The Daily Show - Web WordPress Sites
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The Daily Show - Web WordPress Sites
with a Side of 14 Expression Winter 2009 The Daily Show, The Onion and other news parodies entertain, and, yes, inform Hilarity By Rhea Becker S everal years ago, the Beijing Evening News republished translated portions of a controversial story from the United States, “Congress Threatens to Leave D.C. Unless New Capitol Is Built,” which reported on threats from members of Congress to leave Washington for Memphis, Tenn., or Charlotte, N.C., unless the government built them a new Capitol building – with a retractable dome. “Like any good newsman, I believe that if you’re not scared, I’m not doing my job.” Stephen Colbert Photo by Joel Jefferies The problem was, the story was completely fabricated by the mega-popular online parody news site The Onion and inadvertently lifted by the Beijing Evening News. This particular Onion item was meant to poke fun at U.S. sports franchises’ threats to leave their home cities unless new stadiums were built. The Beijing paper later retracted the item. Parodies of news are everywhere these days. With online sites like The Onion (which has been cheekily dubbed “The most trusted name in fake news”), iconic cable-television shows like Comedy Central’s Daily Show and Colbert Report, and films like Borat, which features a pseudo-journalist from Kazakhstan, the world is saturated with funny – and often, phony – news. A number of Emerson alumni are poised squarely in the forefront of the fakenews entertainment revolution, including Doug Herzog ’81, former president of Comedy Central and current president of MTV Networks, and editor of The Onion, Joe Randazzo ’02. Behind the scenes, Emerson alumni who are comedy writers have been responsible for many of the laughs on these Comedy Central hits. Eric Drysdale ’93 wrote for The Daily Show for nearly six years. He has also written for The Colbert Report, and contributed to Colbert’s bestselling book I am America (And So Can You!). Opus Moreschi ’00 is part of the writing team behind the highly rated Colbert Report. “In South Carolina, Senator John Edwards won handily, fulfilling his promise to win every state he was born in.” Stephen Colbert ABOVE: Actor Stephen Colbert on the set of The Colbert Report 15 Expression Winter 2009 How news became entertainment The long-running comedy sketch show Saturday Night Live (SNL) is often cited as one of the earliest producers of news satire for a broad audience. SNL, on its very first broadcast, in 1975, introduced its now-classic “Weekend Update,” a fake news segment featuring an anchor desk and a news anchor, then played by comic Chevy Chase. In fact, “one of the “I believe all God’s creatures have a soul... except bears, bears are Godless killing machines!” Stephen Colbert original inspirations for The Daily Show is Weekend Update,” says Herzog, who is credited with launching the Emmy and Peabody Award-winning Daily Show as well as its spinoff, The Colbert Report. When Herzog became president of Comedy Central in the mid-1990s, “the network was not very well known. It wasn’t in a lot of homes. It was a little under the radar,” he recalled. Then a Comedy Central show called Politically Incorrect with Bill Maher hit big. “The week I started work at Comedy Central, I got a call from Bill Maher’s manager saying that ‘Bill has a year left on his deal and after that, we’re leaving. We’ve already signed the contract with ABC, and we’re gonna leave at the end of the year.’ So that was my welcome to The Write Stuff The Comedy Writing Process Emersonians form the backbone of the writing staffs of some of the most popular satirical news productions in America. Here, we take a peek behind the scenes at the work that goes into writing parody TV shows, books and online newspapers. Opus Moreschi ’00 is a member of the 12-person writing staff of the Emmy-nominated Colbert Report. Moreschi says that over time, the writers “figure out Stephen’s character’s response to world events, and it helps unlock all of the jokes.” Moreschi’s work week is intense. “It helps that I don’t have a life,” he says. Monday morning begins with a stack of newspapers. “I like to get in a little early and grab a cup of coffee and a newspaper,” he says. “I want to hit the ground running.” He also checks the Internet for potential fodder for that night’s show. Each morning a meeting is held in which “everyone throws ideas around for 30 to 60 minutes.” A producer eventually “separates the wheat from the chaff.” 16 Expression Winter 2009 Comedy Central,” said Herzog with a wry smile. He had one year to figure out how to replace Maher. “I thought it was very important to replace him because we needed to give people a reason to come back every day.” Herzog came up with a “very broad idea” for The Daily Show and hired two writers to create it. The Daily Show debuted in 1996 with Craig Kilborn behind the anchor desk. The Daily Show was (and is) shot on a set that looks very much like an actual evening news broadcast set, with post-modern design and sizzling graphics. After several years, Kilborn announced he was leaving. Herzog recalls, “We scrambled for a little bit trying to figure out what we should do and how we would replace him. We all knew Jon [Stewart] very well, but we were convinced that he wouldn’t do it. He had just been on the Larry Sanders The best jokes are assigned to pairs of writers, who spend the afternoon “trying to come up with as many jokes as we can about, say, Bernie Madoff.” The jokes are honed and sent off to Colbert and the producing staff. By about 7 p.m. the show is being taped before a live audience. Although Moreschi says the show requires “the most intense work I’ve ever done,” it’s his dream job come true. Paul Starke ’95, one of the writers behind the No. 1 New York Times best seller An Inconvenient Book (by radio and television talkmeister Glenn Beck), became part of the writing crew after Show and had a buzz going. Anyway, we got a little heads-up that he might be interested, so we took him out to lunch and we talked about it.” Stewart signed on, and he debuted at the Daily Show anchor desk in 1999, a seat he still occupies today. Daily Show viewership has risen each year that Stewart has been hosting. Today, the program boasts an average audience of about 2 million viewers. “The show completely evolved under Jon into what it is today, which is as notables like actors Dennis Hopper, magnificent, comedically,” says Herzog. Maggie Gyllenhaal and Arianna The show’s format includes a monoHuffington. The Daily Show has proved logue, an extended ‘news’ report so popular – winning 11 Emmy Awards, (including video from ‘correspondents’) 2 Peabody Awards and a host of other and guests. The roster of guests often prestigious nominations and prizes includes heavy-hitting newsmakers like – that in 2005, comedian Stephen President Bill Clinton, Michelle Obama, Colbert, who played a news corresponJimmy Carter and John McCain, as well dent on The Daily Show, was given his own fake news show, The Colbert Report. By all accounts, The Colbert Report was an instant hit and its profile continues to grow. befriending Beck during their days working at CNN together. “We struck up a good working rapport, and when he announced he was going to do this book and asked if I wanted to be a part of it, I jumped at the chance,” says Starke. Starke describes the writing workflow: “Once we figured out the direction of the book and assigned various chapters and topics, I wrote a few of those chapters – choosing movies, parenting, blind dating. This all came from Glenn’s point of view. We would meet with him and he would say, ‘This is what I want to say in this chapter,’ and point us in a direction. And we would hone that and write it and maybe add in some jokes. He was very involved in the whole thing.” Starke enjoyed the group effort. “It was a lot of fun working with Glenn and a great team. It was very collaborative. Whether you agree with Glenn or not, he’s a fantastic guy, and all the people who work with him are really, really cool. It showed in the final product, because it turned out to be very successful.” The contents of The Onion, on the other hand, are developed through a winnowing process that begins on Monday with each staff writer and freelancer submitting 15 to 25 headlines for proposed stories. “That comes to 400 to 600 headlines,” says Randazzo. The staff attends an initial meeting on Monday morning, “where it takes two people in the room to say yes to a joke before it makes it onto the next list. Tuesday we all sit down and [make up the actual issue], which stories we’re going to want to write. That’s half the day. The second half of the day is brainstorming these stories. Then we assign them to writers. They turn in a first draft, which we all rip apart. They turn in a second draft, which is usually slightly better. At the same time our talented graphics department is doing all the Photoshop jobs. At the point in the week when the writers are writing their first drafts, the editors are editing the second drafts from the week prior to go into the next week’s newspaper. It’s a two-week process and continually overlapping.” Randazzo admits it’s all “pretty informal.” FAR LEFT: Paul Starke ’95 was one of the writers behind radio/TV pundit Glenn Beck’s runaway bestseller An Inconvenient Book. LEFT: Editor-in-chief Joe Randazzo ’02 relaxes in his Onion offices. BELOW: Opus Moreschi ’00 says he is working his dream job – staff writer for The Colbert Report. 17 Expression Winter 2009 Silly Poll How Do Students Get Their News? In a thoroughly half-baked and unscientific poll, Expression asked a handful of randomly chosen Emerson students how they get their news. Here are their unempirical and completely inconclusive responses: Adam Walton ’11, acting The majority of the time I get my news online at the New York Times site or CNN. Stephanie Greenland ’12, broadcast journalism I get email alerts from New York Times.com and read the paper online. I also watch CNN and Fox News. Cristal Montanez ’11, communication studies I have Yahoo as my home page and I get news there and sometimes from the New York Times site. They provide more elaborate information. Kelly Smith ’11, writing, literature and publishing I read the Boston Globe every single day and I check Boston.com a lot. I do a lot on Google News, because it’s easier to narrow down quickly what I’m looking for, for example, stories related to college life. I watch CNN, but not as much as I should. Sometimes I live in a box and don’t get much news because I’m wrapped up in classes. Ian McPhail ’10, interactive media Every day I use an RSS reader (an aggregator of selected links) to read political, news and technology blogs, including Salon, Politico, the L.A. Times, Pew Research Center, Media Matters, Real Clear Politics and Michelle Malkin. I listen to National Public Radio and to podcasts. I watch CNN and Fox. I read the Wall Street Journal (print edition) for a class I’m taking. The Drudge Report is my homepage. Jared Kowalczyk ’11, film I get my news on the Internet. I tend to start at Yahoo.com. I love my sports, so I go to ESPN. com, too. Then I use Google searches. I always pick up the [Berkeley] Beacon on Thursdays, and if there’s someone handing out a Boston Metro I grab that. 18 Expression Winter 2009 Joseph Rechtman ’11, film I’m pretty uninformed. Most of the news I get is through friends and family and through The Daily Show and The Colbert Report. I also check out the news on the IMDB.com [Internet Movie Database] home page. Tara Mastroeni ’12, writing for TV and film I usually go to CNN.com at least once a day. Ross Hansen ’12, writing for TV and film I get my news from the BBC News website. Kristina Ten ’11, writing, literature and publishing I try to watch the news in the morning at 7 a.m. – Fox News and CNN. I also get news from the Internet, starting at Yahoo.com. I read the [Berkeley] Beacon and sometimes pick up the Boston Metro and the Boston Herald. Jussie Martin ’12, print journalism I don’t watch a lot of TV. I go online daily to read the New York Times and Boston.com. When I’m home, I read my hometown daily, The Derry (N.H.) News. Fernando Febres ’12, marketing I go online to CNN and Yahoo. I look for business news, odd news or entertainment news. Tim Leinhart, second-year graduate student, journalism I get the New York Times every day. I also go online to the BBC. That’s my homepage. It has much better world news. I don’t have a TV. Rachel Liptz ’12, theater education I get news from the front page of Yahoo. It’s my homepage. I don’t have a TV. I used to watch The Daily Show and The Colbert Report. I’m from Israel, so I go online to read the daily Haaretz. If I didn’t have Yahoo as my homepage, I probably wouldn’t look for news. Why so popular? Many viewers who watch The Daily Show each night claim they are “addicted” to it. The Onion attracts more than 5 million online visitors per month. Even CNN has tossed its hat into the ring, launching in fall 2008 a show called D.L. Hughley Breaks the News, a weekly comedy program based on the news and hosted by Hughley. Randazzo of The Onion believes his generation has grown up with “an eye for irony and sarcasm, a bit more skepticism and perhaps even cynicism, about politics, the media and the news.” Further, he says “there’s a sense among some that as the news media have been gobbled up by big, multinational corporations, where you have four or five different companies that basically own most of the mainstream information that goes out, it tends toward mediocrity. So, many of these news organizations have been swept away with the idea of ‘infotainment’, or making news flashy and attractive” – which makes it ripe for satire, says Randazzo. Paul Starke ’95, co-author of “One more thing, and you don’t have to answer it if you don’t want to. Is it true that every time I buy a bottle of ketchup, your wife gets a nickel?” Jon Stewart, interviewing U.S. Sen. John Kerry television and radio pundit Glenn Beck’s runaway bestseller, An Inconvenient Book, adds, “There are no walls left between public figures and the audience. It seems as if everyone has access to everything. Since the walls are going down, people feel they have a right to question, comment and participate in the process.” An Inconvenient Book debuted at No. 1 on the New York Times best-seller list. Beck’s book is formatted to parody a schoolbook. Starke, who is currently the Emmy Award-winning senior producer of The Tyra Banks Show, says that Beck “ knew he wanted to create a parody of a textbook and to get his opinion out on a variety of topics.” The book addresses subjects as serious as child abuse, radical Islam and global climate change and as silly as dating, weekend movie rentals and tipping. Movie audiences were treated to another brand of fake news with the debut of British comedian Sacha Baron Cohen’s 2006 break-out mockumentary, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. The film created a sensation – and some enemies. Borat, a supposed globetrotting reporter from the country of Kazakhstan, draws laughs when he says or does offensive things under the guise of being from a foreign country. He naively utters all manner of insult, including sexist, homophobic and anti-Semitic remarks. What makes it so funny? The Onion, which predates both The Daily Show and The Colbert Report, derives its comedy from “its refusal to acknowledge that it’s funny – doing everything in a dry, sober tone and taking ourselves very, very seriously,” says editor Randazzo. The Onion News Network (ONN) has translated the Onion sensibility into a video format with its “Beyond the Facts” segments. “The ONN takes its cues from Fox News or CNN and exaggerate things even more with the flashy graphics and explosions and lasers,” says Randazzo. “I think having those really high production values makes it feel even more real than the real thing. Many, many people have been fooled by watching those ONN clips on YouTube, especially because they are not seeing them in context on the Onion site.” In fact, many of the actors on the ONN reports are non-actors who have worked in journalism. “They feel authentic and they don’t play up the joke,” says Randazzo. “That’s what really sells it.” Photo by Martin Crook Photo by Frank Ockenfels COMIC RELIEF. Emerson alumnus and current president of MTV Networks Doug Herzog ’81 is responsible for creating Comedy Central’s wildly popular Daily Show with Jon Stewart (left) and its spinoff, The Colbert Report, with Stephen Colbert (below). 19 Expression Winter 2009 Diced or Sliced, As for the news parody competition, it’s a friendly rivalry. “We all really like and respect The Daily Show and Colbert Report,” says Randazzo. “I think that they’re both really funny, really smart shows. And we can all occupy the same space, because we do something slightly different. They’re really good at the 24-hour news cycle, and we take a step back and try to write stories thinking, will it be funny in five or ten years? We really try to write stuff that will stand the test of time.” But is it news? Several studies indicate that a portion of younger people actually get their news from fake news shows like The Daily Show rather than from genuine “What kind of madman refuses to produce evidence that he doesn’t have what he said he didn’t? Saddam had to be taken out or who knows what else he might not have done?” Stephen Colbert sources. “I think there’s some truth to that,” says Comedy Central’s Herzog. “I’m very old school. I read three newspapers a day. I grew up that way. I have teenage boys, and I know they’re never going to pick up a newspaper. It’s not going to happen. They’re going to get their news in a different way.” On the other hand, Herzog says, “With The Daily Show, you kind of have to know the news to play along.” Emerson’s Journalism Department Chair Janet Kolodzy agrees: “As a Daily Show fan myself, you have to be relatively engaged with news to follow it. Otherwise, you’re not really going to understand half of the jokes.” But it’s not as if the fake news outlets are trying to pull one over on anyone, says Herzog. “Jon Stewart will tell you, ‘I’m not a journalist, I’m not a newsman. I’m a comedian. And my first job is to make people laugh. Now 20 Expression Winter 2009 if they’re being informed while I make them laugh, then that’s great.’” Herzog adds that Comedy Central’s fake-news shows “are not out there trying to compete with CNN or Fox News or Katie Couric; we’re trying to make people laugh and we do it within the currency of news.” Similarly, Randazzo says The Onion never pretends to be a news source: “When people go to a satirical news site, first and foremost, it’s a way to escape, to get entertained. But I think that satire has always been able to – especially now in an era when there are so many different news sources to parse through – get right to the meat of the thing.” Still, that doesn’t mean that news parodies are not part of a well-informed viewer’s media regimen. A 2007 Pew Research Center study, which reviewed the content of The Daily Show for an entire year, revealed that regular viewers of The Daily Show – whose median age is 35 – tend to be more knowledgeable about news than audiences of other news sources. Approximately 54% of The Daily Show viewers scored in the high knowledge range, followed by Jim Lehrer’s program at 53% and Bill O’Reilly’s program at 51%, significantly higher than the 34% of network morning show viewers. Emerson’s Kolodzy admits that “newspapers are a tough sell” for students these days. But many students do get news – when they are online: “There’s a changing pattern for all consumers. For students online, getting their news can be catch as catch can and, like everybody else, sometimes they just don’t catch anything.” Overall, Kolodzy says the faculty urges “our journalism students to get their news from journalistic sources.” The Beijing Evening News is far from the only legitimate news outlet that has mistakenly reported fake news as real. And with the growing popularity of news parodies, perhaps the mantra that audiences must repeat to themselves these days is, “It’s only a joke, it’s only a joke.” E From his salad days at Emerson, Joe Randazzo ’02 has risen to the top of The Onion empire Imagine a workplace where laughter is not only tolerated but encouraged, an office where guffaws echo in every corridor, and where your job each day is to induce hysterics in your fellow staffers. The Onion is such a workplace. This mega-popular satirical online ‘newspaper’, which cheekily describes itself as “America’s Finest News Source,” amuses a readership of 5,115,368 visitors per month, and Emerson alumnus Joe Randazzo ’02 is at the helm of the operation. A broadcast journalism major while at Emerson, Randazzo today oversees a New York City-based staff of about 20, which includes editors, writers and graphic artists. (He is not responsible for the Onion’s video component, the Onion News Network [ONN], which was launched in 2007 and has a staff of about 25.) The Onion, for the uninitiated, takes news (both real and fabricated) and turns it on its ear. Satirical stories recently featured in It’s Always Funny the publication include: “American Airlines Now Charging Fees To NonPassengers” (“Watching television last night cost me $250,” said Baltimore resident Michael Peterson, one of many Americans now forced to pay high airline costs for folding their laundry and going to the ophthalmologist. “It’s ridiculous, but what can you do? I guess that’s just the price of not flying these days”) and “Man With Apple Hovering In Front Of Face Sues René Magritte’s Estate” (Michael Renfro, a 68-year-old retired CPA with an apple hovering in front of his face, announced Monday that he has filed a $15 million lawsuit against the estate of deceased Belgian artist René Magritte for unlawfully using his likeness in the 1964 painting The Son Of Man). The Onion was founded as a print publication in 1988 by two University of Wisconsin-Madison students. In 1996 The Onion website was launched. Besides the virtual newspaper, The Onion empire includes the Onion News Network, the print edition (circulation 630,000) and an online radio division. A journey to comedy Comedy had always intrigued Randazzo, but he found himself “far too shy to ever try out for the comedy teams” at Emerson. “They intimidated me somewhat,” he recalls. He did, however, perform standup around Boston, primarily at the Comedy Studio and the Lizard Lounge in Cambridge. “I did other small rooms now and again, including a Chinese restaurant in which I once did a whole bit about George W. Bush being pushed through his mother’s birth canal as the audience slurped on noodles. It didn’t go over well.” In his senior year, Randazzo created a monologue show called The Official Version, which was very well received. In addition, many of his broadcast journalism news packages were comedic in nature. His work was noticed and he became the first recipient of Emerson’s Joe Murphy Comedy Award. Randazzo’s win was based on a package of audio comedy material he submitted, including sketches and a number of fake commercials. After graduation, he embarked on a peripatetic career journey. “I didn’t know how to go about pursuing a career in comedy. I never really had it in me to get out there and promote myself and try to meet people. That kind of stuff always made me feel uncomfortable.” So Randazzo took a job writing news at Boston public radio station WBUR-FM. “Although I liked it a lot, I was working the 3:30 a.m. to noon shift. It was destroying me physically and spiritually.” He eventually decided to move to New York. “I thought with my NPR résumé they would just be lining up to give me jobs in public radio in New York, but I found it very difficult to break in.” So Randazzo wound up taking a day job: “Working for $6.75 an hour at cafés, slinging coffee and pastries.” When the eatery offered to make Randazzo assistant manager, he fled. “I knew I had to get the hell out.” He contacted a friend who was an editor for season two of NBC’s The Apprentice, and Randazzo took a post-production job. He worked on season three as well as The Apprentice: Martha Stewart, Stewart “just dubbing tapes and logging and stuff like that.” He started to do some assistant producing, “but I realized I didn’t have the passion for the final product, to pour 100 hours a week into it. It felt like I was heading in this direction for no good reason. It took me several years to build up the confidence to decide to drop everything and start doing what I really liked, which was comedy.” He enrolled at the Magnet Theater, where he did improvisational comedy. There, he met a former editor of The Onion as well as a current editor. When the editor left to embark on a spiritual journey through India, suddenly a job opened up. One of Randazzo’s new Onion friends recommended him for the post. “I almost didn’t even test for it, because I thought there’s no way I would ever get it. But I got the job, and over the last two years, through circumstance and luck, I’ve managed to work my way up to editor in March 2006.” The rest is hysterical. Luckily for The Onion, the satire laws in the U.S. leave them “pretty well protected. The White House sent us a cease and desist letter a couple of years ago because we were using the White House seal.” But that’s all in the line of duty for a staff of dedicated journalists, er, comedy writers. 21 Expression Winter 2009