24I/O HD192 2408mk3 MOTU — Desktop Studio

Transcription

Visit us online at www.sweetwater.com
2009
1979
Computer Audio Hardware
77
MOTU
U Audio Inteerfacces
MOTU —
Desktop Studio Recording Done Right
Flexible,, Expandable
p
High-defi
g
nition Audio Interfaces — for the Ultimate in Studio Integration
g
24I/O
Digital Audio Interface with
24 High-quality 24-bit/96kHz
Analog Inputs and Outputs
HD192
192kHz Audio Interface
Take advantage of a powerful
powerful, low
low-latency
latency PCI
PCIcard-based system, alongside MOTU-signature
premium sound quality, with an HD192. This
12-channel interface offers up to 24-bit/192kHz conversions and is available in both PCI and PCIe versions to suit both
Mac and PC setups. All inputs and outputs on the rear panel support 44.1, 48, 88.2, 96, 176.4, and 192kHz operation,
and the 12 analog inputs boast a signal-to-noise ratio of just over 120dB, for incredible performance. You also get AES/
EBU digital I/O at sample rates up to 96kHz plus independent, real-time sample rate conversion on the digital I/O. In
addition, an “AES word in” BNC connector lets you clock the AES/EBU section independently from the rest of the system,
though system word clock input/output is provided on standard BNC connectors.
At the heart of the HD192 system is its PCI-424 card, which comes included — it’s the same card used by MOTU’s
acclaimed 2408mk3 and 24I/O and is fully compatible with legacy MOTU interfaces, such as the 1296, 1224, 24i, and
308. The card also adds MOTU’s famous CueMix DSP system, a processor that’s dedicated to creating custom monitor
mixes using up to 96 channels and can provide up to 48 separate stereo mixes in a 96-channel system. What’s more,
all the processing happens on the card itself, freeing up the power of your computer for your other essential tasks, such
as running plug-ins. And should you require even more I/O, you can add 12-channel HD192io expansion interfaces
ONLY $54/mo. to either PCI or PCI-e systems, for up to 48 channels of
$
97 simultaneous 192kHz recording and playback.
HD192CorePCIe
HD192Core
HD192io
1799
12-ch 192kHz PCIe Intrfc ...List $189500
12-ch 192kHz PCI Intrfc......List $189500
192kHz 12-ch Expandr........
r List $159500
$
$
179997
151997
2408mk3
24-channel 24-bit/96kHz Audio Interface
“ 2408 has been my go-to PCI-based
“The
interface for native systems for years. The
in
ccombination of high-bandwidth connection,
extrem
eext
remely
rem
ely flexi
exible
ble di
digit
gital
git
al I/O, aand
nd MOT
MOTU’s
Us
U’s
rockk-s
rroc
k-soli
olid
lid driv
rivers
i ers mak
make
ke it hard
hard to beatt fo
for
man
m
a y,
y, man
a y appl
pplica
catio
tioons!
s”
The PCI or PCIe card included with the 2408mk3 system, the 424, is the same card employed by the other interfaces
featured on this page. To create an incredibly flexible I/O setup, you can mix and match MOTU interfaces to suit your
custom needs — the card can support up to four MOTU interfaces simultaneously. In addition, the 424 card also
features MOTU’s CueMix DSP mixing and monitoring matrix. This DSP-driven technology functions much like an
external mixer, except it performs with near-zero monitoring latency and keeps your computer’s processing power
preserved, so you can put it to work on your other essential tasks.
The 2408mk3 I/O Expansion is one option to expand your system — it’s the same interface that comes bundled
with the 2408mk3, just without the card.
ONLY $29/mo.
2408CorePCIe
2408CoreMk3
2408ioMk3
077_086.indd 77
00
PCIe Digital Recording System ...List 995
PCI Digital Recording System ....List $99500
24-ch I/O Expansion.................List $69500
$
94997
Specs: PCI/PCIe • 24-bit/96kHz • In: 24 x TRS • Out: 24 x TRS • Sync I/O:
word clock
ONLY $43/mo.
24ioCorePCIe
24ioCore
24ioExpander
24-bit/96kHz PCIe Interface ... List $149500
PCI-424 Recording Sys.........List $149500
24-bit/96kHz I/O Exp ...........List $119500
$
Specs: PCI/PCIe • 24-bit/192kHz • In: 12 x XLR • Out: 12 x XLR • Dig I/O:
AAES/EBU • Sync I/O: word clock
MOTU’s popular 2408mk3 is a PCI/PCIe card and interface
solution for bringing 24 channels of audio into your
computer, across a diverse set of I/O. You get eight channels
— Ryan
Ryan Sl
Sloan
oan, Sale
Sale
aless Engi
Engi
nginee
neerr,r, Ext. 13066
nee
of analog 24-bit/96kHz recording and playback, while
the 2408mk3’s extensive digital I/O allows up to a total of
32 channels. The connections include built-in video and SMPTE time synchronization, and both ADAT lightpipe and
TASCAM TDIF, at any sample rate up to 96kHz.
$
Here’s an affordable way to get 24 channels of highquality 24-bit/96kHz audio into your computer. Available
in both PCI and PCIe varieties, the MOTU 24I/O consists
of a single-rackspace interface and a PCI-424 card. On
the 24I/O, a front-panel 5-segment LED display gives you
activity information for every one of its 24 rear-panel TRS
inputs and outputs. Should you need additional channels
of I/O, you can easily expand your system with the 24I/O
Expander, which gives you 24 more channels. In fact,
the PCI-424 card that comes included with the 24I/O is
compatible with up to four interfaces at the same time
— and it’s not just limited to the 24I/O interface. You
can mix and match many MOTU interfaces, including the
HD192 (left), to bring in various kinds of I/O. The card
also offers flexible CueMix DSP for near-zero latency.
Specs: PCI/PCIe • 24-bit/96kHz • In: 8 x TRS • Out: 10 x TRS, headphone •
Dig I/O: 3 x ADAT, 3 x TDIF, S/PDIF • Sync I/O: ADAT sync, word clock
142097
$
142097
113597
$
PCIe
CIe ((or PCI Express) architecture is the bus technology
that
hat will lik
likely dominate the personal computer for the
foreseeable ffuture, and now MOTU is equipping all of
their
heir super-p
super-popular audio interfaces with PCIe-424
cards for com
compatibility with PCIe-equipped computers.
PCIe, unlike older parallel technologies, offers each
devicee dedica
dedicated bandwidth to transfer audio data to
and from
m the system controller. The new PCIe-424
card can be installed in any PCI Express slot and
ensures that other PCI devices won’t “steal” bus
ensure
cycles from the audio streams. PCIe means more
cycle
bandwidth, iimproved high-speed data transfer, and
less inherent noise, to ensure the highest quality
recording possible. We have the PCIe-equipped
2408mk3 Core, 24I/O Core, and HD192 Core systems
in stock and ready to ship!
FIND OUT MORE ABOUT THE PCIe-424!
F
sweetwater.com/2408mk3
$
94997
67997
$
6/16/09 1:05:45 PM
GETTING THE MOST FROM
YOUR
CPU
Universal Audio
UAD2 Solo/Laptop
By Danielle Teagarden
T
he idea of limitation strikes two-fold in creative
people. On one hand, impending deadlines
seem to magically give rise to productivity. But,
on the other hand, when you’re midproject, in
the throes of creativity, and about to execute a stroke
of pure genius, having your computer reach its limit
and run out of processing power can be enough to
derail even the most focused of creators. And though
we can creatively compromise and still get a great
result, isn’t a computer supposed to be a tool that
brings our visions to life? It’s meant to respond to what
we say — and not the other way around.
But, for many of us, replacing our computer right now just isn’t in the
cards. For a close-to-home example, I try to think of my computer as
having a 3-year life span — that mental line is both for the purpose of
“I-want-that” self-restraint and for plain-old budgetary reasons. And, if
my trusty old computer’s in middle age and still kicking, then I’m going to
hold off on my upgrade — even if they show off the coolest thing ever at
the latest computer trade show (dang it).
So, what should you do in the face of a maxed-out CPU and a bubblingover creative wellspring? I’ll give you two words: don’t compromise.
Lucky for us, it’s a great time to be in the field, as there are amazing
solutions coming out all of the time to address this very seeming
conundrum. Today, you can rest assured knowing that whether you have
a just-off-the-shelf laptop or a time-tested tower, there are easy ways for
you to squeeze in more plug-ins, more tracks, and more of your ideas —
without having to buy a brand-new machine.
Addressing Your Interface Part I —
Choosing a Connection Type
If we take one step outside of our computer, then we reach our audio
interface — and, if you’re really hurting for processing power, then,
outside of your CPU setup, this is the best place to begin the CPUoptimization process.
To start, your “port” of choice plays the biggest role in how quickly
you’re recording tracks. Are you connecting your interface system via
USB 1.1, USB 2.0, or FireWire
— or, are you connecting via
an ExpressCard or a PCIe slot?
The previous list was roughly in
order of speed (although,
know that there are
good arguments
Apple MacBook Pro 17"
on either side that make USB 2.0 and FireWire performance-competitive
with one another). Ultimately, though, which connectivity solution is
best for you depends largely on what ports you have available on your
computer. Nearly all computers feature USB, so going with a USB 2.0
audio interface is a safe bet if you’re optimizing a system that may see
different computers from time to time — maybe if you’re bringing gear
over to a friend’s house for recording a jam. Alternatively, FireWire offers
up the benefit of daisy-chaining other interfaces and hard drives, without
a performance hit.
For the absolute best performance possible, though, you’ll want to
choose an ExpressCard system for your laptop or a PCIe system for your
desktop computer. In terms of future expandability and power, nothing
compares to a PCIe-based setup — and, if you’re designing the ultimate
rig for your project or professional studio setup, then that’s reason
enough to put a desktop computer at its heart. In this case, what you will
sacrifice in portability, you will absolutely make up in forward compatibility and expandability.
Addressing Your Interface Part II —
Today’s Boon of DSP Interfaces
To further the conversation about audio interfaces, it’s well worth noting
that many of today’s interfaces offer up additional DSP (Digital Signal
Processing) power — beyond the performance you’ll get through their
connectivity methods. Still, you’ll find that the most horsepower available
is through the ExpressCard and PCIe systems. But, those systems aren’t
always in the budget — or practical for basic home recording and
composing. So, if you’re tackling a band demo or handling a singer/
songwriter-type recording, then you may be well served to go with an
interface that features onboard DSP.
An interface’s DSP capabilities can come in a few different flavors. Some
interfaces offer up handy DSP-mixing flexibility. With it, you can use an
included software program to set up the mixes on the hardware, then
flexibly route any input (or combination of inputs) to any output — and
you can control how much of each input goes into each output. This is
particularly useful when you’re recording a full band. You can give the
lead singer a vocal-heavy mix, blending in the right amount of drum and
guitar parts to inspire a tight performance. You can also route a click
track to the drummer and dial in the perfect blend of the other instru-
MOTU 896mk3
078-079_101Computer Audio Hardware.indd 78
6/16/09 1:08:34 PM
SWEETWATER’S ESSENTIAL GUIDES
aas adding a slick new interface to your rig. But, if you haven’t already
maxed out your inside-the-computer potential, then you’re missing out
m
oon a significant system boost.
Glyph GT 050Q
ments in the band. Another bonus is that many of these interfaces
let you save the setups and return to them, so it’s easy to get up and
working — without putting the mixing strain on your computer.
Taking that one step further, many DSP interfaces also offer up
onboard DSP effects. These can include reverb, delay, equalization,
compression, and models of famous preamps — and more robust
options are being released all of the time. When tracking with
these DSP interfaces, instead of using up your CPU power with a
reverb plug-in, you can just dial in the onboard DSP effect to enjoy
a headphone mix that sounds great — without any pesky latency
issues. You also usually have the option to record that mix “dry”
(without the effects) or “wet” (with the effects), which can help fill the
role of outboard gear in a budget-minded home studio or a portabilityconscious mobile rig.
Accelerate Your Plug-ins and Virtual Instruments
Optimizing your interface setup can make a big difference when
you’re tracking and routing raw audio. But, what about those of us
layering in virtual instruments or using plug-ins during mixdown?
There’s no getting around the fact that many of the best-sounding
plug-ins and virtual instruments are CPU-hungry giants — and
that makes sense, as software developers are always pushing their
projects to the edge, making our virtual selection sound even better
as each generation of more capable computers comes out. Luckily,
though, the industry is also on the ball with this one — and many
plug-in makers are teaming up with hardware developers to create
DSP-driven versions of these plug-ins.
The selection of DSP-powered plug-ins and virtual instruments is
growing all of the time. And, like the DSP capabilities of interfaces, the
options come in a few different varieties. Some versions run on actual
external hardware. With the hardware, you can get your hands on a
plug-in’s parameters and tweak them to your liking, just as you would
with a dedicated control surface. Other DSP options come in the form
of PCIe cards. Akin to PCIe-based audio interfaces, these cards install
right into your desktop computer and offer up an impressive girth of
processing power.
Once you’ve offloaded much of your signal-processing needs, you may
find that you have enough power to run your favorite virtual instruments
or plug-ins, without issues. But, if you’re looking to free up the most
native power possible, there are modules available that can run a
staggering amount of VST-compatible plug-ins or virtual instruments.
A secondary benefit of these systems is that they’re also optimized for
stage use — so, if you’re actively working both on the stage and in the
studio, then this may be the most cost-effective option for enjoying your
favorite plug-ins and instrument sounds in both arenas.
Let’s start with the hard drive. No matter the kind of work you’re
doing, you’ll want to be sure you have a dedicated hard drive for
recording. With off-the-shelf computers getting more and more
beefy, a common mistake is to use your computer’s system drive
for everything — from running your DAW software to streaming the
virtual instrument samples to accepting the newly recorded information — and that’s a lot to ask of one drive. Instead, you’ll enjoy a
performance boost by using a separate recording hard drive — and to
really make the most out of your system, it’s worth having yet another
hard drive to handle the streaming of all of your samples. In any event,
having an extra drive isn’t going to help if it’s not up to par.
Today, you’ll want to be sure you’re streaming samples from and
recording to at least a 7200RPM drive. You’ll also want to make sure
that the drive has the Oxford 924 bridging chip. This will ensure that
the drive is capable of handling audio production’s high demands —
and it will also qualify the drive for use with today’s most popular and
professional DAWs.
Another vital system element is the amount of RAM (Random Access
Memory) you have installed in your computer. Make sure you have
at least 2GB of RAM. And if you’re at 2GB, then think about moving
up to 4GB — if your computer allows it. Adding RAM is one of the
most effective ways to boost your computer’s efficiency when running
applications, and you’ll be amazed by how much more smoothly your
system runs.
Simple Roads Less Traveled
Even before you add any new gear to help speed up your system,
consider taking a few minutes to double check your system settings.
Sometimes, even slight adjustments, such as shutting off your
wireless card, can make drastic improvements to your computer’s
performance. To help you with this, our SweetCare service crew
has put together really useful computer-optimization guides — for
both Mac and PC — which you can access online. Just visit www.
sweetwater.com/sweetcare and search for either “Mac optimization”
or “PC optimization.”
Saying Goodbye to the Bottleneck
Let’s face it; as creatively and technologically inclined people, we’re
always going to want a little bit more — whether that means more
sounds, more gadgets, more from ourselves, or more processing
power to see our ideas through to fully realized projects. So, here’s
to snagging a few pieces of gear; getting over that CPU-limit hurdle;
and getting up and running into the smooth, creative straightaway —
hopefully with the wind of inspiration at your back.
ck
Finally, if you’re still in need of even more power, then it’s worth quick
mention that investing in a piece or two of great outboard gear can
go a long way toward cutting down your CPU plug-in load. True,
having a massive collection of virtual gear to choose from can
make a gearhead’s heart beat faster — and that virtual collection
is still more than worth having available in your tool box — but
achieving your core sound through a few pieces of gear that you
really “know” can be just the trick for achieving a more polished
sound. And, after all, having a bit of eye candy in the studio rack
never hurt anyone.
The Nuts and the Bolts: Your Hard Drive and RAM
Upgrading the guts of your computer may not be nearly as exciting
Focusrite
ocusrite Liquid Mix
078-079_101Computer Audio Hardware.indd 79
6/16/09 3:28:03 PM
80
Call us today at (800) 222-4700
MOTU Audio Interfaces
Traveler-mk3
Portable 192kHz FireWire Interface with
DSP Mixing and Effects
896mk3
28 x 32, 24-bit/192kHz FireWire
Audio Interface
The MOTU 896mk3 provides eight mic preamps, pristine 192kHz analog I/O, 16 channels of 48kHz ADAT digital I/O
(eight channels of 96kHz S/MUX), TOSLink, word clock I/O, S/PDIF, and stereo AES/EBU. Use the included CueMix FX
console software to send a real-time mix back to the 896mk3’s main outs or headphones for zero-latency monitoring,
and add additional send and return loops without the need for an external mixer or patch bay. The 896mk3 provides
28 inputs and 32 outputs, including separate main outs and a headphone output. Need to hit the road? Program the
896mk3 with the CueMix FX software, and then take it with you for mixing/monitoring without a computer. MOTU
is including its amazing new reverb plug-in, 7-band British EQ on every channel, and a spot-on emulation of the
legendary LA-2A limiter.
Specs: FireWire • 24-bit/192kHz • In: 8 x XLR/TRS (combo) • Out: 10 x XLR,
headphone • Dig I/O: AES/EBU, S/PDIF, TOSLink, ADAT lightpipe & sync, 96kHz
SMUX lightpipe • Sync I/O: word clock
ONLY $30/mo.
896mk3
$
00
192kHz FireWire Audio Interface ....List 1295
$
97
995
“The addition of DSP to the CueMix engine
is a godsend to home studios. Finally, you
can have low-latency headphone mixes with
noncommitted effects. Absolutely awesome!”
ONLY $23/mo.
$
74997
Specs: FireWire • 24-bit/192kHz • In: 2 x XLR/TRS combo (front), 8 x TRS •
Out: 10 x TRS, 2 x headphone • Dig I/O: S/PDIF, ADAT lightpipe, 96kHz SMUX •
Sync I/O: word clock, ADAT sync, SMPTE • MIDI I/O
16 x 12, 24-bit/96kHz FireWire Audio Interface
MOTU’s 8pre packs an incredible amount of flexibility and connectivity into its single-rackspace chassis, giving you
a high-quality interface with eight great preamps onboard. This 16-channel FireWire interface features eight mic/line
preamps with phantom power, a 20dB pad switch, and a front-panel trim knob. The 8pre features two banks of ADAT
optical ports, which give you an additional eight channels at up to 96kHz (16 channels at 48kHz). MOTU designed
the 8pre to be expandable up to four I/Os; two FireWire ports allow for daisy-chaining. The 8pre also offers MIDI I/O;
AudioDesk recording software; and of course, MOTU’s great sound!
ONLY $17/mo.
080_084.indd 80
$
84997
10 x 14, 24-bit/192kHz FireWire Interface
8pre
FireWire Interface w/8 Pres.......List $59500
FireWire Audio Interface .....List $89500
UltraLite-mk3
MOTU comes through again! The 828mk3 FireWire interface provides 28 inputs and 30 outputs, including 10 channels
of analog recording and playback, combined with 16 channels of ADAT digital I/O, stereo S/PDIF and TOSLink I/O, and
onboard SMPTE synchronization. The two mic/line/instrument inputs have preamplified sends that allow you to insert
your favorite outboard effects before the signal goes digital. The real show-stopper here isn’t the impressive amount
of I/O; it’s the built-in digital mixing and effects. All I/O is routed via the onboard 16-bus digital mixer, with 32-bit
floating-point precision. The 828mk3’s onboard effects include reverb, two compressors (including a modeled LA-2A),
and British-style EQ.
8pre
ONLY $26/mo.
TravelerMk3
28 x 30, 24-bit/192kHz FireWire Audio Interface
192kHz FireWire Interface .........List $79500
Specs: FireWire • 24-bit/192kHz • In: 4 x XLR/TRS (combo), 4 x TRS
• Out: 8 x TRS, headphone • Dig I/O: ADAT, 96kHz SMUX, S/PDIF, AES/EBU
• Sync I/O: word clock, SMPTE • MIDI
— Nick Schenkel, Sales Engineer, Ext. 1399
828mk3
828mk3
Now that many laptop computers are capable of running
studio-quality recording applications, it’s about time your
mobile rig had studio-quality sound and I/O options to
match. MOTU’s Traveler-mk3 gives you astounding
28-in/30-out capability via its combination of XLR/TRS,
1/4", and digital inputs and outputs — all from a chassis
that’s compact enough to fit right under your laptop! This
improved interface gives you up to 16-channels of ADAT
and stellar effects. The Traveler-mk3 can also be used as a
28-input/16-bus standalone mixer, complete with CueMix
FX software and DSP effects. A hardware limiter lets you
take control of input signals. Powered by your computer
or via an optional external battery pack, this unit is at
home in the studio, on the road with a laptop, and even
on its own in the field!
$
54997
Laptop friendly, the MOTU UltraLite-mk3 updates
MOTU’s famous UltraLite, making it more powerful than
ever! This half-rackspace, bus-powered FireWire audio
interface turns your laptop or desktop computer into a
mobile recording studio, with an impressive 10 inputs
and 14 outputs. MOTU also updated the UltraLite-mk3 to
24-bit/192kHz resolution, even better than the original’s
96kHz. Though this unit is ultra-compact, it’s got the
features you need to make pro-quality recordings,
including a built-in 8-bus mixer that’s loaded with
different monitoring options; CueMix FX software that
can be controlled directly from the UltraLite’s front
panel; and two high-quality mic/instrument inputs
equipped with preamps, pad switches, and phantom
power. You even get a host of top-notch onboard DSP
effects, including EQ, compression, and reverb. The
UltraLite-mk3 delivers the same high level of innovative
design, proven reliability, and award-winning sound as
MOTU’s other high-end FireWire audio interfaces, in a
rugged, compact package made to go wherever you do.
Specs: FireWire • 24-bit/192kHz • In: 2 x XLR/TRS combo, 6 x TRS • Out: 10
x TRS, headphone • Dig I/O: S/PDIF • Sync I/O: SMPTE • MIDI I/O
Specs: FireWire • 24-bit/96kHz • In: 8 x XLR/TRS combo • Out: 2 x TRS,
headphone • Dig I/O: 2 x ADAT • Sync I/O: SMPTE • MIDI I/O
ONLY $17/mo.
UltraLitemk3
FW Audio Interface .........List $59500
$
54997
6/16/09 3:28:49 PM
Motu SWS Ad 2.indd 1
6/9/09 8:47:33 AM
82
FireeWirre Auddio Intterfacces
Fireface 800
56-channel FireWire 800
Audio Interface
The Fireface 800 provides an impressive
amount of I/O and sound quality that surpasses
its moderate price point while managing to fit intoo
a single rackspace. Four Class A mic preamps with
separate XLR and TRS inputs can be coupled with eight
TRS back-panel inputs, a pair of ADAT inputs, S/PDDIF,
or the hi-Z input, for a staggering amount of flexibbility. Signal integrity is maintained,
thanks to RME’s SteadyClock technology, which reffreshes clock signals and removes jitter foor
optimum conversion quality. Its little brother, the Fireface 400, offers the same active
jitter suppression, as well as a 648-channel matrix router, in a portable half-rackspace
package. Capable of working with sample rates up to 192kHz, both units are perfect for
any number of recording applications, from recording rock bands live in the club to
capturing the nuances of a string quartet, with audiophile quality.
Fi f
Fireface
800
Specs: Fireface 800 FireWire • 24-bit/192kHz • In: 8 x TRS, 4 x XLR, 4 x TS • Out: 8 x TRS, phones • Dig I/O:
ADAT, S/PDIF • MIDI I/O Fireface 400 FireWire •
24-bit/192kHz • In: 2 x XLR/line
ONLY $51/moo.
combo, 4 x TRS, 2 x TS • Out: 6 x
$
97
$
00
TRS, phones • Dig I/O: ADAT, S/PDIF
Fireface800 56-ch FW Interface ...........List 1999
• MIDI I/O
$
97
1699
36-ch FW Interface ............List $149900
Fireface400
1299
Liquid Saffire 56
Fireface 400
FA-101
28 x 28 FireWire Audio Interface
High-definition 10 x 10 Audio Interface
Need plenty of I/O options from your interface? How about a unit that’s capable of
delivering an array of different preamp characteristics? Check out the Liquid Saffire
56, an incredible new 24-bit/192kHz FireWire audio interface from Focusrite. Not only
does it boast a staggering amount of I/O at an affordable price — 28-in/28-out — but
Focusrite also managed to pack in their famous Liquid technology. On this interface’s
first two microphone channels (it has eight total), you can dial in your favorite sounds
using your choice of 10 famous preamplifier models, based on gear from Neve, Manley,
Avalon, API, and Universal Audio — to name just a few! The Focusrite Liquid Saffire 56
also includes onboard DSP-mixingg functionality.y
Do you find yourself frequently recording and mixing on the go as well as working at
home on a desktop system? The FA-101 lets you do both — with the same interface!
Plug the FA-101 into your laptop (which provides power via a FireWire port), and you’ve
got hi-res recording anywhere. Back at home, the FA-101 becomes a great front end for a
home studio, capable of capturing audio at sample rates up to 192kHz. You’ve got access
to 10 simultaneous recording tracks at 96kHz, and there are plenty of inputs onboard
(six TRS inputs, two mic/line inputs, MIDI, and S/PDIF). The more compact, streamlined
FA-66 gives you two mic/line inputs, four line outs, S/PDIF, and MIDI.
Specs: FireWire • 24-bit/192kHz • In: 8 x TRS, 8 x XLR, 2x1/4" hi-Z • Out: 8 x TTRS, 1 x TRS (unbalanced) • Dig I/O:
ADAT, S/PDIF • word clock •
ONLY $30/mo.
MIDI I/O
SaffireLQ56
28x28 FW Intfc w/ Lqd.....List $129999
$
99999
customerRAVES!
“I would like to commend Sweetwater for the most trouble-free ordering process I
have ever had! I will be moving all my business to the company from now on and look
forwar
for
wardd to
to a lo
longg andd tr
long
troub
oubl
blele fre
le
free rela
elati
l tionsh
nship
hip
ip.
p”
— Fran
Fran
rances
cesca
ces
ca Mat
M thew
Math
hews
hews
Saffire PRO 40
24-bit/96kHz 20 x 20 FireWire Interface
Focusrite’s Saffire PRO 40 is steeped in the company’s heritage, yet it’s equipped to
handle modern digital needs. The Saffire PRO 40 gives you 18 inputs (plus two loopback
channels) and 20 outputs, with eight mic preamps, ADAT, S/PDIF, and MIDI. It also ships
with an impressive suite of Focusrite plug-ins. This unit serves as a great front end for
digital music production.
Specs: FireWire • 24-bit/96kHz • In: 8 x XLR/TRS • Out: 10 x TRS, 2 x phones • Dig I/O: ADAT, S/MUX, S/PDIF • MIDI
ONLY $15/mo.
SaffirePro40
082_087.indd 82
20x20 FW Interface ......List $69995
$
49999
Specs: FA-101 FireWire • 24-bit/192kHzz • In: 2 x XLR/TRS, 6 x TRS • Out: 8 x TRS, phones • Dig I/O: S/PDIF (optical)
• MIDI I/O FA-66 24-bit/192kHz
ONLY $12/mo.
• In: 2 x XLR/TRS, 2 x RCA • Out:
$
97
4 x TRS, phones • Dig I/O: S/PDIF
$
00
FA101
FireWire
Audio
Interface............List
599
(optical) • MIDI I/O
379
FA66
$
27997
FireWire Audio Interface.............List $49900
Saffire
24-bit/192kHz Interface with Powered Plug-ins
With Focusrite’s history of great-sounding boards and preamps,,
it’s no wonder that Saffire, a FireWire-based computer audio
interface, provides the essential components found
und in
professional recording desks, at a price that makkes
them available to anyone — with performance
that rivals top-of-the-line interfaces. Saffire
offers four inputs with two Focusrite pres, eight
balanced outputs, and S/PDIF I/O, providing
the ability to monitor 7.1 surround. Saffire
acts as a low-latency DSP engine, thanks to
software from the same team that produced the
innovative LiquidControl and the Forte Suite.
The more affordable Saffire LE features two
Focusrite preamps, two balanced line inputs,
six balanced outputs, and S/PDIF, but it does nott
Saffire LE
include onboard DSP.
Specs: Saffi re FireWire
• 24-bit/192kHz • In: 2 x XLR • Out:
8 x TRS, headphone • Dig I/O: S/PDIF
Saffire LE FireWire • 24-bit/96kHz •
In: 2 x XLR, 2 x TRS • Out: 6 x TRS •
Dig I/O: S/PDIF • MIDI I/O
Saffi
S
ffire
ONLY $11/mo.
Saffire
SaffireLE
2x8 FireWire Interface ...............List $49999
4x6 FireWire Interface ................List $39999
$
34999
$
29999
6/16/09 1:15:31 PM
Got Liquid?
THE ONLY AUDIO INTERFACE THAT HAS 10 CLASSIC MIC-PRE’S FOR YOU TO CHOOSE FROM.
WHERE ELSE CAN YOU GET $30,000 WORTH OF CLASSIC STUDIO GEAR FOR $999?*
;dXjhgîZ¼hPatented Liquid Mic-Pre ^hi]ZdcaniZX]cdad\ndci]Z[VXZ
d[i]ZeaVcZii]ViXVcYZa^kZg&%XaVhh^XB^X"EgZ¼hidndjgÄc\Zgiêh#6
Neve 1073idbV`Zi]Zbdhid[Vhâ`n[ZbVaZkdXVa#6Focusrite Red
idXVeijgZZkZgnhjWiaZYZiVâd[VÄcZVXdjhi^X\jîVg#NdjgX]d^XZd[
XaVhh^Xb^X"egZ¼hlâabV`Zndjgb^Xgde]dcZhXdbZVa^kZVcYh]^cZa^`Z
cZkZgWZ[dgZ#Jh^c\i]ZA^fj^YHV[ÄgZ*+¼hA^fj^YiZX]cdad\nidXgZViZi]Z
eZg[ZXib^X"egZ$b^Xgde]dcZbViX]lâa^che^gZndjidVl]daZcZlaZkZa#
I]ZA^fj^Yb^X"egZiZX]cdad\n^ch^YZi]ZA^fj^YHV[ÄgZ*+[jhZhXjii^c\"
ZY\ZVcVad\jZYZh^\clî]Vjc^fjZ9ncVb^X8dckdaji^dchVbea^c\
egdXZhhidegdk^YZi]ZÄcZhihZaZXi^dcd[XaVhh^Xb^X"egZZbjaVi^dch
edhh^WaZ#8djeaZi]Vilî];dXjhgîZ¼hcZlrock solidHV[ÄgZEGD
ÄgZl^gZiZX]cdad\n!VcYi]ZA^fj^YHV[ÄgZ*+^hi]ZeZg[ZXicZgkZXZciZg
[dgndjghijY^d#
Call a Sweetwater Sales Engineer today to see how 10 classic
mic pre-amp emulations can make a huge difference in your
recordings!
www.sweetwater.com/LiquidSaffire56
IldA^fj^Yb^X"egZ¼h[ZVijg^c\dkZg(%!%%%ldgi]d[XaVhh^XhijY^d\ZVg
[dgonly $999CdlndjXVc\Zindjg]VcYhdc/
G:9&="7VhZYdci]ZFocusrite RED 1 fjVY 8aVhh"6b^X"egZ
8A6HH6'6"7VhZYdcVNeve 1073bdcdb^X"egZ
IG6CN="7VhZYdci]ZAPI 3124+Y^hXgZiZfjVYb^X"egZ
H>AK:G'"7VhZYdci]ZAvalon VT-737SPKVakZX]VccZahigê
H6K>AA:GDL"7VhZYdci]ZHELIOS Consoleb^X"egZ$:FbdYjaZ
9JC@"7VhZYdci]ZManley SLAM!IgVch[dgbZg$KVakZb^X"egZ
C:L6<:&"7VhZYdci]ZMillenia HV-3D-X]VccZab^X"egZ
DA9IJ7:"7VhZYdcVPULTEC MB-1ÄmZY\V^ckVakZb^X"egZ
9:JIH8=,'"7VhZYdcTELEFUNKEN V72kVakZb^X"egZ
HI:AA6G&7"7VhZYdcUNIVERSAL AUDIO M610ijWZb^X"egZ
+VYYî^dcVaX]VccZahd[XaVhh^X;dXjhgîZb^X"egZ¼h
IdiVa>$DXdjcid['-^cejihVcY'-djiejih^cXajY^c\696IVcYH$E9>;
;gdcieVcZa*"A:9bZiZg^c\d[Vaa^cejih
;aZm^WaZVcY^cijî^kZoZgd"aViZcXn9HEb^mZg$gdjiZg
IldhZeVgViZ]ZVYe]dcZWjhZh
HjeZg^dg')"Wî$&.'`=oY^\îVaXdckZgh^dc
...#..JHB6EEg^XZ#
;dgbdgZ^c[dgbVi^dc/
-%%"'''"),%%dg
lll#hlZZilViZg#Xdb
THE INTERFACE COMPANY
IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY and the LIQUID logo, and SAFFIRE are trademarks of Focusrite Audio Engineering Ltd. DYNAMIC CONVOLUTION is a trademark of
Sintefex Ltd. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated with Focusrite or its LIQUID SAFFIRE 56
product and which have not endorsed Focusrite’s LIQUID SAFFIRE 56 product. These other product names, trademarks, and trade names are used solely to identify and describe the third party products the
sonic behaviour of which was studied for the LIQUID SAFFIRE 56 product, and to accurately describe the functionality of the LIQUID SAFFIRE 56 product. The LIQUID SAFFIRE 56 product is an independently
engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically
emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied.
LS56_got_liquid_Mix_PG.indd 1
Focusrite SWS Ad.indd 1
5/21/09 3:23:08 PM
6/9/09 8:53:14 AM
84
FireWire Audio Interfaces
Ensemble
Duet
24-bit/192kHz Audio Interface
The Ensemble multi-channel audio interface can be controlled natively within Apple’s
Logic software (page 32), creating a complete, fully integrated professional hardware
and software system for audio production on a Mac. This unique FireWire audio
interface not only gives you top-quality performance, but it’s also a natural extension
of Logic Pro. Important hardware functions, such as mic preamp gain and sample and
bit rates, are controllable from within Logic’s Apogee Control Panel. Included Maestro
software gives you all of the control functions you have in Logic’s Apogee Control Panel
plus multiple low-latency mixers and an input and output routing matrix. Ensemble
features 36 channels of simultaneous audio, including eight channels of AD/DA
conversion, four digitally controlled preamps, eight channels of ADAT I/O, two channels
of S/PDIF coax and optical I/O, and FireWire connectivity. Also included are Apogee’s
SoftLimit, UV22HR dither, and ultra-low-jitter Intelliclock.
Specs: FireWire • 24-bit/192kHz • In: 4 x XLR, 4 x 1/4", 2 x Inst • Out: 8 x 1/4" S/PDIF I/O (coax, optical) ADAT •
word clock • 2 x headphone
ONLY $59/mo.
Ensemble
$
$
00
FireWire Interface ..............List 1995
“Apogee has a true winner with the Duet! My clients
who are on-the-go recording engineers and artists are
loving it! Like the Ensemble, the Duet gives you top-class
converters, tight integration, and super stability with
most any Core Audio application. These are awesome
features for such a small and affordable FireWire interface.”
— Mike Hammond,
Sales Engineer, Ext. 1359
1949
97
2-channel,
24-bit/96kHz
FireWire
Interface
Apogee’s Duet puts the technology of Ensemble (left) into a
portable 2-channel unit that’s both elegant and packed with
features. Thanks to assignable MIDI and selective muting
options available in Maestro, Duet’s control knob becomes a
one-touch manager of all your I/O functions and drastically
simplifies the process of recording and listening. The control
knob lets you seamlessly bounce between speaker and
headphone monitoring, making it easy to keep an ear on your
mix. Duet integrates seamlessly with Logic Pro, Soundtrack
Pro, and GarageBand software, for the ultimate in stability.
Specs: FireWire • 24-bit/96kHz •
In: 2 x XLR, 2 x instrument • Out: 1
x headphone, 2 x 1/4"
ONLY $15/mo.
Duet
2-ch FireWire Interface..............................
$
49500
Studio Konnekt 48
24-bit/192kHz Audio Interface with Effects and Remote
TC Electronic’s Studio Konnekt 48 gives you an array of professional features and a
staggering amount of I/O that make recording, mixing, and monitoring a breeze, with
TC DSP-powered plug-ins from System 6000 and PowerCore thrown in for additional
power! The front panel of this single-rackspace unit features four quality mic preamps
with XLR/line combo jacks. The back panel has eight TRS line inputs, word clock I/O,
MIDI I/O, S/PDIF digital I/O, and a pair of ADAT I/O banks. Studio Konnekt 48 supports
sample rates of up to 192kHz, with 96kHz ADAT (eight channels SMUX), putting multichannel audiophile-quality sound within your grasp. The Studio Konnekt 48’s included
remote boasts a built-in guitar tuner, and also has a monitor controller to handle such
studio tasks as talkback and speaker management.
Specs: FireWire • 24-bit/192kHz • In: 4 x XLR, 8 x TRS • Out: 2 x XLR, 8 x TRS, 2 x phones • Dig I/O: 2 x ADAT, S/PDIF •
word clock • MIDI I/O
ONLY $30/mo.
KonnektStu48
$
00
FW Interface w/TC FX .....List 1145
$
999
97
Konnekt 24D
FireWire Interface with DSP Effects
Konnekt 24D gives you great preamps, switchable mic/hi-Z instrument inputs, and TC
effects from the PowerCore line! A software control panel provides flexible routing and
effects options, and Konnekt can also run as a standalone mixer and effects processor.
EQ, dynamics, and reverb processors are onboard, as well as Assimilator Konnekt, which
actually “learns” frequency curves to apply to other audio. The Konnekt 8 offers the
same stellar sound, with streamlined I/O and no DSP. Both ship with Cubase LE.
Specs: Konnekt 24D FireWire • 24-bit/192kHz • In: 2 x XLR/inst combo,
4 x 1/4" • Out: 4 x 1/4" • S/PDIF/optical/ADAT • MIDI I/O Konnekt 8 FireWire • 24-bit/192kHz • In: 2 x XLR/inst
combo, 2 x 1/4" • Out: 2 x 1/4"•
ONLY $12/mo.
S/PDIF • MIDI I/O
Konnekt24D
Konnekt8
FW Interface w/TC FX ........List $49500
FW Interface........................List $37500
$
39997
$
29997
Desktop Konnekt 6
2-in/4-out Desktop FireWire Interface
MR816 CSX
16 x 16 FireWire Audio Interface with DSP Channel Strip and Reverb
If you use Cubase music production software, then you’ll love the MR Series. These
FireWire interfaces are designed to deliver much more than just clean I/O — they’re
designed to enhance your workflow. Both the MR816 CSX and the MR816 X have the
same basic I/O configurations — 16-in/16-out — but the magic lies in the “CSX” and
“X” in their names, which relate to the DSP-powered effects built into the units. The
“CS” stands for the MR816 CSX’s exclusive channel plug-in — when engaged, the two
knobs on the front panel put you in charge of compression and EQ. The “X” — on both
— stands for a REV-X reverb plug-in. You can run up to eight instances of the CS plug-in
and one of the X plug-in, to create inspiring headphone mixes, without taxing your CPU
and causing latency. Both interfaces also feature Quick Connect, for deep Cubase integration. You can route inputs, arm tracks for recording, create new tracks, and more — all
from the front panel! DSP mixing adds more functionality.
ONLY $39/mo.
MR816CSX
MR816X
084_088.indd 84
$
00
16-in/16-out FW Intrfce w/ DSP......List $1649
FW Audio Intrfce w/ DSP Reverb ....List $124900
99
1299
$
99999
Specs: MR816 CSX,
MR 816 X FireWire • In: 8 x
XLR/TRS • Out: 8 x TRS, 2 x
phones • Dig I/O: S/PDIF, ADAT •
word clock
The FireWire Desktop Konnekt 6
audio interface and monitor controller
gives you the tools you need to
concentrate on making great recordings
easily! The compact Desktop Konnekt 6
features an intuitive layout with a large
volume knob, easy-to-read meters, and
useful controls right at hand. As a front
end, Desktop Konnekt 6 incorporates
an IMPACT microphone preamp for
incredibly clear sonic results, along with
a pair of selectable line/hi-Z instrument
inputs for line-level and direct recording.
The built-in M40 reverb adds ambience,
and the included Cubase LE audio
production software lets you get started recording.
Specs: FireWire • 24-bit/192kHz • In: 1 x XLR, 2 x line/instrument • Out: 2 x TRS, phones
ONLY $10/mo.
Konnekt6desk
FW Interface/Monitor Control ....List $24500
$
19997
6/16/09 3:32:07 PM
1979
2009
85
FireeWiree Audio Inteerfacces
FireStudio
2626
“
“Amazing!
Pristine sound quality meets
iincredible usability. Right out of the box, you’ve
ggot a phenomenal interface with eight quality
ppreampps and
and con
conver
verter
terss. Add th
thee remo
remote
te,, an
andd
yyou can hand
andl
dle
le allll yo
y ur mon
monitito
itorr mana
managem
g entt
gem
aandd have
have tal
talkb
lkback
ck,
k, as we
wellllll.””
26 x 26, 24-bit/96kHz
Audio Interface
— Joe Gil
G lder
der, Sale
de
aless Engi
g nee
eerr, Extt. 1300
PreSonus has built quite a
reputation for crafting gear
that defies logic when it comes to the bang-for-the-buck factor, and the FireStudio
2626 fits squarely into that category. The FireStudio is a complete 24-bit/96kHz
professional recording system, combining eight Class A PreSonus microphone
preamplifiers, up to 16 channels of optical ADAT I/O, and S/PDIF and MIDI I/O with
a 36 x 36 x 18 zero-latency mixer/router for setting up headphone monitor mixes
or any number of other studio tasks. The FireStudio also comes with award-winning
recording and production software; virtual instruments; plug-ins; drum loops; and
samples, including Cubase LE 4 and the PreSonus ProPak, which includes great
plug-ins and 2GB of loops and samples to get you started making music immediately.
The MSR
R (Monitor Station Remote) is an optional surround-capable remote control
delivering input switching, speaker switching, talkback, dim, mute, mono, and more,
to give you complete professional control of your FireStudio.
Specs: FireWire • 24-bit/96kHz • In: 8 x XLR/TRS 2 x RCA • Out: 10 x TRS • Dig I/O: 2 x ADAT, S/PDIF • MIDI I/O
FireStudio Tube
24-bit/96kHz FireWire Interface with Two Tube Channels, Eight
XMAX Preamps, and Six TRS Inputs
It seems that the “tube versus solid-state” argument has raged for as long as there has
been recording equipment. With the FireStudio Tube, PreSonus continues to expand
their successful FireStudio line while offering a “best-of-both-worlds” approach to audio
interfaces. The FireStudio Tube is packed with 16 simultaneous analog inputs — two
tube-based channels on the front panel, with eight XMAX preamps and six balanced TRS
inputs. The tube channels sport combo jacks, so any direct-injected instruments can
benefit from the tube circuitry, with limiters and LED meters to help keep the incoming
signal under control.
But there’s more to the FireStudio Tube than the great-sounding and flexible analog
front end. The digital converters provide an impressive 114dB of dynamic range, with
a JetPLL low-jitter clock keeping the signal sounding its best. An internal 34x4 mixer
matrix makes setting up zero-latency monitor mixes a snap. You’ve also got access
to MIDI I/O, for connecting the FireStudio Tube to your favorite virtual instruments.
Ultimately, with the large number of simultaneous inputs available and the flexibility
to add tube warmth to your tracks, the FireStudio Tube is a superb centerpiece to any
digital studio.
Specs: FireWire • 24-bit/96kHz • In: 10 x XLR, 16 x TRS • Out: 6 x TRS • MIDI I/O
ONLY $18/mo.
FireStudio
MSR
24-bit/96kHz 26x26 FW Intt ...... List $74900
Remote for FireStudio.................List $29995
$
59997
ONLY $21/mo.
FireStuTube
$
19995
24-bit/96kHz FireWire Intrfce ....List $84900
$
69997
FireStudio Lightpipe
FireStudio Project
32 x 32 FireWire Lightpipe Interface
24-bit/96kHz FireWire Audio Interface with Music Production
Software and Plug-ins
The FireStudio Lightpipe is a 24-bit/96kHz lightpipe interface that uses FireWire
to connect lightpipe-equipped multi-channel preamps, converters, or mixers to
your computer. This allows you to mix and match any of your favorite digital gear
with lightpipe and to easily transfer them to your computer and into your DAW. The
FireStudio Lightpipe features JetPLL jitter-elimination technology, for ultra-tight
synchronization and improved imaging and clarity, along with a 34 x 4 DSP matrix
mixer, which allows you to create dual zero-latency monitor mixes. Plus, there’s support
for dual S/MUX built in, so there’s no reason not to gravitate toward higher sample
rates and the benefits of recording at higher resolutions. With all this functionality, the
FireStudio Lightpipe is a multi-purpose tool for any studio
studio!
ONLY $15/mo.
FireStuLP
FireWire/Lightpipe Interface ......List $64900
$
499
97
Specs: FireWire • 24-bit/96kHz • In:
32 x ADAT • Out: 32 x ADAT, 2 x TRS
• word clock • MIDI I/O
If you’re serious about making great recordings but don’t have a big-time budget, then
FireStudio Project fits the bill nicely. Starting with a premium FireWire interface
with eight Class A XMAX mic preamps, 24-bit/96kHz sample rate conversion, low-latency
monitoring, and an array of I/O options, the FireStudio Project’s quality hardware is
only the beginning. You also get flexible mixer/router software to control studio tasks,
such as headphone mixes for the artists, plus the PreSonus ProPak software suite, with
Cubase 4 LE 48-track music production software, over 25 real-time processing plug-ins,
and over 2GB of drum loops and samples. Everything you need to begin creating great
music is in one box, with the FireStudio Project.
In: 8 x XLR/TRS, 2 x 1/4" • Out: 12 x
1/4" • Dig I/O: S/PDIF, • MIDI I/O
ONLY $15/mo.
FireStuProj
FireWire Interface/Software ...List $59900
$
49995
Inspire 1394
4-channel, 24-bit/96kHz
FireWire Audio Interface
FireBox
Portable 24-bit/96kHz FireWire Interface
With six simultaneous recording tracks and 8-track playback, the FireBoxx boasts
the highest track capacity for a unit of its size. Offering two high-quality PreSonus
microphone/instrument preamplifiers, 24-bit/96kHz sample rate, and Cubase LE
48-track recording software, FireBox includes a stereo headphone output for monitoring
plus 2-channel S/PDIF I/O and MIDI I/O via a breakout ca
cable.
ONLY $10/mo.
FireBox
085_089.indd 85
24-bit/96kHz FireWire Intrfce .......List $49900
$
24997
In: 2 x XLR/TRS (front), 2 x TRS
(rear), Out: 6 x TRS, headphone •
Dig I/O: S/PDIF • MIDI I/O
A perfect companion piece to a larger
PreSonus interface, the portable
Inspire 1394 gives you four channels
of professional-quality 24-bit/96kHz
analog-to-digital conversion. You can
daisy-chain up to four Inspire 1394s, forr
16 channels of recording and recall all
of your settings. This means four band members can each have an Inspire to work out
parts at home, then all get together to record,, while cue mix and track settings
g are saved
for each session. A built-in RIAAA filter also makes it great for DJs.
Specs: 2 x FireWire • 24-bit/96kHz
• In: 2 x XLR, 2 x TS, 2 x RCA (RIAA)
• Out: 2 x RCA, 1 x 1/8", headphone
ONLY $10/mo.
Inspire1394
$
4x4 FireWire Interface .........List 249
00
$
19995
6/16/09 1:18:10 PM
86
FireWire Audio Interfaces
I•ONIX FW810S
8 x 10 FireWire Audio Interface with Software Bundle
Thanks to the eight mic/line combo inputs on the Lexicon I•ONIX FW810S, you can bring a variety of sources into your DAW via one fast FireWire connection. The
interface’s eight high-voltage, low-noise dbx mic preamps — two of which are on the front panel — ensure you achieve excellent-quality sound. And the FW810S’s built-in
dbx Type IV AD conversion system is designed to preserve the essence of your analog signals while bringing them into the digital domain, instead of putting a cap on your
headroom and hard-clipping signals. Once your signals are in your computer, you can use the included software to integrate dbx dynamics (EQ, compression/limiting,
gate), to route signals through the eight inputs and ten outputs, and to take advantage of the included Lexicon Pantheon II reverb plug-in to add interest to your tracks
ONLY $24/mo.
and to monitor mixes. You also get copies of Cubase LE 4 music production software and Toontrack EZ Drummer Lite.
FW810S
Specs: 24-bit/96kHz • In: 8 x TRS/XLR Out: 8 x TRS, headphones Dig I/O: S/PDIF • MIDI
FireWire Solo
8-ch FW Interface ...................List $109997
$
79997
ProFire 2626
6 x 4 FireWire Audio Interface
ProFire Lightbridge
The FireWire Solo, combined with Pro Tools
M-Powered software (see page 12), offers one of the
easiest ways for you to start up your Pro Tools studio!
This compact bus-powered unit is small enough to
go anywhere you want to take your music. Designed
primarily for guitarists, the FireWire Solo features a 1/4"
guitar input on the front panel and an XLR mic input.
Each has its own level control and clipping indicator,
so you can simultaneously mix and record a vocal
and an instrument. Plus, there are dual line inputs for
keyboards, drum machines, and other outboard gear.
32-channel Lightpipe Interface with FireWire
26 x 26 Microphone Preamp/FireWire
Interface with Lightpipe
Equipped with four banks of ADAT I/O, M-Audio’s
ProFire Lightbridge gives you up to 32 tracks of
48kHz audio (16 tracks at 96kHz via SMUX) that can be
output to a single FireWire cable. This provides amazing
flexibility, as you can now custom-build a front end of
lightpipe-equipped preamps and send the signal to your
DAW on a single FireWire cable. There’s also S/PDIF I/O,
MIDI I/O, and word clock, along with a pair of balanced
TRS analog outputs with a dedicated output control. All
digital and analog outputs can be used simultaneously.
The ProFire 2626 is true to its name, delivering 26
x 26 channels of simultaneous I/O — masterfully
handling up to 52 audio streams with an onboard DSP
mixer. No matter what connections you need to make, the
ProFire 2626 has you covered, offering eight analog mic/
line inputs using M-Audio’s acclaimed Octane preamp
technology for great sound. You can use the interface
directly as a standalone FireWire audio interface, or you
can hook it up to any ADAT-ready interface via its optical
connection to use it as an 8-channel mic pre!
Specs: FireWire • 24-bit/96kHz • Out: 2 x TRS • Dig I/O: ADAT, S/PDIF •
word clock • MIDI I/O
ONLY $12/mo.
Specs: FireWire • 24-bit/192kHz • In: 8 x XLR. 8 x TRS, 2 x DI • Out: 8 x TRS,
2 x headphone • Dig I/O: ADAT, S/PDIF, word clock • MIDI I/O
ONLY $21/mo.
Specs: FireWire • 24-bit/96kHz • In: 1 x XLR, 1 x TRS (front), 2 x TRS (back)
• Out: 2 x TS, headphone • S/PDIF I/O
ONLY $10/mo.
FirewireSolo
FireWire Audio Interface ....List $24995
$
19997
ProFire
610
ProFireLB
FireWire Aud/MIDI Intrfc.......List $49995
$
39997
ProFire2626
FireWire Audio/MIDI Intrfc ....List $89995
8-channel Microphone Preamp with FireWire
The ProFire 610 is small enough for making mobile and
field recordings with your laptop, while plentiful analog
and digital I/O options and onboard DSP mixer make it
a great studio tool. The ProFire 610 is compatible with
all of the major DAW software, and with its two quality
Octane preamps, it’s ready to function as a 2-channel
standalone AD/DA converter and a mic preamp!
The TubeFire8 from ART uses eight discrete Class A vacuum tube microphone preamps in a single rackspace unit,
with balanced I/O and FireWire connectivity. Ideal for any recording application, this quality and compact preamp
gives you eight tube-driven mic/line inputs and eight balanced outputs, to add a little warmth to your FireWireequipped Mac or PC. You can also be sure you’ll get a very clean, quiet, transparent signal — essential for today’s
recording formats. Each of the inputs on the TubeFire 8 features a highpass filter, a phase invert, a clip indicator, and
an LED meter for preamp-level monitoring. It comes complete with Cubase LE software (Mac/PC).
Specs: In: 8 x XLR/TRS • Out: 8 TS • Dig I/O: FireWire • word clock • 12Hz-60kHz • Imp: 6.4k ohms • Gain range: 70dB
Specs: FireWire • 24-bit/192kHz • In: 2 x XLR/TRS, 2 x TRS Out: 8 x TRS, 2
x headphones • Dig I/O: S/PDIF • MIDI I/O
ONLY $12/mo.
086_090.indd 86
FW Audio/MIDI Intrfc w/ DSP ... List $49995
69997
TubeFire8
6x10 FireWire Audio/MIDI Interface
ProFire610
$
$
399
97
ONLY $12/mo.
TubeFire8
8-ch Mic Pre w/Dig Out ....List $69900
$
39997
6/16/09 1:16:09 PM
>> GET THE
TECHNICAL ADVICE
YOU NEED,
Day or Night
Knowledge Base
If you have questions about the gear you’ve
purchased from Sweetwater, we make it easy
to find the answers you need — instantly! We
created SweetCare to give you 24/7 access
to nearly 20,000 helpful articles, all written
by our award-winning Tech Support team.
Beyond that, SweetCare puts you in touch with
a range of helpful buying guides, a massive
Pro Tools Resource Center, an in-depth
Creation Station microsite, and scores of
active forums. Add to all that our handy
SweetTrack service for up-to-the-minute
tracking info, and you’ve got awesome gear
resources at your fingertips — available
whenever you need them!
Point your browser to Sweetwater’s Knowledge Base, and you’ve got instant
expert support from almost 20,000 helpful articles! This ever-expanding
resource makes it easy to find on-point answers to your questions.
SweetTrack
Track your order quickly and easily with our exclusive SweetTrack service.
Even if you don’t know your tracking number, you can keep track of your next
Sweetwater order, with SweetTrack.
Pro Tools Resource Center
From product registration to setup to troubleshooting, our Pro Tools Resource
Center has the information you need to get (and keep) your Pro Tools system
up and running. We include videos, tutorials, tech tips, and current support and
compatibility information for your Pro Tools system.
Creation Station Resource Center
Get the most out of your Creation Station audio computer — straight from the
people who designed and built it! The Creation Station Resource Center includes
troubleshooting, setup, registration, and interface issues, plus a whole lot more.
Gear and Audio Forums
From computers to instruments to recording to music industry developments,
our gear and audio forums give you dozens of categories to choose from, as well
as the opportunity to interact with seasoned pros and other gear aficionados.
>> G e t s t a r t e d a t s w e e t w a t e r. c o m / s w e e t c a r e
087_Sweetcare.com_Progear.indd 87
6/16/09 1:15:22 PM
88
USB Audio Interfaces
Omega Studio
4 x 2 USB Audio Interface with Lexicon
Reverb Plug-in and Cubase LE
I•ONIX U82S
8 x 2, 24-bit/96kHz Desktop Interface
The I•ONIX U82S 8 x 2 USB audio interface is built to fit into your
setup where you need it: between the computer screen and the keyboard. High-quality dbx
preamps provide a great front end, while
excellent AD/DA converters ensure that
pristine digital audio goes into your
DAW. The more affordable and
even more compact 4x2 I•ONIX
U42S puts the great features and
functionality of its big sibling in a 4-channel
configuration. Looking for an ideal home
studio interface? Check out the I•ONIX U22,
a 2 x 2 version. All three I•ONIX units
include Lexicon’s amazing-sounding
Pantheon II VST/AU reverb plug-in
as well as Cubase LE 4 and Toontrack
EZdrummer Lite software.
IonixU82S
IonixU42S
IonixU22
Specs: I•ONIX U82S USB • 24-bit/96kHz • In: 8 x XLR/TRS, 2 x 1/4" hi-Z
• Out: 2 x TRS, 2 x headphone • S/
PDIF • MIDI I•ONIX U42S USB
ONLY $18/mo.
• 24-bit/96kHz • In: 4 x XLR/TRS,
$
97
2 x 1/4" hi-Z • Out: 2 x TRS, 2 x
8x2 USB Audio/MIDI Interface ...List $84995
headphone • S/PDIF • MIDI I•ONIX
$
U22 USB • 24-bit/96kHz • In: 2 x
4x2 USB Audio/MIDI Interface ....List $54995
39997
$
97
XLR/TRS, 1 x 1/4" hi-Z • Out: 2 x TRS,
$
95
2x2 USB Audio/MIDI Interface ....List 399
299
1 x headphone • MIDI
599
Lexicon’s Omega Studio recording package
includes Steinberg’s Cubase LE audio/MIDI
recording and editing suite and the Omega 8 x 4 x
2 USB I/O mixer. The Omega USB mixer provides a
total of nine inputs and allows you to record four
tracks at once. The Lambda Studio features
two XLR microphone inputs by dbx with TRS
inserts and switchable phantom power. You get
balanced 1/4" line inputs, two TRS balanced line
outputs, a high-power headphone output jack, an
instrument input, and MIDI I/O. Cubase LE 4 and
Lexicon Pantheon Reverb are also included. The
bus-powered Alpha includes the Alpha Studio 2 x
2 USB I/O mixer, Cubase LE 4, and the Pantheon
VST plug-in.
Specs: Omega USB • 24-bit/48kHz • In: 2 x XLR, 1 x hi-Z, 2 x
insert, 4 x TS • Out: 2 x TRS, headphones • Dig I/O: S/PDIF • MIDI
I/O Lambda USB • 24-bit/48kHz • In: 2 x XLR, 2 x TRS, 1 x hi-Z 2
x insert • Out: 2 x TRS • Dig I/O: S/PDIF • MIDI I/O Alpha USB •
24-bit/48kHz • In: 1 x XLR, 2 x TRS, 1 x hi-Z • Out: 2 x TRS, 1 x RCA
Lambda
Alpha
Omega
Lambda
Alpha
USB Recording Bundle ...............List $27995
USB Audio/MIDI Interface ...........List $20995
Desktop Recording Bundle...........List $13995
ONLY $10/mo.
$
19997
$
14997
7997
$
Fast Track Ultra
8 x 8 USB Audio Interface with DSP Mixer and Four Preamps
M-Audio’s Fast Track Ultra gives you
the features and portability of the
Fast Track Pro and adds more
I/O and functionality — it
can record up to eight tracks
at once. Four low-noise
onboard preamps offer up high
sound quality, through to 24-bit/96kHz
fidelity. The onboard MX Core™ DSP mixer gives you flexible
signal routing, complete with delay and reverb for headphone mixes.
ONLY $11/mo.
FastTrkUltra
24-bit USB Interface ......List $44995
$
34997
Specs: USB • 24-bit/96kHz • In: 2
x XLR, 2 x XLR/TRS, 6 x TRS • Out:
6 x TRS, 2 x headphone • Dig I/O:
S/PDIF • MIDI I/O
Fast Track Ultra 8R
8 x 8 USB Audio Interface with DSP Mixer and Eight Octane
Preamps
If you need to record an entire band and quality is of the utmost importance, then check
out M-Audio’s 24-bit/96kHz Fast Track Ultra 8R. It offers eight quality preamps that
double as combo jacks, so you can choose between mic and line-level inputs. There are
also a 20dB pad and selectable 48V phantom power, so you can use any mic. The Fast
Track Ultra 8R’s onboard MX Core DSP mixer expands your Fast Track Ultra 8R’s mixing
I/O to a 16x8 configuration for larger projects and even lets you monitor with effects.
Specs: USB • 24-bit/96kHz • In: 8 x
XLR/TRS • 2 inserts • Out: 8 x TRS,
2 x headphone • Dig I/O: S/PDIF
MobilePre USB
ONLY $10/mo.
MobilePre
088_091.indd 88
USB Interface w/Preamp......List $17995
$
149
97
Specs: USB • 16-bit/48kHz • In: 2 x
XLR, 1 x TS (front), 1 x TS, 1 x 1/8"
• Out: 2 x TS, 1 x 1/8", headphone
USB Interface w/FX......List $62995
$
49997
Fast Track Pro
USB Bus-powered Interface
MobilePre USB is a compact
bus-powered preamp with a
built-in 16-bit/48kHz audio
interface that’s just as suited for
field recording and for sampling
expeditions as it is for singer/
songwriters. Three different types of audio inputs and outputs provide
maximum flexibility for any application; this unit includes two onboard
preamps, each with phantom power and hi-Z instrument inputs for connecting guitar or
bass. The MobilePre USB works with Pro Tools M-Powered, so you can work on your
tracks in any Pro Tools-equipped studio.
ONLY $15/mo.
FastTrackU8R
USB Audio Interface
The Fast Track Pro offers
a pair of mic preamps/
instrument inputs, along with
insert points for external gear,
to facilitate a variety of recording
applications. MIDI I/O lets you easily add virtual instruments to the mix, while S/PDIF
connectors on the back panel are great for bringing digital signals in and out of the Fast
Track Pro. Onboard phantom power allows you to use condenser mics. The Fast Track
Pro is compatible with Pro Tools M-Powered, providing an affordable gateway into the
industry’s leading music production software.
Specs: USB • 24-bit/44.1kHz • In:
2 x XLR/TRS • Out: 2 x TRS, 4 x RCA,
headphone • MIDI I/O
ONLY $10/mo.
FastTrackPro
USB Intrfce/Software........List $24995
$
19997
6/16/09 1:14:02 PM
Pure Genius.
Don’t sacrifice your desktop or your music.
You care intensely about your music. It’s more than a pastime –
it’s your passion. Brilliantly designed, the I·ONIX Desktop Recording
Series fits where it makes the most sense, between your keyboard
and monitor. Performance driven A/D - D/A converters ensure
pristine 24bit/96kHz audio, while high-stability, ultra-low noise
dbx ® mic preamps provide for a superior recording. The full,
rich sound of the Pantheon ™ II VST/AU reverb plug-in completes
your mix. The I·ONIX series furthers Lexicon’s legacy of innovation.
No compromise performance – ergonomic brilliance. Pure genius.
For more information,
contact your Sweetwater
Sales Engineer today!
www.sweetwater.com
1.800.222.4700
Lexicon
Lexicon SWS
SWSAd.indd
Ad.indd 11
2/5/09 12:27:15
PM
6/9/09
8:54:17 AM
90
UA-25EX
UA-101
USB 24-bit/96kHz Audio Interface
The Edirol UA-101 puts your USB 2.0 port to work, pumping a full 10 inputs and 10
outputs at 24-bit/96kHz resolution. You can expect low latency and stellar stability, as
well as the UA series’s signature high-quality audio. Two XLR/TRS combo inputs are
on the front panel of the UA-101, for convenient access, and pro-grade mic preamps
give you the clean signal and headroom you need. What’s more, there are phantom
power and a 5-LED level indicator, so you can keep an eye on your audio. There’s even a
built-in analog limiter and indicator to prevent clipping — a feature that’s sure to save
a recording or two. MIDI, S/PDIF, and TRS I/O (6/8) round out the UA-101.
x XLR/TRS, 6 x TRS • Out: 8 x TRS •
Dig I/O: S/PDIF (optical) • MIDI I/O
ONLY $15/mo.
UA101
$
10x10 USB Interface .................List 599
00
$
With the UA-25EX, you get two front-panel XLR/TRS combo inputs with improved
preamps and phantom power, for quickly connecting up two sources. Level controls help
you conveniently dial in your sound, and a built-in analog compressor/limiter ensures
that you don’t lose crucial recordings to sudden clipping. You can adjust the limiter via a
front-panel dial or toggle/bypass different settings via a rear switch. Audio is captured at
excellent 24-bit/96kHz resolution, though sample rates are also rear switchable to 48kHz
or 44.1kHz. RCA and TRS outputs, optical I/O, and MIDI I/O give enough routing to suit
virtually every small-format recording setup.
Specs: USB • 24-bit/96kHz • In: 2 x XLR/TRS • Out: 2 x TRS, RCA • Dig I/O: S/PDIF (optical)
• MIDI I/O
97
499
UA25EX
$
24-bit USB Audio Interface ........List 279
ONLY $10/mo.
00
$
23997
customer RAVES!
NEW!
“I normally do not buy anything over the Internet. It was a leap of faith to try Sweetwater for
the first time last summer, but I was impressed with your professionalism and promptness.”
— David Townsend
Fireface UC
RME’s Fireface UC continues the Fireface legacy, but this time FireWire connectivity
is traded for USB. Using a newly developed RME Hammerfall core, the Fireface UC is
capable of super-low latencies, even when running multi-channel audio. Two different
firmware versions with different transfer methods are used, effectively removing the
current restrictions USB often imparts on an audio interface. As mentioned previously,
latency is nearly nonexistent on both the Mac OS X and Windows Vista platforms. I/O
is plentiful, as the Fireface UC boasts two digitally controlled mic pres, ADAT, and S/
PDIF, for a total of 18 input/output channels. Plus, there’s MIDI I/O (on a 4 x 5-pin DIN
breakout cable) and word clock.
Specs: USB • 24-bit/192kHz • In: 4 x 1/4" TRS, 2 x XLR/TRS combo • Out: 6 x 1/4" TRS balanced, 1 x 1/4" TRS
unbalanced • Dig I/O: ADAT, S/PDIF • 2 x MIDI on breakout cable • word clock
UA-1EX
Compact USB Audio
Interface
When you need to bring high-quality audio into your
computer but space is the utmost concern, the Edirol
UA-1EX is just the device for you. This ASIO-compatible
24-bit/96kHz USB audio interface offers superior sound and
versatility — and its tiny size is perfect to complete your laptop-based
recording rig. Once you’ve recorded, you can use the UA-1EX’s complement of
outputs as a fast way to show off your tracks through a home stereo system.
Specs: USB • 24-bit/96kHz • In: 1 x 1/8" TRS, RCA • Out: RCA, 1 x 1/8" • Dig I/O: S/PDIF
ONLY $39/mo.
FirefaceUC 36-ch FW Interface .................List $149900
$
129997
UA1EX
$
USB Audio Interface.....................List $9900
7997
Audio Kontrol 1
24-bit/192kHz USB Audio Interface with Bundled Software
Renowned for incredible software
instruments, Native Instruments now gives
you a great piece of hardware, with Audio
Kontrol 1. This USB interface packs
audiophile-quality 24-bit/192kHz sound
into a very compact and easy-to-use box.
The Audio Kontrol 1 includes a pair of
balanced XLR/TRS inputs and a single
hi-Z instrument input. NI designed Audio
Kontrol 1 to be an all-encompassing
interface for musicians, producers, and DJs,
and it ships it with a batch of great software, including Guitar Rig 3 LE, Traktor 3 LE,
Cubase LE 4, and KORE Player (complete with the KORE Selection Soundpack). The
Audio Kontrol 1’s top panel sports three buttons and a large knob, all of which are freely
assignable to functions in your software. It’s Native Instruments’ quality and attention to
detail — in a hardware unit!
ONLY $10/mo.
AudioKont1
090_092.indd 90
$
24-bit/192kHz USB Intrfce....List 299
00
$
249
97
x XLR/TRS, 1 x hi-Z • Out: 4 x TRS,
headphone • MIDI I/O
AudioBox USB
Compact 2-channel USB Audio Interface
With an exceptionally small footprint, the PreSonus AudioBox USB puts two channels
of audio straight into your computer — and it couldn’t be easier to use. Front-panel
XLR/TRS combo inputs offer switchable phantom power, so you can use any mic in your
collection, and there are separate volume controls for your headphones and your main
outputs. Plus, clip meters help you determine where to dial in each of your inputs. On
the back, MIDI I/O makes it easy to connect up any of your crucial MIDI gear, and the
AudioBox USB’s rear-panel TRS outputs feed your studio monitors with ease. You’ll also
be glad to know that the AudioBox USB has no need for any additional wall warts — it
receives all the power it needs via your computer’s USB connection.
Specs: USB • 24-bit/48kHz • In: 2 x XLR,/TRS combo • Out: 2 x TRS, headphones • MIDI I/O
ONLY $10/mo.
AudioBoxUSB
$
USB Interface.........List 179
00
$
14995
6/16/09 1:13:05 PM
PREMIUM LINE
32-Channel High-End 192 kHz reference AD & DA converters
M-32 AD / M-32 DA
Analog to/from MADI and ADAT . 16-Channel versions available: M-16 AD / M-16 DA
M-32 AD and M-16 AD provide an unique feature set: Analog limiters, three
hardware reference levels up to +24 dBu, MADI and ADAT I/O up to 192 kHz, 6.3 mm
TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of
mains voltages, all packed into a 2U enclosure.
M-32 AD and M-16 AD offer an outstanding AD conversion to MADI and ADAT
formats. Balanced analog inputs guarantee excellent S/N and THD specs across a
wide analog level range. Using up-to-date converter technology working at up to
192 kHz, the real-world signal-to-noise ratio reaches 116 dBA – on all channels.
An extraordinary limiter, conceived and optimized for professional studio, stage,
and broadcast applications, offers essential operational safety with its capability to
limit an input’s overload by up to 17 dB without audible distortion.
RME´s SteadyClockTM guarantees perfect sound quality through efficient jitter
suppression, making the device completely independent from the quality of
external clock signals.
M-32 DA and M-16 DA: High-end DA reference converters, easy to operate yet
having a comprehensive feature set. The units combine excellent analog circuit
design with the latest converter chips and RME’s superior SteadyClockTM, resulting
in a state-of-the-art DA conversion, with outstanding THD specs and a S/N ratio of
up to 118 dBA. Both units provide separated driver stages for the analog TRS and
D-sub outputs. When selecting +24 dBu the balanced D-sub connector outputs will
provide the higher output level while TRS stays at the +19 dBu setting.
Remote Control. All M-series converters are fully remote controllable and
configurable via MIDI. Control software for Mac and PC is supplied and allows easy
remote control, also with MIDI transfer via MADI (MIDI Extender).
RME´s M-Series
is an unsurpassed flexible basis for the realization of
multichannel setups. Combinations of M-32 & M-16 AD/DA allow setups with 16,
32, 48, or 64 channels, according to your individual application or budget.
Based on a newly developed
RME Hammerfall core
the Fireface UC provides
revolutionary ultra-low latencies
with multiple I/O channels,
realizing a performance
comparable to the best PCI
Express interfaces.
Fireface UC
36-Channel
USB High-Speed
Audio Interface
8 x Analog
1 x ADAT
1 x SPDIF
I/OI/O
. 1. x1SPDIF
I/OI/O. 2. x2 MIDI
I/O
8 x Analog
I/O .I/O
1 x .ADAT
I/O orI/O
1 xorOptical
SPDIF
x SPDIF
x MIDI
I/O
22x xMic
Preamp
with
digitally
controlled
gain
Mic Preamp with digitally controlled gain
Engineered and manufactured in Germany
RME SWS Ad.indd 1
(800) 222-4700
www.sweetwater.com
6/9/09 2:00:16 PM
92
TonePort UX8
8-channel USB Interface with Amp and Mic Preamp Models
Line 6 consistently leads the pack when
it comes to modeling technology —
their modeling amps set the standard
for spot-on emulation of classic amps
and axes. The latest edition of the
TonePort series expands that modeling
expertise into larger multi-channel
USB interfaces. The stage- and
studio-friendly Line 6 TonePort UX8
builds on the legacy of the earlier TonePort boxes
and raises the bar, upping the channel count to
eight. Thanks to eight microphone preamps with
corresponding line inputs, eight TRS outputs,
S/PDIF I/O, two 1/4" footswitch inputs, and an
expression pedal input, the TonePort UX8 is
equipped to handle a wide variety of input sources
and will be a perfect fit in any guitarist’s home studio. Of course, Line 6 includes a
pair of front-panel DI inputs. Plus, the POD Farm plug-in is included, featuring a
selection of POD Farm Platinum models!
ONLY $15/mo.
TonePortUX8
$
8-ch USB Audio Interface ...List 699
99
$
99
499
Specs: USB • 24-bit/96kHz • In: 8 x XLR, 6 x line in (2 switchable to hi-Z) • Out: 4 x TRS • S/PDIF I/O • MIDI I/O
ONLY $12/mo.
USB 2.0 Audio Interface.............List 499
POD Studio UX1
The more streamlined POD Studio UX1 offers a
single guitar/ bass input and an XLR input without
phantom power, while the affordable POD Studio GX delivers a
single guitar/bass input in a high-quality portable package.
POD Studio GX
Specs: UX2 USB • 2 x XLR, 2 x TRS • Dig I/O: S/PDIF UX1 USB • 24-bit/48kHz • In: 1 x XLR, 2
x TRS, 1 x TS • Out: 2 x TRS, phones GX USB • 24-bit/48kHz • In: 1 x TRS • Out:
1 x TRS/phones
ONLY $10/mo.
PodStuUX2 5-ch USB Intrfce, Mdlng Soft......List $27999
PodStuUX1
PODStuGX
$
$
19999
$
14999
9999
99
3-ch USB Intrfce, Mdlng Soft.......List 209
1-ch USB Intrfce, Mdlng Soft.......List $13999
$
Keyboard Controller/2-channel USB Interface
Here’s a very affordable way to get up to 16 channels of quality audio into your computer
via a single USB connection. TASCAM’s US-1641 includes eight phantom-powered mic/
line inputs with an additional four back-panel line inputs, two balanced/unbalanced
line/instrument front-panel inputs, and S/PDIF I/O. There are also 16 channels of MIDI
available. The US-1641 can handle audio up to 24-bit/96kHz without sacrificing track
count, making it a great solution for high-fidelity full-band recording, live or in the
studio. The hardware delivers zero-latency monitoring, so you can monitor in real time.
The US-1641 comes bundled with Steinberg Cubase LE 4 software (Mac and PC).
US1641
POD Studio combines the stunning
sound of the POD Farm plug-in with
an excellent guitar-recording interface.
In addition, ToneDirect monitoring
eliminates latency when you’re tracking guitar, bass, or vocals with
amp and effects processing. POD Studio UX2
features guitar/bass instrument inputs, stereo
line inputs and outputs, and two high-quality
phantom-powered microphone preamps.
POD Studio KB37
24-bit/96kHz, 16 x 4 USB Audio Interface
99
2-channel USB Audio
Interface
Specs: USB • 24-bit/96kHz •
In: 8 x XLR, 8 x TRS, 2 x DI •
Out: 8 x TRS • Dig I/O: S/PDIF
US-1641
$
POD Studio UX2
$
The POD Studio KB37 merges a
powerful software and hardware
recording solution with a 37-key
MIDI controller. It features a built-in
interface with two phantom-powered
mic inputs, two guitar/bass inputs,
and stereo line inputs for your
keyboard and drum machine. You
also get the POD Farm plug-in, which is packed with amps, stompboxes, studio effects,
and even vocal preamplifiers.
Specs: USB • 24-bit/48kHz • In: 2 x XLR, 2 x 1/4", 1 x DI • Out: 2 x TRS, headphone • Dig I/O: S/PDIF
99
399
PODStuKB37
$
USB Interface/Key Controllr .....List 489
99
ONLY $11/mo.
$
34999
US-122L
USB Audio/MIDI Interface
TASCAM’s US-122L includes two mic inputs,
line-level inputs on balanced 1/4" TRS jacks
that are switchable to guitar level for direct
instrument recording into your computer.
You also get zero-latency direct monitoring
and MIDI I/O. The bus-powered US-144
lets you capture audio at 24-bit/96kHz and
it adds S/PDIF to the mix. It also features two mic
preamps that allow the use of condenser mics, plus there are
two switchable line/instrument inputs. Both units come complete with
Cubase LE 4 audio production software.
Specs: US-122L USB • 24-bit/48kHz • In: 2 x XLR, 2 x line in (1 switchable to hi-Z) 2 x insert • Out: 1 x XLR, 2 x
RCA • MIDI I/O US-144 USB •
ONLY $10/mo.
24-bit/48kHz • In: 2 x XLR, 2 x line
$
99
in (1 switchable to hi-Z) • 2 x insert
$
99
US122L
USB 2.0 Audio Interface.............List 199
• Out: 1 x XLR, 2 x RCA • Dig I/O: S/
$
US144
USB Audio Interface....................List $26999
14999
PDIF • MIDI I/O
129
092_094.indd 92
Mic Mate
USB Microphone A/D Converter/Preamp
MXL’s straightforward, streamlined MicMate preamp and A/D converter allows you
to plug any mic in and get high-quality digital sound straight to your computer’s USB
port. It’s ideal for portable recording as well as for desktop DAW setups where space is at
a premium. The MicMate uses your computer’s USB power to provide phantom power,
allowing you to use condenser mics without the hassle of an additional interface. The
MicMate includes a balanced, low-noise analog input, analog gain control, and 16-bit
A/D conversion.
Specs: USB • 16-bit/48kHz • In:
1 x XLR
MicMate
Mic Pre/Interface ........................List $9900
$
4997
6/16/09 1:12:02 PM
1979
2009
93
USB
B Audio Inteerfacces
AxePort Pro
MicPort Pro
USB Guitar/Bass Interface
USB
US
B Mi
Micr
crop
opho
hone
ne P
Pre
ream
amp/
p/In
Inte
terf
rfac
ace
e
When what you want is to record great-soun
so
undi
ding
ng ggui
uita
tarr or bbas
asss tr
trac
acks
ks, lo
look
ok
no further than the AxePort Pro
inte
in
terf
rfac
acee. Ax
AxeP
ePor
ortt Pr
Proo co
conn
nnec
ects
ts nnea
eatltlyy
to your computer via USB. Just hook
up your guititar or bass viia a regular
l
instrument cable and you’re set to record.
rd.
AxeP
Ax
ePor
ortt Pr
Proo ha
hass a he
head
adph
phon
onee kn
knob
ob ffor
or m
mon
onititor
orin
ingg an
andd bo
both
th
gain and volume controls. It records at excellent 24-bit/96kHz resolution.
The MicPort Pro may well be the most
sttripp
i edd-down
d
intterface
f outt th
there, butt tthhatt doesn’t’t
mean it won’t perform! This tubular device offers
a mic input, a USB port, 448V phhantom power, andd a
headphone jack, with a dial for zero-latency monitooring.
It operates at 24-bit/96kHz resolution and can be poowered
entirely by bus power, for plug-and-play conveniencce. It’s
compatible with both Windows (XP and Vista) and Mac
OS X and includes a 6' USB cable.
ONLY $10/mo.
AxeP
Ax
ePor
ortP
tPro
ro
Guitar
Gui
tar US
USBB Inte
Interfa
rface
ce..........Lis
Listt $19995
$
97
149
Specs: USB • 24-bit/96k
bi /96kH
Hz • IIn:
1 x 1/4"
Specs: USB • 24-bit/96kHz • In:
1 x XLR
ONLY $10/mo.
MicP
Mi
cPor
ortP
tPro
ro
X2u
Mic Pr
Pre/I
e/Inte
nterfa
rface
ce ............Lis
Listt $19995
$
14997
Icicle
USB Microphone A/D
Converter/Preamp
16-bit/48kHz XLR-USB Interface
Turn your favorite microphone into a USB mic, with Shure’s compact
and affordable X2u interface! This handy unit includes its own
headphone jack, and controls for monitor mix, mic gain, and volume
let you tailor your signal while giving you very effective zero-latency
monitoring functionality.
The X2u also provides phantom power, so you can easily interface your
favorite condenser mic with your computer. The X2u lets you take your
laptop studio anywhere you want to go!
Specs: USB • 16-bit/48kHz • In: 1 x XLR
Blue’s Icicle is just as cool as its name
implies. This affordable device is a USB coonverter
and mic preamp all in one, so you can connnect any
XLR microphone directly into your compuuter via USB. The
mplicated drivers and
convenient, compact Icicle requires no com
no clunky I/O boxes, and it includes onboaard 48V phantom power
and a 6' USB cable for streamlined connecctivity with your Mac or PC. Built
with Blue quality and offered at an amazing
ng price, the low-noise Icicle gives you
great sound anywhere.
Specs: USB • 16-bit/44.1kHz • In: 1 x XLR
ONLY $10/mo.
X2u
Mic Pre/Interface......................List $15400
$
12997
Icicle
USB Interface - Mic Pre.............................
$
5999
The New Standard in Portable Recording
The Finest, Smallest 24-bit/96kHz USB Recording Preamps for Voice-overs, Musicians, and Engineers
MicPortPro
TM
Ideal for
• Voice-over, Skype,
podcasting
• DJ sampling
• Instrument recording
• Acoustical measurement
Specs
• 40dB Gain
• 48V Phantom
• 20Hz–40kHz
All microphones: dynamic, condenser, ribbon
AxePortPro
TM
Ideal for
• Guitar, bass, etc.
• Instrument sampling
• Recording overdubs
Specs
• 1MOhm Input
• 0.005% THD
• 20Hz–40kHz
Features
• Low-noise preamp
• 24-bit/96kHz
• Zero latency
• Loud headphone amp
Compatibility
• Windows XP
(including 64-bit)
• Windows Vista
(including 64-bit)
• Mac OS X 10.4+
• Linux
• ASIO, WDM, GSIF
All pickups: active, passive, piezo
Connect multiple units with the FREE
CEntrance Universal Driver!
(800) 222-4700 www.sweetwater.com
093_094a.indd 93
6/16/09 1:19:11 PM
94
USB Auudio Innterfaaces
GuitarLink
USB Guitar Interface Cable
StealthPedal
Ped
dal-style USB Interface for Guitar and Bass
IK M
Multimedia’s StealthPedal is more than just a cool-looking wah-style
peddal — it puts an audio interface and a software controller into one
com
co
mpac
mp
m
actt un
unititit.. Pl
Plug
ug you
ourr gu
guitititar
ar or bass
bass int
nto
to itit,, pl
plug
lug the
he Ste
teal
alth
lth
thPPed
Pedal
dal int
into
to
yoour M
Mac
ac oorr PC
PC,, an
andd yo
you’
u re rrea
eady
dy ttoo re
reco
cord
rd..
Youu ca
YYo
cann us
usee th
thee bu
buililtt in eexp
xpre
ress
ssio
ionn pe
peda
dall to ttak
akee ch
char
arge
ge ooff an
anyy
pparameters in the included amplifier and effects-modeling software. It
innclludes
d two inputs for guitars or lline-llevell instruments, two separate
outp
ou
tpuuts,
tp
s, aand
nd a hhea
eadp
ea
dpho
dp
hone
ho
ne oout
utpu
ut
putt.t. Th
pu
Thee St
Stea
ealt
ea
lthP
lt
hPed
hP
edal
ed
al D
Del
elux
el
uxee aadd
ux
ddss fu
dd
fullll
versions
of
Amplitube
2
and
Ampeg
SVX
software.
ON
NLY $10
$10/mo.
/mo.
Stea
St
ealt
lthP
hPed
edal
al USB Gu
Guita
itarr Inte
Interfa
rface
ce, Sf
Sftwr
twree .....Lis
Listt $26999
StealthPedDlx
$
19999
Specs: USB • 24-bit/48kHz • In: 2 x 1/4" • Out: 2 x 1/4", headphone
$
39999
USB Guitar Interface, Sftwre.....List $44999
StealthPlug
USB
US
B Intterface
f
for Guit
itar and
dB
Bass
Connec
Conn
ectiting
ng yyou
ourr gu
guititar
ar oorr ba
bass
ss ttoo yo
your
ur ccom
ompu
pute
terr fo
forr gr
grea
eatt-so
soun
undi
ding
ng rrec
ecor
ordi
ding
ng hhas
as
never been
b easier! Simply
l plug
l the
h StealthPlug
St
g straight into your computer and
run your guitar or bass thrrough the included AmpliTube 2 Live amp- and
effe
ef
fect
ctss-em
emul
ulat
atio
ionn sso
softftwa
ware
re. SSte
teal
alth
thPl
Plug
ugg aals
lsoo sh
ship
ipps wi
with
th a SSpe
p ed
pe
edTr
Trai
aine
nerr
applicatioon, which allows you to slow down songs to learn
pparts more easily. Tracktion 2.1 DAW software
iss iinc
nclu
lude
dedd, aass ar
aree th
thee Sa
Samp
mple
leTa
Tank
nk 2 SSEE vi
virt
rtua
uall
instrumennt, the TRackS EQ plug-in, and 500MB of Sonic
Real
Re
alitityy lo
loop
opss an
andd gr
groooo
oove
vess. IIt’ts ev
ever
eryt
ythi
hing
ng yyou
ou nnee
eedd to gget
et ggre
reat
at-s
-sou
ound
ndin
ingg
guitar tracks, in one incredibly affordable box!
StealthPlug
$
USB Guitar Interface ...........List 129
99
$
99
99
Plug your guitar
straight into your
computer, without
the need for a bulky
interface! A built-in
analog-to-digital
converter allows you to
use the GuitarLink
USB cable/interface
with your favorite
guitar. Just plug
in and you’re able
to put audio into
your computer, with
16-bit/44.1kHz digital
sound quality. Its 1/4"
end plugs into your guitar
ar just as a regular cable does
does,
while the other end provides a USB connection to your
computer. You’ll definitely appreciate the freedom you get
from GuitarLink’s generous 16½' length.
Alesis applied the same combination of quality and
convenience to the MicLink. This handy 16½'-long cable
gives you the GuitarLink’s features and functionality, with
an XLR end instead of a 1/4" end.
Specs: GuitarLink USB to 1/4"• 16-bit/44.1kHz • MicLink USB to XLR
• 16-bit/44.1kHz
GuitarLink
Specs: U
USB to 1/4"
MicLink
USB Guitar Cable Interface ...........List $6900
USB Mic Cable Interface ...............List $7900
$
3997
$
4997
This Changes Everything.
Finally, a USB Audio Interface designed for Guitar & Bass players
Comes with AmpliTube 2 Live and Ampeg® SVX UNO
O.
StealthPedal DELUXE
Comes with AmpliTube 2 and Ampeg® SVX.
For a limited time, both versions include AmpliTube Metal.
M
Now you can record and play live with the most unique — yet familiar — interface on the planet!
The StealthPedal™ is the first USB powered audio interface & MIDI controller designed for the
way YOU play. Use the StealthPedal to control the included “Powered by AmpliTube” software for a
level of creative flexibility you’ve never experienced before from an amplifier OR software program.
Mix and match components from thousands of dollars worth of gear, all right at your fingertips.
Turn your computer into the Ultimate Tone Machine. This Changes Everything. To find out how, call
a Sweetwater Sales Engineer at (800) 222-4700
0 or visit:
www.sweetwater.com
Seamless integration with all “Powered by AmpliTube” products, including: AmpliTube 2, Ampeg® SVX, AmpliTube Jimi Hendrix™, AmpliTube Metal, AmpliTube Fenderr®.
FENDER™, STRATOCASTER™, and the distinctive headstock and body designs
commonly found on the STRATOCASTER guitar, and all FENDER amplifiers, logos, and
trade dress are the trademarks of FMIC and used herein under license. AMPEG® is a
registered trademark of LOUD Technologies, Inc. used under license. Jimi Hendrix™ name
used under license of Authentic Hendrix, LLC. © TM Authentic Hendrix, LLC.
6WHDOWK3HGDOY6ZHHW:DWWHU+$/)LQGG 6WHDOWK3HGDOY6ZHHW:DWHU+$/)LQGG
094_093.indd 94
6/16/09 1:21:20 PM
2009
1979
95
PCI Audio Interfaces
HDSP 9632
HDSPe RayDAT
32 x 32 PCI Audio Interface
36 x 36 PCIe Audio Interface
If you’re looking to give your PCIeequipped computer a performance
boost, then the HDSPe RayDAT
will handle your I/O needs. The
RayDAT provides four banks of ADAT
optical I/O — totaling 32 channels — plus S/PDIF I/O
and AES/EBU I/O, for a total of 36-in/36-out. S/PDIF (phono) and AES/
EBU are available at the same time. You’ll enjoy flexible routing across these channels and
clocking stability, thanks to TotalMix, RME’s DSP-based real-time mixer and router, and
RME’s SteadyClock clocking technology.
ONLY $26/mo.
HDSPeRayDAT
PCIe Interface .......List $94900
$
849
97
Specs: PCIe • 192kHz • Dig I/O:
ADAT, AES, S/PDIF • MIDI I/O
With 32 channels of audio I/O,
the HDSP 9632 offers stellar
digital connectivity, complete sync
capabilities, and virtually zero-latency
monitoring. Balanced stereo analog
I/O with 24-bit/192kHz conversion, ADAT
digital I/O, S/PDIF digital I/O, and available add-on cards for even more
inputs make the HDSP 9632 practically limitless. Its 192kHz AD/DA converters have more
than a 110dB signal-to-noise ratio, and all inputs and outputs can operate simultaneously. A new internal clock suppresses jitter from external signals. Also available is the
52-channel HDSP 9652, with three banks of ADAT input and two channels of S/PDIF.
Specs: HDSP 9632 PCI • 24-bit/192kHz • In: 2 x RCA • Out: 2 x RCA • Dig I/O: ADAT, S/PDIF • MIDI I/O • Mac/PC
HDSP 9652 PCI • 24-bit/96kHz
ONLY $15/mo.
• Dig I/O: 3 x ADAT, S/PDIF •
$
97
ADAT sync
$
00
HDSP9632 24-bit/192kHz PCI Audio Card ...List 549
499
HDSP9652
$
69997
24-bit/96kHz PCI Audio Card ......List $79900
customer RAVES!
AES16 Interfaces
16 x 16 PCI/PCIe Audio Interfaces
“Thanks again for many years of excellent service and for having professionals onboard.
It
It’ss been
been great
grea
reatt doing
doin
doin
oingg business
busi
usines
nesss with
nes
with you
yo
y u thus
thus far,
fa
f r,, and I look
look forward
forw
orward
ard to the
the next
next decade
decad
decad
cadee or
or two.”
two.
two.
wo.”
Wells
— Edd We
W
Well
elllls
Easily bring all of your digital gear into your software DAW, with a Lynx Studio
Technology AES16 multi-channel interface. You get up to 16 channels of 24-bit/192kHz
I/O in a single-card format, and you can install up to four AES16s, for even the most
extensive channel needs. All AES16 interfaces boast Lynx’s exclusive SynchroLock
technology, for excellent jitter tolerance across all of your inputs, regardless of long
cable lengths. Plus, this technology also acts as an accurate word clock source for your
other gear, adding even deeper value to the system. The AES16 is available in both
PCI and PCIe varieties. You can also choose the AES16 SRC option with eight
channels of mastering-quality sample rate conversion. In addition, you can get an
AES16 PCI or PCIe bundled with two 6' D-sub to XLR cable sets, for connectivity
straight out of the box.
ONLY $21/mo.
All offer an onboard
$
97
32-channel/32-bit mixer.
AES16e
16-ch AES/EBU Intrfc ................List $79500
699
AES16eSRC
AES16XLR
AES16
16-ch AES/EBU Intrfc .................List $89500
$
79997
69997
$
62597
$
Specs: AES16XLR/AES16 PCI
• 24-bit/192kHz • Dig I/O: D-Sub
AES16e/AES16eSRC PCI-e
24-bit/192kHz • Dig I/O: D-Sub
0404
24-bit/192kHz PCI Audio Interface with 32-bit Multi-effects
E-MU’s 0404 PCI Digital Audio System is an ideal way to dive into digital audio on your Windows
computer. High-definition 24-bit/192kHz converters deliver quality audio, and the onboard DSP
delivers mixing, zero-latency monitoring, and over 600 hardware-accelerated effects. The 0404 PCI
comes with SONAR LE, Cubase LE, Wavelab Lite, Live Lite for E-MU, AmpliTube LE, SFX Machine LT,
and E-MU Proteus X LE.
Specs: PCI • 24-bit/192kHz • In: 2 x TRS • Out: 2 x TRS • Dig I/O:
S/PDIF • MIDI I/O
0404
4x4 PCI Interface - PC ...............................
$
9999
1212M v2
1616M PCI
24-bit/192kHz PCI Audio Interface
with 32-bit Multi-effects
24-bit/192kHz Audio Interface
E-MU’s PCI digital audio systems give you
everything you need to turn your PC
into a total production center, along
with enough bundled software to keep
you busy! The 1616 PCI features the
MicroDock desktop breakout box with 16
inputs and 16 outputs, plus 32 channels of MIDI I/O and two E-MU XTC Class A ultralow-noise mic/line/hi-Z preamps with 48V phantom power and analog soft limiting. The
1616M PCI ups the ante with 120dB SNR mastering-quality 24-bit/192kHz converters.
Both ship with a huge software bundle, including SONAR LE, Cubase LE, Live Lite for
E-MU, and more.
E-MU’s 1212M v2 gives you everything you
need to capture professional-grade audio on
your PC. With the 1212M, you get masteringgrade 24-bit/192kHz converters, a plethora of
hardware-accelerated VST plug-in effects with
no CPU overhead, and zero-latency hardware
mixing and monitoring with a super-flexible
patch bay — no external mixer needed. The 1212M offers 12 inputs and 12 outputs,
plus S/PDIF, ADAT, and MIDI I/O, as well as a power software bundle to edit and mix
your audio into a finished product, including SONAR LE, Ableton Live Lite for E-MU,
Steinberg’s Cubase LE and WaveLab Lite, SFX Machine LT, and more.
Specs: PCI •24-bit/192kHz • In: 2 x
TRS • Out: 2 x TRS • Dig I/O: ADAT,
S/PDIF • MIDI I/O
095_096.indd 95
ONLY $10/mo.
1212Mv2
12x12 PCI Recording System .....................
$
99
149
Specs: 1616 PCI/1616M PCI PCI
• 24-bit/192kHz • In: 4 x TRS, RIAA
preamp in • Out: 6 x TRS, 2 x 1/8"
(speaker) headphone • Dig I/O:
S/PDIF, ADAT
ONLY $14/mo.
1616MPCI
1616PCI
PCI Recording System................................
PCI Recording System................................
$
44999
$
34999
6/16/09 1:10:45 PM
96
PCI Audio Interfaces
Delta 1010LT
10 x 10, 24-bit/96kHz PCI Audio Card
Audiophile 192
24-bit/192kHz PCI Audio Card
Bring high-definition audio to your computer recording
system, with M-Audio’s Audiophile 192. This PCI audio
card gives you stereo analog I/O, S/PDIF digital I/O, and
a MIDI interface, all in one package. The Audiophile 192
is ready for the next generation of DVD audio, providing
24-bit/192kHz resolution. Its balanced/unbalanced
analog I/O makes connecting to a whole range of pro and
consumer gear possible, and monitoring your recording
is easy, thanks to the Audiophile 192’s zero-latency
hardware input monitoring support. It’s an affordable
introduction to high-definition audio!
M-Audio’s Delta 1010LT packs in a lot of I/O for its small price! This
10-in/10-out PCI recording system gives you two XLR inputs, complete
with preamps as well as six RCA inputs for all your gear. You also get
digital S/PDIF I/O and word clock I/O for high-level synchronization
down the line, plus there’s MIDI I/O for your control surface or
keyboard controller. Best yet, the Delta 1010LT is Pro
Tools M-Powered compatible, for the ultimate in
pro-quality recordings.
Specs: PCI • 24-bit/96kHz • In: 2 XLR, 6 x RCA • Out:
8 x RCA • Dig I/O: S/PDIF • word clock • MIDI I/O
ONLY $10/mo.
Delta1010LT
10-in/10-out PCI Rec Sys....List $24995
$
19997
Delta 1010
24-bit/96kHz PCI Audio Interface with MIDI
and Word Clock I/O
Specs: PCI • 4 x 4 • 24-bit/192kHz • In: 2 x TRS (balanced) • Out: 2 x TRS
(balanced) • Dig I/O: S/PDIF • MIDI I/O
ONLY $10/mo.
Audiophile192
4x4 PCI Card ..........List $19995
$
17997
“Combined with M-Audio’s Pro Tools M-Powered,
the Delta 1010 offers an ultra-stable, highbandwith PCI native Pro Tools solution.”
— Ryan Sloan, Sales Engineer, Ext. 1306
Experience the high bandwidth and ultra-low latency
that this PCI-based audio interface system provides! The
Delta 1010 is an extremely affordable way to bring 10
channels in and 10 channels out of your computer —
with S/PDIF, MIDI, and word clock to boot. All channels
are capable of 24-bit/96kHz resolution. What’s more, the
Delta card contains a 36-bit embedded DSP softwaredriven patch bay/router for both digital and analog I/O,
allowing extremely fast throughput. Ableton Live Lite
software comes included.
Specs: PCI • 24-bit/96kHz • In: 8 x TRS (bal/unbal) • Out: 8 x TRS (bal/
unbal) • Dig I/O: S/PDIF • word clock • MIDI I/O
ONLY $18/mo.
Delta1010
10-in/10-out PCI Rec Sys .........List $79995
$
59997
Delta 66
PCI Audio Card with Analog I/O Breakout Box
Audiophile 2496
4-in/4-out PCI Card with S/PDIF and MIDI
Here’s a high-performance PCI card that’s as friendly to
your wallet as it is to your audio! M-Audio’s impressive
and affordable Audiophile 2496 uses the same
pro-grade 24-bit/96kHz converters as the Delta 44 and 66
cards do (right). The Audiophile 2496 also provides
S/PDIF and MIDI I/O for connecting to digital audio
devices and MIDI instruments.
This 4-in/4-out interface delivers quality audio
performance, with a frequency response of 22Hz-22kHz
and a dynamic range of 104dB, so you’ll hear the
nuances of even the most delicate recordings. The
built-in MIDI interface gives you 16 channels of I/O and
eliminates the added expense of an additional hardware
interface for the task.
Specs: PCI • 24-bit/96kHz • In: 2 x RCA • Out: 2 x RCA • Dig I/O: S/PDIF
• MIDI I/O
Audiophile2496
4x4 PCI Card ........List $12995
$
9997
customer RAVES!
“Your catalog is the best around! The sales staff is
awesome.
notch!”
awesom
awe
some.
som
e. Service
Servic
Ser
vicee after
vic
afte
afte
f r the
the sal
salee was
was topp no
notch
tch!!
tch
— Brett
Brett Molaison
Bre
M lais
Mol
aison
i on
M-Audio’s Delta 66 offers incredible performance to go with
its amazingly low price. This PCI card’s zero-latency hardware
monitoring, 24-bit/96kHz sonic fidelity, and 36-bit internal DSP let
you capture high-quality audio. The flexible Delta 66 system includes a PCI
card with S/PDIF I/O, connected to a sturdy breakout box containing four
analog inputs and outputs that are compatible with balanced or unbalanced
+4dBu or -10dBV signals. Included Delta Control Panel software provides
comprehensive routing, monitoring, and mixing capabilities. This card is a
great value!
Specs: PCI • 24-bit/96kHz • In: 4 x TRS • Out: 4 x TRS • Dig I/O: S/PDIF
ONLY $10/mo.
Delta66
6-in/6-out PCI Rec System........List $23995
$
18997
Delta 44
4-channel PCI Audio Card with Breakout Box
Want to tap into the power and performance of the Delta 66 but don’t need S/PDIF
digital I/O? The amazingly affordable Delta 44 fits the bill. Delta 44 includes a
PCI card connected to a sturdy analog breakout box.
You get 4 x 4 I/O jacks and an excellent 24-bit/96kHz converter section. There’s
also Delta control panel software that configures the card and controls digital
mixing and routing. The Delta 44 is an approved Pro Tools M-Powered
interface, giving you a very high-quality entry into the wonderful world of
digital audio!
Specs: PCI • 24-bit/96kHz • In: 4 x TRS • Out: 4 x TRS
ONLY $10/mo.
Delta44
096_098.indd 96
$
4-in/4-out PCI Rec System........List 199
95
$
14997
6/16/09 1:08:16 PM
2009
1979
97
Podcast Solutions
What Is Podcasting?
Podcasts are an amazing platform for artists of all kinds to attract interested listeners. At its base, a podcast is an audio file posted to the web in such
a way that anyone can subscribe to hear your new content regularly. Whether you want to flex your radio know-how, get your music out there, or just
find a new outlet for your creativity, there’s no better way than podcasting — and fortunately, it’s something everyone from beginners to pros can do!
all-in-one
Check out these all
in one packages andd special mics to get started!
Track Pack T1
USB Interface with Dynamic Mic and Headphones
Start recording quality tracks now! TASCAM’s Track Pack T1 includes the compact US-122L USB 2.0
interface, which gives you up to 24-bit/96kHz sound quality. This interface provides two XLR inputs with
phantom power, two analog line inputs, and MIDI I/O. You also get a MC-VT1 dynamic mic, headphones, and
Cubase LE 4 48-track audio production software. The Track Pack T2’s USB interface adds digital I/O and
MIDI to its dual XLR and line inputs. This
ONLY $10/mo.
package also includes a TM-78 vocal mic and
$
99
$
99
US122TrackPk
USB
Interface
Bundle
........................List
299
Cubase LE 4 software.
179
Dynamic Mic with Built-in USB Interface
Here’s a professional-sounding microphone for podcasters that’s
very easy to use. RØDE’s Podcaster end-address dynamic USB
mic features a built-in A/D converter and a 3-meter USB cable for
easy connection to a computer. The Podcaster is tailored specifically
for voice, and the tight cardioid pickup pattern provides excellent
rejection of off-axis sounds. An integrated headphone amplifier allows
you to monitor directly at the microphone. This great-sounding
microphone’s all-in-one approach to recording and monitoring
makes it an incredible value.
USB Mic and Software
The USB Mic Podcasting Kit from Alesis allows even
the most inexperienced users to quickly record audio into
a computer and publish their podcasts on the Internet. The
microphone is a plug-and-play device, so there are no drivers
to install, and a desktop stand and headphones are included.
The kit includes Audacity recording and editing software.
ONLY $10/mo.
Podcaster
USB Dynamic Mic......................List 369
00
$
PodcastMicKit
97
229
AT2020 USB
$
USB Dynamic Mic.....List $19900
9997
USB Cardioid Condenser Mic
Recording Podcasting Paks
Audio-Technica’s AT2020 USB provides great sound, in a
cardioid condenser mic that connects directly to your computer!
The AT2020 USB (based on the AT2020’s great design) gives you
the clean, clear performance you want, with the convenience of
USB connectivity. It provides classic A-T sound quality at a price
anyone can afford! The AT2020 USB’s low-mass diaphragm
is tailored for extended frequency response and outstanding
transient response.
Software and USB Mic
ONLY $10/mo.
AT2020USB
USB Mic..........................List $24900
Snowball
19999
USB Mic
Podcasting Kit
Podcaster
$
$
USB Audio Interface, Mic, & Softwr ....List $36999
US144TrackPk
$
97
149
Samson’s C01U Recording/Podcasting Pak comes bundled with
a C01U large-diaphragm USB mic, SONAR LE software, a mic stand, a
clip, a shockmount, a USB cable, and a case. Also available: the C03U
Recording/Podcasting Pak, which features the multi-pattern
C03U mic.
ONLY $10/mo.
C01USBPak
$
99
USB Cond Mic w/Softwr ................List 234
Multi-pat Cond Mic w/Softwr .......List $30999
C03USBPak
$
14997
$
19997
Eyeball
Snowflake
USB Condenser Mic
Portable USB Condenser Mic
Webcam/USB Condenser Mic
The Snowball’s design is ideal
for mobile-laptop and desktopstudio use. This plug-and-play
mic works easily with both Macs
and PCs. Boasting a dual-capsule
design and a unique 3-pattern
switch (cardioid, cardioid with
10dB pad, and omni), the Snowball
can handle everything from
vocals to full bands, and it’s
ideal for podcasting. It includes a tabletop tripod
and a USB cable.
Blue’s Snowflake is a great tool for everything from
podcasting and online chatting to recording lectures
or music out in the field. This little USB condenser is
attached to its own stand/clip combination, allowing
for easy desktop or computermounted operation. The Blue
Snowflake is also amazingly
easy to set up; just plug it into
your Mac or PC — no software
is needed. The Snowflake comes
with a USB cable.
Leave it to Blue
to come up with an
elegant and distinctive
solution to your webcasting needs. The Eyeball
pairs the integrated
mic/stand/clip design
as Blue’s Snowflake USB
mic (left) with a compact
2-megapixel camera. You get HD-quality
video, high-performance condenser mic quality, and
plug-and-play USB convenience, all in one affordable
package!
Snowball
097_100.indd 97
USB Dual-cap Condenser Mic.....................
$
9999
Snowflake
USB Condenser Mic ...................................
$
6999
Eyeball
USB Webcam/Mic .....................................
$
9999
6/16/09 1:07:10 PM
98
MIDI Interfaces
MIDI Express 128
8 x 8 USB MIDI Interface
Here’s a great interface that’s ideal for larger MIDI-based productions. MOTU’s MIDI Express 128 features 128 independent MIDI channels, giving you plenty of potential to take
your projects to stunning new heights. Employing MOTU’s flagship MIDI technology, the MIDI Express 128 provides plug-and-play connectivity to any USB-equipped Macintosh or
Windows computer, making setup a snap. Plus, it takes full advantage of USB, giving you high-speed MIDI throughput, highly accurate timing, support for hot swapping, and plugand-play expansion. The more affordable, bus-powered micro lite provides five inputs and five outputs, for a total of 80
ONLY $10/mo.
$
97
MIDI channels, and offers the same USB connectivity as the MIDI Express 128.
$
00
MidiExp128
microlite
8x8 USB MIDI Interface .....List 249
5x5 USB MIDI Interface ......List $14900
235
$
13997
FastLane USB
2 x 2 USB MIDI Interface
USB MIDI interfaces don’t get much easier to use than this! The MOTU FastLane USB gives you 2-in/2-out power
for 32 channels of MIDI and connects quickly to your Windows or Mac USB port. It installs in seconds and works
with virtually all music software. FastLane’s USB implementation means increased MIDI throughput, better timing
accuracy, support for hot swapping MIDI devices, and plug-and-play expansion. You also have the option to play
your instruments without using the computer, via an onboard MIDI bypass button.
FastlaneUSB
2x2 USB MIDI Interface ......List $7900
$
7497
Uno
In-line MIDI Interface
with 9-foot Cable
The bus-powered Uno USB
interface offers plug-andplay convenience and LED
activity indicators, so you can monitor what’s coming in and going out your MIDI port.
Uno comes with its own USB and MIDI cables built in, so you’ll never lose them, and its
1-in/1-out configuration gives you quick access to 16 MIDI channels.
Uno
1x1 MIDI USB Interface ...............List $4995
$
3997
USB MIDI Interface
Looking for a plug-andplay USB MIDI interface
that gives you speed and
portability at a great
price? Meet the E-MU
Xmidi 1x1!
Bus-powered for portability, the compact Xmidi 1x1 gives your computer super-fast MIDI
I/O (16 channels) and includes status indicators for input/output signal and power.
Xmidi interfaces let you get connected without breaking the bank!
1x1 MIDI Interface.....................................
098_101.indd 98
MIDISport 4x4
Anniversary Edition
4 x 4 MIDI Interface
Xmidi 1x1
XMIDI1x1
MIDISport 4x4
$
29
99
The MIDISport 4x4 Anniversary Edition
MIDISport 2x2
celebrates M-Audio’s 20th anniversary of providing
excellent, affordable audio recording solutions! This
compact device is a multi-port MIDI interface with easy
USB connection for fast, reliable MIDI transfer. And, best
of all, it’s incredibly easy to install and operate. If you’re
after a sleek and affordable MIDI solution, take home
the MIDISport 4x4 Anniversary Edition! Alternatively,
MIDISport 1x1
for smaller studios or MIDI-driven situations, check
out the bus-powered M-Audio MIDISport 2x2
ONLY $10/mo.
Anniversary Edition
$
97
$
95
MIDISport4AE 4x4 USB MIDI Interface....List 199
and MIDISport 1x1
$
97
$ 95
MIDISport2AE
2x2 USB MIDI Interface.......List 89
69
MIDI interfaces.
149
MIDISport1x1
1x1 USB MIDI Interface.......List $6995
$
3997
6/16/09 1:05:41 PM
1979
2009
99
Control Surfaces
NEW!
ZeRO SL mkII
Keyless MIDI Control
Surface with Automap
Novation’s ZeRO SL MkII is a
retooled version of the acclaimed
ReMOTE ZeRO SL keyless controller. Like the other controllers in the ReMOTE series, the ZeRO SL MkII automaps
to most of the popular DAW software platforms. Perfect for use in the studio or onstage, this control surface uses a
144-character display to let you keep an eye on the status of your controls. This handy unit features eight smooth 60mm
faders, eight rotary encoders, eight touch-sensitive knobs, and eight “soft-feel” trigger pads, for maximum control and
flexibility. A new crossfader makes this unit even better for live performances. The ZeRO SL MkII includes the same
innovative Automap software found on the previous version, so mapping controllers is a snap — Automap’s user
interface shows all your current mappings on-screen, plus you can save mappings from different projects and manage
them with ease.
Specs: 8 sliders • 16 knobs • 8 trigger pads • USB • MIDI I/O/T
ONLY $12/mo.
SLmk2zero USB MIDI Cntrl Surface ..............List 499
$
95
$
39997
UC-33e
USB Control Surface
Evolution’s UC-33e gives you easy control over
your soft synths. This USB hardware controller
works with just about any computer music setup,
giving you easy control over your soft synths.
The UC-33e can be used as a standalone
controller for your live MIDI rack, with
instant control over as many as 47 different
MIDI parameters, and you can quickly
change setups as you change instruments.
The UC-33e comes with preset configurations
for immediate control over virtual instruments and host applications.
All of the UC-33e’s assignable real-time controllers are easily programmed via the numeric
keypad for creating custom configurations. Each of the UC-33e’s 47 controllers can transmit pre-programmed sysex
messages and can also be configured to transmit on individual MIDI channels. You can store your custom setups
in any of 33 memory locations for easy recall. The UC-33e also features a drawbar mode for the sliders — great for
controlling virtual organs. A mute function lets you reposition all the controllers without the risk of “jumping” filters
or levels during your performance.
ONLY $10/mo.
UC33e
USB MIDI Control Surface ..........List $24995
$
Nocturn
USB MIDI Control Surface with Automap
Novation’s Nocturn gives you an ultra-compact, affordable control surface designed for managing your plugins, and delivers a whopping nine touch-sensitive rotary
encoders and one touch-sensitive fader, for an extremely
low price. Great for portable laptop DJ performances and
desktop recording environments alike, its low-profile
design and side-mounted USB socket make it handy for
use anywhere, and a unique “speed dial” encoder takes
instant control of whatever instrument or effect you’ve
selected. The secret weapon behind Nocturn is its use of
Novation’s Automap Universal 2.0 mapping software,
which provides seamless, instant, intuitive control
over all automatable plug-ins inside every major DAW
sequencer out there. It includes a “heads-up transparent
control GUI,” which puts a recallable transparent control
map onscreen for easy monitoring and assignment of
control parameters.
Specs: 1 slider • 9 rotary encoders • USB
ONLY $10/mo.
Nocturn
$
USB MIDI Cntrl Surface ..............List $24999
19999
Specs: 9 faders • 24 rotary knobs • 14 buttons • USB
97
199
nanoKONTROL
Slim Desktop USB Controller with
Four Scenes
Bitstream 3x
MIDI Hardware Controller
with DAW Control
Capabilities and USB
As today’s desktop instrument
and recording setups offer
more and more features and
operations that were considered
“pro-only” just a few short years
ago. Due to their nature, these setups require a combination of functionality, tactile control surfaces, and compact
designs that fit into the environment without hogging precious space. The Bitstream 3x is a unique MIDI hardware
controller with the capability of handling DAW control functions, as well. “3x” stands for “3 axis” because the Bitstream
3X features full control over three different axes: X, Y, and Z. A joystick allows control over two axes (X and Y), while an
infrared controller is used for the Z axis. With 35 knobs, eight sliders, and 16 buttons, you have total hands-on control
over any DAW software. Plus, it comes with an astounding 13,000 presets for applications including Reason, Live,
Reaktor, Traktor, Absynth, Cakewalk, and Cubase.
ONLY $12/mo.
Bitstream3x
099_105.indd 99
MIDI Control Surface......List $49999
$
39999
Specs: 8 faders • 35 rotary knobs • MIDI I/O • USB
Desktop space is often quite limited in the project studio
environment, which means that you need to find a
controller that both fits your needs and doesn’t take up
much real estate. The nanoKONTROL does both while
putting serious tactile control beneath your fingertips
in an extremely slim USB device — slimmer, in fact,
than the base of most computer keyboards. With the
nanoKONTROL, you get nine faders, nine knobs, 18
switches, and a complete transport section — plus,
everything’s MIDI programmable, so you can set it up to
control parameters in your DAW to best complement your
workflow. And, nanoKONTROL offers four different MIDI
scenes, giving you fast access to a total of 168 controls.
Available in both white and black.
Specs: 9 faders • 9 encoders • transport buttons • USB
nanoKONTROL Mini Fader USB Controller..........List $7200
nanoKONTROLblk Mini Fader USB Controller, Blk ...List $7200
$
5999
$
5999
6/16/09 1:04:41 PM
100
Control Surfaces
MC Contr
Control
Touchscreen Co
Control Surface for Mac
MC Transport
The MC Control — designed to be the editing and mixing nerve center of your studio —
incorporates the great features that make the larger, more expensive MC Pro so sought after.
Twelve Smart Key butt
buttons can be mapped to handle your favorite commands, from basic
MC Mix
keyb
y oard shortcuts
shor
keyboard
to complex custom macros — and there’s no limit to how many you
m Of course, there’s no shortage of hands-on multi-function controls,
can map!
a the touch-sensitive faders are very smooth and responsive. A large,
and
cu
customizable
color touchscreen lets you get around functions incredibly
high
easily; its high-resolution
800x480-pixel touchscreen interface displays important project
t
information, such as track
names/numbers, metering, fader/pan values, automation mode, and
hil letting
l tti you quickly access all plug-in and EQ parameters. If it’s just mix control you
more, while
need — or you need to add more faders to your MC Control system — go with the 8-fader MC
Mix. It features the same high-quality faders, buttons, and encoders as the MC Control. In fact, for
an extremely powerful system, you can connect one MC Mix system with up to four MC Control
systems, for a total of 36 faders. Also available is the MC Transport, which puts you in touch
with smooth jog/shuttle control. All MC systems are Mac compatible.
MC Control
Specs: MC Control 4 faders • 100mm/
touch-sensitive/motorized • 8 touch-sensitive
rotary encoders/12 Smart Keys • Ethernet MC
Mix 8 faders • 100mm/touch-sensitive/
motorized • 8 touch-sensitive rotary
encoders • Ethernet MC Transport 29
buttons • Ethernet
ONLY $45/mo.
MCcontrol
Touchscreen Controller .............List $199999
MCmix
8-fader Control Surface.............List $139999
MCtransport Transport Controller.....................List $49999
$
149999
$
99999
39999
$
“When Euphonix came to Sweetwater and showed us these units, I was blown away. Not
only is the MC Control impressive to look at, but its functionality and affordability also
make it a must for any DAW owner. The best part about this unit is that you can link up
to four MC Mix controllers and one MC Control for a monster control surface. With the MC
Control and the MC Mix, Euphonix has exceeded our expectations. Absolutely brilliant!”
MC Control
— Trent Thompson, Sales Engineer, Ext. 1393
MC Mix
MC Transport
AlphaTrack
USB DAW Control Surface with Fader
AlphaTrack gives you much more control over your mix than a
standard mouse/keyboard setup can provide. AlphaTrack offers a set of
intuitive tactile controls in a compact and attractive package. A 100mm
touch-sensitive fader, 22 customizable buttons, and three encoders
provide all the controls you need to mix effectively. To let you easily
maneuver through your tracks, the AlphaTrack has a touch-sensitive
jog/shuttle strip.
Specs: 1 fader • 100mm/touch-sensitive/motorized • 3 encoders • 22 buttons • USB • 1/4"
footswitch jack
ONLY $10/mo.
AlphaTrackUSB Control Surface ..................List $24900
$
19997
FaderPort
Desktop USB DAW Automation and
Transport Controller
Streamline your workflow! The FaderPort single-fader
controller offers true bidirectional communication with
your DAW. Loaded with an ultra-fast and smooth Alps
fader, the FaderPort delivers accurate automation.
Compatible with virtually every DAW on the market today,
the FaderPort also delivers complete transport control, as
well as pan and mute automation, solo, record enable,
and quick window selection (edit, mix, transport). The
FaderPort is perfect for those of us who want the feel and
accuracy of a high-quality fader but don’t have room for
a mixer.
Specs: 1 fader • 100mm/touch-sensitive/motorized • 1 encoder • 24 buttons
• USB • 1/4" footswitch jack
ONLY $10/mo.
FaderPort
USB Control Surface ..................List $22900
100_102.indd 100
$
12997
TranzPort
Wireless DAW Remote Control
The TranzPort wireless DAW
controller allows you to run your
favorite DAW software from anywhere
you want to be! Instead of being
stuck in front of your computer
to compose and record, TranzPort
gives you control over your DAW from
anywhere in your studio. Unlike infrared
remotes, you don’t need a line of sight between the TranzPort and your computer. TranzPort
is bidirectional, so you can get feedback from your DAW on signal levels, time code position,
and track names. It’s a very effective studio tool!
Specs: 21 buttons • wireless • 1/4" footswitch jack
ONLY $10/mo.
TranzPort
$
Remote DAW Controller .............List 249
00
$
19997
6/16/09 1:03:43 PM
Meet the newest addition to the Euphonix Artist Series
MC Transport
MC Control
MC Mix
A New Spin on Control
No matter what kind of recording you do,
Sweetwater and Euphonix provide you with the
professional tools to turn your inspiration into gold.
MC Transport is the latest addition to Euphonix’
award-winning family of Artist Series media
controllers. From its ultra-high resolution optical
jog wheel and shuttle ring to programmable
Soft Keys and more, MC Transport
delivers total control of
your editing experience.
See www.sweetwater.com/mcdesk for
studio furniture by Malone Design Works
specifically for the Euphonix Artist Series,
– exclusive at Sweetwater!
Now available at Sweetwater call a Sales Engineer today
(800) 222 – 4700
www.sweetwater.com
$ L
&
O $G L GG
Euphonix SWS Ad.indd 1
©2009 Euphonix, Inc. All Rights Reserved
6/9/09 8:55:40 AM
$0
102
Control Surfaces
Mackie Control Universal Pro
Expandable Control Surface
The Mackie Control Universal Pro features nine touch-sensitive faders,
50 buttons, and assignable rotary encoders. Each channel strip includes a fader
with mute, solo, and record arm buttons, and every channel has a rotary V-Pot
to control pan, send levels, EQ, dynamics, and other parameters. Thanks to
Mackie’s proprietary communication protocol, you can use this controller with
popular programs, such as Pro Tools, Logic Pro 8, Logic Express 8, Final Cut
Studio 2, Digital Performer, Nuendo, Cubase SX, Reason 4, Tracktion, Audition,
SONAR, Samplitude, Vegas, and many others. The Mackie Control Extender
Pro adds eight channel strips.
Specs: Mackie Control Universal Pro 9 faders • 100mm/touch-sensitive/motorized • 1 rotary/ch • USB
• MIDI I/O Mackie Control Extender Pro 8 faders • 100mm/touch-sensitive/motorized • 8 knobs
ONLY $39/mo.
MCUpro
MCUproXT
ProjectMix
I/O
18 x 14 FireWire Interface
and Control Surface
The perfect front end for a
Pro Tools M-Powered rig,
ProjectMix I/O combines a
control surface and an audio
interface into a device that turns
your computer into a complete
digital production station. With
tactile control over its nine touch-sensitive motorized faders, channel strip functions,
illuminated transport controls, and encoder operations, you can access and manipulate
everything from parameters to editing functions, with accuracy and ease. This translates
into a more efficient workflow, so you can spend more time creating, recording, mixing,
and editing, instead of hunting down menus and wrestling with commands. The integral
18 x 14 FireWire audio interface includes eight high-quality phantom-powered mic/line
inputs, a hi-Z instrument input, 8 x 8 ADAT, and 2 x 2 S/PDIF coaxial I/O. ProjectMix I/O
supports Mackie Control, Logic Control, and HUI protocols.
Specs: 9 faders • 100mm/touch-sensitive/motorized • 1 rotary/ch • FireWire • In: 8 x XLR, 8 x TRS, (1 x DI) • Out: 4 x
TRS, 2 x headphones • Dig I/O: ADAT,
ONLY $38/mo.
S/PDIF • word clock • MIDI I/O •
24-bit/96kHz
$
97
ProjectMixIO
$
95
FW Intrfc/Cntrl Srfc .....List 1599
1249
FW-1884
18 x 18 FireWire Interface and Control Surface
Several of today’s DAWs put all the tools
of a pro studio into your computer, but
being able to access those tools with just a
keyboard and a mouse can be frustrating.
TASCAM’s FW-1884 provides the feel of an
analog board, but with digital convenience.
This interface and control surface provides
eight XLR analog mic/line inputs, with
24-bit/96kHz AD/DA converters.
Along with its FireWire port, The FW-1884
has eight channels of ADAT optical I/O
as well as stereo S/PDIF I/O. And its
eight 100mm motorized touch-sensitive channel faders and one master fader give
you responsive level control. The FW-1884 also offers tactile control for four bands of
parametric EQ, a weighted jog wheel, and shortcuts for many popular DAWs.
Specs: FireWire • 9 faders • 100mm/touch-sensitive/motorized • In: 8 x XLR, 8 x TRS • Out: 8 x TRS, headphones • Dig
I/O: ADAT, S/PDIF • word clock •
ONLY $39/mo.
MIDI I/O • 24-bit/96kHz
FW1884
FireWire Cntrl Surface w/I/O ...List $159999
102_104.indd 102
$
129999
$
99
Expandable Control Surface ......List 1689
Expansion Board for MCU............List $99999
$
129999
$
77999
MasterControl
26 x 6 FireWire Interface and
Control Surface
The Alesis MasterControl audio
interface and control surface
provides an all-in-one solution for
desktop recording and mixing.
The MasterControl can feed
your audio directly to your
computer via a low-latency
FireWire connection with
support for sample rates up to
192kHz. On the front end, MasterControl sports
a pair of phantom powered mic inputs and six line inputs.
It has six analog outputs for 5.1 surround or for three separate stereo
mixes. MasterControl can be used as a control surface for DAWs and MIDI devices via
its jog wheel, dedicated transport control section with two banks of eight buttons, nine
motorized faders, and eight rotary encoders.
Specs: 9 faders • 100mm/motorized • 8 rotary encoders • 8 buttons • FireWire • In: 2 x XLR, 6 x TRS, 2 x insert •
Out: 6 x 1/4" • Dig in:
S/PDIF, dual S/MUX ADAT • 24-bit/192kHz
ONLY $27/mo.
MasterCont
FireWire Audio Interface/Contrl Surface ...List $109900
$
89997
FW-1082
10-channel Audio/MIDI Interface and Control Surface
Combining audio and MIDI
interfacing with an automated
control surface, TASCAM’s FireWire
FW-1082 supports 24-bit recording
and playback at sampling rates up
to 96kHz. Other features include a 2
x 2 MIDI interface, nine motorized
faders, four premium phantompowered mic preamps, and eight
TRS line ins — pretty much all
the I/O you need for virtually any
project is built in. It also includes
Cubase LE 4 recording and mixing
software. The FW-1082 works
with all popular DAW software and also as a HUI-compatible control surface and MIDI
interface for Digidesign Pro Tools.
Specs: 9 faders • 60mm/touch-sensitive/motorized • 2 rotary/ch • FireWire • In: 4 x XLR, 8 x TRS, 2 x insert, 1 x DI •
Out: 4 x TRS, headphones • Dig I/O:
ONLY $18/mo.
S/PDIF • MIDI I/O • 24-bit/96kHz
FW1082
FireWire Control Surface ............List $99999
$
59999
6/16/09 1:03:01 PM
To find out more about MasterControl, call your Sweetwater Sales Engineer now.
1.800.222.4700
www.sweetwater.com
Alesis SWS Ad.indd 1
6/9/09 8:56:31 AM
104
Digital Audio Converters
AD-16X
16-channel A/D Converter with 192kHz Sampling
Symphony 64
64-channel PCI Express Card for Macintosh
Apogee’s Symphony 64 is the key to the powerful
Symphony system. Doubling the original Symphony’s
channel count of 32 to an astounding 64 channels of I/O
per card (up to 128 channels with two cards installed),
Symphony 64 connects Apogee’s X-Series and Rosetta
Series converters to Apple’s Mac Pro for perhaps the
lowest latency available in a native audio system (1.6
milliseconds at 96k). Symphony hardware also features
Apogee’s Maestro, for extensive routing capabilities
between Mac OS X applications and Apogee’s hardware
digital system.
Specs: PCI Express • 32-channel (with external I/O) • 24-bit/192kHz
Apogee converters are of legendary status, and at the top of Apogee’s offerings sit the 16-channel AD-16X and DA-16X.
Boasting the same renowned clocking technology found in Apogee’s Big Ben, you can expect premium jitter-free
performance from these pieces. What’s more, their Synchronous Switching power supplies are state of the art. Each
converter features 24-bit/192kHz standard sampling rates for studio-grade sound, and each works in conjunction with
the X-Series cards (see below left), so you can integrate them easily into your native or HD system.
ONLY $95/mo.
AD16X
DA16X
$
$
00
16-ch A/D Converter ...............List 3495
16-ch D/A Converter ................List $349500
314997
$
97
3199
Rosetta 800
8-channel, 24-bit/192kHz AD/DA Converter
“I just upgraded my new studio to Logic Pro and
the Apogee Symphony System. This is the fastest,
most powerful native DAW on the planet. My
clients are amazed at the track and plug-in
count I get, and the audio quality is second
to none!”
— Dennis Konicki, Sales Engineer, Ext. 1356
For eight channels of superb AD/DA conversion, Apogee’s Rosetta 800 is the professional’s choice, offering sample
rates all the way up to 24-bit/192kHz. What’s more, the ultra-low-jitter Intelliclock signal onboard the Rosetta 800 acts
much like two clocks in one — the “read” clock features a wide locking range and its own buffer, while a low-jitter
“write” clock writes the data out of the buffer and clocks the converters for superior performance. In addition, Apogee
has added a SoftLimit feature, so you can maximize digital output without clipping. Plus, onboard industry-standard
UV22HR dithering technology assists in reducing the word length of high-resolution digital signals to 16 bits, resulting
in dramatically improved content for the Internet and for CD mastering. It works with Apogee’s X-series cards.
ONLY $30/mo.
Symphony64
24-bit/192kHz PCIe Card ....................
$
Specs: AD-16X 16-ch A/D • 24-bit/192kHz • In: 16-ch bal on D-sub • Out:
16-ch bal on D-sub • Dig I/O: ADAT • Sync I/O: word clock DA-16X 16-ch D/A
• In: 16-ch dig in on D-sub • Out: 16-ch bal out on D-sub • Dig I/O: ADAT •
Sync I/O: word clock
00
995
ONLY $81/mo.
Rosetta800192
$
$
00
8-ch 24-bit/192kHz AD/DA ........List 2995
269597
Specs: 8-ch AD/DA • 24-bit/192kHz • In: 8-ch on D-sub• Out:
8-ch on D-sub • Dig I/O: 4-ch AES/EBU on D-sub, ADAT • Sync I/O:
word clock
Rosetta 200
2-channel, 24-bit/192kHz AD/DA Converter
Sporting Apogee’s famous converters, the Rosetta 200 delivers two channels of crystal-clear audio. Plus, it offers up
the legendary Intelliclock clock stability to guarantee the lowest jitter rates possible. For even more flexibility with your
Rosetta 200, you can use the optional X-HD card to connect the Rosetta 200 directly to your Pro Tools system, without
requiring any other interface! Or, you can select the X-FireWire card for super-fast direct 400Mbps connection to your
computer. Connections include balanced XLR analog I/O, AES/EBU and S/PDIF I/O, ADAT/SMUX optical I/O, and MIDI
and word clock I/O.
X-Series Cards
Expansion Cards
If you want to take advantage of Apogee’s acclaimed
converters in your studio setup, then all you need is the
right card, and you’ll be ready to go.
For a PCIe-equipped Mac, look to the X-Symphony
— or, for your FireWire-equipped system, you’ll need
the X-FireWire card. Alternatively, if you’re currently
running Pro Tools|HD and would like to use Apogee
converters for a best-of-both-worlds software and
conversion setup, then check out the X-HD card. It has
a primary HD port for connecting to HD Core or Accel
cards. All of these cards — the X-Symphony, the X-HD,
and the X-FireWire — also boast an expansion port for
daisy-chaining multiple Apogee devices.
Specs: X-Symphony PCI-e • primary and thru ports • X-HD Primary HD
port and expansion port • X-FireWire 2 FireWire connectors
ONLY $10/mo.
XSymphony
XHDCard
XFirewire
104_108.indd 104
$
00
Symphony I/O Card .............List 200
Digi HD Expansion Card .........List $59500
FireWire 400 Card ................List $39500
$
97
179
ONLY $54/mo.
Rosetta200
00
2-ch 24-bit/192kHz AD/DA ....List 1995
$
179597
Specs: 2-ch AD/DA • 24-bit/192kHz • In: 2 x XLR • Out: 2 x XLR • Dig I/O:
AES/EBU, S/PDIF ADAT • Sync I/O: word clock • MIDI I/O
Mini-DAC
2-channel, 24-bit/192kHz D/A Converter
Delivering pro-grade performance in a compact form factor, Apogee’s Mini-DAC offers premium 192kHz D/A
conversions at an extremely affordable price. You can expect an astounding level of detail with exceptional stereo
imaging from the portable Mini-DAC. Put the Mini-DAC before your monitors and really hear what you’re tracking
before you commit to disc, then experience mixdown with more clarity than ever before. A flexible I/O set makes the
Mini-DAC integrable into virtually any existing studio setup — there are single- and double-wide AES/EBU, S/PDIF, and
ADAT, plus ADAT S/MUX II and S/MUX IV. Two XLR outputs are onboard for your monitors,
while an 1/8" jack’s available to feed your home stereo or basic headphones. A 1/4"
output is also included. If you want FireWire connectivity, then go with
Apogee’s Mini-DAC FireWire.
Specs: Mini-DAC 2-ch D/A • 24-bit/192kHz • Out: 2 x XLR, 1 x 1/8", 1 x 1/4" • Dig In:
AES/EBU, S/PDIF, Optical Mini-DAC FireWire adds FireWire
ONLY $25/mo.
$
MiniDAC
$
MiniDacFW
53997
35597
$
2-ch 24-bit/192 DAC ................List $89500
FW 2-ch 24-bit/192 DAC.........List $109500
$
80597
$
98597
6/16/09 1:01:54 PM
1979
2009
105
Digital Audio Converters
customer RAVES!
“I am very impressed, totally satisfied, and very pleased with the service I got from Sweetwater.
I would highly recommend Sweetwater to my friends and business acquaintances.”
— Bennie Shipleye
Aurora 8/FW
Aurora 16
Aurora 8/FW
2192
8-channel AD/DA Converter/Interface with FireWire
24-bit/192kHz AD/DA with Class A Analog Circuitry
The 2192 sets out to let those of us in the digital world get a taste of the UA analog
legacy, in an AD/DA converter no less. The 2192 marries distinctive analog sound to a
24-bit/192kHz AD/DA converter. It delivers an uncompromising DC-coupled, matchedFET, discrete Class A analog signal path that contains no capacitors to degrade sound
quality or introduce phase distortion. Additional digital features include real-time
standalone conversion between AES/EBU, S/PDIF, and 2-channel ADAT S/MUX formats,
as well as support for single- and dual-wire AES/EBU modes. A selectable output monitor
allows you to check any of the digital outputs or the analog inputs, with no interruption
of the conversion. Included word clock I/O means the 2192 can lock up to your studio
clock source. As the front end for a native workstation, the 2192 provides two channels of
sterling sound quality for tracking, monitoring, and mastering.
Specs: 24-bit/192kHz • In: 2 x XLR • Out: 2 x XLR • Dig I/O: 2 x AES, S/PDIF, ADAT • Sync I/O: word clock (2 x BNC
in, 4 x BNC out)
ONLY $90/mo.
2192
Dual AD/DA Converter .............List $359900
$
299997
The Lynx Aurora 8/FW AD/DA converter with FireWire interface makes a great product
even better and more functional! The Aurora 8/FW provides up to 192kHz resolution,
eight input and output channels, AES/EBU and word clock I/O, plus an onboard
32-channel digital mixer for easy signal routing. The installed LT-FW FireWire L-slot
interface allows up to 32 channels of digital and analog I/O at up to 96kHz sample rates
(16 channels at 192kHz). Now, you can get pristine audio for everything from desktop
studio projects to surround applications, right out of the box!
All analog I/O is handled on DB-25 connectors, to easily integrate into any system with
off-the-shelf cables and connectors. As it should be in an AD/DA converter, maintaining
signal integrity is a top priority. In fact, Lynx’s proprietary SynchroLock jitter-reduction
technology from the AES16 is included, as it provides extreme jitter reduction of up to
3000:1, allowing Aurora to output an extremely clean clock output for driving your
entire digital audio system. A 16-channel non-FireWire version— the Aurora 16 — is
also available.
Specs: Aurora 8/FW 24-bit/192kHz • Analog I/O: 8 on DB-25 • Sync I/O: word clock (1 x BNC in, 1 x BNC out) • MIDI
I/O • FireWire Aurora 16 24-bit/192kHz • Analog I/O: 16 on DB-25 • Digital I/O: 16 AES on
ONLY $69/mo.
DB-25 • Sync I/O: word clock (1 x
BNC in, 1 x BNC out) • MIDI I/O
$
00
Aurora8FW
Aurora16
8-ch FW AD/DA Converter .......................
16-ch AD/DA Converter ..........List $329500
2295
$
299597
...themeasureofexcellence!™
DAC1
24-bit/192kHz Stereo
D/A Converter
ADI-2
2-channel 24-bit/192kHz AD/DA Converter
Offering exceptional AD/DA conversion in a half-rack unit, the ADI-2 puts RME
quality in professional and project studios, at a price that’s very manageable. The
ADI-2 boasts sample rates up to 192kHz, with balanced XLR/TRS combo jacks handling
the analog inputs, while S/PDIF, AES, and ADAT allow for digital inputs. The analog I/O
uses the same circuit design as RME’s fabled ADI-8, guaranteeing amazingly low noise
and low distortion. The ADI-2 features RME’s SteadyClock, which offers highly efficient
jitter suppression to refresh and clean up any clock signal and to provide the clock
signal as a reference clock.
ONLY $24/mo.
ADI2
2-ch, 24-bit/192kHz AD/DA ......List $89900
$
79997
Specs: 2-ch • 24-bit/192kHz •
In: 2 x XLR/TRS • Out: 2 x XLR, 2
x TRS • Dig I/O: S/PDIF, AES, ADAT
The Benchmark DAC1 reveals detail that was previously masked by jitter-induced artifacts
and distortion, with support for 192kHz sample rates and playback with an amazing
55kHz audio bandwidth. The DAC1 uses Benchmark’s jitter-free UltraLock technology to
deliver smear-free audio and is available with or without USB. The companion ADC1
USB offers 24-bit/192kHz A/D conversion, with the same jitter-free performance and USB
capability. The ADC1 will fit perfectly into any situation where pristine audio conversion is
a necessity, including home studio, broadcast, location work, or mastering.
Specs: DAC1/DAC1 USB 2-ch D/A • 24-bit/192kHz • Dig in: AES on XLR and coax, ADAT • Out:
2 x XLR, 2 x RCA ADC1 USB 2-ch A/D
• 24-bit/192kHz • Analog in: 2 x XLR • DAC1
2-ch D/A Converter ...................................
Dig Out: AES on XLR and coax, ADAT, S/
DAC1usb
D/A Converter with USB ............................
PDIF • Sync I/O: word clock (1 x BNC
in, 1 x BNC out)
ADC1usb
A/D Converter with USB ............................
ONLY $30/mo.
$
99500
$
129500
179500
$
142
ADI-8 DS
24-bit/96kHz AD/DA Converter
Analog-to-ADAT
Converter
A converter is only as good as the gain compensation at the input. The ADI-8 DS has
three gain levels, making it compatible with a wide range of studio equipment — loss
is avoided before the signal gets to the converter, to preserve signal integrity. The ADI-8
DS uses 24-bit converters with 128-times oversampling to achieve more than 110dB of
real dynamic range, and all digital inputs and outputs operate at full 24-bit resolution.
The quality of your mixes rely on your conversion, and the ADI-8 DS provides pristine
conversion, whether you’re going from analog to digital or vice versa.
Aphex’s 142 is an
efficient, high-quality
analog-to-ADAT converter. If you have unused ADAT inputs on your audio interface,
then you can use the Aphex 142 to take advantage of those eight additional channels
at 48kHz. The device accepts anything with an analog line output, so you’re good to go.
Plus, for converting an ADAT signal to analog, Aphex makes another exceptional piece of
gear for your need, with the 141.
Specs: 8-ch • 24-bit/96kHz • In: 8 x TRS, DB-25 • Out: 8 x TRS, DB-25 • Dig I/O: ADAT, TDIF • Sync I/O: word clock (1
x BNC in, 1 x BNC out)
ONLY $57/mo.
Specs: 142 8-ch • word clock (1
x BNC in) • In: 8 on DB-25 • Out:
ADAT • 48kHz 141 8-ch• In: ADAT •
Out: 8 on DB-25
ADI8ProDS 24-bit/96kHz AD/DA...............List 2299
$
105_106.indd 105
00
$
1899
97
ONLY $12/mo.
142
141
$
00
Analog-to-ADAT Converter ........List 449
ADAT-to-Analog Converter ..........List $44900
$
39997
$
39997
6/16/09 1:01:08 PM
106
Synchronizers
Big Ben
FEATURES
• 192kHz
192kHz Master Word Clock
• AES/EBU, S/PDIF, and
BNC I/O
• DSP-based filtering
for clean sound
• Convert between
digital formats in
real time
If you’ve never heard your gear with a master clock in the signal chain, then it’s fair to say that you’ve never really heard your gear. Clicks, pops, and
overall “harshness” are simply inevitable results of improper clocking — and just as you want the band you’re tracking to sync together in time, it’s
also vital for your gear to behave the same way. Apogee’s Big Ben, our most popular master clock, takes that digital jitter out of the equation. It’s an
extremely high-quality device that employs Apogee’s most advanced Direct Digital Synthesis technology alongside DSP-based digital filtering. The end
result is clearer, cleaner sound — a drastic improvement that’s earned the Big Ben near-legendary status in high-end facilities. Beyond that, the Big
Ben can also convert between digital formats in real time — AES to ADAT, ADAT to
“When using multiple digital devices in your DAW
S/PDIF, and more. When it’s time to step up your sound — before spending the budget
environment, the Big Ben is a must. Apogee has gone
on gear upgrades — add a Big Ben and you’ll hear the difference.
to great lengths in power supply and clock design to
make this the most stable master clock ever designed.
Say goodbye to stereo-imaging issues, clicks, and
pops, and listen to it. You won’t believe you’re
listening to your gear.”
Specs: 192kHz • In: 2 x AES, S/PDIF (coax & optical), 1 x video/word clock • Out: 2 x AES, S/PDIF, 6 x BNC
ONLY $41/mo.
BigBen
$
192kHz Master Word Clock ......List $149500
134597
— Arend Raby, Sales Engineer, Ext. 1276
FEATURES
Isochrone 10M
Isochrone TRINITY
• Super-accurate
rubidium core
Rubidium Clock for OCX
Digital clocking is the key to maintaining audio purity
in today’s modern studio. Antelope Audio has emerged
as a true leader in this field, with their clocks boasting
accuracy that sets an amazing standard — the Atomic
oscillator offers stability of one second in 1,000 years
— that’s pretty darned reliable! The Isochrone 10M
is the new answer in audio master clocks and clock
distribution, incorporating a rubidium clock for less jitter
and stunning digital accuracy. Every digital device in
your chain will benefit from this amazing technology.
• Atomic oscillator with
stability of 1 second
in 1,000 years
• Dual redundant power
supply
• Easy to use
High-res Master Clock
FEATURES
• 384kHz
Boasting a host of impressive features including three
independent Audio Generators that operate at up to
384kHz — complete with Varispeed Control and three
independent HD Generators with 16 formats to choose
from — you can be sure that the Isochrone TRINITY
will make an impressive improvement upon your
sound quality. Other notable features include Antelope’s
acclaimed Atomic Clock, with better than ± 0.02PPM
accuracy and 64-bit DSP.
• Superclock output for
Pro Tools systems
• Fourth-generation
acoustically focused
clocking with
64-bit DSP
• ± 0.02PPM accuracy
Specs: 384kHz • In: 1 x AES, 2 x BNC, 1 x S/PDIF • Out: 4 x AES
4 x S/PDIF, 16 x BNC
Specs: Out: 8 x BNC
ONLY $180/mo.
Isochrone10M
$
$
00
Rubidium Clock for OCX ............List 6495
5995
ONLY $120/mo.
97
Isochrone OCX
Trinity
Isochrone DA
$
Video-enabled Master Clock ...List 4750
Clock Distribution System
Studio Master Clock
The Antelope Isochrone
OCX uses an ovencontrolled discretetransistor crystal oscillator
for the least amount of
jitter imaginable. The OCX
can even be locked to the
Atomic Clock — the only
word clock on the planet
with that capability. It’s
also available as a videoenabled master clock.
Antelope’s Isochrone DA
uses acclaimed Acoustically FEATURES
Focused Clocking technology • Uses advanced
(AFC), adaptive loop filtering, technology to
and a DSP-based multi-stage
stabilize the entire
IIR filter, to effectively
digital studio
stabilize the entire studio.
•
30kHz
to 200kHz
Plus, the Isochrone DA’s got a
wealth of I/O options, so it’s • Allows continued
ready to handle all of your
distribution in the
studio needs.
event of master clock
Lucid’s surprisingly
affordable, ultra-low jitter
GENx192 master clock is
ready to give your present
system a serious boost
in audio fidelity. Able to
convert any input frequency
between 28kHz–216kHz,
it uses Lucid’s JIF™ ( Jitter
Input Filtering) technology
to output a clean, jitter-free
signal.
• 192kHz operation
• Superb performance
through anti-jitter
technologies
• AES and S/PDIF I/O
• 8 word clock outputs
• Superclock output for
Pro Tools systems
Specs: 192kHz + Superclock • Out: 2 x
AES, 2 x S/PDIF, 8 x BNC
OCX
OCXV
Master Clock ...........................List $149500
Video-enabled Master Clock ....List $229500
106_110.indd 106
Specs: 30kHz-200kHz • In: 1 x BNC •
Out: 8 x BNC, 2 x AES, 2 x S/PDIF
dropout
119597
$
199597
FEATURES
• Converts between
28kHz and 216kHz
• Can distribute
different sample rates
to two output banks
• Internal oscillator
generates a sturdy
clock in the event of
a dropout
ONLY $33/mo.
DA
Master Clock Distributor...........List $129500
399597
Specs: Internal clock: 44.1kHz-192kHz
• In: 1 x BNC, 1 x AES • Out: 8 x BNC, 4 x AES 2 x S/PDIF
ONLY $36/mo.
$
$
GENx192
High-resolution Master Clock Generator
FEATURES
00
$
109597
ONLY $21/mo.
GENx192
$
192kHz Master Word Clock ........List 919
00
$
69997
6/16/09 1:00:19 PM
Antelope SWS
Antelope
SWS Ad.indd
Ad.indd 11
2/5/09 8:57:36
2:56:26AM
PM
6/9/09

24I/O HD192 2408mk3 MOTU — Desktop Studio

Transcription

Similar documents

portable usb dj mixer + scratch controll er + dj software

DacMagic 100 DacMagic Plus

vTuner Internet Radio Rapid Prototyping SDK USB

Midjay Pro - AJAMsonic

Q-Bass-U 2.1 Audio - LTB Audio Systems

www.globo.com.pl OPTICUM HD 9600 PRIMA id: O9600PRIMA

EMUKEY Product Sheet

Contents - January 2001

What does it measure? The Visioscan® VC 98 USB is a special UVA

Hifi News - Technology Factory