Lighting Designer: Mint Lighting Design
Lighting Solutions: ENTTEC, iGuzzini, Archilux
Photo Credits: Matt Irwin
50
T
he
forecourt
at
Melbourne Airport has
been transformed with a
dynamic lighting installation
that provides ambience
and entertainment and
welcomes travellers to the
world’s most liveable and
friendliest city.
road, internal lighting of
the shell canopies over
pedestrian
walkways
and a ‘Light Shower ’ for
international travellers.
Melbourne
Airport
welcomes more than 18
million travellers each year.
With that number set to
grow over the next few years,
a small team of visionaries
at Australia Pacific Airports
(Melbourne) decided that
these travellers, and those
who come to greet them,
deserved a more enjoyable
– and enlightening –
experience at the airport.
Melbourne-based
design
practise
Mint
Lighting
Design collaborated with
ENT TEC
using
leadingedge design, technology
and control systems to
create bespoke solutions
and custom luminaires, to
bring the ambitious project
to life.
The
landmark
project
covers 12 individual sites,
which are programmed
as a whole, across the
main terminal façade and
forecourt. Key elements of
the design include the new
14-metre ‘Melbourne’ sign,
projections of programmed
colour
changing
light
underneath the elevated
In total, 2140 individual
products were designed
and installed.
Mint
Lighting
Design
Director Adele Locke said
while each site had its own
unique challenges, and
with white light banned
from the design, the key
was to develop a cohesive
stor y told with colour.
“I had to determine a way to
use coloured light that was
sophisticated, dynamic and,
critically, not over whelming
for wear y travellers.
51
“You cannot light a tree in the
same manner in which you light a
bridge. Existing lighting was not to
be changed, so my creative design
had to work around the existing
structures and lighting and not
impinge on the safety of travellers.
Colour programs and change are
carefully structured to ensure that
the lighting is not distracting, yet
still has enough movement to be
beautiful and provide a joyous
environment for those waiting for a
ride,” Ms Locke said.
“Each lighting site had its own
challenge, some could be lit
according to Adele’s wishes using
standard products, others required a
custom engineered solution, utilising
ENT TEC’s technology framework and
R&D team to design and manufacture
a luminaire.”
Airport management were major
stakeholders in the project, looking
to create a ‘Sense of Arrival’ through
the visual impact of light.
The roadside linear site was the
largest site of them all and was a
major challenge.
“By using light to tell a stor y across the
site, as well as improving pedestrian
navigation, such as blue lights over
entrance doors and colour-coded
light for bus shelters, travellers and
those people who work tirelessly in
the forecourt providing information
and support to travellers have more
useful cues for giving directions.
The sequence of colour change also
provides them with a more playful
work environment.”
“Not only was a significant amount
of light needed to light the
roadway structure, a pixel pitch
of 160 millimetres was required of
full RGBW over the 300-metre run.
Installation considerations were
taken into account as access on the
Melbourne Airport site is difficult,
therefore, the products had to be
designed so 450 of them could be
installed and commissioned in a few
days,” Mr Moreau said.
The heart of the project is the iconic
‘Melbourne’ sign. In support, are
the heroes – the 140-metre doublesided light projections following the
curve of the elevated roadway, and
the 60-metre lighting within the
pedestrian bridges, shell canopies
and the Plane trees, all of which are
programmed to play a synchronised
show across the entire site.
The beating heart of the central
forecourt colour program is the
large-scale ‘Melbourne’ sculpture,
internally lit with ENT TEC pixel dots
and Plink system.
ENT TEC
52
Manager
Nicolas
Moreau
said
ENTECC pixel solutions made the
project feasible and flexible – and
with more than 40,000 individually
programmable pixels on site, the
scope for creativity was huge.
founder
and
General
Canopies on the cur ved roadway
were built from ENT TEC ET bars
specifically designed for outdoor
use. The 60-metre walkway bridges
used Plink injectors with 8PL60 pixel
tape fitted into 8ES extrusions.
53
Mr Moreau said the associated control network is among
the most sophisticated ENT TEC has built in its 15 years of
worldwide installations.
“It comprises five different technologies: wired DMX,
Ethernet, fibre optic, wireless Ethernet PtP link and
wireless DMX links. The sheer scale of the site and the
number of control channels needed (over 40,000) meant
that we had to use ever y tool in the box,” Mr Moreau said.
Specialised programming across the integrated sites
has been designed to celebrate important days in the
multicultural calendar, including Australia Day, ANZAC
Day, Diwali, Chinese New Year and Christmas. The
installation can also be re-programmed to mark other
events and significant milestones as required.
Programming the content to satisfy the design brief took
Mr Moreau and his team, comprising Juan Ramirez and
Manmeet Singh, hundreds of hours of meticulous work.
Mr Ramirez explained, “ We needed numerous shows
and events across the different sites all synchronised
with each other, with many shows running in parallel.
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With a total of 57 universes to control and schedule, the
E-Streamer Mk2 allowed us to realise the end goal.”
invest up to $10 billion to enhance and expand facilities
to provide a world-class airport for a world-class city.
Ms Locke added that while the project was ambitious,
there was also room for a little fun.
“ The lighting project improves the ambience of our
main forecourt area with additional way-finding and bus
shelter lighting as well as an interactive rainbow-light
display.”
The International Arrivals entrance on the ground floor
features a playful installation named ‘Light Shower ’,
which allows travellers and children to interact with the
light.
By pushing a big button the lights are turned blue –
an opportunity to shower in light after a long flight,
inspired by the research into the effects of blue light on
the circadian rhythm.
“I’ve already seen children playing games in this unique
space, chasing each other through the light and racing
the changing colours. After hours on a plane, the
chance for a child to run, play and explore is priceless for
parents,” she said.
Melbourne Airport CEO, Chris Woodruff, said the bold,
interactive lighting project was part of a 20-year plan to
Mr Woodruff won the national and Victorian Customer
Service CEO of the Year awards at this year ’s Annual
Australian Ser vice Excellence Awards and is a finalist in
the global International Ser vice Excellence Awards (ISEA)
to be held later this year.
He said that the internationally recognised awards are
testament to a committed effort by staff and contractors
– such as Mint Lighting Design and ENT TEC – to fulfil a
new corporate vision to further improve overall customer
experience.
“As we transform Melbourne Airport, enhancing the
overall customer experience is at the core of ever ything
we do – from how we design our buildings to what
retailers we have in our terminals.” ■
55
Angsana
Xi’an Lintong Resort
Xi’An, China
Photo Credits: © Lighting Images 2014
56
and technical requirements were
vigorously coordinated and lighting
was marked as a key design element
to get right. Mr. Terence Tay, Design
Director from ADP was ver y handson to ensure that his interior designs
are correctly executed.
N
estled within the hilly regions of Xi’an lies the Angsana Xi’an Lintong
Resort – a cluster of hospitality developments consisting of a hot spring,
state guest houses and the Angsana Resort.
Xi’an is the ancient capital of China that flourished under the rule of the Qin
Dynasty. The city ’s illustrious past is still evident in its layout and architecture.
Indeed the amount of museums, places of interests and archaeological sites
is more than enough to substantiate its former glor y.
Within a 10 km radius of the resort lie the mausoleum of the first emperor,
Qin Shi Huang and his Terracotta Army, thus giving the resort the locality
and potential to be popular among visitors. Notwithstanding these world
class UNESCO World Heritage archaeological sites, the city also prides itself
in their culture and food.
With the intent of setting this project as the benchmark for their future
resort development in China, the Banyan Tree team was meticulously
involved throughout the design and construction period. Design details
Lighting Images was engaged to
the project in 2012 to provide
lighting consultancy to the entire
development. By then construction
was well under way with the state
guest houses due to be completed
within a few months and we had to
quickly immerse ourselves in getting
familiar with the architecture and
interior designs while concurrently
researching on essences of Xi’an that
we can infuse and express through
light. The lighting system also had
to be energy efficient without any
compromise to the ambience and
user experience.
A ver y strong sense of arrival can be
experienced as guests first step into
the entrance lobby. The grandness of
the space, colonnaded to direct one’s
focus into the central courtyard and
the opera theater beyond it gives
a feeling of respite. Lighting was
kept at a low and dramatic level to
preser ve that view.
The two wings on the left and right
of the entrance lobby leads to the
reception, and group check-in area
with the ballroom, all day dining and
Theater lounge slightly beyond.
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The all day dining décor consists
hints of Chinese influences
but with a contemporar y twist.
Lighting was designed to focus
on the food counters and tables
with a second layer highlighting
the décor and artwork.
The signature Angsana Spa is
housed in the basement of the
hotel and is fitted with individual
room lighting controls that
allows the user to be in full
control of the ambience.
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The hotel landscape consists of
a large peripheral area, which
was treated with simple lighting
equipment
like
the
humble
spike light and wall light custom
lanterns. The central courtyard,
which is flanked with buildings
all around is treated more lavishly
with an assortment of techniques.
The façade lighting within the
central courtyard contributed to
the ambient lighting of the whole
courtyard, which allowed us to
concentrate the landscape lighting
onto the landscape features without
the need to cater for functional areal
lighting of the courtyard.
The façade lighting was minimal
with the use of double beamed wall
lights to accentuate columns and
glow roof eaves. The wall lights were
regimentally used despite changes
in the column geometr y to retain the
colonnaded feel when guests are in
the central courtyard.
The project met with a fair bit of
challenges by way of budget and
coordination but we believe it was
executed with most of the design
intent still intact and Banyan Tree’s
aspiration of making this project
the quality benchmark ver y much
realized. ■
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Backyard Lighting for
a Private Residence
Longmeadow, Massachusetts
Landscape Architecture: Ottani Landscape Design
Lighting Design: Illumascape Landscape Design
Project Photographer: Michael Epaul Photography
Luminaire Distributor: BISCO, Boston Massachusetts
LED Manufacturer: Brilliance LED, LLC
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with a landscape architect
and
exterior
lighting
design expert to bring the
backyard to life at night.
The challenge posed to the
designers was to meet these
requirements with the home
situated in a thickly settled
suburban area with abutting
residences.
The lighting
designer and the landscape
architect worked together
to develop creative ways to
complete the homeowner ’s
request.
The landscape
architect understood the
importance of nighttime
lighting and gave extensive
consideration to this point
during the plant selection
process.
T
his project involved transforming a sprawling, partly wooded backyard of a private
residence into a space that would be an extension of the homeowner ’s indoor/
outdoor living area. The goal was to create an outdoor oasis for the homeowner and
their guests that would allow them to enjoy this part of their home long after sunset
to mingle on the patio or relax in the pool and hot tub. They wanted the design of
the outside lighting to create a visual extension of the indoor/outdoor living area that
included safe, comfortable transitioning throughout the property. The homeowners
wanted privacy and an outdoor environment that welcomed you as much at night
as it did during the day. Over a period of twelve months, the homeowners worked
The lighting installation
began
with
dimmable
recessed LED fixtures in
the indoor/outdoor room
creating a feeling of warmth
and tranquility. The recessed
LED fixtures in this living
space would not create glare
or inter fere with the exterior
lights. The dimming ability
also provided the per fect
amount of light for casual
conversation or viewing
television in this indoor/
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outdoor space. The outdoor areas
required the use of directional LED
luminaries with multiple illumination
levels and varying beam spreads
strategically
placed
throughout
the yard. Our vision was to bring
the landscape alive at night using
the technique of light layering.
Installing tree canopy down lighting
in conjunction with up lighting at
tree bases helped create this layering
effect with the mature deciduous
trees.
The thick, dark green canopies of
the conifers required LED frontal
lights to showcase the shapes and
textures of these trees. The final
lighting composition of the property
perimeter was a visual delight from
the indoor/outdoor living area as
well as the patio and pool area.
This was created with little or no
objectionable light trespassing to
neighboring properties. The project
had a secondary challenge; the
homeowner installed an enormous
white screen to view projected
media for entertainment at the far
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end of the pool. The challenge was to light the pool area without inter fering
with nighttime viewing of the outside screen. All lighting in this area had
to be subtle, paying special attention to avoid glare. This was accomplished
using the science of photometrics with creative positioning and focusing of
directional luminar y fixtures to assure aesthetically pleasing lighting effects.
This lighting project met the expectations of the homeowner and had a
minimal impact to the abutting residential properties. ■
spatial envelopes
Pencil & Monk
Design Studio
Chennai, India
Lighting Designers: Lighting Research & Design
Text: Dr. Amardeep M. Dugar
Photo Credits: Pencil & Monk
64
spatial envelopes
T
he creative director of Mitrra
Media, a firm dealing with movies,
media and art direction wanted a
career makeover into experience
design. This desire to achieve similar
illusionar y experiences of movies
into interior spaces resulted in the
inception of “Pencil & Monk” (P&M):
a 1000 sq.ft. swanky office space. The
aim was to design a work atmosphere
that provides multiple experiences
and enhances creativity while being
energy conscious. Therefore, both
daylight and electric light played
a key role. Basic daylight design
principles and 100% SSL technology
enabled an overall lighting load of
only 0.4W/sq.ft.
This experience begins with a face
of the Buddha at the entrance wall
that greets visitors. However, only
after entering the main studio is one
able to realise that the Buddha’s face
at the entrance in fact is an optical
illusion. The real face is depicted
on the other side of the same wall,
while the one at the entrance is only
a figure-ground impression. Both
the figure-ground impression of the
Buddha and P&M corporate logo on
the adjacent wall are illuminated
with ceiling-mounted LED spotlights.
The studio has a north facing picture
window that provides a visual link
between the inside and outside
along with ample natural light
during daytime. Although electric
light is not required during daytime,
the studio staffs sometimes tend
to work late and therefore require
adequate nighttime electric lighting.
As the studio was primarily meant to
be an experience centre to educate
clients about the importance of
good design, it was initially decided
to use only a warm and welcoming
colour
temperature
of
3000K.
However, working with different
colours for materials and interior
finishes is a key aspect of experience
design. Therefore, it was decided to
create a neutral colour temperature
island of 4000K in the main work
area that enables better selection of
colours. Ceiling-recessed low-depth
circular LED panels in 4000K are used
to provide glare-free soft lighting
for the main work area. A circular
LED pendant in 3000K is used to
illuminate the meeting cum multigraphic display area. Rigid LED strips
in 3000K integrated into the display
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spatial envelopes
shelves highlight the interesting
collection of artefacts and books.
Different colour temperatures and
types of light fixtures are used
to create a subtle differentiation
between the activities within the
space.
Two types of LED pendants also
define the two activities in main
cabin. A circular LED pendant similar
to the multi-graphic display area
in 3000K warm-white is used to
illuminate the revolving easy chairs
for video presentation. The cabin
is visually connected to the multigraphic display area in case clients
want to enjoy the display of larger
graphics, from their easy chairs.
However, for private meetings the
main cabin can be visually isolated
from the rest of the office by floorto-ceiling retractable blinds. An
elongated LED pendant in 3000K
warm-white is used to illuminate the
main desk. Similar rigid LED strips
in 3000K integrated into the display
shelves highlight the interesting
collection of artefacts and books in
the main cabin as well. The harsh
evening sun from the west-facing
window of the main cabin can be
completely blocked by means of fully
retractable floor-to-ceiling blinds in
the evenings yet allow some amount
of natural light.
66
Sometimes a makeover in career requires a makeover in the working
atmosphere. And when the makeover is as swanky as this one, why is anyone
complaining? ■
Products Applied
LED-C4 – NET circular and elongated pendants (43/44W LED);
NOK spotlights (10W LED MR16 lamps)
EPISTAR – Circular ceiling panels (15W LED)
SAMSON LIGHTING – Rigid strips (5W LED)
spatial envelopes
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spatial envelopes
Sofitel So Hotel
Singapore
Completion: August 2014
Client / Developer: Royal Brothers Group
Architect: DP Architects
Landscape Consultant: DP Green
Interior Designer: Miaja Design Group
Lighting Consultant: Light Cibles
Photo Credits: Sofitel So Singapore / Fernando Ian Jaruda (Light Cibles)
Awards: BCA Green Mark (New Non-Residential Buildings) Platinum Award (2012)
68
spatial envelopes
Striking a balance between energy
efficient lighting and the opulent
glow that a hotel deserves is a
challenge that needs creative
solutions. Light Cibles, the lighting
designer for Sofitel So Singapore,
shares how design constraints can
encourage inventiveness.
B
outique luxur y hotel Sofitel
So is located in Singapore’s
Central Business District area at
Robinson Road. Its façade, which
envelopes the taller, modern
structure, is an iconic heritage
building following the conser vation
principles established by the Urban
Redevelopment Authority. With the
restoration project set to achieve
the BCA Green Mark Platinum
certification,
lighting
design
appropriate for the fashion-centric
hotel must not bust the energy
budget.
Light for the building façade, from
base to crown, is a warm to cool
white gradation to retain timeless
elegance. Timers power off 50
percent of the façade lighting from
9 PM onwards to save electricity.
To prevent unoccupied guestrooms
from being dark, LEDs were
sandwiched between the curtains
and the windows.
As the focal point of the hotel’s
façade, its entrance has to be
grand, warm and welcoming. The
initial plan to highlight the arch
of the entrance facing the busy
junction with a pair of pendant
lights – like pearl drop earrings
framing a woman’s face – had to
be reworked when a glass canopy
was installed. To create the illusion
of pendant lights, metal rods were
fixed to look like they are “piercing
through” the canopy while the
lamps were installed on the
underside.
To retain the original structure of
light fixtures were not permitted
to be inserted into the walls so
compact mount lighting was
used instead with cables running
discreetly along the wall grooves.
Hemispheric
lights
stretching
the path of the walkway too have
concealed cables without drilling
the ceiling.
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spatial envelopes
Behind the traditional façade is an interior with urban chic. Each of the hotel’s
134 guestrooms features a Lightboys roof top light — a square Barrisol lightbox
which gives the viewer a three-dimensional experience of looking up to an
old-world glass dome. The original piece had several light tubes lined vertically
inside the lightbox which had to be reduced to meet the energy budget but
doing so made the gaps dark and obvious, so the lighting designer lit according
to the curves and bars of the print’s geometr y.
Befitting the playful luxur y of the Hi-So rooftop bar which commands a stunning
360-degree view of the city ’s skyline, spotlights give the gold-tiled infinity pool
a glowing splendour, accompanied by complementing points of light on the
steel beams and trees. ■
ABOUT LIGHT CIBLES
Louis Clair founded Light Cibles
in 1983 as the first independent
lighting engineering and design
consultancy. His son, Emmanuel
Clair,
lighting
designer
and
architect, leads the group’s offices in
Paris, Singapore, Tianjin and Kuala
Lumpur. This multidisciplinary team
of architects, interior designers
and senior technicians speaks 14
languages and is always in search
of the most beautiful solutions,
applying
unusual
techniques
and creative use of technology,
and developing new materials in
collaboration with manufacturers.
The innovative lighting design of
Light Cibles can be seen around the
world with notable projects such
as the Grand Arche de la Défense,
Notre-Dame Cathedral and Paris
Charles de Gaulle Airport in France;
Esplanade Theatres on the Bay,
Singapore Sports Hub and the
Fullerton Heritage in Singapore; the
Kuala Lumpur lighting master plan
and National Mosque in Malaysia;
and the Beirut Central District in
Lebanon. The team has won awards
including the IALD International
Lighting Design Award in 2012,
IES Illumination Award in 2012;
and BCA Construction Excellence
Awards in 2013 and 2014.
71
spatial envelopes
Opera Café
Sofia, Bulgaria
Client: Opera Café
Architect: Alexander Kovatchev
Lighting Designers: Danail Ivanov, Alexander Kovatchev
Lighting Manufacturers: IDEA & Pixlfactory
Photo Credits: Ivan Kolovoz
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spatial envelopes
F
our giant chandeliers dance to the sounds
of music in the Opera. No, that’s not
a fantastic dream, but the new look of the
old Opera café in Sofia, Bulgaria. Another
successful project of interior design company
IDEA International.
The company known for both its commercial
and residential projects all around Europe
changed the nightclub scene on the
continent once again, this time on home
ground.
Opera café is located in the center of the
Bulgarian capital, in the historic Opera house.
It’s a venue that makes visitors feel like they
are in an art galler y.
IDEA managed to create a unique subtle
contemporar y environment with an open bar
which essentially has no bar sur face but is
rather a series of stone cubes around which
the guests gather.
The biggest reason for pride for the company
is the one of kind kinetic chandeliers. “ The
venue being basically a former hallway – it
is as high as it is wide. To fill this square we
decided we need peculiar chandeliers, but as
the clients wanted to have live entertainment,
the chandeliers would pose a visual obstacle.
So we asked “ What if we could move the
chandeliers out of the way when we need to,
and put them back in when we are done?”
so the idea of the kinetic chandelier came to
life”, said the IDEA’s CEO Alexander Kovachev.
The clients wanted to bring back to life
this former restaurant in the Opera house
by turning it into a venue for the hip afterwork crowd. With the one of a kind bespoke
kinetic chandeliers, an open bar and custom
lighting fixtures IDEA International achieved
a striking result, adding yet another unique
venue to its successful projects. ■
IDEA is an interior design company, based
in Sofia, Bulgaria. With a desire to create
immersive environments and a passion for
exploring the unknown, IDEA often takes a
multi-disciplinary approach to its array of
projects. For the last 10 years we have been
providing interior design and branding services
to companies all around Europe. Founded in
2004, the company specializes in a wide range
of project types, from hospitality, residential
and food & beverage, to product, yacht, and
set design. Crafting a unique and individual
concept for each project is fundamental to
IDEA’s successful design approach. From the
big picture to the smallest detail, the aesthetic
story informs and drives the design. The
seamless synergy of technology, craftsmanship
and design is reflected in our environments
that often combine high-end video technology,
handmade objects, special effects, custom
fixtures and furniture. The company works
all around Europe and its founder Alexander
Kovachev has over 30 000 m2 of unique and
successful projects.
73
spatial envelopes
Fera Restaurant @
Claridge’s
London, England
Client: Fera at Claridge’s
Date of Completion: May 2014
Lighting Designers: Lighting Design International
Lighting Manufacturers: Remote Controlled Lighting, LED Linear, Lucent,
Light Graphix, TM Lighting, John Juer, John Cullen Lighting, Orluna
Photo Credits: Derry Moore
74
spatial envelopes
A
fter our work on the French
Salon, Drawing Room and Ball
Room at Claridge’s, Lighting Design
International’s design skills were
again requested for the new Fera
Restaurant. The main objective was
to create an elegant, young and fresh
restaurant within the double height
space, respecting the Art Deco
glamour of Claridge’s with minimum
obvious intervention.
We worked closely with the interior
designer Guy Oliver of Oliver Laws
to celebrate the Art Deco styling in
new and exciting ways by concealing
the latest technology seamlessly into
all the details for maximum visual
impact that could subtly change
throughout the day.
The joinery into the restaurant starts
through a small door way in a corridor
from Claridge’s. The first impact
is a tiny space surrounded by red
velvet curtain and this leads into the
glamorous rotunda with the gilded
historic ceiling. This was lit using a
perimeter of custom back lit finials
and the marble floor emphasised by
a narrow beam spot set deep within
the ceiling rose.
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The Rotunda’s ribbed glass entrance to the main
restaurant is backlit using tuneable white LED strip so
that the colour of light can be from 3000K at lunch time
when daylight comes through the windows to 2200K
at night almost candle like in quality. The drama of the
double height volume was emphasised with the backlit
impressive sunburst laylights. These used the same LED
tuneable strips, again cooler during the day and warmer
at night.
What was essential was to control the sunburst separately
to create contrast and life to the skylight. Detailed within
the beams what appears as dark grilles for ventilation
are the remote controlled pinspots that focus on each
and every table creating an intimate feeling within the
restaurant and are totally concealed.
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Localised
lighting
both
decorative and detailed into
the brass railing brought the
scale to a human level and
emphasised the intricate
brass rails. The over view of
the stylish space with the
custom picture lights and
details of uplit niches are
all balanced to create the
per fect ambience. The small
intimate holding bar has its
own charm and style and
captures in a fresh way the
glamour of bygone designs.
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The whole project was completed in five months, almost
an impossible task, but the team worked closely to
ensure all the details worked. It was the invisible little
touches where you least expect to see lights that helped
give life and sparkle to the restaurant, which is often
missing when relying on back lit sources alone. This was
a wonder ful collaboration between the owner, interior
designer contractors and lighting designer.” ■
81
lighting controls
NuBryte Smart Home
Lighting and Safety
Console
By LUCIS Technologies
Photo Credits: LUCIS Technologies
LUCIS Technologies Introduces NuBryte, a Smart
Home Lighting and Safety Console to Make any
Home a Smart Home
Fitted easily over any light switch terminal, LUCIS’
NuBryte intelligently dims and brightens lights, offers
home security and energy reporting to save energy and
lower monthly bills
L
UCIS Technologies unveiled a cloud-based smart
home lighting and safety console, NuBryte, for all
of a household’s connected needs such as automated
lighting, home safety, and energy management. Users
simply need a screw driver and basic wiring skills to
replace any light switch with the NuBryte console,
immediately transforming their home into a smart home.
When installed, people can control and protect their home
82
via a touch screen control pad, or the free NuBryte iPhone
app. The standalone system also provides easy-tounderstand energy reporting, which helps people reduce
energy usage and save money.
Based on a recent U.S. Department of Labor report on
annual home energy costs, Business Insider estimates
that Americans spend $146 billion on wasted energy
every year. W ith NuBryte, consumers can set their
lighting controls for each room based on their activities
in it, which can reduce excess lighting and cut down
overall energy costs. Over time, the device recognizes
behavioral patter ns based on information gathered from
its sensors, so that specific rooms are lit to the preferred
settings at certain times. Users are also able to adjust
a room’s brightness from any unit or directly from their
smartphones.
lighting controls
NuBryte’s integrated home security system – quickly
becoming one of the central components of a smart home
or building – interrupts intruders with flashing lights, and
alerts users via their phones, allowing them to also activate
the system’s built-in camera to quickly take action.
NuBryte currently provides a family calendar, intercom
communications, gives weather updates and alerts, and
features an open API to support complementary features
from other sources.
“Although there are other solutions contributing to the
energy conversation, we saw a large void for a complete
‘out of the box’ smart home solution,” said Alan Yuan,
co-founder and CEO of LUCIS. “NuBryte fills this demand,
and goes the extra mile by making it extremely intuitive for
families to experience enlightened living.”
About LUCIS TECHNOLOGIES
LUCIS Technologies, founded in Silicon Valley, builds
innovative technologies and products for energy
management, smart home, and the Inter net of Things
(IoT) applications. Its flagship smart home lighting and
safety console, NuBryte, helps consumers easily upgrade
to smart homes. It intelligently dims lights, offers home
security and energy reporting, and more, to save energy
and lower monthly bills. For more information, please visit
www.lucis-tech.com.
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lighting controls
connecDIM:
Decentralised Light
Management 2.0
By Tridonic
www.tridonic.com
Photo Credits: Tridonic
T
ridonic unveils connecDIM, an easy-to-integrate
light management system solution for industry and
commerce. The system, comprising connecDIM Gateway
and connecDIM Cloud, combines cost efficiency and
user-friendly design with decentralised light monitoring
and control options from anywhere in the world. Small
applications with only a few DALI devices can benefit just
as much as complex lighting systems in large properties.
A long-term study conducted by Zumtobel in cooperation
with the Fraunhofer IAO has confirmed that the present
lighting situation in offices often does not meet the
requirements of the various groups of users. Lighting
that is tailored to the needs of users has been shown
to improve their well-being and make workplaces more
attractive. More than 50 percent of all employees would
like individually adjustable lighting that they can tailor to
their specific needs and to the requirements of changing
work situations. connecDIM makes this possible. This
light management solution not only enables the lighting
to be monitored at any time and from anywhere in the
84
world, it also allows employees to adjust the lighting to
suit their own individual needs quickly and easily via a
PC or smartphone app. Both the intensity and the light
colour (Tunable White) can be adjusted, thereby making
employees feel more comfortable at work, as those who
took part in the study can testify.
Wh e t h e r t h e DAL I s y s t e m is a n e w o n e o r a n e x is ting
o n e , in t e g r a t in g it in a h ig h - le v e l lig h t m a n a g em ent
s y s t e m v ia t h e c o n n e c DI M G a t e w a y is m u c h eas ier,
q u ic k e r a n d m o re c o s t - e ff e c t iv e t h a n h a s e v e r b een
p o s s ib le w it h o t h e r a p p ro a c h e s . T h is s o lu t io n is b as ed
o n s t a n d a rd h a rd w a re a n d in t e r n e t t e c h n o lo g ie s s o there
is n o n e e d t o in v e s t in e x p e n s iv e s p e c ia lis t h a rd ware
o r s o f t w a re . c o n n e c DI M is e a s y t o in s t a ll, o p e r a te and
t a ilo r t o in d iv id u a l c u s t o m e r re q u ire m e n t s , a n d o ffer s
a u t o m a t e d e m e r g e n c y lig h t in g t e s t f u n c t io n s . Once
c o n n e c t e d t o t h e in t e r n e t t h e g a t e w a y, a s t h e h ear t o f
t h e s y s t e m , c o lle c t s a ll t h e d a t a a n d p a r a m e t e r s o f the
c o n n e c t e d DAL I d e v ic e s a n d t r a n s f e r s t h e m v ia T C P / I P
t o t h e c e n t r a l c o n n e c DI M c lo u d .
lighting controls
24 hours a day, 7 days a week
The data stored in the cloud can be accessed at
any time from anywhere in the world. Access is
possible via web browsers from any PC or Mac,
and also wirelessly via tablets or smartphones
running iOS or Android. There are apps available
for wireless access, namely connecDIM Lite
for monitoring and controlling the installation
within the property via the in-house WLAN and
connecDIM Architect for commissioning and
maintaining the installation.
Building operators, facility managers and
operation and maintenance personnel all benefit
from the central monitoring functions. Not only
do they receive an overview of the connected
DALI devices, they can also see any lamp faults,
hardware faults and dimming values at a glance
so they can immediately take appropriate
action. It is also possible to change the energy
consumption without having to be present on
site.
If the luminaire installation is expanded additional
DALI devices can be easily integrated via a PC
or Mac inter net connection or wirelessly via a
tablet or smartphone. This involves addressing
the devices, defining test routines (for example
for emergency lighting operation), setting up
predefined lighting scenes and controlling the
light colour in the case of tunable white.
Four DALI lines each with up to 256 DALI devices
can be connected per gateway. It is immaterial
whether conventional T5/T8 luminaires or the
latest LED luminaires are connected to the DALI
lines.
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lighting controls
J-Link Indoor Intelligent
Lighting System
By StrongLED
www.strongled.com
I
n recent years with LED lighting technology advancement, intelligent
(smart) lighting control systems have become a major growth segment in
the illumination market space. It further extends LED lighting energy saving
and green environment benefits with the advantages of being easy to use,
convenient and providing leverage on the pervasiveness of the Inter net of
Things. StrongLED started the development of intelligent lighting control
system since 2012. Contrary to centralized architecture with the inherent
upfront high cost investment and system option limitations, the J-Link
Smart Lighting System adopts a distributed architecture. Besides a low
up-front cost investment, it is scalable and future-proof as users could
easily add extensions and capabilities with expanded needs. Its design
fits perfectly into contemporary deco too.
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lighting controls
J-Link System uses the latest high sensitive capacitive
touch panel control, and wireless communication
technology for the interaction between people and system.
It has taken the user experience into consideration by
intuitive control operation, a simple interface, robust
electronics and low maintenance. A basic J-Link system
can have 1 to 16 lighting control circuits, which are
expandable to a maximum of 1024 control circuits. It can
control almost all kinds of LED lights and conventional
lightings including incandescent lamps, fluorescents and
CFLs. Furthermore, it allows the user to remotely control
all these via the Inter net.
There are a wide variety of touch panels, controllers and
sensors for the customers to choose from, according
to different kind of functions including smart sensors
[motion, voice and photo sensing], Bluetooth receivers,
W i-Fi receivers, RGB controls, circuit controls and lighting
scene/mood controls, DC, AC and RF controllers and
many others. The panels are of industry standard form
factors that are easy to install and the touch interface
icons can be DIY personalized to enhance the uniqueness
and fun by each of the customers.
J-Link Smart Lighting Control System can be used in
residential, hospitality, commercial, office and institution
industries for wide array of controls for dimming, tunable
whites for mood lighting and lighting scenes.
J-Link System is an extremely simple and powerful
system in the world. Simply a touch panel and a small
controller with a set of lamps would be all it takes to build
an intelligent lighting environment.
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lighting controls
Kingspan Launches ZerO Energy
Lighting Solution to Cut Business
Energy Costs
» » System combines rooflights, LED lighting
with smart controls and photovoltaic
technology in a single package for the
first time
» » Study suggests solution could offer
annual electricity cost savings of £3.7bn
to UK businesses
» » System typically pays for itself in under
three years; within the ROI threshold for
most businesses
K
ingspan Insulated Panels, a global
leader in the design, development
and delivery of advanced building
envelopes, has launched its ZerO
Energy Lighting solution, helping
businesses to eliminate their lighting
electricity bills.
Kingspan
ZerO
Energy
Lighting
combines the latest in polycarbonate
rooflight products, LED lighting
with smart dimming controls and
photovoltaic (PV) technology to
create a bespoke package offering
optimal lighting all year round. It is the
most cost-effective lighting solution
available to businesses, taking into
account capital and lifetime costs,
while also improving the wellbeing,
safety and productivity of building
occupants.
“This solution is yet another example
of Kingspan fulfilling its promise to
bring cost optimal net-zero energy
solutions to businesses” said Liam
McDaniel, Business Unit Director
– Fabrications, Safety & Lighting
Solutions, Kingspan Insulated Panels.
To
coincide
with
the
launch,
Kingspan has released a report
quantifying the potential electricity
cost savings to businesses in the UK.
Adopting improved lighting systems
alone results in a potential annual
electricity cost saving for businesses
of £3.7bn. The average business
lighting electricity cost would fall from
£25,583 to just £3,837. The report
examines the impact of improved
lighting and controls only; it does not
include the additional potential cost
savings and benefits of the rooftop
solar PV element of the package.
The ZerO Energy Lighting system
blends several of Kingspan Insulated
Panels’ proprietary technologies to
achieve maximum efficiency:
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Photo Credits: Kingspan Insulated Panels
• Kingspan Day-Lite polycarbonate rooflights allow natural sunlight into the
building – up to twice as much as traditional rooflights;
• This natural light is then topped up by new Kingspan Smart-Lite LED
luminaires, which replicate the colour temperature and vibrancy of the
midday sun. Kingspan Smart-Lite luminaires achieve optimum inter nal
lighting with far fewer units than traditional High Intensity Discharge
(HID) fittings, and last far longer, reducing the costs of maintenance and
expensive re-lamping;
• Smart dimming controls can be installed with the new LED lights,
which allow for precise zoning. This typically reduces lighting energy
consumption by 85 – 90%;
• The final part of the ZerO Energy Lighting solution involves the installation
of Kingspan Energy Rooftop Solar PV. This system generates more than
enough electricity to cover the residual lighting energy demand, with the
surplus produced used to reduce other electricity costs for the building,
or sold back to the National Grid.
“For every project we undertake, we aim to deliver an ROI of under three years
based entirely on capital cost versus energy and maintenance cost” explained
Jonathan Dore, Commercial Director, Fabrications, Safety and Lighting
Solutions, Kingspan Limited. “We have achieved this figure for every project
we have worked on to date, and these numbers don’t even take into account
the additional benefits of improved productivity, retail sales etc associated
with better ambient lighting.
“We can also help future-proof building owners against upcoming changes to
legislation. From 2018 it will be mandatory for all buildings with an F or G EPC
rating to be upgraded to a minimum of E. The ZerO Energy Lighting solution
alone will improve a typical G grade building to a D grade, with the same ROI
of under three years. Using other Kingspan products, it’s easy to improve
the rating further all the way up to an A grade, reducing energy bills, gaining
BREEAM credits and increasing asset value.”
Recognising that some sectors stand to gain even more than others from the
Kingspan ZerO Energy Lighting solution, the report finds that lighting makes
up 43% of total electricity consumption in the Warehouse sector; compared
with 22.6% for businesses as a whole. The Warehouse sector could save
£430m in annual electricity lighting bills, while the Retail sector could save
£1.21bn.
For more information, please visit www.kingspan.com.
illumina product showcase
LED Built-In Modules
By Vossloh-Schwabe
www.vossloh-schwabe.com
Photo Credits: Vossloh-Schwabe
LUGA C 2015 – PEARL WHITE
1000 LM TO 3000 LM
LUGA C 2015 – Pearl White CoB Modules
Based on established CoB technology with a ceramic
PCB, LUGA Shop Pearl White is the most recent LED
product made by Vossloh-Schwabe and the lighting star
of fashion stores.
LUGA C features brilliant colours comparable to those
rendered with the kind of tried-and-tested CHI ceramicbur ner technology commonly found in shop lighting.
High light output of up to 140 lm/W and no more than
a minimal change in the module’s photometric values
over the course of its 50,000-hour service life (L90/B10)
allows for brilliantly illuminated fashion items.
W ith a CRI (colour rendering index) of more than 80 or
90, the module ensures that the colours of illuminated
products are shown off to best effect – and serves to
tur n fashion into lifestyle.
• Brilliant white light optimized for fashion and clothes
lighting
• Similar colour impression like Ceramic Metal Halide
lamps
• Long service lifetime: 50,000 hours (L90; B10)
• Highly efficient: Up to 140 LM/W AT tp=65°C
• Narrow colour tolerances:
3 STEP MACADAM (INITIAL)
4 STEP MACADAM SHIFT (AFTER 50,000 HRS)
• High electrical isolation due to ceramic CoB
technology
Typical Applications
• Integration in reflector luminaires
• Shop lighting, especially fashion lighting
Image credit: Vossloh-Schwabe
89
LUMINOSE - The Lovely Lamp
By Luminose
www.lumino.se
Fine design dog lamp from wood to
your table by Elizabeth Zimmerer &
Márton Lente
LUMINOSE is the dog lamp with
personality. This fine design, wooden
table lamp with the touch of handwork
was bor n from design passion and
the love for dogs.
By
mapping
the
archetypical
movements
of
a
dog,
then
transforming them into a different
context
and
scale,
Zimmerer
designed this flexible and interactive
wooden table lamp. Lente designed
and built the environment in which
LUMINOSE feels good, the brand,
from visualization to web design &
development.
90
Image credits: István Oravecz, András Lente
LUMINOSE is made with the co-operation of changed
working abilities with high level of expertise. Based on the
dog lamp body color, the natur edition is made from high
quality, handcrafted oak, the blacks & whites from beech
wood. LUMINOSE is smart, a LED panel is installed into
the wooden components, using 85 percent less energy
than a standard table lamp.
The designers think only good, puritan design can call
for clean emotions of people without an effort. They want
to draw attention to this throughout LUMINOSE, giving
design to everyday people.
LUMINOSE prototype was introduced at Budapest Design
Week in October 2014. After several hours of designing
and manual prototype, LUMINOSE - the lovely lamp is
finally lauched.
About
Elizabeth Zimmerer and Márton Lente are a designer
couple, Master’s students at Moholy-Nagy University of
Art and Design, Budapest, Hungary. Their collaboration
can be defined as what Elizabeth represents in a product,
Márton represents visually and in website code.
91
LG Chem OLED Light Panel
By LG Chem
www.lgoledlight.com
LG Chem’s largest panel in its
product portfolio and also one of
the world’s largest commercially
available OLED light panels, the
320x320mm Panel is now being
mass produced in Seoul, South
Korea. LG Chem has developed
a number of new applications
to showcase easy integration of
OLED panels such as Mounting
Solutions
and
Transparent
Electrode.
Mounting Solutions demonstrate
easy OLED panel integration
on metal plates by magnetic
connections.
Transparent
Electrode provides a floating
effect of the panel with transparent
mesh conductive film and glass.
The applications are suitable for
fur niture integration, wall lighting,
shelf lighting and more. LG Chem
is currently discussing further codevelopments of the products
with numerous companies and is
still seeking for more collaboration
opportunities.
320x320mm Panel:
The Bigger the Better
The 320x320mm OLED light panel
in LG Chem’s product portfolio
is one of the world’s largest
commercially available panels.
The panel has an efficacy of
60 lm/W, a high CRI (90) and is
only 0.88mm thick. The output is
800lm with a nominal input (8.5V
1,600mA), and is capable of a
maximum 1,200lm output, which
is similar to a common 60-75
Watt incandescent lamp. This is
significant because it marks the
point where OLEDs will not only
be seen as an energy-efficient
and human-friendly light source,
but also come to be seen as a fitfor-purpose and proficient general
purpose light source.
92
320x320mm LG Chem OLED light panel
Clockwise from left:
Rail Connection Mounting Solution with
200x50mm LG Chem OLED light panel
Linear Connection with 200x50mm
LG Chem OLED light panel
Transparent Electrode with two
320x110mm LG Chem OLED light panels
New Application Ideas: Mounting Solution
& Transparent Electrode
•
Mounting Solutions
LG Chem has developed two types of “Mounting
Solutions” for easy OLED panel installation with
magnetic connections: Rail Connection and Linear
Connection. Both Solutions use 200x50mm LG
Chem OLED Light panels which are 0.88mm thick,
at efficacy of 60 lm/W, CRI of >90 and with 40,000
hrs of lifetime. (LT70)
» » Rail Connection
Each 200x50mm LG Chem OLED light panel is
cased and a DC-DC driver is integrated. The ACDC driver supplies DC to the conductor rail, and
each lighting unit is magnetically attached to the
rail receiving the power.
» » Linear Connection
The Linear Connection Solution also utilizes
200x50mm OLED panels with chrome-finished
casing. Each lighting unit is magnetically
connected with other units in a series, and the
units are also magnetically attached to the metal
surface. When distance between the panels
is required, an extension bar can be placed in
between.
Where to apply...
The mounting solutions can be easily applied
anywhere, from retail store shelving to general
home fur niture.
•
Transparent Electrode
The Transparent Electrode uses 320x110mm OLED
panels. A transparent mesh conductive film, OLED
panel and protection film are laminated on a sheet
of glass. Hence, OLEDs tur n on without direct wiring
to the panels; therefore achieve a floating effect.
The Transparent Electrode would be a great fit for
retail shelving where temperature is a sensitive
factor, for instance in the cases of cosmetics or
food. Different shapes and sizes of OLEDs can be
applied for diverse design needs.
93
Stone Designs Lights Up the
Restaurant at the Grandvalira
Ski Resort with its Scout Lamp
By B.Lux
www.grupoblux.com
The Restaurant Solanelles y Cubil at the Grandvalira
ski resort in Andorra contracted the Madrid-based
studio Stone Designs for its lighting design. This
is a functional space that stands out for its warm,
custom-designed fur niture and the prominent role
played by its vintage-style illumination, provided
by B.lux.’s Scout lamps.
Devised by Stone Designs, the Scout blends
in naturally with this singular venue due to its
decorative nature and technical functionality. In
addition to featuring a sizeable shade - 60 cm in
diameter - the Scout allows the user to direct its
light through the use of a simple angular motion
system. This versatility, along with its unique retro
look, spurred Stone Designs to choose the Scout
to light the restaurant’s American diner-style
tables and booths.
94
This is not the first collaborative
effort between the designers Cutu
Mazuelos and Eva Prego, with Stone
Designs, and B.lux, who have carried
out several custom- made lighting
projects in recent years. After lighting
up the Restaurante Solanelles y Cubil,
B.lux has included the Scout lamp
in its decorative designer lighting
catalogue, and it is now on sale in
red, beige and pearl grey, and in an
LED version as well.
B.lux, located in the Basque Country,
has been manufacturing designer
lamps for homes and contract work
since 1980.
95
Modern Lighting for Interior Spaces
By Kanarien Singapore
www.kanarienshop.com
KANARIEN SINGAPORE PTE LTD has
a creative passion to strive in supplying
lighting designs that are suitable for the
moder n interior propensity.
The quality of our products is generally
excellent, long lasting, most are coated
with powder and have a rustic finishing
which makes it easy to maintain.
The focus of our designs is based on
what gives us comfort along with a burst
of impact. W ith our range of products,
architects and interior designers can easily
select several options for their clients.
For all light fixtures KANARIEN SINGAPORE
carries, each part of every item is carefully
chosen through the matching of colors,
shapes and bulbs.
Photo Credits: Kanarien Singapore
LP111275
This steel pendant light has a chromium plating finish, which
allows the fixture to be long lasting without rusting easily. W ith
a width of 37cm and a height of 60cm, this statement item can
weigh up to 15kg.
LP111242
This industrial pipe (also known as a steam
punk) pendant, is fully customizable. From the
shape and size to the section of a wall it is
mounted on, this pendant can be constructed
in many ways to create a piece of art. Made
of steel, this fixture is one of a kind, which
creates an impact in an interior space.
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LW121208
This wall-mounted
lighting fixture is
designed to fit an
industrial concept.
However, being
made of brass, the
fixture creates a
more convincingly
opulent impact.
Although mounted
to the wall, both
the wiring and
bulb is connected
separately, hence,
it is adjustable
to up to 50cm in
length.
LP121216
A similar fixture to the LW121208, but this time
it’s mounted to the ceiling, giving off an elegant
aura with its presence of colour and style. During
installation, several bulbs can be attached together
to make a bold statement fixture.
Made of brass, it is adjustable to 210cm in length,
and has an additional set of matching lighting caps
for a good contrast in design and style.
97
High Performance LED Projectors
By Grunzell
www.grunzell.com
Park View Square
Client: Chyau Fwu Development (Singapore) Pte Ltd.
Product: Grunzell Projektor B218 series
Often referred to as the “Gotham
Building” by locals, the majestic
Park View Square in Singapore
has recently upgraded its outdoor
lighting with Grunzell’s new range of
architectural LED projectors.
Designed by American Consultant
James Adams together with DP
Architects, and built in 2002, the art
deco style building is a well-known
landmark in Singapore’s downtown
metropolis.
98
Grunzell supplied over 200 of its
latest outdoor projectors to illuminate
the building façade and surrounding
landscaped gardens.
building,” said Michael Ando, Director
at Grunzell. “W ith various beam angle
options we could offer to our client a
flexible solution with the same fitting
to address all their different lighting
requirements including illuminating
the upper part of the building façade”.
using the latest LED technology, the
compact design makes it perfect for
a wide range of applications. It is
available in various light distributions
for
flood
or
accent
lighting
applications and in a choice of color
temperatures.
“The building attracts a lot of people
– visitors and locals alike, who
stop to admire the building and its
sculptures and statues around the
gardens of the open plaza. We are
very proud to be chosen to supply
the lights to illuminate this wonderful
The Grunzell Projektor and B215 /
B218 is a high-performance, 14W
and 25 W luminaire suitable for
both exterior use as well as large
public interior applications. German
designed
and
engineered,
and
For
more
information
on
the
Grunzell’s LED products or the Park
View Square installation, please visit
www.grunzell.com.
Photo Credits: Grunzell
CLAIR High-Bay LED NA Series
By Niinuma LED Lighting
www.led-clair.jp/eng
The CLAIR High-Bay LED NASeries has a very high
luminair efficacy (120lm/W), suitable for use outdoors
as it comes with IP65/67 certifications. Besides being
projected up a building, it can be installed onto a
pole and illuminates downwards from a narrow to a
wide angle (30°,50°, 80°,120°,150° and 180°). W ith
a remote LED driver feature, users can keep the LED
driver inside the pole or even in a control room up to
100 meters away for easy maintenance.
99
Outdoor Luminaires
for Landscape Lighting
By EYE Lighting Asia Pacific Pte Ltd (Singapore)
Photo Credits: Eye Lighting Asia Pacific
www.performanceinlighting.com
SBP KYRO LED
100
Series of LED street luminaires for outdoor use, comprising:
• Housing and cover in painted die-cast aluminium
• Polycarbonate UV-stabilised diffuser for KYRO 1 LED Extrawide
• Flat clear tempered glass diffuser
• High-transparency polycarbonate lenses for best light transmission
• Available from 37W~90W
• Average lifespan of 50,000 hours at L70
• Power reduction models are available
• High-power LEDs with next generation high intensity light beam
• Light beam obtained by the combination of multiple LED modules
• Available in 3000 K, 4000 K, 6000 K colour temperatures
• Technopolymer component holder bracket reinforced with fiberglass
• Variable mounting methods
• Removable gear tray without tools
• Pole mount component in painted die-cast aluminium
PRISMA
Q-TECH
Range of outdoor pole-mounted fixtures, comprising:
• Transparent glass diffuser
• Reflector in anodised aluminium
• Painted die-cast aluminium cover and base for in-ground installation
• The LED versions are available in 3000 K and 6000 K colour temperatures
• Available in 9.6W 600mm and 900mm heights
• Extruded aluminium wiring compartment with die-cast aluminium heads
• Painted extruded aluminium pole
www.performanceinlighting.com
Type D
EYE LEDioc AREA Type D
Unlike conventional luminaires that control brightness levels only, this LED landscape luminaire
provides brightness and light control to ensure appropriate lighting depending on application and
time period. Making good use of the inherent compact size of LED light sources, this luminaire
was given a ring-like configuration to effectively control light distribution for three types of light
distribution - omnidirectional, wide and forward.
• Designed to withstand 15kV surges, this highly durable LED luminaire reduces the probability of
breakdown when lightning strikes
• W ith a 60,000-hour life, this LED module lasts five times longer than a mercury lamp, dramatically
reducing maintenance costs
• A wide ambient operating temperature range of - 20°C to +35°C enables use in cold climates
• Supports a wide range of voltages, from 100 to 242V
• Available in 96W and 124W in 3000 K and 5000 K colour temperatures
101
product focus exterior lighting
LED-1571 SERIES
ARCHITECTURAL WALL
LIGHT
ERBAVOGLIO
FLOOR LAMP
BY MATTEO
UGOLINI
By Grandlite
www.grandlite.com
Constructed by solid die-cast aluminium body and have
gone through rigorous ingress testing, fixture construction
testing, thermal testing and photo metrics measurements.
By Karman
www.karmanitalia.it
This LED architectural wall light is perfect for any outdoor
environment. This compact but powerful wall light is a true
innovation combining practicality and aesthetics.
The grass is always greener on
the other side of the fence- the
saying goes - but that is not so
true if Erbavoglio lamp is in your
garden. Erbavoglio is a magical
and mysterious lamp; nobody
knows where it grows and which
might be its main source of power.
Erbavoglio is green like hope
and represents the wish to be
surrounded by objects which can
convey positivity. This product is
structured in iron and covered in
an artificial green turf.
With highly efficient LED engine and precise optical
control, greater lighting performance adds the value to its
exterior appearance.
• Sturdy construction with aesthetic design
• Outdoor UV stabilized powder coated finishes
• System lumen output > 5220lm
• Luminaires efficacy > 105 lm/W
• IP65
• Photo cell available
• Wattage: 20W / 52W
CLAIR HIGH-BAY
LED S SERIES
By Niinuma LED Lighting
www.led-clair.jp/eng
LS333ANS-2
UNDERWATER
LUMINAIRE
By Lumascape
www.lumascape.com.au
The LS333ANS-2 is a swimming pool-rated luminaire,
and one of Lumascape’s most popular underwater
lighting options. It is constructed entirely of 316 marine
grade stainless steel, and has a special alignment
feature to ensure the beam of light is perpendicular
to the installation surface, even if the wet niche is not.
Lamp source is available as 75W MR16 or 3W or 6W
LED. The use of LED allows for the creative introduction
of color and improved energy efficiency.
102
The CLAIR High-Bay LEDs from Niinuma Japan are perfect
for lighting many applications such as factory workshops,
warehouses, train stations, commercial buildings, indoor/
outdoor stadiums, freight stations, car parking areas,
construction sites, sport halls, golf ranges, billboards, etc.
A wide range of high-bay LEDs are available in 50W, 90W,
150W and 280W, which can replace 250W~1500W HID/HPS
lamps. There are various mounting types, such as Socket,
Chain (Eye-Ball), Pendant or Flood – giving
users full flexibility to suit all kinds of
applications and needs. Besides
having a high luminaire efficacy
with an average of 115lm/w,
its ultra lightweight and
remote LED driver are
other key features of the
CLAIR High-Bay LED.
Users will be able to
see drastic changes
in
their
electrical
bills and eliminate
lamp
replacement
schedules.
product focus interior lighting
AURA RGB BULB
By ADATA
www.adatalighting.com
ADATA® Technology, a leading manufacturer of
high-performance DRAM modules, NAND Flash
products and LED lighting products, has launched
its AURA RGB interior lighting bulb. The AURA RGB
bulb displays over 16 million different colors and
up to 64 bulbs can be configured via Bluetooth 4.0
Mesh technology using ADATA’s free downloadable
app. ADATA’s AURA RGB bulb is a perfect match
for homeowners and small business owners seeking
to choose from literally millions of colors while being
able to adjust warmth and brightness for bulbs
spanning a distance of nearly 2000 meters.
ECO-COUNTER 2
By Creative Systems Lighting
www.csllighting.com
CSL’s LED Eco-Counter 2 is a successful and effective 120V LED
Eco-Counter Task Light. The Eco-Counter 2 utilizes the latest SSL
technology combined with CSL’s creative product design. EcoCounter 2 delivers the one of the most energy-efficient lighting
solutions for undercabinet and work space needs available today.
Recently upgraded to 90 CRI, it offers 50,000 hour lamp life @70%
lumen maintenance, Eco-Counter 2 features an integrated 120V
system – no remote transformers or drivers required. Low profile
– only 7/8” high. Glass lens with LED diffuser film. Captive screws
and Speedlink™ technology (Hardwire, Portable, Linkable) make
for quick installation. Speedlink system links a maximum of 24
units. UL/C – UL Listed for damp location. Available in four lengths:
an 8-inch, 8-Watt; 16-inch, 16-Watt; 24-inch, 24-Watt and 32-inch,
32-Watt. Finishes are White, Bronze and Satin Aluminum.
EDILEX AC MODULE
SERIES
By Edison Opto Corporation
www.edison-opto.com
Edison Opto has introduced a variety of AC modules
which are designed to be driven directly to AC line voltage.
Compared to the traditional LED, Edison Opto's AC modules
do not need to connect to an external driver, helping to
reduce the circuit cost and the size of luminaires. Also, users
have more flexibility in luminaire design. In addition, the AC
modules are grouped in 3-Step MacAdam ellipse which
demonstrates Edison Opto's capability of color consistency.
Edison Opto's EdiLex AC modules can be widely used in
ceiling lights, down lights and fan lights.
CORELITE RZL
SERIES
By Eaton's Cooper Lighting Business
www.eaton.com/lighting
The Corelite RZL series is a linear direct/indirect LED continuous
row system that provides high quality, efficient illumination for
open ceiling environments. The RZL’s clean, compact profile
combined with multiple architectural style variations and high
efficacies make it ideal for achieving horizontal and vertical
uniformity in a variety of building environments including aisles,
open offices, retail, and low bay applications. Available in 4’,
8’ and 12’ modular sections, the RZL is easy to install with
innovative joining and mounting features to reduce installation
time and labor costs.
103
product focus interior lighting
SLB6120-LES02
DYNAMIC
WHITE COVE
LIGHT
By L&E
www.lighting.co.th
The impressive elegant lighting ambiance at Central Embassy, Bangkok
was created with indirect dynamic white linear cove light, which can
smoothly change from a warm tone of 2700K to a daylight tone of 6500K.
With a slim profile including an opal cover using flexible circuit board
LEDs available for both indoor (IP44) and outdoor (IP65) applications
with 2700K, 3000K, 4000K and 6500K choices, the SLB6120-LES02
becomes the perfect solution for many applications. The SLB6120LES02 can also receive data from simple controls like 0-10V dimming
systems to advance control systems like the DMX512.
POLLUX GL-PL0606-V2
SERIES
By GlacialLight
www.glaciallight.com
The Pollux GL-PL0606-V2 series – is the new thinner,
lighter and even more energy efficient version of the
versatile LED Panel Light. The Pollux series of Panel Lights
offers smooth, even illumination across entire lighting
panel. The new 60cm sized GL-PL0606-V2 offers 3 color
temperatures options, enhances performance up to 90
lumens per watt, and adds additional mounting options as
well as 3-in-1 dimming, making these Panel Lights even
more energy efficient and versatile.
COOEE CORDLESS LAMPS
By Neoz Lighting
www.neoz.com
It has been 20 years since the first NEOZ cordless lamp was put into
service at the famed Penfolds Wine Estate in the Adelaide Hills, till this
day every lamp is still designed and hand assembled in Sydney, Australia.
NEOZ released their new generation Cooee Cordless Lamp after 3 years
of R&D. The new design features a single 2600mAh Li–ion rechargeable
battery powering an in-house developed 1W LED light source for 13 hours
of light time.
Unlike conventional LEDs, the NEOZ LED achieves an excellent colour
rendering index of 95+ CRI, this is visually indistinguishable to the traditional
Halogen light source. The warmth produced by the lamp ensures that skin
tones, food colours and textures are seen in the best light – critical in the
hospitality environment. The award winning portable luminaires are also
available in 30 other unique diffuser designs with over 100 combinations
of colours, materials and finishes.
104
LIZA BY
ELISA
GIOVANNONI
By Slamp
www.slamp.it
The design of the Liza
collection, the first project by
Elisa Giovannoni for Slamp, is
inspired by the classic crystal
lamp shade in a modern and
functional design combining
subtle Baroque evocations. The
hat and the stem of the lamp,
connected by a ring in injection
molded polycarbonate, are both
made of Lentiflex® with thin
vertical slits that project lights
and shadows on the ceiling
and walls. The base transforms
into a source of light thanks to
a courtesy LED arranged inside
(lighting can be independent or
at the same time as the light
source of the hat).
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