Kurosawa Flyer A3_4
Transcription
Kurosawa Flyer A3_4
© 1957 Toho Co., Ltd. ILL S W N IN F I L MH OW A L T BE S IGIN MA R O FOR M 35M Screening Schedule Cultural Center of the Philippines Throne of Blood (Invitational) 14-Sep-10 7:00pm 15-Sep-10 10:00am 1:00pm 4:30pm 7:00pm 16-Sep-10 10:00am 1:00pm 4:30pm 7:00pm 17-Sep-10 10:00am 1:00pm 4:30pm 7:00pm 18-Sep-10 10:00am 1:00pm 4:30pm 7:00pm 19-Sep-10 10:00am 1:00pm 4:30pm 7:00pm Title (English) Screening Date Time The Men Who Tread on the Tiger’s Tail The Bad Sleep Well To Live (Ikiru) Judo Saga (Sugata Sanshiro) The Most Beautiful High and Low The Hidden Fortress Drunken Angel Sanjuro Red Beard Stray Dog In The Woods (Rashomon) No Regrets for Our Youth Seven Samurai Yojimbo (a.k.a. The Bodyguard) Judo Saga Part 2 (Zoku Sugata Sanshiro) One Wonderful Sunday Dodes’kaden The Lower Depths I Live in Fear UP Film Institute Screening Date 22-Sep-10 23-Sep-10 24-Sep-10 25-Sep-10 27-Sep-10 28-Sep-10 29-Sep-10 30-Sep-10 Judo Saga Part 2 (Zoku Sugata Sanshiro) Stray Dog 4:30pm 7:00pm The Men Who Tread on the Tiger’s Tail The Lower Depths Sanjuro 1:00pm 4:30pm 7:00pm Seven Samurai In the Woods (Rashomon) One Wonderful Sunday 1:00pm 4:30pm 7:00pm Yojimbo (a.k.a. The Bodyguard) Red Beard 1:00pm 4:30pm High and Low The Hidden Fortress No Regrets for Our Youth 1:00pm 4:30pm 7:00pm Judo Saga (Sugata Sanshiro) To Live (Ikiru) The Bad Sleep Well 1:00pm 4:30pm 7:00pm Title (English) Time Throne of Blood I Live in Fear 4:30pm 7:00pm Dodes’kaden The Most Beautiful Drunken Angel 1:00pm 4:30pm 7:00pm is a prolific and multiawarded Japanese film director, producer, screenwriter and editor whose career spanned 57 years with about 30 films to his credit as director. He entered the Japanese film industry in 1936, following a brief, unsuccessful career as a painter. He made his directorial debut during the Second World War with the popular action film, Sugata Sanshiro (a.k.a. Judo Saga, 1943). After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast then-unknown actor Toshiro Mifune in a starring role. His film, Rashomon, which premiered in Tokyo on August 25, 1950, and which also starred Mifune, became the surprise winner of the 1951 Golden Lion Award at the Venice Film Festival. In 1990, he received the Academy Lifetime Achievement Award for his accomplishments that have inspired delighted, enriched and entertained audiences and influenced filmmakers throughout the world. Posthumously, he was named “Asian of the Century” in the category of Arts, Literature, and Culture by American Asian Week magazine and CNN, cited as – “One of the [five] people who contributed most The Japan Foundation, Manila (JFM) located at the 12th Floor, Pacific Star Building Sen. Gil Puyat Avenue, cor. Makati Avenue, Makati City 1226 with telephone numbers (632) 811-6155 to 58 fax number (632) 811-6153, and email address at [email protected]. to the betterment of Asia in the past 100 years. Kurosawa died of a stroke in Setagaya, Tokyo, at age 88. in cooperation with “Throne of Blood” (Kumonosu-jō) B&W / 1957 / 110 min. Synopsis: The film transposes the plot of William Shakespeare’s play Macbeth to medieval Japan. Coming from a great victory after defeating the lord’s enemies, Mikio and Washizu are invited to visit their lord in his castle. On their way, they meet a spirit, who foretells their future and predicts great things with their descendants. Driven by his wife, Washizu murders the lord and eventually becomes the successor of the castle, but his evil deeds haunt him back. “In the Woods” (Rashomon) B&W / 1950 / 88 min. Synopsis: This landmark film is a brilliant exploration of truth and human weakness. It opens with a priest, a woodcutter, and a peasant taking refuge from a downpour beneath a ruined gate in 10th-century Japan talking about rumors of a samurai’s death. The reconstruction of what happened as witnessed by the robber, the samurai’s wife, a spiritualistic medium speaking on behalf of the deceased samurai and a woodcutter. Only two things about the incident seem to be clear, that the samurai’s wife was raped and her husband died. However, the other elements radically differ as the four participants or witnesses relate their own stories and no one knows who is telling the truth. “Judo Saga” (Sugata Sanshiro) B&W / 1943 / 81 min. Synopsis: This first effort by Japanese director Akira Kurosawa was originally released as Sugata Sanshiro. The film, made under reasonably smooth conditions despite the war, is based on a best-selling novel about the creation of Judo. The film mostly explores the relationship between the creator of this form of self-defense and his faithful protege. “The Most Beautiful” (Ichiban Utsukushiku) B&W / 1944 / 85 min. Synopsis: It is a 1944 propaganda drama film written and directed by Akira Kurosawa. The film is set in an optics factory during the Second World War. The film depicts the struggle of the workers at a lens factory to meet production targets during World War II. They continually drive themselves, both singly and as a group, to exceed the targets set for them by the factory directors. “Judo Saga Part 2 “ (Zoku Sugata Sanshiro) B&W / 1945 / 82 min. Synopsis: It is based on the novel by Tsuneo Tomita. Judo Saga Part 2 was filmed in early 1945 in Japan towards the end of World War II. In the 1880’s, a martial arts student continues his quest to become a Judo master, from that discipline’s founder. Eventually, he learns enough to demonstrate his skill in a boxing match between American and Japanese fighters and then finds himself the target of a revenge mission undertaken by the brothers of the original film’s villain. “The Men Who Tread On the Tiger’s Tail” (Tora no O wo Fumu Otokotachi) B&W / 1945 / 58 min. Synopsis: It is based on the kabuki play Kanjinchō, which is in turn based on the Noh play Ataka. The film stars Hanshiro Iwai, Susumu Fujita, Kenichi Enomoto, and Denjirō Ōkōchi. The film was initially banned by the occupying Supreme Commander of the Allied Powers (SCAP) due to its portrayal of feudal values. It was later released after the signing of the Treaty of San Francisco in 1952. “No Regrets for Our Youth” (Waga Seishun ni Kuinashi) B&W / 1946 / 110 min. pull himself together long enough to save the life of young hoodlum Toshiro Mifune. The doctor feels that, by saving the hoodlum, he is retrieving a portion of his own lost youth and idealism. In this film, Kurosawa exposed the seamy underworld of Japanese society and their fight against tuberculosis. “Stray Dog” (Nora Inu) B&W / 1949 / 122 min. Synopsis: The setting for this Akira Kurosawa film noir is Tokyo in the late 1940s, its streets blasted by war and its economy in collapse. When Murakami, a young detective, loses his gun to a thief, he must descend into a hell teeming with shady characters to retrieve it. Soon Murakamis pistol turns up as the weapon in the murder of a woman, leading the guiltridden rookie to seek help from his senior officer, Sato (Takashi Shimura). Together, Murakami and Sato must hunt down the killer before he strikes again. “To Live” (Ikiru) B&W / 1952 / 143 min. Synopsis: It is based on the Takigawa incident of 1933. The film stars Setsuko Hara, Susumu Fujita, and Denjirō Ōkōchi. Fujita’s character was inspired by the real-life Hotsumi Ozaki, who assisted the famous Soviet spy Richard Sorge and he became the only Japanese citizen to suffer the death penalty for treason during World War Two. Synopsis: The film tells the existential struggle of one ordinary man in his desperate search for purpose. Upon learning he has terminal stomach cancer; a low-level government bureaucrat (Takashi Shimura) leaves his job for 30 years. His journey begins when he actually starts “living” with people in the society and his inspiration to do something meaningful -- to leave a legacy, however small, that makes the world a better place. “One Wonderful Sunday” (Subarashiki Nichiyōbi) B&W / 1947 / 108 min. “Seven Samurai” (Shichinin no Samurai) B&W / 1954 / 207 min. Synopsis: It is a 1947 Japanese film cowritten and directed by Akira Kurosawa. Yuzo and his financée, Masako, spend a Sunday together in Tokyo. Between them they have 35 yen and are determined to make it last. The film was made during the Occupation and shows some of the challenges facing post-war Tokyo. It is notable in the Kurosawa canon because Masako breaks the fourth wall near the end of the film. Synopsis: Set in 16th Century Japan, the film follows the plight of a defenseless farming village that lives in constant fear of marauding bandits. The farmers know that when their crops are harvested, the thugs will attack; a group of farmers begs Kambei (Takashi Shimura), a brave elder samurai, and his young eager apprentice, Katsushiro (Isao Kimura), to defend their terrorized village from bandits. Encountering various nomadic warriors on the streets, Kanbei slowly put together his team of swordsmen, recruiting Shichiroji (Daisuke Katô), Gorobei (Yoshio Inaba), Heihachi (Minoru Chiaki), Kyuzo (Seiji Miyaguchi) and Kikuchiyo (Toshiro Mifune) to complete the group. Together they consolidate the village’s defenses and shape the villagers to fight. Eventually, the villagers’ warriors launch a preemptive strike against the bandits, and begin a series of intense conflicts that culminates in a rain-soaked final battle--without a doubt, one of the most stunning sequences in cinema history. “Drunken Angel” (Yoidore Tenshi) B&W / 1948 / 98 min. Synopsis: A 1948 Japanese film directed by Akira Kurosawa. It is particularly notable for being the first of a total of sixteen film collaborations between director Kurosawa and actor Toshiro Mifune. It stars Takashi Shimura as an alcoholic doctor, running a flea-bitten clinic in the slums of Tokyo. Shimura tries to I Live In Fear (Ikimono no Kiroku) B&W / 1955 / 113 min. Synopsis: Kiichi Nakajima (Toshiro Mifune), an elderly foundry owner convinced that Japan will be affected by an imminent nuclear war, resolves to move his family to safety in Brazil. His family decides to have him ruled as incompetent; they are fearful about the loss of the family’s fortune. Nakajima’s ardent wish gained Dr. Harada (Takashi Shimura) sympathy as he act as counselor to the old man’s conviction who is still terrorized by the memories of past and has great anxieties for the future. “The Lower Depths” (Donzoko) B&W / 1957 / 125 min. Synopsis: An adaptation based on the play by Maxim Gorky wherein the film’s setting was changed to Edo-period Japan. It is a comical tale focusing on the daily tribulations of a group of lower-class people living in a small tenement. Osugi (Isuzu Yamada), the landlady, bickers with Okayo (Kyôko Kagawa), her sister, over the man they both want--Sutekichi (Toshiro Mifune), the thief. Other characters in the close confines include a priest (Bokuzen Hidari), an ex-samurai (Minoru Chiaki), an actor (Kamatari Fujiwara), and a gambler (Koji Mitsui). By setting the film in one room and a small adjoining courtyard, Kurosawa emphasizes both its claustrophobic premise and theatrical origins. Unlike Jean Renoir’s version, Kurosawa’s film follows Gorky’s play faithfully, making this film a much darker one and perforce eliminating Renoir’s happy ending. “The Hidden Fortress” (Kakushi-Toride no San-Akunin) B&W / 1958 / 139 min. Synopsis: The film begins with two bedraggled peasants, Tahei and Matashichi (Minoru Chiaki and Kamatari Fujiwara) escaping the aftermath of a battle. While trying to make their way home, they meet and begin to travel with General Rokurota Makabe (Toshiro Mifune). The general is trying to transport the princess of a defeated royal family, Princess Yuki (Misa Uehara), and what remains of their wealth to safe territory in secret. The peasants mostly impede his mission, sometimes trying to run off with the gold. They are later joined by a farmer’s daughter (Toshiko Higuchi), whom they acquire at an inn from a slave-trader, or procurer. Together, the five make an arduous and desperate trek through enemy territory, transporting a treasure of gold that the princess and the general hope to use to rebuild the princess’s military to one day retake her land and rebuild her realm. “The Bad Sleep Well “ (Warui Yatsu Hodo Yoku Nemuru) B&W / 1960 / 151 min. Synopsis: In this engaging drama, acclaimed Japanese director Akira Kurosawa deftly splices together the nuances of hypocrisy, old feudal misconceptions lingering in modern corruption, and Shakespeare’s Hamlet. The rotten corporate world is taken on by Koichi Nishi (Toshiro Mifune), looking for revenge in the death of his father. Koichi is a private secretary to a government official, and in the opening scene, at Koichi’s wedding to the official’s disabled daughter, a special cake is brought in which jolts those present -- it reminds them of the suicide that paved the way for their current positions of power. Then the police arrive and arrest one of the wedding guests. Unknown to the others, Koichi is the hidden force behind all the strange happenings that begin to sting their consciences and ruin their lives. Ghostly figures and would-be killers in the dark streets contrast with shining corporate offices as the plot maneuvers to its tragic conclusion. “Yojimbo (a.k.a The Bodyguard)” (Yōjimbo) B&W / 1961 / 110 min. Synopsis: It is a 1961 jidaigeki (period drama) film directed by Akira Kurosawa. It is the story of a ronin (masterless samurai), portrayed by Toshiro Mifune, who arrives in a small town where competing crime lords make their money from gambling. The ronin convinces each crime lord to hire him as protection from the other. By careful maneuvering and the use of his sword, he brings peace, but only by encouraging both sides to wipe each other out in bloody battles. “Sanjuro” (Tsubaki Sanjūrō) B&W / 1962 / 96 min. Synopsis: It is a sequel to Kurosawa’s previous film Yojimbo, with Toshiro Mifune reprising his role as a wandering ronin. The film is largely based on Shūgorō Yamamoto’s short story “Peaceful Days” (Nichinichi hei-an), the story begins when a group of loyal but hapless samurai is trying to rescue their master, the Chamberlain, from the clutches of a ruthless rival. Their initial impulsive rescue attempts fail, and they seem to be doomed until the shabby but brilliant swordfighter Sanjuro offers his help. “High and Low” (Tengoku to Jigoku) Partially Color / 1963 / 143 min. Synopsis: Based on King’s Ransom, an “87th Precinct” novel by Ed McBain, the film narrates a modern noir about the dilemma of a wealthy industrialist’s crisis after putting up a ransom for a kidnapped boy he thought was his son, wherein the kidnappers mistakenly snatched the son of his driver. As a man forced to make impossible decisions, he must decide whether the other man’s child is equally worth saving. “Red Beard” (Akahige) B&W / 1965 / 185 min. Synopsis: The film depicts the relationship between a town doctor and his new trainee, wherein a young Dr. Yasumoto, returned to Edo after graduating from a Dutch medical school in Nagasaki. He presented himself at the public clinic managed by Dr. Niide (Toshiro Mifune) known as the Red Beard because of the color of his beard. Dr. Yasumoto didn’t find anything to his liking and started to refuse hospital procedures hoping to earn dismissal for his misbehavior. As Dr. Yasumoto struggles to come to terms with his situation, Dr. Niide brings him along to rescue a sick twelve-year-old girl and then assigns the girl to him as his first patient. Through his efforts to heal the traumatized girl, Dr. Yasumoto begins to understand the magnitude of cruelty and suffering around him as well as his power to ease that suffering, and learns to regret his vanity and selfishness. “Dodes’kaden” (Dodes’kaden) B&W / 1970 / 140 min. Synopsis: The first color film by Kurosawa set in a contemporary Japanese rubbish dump intertwining tales of life of various characters living in the dump. These occupants include, among others, a father and son living in their vehicle but dreaming of a house, a young girl who takes out her feelings about her abusive uncle on a local delivery boy and a pair of alcoholics and their beleaguered wives. Through their stories, the intersection of life and fantasy, and the sadness it can cause becomes apparent. The film title refers to a Japanese onomatopoeia for the sound made by a tram or train while in motion (“Do-desu-kaden do-desu-ka-den do-desu-ka-den”). The sound is made by the boy as he makes his daily faux-tram route through the dump.