Portfolio - Chapman University
Transcription
Portfolio - Chapman University
Susanna Davidov Graphic Designer & Creative Developer [email protected] 310.595.5753 Resume Obj ec t iv e To work i n a n e n v iro n men t d ep en d in g u pon cr eative and bus ines s as pects to expand my knowl e dg e and e x p e r i en ce a n d fu rth er q u a lify myself a s a pr ofes s ional in the field I am inter es ted in. E xperi en c e Fa l l, 2 0 1 1 -Presen t : A ssist a n t Designer /As s is tant Cr eative Dir ector at an es tablis he d cl othing com pany E R G O. Fa l l, 2 0 1 1 -Presen t : A ssist a n t Designer /As s is tant Cr eative Dir ector at local commu nity m ag az ine Ghe tto J u i ce. S u m me r, 2 0 1 1: Design er fo r Ro b er ts on Boulevar d M agazine in Bever ly Hills, CA. S u m me r, 2 0 1 1: Design er fo r Nic e I nter national. S kin Car e line developer. S p ri n g, 2 0 1 1: Sp en t en tire Sp rin g S emes ter in Flor ence, Italy continuing s tudies in D e sig n, A r t, C u l tu r e and La n g u a g e. Fa l l, 2 0 1 0 : C o - Fo u n d er o f So c ia l E vent Planning Gr oup, OC M afia Collective th at pr omote s “A r t, M u sic, a n d C u l t u r e.” 2 0 1 0 - Pr es e n t: Ed it o r a n d C h ief o f Gr aphic D es ign Publication “ Commpos t.” 2 0 1 0 : D i r ec to r/Design er o f A p p a r el for Alpha Phi S or or ity, Chapman Univer s ity Chapte r. S u m me r, 2 0 1 0: Tra veled t o Lo n d o n to wor k on the br anding of the London 2012 O l y m pic and Par al y m pics G a mes. 2 0 0 9 - 2 0 1 1 : Gra p h ic d esign a ssistant to Pr ofes s or E r ic Chimenti at Chapman Un iv e r sity. 2 0 0 8 : B ev erly Hills High Sc h o o l Year book des ign and layout 2 0 0 7 : D e s ign ed gra p h ic s a n d p roduct development for S enor Fr og ’s Res taur ant B ar and G r il l, a r e stau r ant cha i n i n M e xic o. S u m me r, 2 0 0 7: Tra veled t o C h in a to complete pr oduct development for new s ouv e nir l ine for S e nor Fr og ’s Re s t a u ra n t Ba r a n d G rill 2 0 0 7 : M e mb er o f No rd st ro m’s Fa shion Boar d Team as a young fas hion cons ultan t and mode l. Resume E duc a tio n Lor en z o De Med ic i (Flo ren c e, I taly) C o n tin u ed st u d ies o f A rt and D es ign Al so stu d ied th e I ta lia n language and His tor y C ha p man Un iversit y (Ora n ge, CA) Ma jo r: Gra p h ic Design S t u d yin g C o mmu n ic a t io n D es ign as well as the S tudies of Cultur es Memb er o f th e G ra p h ic Des ign Club Memb er o f A lp h a Ph i So r or ity On e o f t h e fo u n d in g member s of OC M afia Collective U C L A E xten sio n (Lo s A n gles, C A) Ar t c o u rses a t th e c o llege level to extend my under s tanding of ar t, col or, de sig n and pe r ce ption B e v erl y Hills High Sc h o o l 4 yea rs o f G ra p h ic Design cour s es I n vo lved in So c c er, Vo lleyball and S oftball Com p u t er L i ter a t e Ad ob e Illu st ra t o r Ad ob e Ph o t o sh o p Ad ob e In d esign Mi cr os oft Offic e D rea m Wea ver Mu s e Business Card Personal Business Cards Objective: To create a personal business card that will be unique, outstanding and true to myself. Solution: An unusual, yet not unseen, business card that shows my whole personality within a 2.5 x 2.5 inch square. From my favorite colors, to my favorite graphics, this business card not only gives the viewer my information, but also gives one a taste of my personality. Objective: To create a personal business card that will be unique, outstanding, and true to myself. Solution: An unusual, yet not unseen, business card that shows my whole personality within a 2.5 in x 2.5 in square. From my favorite colors, to my favorite graphic, this business card not only give you my information, but also give you a taste of my personality. Logo/Campaign Objective: To create a versatile logo for an art competition, held in Florence Italy, The Art is in The Streets. Solution: A well designed logo to not only represent the competition, but also fit into the strategy of guerilla marketing. This design and technique is to promote that art can be found everywhere, not just in prestigious museums. This idea fits well to promote this particular art competition because it featured a variety of traditional and non traditional entries. Re-design a logo Re-Design a Logo Objective: To redesign the logo of the Salvatore Ferragamo Museum in Florence, Italy. Solution: A logo comprised of some of the similar elements used in the old logo, but simplified and modernized. The use of San serif fonts and bold simple shapes form the logo into a more modern brand. Objective: To redesign the logo of the Museo Salvatore Ferragamo. Solution: A logo composed of some of the similar elements used in the old logo, but simplified and modernized. The use of san serif bold fonts and simple shapes bring to logo to current times. salvatore ferragamo Poster/Apparel Objective: In a creative exercise I wanted to take a difficult topic and make it visual. What I came up with was the topic of representing my presence in Italy. Solution: I decided to take a very well known portrait of the most prominent Grand Duke of Tuscany, Cosimo de’ Medici, and put MY twist on it. One of my favorite design eras is the psychedelic years. Combining my favorite style with a traditional portrait resulted in a unique and intriguing poster. This poster was recognized and soon after became an image printed on apparel and sold throughout the streets of Florence, Italy. Your Chance. Your Change. Your Town. Your Games. Your Town. Your Games. Your Chance. Your Change. Your Town. Your Games. Olympic AD Campaign Your Chan Branding the London 2012 Olympic and Paralympic Branding the London 2012 Olympic and Paralympic Games Branding the London 2012 Olympic and Paralympic Games Objective: To create a series of print Ads for the 2012 Olympic Games. Ads must promote the fact that these are the first “green” Olympics. Solution: The three posters created where inspired by a very historic English campaign, “Keep Calm And Carry On.” Just like the “Keep Calm And Carry On” campaign, I wanted to primarily communicate to the English people. With simple icons, text, and using the official Olympic brand, I was able to create an effective, to the point, visually pleasing campaign. Your Town. Your Games. Your Chance. Your Change. Your Town. Your Games. Branding the London 2012 Olympic and Paralympic Games Your Chance. Your Change. Your Town. Your Games. Your Chance. Your Change. Concert Tour Poster Objective: After being truly inspired from attending a Black Keys concert I decided to create my own personal Black Keys “Southern California Tour” poster with a tour dates calendar. Solution: Even though The Black Keys have a very distinct brand/image, some change doesn’t really hurt. To create this poster, I took the inspiration from watching them in concert to create my own “look and feel” for the group. Very different from their typical black and white image, this poster has a SoCal look but still promotes the band in an effective, creative, artistic way. Fashion Publication Objective: To create a seasonal fashion publication covering the evolving urban styles throughout Europe. Solution: Through the use of distinct graphic styling and unique usage of fonts and images, I was able to create a fashion publication that has a look that coincides with the style of the fashion trends. Community Magazine Volume 1 Issue 1 September 2011 Objective: To create a community magazine for the cities of Beverly Hills and West Hollywood. Solution: Robertson Boulevard Magazine is a publication offering a collection of advertisements and editorials gathered from the stores, restaurants, businesses, and happenings that represent the upscale and most fashionable lifestyle that surround Robertson Boulevard. Because of the vast range of content that the magazine contains, a simplistic design was more fitting. Simple yet affective is the overall look of the magazine. Beverly Hills West Hollywood Rober tson Blvd 3rd Street Beverly Blvd Melrose Graphic Design Publication First of spring 2009 junior shows nothing but smooth sailing 1 NUMBER Story by Alison Conners, ‘10 and Professor Eric Chimenti Story and photos by Alison Conners, ‘10 The biannual Graphic Design program communication composition For students, alumni, friends, and supporters. Design students study abroad in trip of a lifetime Students study the branding of the 2012 Olympic Games with three companies in London, England Story and photos by Kate Eglen, ‘11 T wo and a half months of summer is a long time when there is nothing to do. It becomes even longer after coming off a semester packed with numerous projects, assignments, and club meetings. Luckily, before interterm even began I heard of an opportunity too amazing to possibly resist. So I signed up for a study abroad course that would send me to London for a month while studying the branding of the 2012 Olympics, not entirely sure what I was in for. Before departure, we spent a week at Chapman brushing up on our brainstorming and sketching skills with our professor for the trip, Ron Leland. After that, and a twelve-hour plane trip across the Atlantic, we found ourselves in London, and about to embark on one of many trips in the CU hosts 6th Portfolio Review; attracts local designers Leave Your Mark without a hitch Volume IV London underground, only this time with 50-pound duffle bags and a subway system designed without wheels in mind. During our three weeks, we visited three companies involved in the London Olympics. The first was EDAW, and urban planning company. They were kind enough to show us their plan for the Olympic site, with much emphasis on the legacy site, or what is going to happen to the land after the games end. Wolff Olins was the second company we got the chance to see. The company was chosen to create the brand mark for the games, and dealt with the aftermath and the controversy that ensued after the debut. The assigned project was to create a campaign using to Olympic logo. Burro Happold, the last company we met, were kind enough to talk to us about the structures being built on the site. Later on in the week, we saw the stadium and other buildings that are in progress, on a tour of the Olympic site, which was an amazing thing to see. In between and around office visits and working on projects, we wasted no time in completing our attempt to see absolutely everything possible to see in the city. This included trips to Hampton Court Palace, Oxford (including Christ Church where parts of the Harry Potter movies were filmed), and the Design Museum located on the Thames. I could write pages and pages about our experiences, what we saw, and what we learned. But, truth is, it would never fully translate. So let me end by saying that never in my life have three weeks been so exhausting, or so fulfilling. I think we can safely say that Leave Your Mark, the first of two Junior BFA Graphic Design Shows for the spring of ’09, went off without a hitch (unless you count forgetting to turn the music back on after we made our little speech, or the shrimp cocktail plates still being frozen). Junior shows are usually a time of chaos, injuries, plenty of expletives screamed out in the lab at 3 AM, bonding within the junior class, and lots and lots of coffee. In reality, it was peanut butter and jelly sandwiches, coffee, cookies, bonding within the class, and smooth sailing the weekend before the opening. There were still projects printing the day before, and plenty of time spent in the gallery, but I’d say the show went smoother than expected. Friday before the show, we patched and painted walls, mounted projects, ate snacks brought to us by Brooke Brisbois, a senior design student, danced a bit in the lab and printed last-minute revisions and personal business cards. Saturday was a day of parents and friends helping, more dancing in the upstairs room of the gallery, and even some frustration at finding that what we mounted on the wall sometimes turned out to be crooked. Sunday found a few designers still touching up exhibits and displays, straightening and nitpicking their pieces and cleaning the production room. And for the first time in a long time, if ever, the lab and production room were cleaner the morning the show opened than before it. Leave Your Mark drew crowds of people that blew us away. We’d never seen the gallery so full of people for a student show, and proof of that was left on the wall. We invited guests of the show to sign the wall with the 20 Sharpie markers hanging from strings next to the banner we made. By the end of the week, it was covered in signatures, well-wishes, and congratulations, even from President Doti. Most of us agree that our show was an up-anddown roller coaster of stress and fun. We are all proud of the work we accomplished, and proud of the experience we made it for ourselves as the culmination of more than two years’ work. And lastly, a huge congratulations goes to Jen Peters, who showed her work in Leave Your Mark and won the award for the 2008-2009 Best Junior Show. From left to right (middle photo): Sara Hahn, Alison Conners, Lindsay Taylor, Madeleine Pisaneschi, David Augustyn, Jessica Cardelucci, Jaylin Kauwale, Ramona Rose Second junior show Black, White & Everything in Between: Second spring 2009 junior show showcases students’ full gamut of work from three years at Chapman Story and photos by Maggie Lane, ‘10 The 6th Annual Portfolio Review brought over 30 professional designers to review the work of almost 100 students and designers from the Orange County Area. For CU students, the review is the culmination of a semester of preparing their portfolios and getting ready for graduation. While waiting for their reviewing appointments, students got to mingle with other students from design programs across Orange County, comparing work, portfolios and stories of their time in school. In addition to the review, students participated in the 4th Annual Student Design Competition. With more pieces entered this year than in previous years, winners came from the Art Inst. of CA Orange County, Cal State Fullerton, Cal State Los Angeles, and our very own Chapman University. This year Junior BFA Graphic Design Student, Alison Conners, won best in show honors for her Telluride Film Festival book, “Welcome to the Show.” This marked the first time a Chapman student won the top award at the show. Congratulations Ms. Conners. B C A art department art department art department art department th Annual th Annual Student Design Contest Portfolio Review & Job Fair 4.18.09 Deadline 4.3.09 D Guidelines: All submissions (web, type, print, packaging) must be student design work. No professional entries will be accepted. Only entries that were done for school credit during the 08-09 academic year will be accepted. All entries must be printed, assembled and/or mounted on black mat board or foam core. Be sure to include your name, title of design work, anticipated graduation date, and name of your school on the back of each piece. Open to students and current professionals looking to improve their portfolios. Show your best work and get honest feedback and job leads. Register online at www.orangecounty.aiga.org/2009/02/01/portfolio-review/ When: Saturday, April 18 from 12:00–4:00 pm Chapman University 2nd floor Argyros Forum, Lyon Conference Center, Orange, California AIGA Student Members: $10 Professional AIGA members: $25 Campus parking permits are required For more information on parking call (714) 997-6763. For a map visist http://www.chapman.edu/map. Student non-members: $20 Professional non-members: $40 F Submission Fees: $5 AIGA student members (2 pieces included) $10 AIGA student members (5 pieces included) $20 Non-members (2 pieces included) You may not submit one piece for half the price. Questions? Call or email Professor Eric Chimenti at714-997-6807 or [email protected]. Chapman University 2nd floor Argyros Forum Orange, CA Campus. Parking permits are required. For more information on parking call 714-997-6763. For a map visit www.chapman.edu/map. Don’t forget the entry fee! Cash or check accepted. Make checks payable to AIGA OC. Register online to attend the Portfolio Review (presence is not required to win) at www.orangecounty.aiga.org/2009/02/01/portfolio-review/ Ship all entries to: Chapman University, Department of Art Student Design Competition One University Drive, Orange, CA 92866 E (A) Professional jurors observe student art work (B,C) Snapshot taken of the reviews in session (D) Winning entry (E,F) Event posters created by Alison Conners Editor of Graphic Design Mag The groups of student travelers pose for a quick snapshot in the London Underground. Class Project a National Winner Three design students help in first place NSAC win Story by Alison Conners, ‘10 and Professor Eric Chimenti Story and photos by Simon Blockley , ‘11 Objective: As Editor and Chief of a graphic design newspaper, my goal was to create and maintain a newspaper with up to date content while visually intriguing. Solution: Full spreads of current graphic design news laid out in legible forms. While content being the main focus, title treatments, color pallets and page layouts give the magazine a certain look that works for the target audience and does not detract from the content. This June, Chapman’s Advertising Club students qualified and competed in the National Student Advertising Competition (NSAC). The NSAC team placed fourth overall — the highest place ever achieved by Chapman, and returned to Orange County with national recognition. As far as Chapman graphic designers are concerned, the school left with the top prize. The Chapman team was also the recipient for the Best Use of Imagery Award from Getty Images, rewarding Chapman with the gold prize design-wise. While the majority of the 40-student advertising team was more excited for the 4th place overall prize, the team’s designers Kimmy Kirkwood, Kate Eglan, Simon Blockley, and Brian Chandra were more pleased with receiving the highest advertising design recognition in the nation for college students. The designers had even more to celebrate as Eglan, whose illustrations were the basis for the campaign, received an MVP award from the judges. Kate Eglan was also personally congratulated and complimented by the CEO of The Century Council, the campaign client. Working as a graphic designer for the team was quite a different experience than one might expect. Through the duration of the eight-month campaign, only about one month was spent “designing.” The rest of the time, the designers got a full look into the Winning campaign book that shows the winning illustrations and layout design. non-creative portion of the process. This included helping the rest of the team with four months of research followed by organizing promotions, working on public relations events and finally in conceptualizing the “big idea” for the campaign. Once these processes were organized and executed, the designers began to produce the 32-page long campaign plans book that included www.chapman.edu/art/commpost 1 Anonymous gift will have significant impact on contraction of new theater in Chapman’s near future hapman’s College of Performing Arts was proud to announce a bright future for the departments of music art, theatre, and dance after two anonymous Orange County residents donated $25 million to help build what will become the second largest performing arts center in all of the county. The donation is second only to a $26 million gift that the campus received from an anonymous donor in 1998 and it is the fourth largest individual gift ever made to a local university. The gift is a matching grant that will require Chapman to raise roughly $25 million. University officials are confident that Chapman will match this. “We are very grateful that in the midst of this economy, there are visionary supporters of higher education who are making Chapman and the future of our students their priority,” said Chapman President James L. Doti, explaining the donation 8 TH ANNUAL KEY ART AWARDS STUDENT COMPETITION W I N N E R S Story by Kristen Entringer, ‘11 will feature an exterior that is meant to function well within the aesthetic of the buildings in Old Towne, Orange. The university is also negotiating with Yasuhisa Toyota, the famed Japanese acoustician who worked on Walt Disney Concert Hall, to serve as a consultant through it all. The hall will be used for university performances and productions, including concerts, recitals, operas, musicals, plays, dance performances and the College of Performing Arts annual American Celebration gala, which is a Broadway-style revue performed by students. “I’ve dreamed of building something like this all of my life,” said William Hall, College of Performing Arts Dean and musician who has conducted symphonies around the world. “This would fill a niche, giving the county a mid-sized theater for productions in opera, musical theater, orchestral, chorus, dance and theater.” A N D S E M I F I N A L I S T S Held in conjunction with The Hollywood Reporter Key Art Awards, the student competition provides the opportunity for full-time college students across the nation to create their own versions of one-sheets or trailers with the same materials that the professionals in the motion picture marketing industry receive. Their work is submitted for judging and recognition by the studio marketing and creative advertising group’s top executives. MORE THAN EVER, A HUGE THANKS GOES TO OUR SPONSORS WHOSE GENEROSITy MADE THE COMPETITION POSSIbLE. From left to right: Amanda Giramita, Kelsey Chapman, Jen Peters, Kyle FLoyd, Kimmy Kirkwood, Lindsey Messenger, Maggie Lane, Lauryn Bryant. The group put on their junior show dressed in black to go with their theme. B lack, White, and Everything In Between was a collection of graphic design works from eight current juniors here at Chapman University. As a group, we chose this title to represent us because we felt that the eight of us were the “everything in between.” The rainbow of colors that makes up our individual pieces and projects was the basis for this decision 1 Volume V NUMBER Chapman receives $25 million for performance center C C O N G R AT U L AT I O N S all design elements of the campaign: print ads, storyboards, web sites and guerilla executions. The designers were constantly strained in balancing intensive design projects for school with NSAC work during the heavy production phase. However, the reward of holding the completed plans book in hand far outweighed the stress and work that was endured. This fall, the Chapman NSAC team will build a campaign for State Farm Insurance. So, when you see a NSAC graphic designer muttering small nothings about life and car insurance costs, or walking in a zombie-like fashion to the design lab, please, give them a break, or even just a cup of coffee. 2 FIDM Toni Hohberg Marlene Morbitt-Dunn TOMY DRISSI and our way of uniting our distinctive styles into a cohesive show. This show was our way of presenting to the Chapman community what we have been doing for the past three years as we have been tucked away in the design labs. Being a member of this group of designers really made me appreciate our chosen profession on a new level. Each of us had many of the same projects but our way of solving the communication problems was vastly different and unique. As we went around the Gallery before our opening we were all in awe of this show we had created. All the long nights and title re-writes had finally paid off. The group walked through and saw the final pieces and how far we had come, we knew that this field was where we were supposed to be. PARAMOUNT PICTURES Especially Mike Oh THE DESIGNORY | LA Rebekah Ross Cesar Torres THE HOLLYWOOD REPORTER TRAILER SEMIFINALISTS: From left to right: Jeffrey Bacon - KAASC Chairman • Sean Hernandez (1ST PLACE) - Inner City Filmmakers • Nima Shoghi - Columbia College Hollywood Andrew Meacham - The Art Institute of California San Diego • Lindsey Bixler - Michigan State University • German Izquierdo (2ND PLACE) - Columbia College Hollywood • Julie Douglas Cal State Fullerton • Chi-Hao Cheng (3RD PLACE) - Cal State Fullerton • Greg Burke - Columbia College Hollywood • Evan Phan - Pasadena City College • Arman Sarkissian - Pasadena City College • Edward Mikasa - Chapman University • Lauren Kearns (Not Pictured) - Michigan State University Rose Einstein Eric Mika Julie Pliska Vicki Robles and THR Staff THE KEY ART AWARDS ADVISORY BOARD ONE-SHEET SEMIFINALISTS: From left to right: Aaron Avila (3RD PLACE) - FIDM • Bekim Bacovic (2ND PLACE) - Fashion Institute of Technology • Yookyung Min - UCLA • Jimmy Hsieh (1ST PLACE) Cal State Fullerton • Omar Rajput - FIDM • Jordan Lee - Cal State Fullerton • Anita Sougu Cal State Fullerton • Stephen Richards - The Art Institute of Philadelphia • Jessica Cardelucci (Not Pictured) - Chapman University • Nicolette Cornelius (Not Pictured) - Maryland Institute College of Art • Annie Marcotte (Not Pictured) - Maryland Institute College of Art • Peter Owen (Not Pictured) - Maryland Institute College of Art www.chapman.edu/art/commpost New success for CU student chapter, Orange County student groups grow Exhibition brings artwork from international professionals T A Story and photos by Claudine Jaenichen as enable interdependence between semiotics and performance. Visual Urgency continues this investigation in other displays of art and design of objects, documentation or commentary, as in: the Q Drum and HippoRoller from South Africa which help transport clean water from miles away on foot; The Landmine Prints by John Risseuw which documents testimony of landmine victims; Medicine in Action by Eric Avery which displays enlarged linoleum prints to educate people on HIV and hepatitis; photographs by John Hackbarth documenting several disasters such as Katrina; ClearRx, a new solution of prescription medicine packaging; and a case study of the American Red Cross branding guidelines. Visual Urgency explores an unexpected aesthetic, considers multiple uses of materials and examines visual taxonomy derived from an emotive response initiated by some level of environmental, cultural or societal crisis. Converging a diversity of disciplines and a body of work that would not otherwise be seen together, Visual Urgency attempts to connect commonalities rather than differences within work of designers, photographers, artists, architects, physicians and engineers. The biannual Graphic Design program communication composition In addition to Jessica representing Chapman Univeristy in thie contest, Edward Mikasa of the Dodge College of Film and Meida Arts was named a Semi-Finalist for his movie trailer. www.chapman.edu/art/commpost Design professor curates show he background for graphic design professor Claudine Jaenichen’s exhibition, Visual Urgency: Visible Perspectives of Societal Crisis, stems from her own research on semiotics and its effectiveness in evacuation maps. Her study in how visual variables impact the success or failure of a designed artifact also link issues in disaster psychology and the psychology of emergency egress and ingress. These two areas of psychology provide an understanding of decisionmaking challenges placed on people involved in distressed scenarios as well As project three of the Color class taught by Erin Patterson, students have the choice to enter a national movie poster design contest, this year, for the summer blockbuster Ironman. This is the second year students have entered this contest, and already, a winner. Jessica Cardelucci, class of 2010, was chosen as a Semi-Finalist in the 8th Annual Key Art Awards Student Competition. The competition is held on a national scale, including work from all over the country, where students create either movie trailers or posters. Congratulations Jessica on your awardwinning design! nother camping trip, growing numbers, local board representation and more opportunities to interact with fellow Orange County design students all came to CU’s student group this year. While we were the first student group afiiliated with the Orange County Chapter of AIGA, we now have two other chapters, California State University at Fullerton and Art Institute of Orange County. Their participation at this year’s Portfolio Review and Design Competition showed the growing recognition of the importance of being a part of AIGA as a student. Ideas are and have been floating around for various events and possibilities for exchange with these new chapters. There is even talk in the very beginning stages of an Orange County Student Design Conference, hosted on CU’s campus, which would bring together these new student groups and bring in new ones. The stronger the student base of AIGA in Orange County, the more we’d be able to get out of it. Further recognition Story by Alison Conners, ‘10 3 AIGA For students, alumni, friends, and supporters. Three CU Graphic Design Students Take The Win Chapman President Doti and others accept a large check for $25 million to go toward the new performing arts center, which will become the second largest performing arts center in all of the county. The gift is a matching grant that will require Chapman to raise roughly $25 million. Chapman is already doing preliminary planning to design a building that may be built on Glassell Avenue or Palm Avenue as extraordinary and transformational. “It will mean a new era for the arts at Chapman,” he said. The gift comes at a perfect time to help fund a 1,200 to 1,300-seat performance center, which will cost around $50 million, in the heart of the campus that will host everything from the renowned Chapman University Choir to professional theater productions. Plans are only in the concept stages now, but the theater will most likely feature a mid-sized multipurpose performing arts center of 1,200 seats, with the option to expand to 1,300 seats for performances with no orchestra pit. The center will also include rehearsal space for the more than 700 students enrolled in Chapman’s recently established College of Performing Arts. When completed, it would be the largest university performing arts center in Orange County, and second in size among all halls in the county only to the Orange County Performing Arts Center. Chapman is already doing preliminary planning with Pfeiffer Partners Architects of Los Angeles to design a 75,000 to 80,000 square-foot building that may be built on Glassell Avenue or Palm Avenue near Chapman’s Marion Knott Studios. It Above: Student and Educator membership brochures are available from the AIGA website. Pictured above are the original versions, which have since been updated. The newer versions will be available soon. Right: Advertisement designed by Madeliene Pisaneschi. Seniors Jen Peters, Marc Lu, And Kyle Floyd Win a Spot In The Flux ‘09 AIGA Poster Competition Chapman may revisit has come to CU’s design program with the posting of membership books on the national website, which member being an educator of young design students. Designs being worked ‘13 Story byareSusanna, AIGA is the American Institute for Graphic Artists. It is the leading on for another version, association for visual designers, identity designers, environmental were designed by Alison targeted toward designers Jen Peters, Marc Lu, Kyle “This poster was a colof the reward for winning Conners.Katherine The firstHeigl draftSeth hasRogen designers, information designers, editorial designers, package in the and London 2012 Olympics PaulAssociate Rudd Leslie Mann been posted for over a year, Professional levels of designers, motion graphic designers, interaction designers, customer Floyd and many other laboration was the posters being but when the books were membership, which will experience designers, strategic designers, and more. Its members Possible summer 2010 study abroad with another redesigned as part of her be added to the national are empowered through information, education, recognition, and Junior Show, new versions website much like the Graphic Designers from student, Marc Lu. It was featured in Frederick, MD. advocacy. AIGA offers students the inside track to mentors and will have a zero-carbonThis summer, students were sent to the national student and educator footprint from the Graphic Design collaborators. AIGA student groups get students involved in the office and should be up versions are already on Eachfirst Monday, after program travelled to CU entered a ccompetition the collaboration projThese posters are currently soon. These books, one the site. Designs for design community, help them build their own communities, and the presentations from the London for a unique commpost targeted toward the students student handbooks were develop leadership skills. AIGA memberships let students gain design offices, students opportunity to study the and the other toward dealso designed by Conners, Wendy Oldfield: proud be aand Chapman with to hopes dreams alumni ect I’ve worked on. We got being displayed on the national exposure by creating the chance to post their resumes and are assigned a visual branding and building sign educators, highlight but have not finished the portfolios online. With a student ID, a student membership is $75. For communication problem (design) of the 2012 London the benefits of both being a editing phase. hapman alumni of being chosen as a to alter normal process AIGA website(www.flux. to solve. They areour given Olympics. During their a group of 20 or more, memberships are $50. Wendy Oldfield, several days to test three weeks in London, from the 2004 their design knowledge; students interacted with Plug-In winner. The competition aconcepting, little, which was fun. Our aigablueridge.org). Once gratuating class, sketching, and the professional design left the university armed writing skills resulting in agencies that are bringing Publisher: with a BFA in Graphic was hosted by AIGA were again, congratulations final art. On the following advertise both the 2012 Games to life. This goals Design and several awards coming summer, Chapman Friday the students are to Executive Editors: from her senior year, present their solutions toPlayboy Jazz may have another similar as a general “Student the event, to Jen, Marc, and Kyle including Juror’s Awards the principals of the design opportunity for students. for Graphic Design (2004), firms. The students may visit Purcell Award for Graphic Design Competition”. All and the venue, for a job well done and Our goal is to expose the same three companies Festival, Design (2004) and the the students to branding as last summer that are Contributing Writers: International Student of and brand communications involved in the London three of teh CU winners the Hollywood Bowl. We showing the design world the Year (2004). at a multi-cultural scale, 2012 Olympics. Oldfield is currently the where they will learn AECOM Design & senior graphic designer ebtered their own concepts that Chapman University also wanted to take Playfrom professionals how Planning — designed for The Brainyard Clients, the design trade faces and the master plan for the whose clients include The solves communication Olympic site and is and ideas in the Poster boy’s “adult’s only” feel out Designers will always Brainyard Clients Coca problems that need to currently working on what Cola, Pioneer ProDJ, speak to a very large the site will turn into once Roland, Boss, Carls Jr., competion. Other options of the picture so that the make an impact. Art Director: the Olympics have finished audience. They will Baja Fresh, Jesus Film “I wanted to create a movie have access to top end Wolff Olins — the Project, Elixir Strings and design agencies – so they branding agency that were Identity, Publications, event comes off as more Commpost Graphic Designers: Fender Guitars. might get a better view created the logo mark for poster that was different She owns a freelance and understanding of the London Games and in Packaging, and Web/ family friendly. So we both business called Vekay what their careers might charge of how the brand Design, whose clients Photography: from traditional movie Please send your selections along with this formthe to: entail. They will gain communications are to be include F+W Publications Graphic Design Program, “The experience was insights on planning Interactive . Chapman went through our normal developed (HOW Books), Trader Joes, commpost Department of Art poster which normally for an environmentally Buro Happold — ZOe Productions and The Chapman University, sustainable event, and currently building the one which began with stole the show with having sketching phases individuHeart Gallery of Orange One University Drive, Orange, CA 92866 valuable experience Olympic stadium and will County. feature actors from the in developing their giving us a tour of the Or send an email to [email protected] Oldfield spoke at the developing a strongbeOlympic three students win a spot ally and then brought our own environmentally site as well as HOW Conference in 2006 Visual Urgency: Visible Perspectives of Societal Crisis. Designs include a case study of the American educating us on how the responsible design film. I wanted the poster to and the recent HOW Red Cross branding guidelines (top left and bottom right), ClearRx (top right), the Q Drum and HippoRoller (second row left), Medicine in decisions. construction of the site concept to in the competition. Part favorite concepts to each design conference in 2009. Action (second row right), and The Landmine Prints (third row left), photographs by John Hackbarth (third row right). represent the be eye catching and allow 4 www.chapman.edu/art/commpost www.chapman.edu/art/commpost 6 www.chapman.edu/art/commpost event which would work other. We 5picked what viewers to understand well on everything from we liked most and what what the movie is about a large poster to small worked best out of each without giving too much promotional items. Once other’s initial concepts away.” - Jen Peters Kyle and I came up with and went from there. Marc the concept of merging submitted the poster to the Hollywood Bowl with the competition, so I was an old record player the pleasantly surprised when design fell into place. I found out it had made it Nothing was forced.” to the final judging. “- Kyle - Marc Lu Floyd Story by Adjunct Professor, Ron Leland Interview by, Susanna Davidov ‘13 C Let us know what you are doing and how you’re doing. Send us digital samples of your work and/or update us on what you are doing. Then we can include you in our next newsletter. Name: Phone: KNOCKED UP Home Address City State Buisness Title Company Email Address Web Site URL Zip Stay connected and celebrate the creative and intellectual promise of today’s aspiring students and alumni by joining I’d like to receive compost electronically (PDF) I’d like to receive other announcements from the Graphic Design Program Art Department Professor Eric Chimenti Susanna Davidov ‘13 Kristen Entringer ‘11 Alison Conners ‘10 Professor Eric Chimenti Professor Claudine Jaenichen Professor Ron Leland Alison Conners ‘10 Kristen Entringer ‘11 Maggie Lane ‘10 Susanna Davidov ‘13 Simon Blockley ‘11 Professor Eric Chimenti I’d like to be a GD volunteer to help the current program and students I’d like to support the Graphic Design program with a gift of: Please make check payable to Chapman University, and note on the memo line: Graphic Design Program. Examples of Wendy Oldfield’s work. Left: Caffiene for the Creative Mind book design. Above top: menu and website design for Abe restaurant. Above bottom: Boss guitar pedals advertisement. Kristen Entringer ‘11 Susanna Davidov ‘13 Kristen Entringer ‘11 Professor Claudine Jaenichen Kristin Hinkley ‘11 Maggie Lane ‘10 Alison Conners ‘10 Simon Blockley ‘11 For further details and more events, check our website www.chapman.edu/sac/art/gd/events.asp Above: Gallery shots of Claudine Jaenichen’s show, CU Graphic Designers Marc Lu and Sophia Thomas “Look Deeper” in the ‘09 Fall Show Story by Susanna, ‘13 “His palms are sweaty, knees weak, arms are heavy” Eminem Its that time of year again.... As Marc Lu and Sophia Thomas start to hang up their final work for their Junior Show they realize the time has finally come. The moment they have been working for since the first day of freshman year is about to happen. The consistently talked about “junior show” is a turning point for Graphic Designer. It their time to show how far they have come from basically nothing. Mar Lu decided to show his award winning Poster along with his fantastic Olympic campaign. Several other outstanding piece were also on display like logo design and packaging. Sophia also was able to produce a jaw dropping show with her creative approaches to info design, packaging, advertising campaign for a Jazz festival and Gorilla campaign, which included unique coffee sieves. At the opening night of the show it was amazing to see the true happiness Marc and Sophia showed. They both had smiles from ear to ear and couldn’t help but be content. The nerves they had for so long were completly gone as they embraced the moment. Environmental Design swimming swimming Objective: To create environmental sculptures to be placed in the Olympic park to commemorate medallist of all the different events. Branding the the London London 2012 2012 Olympic Olympic and and Paralympic Paralympic Games Games Branding Branding the the London London 2012 2012 Olympic Olympic and and Paralympic Paralympic Games Games Branding Solution: Inspired by the type of movements involved in all different types of events, I was able to create abstract environmental sculptures. Each sculpture is created by the repetition of the movement used in that specific sport. Branding the London 2012 Olympic and 2012 Paralympic Games Branding the London Olympic and Paralympic Games athletics athletics Branding the London 2012 Olympic and Paralympic Games Branding the London 2012 Olympic and Paralympic Games Branding the London Branding 2012 Olympic and Paralympic Gamesand Paralympic Games the London 2012 Olympic wrestling wrestling Branding the London 2012 Olympic and Paralympic Games Branding the London 2012 Olympic and Paralympic Games Branding the London Branding 2012 Olympic and Paralympic Gamesand Paralympic Games the London 2012 Olympic Product Development/Branding/Design Objective: To create, design, and brand a skin care line for a high end catalogue company. Solution: Once all eight products were developed I was able to create a uniform high end look for the skin care line. The brand consists of: • Logo type • Logo symbol • Packaging design • Type treatment Product Development/Branding/Design Web Design http://www1.chapman.edu/~david132/Art335-2011/DALE Objective: To create and design a site promoting tourism in Buenos Aires Argentina. Solution: I decided to take a different aprouch and generic tourism sites. Instead of covering all the “tourisnt” attractions I focused on the urban street culture of Buenos Aires. With the use of spesific images and research I was able to produce a site that covers the Art, Music, and Fashion culture. Apparel Design Objective: To create and design surf/skate inspired graphic Tee line with a grunge artistic feel. Solution: To develop a t-shirt line that is consistent to the branding of the company. Using hand drawn elements and unique imagery I was able to develop a t-shirt line that was true to the company and brand. Apparel Design Magazine Design Objective: To design and layout several different spreads of a unique surf magazine. Solution: Because the magazine its a very free form artistic publication, I had some freedom to interject some of my own personal style. I had to remember to stay consistent and true to the magazines general “look and feel.” Magazine Design Web Design http://www1.chapman.edu/~david132/Art335-2011/haley_o/ Objective: To create and design a personal website for a client about her creative inspirations. Solution: In Dreamweaver I was able to create and design a functional website for my client. With the use of different web pages, treatments and images I was able to produce a website that successfully promotes my clients inspirations. Advertising Commercial http://www.youtube.com/watch?v=e-n5k7YXCzk Objective: To create, conceptually and visually, a commercial for Muscle Milk. Solution: Background sound: Store check out/people talking. (Buff guy, Andrew, walks into the store looking for something. Andrew finds what he needs on a rack in front of him. Looking at that same rack is Skinny guy, Danny. Danny and Andrew reach for the same product, and Danny notices Andrews huge muscles. Danny stares at Andrew in a tense and awkward manner. Danny gets closer and closer to Andrew and finally goes in for the lick. Danny licks Andrews arm from elbow to shoulder because he wants the muscle so badly and looks up at him in a shocked look. Then it cuts to the slogan of: Want the Muscle? Drink the Milk. Stinger: Andrews plays off the slogan. Since Danny wants the muscle, Andrews throws him a Muscle Milk. Danny enjoys Muscle Milk. Susanna Davidov Graphic Designer & Creative Developer [email protected] 310.595.5753 540 Chalette Dr. Beverly Hills CA, 90210