Calendar of Events May 1937 - DigitalCommons@RISD
Transcription
Calendar of Events May 1937 - DigitalCommons@RISD
Rhode Island School of Design DigitalCommons@RISD Calendar of Events Brown/RISD Community Art Project 5-1-1937 Calendar of Events May 1937 Brown/RISD Community Art Project Follow this and additional works at: http://digitalcommons.risd.edu/ brownrisd_communityartproject_calendarevents Part of the American Art and Architecture Commons, Ancient History, Greek and Roman through Late Antiquity Commons, Art Education Commons, Art Practice Commons, and the Educational Leadership Commons Recommended Citation Brown/RISD Community Art Project, "Calendar of Events May 1937" (1937). Calendar of Events. Book 13. http://digitalcommons.risd.edu/brownrisd_communityartproject_calendarevents/13 This Monthly is brought to you for free and open access by the Brown/RISD Community Art Project at DigitalCommons@RISD. It has been accepted for inclusion in Calendar of Events by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. COMMUNITY ART 3 £ I" <t> a> 8 g — o a> a> (D <D PROJECT Qi CALENDAR of ART EVENTS May—June 1 9 3 7 Volume Four Number Five The Helen Adelaide Rowe Metcalf building is the latest addition to the Rhode Island School of Design and extends from North Main Street up the hill to THE RHODE ISLAND SCHOOL OF DESIGN offices for the Departments of Mechanical Design, Arch itecture, and Interior Design. Unit No. 2 extends from the archway east to that sec Benefit Street, bordering the north side of College tion upon which the panel of Fine Arts, by Lee Lawrie, Street. Following the devoted interest and the personal has just been completed, and has its entrance opposite energy of his mother, Helen Adelaide Rowe Metcalf, the Court House. Here, the special touches of color and of his sister, Eliza Metcalf Radeke, Stephen O. become red, which is as it should be, for in these studios Metcalf, for many years treasurer of the Corporation, and classrooms much of the life and vitality of the School generously adds this building in memory of his mother. must vibrate. Here students learn the technical and the The new building is laid out in three closely related intellectual demands of drawing and painting, and their units, a procedure imposed by the peculiar character of history, and a more fluent use of the mother tongue (for the plot of ground on which it stands. all students must continue their studies in English). The large painting and drawing studios are undoubt Unit No. I is that portion of the building situated at edly as fine as those to be found in any schools of art the Main Street end, extending east to a point where the the world over. Each is equipped with a large soapstone upper portion assumes a different floor level just west sink, and wall sockets for flexible special lighting as of the Archway. Special color notes of green in certain needed. Walls are of cinder block, having comparatively of the rooms and on stairways are used for no particular fine grain surfaces in order to insure a reasonably smooth reason unless green symbolizes fruitfulness and hope for plane. At different levels wood strips are placed for the aesthetic future of our community. On the first and hanging backgrounds, illustrative material, or students' second floors in this section of the building are the Executive head, the Dean, the business management, the School's new administrative offices, including the Presi Registrar, the Superintendent of Buildings, and the dent's and Trustees'; the latter room has a natural Community Art Project have offices in this section. work. In this unit is the two story sculpture studio having a pine wood trim, wainscoting, and an old fireplace Immediately above on the third, fourth, and fifth working balcony on three sides, and equipped with tracks mantel from the Manning House which was razed. The levels is a series of drafting rooms, classrooms, and and chain hoists for handling stone and other heavy material in any part of the studio. Here, also, are the also, is a second old mantel (taken from one of the old Nebraska State Capitol, and at the entrance of the newly equipped carpenter and painting shops where buildings) scraped down to give it its natural pine color. R. C. A. Building, Rockefeller Center, New York. museum cases and other school equipment are made A rest room, coat room, and lavatory complete the and finished by experienced cabinet makers and painters. arrangements. There is one area on the north side of Unit No. 2 which On the opposite end of Unit No. 3, at the corner of has a movable partition wall a little west of the middle. College and Benefit Streets, is the soft gray green Men's In the larger side, there will be fixed seats for class lec Faculty room, architecturally a duplicate of the women's ture purposes, accommodating about 150 students. By room. Here the old fireplace is reproduced. Both rooms moving the partition, at least 75 more seats may be are to be furnished later by friends of the school. installed as occasion demands. Otherwise, this smaller room will be used for studio purposes. The color note on the stairways in Unit No. 3 is blue, symbol of truth and education. The exterior entrance doors to each unit will also employ these colors, although emphasis on colors should not be given too serious atten tion as a slight variety is all that is intended in so long a building. Happily, the architect, F. Ellis Jackson, of Jackson, Robertson and Adams, designed the Court House on Above the library, there are studios for the Depart the opposite side of College Street, and his admirable ment of Graphic Arts and the wonderfully iighted design for the new School building is in beautiful har Unit No. 3 with entrance on Benefit Street has three rooms of unusual distinction. The first is the 40 x 71 foot Library with balcony and teakwood cases. An arched ceiling gives the room a spacious appearance, while alcoves on the main floor and on the mezzanine above add to its attractiveness. West of this main reference room are workroom, slide and picture room, office, and metal stacks. The library has a capacity of about 40,000 volumes. The present number is between 15,000 and 20,000. monitor on top is to be used for etching and block mony with it. printing. From the plaza at the foot of the hill, the view looking On the north end of Unit No. 3, next to Memorial Hall, are two limestone panels, one typifying "Industrial Arts," nearer Benefit Street, and the other, "Liberal Arts," just west of the first one. Mr. Fred Pfeiffer, master craftsman from Cleveland, Ohio, carved the three pan els from exact size plaster models made by Lee Lawrie, internationally known sculptor, other examples of whose work are to be seen in the Law Library at Cornell, The other two special rooms are for the Faculty. The the reredos of St. Thomas' Church, New York, the Hark- Women's Faculty room is at the right as one enters from ness Memorial Tower and Archway, Yale University, the Benefit Street and is painted in a rich yellow tone. Here, National Academy of Sciences, Washington, D. C., the by these two structures—toward the handsome Beckwith house, now the home of the Providence Handicraft Club, the classical Athenaeum opposite, the John Hay Library and, just beyond the fine old English elms, beautiful old University Hall on Brown University Cam pus—is one of the most attractive to be found anywhere, and the School of Design can truthfully say that no other institution designed for its particular purpose is more adequately and beautifully housed and equipped than this one. ROYAL B. FARNUM. CALENDAR EXHIBITIONS OUTSIDE OF RHODE ISLAND Sunday, May 2 New Haven, Conn., Gallery of Fine Arts, Yale University To May 15—Selections from American Index of Design. May2-June 6—Early English Water-colors. May 14-22—Exhibition of Architectural Competition Drawings for New York World's Fair. May 17-22—Exhibition of Drawings Submitted in This Year's Rome Collaborative Competition. June 17-30—Students' Work. June 17-30—Recent Accessions. Andover, Mass., Addison Gallery, Phillips Academy To May 16—Modern Painters and Sculptors as Illustrators (lent by Museum of Modern Art). Mayl6-June20—Federal Art Projects in New England: A Summary. Boston, Mass., Guild of Boston Artists May 5-June 30—Annual Spring Exhibition by Members of the Guild. Music Week: Male Chorus Program. Sayles Hall, Brown University, 4:00 P. M. Music Week: Recital by Joseph Paul Smith, Baritone, of New York. Sayles Hall, Brown University, 8:15 P. M. Monday, May 3 Music Week: All Club Program. Sayles Hall, Brown University, 8:15 P. M. Basement Studio Group presents a dramatic reading of Act 5 of "Measure for Measure" by Shakespeare followed by a talk by Mrs. J. Perry Evans on "The Women of Shakespeare". Tea. 80 Benefit Street, 8:10 P. M. Tuesday, May 4 Music Week: High School Chorus, directed by Dr. Walter H. Butterfield. Central High School, 8:15 P. M. Wednesday, May 5 Music Week: W. P. A . Providence Concert Orchestra, directed by Edward Kaffier. Nathaniel Greene Junior High School, 8:15 P. M. 'Brownbrokers present "Man about Brown". Faunce House Theater, Brown University, 8:30 P. M. Thursday, May 6 Boston, Mass., Museum of Fine Arts Thru May 9—Paintings and Drawings by Alexandre lacovleff. May 13-27—Annual Exhibition of the Museum Drawing Classes. May I-June30—Recent Accessions. Cambridge, Mass., Fogg Art Museum, Harvard University May6-June6—The Art of the Renaissance Craftsman: Tap estries, Goldsmith's Work, Enamels, Bronzes, Crystal, and Manuscripts. Cambridge, Mass., Germanic Museum Saturday, May 8 May 3-24—Paintings and Drawings by Friedrich Springer. Music Week: Program by the Juvenile Clubs. Gilbert Stuart Junior High School, 3:00 P. M. Music Week: Program by the Junior Clubs. Roger Williams Junior High School, 8:15 P. M. 'Brownbrokers present "Man about Brown". Faunce House Theater, Brown University, 8:30 P. M. Springfield, Mass., Museum of Fine Arts Apr. I l-May 10—Surrealist Exhibition. May I 1-30—Edward Burra. Wellesley, Mass., Farnsworth Museum Sunday, May 9 May 3-24—Twenty-five Water-colors from the Permanent Col lection of the Museum of Modern Art. June l-On—Students' Work, 1936-37. Worcester, Mass., Worcester Art Museum To May 26—Exhibition Artists. of Painting Music Week: Concert by Chamber Music Group from the Providence Symphony Orchestra and the Junior League Glee Club. Nathan Bishop Junior High School, 8:15 P. M. *Brownbrokers present "Man about Brown". Faunce House Theater, Brown University, 8:30 P. M. Friday, May 7 Music Week: Concert by the Rhode Island Civic Symphony Orchestra, directed by Dr. Wassili Leps. Central High School, 8:15 P. M 'Brownbrokers present "Man about Brown". Faunce House Theater, Brown University, 8:30 P. M. by Worcester County May 2-16—Exhibition of Photographs by the Worcester Photo Clan. May3l-Junel3—Exhibition of Work Worcester Art Museum School. of Students of the Music Week: Program of the Massed Choirs, directed by Elmer G. Wilson Smith, Central High School, 4:00 P. M. Music Week: Program by the Catholic Choral Club; Gertrude Josesfy Chase, pianist, and Edwin Spuntzner, cellist; Lorette Gagnon, piano soloist. La Salle Academy, 8:15 P. M. Monday, May 10 Basement Studio Group presents a dramatic reading of Acts I and 2 of "The Merchant of Venice" by Shakespeare. Tea. 80 Benefit Street, 8:10 P. M. Saturday, May I 5 To May 30—Primitive Rock Pictures from the Frobenius Col lection. 'May Day exercises and presentation of the Sophomore Masque. Pembroke College Field, 3:00 P. M. Monday, May 17 Basement Studio Group presents a dramatic reading of Acts 3 and 4 of "The Merchant of Venice" by Shakespeare. Tea. 80 Benefit Street, 8:10 P. M. June—Modern Painting and Sculpture. 'Admission Charged. New York, N. Y., Museum of Modern Art EXHIBITIONS IN RHODE ISLAND Faunce House Art Gallery, Brown University Apr. 27-May 15—Portrait Drawings of Members of the Boston Symphony Orchestra by Gerome Brush. May 17-29—Brown Camera Club Exhibition. June 8-22—Facsimile Reproductions of Drawings by Degas. John Hay Library, Brown University May 1-31—Silver Cup presented to Peter Baumgras, Artist. Lincoln Collection. June 1-30—Special Collections of Brown University Library. School Gallery of the Rhode Island School of Design May 1-8—Exhibition of Amateur Photography. May 10-15—Exhibition of Jewelry Designs. May 26-June 23—Annual Exhibition of Students' Work. Museum of the Rhode Island School of Design To May 9—Swedish Handicraft. To May I I—Exhibition of Aldrich Collection of Japanese Costumes for No Drama and Japanese Priest Robes. Providence Art Club To May 2—58th Annual Exhibition. May 4-16—Ruth Robinson and Charlotte H. Jordon. May 18-30—Boston Art Club. June 1-13—Younger Rhode Island Artists. June 15-On—Summer Exhibition. Art Association of Newport May 1-31—Exhibition of Work of the Pupils of the School. Armour Gallery, 75 Arcade May 1-14—Prints by Thomas Nason A. N. A.; Etchings by O. Van Rye. May 14-30—Abstractions by Banigan Sullivan; Etchings and Drawings by E. S. Lumsden. June 1-14—Drawings by John H. Wells. June 14-30—Etchings by Diana Thorne. Tilden-Thurber Gallery, Westminster Street May 3-15—Old Prints. May 17-29—Etchings. May 3 I-June 12—Colored Etchings by Luigi Kasimir. Nathaniel M. Vose Gallery, 75 Olive Street To May 3 I—Oils by Allan G. Cram and Etchings by Henry J. Peck. American Homemakers, Inc., 42 Weybosset Street May 25-28—Exhibition of Work by Members: Restored An tiques, Trays, Furniture, Metal Work, Hooked Rugs, and Weaving. Monday, May 24 Basement Studio Group presents a dramatic reading of Act 5 of "The Merchant of Venice" by Shakespeare followed by a one act modern play. Tea. 80 Benefit Street, 8:10 P. M. Monday, May 31 Basement Studio Group presents a dramatic reading of "Ghosts" by Ibsen. Tea. 80 Benefit Street, 8:10 P. M. Monday, June 7 Basement Studio Group presents dramatic readings of scenes from Shakespeare. Tea. 80 Benefit Street, 8:10 P. M. Sunday, June 13 Annual Spring Concert of the Festival Chorus, assisted by Goldman's Band and Miss Rosa Tentoni, Metropolitan Opera Soprano. Temple of Music, Roger Williams Park, 3:00 P. M.