The Hidden Truth: Myths Edition
Transcription
The Hidden Truth: Myths Edition
Good Luck, Miguel!! The other day while we were preparing photos with Miguel for a presentation, he took an entire roll of paper, and when we weren’t looking, he slammed it on the table. We were all screaming, and Ronya yelled “Why!...Why!...” Miguel didn’t say anything. He just looked at us, silent, and walked away. This was our loveable Miguel, who was always joking at AS220. But Miguel is leaving us to go pursue a life out on the west coast, where, we hear, it is always sunny, where almost all year long it is beach time, where he can sing his salsa music in warm California weather, where he can find a new audience for his perfect imitations of everyone from central America to north Providence, and where he will begin his own professional photographic journey. In response to this inevitable fact, the entire studio cries: “Why! Why!” He’s a one-of-a-kind guy at AS220: taking photo classes in the training school, teaching classes at the training school, he’s been on every end of everything that goes on here. He’s the one who knows about what it means to teach here, what it means to learn here, the one who is wise and humble at the same time. A dedicated Photography instructor, by putting things inside the frame, he helps us think outside the box, and fill this whole place with love. We are writing this note to Miguel as a group, here in creative writing class, and it’s clear just from the environment that we are all under Miguel’s permanent influence. Edwin says: “he’s my sensei.” Brian: “He’s the kind of person you want to look up to (He’s also the sh*t). Nick: “Everything. Cool.” Bryan: “He’s the one who taught me how to use a camera.” Sam: “Miguel was one of the first people I saw in the professional world who I actually wanted to be like. I saw him biking home from gigs, with no gloves on, in the winter, late at night. People respect him as a teacher, but his presence contradicts everything boring, closed, and conservative about school.” It makes sense that he’s going west. Anyone that radical is also transcontinental—goodbye Miguel! Thank you for showing us how to in the words of Jean Toomer “meet the world’s terms, but never accept them.” The hidden truth: Myths edition When we sat down to make this most recent issue of The Hidden Truth, we were jazzed about a couple of things. First, we had been hard at work on a series of videos, broadsides, shows, postings, dispatches, and more for the Smithsonian Museum’s Will to Adorn project, an ongoing conversation sponsored by the Smithsonian that aims to document African American style, sounds, shines. Forms of adornment, in other words. Anything that has to do with that generally gets us excited around here. Second, we were beyond jazzed to host the Alchemy Group at the Studio and at the Rhode Island Training School. Alchemy is an organization of young black men who came to us to share their myths and their conversation. Through a series of incredible workshops (with crying, laughter, crying after laughter, laughter after crying, and dunkin donuts), they were able to rephrase our problems in the forms of myths, myths that were funny, passionate, violent, sad. Everyone who listened felt as if they shared in something, shared sorrows, shared strategies for confronting those sorrows. Except we were talking about kings, queens, gold, sorcerers, sensous love, the murder of horses, etc, instead of the streets of downtown Providence. It was with these things in mind, the expressions of a culture, the sharing of stories—that we decided to make this issue of The Hidden Truth all about myths. Edwin P, Brian A, Chris J, Nick F, Brian F, and Lener M made up the staff of the 1 magazine, and their hard work has paid off. The greek word MUTHOS, which is where we get ‘myth’ from, actually meant simply, ‘word,’ or ‘speech.’ It is impossible, in other words, to separate what myths are and were from what communication was and is. Stories, symbols--the things we show, share, and tell one another—these things are like the connective tissue in our communal body. Word-fibers. Myth-capillaries. Okay, enough. We hope you enjoy checking out what we’ve been thinking about down here. Ryan Dwyer, Gianna Rodriguez, and Sam Sullivan helped to put the issue together. Anne Kugler and Karen Orsi were also instrumental. ELIZABETH YANIRI 2 contents: 4 Ronya t interviewed 6 BRIAN A’s NOTEBOOKS 10 ariel b explains jaguars 12 mythical foods 15 statshot: bigfoot 17 EDWIN P AND JOSEPH RODRIGUEZ 22 r.i.t.s. pics with myths 25 Chris J, mystic 27 lener M reflects on those who have passed roberto carlos 3 RONYA T MAkes MYTHOLOGICAL CLOTHING for the WILL TO ADORN An interview with the painter of signs, symbols, and soul photo by matt a 4 What Are You Working on right now? I am currently working on the Will to Adorn project trying to finish everything in time for the big show which is coming on pretty fast. The Will to Adorn is a night that is dedicated to African American style and expressive culture. Have you always been a painter? How has painting changed your outlook on making art? No I have not always been a painter. In fact, I still am trying to come to grips with the fact that people are liking my artwork. It’s amazing. Experimenting with art has actually I think made me find another outlet for my emotions. Whenever I felt down or sad, I used to write. Now I think of a painting as something that can describe my feelings in an image. How are your paintings and will to adorn projects related to Myth? Well that’s actually a good question. In my painting, I think have taken on more of a sense of my heritage since I started this project. Which I would imagine will happen when some one works on a project long enough. What is the relationship between myths and art? Are they the same thing? The relationship between myth and art is tricky. I don’t really think I can answer that, because I actually think that art making has a lot to do with myths. Whenever I have an image pop into my head it stays there, making me want to paint it all day. A part of me wonders: why is this bothering me so much? It’s like a hold. Unless I get it out, I can’t focus the whole day. Now, what if in reality this is my ancestors telling to make something? Or does it just come from the myths I hear? I guess we will never know. how would you define a symbol? The definition for symbol means something that holds depth for the person or causes a certain reaction or non-action. In my opinion anything can be a symbol. I am a very understanding person, or at least I try to be, so anything can be a symbol, even myths. 5 METALLIC MYTHOS: THE NOTEBOOKS OF BRIAN A 6 ANUBIS Verse 1: HE IS THE GOD OF DEATH, WHO LIKES TO KILL AND SELL YOUR SOUL. HE IS PURE TERROR, WORSE THAN SATAN. HE IS A GOD; HE LIKES TO KILL AND DESTROY. INTO RED. RAINING BLOOD; HE IS LAUGHING CAUSE HE THINKS HE IS GOD. INCREASING HIS POWER ,PRAYING TO HE IS GOING TO CATCH HIS PREY. Chorus Chorus: IF YOU ARE OUT AND YOU SEE ANUBIS “YOU RUN.” IF HE CATCHES YOU, HE WILL SELL YOUR SOUL. WITHOUT MERCY “HE WILL KILL.” WITH A COLD HEART ANUBIS KILLS AND SELL SOULS. “HAHAHAHAHAHAHAHA” Verse 2: YOU WILL KNOW WHEN HE SHOWS AROUND. THE SKY WILL TURN Verse 3: HE JUMPS FROM HELL TO HEAVEN LOOKING FOR SOULS. HE COMES TO EARTH WITH DEATH TO GET MORE. THERE IS NO M ATCH TO HIS POWER. IT’S BETTER FOR YOU IF YOU STOP HIDING AND WHAT YOU DON’T KNOW IS THAT ANUBIS “SOY YO.” I did this song because my teacher and friend Sam was doing a project with cards about goddesses and gods from different places. I chose the card for Anubis, and I found out that he was the god of death from Egypt, and that he sells souls. My friend Sam told me to write a song about that. The next day I came up with this song Anubis; I am already done, finished, finito. A lot of metal is mythological or almost mythological. Here is a quote from the Slayer song, “Hell Awaits”: “Priests of Hades seek the sacred star / Satan sees the answer lies not far / Zombies screaming souls cry out to you / Satanic laws prevail your life is through / Pray to the moon... when it is round / Death with you shall then abound / What you seek... for can’t be found / In sea or sky or underground...” 7 Kyle C 8 Carlos h 9 ARIEL B HOW THE JAGUAR CAME TO BE Myths, we have learned, can often explain the origins of a thing, a people, a place.. In all of the earth, there were many animals—except the one that we have today called the panther. One day a lion was roaming around in the jungle away from it’s pride looking at new sights. He kept on walking and walking all alone in the jungle. The sun was blazing bright and the day was full of warmth. There were many animals talking amongst themselves, birds chirping, animals growling, insects making small noises, tree frogs croaking, and small animals rustling around on the ground. The lion wandering about came across a type of bird called the owl; he spotted it from afar without the owl knowing of his presence. He was furtive about not being seen. The owl caught the lion attention because 10 of its dazzling eyes that glistened in the sunlight. The lion had never seen such beautiful eyes and thought to himself that he HAD to have them. So he left to make his plan. The lion retreated back to his pride to think of how he could get those beautiful eyes. The lion thought that should disguise himself so no one would see him, and so that he would be able to sneak around. The lion decided to paint himself black so he wouldn’t be seen. He used black rocks that he found scattered around in the jungle to paint himself. He pounded and grounded the rocks he found into a dust and smudged it all over all of his body. After that, he thought his mane might give him away if he were spotted, so he cut that off. He was ready and waited until everything was quiet and silent, and began his hunt into the jungle. He walked and walked, searching for this owl. The jungle was quiet with the exception of small creatures and nocturnal animals lurking about. Many insects made distinct noises that were loud, crickets made their special sounds, and other insects made theirs. This jaguar (he was already something different) heard hoots from an owl nearby, and walked slowly towards the noise getting closer and closer with every step. Finally he came across the owl high up in a tree, sitting on a branch, the owl softly hooting into the darkness. The jaguar crouched down and then burst up the tree’s trunk as fast as he could, and snatched the owl off the branch, and pinned the owl to the ground. The owl was defenseless and the lion did not hesitate. He ate the owl whole. Then a slightly strange feeling occurred in the lion, and he roared in a different way, as if the lions voice had become something else. Then his eyes changed color too, and the night was more visible to him; his eyes were now the beautiful eyes that he wanted. This is how the lion came to be a jaguar. This is why jaguars kill and eat owls and other birds: because they want to be the only ones with nice eyes. abner r 11 INdira M Dalien G 12 Kassy K 13 Kyle C 14 STATSHOT Lener M Polls the Studio Who is uglier: Bigfoot or the Mortal Kombat character Baraka? BIGFOOT IS UGLIER: 10% BARAKA IS UGLIER: BOTH HOT: 80% 10% Who would win in a fight? BIGFOOT WINS: 60% BARAKA WINS: 40% Are spells real? YES: 86% NO: 14% Does Bigfoot have big feet? YES: 50% NO: 12.5% UNSURE: 37.5% michelle c 15 Billy P 16 EDWIN P ON PHOTOS AND MYTHOS EDWIN AND JOSEPH HAVE AN INTENSE DISCUSSION ABOUT PHOTOGRAPHY, capturing people’s stories, and what those stories can teach us. 17 During the time that Joseph Rodriguez was visiting I learned something very valuable. I know that I wasn’t the only youth student from AS220 that did. The new techniques and feelings that Joseph used to show us his photos were very deep. The photos had a lot of meaning and symbolism, a lot of expression, and different points of view. During his presentation I also noticed the way he talked about his journeys around the world. The different kinds of stories he had behind his photos, and all the different people he met, touched me in a way. Seeing a well known famous artist such as Rodriguez inspired me to do the same with my photography. He taught me something about his art: he loves what he does. He said you should continue your pursuit of happiness. Joseph opened my eyes, telling me do what I love, to continue doing my photography no matter what people say or think. Keep doing what you’re doing. He told his audience that we are all artists at as220. Keep coming up my camera is my shadow. my camera is a part of me. with our artwork, keep coming up with new ideas. In a way I got the sense even outside 18 the audience that he was telling me personally to do what I love. He understood the true meaning of photography: to capture the moment, and remember the times of what you photograph. You capture a piece of history with your camera. M y camera is my friend; my camera is my shadow; my camera is a part of me; my camera is my tool; it is also my instrument, and ill never leave anywhere. I go everywhere with my camera; I’ll have my camera to capture moments of things--beautiful things that happen in this life, talking to people, meeting new people. Taking photos of new places, and places that have meaning to me. Photography will always be a part of my life. I want to get closer and closer to my passion: working with film and digital photography. I am artist and I’m on the road to get better at what I love doing. This is the way for me to express how I feel, how I feel about places and people. I want to get get different views and perspectives from my audience. To seek the truth by taking the photo. To always remember to go back to the time when the photo was taken. I can always tell a story with my photo. I can storytell about what I can remember about the photo, and create a idea with the photo itself. Photography has helped me become a better person, thanks to Mr. Rodriguez. He reminded me of the true joy of and key to photography. I don’t want to let go of it. I want to keep coming up with my photography ideas and come with up with better ways and techniques in my photos. A myth is something that may exist or may not exist, but a photo is more reliable: it shows what is there, and what is not there. never disappear. When you see something in a photograph, you know that it happened, and you will never forget it. A myth is something that may exist or may not exist, but a photo is more reliable: it shows what is there, and what is not there. What myths have in common with the photograph are the story and the tale. It’s how you, the photographer, the myth-teller, take it, describe it. in a way, myths and photos do intertwine. They both tell stories, they both describe things, they both help people think about what’s going on in their lives, in their past, and in their past lives. P hotographs these days help the present overlap with the past. You can look back into the photo, and look back into where the photo was originally taken, what that time meant. In a family, which always needs conversations, traditions and culture, photographs are something that we can look at in order to connect with whoever is in the photo from the past while we connect with the people looking at the photo. This is the one true gift of photography. Unlike a memory, a photograph will bryan f 19 eileen 20 21 DRAWING PHOTOS, PICTURING MYTHOLOGY MIGUEL ROSARIO’s CLASS AT THE Rhode ISLAND TRAINING SCHOOL What you see the us using at the R.I.T.S. in these images is called light drawing. We do it because of the awesome visual effect, but it works particularly well at the training school: this is because it is a sensitive process, and many students play necessary roles. Someone has to get a light reading. Someone must pose as a model. Someone needs to snap the actual camera. Someone needs to count off the appropriate time of exposure. Someone needs to draw with the lights, and so forth. It ties making art--even composing a photograph--to a sense of community. The mythological content of the images is another way of enhancing that sense of community. I try to get people to connect, but if I say: ‘Oh, this is about someone from the hood who did this and did that,’ then it becomes to specific, to personal--someone ends up thinking to themselves: ‘well, that’s not how it was with me.’ When we work with myths, all the passion is still there, all the realness, all the violence, even--all the things we need to process in our own lives. But it doesn’t have to be about anyone in particular. It’s about all of us. I can say: ‘Well, what do you think about that?’ 22 Alchemy talks mYths at the R.I.T.S., performs troublesburning ritual 23 24 CHRIS J THE MYSTIC...ASK HIM ANYTHING.... Came into AS220, Sam came up to me and asked: “What is the Hidden Truth today?” I looked up at him and said, “There is NO Hidden Truth. Maybe what is “hidden,” has been right here all along. I asked Sam what his Hidden Truth is for today. He said: “Staying calm is a virtue for me.” He said he learned that over the past few months. To let it flow, to be patient--that’s an art. Do we all flow? Do we ride with the wind? Here’s today’s horoscope: Aries Taurus Gemini Cancer Leo Virgo Libra Scorpio Sagittarius Aquarius pisces You are the god of war. Know that. Wear your red cape. You are two people with just one soul. You’ll be feeling crabby today. SIMBAAAAAAAAA!!! You will... Go to the library. Liberate yourself. Sting, just sting. You will get abducted by aliens today, tomorrow, next year. Aquamarine water...It’s good for the soul. You need to keep swimming, just keep swimming. 25 26 LENER M MYTHS, WE HAVE LEARNED, CAN BE A WAY OF CONNECTING WITH PEOPLE WHO HAVE PASSED, STORIES THAT OVERLAP LIVES I interviewed people to ask them how they still connect with people that were close to them that have passed away. How were people able to get over something so precious to them? They wish it all never happened. They hope that one day they all feel at peace, once they reach that person again. Some people say they remember people through the memories they have with a particular person. Later that night, because I was inspired by the kids who have passed from AS220 Youth to give my first stage performance. What was going through my mind was the nervousness I had because it was my first on-stage performance. I was dedicating the performance to the people who came to AS220. The interviews that I did with people around the studio helped me think about these people, as did remembering three people in particular I knew who were close to me and passed away. 27 KYLE C 28 29 RULES OF MYTHS We tried to write a myth with these rules, which we adapted from joseph cambpell 1. A young person leaves home 2. Due to something beyond their control, they end up in a location other than the one they intended 3. they get into some kind of trouble there 4. They have to use their wits to get out of the trouble 5. somehow they get back home, possibly, but not necessarily, using magic 30 RULES of myths--dOES IT WORK????? One day, when he was wearing his black skinny jeans, his Metallica T-Shirt, his jean jacket, his Nikes, and his machete, mister Brian A left his house to destroy poseurs. On the way to the poseurs’ house, where, not surprisingly, the 90s glammetal band Poison practiced—Brian’s LEAST favortite—he was swept up by a talking, but not so talkative, dragon. Brian screamed and screamed. Then he fell immediately asleep. But when he awoke, he was at a Emo music festival (groud zero for poseurs, according to Brian). The festival was, incidentally, in the middle of the ocean, on the USS O’Riley, an old aircraft carrier that was converted into a concert venue. Everyone was wearing black. Too much. More black than Metallica wears, which is a lot of black. Black lipstick, etc. Brian felt terrified, angry. There were simply too many poseurs here. The dragon, who, Coincidentally, went by Paul Baloff, turned to Brian and said, ‘you must destroy the emos, and liberate the world from poseurs.’ Brian thought it was impossible. Then he had an idea: to play in the concert. He put on emo makeup as quickly as possible. Then he sprinted up to the stage. He somehow grew out his bangs many inches in a matter of minutes. Lulling the crowd with his face-blocking bangs, he then erupts into a vigorous performance of Exodus’ “Bounded by Blood.” His hair kept growing, rapidly, until it looked like Dave Mustaine’s. His jeans faded into faded jean color, as the emos screamed....stop....stop...All of them died. Or evaporated. Then a plane crashed on the dock, and Brian escaped in it. The real Paul Baloff was piloting, and he told Brian that he WAS the dragon all along, that he was actually very talkative, and that he had filmed the entire thing—for an epic music video. 31 AS220 YOUTH IS A FREE ARTS EDUCATION PROGRAM SERVING YOUNG PEOPLE AGES 14-21, WITH A SPECIAL FOCUS ON THOSE IN THE CARE AND CUSTODY OF THE STATE. OUR GOAL IS TO ENGAGE YOUTH IN A CREATIVE PROCESS THAT WILL LEAD TO POSITIVE SOCIAL, EDUCATIONAL, AND VOCATIONAL OUTCOMES. THE HIDDEN TRUTH IS OUR LITERARY MAGAZINE, FEATURING WORK FROM YOUTH AT OUR THREE TEACHING SITES: THE DOWNTOWN STUDIO, UCAP MIDDLE SCHOOL, AND THE RHODE ISLAND TRAINING SCHOOL (RITS). While as220 has an uncensored, unjuried policy, our partnership with the training school and dcyf requires us to edit. we cannot print work that glorifies crime, drug use, or violence, and we have to stay away from graphic sexual content and excessive curse words. we think we’ve attained a balance between as220’s “anything goes” philosophy and dcyf’s pro-social goals. in the pages of the hidden truth, you’ll find the voices of young people - as diverse as they come - in their truest form. you can see more youth work at youth.as220.org under the portfolios tab. we’d love to hear what you think! contact us at [email protected]