Roots Canada Case Study
Transcription
Roots Canada Case Study
MARKETING 5007 CASE STUDY: For Paul Gillespie Prepared by: Sunny Dey Adrian Iwankewich Daniel Juhasz Daniel Sherrington Vipoozan Thevathas Eastern Yoo Table of Contents The Products Stores Promotion Pricing Facebook Pinterest & Instagram Situation Analysis Raising Market Share Repositioning Leather Homogenizing the Media Conclusions & Limitations Works Cited 1 1 2 3 5 5 7 7 8 8 9 10 i Roots: The Big Picture A look into the marketing mix The Products R oots is a brand that focuses on lifestyle products, with an emphasis on Canadian heritage. Their primary products are their mens and womens clothing, outerwear, leather bags, accessories and footwear. Known for their comfortable sweatpants, and heritage sweaters, their products often reflect a warm, rustic, nationally relatable Canadian feeling. Roots as a brand incorporates a casual lifestyle and certain values that draw inspiration from Canada and its environment. These inspirations heavily influence the nature and characteristics of each one of their product lines. Roots focuses on using quality materials to manufacture their products such as their Roots Genuine Leather and comfortable, durable fabrics. Roots’ leather is designed and manufactured in a Toronto factory operated by the Kowalewski family, who are famous for their old-world style craftsmanship (Roots Canada, 2014). Roots also offers a lower priced line of clothing called Roots 73, available only at their outlet locations. The availability of a diverse clothing lineup allows Roots to target a diverse customer group, however it is unsure if it is effective. The sweats and the leather products that Roots currently offer are their best sellers online; an expansion within the categories and limiting the range of all products can forecast greater market share (Roots Canada, 2014). The opportunity to focus on the loyal customers will create room for growth in the market share. Stores Roots primarily sells their products through their own network of retail stores. They have 125 stores in Canada and the United States along with 100 retail locations in Asia. Roots also has a network of outlet stores throughout Canada, which are called Roots 73. The brand ‘Roots 73’ is a lower cost alternative to Roots, and can be found in outlet malls and outlet centres, with 40 locations across Canada. Roots’ primary stores are located in larger cities, in shopping malls and high traffic shopping areas. Many of the Roots’ locations are kept updated and modern, with notable attention placed on the One of Roots’s flagship stores at Yorkdale Mall, Toronto. Accents such as the canoe on the wall add to the Canadian feel [roots.com] 1 design and overall appearance. Architects and designers Diane Bald and Pauline Landriault have been paired up to redesign nearly 300 Roots stores over the course of their careers (Von Hahn, 2014). A significant amount of resources are invested in the production and design of their stores, especially their flagship locations (Newswire, 2014). Roots has a number of flagship stores across Canada, most notably in Toronto, Vancouver and Montreal. Their newest Toronto flagship store boasts a very expressive design concept, capturing the essence of Canadian Modernism (Von Hahn, 2014). This location also offers value adding features such as an in house leather specialist, custom monogramming, and a concierge to help give customers an engaging retail experience. Roots focuses on their retail locations as their strongest point of sale, but are also seeing large amounts of growth in their online shopping channel (Insider). Through their website, Roots sells their full line of products, and often some limited edition items not always available at their retail locations. In addition, Roots offers international shipping in order to reach customers globally. Roots also takes part in alternative styles such as the ‘pop-up store’ concept, bringing exciting new products in an innovative temporarily set-up retail store, designed to generate conversation and hype (Piercey & Fabregui) Promotion Traditionally, Roots communicates their brand with use of Canadian imagery such as nature photography, landscapes, and cultural icons. These are all important factors in their brand communication, and can be seen in various campaigns currently and previously used. Furthermore, from experience, Roots puts their focus in social media campaigns, posts and interactions. They also use some traditional outdoor advertising. Common imagery used in Roots’s promotional collateral: Majestic Canadian landscapes and terrain [roots.com] 2 Their focus on Canadian products and quality are displayed through their promotion strategies. For example, promotional sponsorships have played a prominant role in emphasizing these values. They provided the official Olympic apparel, from 1976 to 2006. Outside the Olympics, several Canadian athletes, such as Adam van Koeverden, Kurt Browning, Catriona Le May Doan, and Razor Ruddock, have been sponsored by the company. Roots are teamed up with Canadian hip hop artists Drake and the Weeknd as a collaboration to promote the Roots varsity jacket. The company has also teamed up with Canadian novelist and artist Douglas Coupland to manufacture a product line featured in a promotional pop-up store. Traditionally Canadian icons, such as Wayne Gretzky, are also seen being utilized on social media platforms. Roots also displays grassroots marketing and corporate social responsibility by donating to and sponsoring community charities. To stress the importance of this aspect of their business, Roots formed a committee called Roots Cares, which selected the ‘Jane Goodall Institute’ and the ‘Roots and shoots program’ as their charities of choice. Furthermore, Roots is a major sponsor of the BlueDot campaign through the David Suzuki Foundation. Finally, Roots is involved in several social media campaigns to promote their brand, two examples being their #MadeInCanada and #sweatstyle campaigns. Both campaigns encourage customers to send in photos of themselves promoting Roots clothing with the hashtags #MadeInCanada and #sweatstyle. Pricing Part of Roots’ identity and marketing strategy is to promote quality, Canadian-made lifestyle apparel and accessories (Roots Canada, 2014). These characteristics are illustrated and clearly identified in the company’s pricing strategy. Although, in an effort to cut costs, Roots manufactures certain goods overseas, the company also prides itself in their Toronto-based factory which creates local jobs and produces apparel and accessories made in Canada (Roots Canada, 2014). This dichotomy between overseas and local production translates directly into the quality and pricing of the goods. For example, Roots Canada Inc. offers a mass produced discount brand by the name of Roots 73 which is manufactured overseas and available at outlet locations for discount prices (Roots Canada, 2014). Customers can also purchase mass produced t-shirts and long-sleeve shirts, from any Roots location, for as low as $30. In contrast, and leather goods designed and handcrafted in Canada retail for up to $600.00 (Roots Canada, 2014). Additionally, Roots often partners with well-known Canadian artists and designers, producing, for example, varsity jackets for hip-hop artists Drake and The Weeknd (Roots Canada, 2014). The Large Banff bag on the left retails for $428 The Heritage Kanga Hoodie on the right retails for $76 [roots.com] 3 It is evident, therefore, that Roots’ pricing strategy is value-based. Roots has determined that the customer’s perceived value of a quality product made in Canada is higher than a product mass-produced overseas. This enables Roots to produce a percentage of their apparel and accessories in Canada and to retail those items at a much higher price. Finally, Roots describes itself as “Canada’s leading lifestyle brand” which sets the objective of appealing and reaching all Canadians (Roots Canada, 2014). Their pricing strategy, which can be illustrated as an hourglass shape, provides the majority of their goods at discount and premium prices, with fewer goods offered in-between. This allows the brand to appeal to those with a low budget as well as those with a high budget searching for quality goods. Most importantly, this pricing strategy appeals to the buying behaviour of middle-point customers who tend to combine discount and premium products as opposed to buying strictly middle-point products (Kotler, 2013, p. 207). Roots’ value-based pricing strategy effectively communicates the company’s marketing strategy with its clear emphasis on the value of quality, made in Canada lifestyle products that appeal to Canadians as a whole. 4 The Conversation: Use of Social Media Facebook Consistent with the push for leather campaign, the cover photo on their facebook page also has the “We Are Makers” motto on top of a photo of luxury autumn colored leather folded in waves. There are a few posts of the product as well including photos of leather bags and plaid shirts. Mostly, it seems, the posts pertain to events and celebrities that verify Roots’ Canadian identity. To communicate the company’s values in the environmentalist cause, David Suzuki can be seen with an official Roots David Suzuki T-shirt for his Bludot Tour. The actress, Kim Catrell is posted for wearing a leather jacket on an HBO Canada series. A photo of Wayne Gretzky with one of the founders at an after party is posted wearing a Roots leather jacket. None of these seem to obviously appeal to the young segment that are obviously targeted throughout the other social media sites. Facebook is also utilized as a space to advertise promotional sales such as 30% off sweats for a limited time or even a sweats giveaway to the first 40 customers of their new store. Although announcements of sales, events and even giveaways are posted, posts pertaining specifically to the product or models wearing the products is not emphasized. How many people follow Roots? Facebook: 168,834 Twitter:57,000 Instagram: 23,570 Pinterest: 4,848 Pinterest & Instagram The Roots Pinterest site has a total of twelve sections. Four of them thoroughly advertise the product and some reveal their intended target markets. The “looks we love” section only targets young women. “Sweatstyle” goes to both genders and all ages. In “The Leather” section the target is not specified, showing 238 different leather products, mostly bags, not worn or carried by models. The “Stylemakers” page shows the young urban market wearing Roots clothing presenting one of Roots’ goals to target the young urban market. This goal does not seem to be fully pushed through the website or the facebook page. The rest of the pinterest sections include an archives section showing the history of the company, a section dedicated to healthy living and the rest on Canadian wildlife and the great outdoors. Instagram summarizes the best aspects of the Root’s identity while emphasizing their goal of appealing to the younger, hip and urban demographic. Photos of the lush autumn wilderness and David Suzuki are present, but the majority of the posts are Roots enthusiasts wearing the product; all young, hip and urban. Most appealing to this young and urban demographic is “The Weeknd”, a popular and very trendy Torontonian hip-hop artist. He is posted wearing the Roots’ XO leather jacket on Saturday Night 5 Live and elsewhere. There is also a photo of Bill Murray at a Roots store, a champion of the youth market. Thus, Roots is essentially branding to the youth as trendy streetwear. From the choice of young urban models on instagram (either modern hip hop or bearded hipster) to the considered choice of presenting the Roots brand on pinterest, we can see a concise target objective towards youth. A very important feature of social media, on both twitter and instagram, is the use of “Hashtags”(#HashTags). As wikipedia states, “A hashtag allows grouping of similarly tagged messages, and also allows an electronic search to return all messages that contain it.” Roots utilizes hashtags as a tool to communicate, connect, as well as search certain concepts, topics, and images between the company and their customers. The #Sweatstyle hashtag campaign invited fans to participate in a contest by posting photos on Instragram wearing Roots sweats. A selection of winners were chosen to win special limited edition heritage sweaters, specially knitted by Nova Scotia Knitting Mills [roots.com] (Roots Canada, 2014). On the Roots Twitter page, the company effectively utilizes the site for not just advertising their product, sales, events or celebrities but also building strong a strong customer relationship. Followers of Roots on Twitter are invited to tweet any customer feedback (both negative and positive) that pertain to shipment, information, store hours, product damage and receipt inquiries. Rather than look for the contact page on the website, twitter followers are comfortable to the accessibility of tweeting complaints or concerns to the company. Evidently, Roots expediently provides care, feedback and friendly customer support via twitter. This is an excellend example of being a modern customer oriented organization. By listening to feedback through social media, Roots can respond and resolve issues, emabling the ability to retain strong customer relationships. As one of the highlights on the twitter page, as seen posted on Instagram, Roots collaborated with the trendy Canadian RnB singer, “The Weeknd” with their XO leather jacket. Such a collaboration proved fruitful in engaging with their urban youth target. The social buzz from the Saturday Night Live performance was an excellent example. Considering the fact that the weeknd has more followers than Roots, clocking in at 1.5 million, a tweet with the jacket effectively exposed Roots’ hot item to the young urban market. Featured on Instagram (Left to Right) - Photo announcing 25% off sale - #Sweatstyle photo - The Weeknd sporting his new leather jacket Instagram: rootscanada 6 The Plan Marketing Strategy Situation Analysis Roots Canada Ltd. has a Canadian market share of 0.3% in the apparel and footwear industry (Euromonitor, Apparel and Footwear in Canada, 2013). In the apparel accessories industry, on the other hand, it has a 0.5% share of the market (Euromonitor, Apparel and Accessories in Canada, 2013). In the menswear category, Roots has a current market share of 0.5% (Euromonitor, Menswear in Canada, 2013). In the childrenswear category, Roots has a current market share of 0.3% (Euromonitor, Childswear in Canada, 2013). In contrast to the menswear and childrenswear categories, the womenswear category holds just a 0.2% market share (Euromonitor, Womenswear, 2013). It is important to note that in each of the industries and categories mentioned above, Roots’ share of the market has remained stagnant since 2009. Roots’ Market Share per Industry/ Category o.5% Apparel & Accessories o.3% Apparel & Footwear Menswear Childrenswear Womenswear o.5% o.3% o.2% (Euromonitor, 2013) On average, Females in Canada purchase more apparel and accessories per year than males. For example, womenswear sales in Canada exceeded menswear sales by $5,676,100 in 2013 (Euromonitor, Womenswear, 2013). Therefore, the womenswear industry is a larger market with an opportunity for Roots to perform intensive growth. Furthermore, the purchasing indexes provided by Print Measurement Bureau illustrates that males between the ages of 12 and 49 frequently purchase Roots products (Print Measurement Bureau, Men’s Clothing, 2013). In contrast, only females between the ages of 12 and 24, and 35 to 49 are frequent Roots customers (Print Measurement Bureau, Men’s Clothing, 2013). Thus, Canadian women between 25 and 34 years old have a significantly lower purchase index. This segment of the female population is a powerful consumer of fashion apparel and accessories. The segment has a positive purchasing index for items between $1 and $1000, which encompasses Roots’ pricing strategy (Print Measurement Bureau, Women’s Clothing, 2013). In addition, the publication regarding womenswear in Canada from Passport GMID states, Many apparel retailers and manufacturers have been outsourcing their production overseas to keep costs of production low and maintain competitive edge. Their cost reduction strategies took a big hit when one of the manufacturing plants in Bangladesh caught fire and caused mass casualties. This incident raised 7 awareness in Canada and encouraged a national production movement. The emphasis on national production and made-in-Canada brands might be a catalyst for future growth. With increased awareness about work conditions and labour forces in foreign countries, national manufacturing is expected to see a revival and in turn lead to a rise in prices (Euromonitor, Apparel and Footwear in Canada, 2013). It is from these facts and statistics that the objectives of Roots Canada Ltd.’s marketing strategy have been identified. Opportunity for intensive growth can be found in the national production of female-oriented premium leather goods, and a focus on increasing the company’s womenswear market share by targeting females between the ages of 25 and 34. Raising Market Share within Females Between the Ages of 25 to 34 Roots must consciously cater to the needs of females in this segment and ensure that they are are met by the marketing mix. Although Roots offers many pieces of apparel and accessories for women, the Roots brand is not effectively perceived as a female orientated brand. To raise market share in women who are in the 25 to 34 age group, Roots must be more prevalent in taking advantage of social media to promote their female products. “Women tend to be communal-minded and men more self-expressive and goal-directed; women tend to take in more of the data in the immediate environment and men to focus on the part of the environment that helps them achieve a goal” (Kotler, 2013, p. 205). Therefore, women between the ages of 25 and 34 years old have a higher interest in fashion through the experiences of interactive media. Promoting women’s clothing through social media platforms such as Instagram, Facebook, Twitter and Pinterest can create more exposure towards the target group. Raising awareness of the brand through social media will create insight and help consumers’ identify the products with their need. Generation Y consumers, which includes women aged 25-34, respond well with overwhelming technological information (Kotler, 207). Roots will gain insight by overloading the female characteristics and values of the Roots brand through pictures, videos, look books, clothing details and campaigns regarding their products for women. Moreover, e-commerce is becoming more important as Canadians are using online stores to make more of their purchases. Of all sales online, 42% are clothing, jewelry and accessories. Internet retailing is also projected to grow 128.5% in the apparel and footwear industries between 2013 and 2018 (Euromonitor, Internet Retailing in Canada, 2013). In order to boost online sales, specifically for women, Roots will introduce an online 24 hour sale. The sale will focus on women’s clothing and offer a 40% discount on the array of quality, Canadian and fashionable womenswear that Roots retails. In addition, it will take place on March 8th, 2015, International Women’s day. A portion of the all online clothing purchases will be donated to the Canadian Women’s Foundation. This type of campaign advertises Roots’ female products by offering them for a limited time at a significant discount, while also advocating social responsibility, an important aspect of the Roots brand. This sale will be advertised across Roots’ social media platforms in order to promote it and generate awareness. 8 Repositioning Leather Roots’ leather brand is a strong aspect of their identity as well as one of their core competencies. Recently, Roots has emphasized leather through advertisement and the marketing campaign, “We are Makers”. Highlighting craftsmanship, the company is currently promoting the superior quality of their leather goods by exhibiting leather makers and the product in its unfinished stages. The Passport GMID article relating to womenswear in Canada states that luxury goods are on a continuing trend of positive growth in the Canadian womenswear market (Euromonitor, Womenswear, 2013). As a result, in our marketing strategy we would like to remain focused on leather as one of Roots’ main core competencies, but reposition the leather brand as offering premium female products. The tactic to reposition the leather brand is to collaborate with a select group of female Canadian actresses such as Rachel Mcadams, Evangeline Lilly, Neve Campbell, Ellen Page, Sarah Polly and Colbie Smulders. As previously mentioned, Roots often collaborates with in-the-spotlight Canadians to promote their product, however the majority of them have been male of late. The collaboration with such an empowered and confident group of women can then attract a want for the premium, luxury leather brands, mainly targeted at Roots’ female customers in the 25 to 34 year age range. As an accompaniment to the collaborations, Roots will launch a social media campaign containing pictures of the collaborators wearing Roots clothing and showcasing a premium, luxury line of Roots leather accessories accompanied by the hashtag #homegirl. The campaign will create an awareness and demand for the newly released luxury leather products as well as encourage female customers to share their own #homegirl photo depicting their Canadian values. The words “home girl” and their endorsement from female collaborators illustrates the idea that even though their image and profession is a global one, they are still attached to and proud of their Canadian roots. The market research collected states that this particular segment only encompasses 13.6% of Roots consumers (Print Measurement Bureau, Women’s Clothing Where Personally Bought/Past 12 Months, 2013). However, with the positive growth of womenswear and luxury goods in Canada, there is the opportunity to achieve a more significant market share in a large market in which Roots is already present and equipped to operate. It is important to note that the markets of females between the ages of 12 and 18, and 35 to 49 will not be abandoned, but ideally retained by the collaborations and campaigns. However, Roots is aiming to recruit new customers in the 25 to 34 year old female consumer market. Homogenizing the Media A clear theme and strategy is difficult to discern from Roots’ current activity on their social media profiles. Social media is an essential tool for communicating with customers and promoting products. Therefore, concentration will be placed on homogenizing Roots’ values, themes, and strategy on social media platforms. For example, with 168,834 likes on Facebook, it is necessary that Roots updates its posts on a daily basis, highlighting their product for potential consumers. Constant updates will expose the followers to the large breadth of what Roots has to offer. More posts create more touchpoints. We also advise such posts to continue targeting the urban youth as seen on Instagram and the allocated sections of pinterest. Alignment between the social media sites is paramount. The message should maintain an appreciation of the rustic outdoors, but focus on the urban target. More posting engages consistent, routine involvement with all ranges of customers from switchers to loyals. 9 This can all be done by integrating Twitter, Instagram and Facebook. Whenever a new instagram post is made, the link will then automatically post on Facebook as such are the capabilities of the social media. Also, updates of products on Facebook should be tweeted on twitter. By linking all three social media, a consistency is aligned between the social media sites. The goal is to constantly familiarize the Facebook user with the Roots products and values on a consistent basis. Conclusions & Limitations In conclusion, the objectives for Roots’ marketing strategy are to increase the company’s market share of womenswear in Canada, reposition the leather brand, and homogenize their overall social media message. These objectives are based on market research pertaining to apparel, footwear, and accessory industries in Canada while also focusing on the categories of womenswear and menswear. Furthermore, the objectives are directed at increasing Roots’ total market share in Canada by focusing on opportunities and communicating more clearly their core competencies and values to existing and potential customers. As a private company, there exists limited existing information on Roots Canada Ltd. However, we were able to find secondary data in the Passport GMID and Print Measurement Bureau database. Within these databases, the geographic segment addressed was most commonly inclusive to the Canadian market. The lack of information regarding the company in global markets forced us to focus on strictly the company’s national performance. 10 Works Cited Cunningham, P. Keller, K.L. Kotler, P. & Sivaramakrishnan, S. (2013). Marketing Management. Don Mills, ON, Canada: Pearson Canada Inc. Euromonitor. (2013). Apparel and Footwear in Canada. Passport GMID Euromonitor. (2013). Apparel and Accessories in Canada. Passport GMID Euromonitor. (2013). Childrenswear in Canada. Passport GMID Euromonitor. (2013). Internet Retailing in Canada. Passport GMID Euromonitor. (2013). Menswear in Canada. Passport GMID Euromonitor. (2013). Womenswear in Canada. Passport GMID Karen von Hahn. (August 20, 2014). Outdoor-indoor line blurs at renovated Roots flagship store. Fashion & Style. Toronto Star. http://www.thestar.com/life/fashion_style/2014/08/20/outdoorindoor_line_blurs_at_renovated_roots_flagship_store.html (accessed October 16, 2014) Piercey, M. & Fabregui, R. (2010, July 18). Roots x Douglas Coupland Pop-up store. Events. Toronto Is Fashion. http://www.torontoisfashion.com/2010/07/roots-limited-edition.html (accessed October 20, 2014) Print Measurement Bureau (PMB). (2014). Apparel, Shopping, Misc. Products: Men’s Clothing. PMB 2014 Category Reports: Total Canada Print Measurement Bureau (PMB). (2014). Apparel, Shopping, Misc. Products: Women’s Clothing. PMB 2014 Category Reports: Total Canada Roots Canada. (2014). Corporate Fact Sheet. http://canada.roots.com/on/demandware.store/ Sites-RootsCorporate-Site/default/Home-Show (accessed October 16, 2014) Roots Canada (2014). Men. http://canada.roots.com/men/men,default,sc.html?psortb1=category-pos_men accessed October 16, 2014) Roots Canada (2014). Women. http://canada.roots.com/women/women,default,sc.html?psortb1=category-pos_women (accessed October 16, 2014) Roots Canada (2014). Sweat Style Contest. Customer Service. http://canada.roots.com/140814_ sweatStyleContest/140814_sweatStyleContest,default,pg.html (accessed October 16, 2014) Roots to invest in three flagship stores in Canada. (February 11, 2014). Story. Newswire. http://www. newswire.ca/en/story/1304053/roots-to-invest-in-three-flagship-stores-in-canada (accessed October 15, 2014) Statistics Canada. (October 28, 2013). Electronic commerce, types of goods or services ordered, 2012. http://www.statcan.gc.ca/daily-quotidien/131028/t131028a001-eng.htm (accessed Oct 20, 2014) Women’s Clothing Where Personally Bought/ Past 12 Months Roots. PMB https://www.kmrsoftware.net/netquestapp/pmbquickreports/Default.aspx (accessed October 16, 2014) 11