catalog - Gary R. Lucy Gallery
Transcription
catalog - Gary R. Lucy Gallery
LU C Y An egret enjoying a mid-morning snack. A steamboat churning up the river in an historic race. A near collision of boats on a foggy morning. The river comes to life, both past and present, with the stroke of Gary Lucy’s brush. Whether working in his floating river studio, the River Rover, or in his home studio on the Missouri riverfront in Washington, Missouri, Gary Lucy captures the beauty and ruggedness of nature and river life. Growing up in the Missouri bootheel, Lucy never envisioned a life in art. Starting college at Southeast Missouri State University in 1967, Lucy’s goal was to get his CPA with a degree in marketing and advertising. A career in business seemed a logical and sensible choice. However, Lucy’s career path changed direction after an invitation to take a drawing class with a friend. “It’s kind of interesting how one little event can change your life,” Lucy said.Though he took the drawing class as a means to give his mind a break, a grown-up kind of recess, Lucy discovered a love and aptitude for the work and began researching a change in his major. In the end, Lucy decided that teaching art would be the best for him, allowing him to pursue his interests and still pay his bills. After graduation, Lucy taught elementary art for one year in the Washington, Missouri School District, but the desire to earn a living as a full time artist pulled at him. During his senior year of college, as president of the art club, Lucy arranged for a club meeting at the home of a metal sculptor who had recently moved into the area. Passing through the artist’s carport on the way to his studio, Lucy noticed a Corvette sitting next to a pickup truck. During the course of the evening, Lucy had the opportunity to ask the artist, “Do you truly make your living as an artist, and do you make enough money to pay for that Corvette?” The artist’s answer was a simple yes. It was a moment of epiphany for Lucy. At that moment he knew if that artist could make a living solely off his art, he could too. After only one year of teaching, Lucy was ready to try his hand as a professional artist. One of the first questions Lucy had to ask himself as he started forth on his new venture was “How can I say what I want to say and still make a living doing it?” During his college years, Lucy was very concerned with the environment. He participated in the first Earth Day at college and did a few “radical” pieces depicting the destruction of nature. However, Lucy realized that such pieces were not likely to sell. So, he adjusted his focus. Instead of focusing on the damage being done to the environment, he turned to painting the beauty of nature before it is touched. “Art is a five syllable word - communication,” Lucy said. “I went from negative to positive.” Lucy immersed himself in the study of wildlife - feeding habits, mating habits, migration. He wanted every detail of his paintings as accurate as possible. In 1973, Lucy received his first taste of national exposure by winning second place in the Federal Duck Stamp Competition, and in 1977, he again received national exposure by placing third in the National Wild Turkey Federation stamp design competition. Only a few years later, in 1982, he placed first in the Missouri Duck Stamp Competition for his painting “Bufflehead Ducks”. In 1977, Lucy was also commissioned to paint his first mural, “Missouri Wildlife,” for the West Plains Bank in West Plains, Missouri. Lucy enjoyed the work as it allowed him to focus on one piece over a period of time. A second mural “Missouri Wildlife II” followed the first in 1979, this time for the Washington, Missouri library. In 1980 and ’85, Lucy painted the “Missouri Trilogy” and the “Songbirds of Missouri” for the cover of Southwestern Bell’s phonebooks. Between the two, his work appeared on 17 million phonebooks in the state of Missouri. Lucy’s original painting “Missouri Trilogy” was donated by Southwestern Bell to the State of Missouri and now hangs in the governor’s office in Jefferson City. The phonebook covers were something of a final chapter for Lucy’s years devoted to wildlife painting.The market for wildlife art was fading. “There are only so many ways you can paint a duck,” Lucy said. It was time for a new direction. With the help of a friend, who advised Lucy to work more with the human figure, and half a dozen books from the library, Lucy discovered new inspiration - the history of the rivers. At first, Lucy was unsure how his customers would respond, but the change to historic interpretation created broader horizons and his popularity increased. In 1991, Lucy’s work “Inland Waterways: The Way West” was exhibited at the old courthouse in downtown St. Louis with over 35,000 visitors and featured on PBSJim Lehrer News Hour. In 1998, Lucy received the honor of displaying his work at the State Historical Society of Missouri alongside famous Missouri artists George Caleb Bingham and Thomas Hart Benton. The year 2004 was the culmination of 20 years of loving work and painstaking research for Lucy. Coinciding with the 200th anniversary celebration of the Louisiana Purchase, Lucy returned to the old courthouse in downtown St. Louis with 82 original paintings for his exhibit “Inland Waterways: The Highways of Our Heritage.” Included in the exhibit were eight paintings of the journey of Lewis and Clark that have been reprinted over 225 million times worldwide. From 2004 to 2007, Lucy’s next project was a mural “Inland Waterways: The Highways of Our Heritage” for Southeast Missouri State University for the Holland School of Visual and Performing Arts. Lucy worked on the mural in pieces in his studio with his own engineered system of pulleys.The back of his easel sports the date 9/1/07 and his signature from the day he finished the mural. Since 2007, Lucy has finished paintings for the Bank of Washington, AEP River Operations, Caruthersville High School, and Mercy Hospital. Lucy also received a second commission from Southeast Missouri State University for “Portal to the Future,” a painting capturing the vision of the university. He has expanded his Christmas collection with the additions of “Midnight Mass” and “Madonna and Child,” and plein aire has become a more prevalent part of Lucy’s work, fueled by inspiration from his time and observations along the Missouri River. At the approach of the 175th anniversary of Washington, Missouri, Lucy was commissioned by Edward Jones to paint “Washington, Missouri Landing,” a depiction of the arrival of the first twelve German families in 1833. Having launched his career in Washington over forty years ago and with great support from the community, Lucy felt honored to have the opportunity to contribute to the town’s local history. Today Gary Lucy continues to pursue his art up and down the river and into the pages of the past. The River Rover, a 35 foot houseboat converted into a studio, makes a great escape for him to paint, read, write about current works, and simply enjoy the river. His faithful dog, Petie, keeps him company along the way. Gar y Lucy resides in Washington, Missouri above the gallery managed by his wife, Sandy. REFLECTIONS My painting of the Robt. E. Lee is a reflection of the greatest steamboat of all time. It won the Great Race in 1870 from New Orleans to Saint Louis at the pinnacle point of river transportation. It set a record that has yet to be matched by any river boat of the same character. Painting it churning its way up the river into the sunset is a bit of a tribute to the graceful decline of the steamboat era and to a majestic boat for which I will always have a little soft spot. A The painting of Peers Store is a reflection of what is uniquely Americana - a small country store serving as the hub of the community for miles around. Located a few miles west of Marthasville, Missouri on Hwy 94, Peers Store was established in the late 1800s and celebrated a close relationship with the MKT Railroad, otherwise known as the Katy, for more than a century. I chose to depict it the way it would have looked in the 1950s with one of the last steam locomotives chugging by and those young kids enjoying their ten cent ice cream treat. Despite the difference in time between then and now, I think there is still a small part of each of us that recognizes the simplicity and joy of this kind of moment in our own lives. Sunset on the Riverfront is a current reflection of the bridge and riverfront as it is today in Washington, Missouri. This particular view will soon be changing as plans and development are already underway to build a new bridge. Yet even as bridge structures change, people will continue to gather and enjoy an evening on the riverfront. A. Robt. E. Lee Steaming Upriver at Sunset, 1870 14” x 11” Print (signed only) ..........................................$35 9” x 19” Canvas Giclée ..............................$175 B A A. Reflections 20” x 16” Original ..................................................................$2,950 14” x 11” Print (signed only) ........................................................$35 19” x 13” Canvas Giclée ........................................................$100 Turtles One of the best things about being out on the River Rover is the wildlife. I saw my first turtle parade coming around a bend in the river - a whole family of turtles lined up, taking a sunbath. B. Peers Store 7” x 16” Print (signed only) ..........................................$35 9” x 19” Canvas Giclée ..............................$100 C. Sunset on the Riverfront 5 1⁄2” x 17” Print (signed only) ..........................................$35 6” x 19” Canvas Giclée ..............................$175 B D C B. Colorful Sail 8” x 16” Original............................$2,250 8” x 16” Print (signed only) ................$35 9 1⁄ 2” x 19” Canvas Giclée ............$100 absorb the ways of the river D. Mister T: The Marina Turtle Original 14” x 11” ..................$1,995 10”x 8” Print (signed only) ..............$35 14” x 11” Canvas Giclée..........$100 E. Fishing Between the Islands F 11” x 14” Original....................$1,995 10” x 13” Print (signed only) ........$35 11” x 14” Canvas Giclée..........$100 F. Turtle Parade I 8” x 11” Print (signed only) ..............$35 8” x 11”Canvas Giclée..............$100 C E G. Turtle Parade II Original 11” x 14” ..................$1,995 8” x 11” Print (signed only) ..............$35 13” x 17” Canvas Giclée..........$100 1 G C. Trapped in the Ice 8” x 15” Print (signed only) ................$35 9 1⁄ 2” x 19” Canvas Giclée ............$100 I hope you enjoy our new catalog format INLAND WATERWAYS A. The Robt. E. Lee I. The New Orleans B. Main Street 22” x 36” Canvas Giclée 95 s/n ................$750 L. The DeSmet Loading Cypress Lumber at Caruthersville Landing, 1857 M. Washington, Missouri Landing Crossing the Finish Line in St. Louis at the End of the Great Steamboat Race, July 4, 1870 18” x 281⁄2” Print 950 s/n ..................................................................$200 Early Morning Activity in Washington, Missouri, 1882 18” x 281⁄2” Print 950 s/n ..................................................................$200 22” x 36” Canvas Giclée 95 s/n ..................................................$750 C. Eating Up the Lights Marking the Channel for Safe Passage 171⁄2” x 281⁄2” Print 1250 s/n ............................................................$200 D. Citadel Rock Steaming Upstream by Moonlight, 1811 18” x 281⁄2” Print 950 s/n ............$200 J. Mississippi River Landing 16” x 28” Print secondary market 950 s/n............$325 K. The Eads Bridge The Eads Bridge Under Construction, 1873 18” x 281⁄2” Print 1250 s/n ........$200 Overnight at Hermann Landing, 1873 16” x 281⁄2” Print 1250 s/n ........$200 The Arrival of Early Settlers, 1833 14” x 20” Print 500 s/n..................$95 I The Far West Steaming Past Citadel Rock in Montana,1872 191⁄4” x 273⁄4” Print 950 s/n................................................................$150 E. The Benton The Benton Steaming Past the White Cliffs in Montana, 1878 191⁄4” x 273⁄4” Print 950 s/n................................................................$150 A F. The Great Steamboat Race The Robt. E. Lee and the Natchez Racing from New Orleans to St. Louis, 1870 18” x 281⁄2” Print 950 s/n ..................................................................$200 22” x 36” Canvas Giclée 95 s/n..................................................$750 G. The Bright Star J The Bright Star Crossing the Missouri River at the Washington, Missouri Landing, 1873 18” x 281⁄2” Print 950 s/n ..................................................................$200 H. Mississippi River Flatboatmen Navigating Past Tower Rock, 1831 173⁄4” x 281⁄2” Print 950 s/n ................................................................$200 F B K G D C L Add a Pencil Remarque to your print An original pencil drawing placed in the lower left margin of a print allowing the artist to add a personalization to the piece.There are slight variations from one remarque to another. Pencil Remarque ..........................................$150 E 2 H M 3 inspiration often takes me by surprise INLAND WAT ERWAYS A. Manuel Lisa Turning Hard to Make the Bend, 1904 91⁄2” x 15” Print (signed only) ..........$35 Canvas Giclée ................................$100 9” x 15” Print (signed only) ............$35 Canvas Giclée ................................$100 B. The Omaha H. St. Louis at the Sioux City Landing, 1856 9” x 271⁄2” Print 16” x 281⁄2” Print 950 s/n ............$200 C. The Omaha A Cutting Firewood by Moonlight, 1856 18” x 281⁄2” Print 950 s/n ............$200 D. The Arabia 10” x 15” Print (signed only) ..........$35 Canvas Giclée ................................$100 E. Tilda Clara 9” x 16” Print (signed only) ............$35 Canvas Giclée ................................$100 F. The Josephine B from a new angle G. The Sprague A Quest for Riches, 1811 The Arrival of the Omaha always coming at me Get the story behind the print St. Louis Riverfront,1876 garylucy.com secondary market 950 s/n ............$375 I. SPECIAL OFFER H Island No. 10 is located in the New Madrid bend of the Mississippi River. The painting depicts the Confederate forces bombarded by the Union for control of the river in 1862. Battle of Island No. 10 143⁄4” x 283⁄8” Print 950 s/n ............................ special price $95 J. Miller’s Landing Westward Travelers Returning to St. Louis, 1876 at Miller’s Landing, 1843 18” x 281⁄2” Print 950 s/n ............$125 16” x 271⁄2” Print 950 s/n ............$125 I J FOUR PRINT SUITE The four prints below are shown in one of our standard framing choices with a double mat and UV protective glass. This framing style blends with many different decor styles.. A. The Boatmen A Foggy Morning Encounter C 8” x 12” Print 1250 s/n ....................................each $45 As framed ........................................$299 B. The Omaha C Westward Travels on the Missouri River, 1856 8” x 12” Print 1250 s/n ....................................each $45 As framed ........................................$299 F C. The Yellowstone A The Yellowstone in Peril, 1833 8” x 12” Print 1250 s/n ....................................each $45 As framed ........................................$299 D D. The Yellowstone Evening Sky on the Missouri River, 1833 8” x 12” Print 1250 s/n ....................................each $45 As framed ........................................$299 E D Explore the many Four Print Suite One of each Print..............set $150 As framed ....................................$1,050 B G 4 5 facets of river life “In all things of nature there is something of the marvelous” ARISTOTLE INLAND WATERWAYS NOTECARDS LEWIS & CLARK INLAND WATERWAYS 5” x 7” notecards depicting a small portion of history devoted to America’s Inland Waterways. Includes: Eating Up the Lights, The Eads Bridge, The Bright Star, Mississippi River Flatboatmen, The DeSmet, The Omaha, The New Orleans, The Robt. E. Lee Boxed 16 cards w/envelopes .......................... $19.95 A PLEIN AIRE Cello-Packed 8 cards w/envelopes................$11.95 A LEWIS & CLARK B F A. Red and White Pirogues Traversing the Missouri River, 1804 D. William Clark Writing in his Journal at Eagle Creek, May 31, 1805 10” x 15” Print (signed only) ....................$35 Canvas Giclée ..........................................$100 9” x 15” Print (signed only) ......................$35 Canvas Giclée ..........................................$100 B. The Departure from St. Charles, May 21, 1804 19” x 281/2” Print 950 s/n ......................$200 24” x 36” Canvas Giclée 95 s/n ......$750 C. Foggy Morning on the Missouri River, 1804 18” x 281/2” Print 950 s/n ......................$200 22” x 36” Canvas Giclée 95 s/n ......$750 5” x 7” notecards depicting a small portion of history devoted to Lewis and Clark Includes: Wood River, St. Charles, Eagle Creek, Foggy Morning, Tavern Creek,The Vote, Pirogues Traversing. Boxed 14 cards w/envelopes .......................... $19.95 Cello-Packed 7 cards w/envelopes .............. $11.95 WASHINGTON LANDING 5” x 7” notecards depicting the arrival of the early settlers, 1833 Boxed 12 cards w/envelopes .......................... $19.95 E. Campsite at Tavern Creek, May 23, 1804 18” x 281/2” Print 950 s/n ......................$200 22” x 36” Canvas Giclée 95 s/n ......$750 Cello-Packed 6 cards w/envelopes .............. $11.95 MAIN STREET F. The Departure from the Wood River Encampment, May 14, 1804 18” x 281/2” Print 950 s/n ......................$200 22” x 36” Canvas Giclée 95 s/n ......$750 A. Aspen 9”x13” Print 250 s/n ....................................$50 Canvas Giclée 25 s/n..............................$100 C. Egret at the River Bank 9”x12” Print (signed only) ..........................$35 Canvas Giclée ........................................$100 Cello-Packed 6 cards w/envelopes .............. $11.95 POSTCARDS from the Wood River Encampment Collection Money Clip ......................$22.95 Leather Key Fob ..........$22.95 B 5” x 7” notecards depicting the early morning activity on Main Street in 1882 Boxed 12 cards w/envelopes .......................... $19.95 Makes aWonderful Gift…The Departure C C B. Sailing at Sunset 9”x12” Print (signed only) ..........................$35 Canvas Giclée ........................................$100 Robt. E. Lee, Eads Bridge, New Orleans, Wood River, St. Charles, Eagle Creek, The Vote 41⁄4” x 6” card with brief essay on back. ................................ea $1.25 Leather Flask ..................$22.95 200 Piece Puzzle ..........$19.95 F J F. Campsite at Sunset 8” x 12” Print (signed only) ......................................$35 Canvas Giclée..........................................................$100 G G. Waterfowl #1 at Sunset 8” x 12” Print (signed only) ......................................$35 Canvas Giclée ........................................................$100 B D D D. Portal to the Future: A A. Inland Waterways Mural River Campus SEMO Poster 121⁄2” x 241⁄2” Poster (signed only) ....................................$20 B. Maritime Vessels 12 Asst 4 1⁄2” x 6” Cards featuring: Canoe, Flatboat, Keelboat, Arabia, Cape Girardeau, Delta Queen, USS Carondelet, JM White, Peter Fanchi, New Orleans, Yellowstone and more boxed w/envelopes ............................$16.95 E 6 H. Egret at Sunset 8” x 12” Print (signed only) ......................................$35 Canvas Giclée..........................................................$100 Southeast Missouri State University C 10” x 10” Print (signed only) ....................$35 C. Character Studies 12 Asst 6” x 4 1⁄2” Cards featuring: Cordelling, Patroon, Poling, Rowing, Sailing, Pilot, and more boxed w/envelopes ............................$16.95 Two Box Special “Character” & “Maritime” ................$29.95 D E H I. Our Lady of the Rivers ..........................................$35 Canvas Giclée..........................................................$100 D. Preparing to go Sailing 16 ⁄ ” x 11 ⁄ ” Print (signed only) ..............................................$35 Canvas Giclée......................................................................$100 1 2 1 E. Great Blue Heron 16 ⁄ ” x 11 ⁄ ” Print (signed only) ..............................................$35 Canvas Giclée......................................................................$100 1 2 1 9”x12” Print (signed only) 2 J. Egret in Flight 8” x 11” Print (signed only) ........................................$35 Canvas Giclée..........................................................$100 2 I 7 CHRISTMAS HOME & where the heart is FRONT PORCHES Porches are the first impression, offering a glimpse into the inhabitants of the home, revealing a little something about the people who maintain them. A. Porches The Tibbe Home 14” x 10” Print (signed only) ..................$35 Canvas Giclée ..................$100 B. Porches The Riechers Home 14” x 10” Print (signed only) ..................$35 Canvas Giclée ..................$100 C. Porches The Peters Home 10” x 121⁄2” Print (signed only) ..................$35 Canvas Giclée ..................$100 16” x 20” Orig ..............$3,250 B B A A. Midnight Mass 15” x 91⁄2” Print (signed only) ............................................................$35 Christmas Cards Boxed 12 w/envelopes ..................................$14.95 Cello-pack 8 w/envelopes............................$10.95 B. Madonna and Child 13” x 91⁄2” Original....................................$1,950 13” x 10” Print (signed only) ............................$35 Ornament....................................................$21.95 Christmas Cards Boxed 12 w/envelopes ........................$14.95 Cello-pack 8 w/envelopes ................$10.95 THE FAMILY EVENT C. Searching for the Perfect Tree 10” x 15” Print 950 s/n ........................................ $50 D. Bringing Home the Perfect Tree 10” x 15” Print 950 s/n ........................................ $50 E. Decorating the Perfect Tree 10” x 15” Print 950 s/n ........................................ $50 F. The New Christmas Sled 10” x 15” Print 950 s/n ........................................ $50 The Family Event Christmas Cards choose from: Searching for the Perfect Tree, Bringing Home the Perfect Tree, Decorating the Perfect Tree, The New Christmas Sled 12 Cards & envelopes .................... $14.95 The Family Event Coasters, set/4 One of each image..........................$21.95 C E G G. Compassionate Care 91⁄4 ” x 8” Print (signed only) ......................$35 D F 8 A C WILDFLOWERS W ILDLI F E D A A. Goldfinch and Sunflower 81⁄2” x 12” Print (signed only) ......................................$35 B. Spring Beauty B A Claytonia Virginia 8 ⁄2” x 12” Print (signed only) ......................................$35 C. Woolly Blue Violet Viola Sororia 8 ⁄2” x 12” Print (signed only) ......................................$35 A A. The Great Horned Owl An original stone lithograph. Only 50 prints were pulled. 9” x 9” Stone Lithograph Print 50 s/n ........................................$95 C Woolly Blue Violet Notecards 6 pk..............................$7.95 B. 1982 Missouri Duck Stamp 6 1⁄2” x 10” Print 1800 s/n w/stamp ..........................................$250 R I V E R R OV E R S T U D I O 1 B 1 C. Cottontail Rabbit 21” x 15” Print 950 s/n ............................................$125 C D. Blue Jays 13” x 17” Print 750 s/n ......................$75 B D. Raccoon Family 9” x 12 ” Print (signed only) ............................$35 C A. Gray Squirrel 19” x 13” Print 750 s/n................$40 B. The Fawn 13” x 18” Print 750 s/n on Secondary Market ........................$250 F. The Bald Eagle 17” x 26” Print 350 s/n ...................................$100 F. Missouri Trilogy 14” x 17” Print 750 s/n ..................$250 G. Chipmunk 8” x 12” Print 1000 s/n ..................$35 H H. The Cardinals 12” x 16” Print 750 s/n ......................$95 Notecards Cello-Packed 6 cards 6” x 4 1⁄2” w/envelopes ..................$7.95 G I. Missouri Wildlife ll 9” x 30” Print 750 s/n on Secondary Market ..................................$300 4” x 14” Print (signed only) ........................$35 J. Songbirds of Missouri 8” x 29” Print 300 s/n................................$350 H F I I G 9 I. The Bluebirds 13” x 17” Print 750 s/n ......................$95 Notecards Cello-Packed 6 cards 6” x 4 1⁄2” w/envelopes ......................$7.95 F Nature art is very rewarding H. Missouri Wildlife I 4” x 14” Print (signed only) ........................$35 E E E. Merriam’s Wild Turkeys 13” x 17” Print 750 s/n....................................$250 G. Doe and Fawns 16” x 22” Print 750 s/n ......................................$95 E.The Great Horned Owl 17” x 23” Print 750 s/n .....................$60 D C. Quail Family 13” x 19” Print 750 s/n ......................................$50 The Roar of the Tiger 10” x 10” Print (signed only) ..........................$35 J 10 GALLERY CHINA,TABLETOP & HOME DECOR step into our your home is in the details PRSRT STD U.S. Postage 231 West Main Street Washington, Missouri 63090 PAID Permit #238 Washington, MO 63090 Change Service Requested Every detail in your home reveals a little more about you. At the gallery we thrive on bringing you those perfect finishing touches. Whether it’s setting your dinner table or accessorizing your home we can provide those flawless details that turn any house into your home. Let’s begin with table décor. We have over 100 china patterns from which to choose plus stemware and flatware choices as well. Lenox, Mikasa, Waterford and Wedgwood are just a few of the brands we carry. From traditional to modern we can provide everything you need to set your table according to your own unique taste. 636-239-6337 • 1-800-937-4944 • email: [email protected] • w w w. g a r y l u c y. c o m SKETCHPADnotes Open weekdays 9:00 am - 5:30 pm • Saturday 9:00 am - 5:00 pm • Call ahead for Sunday hours © 2015 Gary R. Lucy Gallery, Inc. Note: Prices subject to change without notice. Need a little extra punch with your entertaining plans? Our wide selection of serving pieces including brands like Wilton Armetale, Julia Knight and Beatriz Ball are as functional as they are stunning. Looking for help in the kitchen? May we suggest Le Creuset cookware available in cast iron, stainless steel and stoneware. By simply adding one piece of this amazing cookware to your current repertoire of kitchen gadgets we know you will keep coming back for more. We are proud to be the premier Bridal Registry in our area. To date we have assisted over 200 brides in making their registry selections. Our expertise in this area results in a beautiful yet functional registry. your choice your taste our pleasure No home is complete without these important pieces that tell visitors all about you at first glance. As art lovers and framers, we believe in letting your work speak for itself and in providing the best service to make that possible. Our Wizard mat cutter allows us to design mats in any shape or size with multiple openings or just one. No mat is impossible. Years of framing experience and the expertise of a graphic artist close at hand has helped our gallery supply both businesses and private homes with quality work for over forty years. We invite you to… step into our Gallery While 2015 has been a busy year with new commissions and art shows, it’s also been a great year for reflection…looking back at all the ways my work has expanded through the years… and for rejuvenation…inspired by revisiting my hometown, Caruthersville, Missouri. In the summer of 2014, I received the first call from a representative of the Caruthersville Area Arts Council expressing a desire to produce a show featuring my original artwork in my hometown. I was flattered but hesitant as they laid out their goal. But after a few talks with the Arts Council and touring the proposed space for the showing, the 8,500 square foot Armory, I suggested we expand the show to include Pennie Brantley, a former classmate and fellow professional artist currently living in New York. I stood amazed at the transformation Hundreds of hours of labor later…after fundraising, constructing walls, engineering lighting, securing transportation and insurance, collecting originals from businesses and private residences…on April 11, 2015, I stood amazed at the transformation. Over 50 original paintings hung on newly constructed display walls arranged throughout the auditorium. In the span of my 43 years showing in museums and academic institutions, I have never experienced a more professional presentation. Having left home 48 years ago, it was an honor to return in such a fashion. The show itself was attended by thousands and proved to be an overwhelming success. With Pennie’s and my works on display together, it was a celebration of two vastly different art styles blending together through a mutual history in an effort to raise awareness of the arts in the Missouri Bootheel, perfectly illustrating the show’s title: Coming Home: Two Artists…Two Perspectives…One Hometown. This also gave us the opportunity to dedicate the show to the man who 11 first introduced us to art back in our high school days, Dr. Sam Bishop. Following the show in Caruthersville, I have subsequently had invitations to display my work in Cape Girardeau and Jackson, Missouri. The show in Cape Girardeau will be November 6 through 30, and the display in Jackson will be coming up in February. It is always exciting when others express their interests in my work and offer me the opportunity to share it with them. HEC-TV also filmed a short profile about me this past year. If you would care to view it you can find it on their website at www.hectv.org by clicking on the spyglass in the upper right hand corner and typing in Gary Lucy or scan the QR code provided here. It’s a brief glimpse into my studio and what’s on my palette. Also, if you have a chance to watch the clip, you’ll see the most recent piece in my porch series sitting on my easel. I still like to take my dog Petie on walks or drives through our community and my artist eye, which is always on the lookout for something new or interesting, never fully shuts off. I like to imagine as I’m painting that one day I’ll have time to actually sit and enjoy a few minutes on my own porch. But currently my plate is a little too full for much porch sitting. I just finished a preliminary study of a painting that captures the spirit of the river in the days of Mark Twain and his characters. I like to think it’s a bit of a mystery whether the dogs barking, the oar pulling, and lantern swinging will ever be enough to save them from the looming disaster. As I get a few of these projects wrapped up, perhaps I’ll have cleared a little space for me and Petie to do some more research on the river come spring.