BAC Technical Specifications and Equipment List

Transcription

TECHNICAL SPECIFICATIONS AND EQUIPMENT LISTS
All equipment, with the exception of the items listed under the “Shared equipment” section, is dedicated to the
space it is listed under. Baryshnikov Arts Center does not guarantee that any or all equipment will be available to the
visiting company. At certain times some equipment detailed in this document maybe temporarily unavailable.
A representative of the visiting company should in all cases check with Baryshnikov Arts Center’s Technical
Management to ensure equipment availability and suitability.
Pamela Rapp, Production Manager for Baryshnikov Arts Center
T:
+1.646.731.3204
E:
[email protected]
Katie Gorum, Technical Director for Baryshnikov Arts Center
T:
+1.646.731.3230
E:
[email protected]
Contents
Contact information & table of contents
Unloading & Loading guidelines
Parking and Truck Parking
Staffing and Safety
Working Regulations and Labor policies
Shared Equipment
Jerome Robbins Theater Information and Equipment List
Howard Gilman Performance Space Information and Equipment List
Page
Pages
Page
Page
Page
Page
Pages
Pages
1
2-3
3
3-4
4
5
6 - 12
13 - 16
Appendix A: Jerome Robbins Theater Seating Chart
Appendix B: Howard Gilman Performance Space Seating Chart
Appendix C: Jerome Robbins Theater House and Lobby Light Addresses
Appendix D: Jerome Robbins Theater Audio Mixes
Page
Page
Page
Page
17
18
19
20
BARYSHNIKOV ARTS CENTER TECHNICAL SPECIFICATIONS AND EQUIPMENT LISTS
1
Loading/Unloading Information and Guidelines
General Info:
BAC has no loading dock, freight entrance, or freight elevator. All deliveries are received through the front entrance
of the building. Vehicles with lift gates or ramps must make all freight and heavy equipment deliveries. We do not
own a forklift and cannot accept pallets unless they are unloaded on the street and the freight company takes them
back. If the freight delivery is extremely large, we can discuss the hiring of a forklift and driver. These arrangements
will need to be made three weeks prior to the loading date.
Please be sure to communicate with BAC production staff prior to the start of any loading activity. Materials cannot
be brought in or out of any space without appropriate floor and wall protection in all lobbies, elevators, and theater
spaces.
BAC is not responsible for the disposal of any materials provided by the visiting company. There is no dumpster
available. If items are being disposed of they must fit safely and securely in a garbage bag and be placed in the
garbage room prior to the visiting company’s departure. No trash can be left on the curb.
Access ways & Dimensions:
There are two doors that allow loading access to the building. All materials must be loaded in and out through one
of these doors. Only one door can be utilized at a time.
The center door is the largest, measuring – 6’w x 8’11”h (1m82cm x 2m71cm). The eastern-most door is also
accessible for loading in and out and measures – 6’w x 7’8”h (1m82cm x 2m33cm).
The stage door to the Jerome Robbins Theater is on the third floor, and the stage door to the Howard Gilman
Performance Space is on the fourth floor.
All items are transported to the theaters via a passenger elevator with a maximum loading capacity of 2,500lbs
(1135kg).
Elevator dimensions are:
Frame
3’5”w x 7’6”h
(1m04cm x 2m28cm)
Cab
5’8”w x 5’2”d x 7’11”h (1m72cm x 2m57cm x 2m40cm)
The elevator opens immediately in to the Howard Gilman Performance Space, and materials can be unloaded
directly into the space. Items going to or from the Jerome Robbins Theater must be moved to/from the elevator
through a set of doors measuring 6’8”w x 7’6”h (2m3cm x 2m28cm).
There are two alternative ways of getting materials in or out of the building.
Emergency Exit Stairs:
6 flights of stairs to 3rd Floor
10 flights of stairs to 4th Floor
Handrail-to-handrail - 3’3” [99cm]
Height – 12’ [3m65cm]
Landing platform between each stairwell – 7’w x 3’9”d x 14’h [2m13cm x 1m14cm x 4m26cm] (the height dimension
tapers to 7’8”[2m31cm] as you approach each floor)
Stair well door – 2’10”w x 7’3”h [86cm x 2m20cm]
2
Line Hoist:
The line hoist can be utilized to bring tall and flat scenic elements up through the open atrium. It is important to note
that this process requires a minimum of 5 BAC technicians, and can only be operated by the BAC Technical Director
or Production Manager. The hoist can bring things to floors 3, and 3B but cannot be used to access the Howard
Gilman Performance Space or any other floors in the building. Please discuss possible hoist use in advance with
Baryshnikov Arts Center’s Technical Management.
Hoist load capacity – 2,000lbs (907kg) with a distributed load capacity of 100lbs (45kg) per linear foot of the length
of the truss and a maximum point load of 500lbs (227kg).
Hoist Clearance Dimensions – 20’l x 1’8”d (6m9cm x 50cm)
Parking:
The Baryshnikov Arts Center is located at:
450 West 37th Street
New York, NY 10018
The building sits on a very busy street with limited available parking.
Baryshnikov Arts Center can not obtain special parking permits for
companies, however rules regarding commercial vehicle parking can be
found at: http://www.nyc.gov/html/dot/html/motorist/parktruck.shtml
Due to the very crowded nature of 37th street, we cannot allow trucks
larger than 24’ in length to be parked outside of our building for loading
and unloading purposes.
When loading/unloading vehicles must turn off engines.
No personal vehicles may be parked outside of our building from 7am –
7pm.
Secure truck parking can be found at:
Enterprise Parking Systems
451 10th Ave
NY, NY 10018
212-564-3199
Staffing & Safety:
• The visiting company must provide a competent person to supervise the unloading and loading of all trucks,
vans, or other vehicles.
• Crew required for loading and unloading must be discussed with Baryshnikov Arts Center’s Technical
Management in advance.
• The visiting company will have ensured the truck is safely packed, with no dangerously balanced items at risk
of falling and injuring any member of the crew. Ideally a plan of the truck, showing the distribution of items
within the truck, will be provided and the weight should be indicated on each item. Unbalanced loads should
be avoided.
• The visiting company will request any necessary lifting equipment (ie. Forklift truck with driver) in advance of
their arrival.
3
•
Any and all accidents (or near misses) MUST be reported immediately to a member of the BAC staff/crew
who will ensure that the relevant personnel are informed immediately, in order that all Health and Safety
procedures can be followed.
Road cases & Storage
Storage of any equipment, road cases, set pieces, costumes, or any other items must be discussed with the BAC
Production Office prior to the arrival of the visiting company. On sight storage space is incredibly limited at BAC and
cannot be guaranteed. BAC reserves the right to ask all visiting companies to store empty cases or spare or unused
items at a separate location.
Cases exceeding 3’4”w x 7’5”h x 5’1”d (1m1cm x 2m26cm x 1m54cm) will not fit in the elevator and must be
unloaded in the ground floor lobby and the contents brought up to the space independently of the case. Any case
larger than these dimensions cannot be stored anywhere at BAC and must be removed from the premises before the
end of the day.
Working Regulations and Labor Policies
BAC trained crew familiar with equipment and spaces operate all BAC venues. If it is integral to a production that
certain show crew tracks be operated by visiting technicians one BAC crew member will be assigned to each
department in a supervisory position.
All productions will be assigned a BAC Crew Chief.
A complete production schedule with crew requirements must be submitted to Baryshnikov Arts Center’s Technical
Management at least four weeks prior to the first day of load in.
Minimum crew numbers per project are at the discretion of BAC.
All schedule changes have to be communicated with at least 24 hours notice. If the required notice is not given, the
crew will be paid in accordance with their original call times per approved production schedule.
All crew calls are 4-hour minimum calls
The crew is paid an overtime rate of time-and-a-half after 40 hours of work on consecutive days and for any work
performed later than 12am.
The crew must be given a one-hour unpaid meal break every four hours. The evening dinner break may be replaced
by a half-hour paid meal break.
Staggered crew breaks are permissible, but need to be agreed upon with Baryshnikov Arts Center’s Technical
Management in advance.
We encourage a 15-minute coffee break every two hours.
Running Crew/Board Ops (for both technical rehearsals and performances) need to remain consistent throughout the
engagement.
Any crew assignments are subject to approval by BAC’s Production Manager or Technical Director.
4
Shared Equipment
The equipment listed in this paragraph is shared between all BAC spaces.
At certain times some equipment detailed in this paragraph may be temporarily unavailable. A representative of the
visiting company should check with Baryshnikov Arts Center’s Technical Management prior to move in.
(4)
(10)
(6)
(6)
(6)
(94)
(1)
(1)
(2)
(5)
(1)
(1)
(1)
(1)
(1)
(1)
8’ portable ballet barres
music stands
Wenger musician chairs
Plastic folding tables 6’L x 2.5’W
Plastic folding tables 4’L x 2’W
Grey plastic stacking chairs
Steamer
Steam iron
Ironing boards
Costume racks
Yamaha Clavinova
24” monitor with inbuilt DVD player
42” flat panel monitor
VHS player
Pioneer DVD-V5000 Player
Yamaha C750 DVD-Player
All items below require assistance of BAC technical crew:
(1)
Sanyo PLC-XU 115 LCD Video Projector (4,500 ANSI lumens, Resolution XGA 1024 x 768) w/ hanging
hardware
(1)
hardware
(1)
hardware
(2)
Flapper dowsers
(1)
Ocean Matrix OMX-7190 switcher (basic)
(1)
Large ground supported fast fold screen 13.5’H x 24’W type: Stumpfl Monoblox System 64
Selection of VGA, DVI, CAT-5, RCA cables and adaptors. Please check for specific cables BEFORE engagement.
5
Jerome Robbins Theater Specifications and Equipment
The Jerome Robbins Theater is an intimate 238 seats proscenium style venue with a flat floor stage, central orchestra
seating riser and a small balcony.
Presentation of Productions
Lighting for auditorium aisles
The aisle light levels have to comply with minimum light output regulations enforced by the local authority. Fire exit
signs are illuminated at all times. Therefore the auditorium cannot have a complete blackout.
Scenery
Please we aware of our limited load-in / access ways.
BAC does not have any carpentry or painting shop space. Therefore all set pieces and Props need to be prefabricated, finished and ready for simple assembly. Appropriate hardware for assembly and / or assembly should be
provided.
Special Effects
All Special Effects must be requested and approved in advance as they may require alterations to automated fire and
smoke alarm systems and special local authority licensing approval.
Auditorium:
Maximum capacity
Orchestra
Balcony
238
187 seats in 11 rows (17 seats per row)
51 seats in 3 rows (17 seats per row)
Please note that all productions involving live music or microphones (with the exception of the use of a single
microphone for announcements) require the Front of House Sound Mixing Position located at the center of rows F
and G. A total of ten seats need to be taken out to accommodate the Sound mixing console.
Maximum capacity with FOH Mix Position
228
Wheelchair spaces
The two standard wheelchair locations are on both ends of row A (in place of seats A 1, 2 & 3 and A 15,16 & 17).
!
Stage Dimensions:
!
Width wall to wall:
Width between SL & SR high work galleries:
Stage depth to upstage wall:
Stage depth to Cyclorama:
Stage height relative to auditorium floor:
42’-6”
33’
28’-3”
23’-6”
0’-0”
[12m95cm]
[10m05cm]
[8m61cm]
[7m16cm]
[0m00cm]
Crossover: N/A, minimal cross over space can be created upstage if an upstage drop is in place.
Stage access: The main entrance is downstage left, there is a second entrance upstage left.
There is no entrance on stage right.
Please note that there is no additional side stage/wing space.
6
Stage Floor / Dance Floor:
!
The stage deck is a double layer of ¾” [19mm] plywood with ¼” [6.35mm] tempered hardboard.
The surface is painted black
Set pieces cannot be screwed or bolted into the deck.
Black vinyl dance floor to cover the whole stage area is available.
Rigging System:
!
The fully motorized rigging system consists of 15 line sets and 1 down stage truss for speakers controlled by a JR
Clancy Altus console.
Three I-beams span from the upstage wall 46’-10” to end just upstage of the first row of balcony seating.
These support perpendicularly mounted I-Beams with 1,200 pounds capacity JR Clancy Powerlift hoists which fly the
line sets.
Working heights of battens:
The maximum out trim is
27’
[8m23cm]
The low trim is
4’-0”
[1m21cm] off the deck.
Battens & truss:
Line set #1: (1) ballroom box truss
Line sets #2-16: (15) battens
Batten extensions on either side
33’ x 18” x 12”
30’
24”
[10m05cm x 45cm x 30cm]
[9m14cm] 1-1/2”
[60cm]
Extensions must be installed with the batten at trim and removed before lowering the batten.
4 lift lines per batten.
Line Set capacity: 1200lbs
All hoists run at fixed speed of 20 feet per minute. Up to 5 hoists may be moved at any one time.
Additional power for temporary rigging installations: 208V, 100A company switch located on the high work gallery
level stage right.
Soft Goods:
Traveler Curtain
Traveler Curtain
Valance
Borders
Legs
Scrim
Scrim
Bounce
Cyclorama
Wall Masking
Gallery Masking
Gallery Masking
SR Shelf Masking
SL Shelf Masking
Under-Shelf Masking
Quantity
2
2
1
5
8
1
1
1
1
10
4
4
4
4
8
Height
26’-0”
24’-6”
7’-0”
6’-0”
24’-0”
23’-6”
23’-6”
23-6”
23-6”
12’-0”
7’-0-1/2”
5’-11-1/4”
5’-7-1/4”
5’-7-1/4”
11’-9”
Width
19’-8”
17’-0”
36’-0”
30’-0”
8’-4”
31’-0”
31’-0”
31’-0”
31’-0”
7’-6”
4’-6”
3’-5”
4’-0”
4’-4”
4’-5”
Fabric Type
IFR Prestige
IFR Prestige
IFR Prestige
IFR Prestige
IFR Prestige
FR Sharkstooth
FR Sharkstooth
FR Seamless Muslin
Gerriets ProCyc
IFR Prestige
IFR Prestige
IFR Prestige
IFR Prestige
IFR Prestige
IFR Prestige
Color
Black
Black
Black
Black
Black
Black
White
White
Blue-grey
Black
Black
Black
Black
Black
Black
Fullness
100%
0%
0%
0%
0%
0%
0%
0%
0%
0%
0%
0%
0%
0%
0%
7
Dressing Rooms and Wardrobe:
Wardrobe equipment:
1 washing machine
1 dryer
2 ironing boards (shared)
1 iron (shared)
1 steamer (shared)
5 costume racks (shared)
Assorted hangers
The Jerome Robbins Theater has two dressing rooms.
The larger dressing room (17’ x 21’) [5m18cmx6m40cm] has eight make-up stations. It is located on the balcony level
and can be reached from back stage left via stair A. The washer and dryer are in this room.
The second dressing room (12’ x 13’) [3m66cmx3m96cm] is on stage level, directly off stage left. It has six make-up
stations.
Both dressing rooms have a shower and an adjacent restroom with sink.
Lighting:
!
Total number of dimmers:
264 @ 2.4kw
Type: Sensor SR 48+ D20E Dual 20A dimmer modules
15 dimmers are permanently used for house and lobby lighting
Total number of dimmers available for theatrical lighting: 249
Control Console:
ETC ION 2000
2048 Outputs / Parameters, 10,000 Control Channels, 10,000 Cues
One 2x20 Universal Fader Wing
Two Elo Entuitive 5000 Series 19” LCD display screens
House lights can be controlled via touch screen panels from DS left and the control booth. The console can take
control of the house light dimmers as well.
Circuit layout:
# of Circuits
24
24
12
12
42
48
24
24
18
18
Location
Control booth pipe / FOH
Balcony rail / FOH
House right box boom
House left box boom
Stage left upper gallery
Stage right upper gallery
Stage left lower gallery
Stage right lower gallery
Stage left floor level
Stage right floor level
8
Lighting
Amount
4
4
16
instruments in repertory plot:
Type
ETC Source 4 19˚ Ellipsoidal
ETC Source 4 19˚ Ellipsoidal with Sea changers
(SEA-DM, 4-channel DMX)
Lamp / wattage
HPL 575W
HPL 750W
Position in Rep.
Control booth pipe
Control booth pipe
HPL 575W
2 systems of pipe ends on Line
sets #2, #8, #12, #16
1st Electric / Line set #2
Stage left & stage right side
gallery mid pipe
Stage left & stage right side
gallery low pipe
BAX, Line sets #8, #12
8
8
HPL 575W
HPL 575W
8
HPL 750W
12
ETC Source 4 50˚ Ellipsoidal with Sea changers
(SEA-DM, 4-channel DMX)
ETC Source Four Par WFL with Wybron CXI IT
(7.5”) color changers
6
HPL 575W
3
Martin Mac 700 Profile
1
Martin Mac 700 Profile
7
Altman focusing Cyc (FC-1) three cell units
OSRAM HTI 700
W/D4/75
OSRAM HTI 700
W/D4/75
1000W
10
HPL 575W
HPL 575W
Stage left and Stage right box
boom
Stage left and Stage right Under
Gallery Pipe
Line set #2
Line set #11
Line set #15
!
Additional Lighting stock:
Amount Type
87
ETC Source Four Ellipsoidal body
3
ETC Source Four Ellipsoidal body with Sea changer (SEA-DM, 4-channel DMX)
56
ETC Source 4 50˚ Ellipsoidal lens
26
12
8
8
Source Four Par with Wide, medium, narrow and very narrow lensing options
8
Source Four Par lenses: Medium, narrow and very narrow (alternate lensing options for
units in repertory plot)
20
Robert Juliat Lutin with Fresnel, PC and Pebble lensing options
2
Arri ST2 Studio Fresnel
2
Robert Juliat "Alex" 7°/14.5°Zoom on tripod stand
6
3
6’ Ministrip - 30 lamps
Wybron CXI IT (7.5”) color changer
Lamp / wattage
HPL 575W
HPL 750W
HPL 575W
750W
2000W CYX
2000 Watt
Tungsten
EYC 75 w
A selection of typical lighting iron and accessories is available. Please discuss your requests with Baryshnikov Arts
Center’s Technical Management.
Color Frame Sizes:
Mini-Strip
S4 Ellipsoidal
S4 Par
2 7/8” x 4 1/2”
6 1/4” x 6 1/4”
7 1/2” x 7 1/2”
(73mm x 114mm)
(158mm x 158mm)
(190mm x 190mm)
9
RJ Lutin
Altman FC-1 Cyc light
7” x 7”
10” x 11”
(177mm x 177mm)
(254mm x 279mm)
Lighting Rigging:
The boom positions in Jerome Robbins Theater consist of black aluminum light ladders.
They have five rungs. The rung spacing is 22” (56cm) first to second rung, 24” (61cm) second to third and third to
fourth rungs and 30” (76cm) fourth to fifth rung.
Their typical rigging position is under the lower work galleries at with the top rung attaching at 12’ (3m66cm) above
the deck.
Please note that there is NO stock of standard 50lbs boom base and pipe available.
Additional power:
Additional power for temporary lighting installations: 208V, 400A company switch located on gallery level stage left.
The company switch has all female Cam-lock terminals.
Sound:
Sound power: 120V, 1 Phase isolated ground grey outlets throughout the theater.
Additional power for temporary Audio equipment: 208V, 200A isolated ground company switch located on gallery
level stage right.
!
Control Locations:
The booth is located at the rear of the balcony.
Alternatively a front of house mixing position can be created by removing sections of rows F and G at the center of
the orchestra section.
Console:
The LS9-32 console has 32 analog inputs, 16 mixes, and 8 matrices. There are 16 analog outputs, and 32 Ether
Sound outputs (w/ (1) MY16-64ES card carrying 16 outs, and (1) MY16-EX card carrying another 16).
Speakers in House System:
Amount Type
2
Meyer UPA-1P
Position
Downstage truss house left
Purpose
Left Mains
2
Meyer UPA-1P
Center Mains
2
Meyer UPA-1P
Right Mains
1
Meyer UPA-1P
Right Front Fill
1
Meyer UPA-1P
Left Front Fill
Vertical yoke
3
Meyer MM4-XP
Under balcony fills
Installation yoke
2
Meyer UPM-1P
At plaster line house right 8’-10”
(2m69cm) off stage floor.
At plaster line house left 8’-10”
(2m69cm) off stage floor.
Under balcony house left, center
and house right
Under balcony behind row K
Rigging
Dual array mounted
horizontally
Dual array mounted
horizontally
Dual array mounted
horizontally
Vertical yoke
Installation yoke
2
Meyer UPM-1P
5
5
Meyer UPM-1P
Meyer UPM-1P
Left and right rear for
orchestra section
Left and right rear for
balcony section
Left surrounds
Right surrounds
Control booth pipe far house left
and right
House left wall, various locations
House right wall, various locations
Installation yoke
Installation yoke
Installation yoke
10
1
1
Meyer 600HP
Subwoofer
Meyer 600HP
Subwoofer
Spare Speakers:
Amount Type
4
USM-1P
4
UPM-1P
Purpose
Monitors
Downstage on stage left lower
work gallery
Downstage on stage right lower
work gallery
Stage left sub
Stage right sub
Rigging
None available
Installation yokes available
Digital Signal Processing:
!
There are (3) Yamaha DME64 Digital Signal Processors with 32 Ether Sound input channels and 32 analog Inputs.
There are a total of 48 directly wired speaker outputs. These speaker outputs directly correspond to 48 speaker
plate locations throughout the theater.
The JRT house system uses 16 Ether Sound input channels (from the LS9-32), and 8 analog inputs. The system can
be used in various combinations, including purely analog, purely Ether Sound, or a combination of both. This
configuration leaves the following available: 24 available Ether Sound channels, 8 analog inputs from the console,
and 16 analog inputs (from tie lines in the booth and DSL).
The JRT house system PA uses 27 DME outputs. These are individual outputs wired directly to speaker plates
throughout the theater. The system allows for a total of 21 spare outputs from the DMEs.
Playback:
MAC 2.4GHZ Pro Media Server with Q-lab 3, MAC wired keyboard and MAC wireless mouse
2 DENON DN-C635 CD Players
2 Sony Minidisc Recorder MDS-E10
3 Sony Minidisc Deck MDS-JE480
Audio Interface:
2 MOTU 896 MK3 Audio Interface
Additional outboard EQ:
2 DBX 2231 Dual 31-Band Graphic EQ/Limiter
1 DBX 231S Dual 31-Band Graphic EQ
!
Microphones:
!
Wireless:
2
Shure UR4D dual channel wireless receiver
4
Shure UR2 handheld transmitters
4
Shure SM58 capsules
2
Shure KSM-9 capsules
4
Shure UR1 body pack transmitters
2
Countryman B3 black lavalier
2
Countryman B3 flesh lavalier
!
Condenser microphones:!
4
Neumann KM184 Instrument Mic
1
Audio Technica Pro 45 Hanging Mic
11
2
Octava MK-012-01 Instrument Mic
Dynamic microphones:
3
Shure SM 58 Vocal Mic
1
Shure SM 58-S Vocal Mic (w/ switch)
3
Shure SM 57 Instrument Mic
2
Shure Beta 58A Vocal Mic
1
Shure Beta 52A Kick Drum Mic
3
Sennheiser e604 Instrument (Drum) Mic
Floor microphones:
4
Crown PCC 160 Boundary Mic
1
Crown PZM 30D Pressure Zone Mic
4
Bartlett TM-125 Boundary Mic
Microphone stands, DI boxes and assorted cable are available.
Please discuss your requirements with Baryshnikov Arts Center’s Technical Management at least four weeks prior to
your move in date.
!
Communications and Video:
Hearing Assist System:
1
Listen LS82 System
4
Listen LR44 Lanyard Receivers
11
Listen LR42 Stethoscope Receivers
2
Audio Technica AT4021 Cardoid Condenser
Paging System:
The following zones can be addressed: Lobbies, back stage (dressing rooms), office & All Page (all zones at once).
Paging Mic panels are located in the usher room (FOH), backstage left, and in the control booth.
!
Production Communications:
1
Clear com MS702 Main Station (located in Main Audio Rack in Dimmer Room)
2
Clear com panels (1 in each dressing room)
5
Clear com RS602 Wired belt packs, 2-channel
1
Clear com Cellcom 10 Wireless transmitter
5
Clear com Cellcom 10 Wireless belt packs, 2-channel
5
Clear com CC95 headsets
5
Clear com CC26 headsets
Projection Equipment:
1
Christie WU12K-M Projector 3-DLP, WUXGA, 10500lm, dual 350W lamps, Christie twin HDMI input card with
Christie Lens ILS 1.5-2.0SX+/1.4-1.8HD for frequent projection applications on the Cyclorama or back wall
1
Christie Lens ILS 0.73:1SX+/0.67:1HD for wide angle projection applications
The projector is permanently placed on a shelf mounted centered on the front of the balcony.
Playback:
MAC 2.4GHZ Pro Media Server w/ MAC wired keyboard and MAC wireless mouse
Please discuss possible computer playback with Baryshnikov Arts Center’s Technical Management
12
Howard Gilman Performance Space Specifications and Equipment
The Howard Gilman Performance Space is a studio space that converts to a “black box” - style venue with raked
seating risers and a flat floor stage. There is a moveable soundproof wall that must remain on the stage side of the
room (4A). This wall is divided in to 8 panels (each panel is roughly 5’w x 14’6”h) and can store along the stage right
wall or the upstage wall and can also be broken up in to individual panels along the stage right and/or up stage wall.
The soundproof wall cannot leave the space and requires a loss of 1’ of either width or depth in the space
depending on where the wall is stored.
!
Presentation of Productions
!
Lighting for auditorium aisles
The aisle light levels have to comply with minimum light output regulations enforced by the local authority. Fire exit
signs are illuminated at all times. Therefore the auditorium cannot have a complete blackout.
!
Scenery
Please be aware of our limited load-in / access ways.
BAC does not have any carpentry or painting shop space. Therefore, all set pieces and Props need to be prefabricated, finished and ready for simple assembly. Appropriate hardware and instructions for assembly should be
provided.
!
Auditorium:
Maximum capacity
136
!!
7 rows of seats – Rows 1-6 seat 20 people per row, Row 7 seats 16 people. A platform used as the booth position is
located at the center of this row.
Wheelchair accessibility and locations:
!
The space is fully wheelchair accessible with an elevator that opens directly in to the theater. Wheelchair patrons
have the option to remain in their wheelchair and sit immediately in front of the first row, or, if mobility allows, sit in a
seat in the first row and we can store their wheelchair safely until needed.
The two standard wheelchair locations are on both ends of row A.
!
Stage Dimensions:
!
Width wall to wall:
42’
[12m80cm]
Stage depth to upstage wall:
43’
[13m10cm]
Room height floor-to-ceiling:
17’-7” [5m35cm]
Crossover: N/A, minimal cross over space can be created upstage if an upstage drop is in place.
Stage access: There is only one entrance to the stage located mid-stage left. The only other access to the space is
the door used as an audience entrance that is all the way downstage left.
There is no entrance on stage right.
Please note that there is no additional wing space.
13
Stage Floor/Dance Floor:
The floor is a blond sprung hardwood dance floor covered with black vinyl dance floor.
Nothing can be screwed or bolted into the floor.
!
Rigging:
The Howard Gilman Performance Space has a fixed grid, which allows for the installation of soft goods,
theater lighting and sound equipment and some scenery. The installation is not designed to support dynamic loads.
There are 13 hanging positions throughout the space at a height of 15’-4” [4m67cm] off the dance floor.
!
!Dressing Rooms and Wardrobe:
!
The Howard Gilman Performance Space does not have traditional-style dressing rooms. There are locker rooms
located in the rear section of each of the public restrooms with lockers, showers, and benches that are available to all
companies visiting the HGPS. Company members entering the theater from these locker rooms must cross through
the public lobby to enter the stage. Please direct any further questions regarding dressing room space in the HGPS
to Baryshnikov Arts Center’s Technical Management.
Soft Goods:
Black masking
panel
Black masking
panel
Black masking
legs
White
Cyclorama
White Bounce
Quantity
1
Height
15’-0”
4
15’-6”
8
15’-0”
1
15’-0”
1
30’-0”
Width
40’0”
24’0”
4’-0”
Fabric Type
15-oz Encore Velour
Color
Black
Fullness
0%
15-oz Encore Velour
Black
0%
15-oz Encore Velour
Black
0%
40’0”
50’0”
Muslin Seamless
White
0%
Muslin (used condition, needs to be folded under
to adapt to HGPS dimensions)
White
0%
Lighting:
!
Total number of dimmers:
72 @ 2.4kw
Type: Sensor SP2420B
2 dimmers are permanently used for house and lobby lighting
Total number of dimmers available for theatrical lighting: 70
Control Console:
ETC Express 250
Two 15” flat panel monitors
14
Circuit layout:
78 circuits are permanently distributed over the grid of the Howard Gilman Performance Space. The locations of the
spare circuits are indicated on the Howard Gilman Performance Space Repertory Plot.
Lighting
Amount
5
4
15
8
15
instruments in repertory plot:
Type
Selecon Acclaim Fresnel
ETC Source Four Par WFL (full lens set available)
Additional Lighting stock:
Amount Type
30
ETC Source Four body
17
ETC Source 4 50˚ lens
15
3
3
16
1
ETC Source Four Par (full lens set available)
Lamp / wattage
HPL 575W
575W
HPL 575W
HPL 575W
HPL 575W
Position in Rep.
1 Pipe / FOH
2 & 4 Pipes / HL
3, 4, 5 Pipes / FL
A & C Pipes / High Sides
8, 9, 10 Pipes / Bax
Lamp / wattage
HPL 575W
575W
HPL 575W
A selection of typical lighting iron and accessories is available. Please discuss your requests with Baryshnikov Arts
Center’s Technical Management.
Color Frame Sizes:
S4 Ellipsoidal
S4 Par
6 1/4” x 6 1/4”
7 1/2” x 7 1/2”
4 3/4” x 4 3/4”
(158mm x 158mm)
(190mm x 190mm)
(120mm x 120mm)
Sound:
Sound power: There is no dedicated service available in this space. All Audio equipment must be plugged into
convenience outlets. Depending on the production 3-4 circuits (2x15Amp and 2x20Amp) can be dedicated to
Sound.
!
Control Locations:
The control booth platform is located at the back of the auditorium.
Console:
Main mixing console for performance purposes:
Yamaha O1V96 V2, 24 channel digital mixer with 6 outputs
Basic analogue mixing console:
Allen & Heath PA12-CP powered mixer, 8 Mono & 2 stereo channels
Power Amplifiers:
2
EAW CAZ1400 Stereo Amplifiers
1
EAW CAZ 800 Stereo Amplifier
15
Drive rack & Graphic EQ:
dbx dual channel 31 band graphic equalizer
dbx drive rack 260
Microphones:
!
Wireless:
2
Shure UR4D dual channel wireless receiver
4
Shure UR1 Bodypack Transmitter
4
Shure UR2 Handheld Transmitter
4
Countryman B6 Lavalier Microphones
Speakers in House System:
Amount
2
2
2
Type
EAW JXF200i 2-way full range
EAW MK2199 full range
EAW MK2199 full range
Position
10 Pipe on extreme HR & HL
Downstage left and right
Upstage left and right
Purpose
House right and left rear
Right and left mains
Stage monitors
Rigging
Horizontal yoke
Vertical yoke
Vertical yoke
Spare Speakers:
Amount
1
2
Type
EAW VRS 12 dual 12”
subwoofer
EAW VRM 12 monitor wedges
Purpose
Sub
monitor
Rigging
None available, typically placed at center under audience
seating riser
None available
Playback:
2 CD Players
2 Minidisc decks
Microphone stands, DI boxes and assorted cables are available.
Please discuss your requirements with Baryshnikov Arts Center’s Technical Management at least four weeks prior to
your move in date.
Communications and Video:
Paging System:
No paging system exists for the HGPS.
Production Communications:
1
Clear com Tempest 2400 Base Station
5
Clear com Tempest CP-222 Beltpack w/ rechargeable battery
2
Clear com Charging Bays for batteries
6
Clear com featherweight headsets
Projection Equipment:
1
Christie DHD800 HD DLP Projector, Resolution HD 1920 x 1080, 8,000 Lumens with hanging hardware
1
Christie Lens 1.50 – 1.80 Short Zoom Lens
2
Flapper MKII Dowser w/ switch
16
APPENDIX A: Jerome Robbins Theater Seating Chart
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
N
N
M
M
L
L
K
K
J
J
I
I
H
H
G
1
2
3
4
5
6
11
12
14
15
16
17
G
F
1
2
3
4
10
11
12
13
14
15
16
17
F
Balc
Orch
E
E
D
D
C
C
B
B
A
W
W
W
1
2
3
4
5
6
7
8
9
10
11
12
13
14
W
W
W
15
16
17
A
17
APPENDIX B: Howard Gilman Performance Space Seating Chart
G1 G2 G3 G4
G5 G6 G7 G8
TECH PLATFORM
G9 G10 G11 G12
G13 G14 G15 G16
F1 F2 F3 F4
F5 F6 F7 F8
F9 F10 F11 F12
F13 F14 F15 F16
F17 F18 F19 F20
E1 E2 E3 E4
E5 E6 E7 E8
E9 E10 E11 E12
E13 E14 E15 E16
E17 E18 E19 E20
D1 D2 D3 D4
D5 D6 D7 D8
D9 D10 D11 D12
D13 D14 D15 D16
D17 D18 D19 D20
C1 C2 C3 C4
C5 C6 C7 C8
C9 C10 C11 C12
C13 C14 C15 C16
C17 C18 C19 C20
B1 B2 B3 B4
B5 B6 B7 B8
B9 B10 B11 B12
B13 B14 B15 B16
B17 B18 B19 B20
A1 A2 A3 A4
A5 A6 A7 A8
A9 A10 A11 A12
A13 A14 A15 A16
A17 A18 A19 A20
WHEELCHAIR*
WHEELCHAIR*
*= Seats A1 and A2 and seats A19 and A20 are not available when there are wheelchairs in place.
Depending on the width of the wheelchair the sight lines for seats A3 and A18 might be slightly
obstructed.
There are stairs on either side.
18
APPENDIX C: Jerome Robbins Theater House and Lobby Light Addresses
Address!
Description!
266!
265!
267!
268!
270!
272!
274!
275!
276!
277!
279!
289!
290!
291!
293!
295!
296!
301!
303!
304!
309!
310!
311!
312!
Under!Balc!Recessed!House!Lights!
Orchestra!House!Light!Cans!
Lounge!Lights!
Balcony!House!Light!Cans!
Under!Lounge!Stairs!Bar!Spots!
Orch.!Back!Stair!House!Light!Cans!
3rd!Fl.!Lobby!Saucer!Pendant!Lights!
3B!Lobby!Balcony!Entrance!Can!
Lobby!Stair!Saucer!Pendant!Lights!
3B!Lobby!Saucer!Pendant!Lights!
3B!Lobby!Stair!Spots!
Low!Gallery!Blues!
High!Gallery!Blues!
Onstage!Blues!
Backstage!Fluorescent!
US!Work!Lights!
Orchestra!Work!Lights!
West!Vestibule!Light!
Backstage!Blues!
East!Vestibule!Light!
Orchestra!Back!Stair!Handrail!Lights!
HL!Handrail!Lights!Balc!&!Orch!
HR!Handrail!Lights!Balc!
HR!Handrail!Lights!Orch!
19
APPENDIX D: Jerome Robbins Theater Audio Mixes
In order to ensure proper DSP functionality (in Rep settings) the Mix Busses/Omni Out
assignments must be as follows:
Mix/Omni Out
Speaker Position
Speaker type (Quantity)
1
Left Mains
Meyer UPA- 1P(2) & Meyer MM4-XP (1)
2
Center Mains
Meyer UPA- 1P(2) & Meyer MM4-XP (1)
3
Right Mains
Meyer UPA(2) & Meyer MM4-XP (1)
4
Subs
Meyer 600HP Subwoofer
5
Left Surrounds
Meyer UPM - 1P (5)
6
Right Surrounds
Meyer UPM - 1P (5)
7
Left Rear
Meyer UPM - 1P (2)
8
Right Rear
Meyer UPM - 1P (2)
9
Left Front Fill
Meyer UPA - 1P (1)
10
Right Front Fill
Meyer UPA - 1P (1)
11
Lounge (under seating)
Meyer MM4-XP (4)
12
Lobby Feed*
JBL Control 23TWH (21)
13
Monitor Mix 1
Controls speaker plate 5
14
Monitor Mix 2
15
Monitor Mix 3
16
Monitor Mix 4
20

BAC Technical Specifications and Equipment List

Transcription

Similar documents

we start to be present all over the world... and

Mikhail Baryshnikov

SC-2300 spec

URBAN MEYER - LEADERSHIP COMMITTEE

PV0006

PV0003 Data Sheet

Meyer Zoysia - Tri

Saenger Theater - SoundCom Systems

Step Stool - The Exhibitors` Handbook

Saenger Theater