children`s - Fondo de Cultura Económica
Transcription
children`s - Fondo de Cultura Económica
www.fondodeculturaeconomica.com © 2010, Isol, illustration FOREIGN RIGHTS CHILDREN’S BOOKS Frankfurt 2011 Obras para niños y jóvenes FCE Fondo de Cultura Económica is the most important publishing house in Mexico and one of the most important ones in Latin America. It was originally established in 1934 as a way to provide students of Economics with books in Spanish on the subject. Little by little fce expanded its publishing areas to other subjects that today encompass almost everything, from children’s literature to scientific texts. Fondo de Cultura Económica is a decentralized publishing institution funded by the Mexican government. fce’s backlist encompasses more than 8 000 volumes, from which 4 000 (aprox.) are still being published or reprinted, with more than 250 new titles being added each year. This great cultural wealth is grouped in many subjects, such as Literature, Philosophy, Social Sciences, History, Children’s Books, Art, Economics, etc. In addition to its central office in Mexico, fce has foreign branches in Argentina, Brazil, Chile, Colombia, Guatemala, Peru, Spain, usa and Venezuela. Contact information FONDO DE CULTURA ECONÓMICA Carretera Picacho-Ajusco 227 Bosques del Pedregal, Tlalpan 14738, Mexico City, Mexico Tel.: (52-55) 5227-4672 Fax: (52-55) 5227-4656 ELIANA PASARÁN Children’s Books Publisher [email protected] [email protected] Tel.: (52-55) 5449-1871 Fax: (52-55) 5449-1873 w w w. fo nd od e cu ltu ra e con omica .com r Fo Nocturno. Recetario de sueños c th g in om [Nocturne. A Dream Guide] Isol T his book is not only a dream catcher, but a guide to possible dreams, to the visions that stay with us as we visit the nocturnal realm. It is charged with artificial light in order to display different and surprising images in the dark. A contrast between what we see and what awakens in our dreams when our eyes are shut. Isol (b. Buenos Aires, 1972) studied Fine Arts and Mixed Arts. She has worked in the fields of comic, poetry and visual arts. At this moment, she is entirely devoted to media and book illustration (covering from publishing firms, to magazines and newspapers). She has published her work as author and illustrator in Spain, Mexico, France and Argentina with great success. She was honored with a Golden Apple at the BIB, and her books are in the White Ravens List with a Special Mention (2002, 2003, and 2004). 1st ed., FCE-Mexico, 2011 Series: Los Especiales de A la Orilla del Viento 32 pp. 16.5 × 23 cm (6.5 × 9 in) Age: 5 + 2 | F O N DO DE C ULTURA ECO N Ó MI C A Glowing varnish Daylight w w w. fo n do decu l tu raeco n o mi c a. com | 3 La bella Griselda [Beautiful Griselda] Isol 1st ed., FCE-Mexico, 2010 28 pp. 20 x 22 cm (7.8 x 8.6 in) Series: A la Orilla del Viento B eautiful Griselda had truly a killing beauty. No man could help but, literally, lose his head for her. Thus she was always alone in her palace. One day, tired of loneliness, Griselda invited a somewhat myopic prince to visit in the hope that he would not be aware of her mortal beauty… until, as everyone around gaped in amazement, he too was beheaded. Beautiful Princess Griselda remains at the mercy of her own misfortune in all but the briefest of meetings. Age: 7+ italian and English rights sold • A keenly told, humorous story that invites readers to reflect on vanity, selfishness and lonelines • Isol’s narrative has the superb quality of revealing the fantastic in the ordinary 4 | F O N DO DE C ULTURA ECO N Ó MI C A Tener un patito es útil [It’s Useful to Have a Duck] Isol 1st ed., Fce Mexico, 2007 32 pp. 15 × 16 cm (6 × 6.3 in) Board book ISBN 9789681672850 A child finds a duck useful as a swinging chair, as a hat, and as a nose. A duck finds a child useful for back rubs, as a watching tower, and for waxing its beak. This accordion fold book in two colors tells two versions of the same story, depending on which side it is being read. AWARDS FOR THE BOOK • Selected for 50 Books / 50 Covers, 2007 aiga, NY • Premio Quórum 2007 AWARDS FOR THE AUTHOR • Finalist at the Hans Christian Andersen Award 2006/2007 • Nominee for the Astrid Lindgren Memorial Award 2006 (Sweden) • Special Mention in The White Ravens 2004 List for El cuento de Navidad by Auggie Wren (by Paul Auster, Sudamericana, 2003) • Golden Apple Prize in the Bienal of Illustration of Bratislava 2003, Slovakia, for the illustrations of the book Tic Tac (by Jorge Luján, Alfaguara, 2003) • The White Ravens 2002 List for El globo (fce publishers, 2002) • Illustration Award in the 3rd Press Design International Contest (Porto Alegre, Brazil, 1998) • Special Mention in the A la Orilla del Viento Picture Book Award, 1997 (Fondo de Cultura Económica, Mexico) Age: 3 + German, English and Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 5 Isol 2nd 2nd Edition, 1999 40 pp. 17 x 21.5 (59 x 7.5 in) Picture book ISBN 9789681661519 Edition, 2009 24 pp. 17 x 21.5 cm (6.7 x 8.5 in) Picture book ISBN 968166485X ulito is bored by watching endless television shows and enrols on a cultural exchange program. He sets out for an adventure in Africa, and a young elephant firmly takes his place in front of the television set. Age: 5 + W ith less than one day before his birthday, Nino accidentally opens the door to the closet where he finds a huge gift. He wonders what it could be. Nino is disappointed to find that the gift seems quite boring. He only discovers its hidden surprises later on. Age: 5 + German, Portuguese and Italian rights sold Portuguese rights sold 6 | F O N DO DE C ULTURA ECO N Ó MI C A on iti ed [A Surprising Gift] Isol J w Ne Regalo sorpresa on iti ed [Cultural Exchange] w Ne Intercambio cultural Secreto de familia on iti ed [Things that Happen] w Ne Cosas que pasan [Family Secret] Isol Isol 1st 1st ed., Fce Mexico, 2003 48 pp. 17 x 21.5 cm (6.7 x 8.5 in) Picture book ISBN 9789681670467 ed.,fce Mexico, 1998 23 pp. 17 x 21.5 cm (6.7 x 8.5 in) Picture book ISBN 968-16-5875-1 T he girl in this tale has a serious problem: one morning she wakes up earlier than usual and finds out a horrible secret hidden by her mother. This secret makes her, as well as her family, different from everybody else. Age: 5 + • White Ravens Selection, 1997. French, Portuguese and German rights sold S ometimes, every now and then, we may be lucky enough to find a magic lamp with a genie inside, and maybe he could grant us a wish. But what happens when we have too many wishes and we do not know what to ask for? Age: 5 + w w w. fo n do decu l tu raeco n o mi c a. com | 7 El globo Vida de perros [The Balloon] [A Dog’s Life] Isol Isol 1st ed., Fce Mexico, 2002 32 pp. 15.5 x 17.5 cm (6.1 x 6.8 in) Picture book ISBN 9681665732 1st ed., fce Mexico, 1997 32 pp. 21 × 24 cm (8.3 × 9.5 in) Picture book ISBN 9681654234 C amila’s mother yells so much that she looks like a red balloon. Therefore Camila wishes she would actually turn into one. And one day, her wish comes true. Camila begins to see her mother in a new way. This charming story shows fantasies taking flight, and explores the relationships between parents and children. • White Ravens Selection, 2003. Age: 5 + A boy and his dog spend so much time together that it is difficult to pry them apart. This book paints the portrait of one of the best and most precious relationships in the world— that of a boy and his dog. A story of friendship, loyalty and good times. Isol’s humor and unique graphic style combine to make a delightful picture book for beginning readers. Italian rights sold AWARDS • Illustration Award in the 3rd Press Design International Contest (Porto Alegre, Brazil, 1998) • Special Mention in the A la Orilla del Viento Picture Book Award, 1997 (Fondo de Cultura Económica, Mexico) Age: 4 + Norwegian rights sold 8 | F O N DO DE C ULTURA ECO N Ó MI C A Be Animalario universal del profesor Revillod Almanaque ilustrado de la fauna mundial er ell sts [Universal Zoology] Miguel Murugarren Illustrated by Javier Sáez 1st ed., Fce Mexico, 2003 40 pp. 18 x 14 cm (7.3 x 5.3 in) Picture book ISBN 9789681670481 P rofessor Revillod has collected many pictures of extremely exotic animals during his numerous trips around the world. Come and see over 4 000 of his finest specimens, in a stylishly designed and innovative picture book. Miguel Murugarren was born in Spain. He studied philosophy and literature. He is interested in advertising, graphic design and music. Javier Sáez was born in Spain. He studied Fine Arts. He illustrates and writes his own books, like Picopelosplumas and Los tres erizos, and works for many publishing houses. • Winner of the ix International Children’s and Young People’s Picture Book Award in 2004 For all ages Dutch, French, Portuguese, Italian and German rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 9 ¿Quién pasó por aquí? [Who’s Been Here?] Martha Duhne Illustrated by Manuel Monroy 1st ed., Fce Mexico, 2006 32 pp. 18 × 18 cm (7 × 7 in) Picture book ISBN 9681680618 A n entertaining way to learn about animals from their tracks, with surprises hidden under the flaps and an appealing story for each animal. Ojitos Pajaritos [Birdie Eyes] is a series of picture books that introduce children to the pleasure of discovery. The authors are science writers, and the books are aimed at children aged three to five who are about to discover the world around them. Martha Duhne has been a producer and science writer for television, radio and magazines for more than 20 years. She is the coauthor of Animales asombrosos. She is also the information manager of ¿Cómo ves?, a science magazine for young people published by the National University of Mexico. Manuel Monroy studied Graphic Communication Design. In addition to teaching, he designs posters and other art projects. He has been an illustrator since 1994, and has exhibited in solo and joint exhibitions. He has received numerous awards for his work, including the 1995 Quórum Award, and the 2001 Noma Concours Award in Japan. He has illustrated several fce books, including Un hombre de mar, the Yoyo series, Chanyelín, and Rabieta Trebejos. Age: 3 + 10 | F O N DO DE C ULTURA ECO N Ó MI C A ¿Para qué usas la lengua? [What Is Your Tongue For?] María del Carmen Sánchez Mora Illustrated by Jonathan Farr 1st ed., Fce Mexico, 2007 32 pp. 18 × 18 cm (7 × 7 in) Picture book ISBN 9789681683665 T ongues are good for much more than we might imagine. Animals use them as detectors or weapons; to hunt, taste, smell or talk. In this book, the interplay between words and pictures leads very young readers to discover how animal tongues have many different shapes and uses. They will even discover more about their own tongues! María del Carmen Sánchez Mora graduated from the National University of Mexico in Biology, and earned a master’s degree in ecology from Stanford University and a Ph.D. in science from the University of Mexico. She began writing about science fifteen years ago at the University Science Communication Center. She has contributed to several programs at Universum, the University of Mexico science museum. Her personal interests include teaching Biology and scientific illustration. She is a member of the ERIDOB (European Researchers in Didactics of Biology). Jonathan Farr was born in Oxford in 1973. He studied sculpture at the Slade School of Fine Art in London. His work has been exhibited in Mexico and Europe. He paints murals and creates stained glass windows for churches, and has illustrated books for various publishers. He is also the illustrator of the fce books Ripios y adivinanzas del mar and Las aventuras de Max y su ojo submarino, and author of the Plip and Charly series. Age: 3 + w w w. fo n do decu l tu raeco n o mi c a. com | 11 ¿Por qué se esconden? [Why Are You Hiding?] María Emilia Beyer Ruiz Illustrated by Francesca Massai 1st ed., Fce Mexico, 2008 32 pp. 18 × 18 cm (7 × 7 in) Picture book isbn 9789681685294 A girl who loves to play hide-and-seek and to watch everything around her, finds out that in Nature not everything is what it seems. This is a book thought especially for preschool children, about the different kinds of mimesis. Through its simple story, children learn to identify the two principal kinds of mimesis—predation and defense—and, at the same time, following the clues, they will learn which animals are hidden in each page. A recreational book fit for children to learn to interpret images and to arouse their interest in nature. María Emilia Beyer is a biologist; for five years she has been dedicated to the popularization of science through various means, such as science museums, conferences, essays published in specialized magazines, etc. She constantly collaborates in the popular science magazine ¿Cómo ves? and in the bulletin El muégano divulgador. She currently works as an academic coordinator for the popularization of science in the National University of Mexico. Francesca Massai is an Italian illustrator. This is her first picture book. Age: 3 + 12 | F O N DO DE C ULTURA ECO N Ó MI C A ¿Cómo es tu mamá? [How Is Your Mom?] Rosanela Álvarez Illustrated by Yasushi Muraki 1st ed., fce Mexico, 2009 32 pp. 18 × 18 cm (7 × 7 in) Picture book ISBN 9786071600059 T his book presents five different kinds of moms to understand biodiversity. They’re all special: they protect, feed, look after, play, educate and do anything for their pups, but there is one kind of mom no other can match… Rosanela Álvarez (Mexico City, 1958) studied Hispanic Language and Literature. She’s worked as an editor, especially of children’s books and book series targeted to elementary and secondary school; she is co-author of natural science books for elementary education, and author of Árboles por todas partes, Árboles, sus inquilinos y visitantes, Los botones de Ana and Trote de letras. She was responsible of the Publishing Department of the General Direction of Science Popularization of the National University of Mexico (unam), and at present, she is the editorial advisor in the Secretary of Institutional Development at the National University of Mexico. Yasushi Muraki ( Japan, 1968). His work—filled with textures, emotive expressions and eloquent strokes—has been included in the Illustrators Catalogue of the ibf in Bologna. This is his first picture book. Age 3 + w w w. fo n do decu l tu raeco n o mi c a. com | 13 ¿Cómo es tu papá? [How Is Your Dad?] Estrella Burgos Illustrated by Miguel Tanco 1st ed., fce Mexico, 2009 32 pp. 18 × 18 cm (7 × 7 in) Picture book ISBN 9786071600035 A lthough most dads don’t stay with their pups, there are a few who remain with them to protect them, teach them how to survive, and play with them. Who are these dads? Estrella Burgos has worked in the popularization of science for over 20 years in books, magazines, radio and television. She’s the chief editor of ¿Cómo ves?, a magazine dedicated to science (dgdc/unam) since December 1998. She formed as a popularizer of science in the Centre for Science Communications (dgdc) of the National University of Mexico. She has collaborated with national magazines and newspapers with scientific articles. She is the author of three popularization books and co-author of seven elementary school science books. Miguel Tanco is from Spain and lives Italy. His illustrations are colorful, rich in textures and slightly melancholic. Age 3 + 14 | F O N DO DE C ULTURA ECO N Ó MI C A w Ne El rabo de Paco le! tit [Paco’s Tail] Triunfo Arciniegas Ilustrated by Óscar Soacha Series: Los Primerísimos 1st ed., FCE-Mexico, 2011 32 pp. 22 × 17 cm (8.6 × 6.7 in) P aco has lost his tail. Despite various imaginary explanations of what might have happened, no one knows how or when he lost it, not even Paco himself. So Paco decides to go on a quest to find his tail. On his way through jungles, over perpetually snow-capped mountains and multiple cities, Paco eventually learns that perhaps the tail wasn’t as important as what he’s collected on his journey around the world. Triunfo Arciniegas (Colombia, 1957) served as a member of the National Union of Writers. He has published over thirty books, and has received awards such as the VII Enka Prize for Children’s Literature and the Colcultura National Literature Prize. Óscar Albeiro Soacha was born in Colombia. He has worked for several publishers. In 2009, he was awarded the Fundalectura’s Family Reading Prize. Age: 4 + w w w. fo n do decu l tu raeco n o mi c a. com | 15 Irupé y Yaguareté [Irupé and Yaguareté ] Mariana Ruiz Johnson 1st ed., FCE-Mexico, 2010 [32] pp. 22 × 17 cm (8.6 × 6.7 in) Series: Los Primerísimos ISBN 9786071602558 • Paperback I rupé is thirsty. She drinks water from a canteen as she walks quietly through the jungle, never realizing that the hungry jaguar Yaguaraté lurks in the grass. Suddenly, the beast leaps out at the little girl... This simple, almost wordless story, leads readers into a jungle of mysteries, colors and surprises. Mariana Ruiz Johnson was born in Buenos Aires in 1984. Since 2005, she has worked as a freelance illustrator publishing her work at many major publishing houses in Argentina. Shortlisted at the 13th ‘A la Orilla del Viento’ Picture Book Award Age: 3+ Portuguese rights sold • Through a clear visual narrative, the illustrations are evocative of Gauguin, and maintain a consistent tension 16 | F O N DO DE C ULTURA ECO N Ó MI C A La suerte de Ozu Ozu’s Luck Claudia Rueda 1st. ed. fce Mexico, 2003 33 pp. 17 x 21.5 cm (6.7 x 8.5 in) Picture book ISBN 9789681670511 D uring wartime a child and his father live on a farm. All kind of things happen to them but both father and son have different points of view. As time goes by they discover the many advantages of this. A magnificent version of a Taoist fable about the relativity of facts and the wisdom of fate. Claudia Rueda is an outstanding Colombian writer an illustrator who received a Special Mention in the A la Orilla del Viento Picture Book Award. Age: 5+ French and Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 17 w Ne El lápiz le! tit [The Pencil] Paula Bossio Series: Los Especiales de A la Orilla del Viento 1st ed., FCE-Mexico, 2011 24 pp. 16 × 16 cm (6.3 × 6.3 in) A little girl finds the end of a line—a very peculiar line able to transform itself into different shapes. As the reader moves through the pages, it turns into a slide, a liana, a ring, a bubble, and even a scary monster! Although it is a simple line drawn with a crayon or a pencil, it is also a guide for fun, invention, and creativity. This book is a tribute to the act of creative playing; a tribute to drawing and its infinite possibilities. Every page holds a surprise for the reader. Paula Bossio has worked as a creative designer and freelance illustrator for many different publicity agencies. Among many awards, she received the Noma Award from Japan and the Katha Award from India. She teaches Graphic Design at the Areandina University in Bogotá. This is her first book. Shortlisted at the 14th ‘A la Orilla del Viento’ Picture Book Award Age: 1 + 18 | F O N DO DE C ULTURA ECO N Ó MI C A ¿Te da miedo la oscuridad? [Are you Afraid of the Dark?] Jonathan Farr 1st ed., fce Mexico, 2009 40 pp. 19 × 23 cm (7.5 × 9 in) Picture book ISBN 9786071600394 I t is time to go to sleep, but Plip and Charly can’t sleep because there are things that go bump in the night. After summoning up their courage, they decide to look at who or what is making those noises and they encounter a big surprise… Jonathan Farr was born in Oxford in 1973. He studied sculpture at the Slade School of Fine Art in London. His work has been exhibited in Mexico and Europe. He paints murals and creates stained glass windows for churches, and has illustrated books for various publishers. He is also the illustrator of the fce books Ripios y adivinanzas del mar, and Las aventuras de Max y su ojo submarino. This is his first picture book as an author. Age 4 + German rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 19 ¿Por qué no quieres comer? [Why don’t you Want to Eat?] Jonathan Farr 1st ed., FCE Mexico, 2009 19 × 23 cm (7.5 × 9 in) 36 pp. Picture book ISBN 9786071600790 I t is breakfast time when Plip and Charly receive an unexpected visitor. When the newcomer begins to cry, they have to discover what is it that he needs and try to stop the crying. A book to read before eating and to make mealtimes attractive and enjoyable. This book continues the series of Plip and Charly for preschool children and deals with themes of their concern responding to their stage of development. The illustrations, done in water-colour, show details and parallel stories that enrich the imagination of the reader. Age: 4 + 20 | F O N DO DE C ULTURA ECO N Ó MI C A ¿Por qué no vas al baño? [Why Won’t you Go to the Toilet?] Jonathan Farr 1st ed., FCE-Mexico, 2010 32 pp. 19 x 23 cm (7.5 x 9 in) Series: A la Orilla del Viento R eni visits Plip and Charly for a weekend of fun. After an afternoon of play and a nice snack, Reni feels like going to the bathroom and in absence of his potty chair, he has to go to the grown-ups’ bathroom. But as he approaches the door, Reni hears mysterious and inexplicable noises! Will Reni dare to overcome his fears and discover what’s inside the bathroom? Age: 3+ Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 21 Libro Caracol [The Snail Book] by Javier Sáez Castán 1st ed., fce Mexico, 2007 24 pp. 23 × 23 cm (9 × 9 in) Picture book ISBN 9789681683689 I n this book, young children will learn about shapes through pictures and games. The Victorian-style drawings are exquisitely composed within blocks, which are arranged in an overall design. The author also illustrated Animalario Universal, one of fce’s best-selling children’s books. Javier Sáez Castán studied fine arts at the University of Valencia. He has been an illustrator for more than fifteen years, and his books have won awards in several countries. He has also been a teacher, and directs educational and cultural workshops. He is the illustrator of El animalario universal by Miguel Murugarren, a book that won the Ninth International Children’s and Young People’s Picture Book Award in 2004. Age: 4 + 22 | F O N DO DE C ULTURA ECO N Ó MI C A Rabieta Trebejos [Tantrum Trebejos] Manuel Monroy 1st ed., FCE Mexico, 1999 26 pp. 20.5 x 20.7 (8.3 × 11 in) Picture book ISBN 9681682505 R abieta’s grandma has an antique store brimming with pretty things that she has collected over the years. Whenever her grandma visits, Rabieta knows that she will bring her some interesting gift. But this time she only gets a sock! Why would somebody want one single sock? Rabieta discovers that it turns out to be more useful than she first thought. Manuel Monroy studied Graphic Communication Design. In addition to teaching, he designs posters and other art projects. He has been an illustrator since 1994, and has exhibited in solo and joint exhibitions. He has received numerous awards for his work, including the 1995 Quórum Award, and the 2001 Noma Concours Award in Japan. He has illustrated several fce books, including Un hombre de mar, the Yoyo series, Chanyelín, and Rabieta Trebejos. • Winner of the III Concurso de Álbum Ilustrado A la Orilla del Viento Award, 1998. Age: 4 + w w w. fo n do decu l tu raeco n o mi c a. com | 23 Yo tengo una casa [I Have a Home] Claudia Legnazzi 1st ed., fce Mexico, 2001 40 pp. 18 × 20 cm (7 × 7.8 in) Picture book ISBN 9681664248 W hat is home? With marvellous pictures, Claudia Legnazzi shows that home can be high or low, here or there, big or small, but always very special. We see how imagination springs from the home inside us and that where ever we go, we can take some home with us. Claudia Legnazzi was born in Argentina, and writes and illustrates books for children. Her work has won awards in Mexico and Japan. Some of her illustrations are on display at the Chihiro Museum of Art in Tokyo. Age: 4 + Hindi rights sold • The quality of Legnazzi’s imagery makes this a lavish and exceptional volume. • A reassuring and comforting work for even the youngest of readers. 24 | F O N DO DE C ULTURA ECO N Ó MI C A Es así [It’s Like This] Paloma Valdivia • Attractive colorful pictures in which children can find answers about life and death 1st ed., FCE-Mexico, 2010 [36] pp. 19 × 23 cm (7.5 × 9 in) Series: Los Especiales de A la Orilla del Viento ISBN 9786071602565 • hardcover A simple but profound reflection on birth and death; drawing strength from simplicity and humor, Valdivia deals with complex feelings and explores longing, joy, doubt, love, and change. With attractive colorful images, she delivers simple everyday examples, full of charm and with a friendly, intimate tone which children will find reassuring. Paloma Valdivia (Santiago de Chile, 1978) won the 2001 bib plaque International Prize at the xviii Biennial of Illustrations in Slovakia. Age: 5+ Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 25 ¡Qué niño más lento! [The Slowest Boy] Lucía Serrano Guerrero 1st ed., FCE-Mexico, 2010 [36] pp. 20 × 17 cm (7.8 × 6.7 in) Series: Los Especiales de A la Orilla del Viento ISBN 9786071602008 • hardcover N éstor is a child unlike any other. Sure, he wakes up, eats, plays and does his homework, like all boys, yet he always does it step by step, very, very slowly. While every one else is constantly rushing, Néstor prefers to listen to his own rhythm from within. He is happy just the way he is. One day, though, he loses his inner harmony and, along with it, his peaceful, unhurried nature. Lucía Serrano (Madrid, 1986) has illustrated children’s books for numerous publishers. In 2000, she won the ‘Los nuevos de Alfaguara’ Prize and in 2008 the Princess of Eboli Prize with the book El día que olvidé cerrar el grifo. • Thematically original, this volume intelligently explores obstacles to children’s development and social integration • Winner of the 13th ‘A la Orilla del Viento’ Picture Book Award • White Ravens Selection, 2011 Age: 5+ Portuguese rights sold 26 | F O N DO DE C ULTURA ECO N Ó MI C A Ramona la mona [Nicole the Mole] Aitana Carrasco 1st ed., Fce Mexico, 2006 40 pp. 21 x 28 cm (8.3 x 11 in) Picture book ISBN 9789681680268 B runo lives with his father, mother, grandparents, and five goldfish. Upon the arrival of Fola, a red cat, the child experiences the loss of his fish and his grandfather. Bruno is not willing to accept Mona, his brand new sister… until one day things change for good. Aitana Carrasco was born in Valencia. She has a B.A. in Fine Arts and is a member of the Valencian Association of Professional Illustrators (apiv). In 1995 Carrasco recived a prize at the XI ‘El Gos i la Tortuga’ Award of Editorial 3i4. In 1994-1995 the I.B. A.J. Cavanilles awarded her at several artistic and literary contests (in the fields of etching, poetry, and fiction). In 1998 Carrasco was a finalist in the annual Poetry Award at the Polytechnic University of Valencia. A story about loss, time and changes, jealousy, the lies of adults, the discovery of the world and the surprises that life keeps for a kid A beautiful book about love and fraternity, and the importance of growing up • Winner of the ix A la Orilla del Viento Picture Book Award (Fondo de Cultura Económica, 2005) Age: 5 + Catalan edition available w w w. fo n do decu l tu raeco n o mi c a. com | 27 Juan Felizario Contento [ Juan Felizario] Angela Lago 1st. Edition, 2003 32 pages 34 x 23 cm (13.4 x 9.1 in) Picture book ISBN 9786071600653 T his is the story of Juan Felizario Contento who inherited a gold coin so bright that he traded it for a horse. The horse was so fast that he traded it for a donkey… and so on until Juan Felizario ends up with something much lighter. An adaptation of the Grimm’s classic “Hans in luck” in a Brazilian setting. Angela Lago was born in Belo Horizonte, Brazil in 1945. She writes and illustrates books for children. She has exhibited her work and received awards in several countries such as China, France, Slovakia, Japan and Brazil. White Ravens Selection, 2004 Age: 5 + Portuguese rights sold 28 | F O N DO DE C ULTURA ECO N Ó MI C A El niño con bigote [The Boy with a Mustache] Esteban Cabezas Illustrated by Alejandra Acosta 1st ed., FCE-Mexico, 2010 [28] pp. 22 × 22 cm (8.6 × 8.6 in) Series: Los Especiales de A la Orilla del Viento ISBN 9786071602633 • hardcover O ne morning, Juan wakes up to discover that he’s grown a thick mustache. At first he’s happy—he’ll be able to do all the adult things he’s ever wanted to do. But he soon realizes that he will also have to do things he doesn’t really like, things that people with mustaches have to do, like work. He decides to shave his mustache off and be a kid again. Yet, a big surprise awaits in the mirror… Esteban Cabezas (Santiago de Chile, 1965) studied journalism at the Catholic University of Chile and is currently editor of LA CAV magazine. He received a special mention from the Norma-Fundalectura Prize for the Novel in 2003. Alejandra Acosta is a graphic designer who has served as art director at Elle Chile and [Lat.33] for which she was nominated for the Altazor Award in 2002. More recently she has specialized in illustrating children’s books. • Simple illustrations are charged with meaningful details to aptly reinforce the humor of the text Shortlisted at the 13th ‘A la Orilla del Viento’ Picture Book Award Age: 5 + Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 29 Julieta y su caja de colores [ Julieta and her Paintbox] Carlos Pellicer López 3rd ed., fce Mexico, 2000 32 pp. 24.5 x 30 cm (9.6 x 12 in) Picture book ISBN 9681641276 O ne rainy night, Julieta decides to try out her watercolours for the first time. She discovers that she can create on paper what she does not have in real life. This story explores the relationship between the surrounding reality and the reality of creative art. Carlos Pellicer López is a writer and artist. His work has appeared in anthologies published by U.S. publishers. His picture book Julieta y su caja de colores, also published by fce, received several awards, including the 1982 Promexa Award, the 1983 Antoniorrobles Award, a Plaque in the 1985 Bratislava Biennial of Illustrations and the Ezra Jack Keats Bronze Medallion in 1986. His picture book Juan y sus zapatos also received the 1982 Promexa Award. Age: 5 + Korean rights sold • With sincere and easily understood lessons in creativity, this is a welcome addition to any children’s collection. • Nuanced and resonant, this is the type of book that children return to again and again. 30 | F O N DO DE C ULTURA ECO N Ó MI C A Siete millones de escarabajos [Seven Million Beetles] Agustín Comotto 1st edition, fce Mexico, 2001 32 pp. 20.5 x 24 cm. (8.3 × 11 in) Picture book ISBN 9789681663582 S even million beetles may be a small number inside an enormous ark, but they will be always a determined and numerous family with great affection for each other. Agustín Comotto was born in Buenos Aires, Argentina in 1968. He migrated to Spain due to the dictatorship. There, he began drawing, especially science fiction comics. When he went back to Argentina, he worked for several graphic media companies. He works as an illustrator for several publishing houses. • Winner of the XII A la Orilla del Viento Picture Book Award, 2000 • Special selection for the White Ravens Catalogue, 2002 Age: 5+ French rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 31 La peor señora del mundo • The #1 bestseller in the history of children’s books in Mexico [The Meanest Woman in the World] • The story is illustrated by Rafael Barajas, El Fisgón, one of the best Mexican cartoonist Francisco Hinojosa Illustrated by Rafael Barajas, El Fisgón 2nd ed., Fce Mexico, 2010 48 pp. 15 x 19 cm (6 x 7.5 in) Picture book ISBN 9789681647056 I n the north of Turambul lives the meanest woman in the world. She punishes her children when they misbehave, but also when they behave. Everybody in the neighborhood runs away from her. But one day the villagers decide to do something to put an end to her atrocities. A humorous, acid, and cathartic tale on the limits of human behavior and the strength of a community to resist an attempt of an individual to impose herself upon them. Francisco Hinojosa (Mexico City, 1954) studied literature, and then started writing poetry, short stories, and children’s books. In 1984 he won the IBBY Award for La vieja que comía gente. Hinojosa is the most outstanding author of children’s books in Mexico. Rafael Barajas, El Fisgón, is a curator, muralist, painter, researcher, writer, and journalist. He is also one of the bestknown political cartoonist in Mexico. Age: 6 + 32 | F O N DO DE C ULTURA ECO N Ó MI C A Segundo acto • ‘The colorful decorative paintings are well executed and contrast so well with the blurred silhouettes…’ —Anthony Browne [Second Act] Marco Chamorro 1st ed., FCE-Mexico, 2010 [40] pp. 22 × 22 cm (8.6 × 8.6 in) Series: Los Especiales de A la Orilla del Viento ISBN 9786071602831 • hardcover T his album offers a theatrical performance in which a mysterious actor transforms himself into the backdrops of fantastic landscapes. Images borrowed from musicals, dances, and theater plays all invite readers to immerse themselves in a staging with Van Gogh, Paul Klee and Gustav Klimt. Marco Chamorro (Ecuador, 1975) received the Dario Mayorga Guevara National Prize for Children’s Illustration in 2001 and 2005 and an Honorable Mention from unesco at the xv Biennial of Illustration, in Noma, Japan in 2006. Age: 6+ w w w. fo n do decu l tu raeco n o mi c a. com | 33 Boda en Chimalistac [Wedding in Chimalistac] Elena Poniatowska Illustrated by Oswaldo Hernández 1st ed., fce Mexico, 2008 32 pp. 20.5 × 27 cm (8.1 × 10.7 in) Picture book ISBN 9789681685638 T he gardens of Chimalistac, a neighborhood in Mexico City, witness the love between a Lime tree and a Jacaranda tree. Unfortunately, the Jacaranda is in love with the Beech, and Lime will have to overcome his dismay and find another way to conquer his loved one before he can accompany her up the aisle to the altar. This story, narrated in a Custombrist style, brings the best of Elena Poniatowska’s prose while its illustrations convey the purest styles of Mexican folklore. Elena Poniatowska was born in Paris in 1932. During World War II, she fled with her mother to Mexico. A journalist, chronicler, and author of fiction, she’s one of the most prestigious writers in Mexico. The first woman to have received the National Journalism Prize (1979), her works include Hasta no verte Jesús mío (Mazatlán Literature Prize) and La noche de Tlatelolco (Xavier Villaurrutia Prize, rejected by the author in protest against Luis Echeverría, then President of Mexico). fce has published her Obras reunidas in two volumes. Oswaldo Hernández was born in 1969 in Mexico City. He studied at La Esmeralda School of Arts from 1988 to 1993, and has participated in 50 collective exhibitions in Mexico, Finland, Spain, the United States, and France, and has had six individual exhibitions. He received an award during the First Biennial of Painting and Poetry organized by the Autonomous University of Mexico (uam) in 1993. He received the Young Creators scholarship from the National Fund for Culture and the Arts in 1994. Ages: 6 + 34 | F O N DO DE C ULTURA ECO N Ó MI C A Kassunguilà [Kassunguilà] Monique Zepeda 1st ed., fce Mexico, 2008 48 pp. 23 × 16 cm (9 × 6 in) Picture book ISBN 9789681686208 K assunguilà is a small fish who lives at the bottom of the ocean, sheltered by a parasol, until one day a terrible storm tears him away from his peaceful existence and a journey begins to recover his inner peace and confidence. Here Zepeda has given us a work of art, with illustrations created from wine boxes, folk art stamps, tin figures, bells, and dozens of other traditional Mexican objects. Kassunguilà is a metaphor on life and growing up, with all the surprises and difficulties involved. Monique Zepeda was born in Mexico City. She studied Pedagogy at the National University of Mexico. She is a psychologist from the Sorbonne, and has a masters degree in childhood clinical psychology at the University of Morelos. She is also the author of Marita no sabe dibujar, and El cuaderno de Pancho. • White Ravens Selection, 2009 Age: 6 + w w w. fo n do decu l tu raeco n o mi c a. com | 35 Jacinto y María José [ Jacinto and María José] Diego Sánchez, Dipacho 1st ed., fce Mexico, 2009 32 pp. 21 × 25 cm (8.2 × 9.9 in) Picture book ISBN 9786071600653 A simple wordless story, which depicts one day in the life of two children who like each other. This work, with realistic artwork of poetic and exotic tone, takes young readers to an atmosphere at once foreign and reassuring—a tour through the process of falling in love, depicted delicately and appropriately for the very young. Diego Sánchez, Dipacho, was born in 1984 in Bogotá, Colombia. He studied graphic design at the National University of Colombia and works as an illustrator, especially for children’s literature. He is a member of the evaluating committee for children’s and youth literature of Fundalectura. “Aesthetics, like form and colour, anchor the reader’s sojourn in a sympathetic proposal with very beautiful impulses” —Gabriel Pacheco “A near magic candour emerges from the illustrations and evokes Henri Rousseau’s oil paintings. The atmosphere of enchantment inhabits the book and invites a re-reading, detailed observation, and personal commentary.” —Jorge Luján • Winner of the XII A la Orilla del Viento Picture Book Award, 2008 Age: 6 + 36 | F O N DO DE C ULTURA ECO N Ó MI C A Camino a casa “Every line works perfectly, saying what it has to say without undue complication, easily capturing the atmosphere of the situation”, —Satoshi Kitamura [On the Way Home] Jairo Buitrago Illustrated by Rafael Yockteng “A charming story with a surprising, emotional ending… I believe that the simplicity in the illustration style complements the story fairly well”, —Anthony Browne 1st ed., fce Mexico, 2008 32 pp. 23 × 23 cm (9 × 9 in) Picture book ISBN 9786071600073 A picture book in which fantasy cloaks nostalgia in order to address—with humor, imagination, and tenderness— a difficult subject: absence. At first glance, this is a book in which a little girl approaches an imaginary friend so that he’ll accompany her walking home from school each day. However, a more careful reading shows what this girl must face every day: poverty, taking care of her little brother, household chores, and absence —her imaginary lion, a symbol of strength and protection, helps her deal with this. The surprise ending gives the story a plot twist, making it richer, and more emotional. The wealth of interwoven images displays the Colombian social environment the girl has to cope with while the text, simple and tender, reveals the protagonist’s inner world. Jairo Buitrago has worked as a writer, researcher, and editorial assistant. He has published two books for children and many more about cinema, his area of specialization. Rafael Yockteng won the ibby Utopia Award, geared towards Latin American illustrators of children’s books, in 2000. Since then, he has illustrated several books for children in Colombia and abroad. • Winner of the IX A la Orilla del Viento Picture Book Award, 2007 (Fondo de Cultura Económica ) • Selected for Los Mejores Libros para Niños y Jóvenes 2010 by the Banco del Libro, Venezuela Ages: 6 + Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 37 El pájaro y la princesa [The Bird and the Princess] Antonio Ventura Illustrated by Teresa Novoa 1st. edition, fce Mexico, 2001 32 pp. 20.5 x 24 cm (8.3 × 11 in) Los especiales de a la Orilla del Viento Picture book ISBN 9789681663582 E very day, the princess of the tower takes a book; she peers into its wordless pages and waits for the bird’s arrival. The pages of the book, in which she collected her dreams, were dyed with the colours of the forest and the indecipherable distant sounds. How would she know that the murmur of the wind was waiting in the pages of her book? Antonio Ventura was born in Madrid in 1954, where he has taught at various public centres since 1977. In 1993, he was in charge of the Children’s Literature Division at the Anaya Department of Educational Orientation and Research. He was Director of the Sopa de Libros book series. In July 2001, he was appointed Director of Anaya Children’s and Youth Division. He is also the founder of the children’s literature magazine Babar. His published works include: No todas las vacas son iguales, El tren, El pájaro y la princesa (fce, 2001), Osos de cuento, La mirada de Pablo, El mar de Darío, El cuento del pingüino, and Berta sueña (fce, 2010). Teresa Novoa was born in Madrid in 1955. She has worked since 1990 as illustrator and occasionally writes her own stories. As well as writing for some periodicals, she also works on children books and text books for several publishing houses. Age: 6 + 38 | F O N DO DE C ULTURA ECO N Ó MI C A De cómo nació la memoria de El Bosque [How the Memory of the Forest Became] Rocío Martínez 1st ed., FCE Mexico, 2007 32 pp. 21 × 27 cm (8.3 × 10.8 in) Picture book ISBN 9789681684518 (hardcover) T his is a story that reminds us of classic tales. It tells the life story of a simple wooden table built by a woodcutter and how it moved from house to house and master to master. At the same time, the story speaks of the passage of time, love, life, death, gratitude, and human potential. The illustrations weave a rich tapestry of colours and shapes that are based on the text but at the same time add depth to the story with their movement and colours, with amusing details for readers to discover. Rocío Martínez was born in Madrid. She studied fine arts, specializing in print-making. Since 1990, she has focused on illustrating books for children and young people. Her work has been shown at numerous solo and group exhibitions, and she has earned the 1995 oepli-Ministry of Culture Illustration Award for the Children’s Book Poster of the Week, the Ministry of Culture Award for the best book published in 1995, the 1999 Lazarillo Illustration Award for Miguel y las palampatas, and the 2001 Lazarillo Illustration Award for La gallina Catalina. Her books have been published in Spain and Latin America. • Winner of the X A la Orilla del Viento Picture Book Award, 2006 Age: 7 + Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 39 w Ne Trapo y rata [Rag and Rat] le! tit Magdalena Armstrong Olea Series: Los Especiales de A la Orilla del Viento 1st ed., FCE-Mexico, 2011 32 pp. 21 × 15 cm (9 × 6 in) T his book centers on an unusual partnership—that of a rat and a homeless man living in a barely visible garbage dump around any corner of an average city. When the cats start bullying the little rat by the garbage dump, these less-fortunate fellows will have to develop new and witty methods to keep them away. Magdalena Armstrong Olea (Santiago de Chile, 1986) studied Drama at the Finis Terrae University. Her passion for drawing led her to the Francisco Olea y Alberto Montt illustration workshop, her first trainers in the world of drawing. Winner of the 14th ‘A la Orilla del Viento’ Picture Book Award Age: 7 + 40 | F O N DO DE C ULTURA ECO N Ó MI C A La Muerte pies ligeros [Light-Footed Death] Natalia Toledo Illustrated by Francisco Toledo 1st ed., Fce Mexico, 2005 56 pp. 21 x 27 cm (8.2 x 10.6 in) Picture Book ISBN 9681676718 T old as a legend, La Muerte pies ligeros gives a humorous explanation of how Death came to Earth. The idea for this book came from some of Francisco Toledo’s engravings of Death jumping rope with different animals, all from the region of Tehuantepec, where the artist and his daughter were born. The magnificent images of Francisco Toledo recreate the atmosphere of popular stories and legends in a playful fashion and turn the book into a valuable collectible for all those interested in the painter’s work. Natalia Toledo was born in Juchitán, Oaxaca in 1967. She is a bilingual poet (Zapotec-Spanish). Some of her published titles are: Olivo negro; Flor de pantano; Mujeres de sol, mujeres de oro, and Paraíso de fisuras. Francisco Toledo was born in Juchitán, Oaxaca in 1940. Since 1959 his work has been exhibited in different museums in Mexico, United States, South America, and Europe. Recently he was awarded Right Livelihood Award (Alternative Nobel Price) for his Commitment and Art for the protection and preservation of the natural and cultural environment in Oaxaca. He is the foremost Mexican painter. Age: 7 + English rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 41 w Ne La bruja y el espantapájaros le! tit [The Witch and the Scarecrow] Gabriel Pacheco Series: Los Especiales de A la Orilla del Viento 1st ed., FCE-Mexico, 2011 44 pp. 30 × 24 cm (11.8 × 9.4 in) A group of witches fly at night on their broomsticks. Unfortunately, one of them is very clumsy and always falls behind. A bird, who has witnessed all of the witch’s mishaps, decides to help her continue on her journey. He unties the threads that hold a scarecrow together so that the witch can make a special broom with straw from the scarecrow’s body in the hopes that she will ride it safely and without any more trouble. Gabriel Pacheco (Mexico, 1973) has illustrated children’s books for many publishing houses around the world. His style is widely recognised at international contests. In 2009 he was shortlisted in the New Horizons category, at the Bologna Fair for his book Hago de voz un cuerpo, published by Fondo de Cultura Económica. Age: 7+ Italian rights sold 42 | F O N DO DE C ULTURA ECO N Ó MI C A w w w. fo n do decu l tu raeco n o mi c a. com | 43 El cuento del pingüino [The Penguin’s Tale] Antonio Ventura Illustrated by Carmen Segovia 1st ed., fce Mexico, 2008 32 pp. 19 × 26 cm (7.5 × 10.2 in) Picture book ISBN 9786071600042 T his is a story within a story, a book that gives wings to the reader’s imagination. Carmen Segovia was born in Barcelona. She won the second place in the iv International Children’s Picture Book Award from the publishing house Anaya for Mitsu y Lala. She has published Caperucita roja, El viaje secreto, and Cuentos populares españoles. For Fondo de Cultura Económica she illustrated the Spanish version of How the Bee Became, by Ted Hughes. • Special Mention in the x A la Orilla del Viento Picture Book Award Age: 8 + French rights sold 44 | F O N DO DE C ULTURA ECO N Ó MI C A r Fo El cuaderno de las pesadillas c th g in om [The notebook of nightmares] Ricardo Chávez Castañeda Illustrated by Israel Barrón Series: Los Especiales de A la Orilla del Viento 1st ed., FCE-Mexico, 2011 I n this notebook, the young reader will find, along with suggestive and disturbing illustrations, all the stories that have never been told, stories that don’t need to be written or spoken in order to exist because they are terrifying tales that provoke restlessness and doubts, which are reflected on the illustrations. All these elements work together creating a double reading level that challenges the sense of logic in the reader, going from a state of wakefulness to that of sleep. Ricardo Chávez Castañeda was born in Mexico City in 1961. He has written nearly thirty books, some of which have received important awards such as the award for short story San Luis Potosí, the award for novel José Rubén Romero, the award for children’s literature or FILIJ Juan de la Cabada, among others. FCE has also published Fernanda y los mundos secretos, Las peregrinas del fuisoyseré and Severiana. Israel Barrón was born in Pachuca, Hidalgo. He studied painting in the School of Plastic Arts at the University of Veracruz and he took part in an artistic residency training program in Prokuplje, Serbia. He has participated in 20 individual exhibitions and 41 collective exhibitions, in Mexico and abroad. He’s a professor of drawing and painting workshops at the Institute for Culture in Veracruz. Age: 13 + w w w. fo n do decu l tu raeco n o mi c a. com | 45 Cuando las panteras no eran negras [When panthers weren’t black] Fabio Morábito Illustrated by Abraham Balcázar A la Orilla del Viento 1st edition, 2010 104 pages 6 × 8 inches Paperback ISBN 9786071602039 I n a primeval time, when hunting gave meaning to life, a young panther loses her mother during an attack on a buffalo. Thus begins a journey in search of identity, through which the panther will face all the challenges and dangers of life in the jungle. Fabio Morábito was born in Egypt in 1955. He spent his childhood in Milan and arrived to Mexico when he was 15 years old. He has written several poetry books, narrative, essays, and books for children. He has been awarded with acknowledgements such as the Prize Antonin Artaud (2006). He is also a translator of novels, poetry and essays. Age: 7+ Italian rights sold 46 | F O N DO DE C ULTURA ECO N Ó MI C A Berta sueña [Berta dreams] Antonio Ventura Illustrated by: Juan Carlos Palomino A la Orilla del Viento 1st edition, 2010 92 pages; illustrated 5.9 x 7.5 inches Paperback ISBN 978-607-16-0143-8 B erta is a girl who lives with her parents, goes to school, has one best friend and a boy whom she likes but who has moved to another city. Berta relays in her story a piece of her daily experience and all the unique feeling that surrounds and it. Berta sueña evokes the full range of emotions, pleasant and distressingly clear, of childhood while it approaches subjects like friendship, relationships with family and the preoccupations of childhood. A unique passage into a childhood world. Antonio Ventura was born in Madrid in 1954, where he has taught at various public centres since 1977. In 1993, he was in charge of the Children’s Literature Division at the Anaya Department of Educational Orientation and Research. He was Director of the Sopa de Libros book series. In July 2001, he was appointed Director of Anaya Children’s and Youth Division. He is also the founder of the children’s literature magazine Babar. His published works include: No todas las vacas son iguales, El tren, El pájaro y la princesa (fce, 2001), Osos de cuento, La mirada de Pablo, El mar de Darío, El cuento del pingüino, and Berta sueña (fce, 2010). Age: 8+ w w w. fo n do decu l tu raeco n o mi c a. com | 47 w Ne El cristal con que se mira [In the eye of the beholder] le! tit Alicia Molina Illustrated by Mercè López Series: A la Orilla del Viento 1st ed., FCE-Mexico, 2011 216 pp. E milia, a girl with hearing problems, discovers that she can lip-read thanks to her new eyeglasses. What first seems a revelation will soon be the cause of a mess that will also affect Andrea. Through a butterfly effect, Andrea will search in her past to figure out why the relationship with her family has become so unbearable. Meanwhile, Diego will secretly follow his father, whom he doesn’t know but intends to find out more about him. These three stories interweave so that the characters learn that every problem has a solution as long as they understand that everything depends on the eye of the beholder. Alicia Molina is one of the first Mexican authors of books for children. She studied communication and practiced teaching and investigation in the educational field. For several years, she was the editor of Ararú, a magazine for parents with special needs. Mercè López was born in Barcelona in 1979. She has illustrated about twenty books and she is the author and illustrator of two illustrated books published in France: Qui es-tu?, shortlisted for the Baobab award, and L’enfant qui mangeait des margouillats. Age: 13 + 48 | F O N DO DE C ULTURA ECO N Ó MI C A Los espejos de Anaclara [Anaclara’s Mirrors] Mercedes Calvo Illustrated by Fernando Vilela 1st ed., 2009 52 pp. 17.5 x 24.6 cm (6.9 x 9.7 in) Picture book ISBN 9786071600950 L os espejos de Anaclara reflects, from the point of view of childhood, the fantasy of a girl who watches the mirror and imagines that her eyes are two doors through which she can enter to discover what is locked up in this interior: dreams, fear, pain, joy and longing. A book developed along the boundaries between reality and fantasy and along the conduits by which these two communicate. Mercedes Calvo was born in Uruguay in 1949. She has taught since 1971 and as a teacher she always had a special love for poetic language, which led her to direct several projects and publications on poetry for children. She wrote many texts on the subject in specialized magazines for teachers and in 1997 she started working in adult education. Starting from 1999 she worked as proof-reader at the Department of Publishing and Printing of the Council of Elementary Education of Uruguay. Retired since 2006, she now devotes her time to writing poetry for children. Fernando Vilela was born in São Paulo, Brazil, in 1973. He is a visual artist, author, illustrator and professor. He studied his major in Fine Arts at the University of Campinas and his masters degree in Arts at the University of São Paulo. As a visual artist he works with several techniques such as engraving, sculpture and installation. He has been awarded locally and internationally. His book, Lampião e Lancelote, was the winner of the Jabuti Award and the Bologna Ragazzi Award in 2007. Fernando Vilela frequently exhibits his artistic works and gives workshops and conferences worldwide. • Winer of the Hispano-American Poetry for Children Award, 2009 (Fondo de Cultura Económica, Fundación para las Letras Mexicanas) Ages: 8 + Portuguese rights sold w w w. fo n do decu l tu raeco n o mi c a. com | 49 Las aventuras de Max y su ojo submarino [The Adventures of Max and His Underwater Eye] Luigi Amara Illustrated by Jonathan Farr 1st ed., Fce Mexico, 2007 64 pp. 18 × 24 cm (7 × 9.5 in) Picture book ISBN 9789681684501 A fter Max loses his right eye by accident, he finds out that he can see things from two different points of view at the same time. With his wandering eye, Max sees his school, night, and his family in a new way. When his eye turns into a mutant pearl and describes what it sees from the ocean bed, we see the underwater world from a dazzling new perspective. These ingenious narrative poems express an instinctive sense of the fabulous and extraordinary humor as it demythologizes childhood. Luigi Amara was born in Mexico City in 1971. He is a poet and essayist, and has published several books of poems: El decir de la mancha, El cazador de grietas, Pasmo and Envés. He has also written a book of essays El peatón inmóvil. He was awarded the 1998 Elías Nandino Young Poets Award and has received grants from the Mexican Institute of Fine Arts and the National Foundation for Culture and the Arts (FONCA). He is also a member of the National Artists Registry. Las aventuras de Max y su ojo submarino is his first book of poems for children. Jonathan Farr was born in Oxford in 1973. He studied sculpture at the Slade School of Fine Art in London. His work has been exhibited in Mexico and Europe. He paints murals and creates stained glass windows for churches, and has illustrated books for various publishers. He is the illustrator of ¿Para qué usas la lengua? and Ripios y adivinanzas del mar, and author of the Plip and Charly series, also published by fce. • Winner of the 2006 Hispano-American Poetry for Children Award Age: 6 + Portuguese rights sold 50 | F O N DO DE C ULTURA ECO N Ó MI C A Tigres de la otra noche [Tigers of the Other Night] María García Esperón Illustrated by Alejandro Magallanes 1st ed., Fce Mexico, 2006 40 pp. 18 × 24 cm (7 × 9.5 in) Picture book ISBN 9681682726 A book about the power of imagination and play; about growing and discovering the world, with its dangers and its potential. The poems make multiple references to the tiger as an archetype, and to other authors including Kipling, Borges, Verne and Salgari. María García Esperón is a teacher, science journalist and writer. She has written scripts for the Instituto Mexicano de la Radio, articles on painting, dance, music, theater and books for the newspaper El Heraldo de México, and coauthored articles for the periodicals El Perico Consentido and La Ciencia Recreativa. She recently won the 2007 Norma-Fundalectura Award for Children’s and Young Adult Books. Alejandro Magallanes studied graphic design at the ENAP (School of Art of th National University of mexico). He has illustrated children’s books for Mexican and foreign publishers, and has designed award-winning posters. He has been a member of Alliance Graphique Internationale since 2004. • Winner of the Hispano-American Poetry for Children Award, 2006 Age: 6 + w w w. fo n do decu l tu raeco n o mi c a. com | 51 Hago de voz un cuerpo [Voices from the Body] María Baranda (comp.) Illustrated by Gabriel Pacheco 1st ed., Fce Mexico, 2007 156 pp. 17 × 24 cm (6.7 × 9.5 in) Picture book ISBN 9789681684006 T his wonderful picture book is all about the body: hands, hair, nails, arms, the neck and more. Fifteen outstanding Mexican poets have used their words to create an enchanting series of metaphors of the body. María Baranda is one of the most important poets of her generation. In 1995 she was awarded the Efraín Huerta National Poetry Award for her book Los memoriosos, the Villa de Madrid International Poetry Award in 1998 for Moradas imposibles and the Aguascalientes National Poetry Award for her book Dylan y las ballenas in 2002. The fce published her books Atlántica y el rústico in its Mexican Literature series in 2002, and Marte y las princesas voladoras in the A la Orilla del Viento series, in 2006. Gabriel Pacheco was born in Mexico City in 1973. He studied Stage and Set Design at the National Institute of Fine Arts. He won the Tenth Città de Chioggia International Illustration Competition in Venice in 2004, the first place in the Fourteenth Catalogue of Children’s and Young Peoples’ Books Illustrators and the 2004 International Picture Book Award. He has participated in exhibitions in Mexico and Italy, and was included in the 2007 and 2008 catalogue of the Bologna Illustrators Exhibition. He has illustrated books for the leading Spanish and Italian publishing houses. • • • • New Horizons Mention RagazziBologna Award Selected for 50 Books / 50 Covers, 2007 aiga, NY The White Ravens, selection 2007 Quórum Design Award 2007 Age: 7 + 52 | F O N DO DE C ULTURA ECO N Ó MI C A Árbol de la vida [Tree of life] Marco Aurelio Chavezmaya Illustrated by Manuel Monroy 1st edition, 2010; FCE-Fundación para las Letras Mexicanas 44 pp. 7 × 9.9 inches Picture Book ISBN 9786071604446 T he poems included in this book are made entirely from words that would be very familiar to a child, the poetic expression in these works venture into the reprisal of a special kind of poetry—one of primeval intimacy, and one that suggests a direct bond between the natural world and the blossoming of language. Marco Aurelio Chavezmaya was born in Metepec, Estado de México in 1960. He is a narrator, poet, editor and cultural promoter. He has won the National Poetry Award ‘Gilberto Owen Estrada’ and the National Short Story Award ‘Gregorio Torres Quintero’. He represented Mexico in the Mexican Week in Peru and in the XII Poetry Congress in Bento Gonçalvez, Brazil. Manuel Monroy was born in Mexico City in 1970. He studied Graphic Communication Design and he has been an illustrator since 1994. His work has been acknowledged with the 1995 Quórum Award and the 2001 Noma Encouragement Prize in Japan. He is also the author and illustrator of the book Rabieta trebejos, published in this collection. • Winner of the 2009 Latin-American Children’s Poetry Award Age: 7+ w w w. fo n do decu l tu raeco n o mi c a. com | 53 r Fo Huellas de pájaros c th g in om [Birds’ footprints] Ramón Iván Suárez Caamal Illustrated by Mauricio Gómez Morin 1st edition, 2011; FCE-Fundación para las Letras Mexicanas 36 pp. 7 × 9.9 inches Picture Book ISBN 978-607-16-0582-5 C omposed by shape poetry, this book shows the richness of children’s imagery: games, dreams of the sea, the animals that hide behind the thickness of the woods and convey their voices through the poet’s words. Each poem represents the indelible footprint of a bird that left its trace in a child’s notebook and each footprint is a drawing which comes to life revealing both a visual and audible rhythm. This collection of poems appeals to children’s watchful eyes, they will come back to the book once and again to explore the curtains which rise in each page and in this stage words are interwoven with harmony. Ramón Iván Suárez Caamal was born in Campeche in 1950. He studied at the Rural Normal School in Hecelchakán and at the Mexican Superior Normal School, with a major in Spanish Literature. Throughout his literary career, he has won many prizes such as the National Poetry Award ‘Jaime Sabines’. He promotes reading and is the author of over twenty poetry and prose books, as well as several textbooks such as Poesía en acción, Manual para talleres literarios y Juguemos con el español. Mauricio Gómez Morin was born in Mexico City. He studied engraving and painting. Although he is a painter, he prefers ‘minor arts’ such as street art, exhibition design and illustration. He has illustrated a wide variety of children’s books and has been a collaborator in the newspapers La Jornada, Reforma and the magazine Letras Libres. He was the art director of children’s books collections at Fondo de Cultura Económica, where he has illustrated several books. He was nominated for the Hans Christian Andersen Award in 2007 for his work as an illustrator. • Winner of the 2010 Latin-American Children’s Poetry Award Age: 7+ 54 | F O N DO DE C ULTURA ECO N Ó MI C A Cuento del Conejo y el Coyote [The Tale of the Rabbit and the Coyote] Natalia Toledo Illustrated by Francisco Toledo 1st ed., fce Mexico, 2008 48 pp. 28 × 19 cm (11 × 7.5 in) Picture book ISBN 9789681676681 A classic story from Mexican oral tradition that tells why the coyote always howls at the Moon, retold through the live language of a Zapotec writer. Rabbit steals chili peppers from a garden, and the farmer sets a trap to catch him. About to be stewed, Rabbit sees Coyote who, while trying to help him, ends up taking his place. Thus begins a chain of adventures in which the clever rabbit mocks Coyote time and time again. Natalia Toledo, currently one of the most active and important writers in the Mexican literary landscape, adapted this traditional Zapotec story by translating it into Spanish. The visual quality makes this book not only a great literary work, but also a collectible for all those who love Mexican visual arts. Natalia Toledo was born in Juchitán, Oaxaca, in 1968. She is a bilingual poet (Zapotec-Spanish). She studied at the General Society of Mexican Writers School (sogem). She has participated in many literary encounters, including the First Encounter of Writers in Indigenous Languages MexicoCentral America, held by unesco, and the Continental Encounter of Writers in Indigenous and Afro-Caribbean Writers in Quintana Roo. She currently presides over the Patronage of the Juchitán House of Culture. Francisco Toledo, the foremost Mexican painter, is from Oaxaca (1940). In 1957, he began his studies at the Free Engraving Workshop of the National Institute of Fine Artes (inba) School of Artisanship and Design in Mexico City. His work has been presented since 1959 in museums in Mexico, the United States, Europe, and Central and South America. In 1989, he donated a collection of graphic work in order to found the Graphic Arts Institute of Oaxaca. He lives alternately in Oaxaca and Mexico City. Age: 6 + w w w. fo n do decu l tu raeco n o mi c a. com | 55 r Fo Barba azul c th g in om [Bluebeard] Charles Perrault Illustrated by Cristoph Wischniowski 32 pp. Picture book BARBA AZUL 5 B efore setting out on a trip, Bluebeard gives his wife a bunch of keys which opens all the doors of his castle, but he warns her that under no circumstances she can get into a specific room. But the young lady, overwhelmed with curiosity, gets into the forbidden room and finds out the dead bodies of his prior wives hanging on the walls, without knowing that Bluebeard would come back in an unexpected way to find out her treachery, event that will unleash his rage and put her life in danger. Charles Perrault was born Paris in 1628. He was an autodidactic literature student. He was in charge of literary and artistic politics of Louis XIV for many years. He wrote 46 works from which Histoires ou Contes du Temps passé is the most known. He died in 1703. Cristoph Wischnioswki was born in Germany in 1974. He did oil and fresco painting restoration before studying graphic arts. In 2002, he studied the Mexican techniques of photogravure during his stay in the Academy of San Carlos. Since that moment he has kept a close relationship with Mexico, where he has developed his artistic labor. 16 56 | F O N DO DE C ULTURA ECO N Ó MI C A El nombre del juego es Posada [Posada Is the Name of the Game] Hugo Hiriart Illustrated by Joel Rendón 1st ed., fce Mexico, 2005 48 pp. 20 × 27 cm (7.8 × 10.8 in) Non Fiction ISBN 9681673549 L a Catrina is a train ride into the world of José Guadalupe Posada, engraver and commentator on Mexican society in the Revolutionary Era. In this story, disaster and tragedy mingle with human characters like those Posada so often caricaturized; a doctor who turns his daughter’s suitor into a chicken, the handsome son who mistreats his parents, the woman who meets the Devil himself, and more. An ingenious and amusing tale that introduces young readers to the imagination, the wit and the engaging pictures by one of the greatest Mexican artists, whose portrayal of the spirit of Mexico transcended the country’s borders. The book includes information about the history of engraving in Mexico, the calaveritas and Posada’s games—the coyote, the charro smugglers. Hugo Hiriart is a writer and theater director. He studied Philosophy at the National University of Mexico and painting at La Esmeralda (Mexican National School of Painting, Sculpture and Engraving). He won the Xavier Villaurrutia Award and is a member of the National Artists Registry. Joel Rendón was born in Izúcar de Matamoros in the state of Puebla in 1967. He studied Visual Arts at the Mexican National School of Art. His work has been exhibited in Mexico, Cuba, Argentina, Spain, North Africa and the United States. In a series of short episodes called ‘Estampa al Minuto’ produced by Mexico’s Cultural Channel 11, he taught children about the principles and techniques of engraving. Age: 8 + w w w. fo n do decu l tu raeco n o mi c a. com | 57 El vuelo de Eluán Fernanda y los mundos secretos [Eluan’s Flight] [Fernanda and the Secret Worlds] León Krauze Ricardo Chávez Castañeda 1st ed., fce Mexico, 2005 136 pp. 14 × 23 cm (5.5 × 9 in) Fiction ISBN 9681674618 1st ed., fce Mexico, 2005 136 pp. 14 × 23 cm (5.5 × 9 in) Fiction ISBN 9681670558 E luán is a teenager of a winged race of people who are about to begin their flight from a cave in the high mountains near the Sea of the Dangralos. When Eluán’s cave becomes too small for him, he must overcome his fears of throwing himself into the void and flying. His journey will take a different path than that of all the others, and he’ll fly, with the reader, into new and fulfilling adventures. León Krauze was born in Mexico. With multidisciplinary interests in international affairs, he is also a promoter of graphic media, and works on numerous publishing and video projects through the publishing house Clío. He is also a promising young novelist. Age: 14 + • An epic and fantastic novel about growth and detachment. • Provides a rich engaging narrative for adolescents and young adults. T en stories about different ways to see, smell, feel and experience the world. One child can not go out in the sun, another carries an ocean within, another lost a leg, another is haunted by a ghost, another sees only half of everything. This series of stories promote tolerance by helping the reader to understand others who are different. Ricardo Chávez Castañeda was born in Mexico City in 1961. He writes novels and short stories. He has won the 1994 Latin American Story Award, the 1987 Borges Short Story Award, the 1994 Mexican National Novel Award, the 1993 and 1994 Mexican National Young People’s Novel Awards, the 1993 Mexican National Children’s Story Award and the 1991 National Short Story Award. Along with other writers including Jorge Volpi, Ignacio Padilla, Vicente Rasti, he is part of the Crack movement, a Mexican literary movement of the mid-1990s. Age: 14 + 58 | F O N DO DE C ULTURA ECO N Ó MI C A Severiana Severiana Ricardo Chávez Castañeda 1st ed., FCE-Mexico, 2010 172 pp. 14 × 23 cm (5.5 × 9 in) Series: A Través del Espejo ISBN 9786071602619 • paperback C hildren begin to disappear without any explanation and the city becomes increasingly paralyzed. Schools and parks are closed and public meetings are strictly forbidden. Fear and perplexity consume parents and teachers alike. The police seem incapable of action. A group of friends searching for clues discover a secret door and, unaware, reveal a mystery involving hidden worlds behind words, a utopian land called Severiana. Ricardo Chávez Castañeda (Mexico City, 1961) is the author of several novels and books of short stories. He won the 1987 Borges Short Story Award, the Premio Nacional de Novela Juvenil (1993 / 94) and the National Children’s Short Story Award (1993). Age: 13+ A story about the mysteries of language and their implications in a world where imagination merges with reality by means of the word w w w. fo n do decu l tu raeco n o mi c a. com | 59 www.fondodeculturaeconomica.com © 2010, Isol, illustration Obras para niños y jóvenes FCE