Committee 2014 - Canterbury Patchwork and Quilting Guild Inc.
Transcription
Committee 2014 - Canterbury Patchwork and Quilting Guild Inc.
Canterbury Patchwork and Quilting Guild Inc Newsletter No. 130 August 2014 Events Diary President’s Patch The exhibition is over – and how well we did! I feel really proud to be president of a group that can produce such beautiful patchwork and quilting, and can also staff an exhibition for six days. Well done everyone! A very special thank you to Lynda Brocklehurst and the Exhibition Committee who worked very hard to coordinate an exhibition that is one of our best ever. Even the venue which we feared might be very difficult to access turned out to be largely free of problems so we were very fortunate. Now that the exhibition rush is over, please could I ask you to work on the quilts for our Challenge from Christchurch Quilters. We need to have fifty quilts completed by the end of January 2015. They should be single bed size, designed for adults, and we can choose the charities to which they are given. I will confirm at our November meeting how many we have and how many we need to make over the summer. Also if you have ideas of charities that might appreciate being given some quilts, please let me know. I’m sure, like me, you are looking forward to the end of the winter. Spring flowers are out in many places but it is hailing at my place right now and bitterly cold. Maybe I’ll just get out my sewing machine and sit under the heat pump... that list of jobs can wait! Guild meetings are on the first Saturday of the month at 1:30pm and third Thursday of the month at 9:30 am in the Christchurch Bridge Club rooms, Nova Place, off Barbadoes Street. . Saturday 11 October 9.30am at Rangi Ruru “Bound to Please” See inside for details Thursday 30 October to Saturday 1 November Crafty Christchurch Table Tennis centre, Blenheim Road www.craftychristchurch.co.nz January 2015 Post symposium workshops, Christchurch See inside for details October 2017 Symposium, Christchurch Warm good wishes Linda Combined Craft Tea Meeting First Thursday of the month. St Marks, cnr of Opawa Rd and Vincent Sts. From 5.30pm. Bring your tea and work to do. All welcome. 1 Have You: Tea Roster Read a great book? Seen a wonderful exhibition? Thursday Meetings Attended a marvellous class? 21 August Lois Stewart and Mary Moffitt Found something new and different on the Internet? 18 September Shirley Hussey and Anna Orr Got something you want to buy or sell? 16 October Alison Collins Tell us all about it! Send your article for the newsletter by email to Elizabeth ([email protected]) or by snail mail to: Saturday Meetings 6 September Zena Cooper and Barbara Miller 4 October Yvonne Gilmour and Pam Gurden 1 November Zena Cooper and Jennie Cassie Library Roster Thursday Meetings 21 August Jo Fey and Eileen Wilde 18 September 16 October Saturday Meetings 6 September June Spyve and Glenise Ross 4 October Glenys Ward and Kathy Kelly 1 November Mary Sim Attn: Newsletter Canterbury Patchwork and Quilting Guild Inc. PO Box 130119, Armagh, Christchurch 8141 Articles must be received before Friday 8 August 2014 for inclusion in the next guild newsletter. Some articles may be trimmed for space. All authors will be acknowledged. Raffles Donations towards the raffles are greatly appreciated. Fabric, threads and notions are highly acceptable! Please pass items on to a Committee Member. Funds raised from the raffles are used for prize money for winning quilts at our exhibitions. Committee 2014 Change of Contact Details President Secretary Treasurer Anita Davies Marilyn Holgate Joy Judd Barbara McKinnon Sue Mitchelmore Vicki Newbegin Aileen Ryall Mary Sim Please let Treasurer Mary Hastie know if you have moved, or changed your email address, otherwise you may miss out on your newsletter. Website Have you checked out our new website:www.cpqg.co.nz It is now live and looking great. In due course all class information will be available, as will this newsletter. A password is required for entry to parts of the site and this is available from the Committee. 2 Linda Cowan Judy van Leeuwen Mary Hastie Newsletter Elizabeth Reeves [email protected]) Library Update Visual Guide to Working in a Series: Next Steps in Inspired Design Gallery of 200+Art Quilts. Elizabeth Barton Modern Quilt Perspectives: 12 Quilt Patterns for Meaningful Creations. Thomas Knauer Cozy Modern Quilts: Easy Pieced Projects to Bust Your Stash. Kim Schaefer Freddie and Gwen Collaborate Again: Freewheeling Twists on Traditional Quilt Designs. Gwen Marston and Freddie Moran Japanese Quilting: 29 Stitched projects from Yoko Saito. Yoko Saito. Library Update August 2014 Audit update We are still awaiting some returns, but there are still six books missing. Please check the list and have a hunt! Also look for the missing books from 2013 and any other books that could belong to the Guild but may not have the spine labels on them. They will be stamped inside the cover with the Guild stamp. Once the audit is completed the lists will go onto our website. Missing 2014 Buckley, K A Guide to Floral Quilts Beyer, J Patchwork Patterns Burbank, D Fantasy Flowers Downs, Anni A Gardener's Journal Guerrier, K Scrap Quilt Sensation Marshall, Suzanne Adventure and Applique Missing 2013 Hearder, V Points of View Pinder, Polly Oriental Flower Designs Pyke, Kaye Kaye Pyke’s Sumptuous Settings Wells J, The Nine Patch Quilt Magazines A new magazine has also been added to the Library. “Machine Quilting Unlimited”, the sister publication to “Modern Quilts Unlimited”. Blade Sharpener This is available at most meetings. Leave your rotary cutter blade assembled as you need the handle to run the blade through the sharpener. The Librarians Returning Library items Please drop them in the ‘Returns” box on arrival. This allows the Librarians to get them checked back onto the tables for re issue (which we like to get done before morning or afternoon tea). It also means the new and popular items are kept in circulation. Don’t forget you can request a reserve on a book. We will do our best to save it for you. Block of the Month Eight new books for the Library An interesting range of new titles has been approved by the Committee who has tried to cater for a range of abilities and interests. We are sure there will be something there that will inspire you. The titles are listed and they will be reviewed by members over the coming newsletters. 3 More Fabulous Flowers: Mini Quilts in Dimensional Applique. Sharon Baker The first two blocks we have presented have been very popular. Thank you for your support. We hope that you have enjoyed making them. We will not be offering Block of the month at the first meeting in August due to the meeting being informal. We will be catching up the first Saturday in September where you will be offered two blocks of the month. Keep making those fantastic blocks. We love to see what you are making. Purses, Bags and Totes. Moya’s Workshop Congratulations to the following winners: April Block Swamp Angel - Barbara Miller May Block Geese in flight - Kay Butler. Hand Quilted with Love. Sarah Fielke Sue Mitchelmore and Anita Davies Midwinter Gathering This year's Midwinter Gathering was a thoroughly enjoyable experience, a great way to relieve the gloom of cold, grey winter days. With Knox unavailable because of the earthquake rebuild, we were lucky to be able to transfer to the Christchurch Bridge Club (where parking is so easy). We spent the morning busily stitching the Cottonfields kits with the assistance of their helpful staff. The fabrics were lovely and the hand quilting a new challenge for some of us. After a delicious pot luck lunch and a treasure hunt through the sales tables, we enjoyed a "Find someone who . . ." quiz. What amazing talented people we have in the Guild! Thanks to Joy Judd for organising this. Then our own Sally Martin spoke to us of her quilting journey and showed us many of her lovely quilts. Sally has been a Guild member since the very early days of the Guild. (She is pictured here with her favourite). Judy VL Neonatal Quilts If you have left over blocks, or just want to make a small quilt, the Neonatal Unit at Christchurch Women’s Hospital is always happy to receive quilts. There are two sizes needed. The smallest one is used on the beds of premature babies and is 20” by 24”. It should have a cotton top and either a polar fleece or flannelette backing. No batting is needed. The second size is that of a cot quilt. Don’t be too fussy about the size though as the nurses fold them to fit the beds of twins. These cot quilts are also gifted to premature babies on their 100th day in the unit. They should be made in the conventional way with three layers. 4 “Spring Fever” Exhibition Awards Best in Show Title Jean’s Oriental Passion Name Jocelyn McSporran Merit Award Title Roku, set of six Name Ruth Marshall Merit Award “Not Quite a Quilt” Edna Butcher Award for Small Piecing Title Cats in a Rainbow Title Table Runner Name Mary Sim Name Jocelyn Taylor Novice Quilter Award Betty Glanville Award fro Fine Hand Piecing Title Untitled Title Arbor Vitae Name Ruth Kearney Name Lynda Brocklehurst Challenge, First Judge’s Award. Ansa Breytenbach Title Top Gear Title Jean’s Oriental Passion Name Lynda Brockelhurst Name Jocelyn McSporran Challenge, Second Judge’s Award. Marianne Hargreaves Title Four Seasons of Quatrefoil Title Upcycled Sashiko Knee Quilt Name Julie Devlin Name Wendy Sargent Viewers’ Choice Award, First Judge’s Award. Brenda Visser Title Arbor Vitae Title Scrappy Spools Name Lynda Brockelhurst Name Joy Judd Viewers’ Choice Award, Second Merit Award Title William Morris Jelly Roll Name Patricia Meachem Title A Stitch in Time Name Irene Briggs Exhibition Raffle Winners Merit Award Title Ulusaba Safari Name Josie Warwick Merit Award Title Retro Name Julie Laing Merit Award Title 421 Squares Later Name Ruth Marshall Merit Award Title As Long as it’s Blue Name Dorothy Leadbeater 5 Quilt Judi Edridge Gardener’s Bucket Jenny Tait Gourmet Basket Diana Satterthwaite Patchwork Basket Judy Clark Christchurch Quilt Show 2014 Ansa Breytenbach Extract of judge’s notes I would like to thank the committee and Lynda and Linda for inviting me to be apart of your show. Also thank you to Jennifer for being my hostess and carting me all over Christchurch, and showing your town to me. I had a marvellous time. Congratulations to each and everyone who made a quilt for the show. You are all winners for sharing your work with the wider public. There were so many lovely quilts in the show it made choosing the award winners quite challenging. To those winners’ congratulations, you are all very deserving of the awards. In quilting I always look for the following: 1. Visual impact: - that is the overall design, the balance and the proportions of the piece - do these form a cohesive unit? - the use of colours and values of colours, are these effective and well balanced? - the fabrics and embellishments used, are they complimentary? 2. Quilting: - does the pattern you use complement the overall design of the quilt? - does the pattern fill the spaces well and is it in proportion to the overall design? - a word of advice when using the service of a long arm quilter, make sure the design complement and enhance your work, and not overwhelm your beautiful work. 3. Borders: - does it complement the top? - is it in proportion to the blocks and does the border add value to the overall effect and not look like an afterthought? - think of using either a pieced or an appliqué border, these are much more interesting… - remember borders are a valuable design area of a quilt 4. Piecing and appliqué: - is the construction precise and well executed? - is the appliqué stitches even and neat? - is the thread used adding value, and is it complementary to the design and overall effect of the work? 5. Finishing: - is the quilt laying flat? - are the straight lines straight, the curves smooth and even and the points pointy and crisp? - is the binding full and even and the corners folded well? - are the stitches consistent and even with a good tension? - are special technique well executed, beads securely sewn on, are 3D techniques well executed? - are the special techniques effective and complementary to the quilt? Again I like to say congratulations to all the award winners and I hope that you will all be inspired to enter a quilt next year. So you all asked for my best piece of advice- that is to do what you love and love what you do. 6 Class review—Machine Appliqué Workshop with Ansa Breytenbach Ansa’s quilts all have the winning combination of appliqué, piecing and quilting – her theory (which obviously works for her) being that the more techniques a quiltmaker shows mastery of, the more chance of winning that coveted prize. It was with great interest that I signed up for both her classes, and I was not disappointed. The appliqué class had an extensive needs list, and while we did not necessarily use all of the items, their use was discussed, and they will certainly come in handy. Her technique is that of prepared appliqué, using a leave-in stabiliser, which is then either blind stitched, or minutely buttonhole stitched using invisible thread. I particularly like the look of the tiny buttonhole stitch, which is almost as good as hand done!! Ansa demonstrated her method of selecting fabrics for her appliqué, and gave us a full sized pattern for an attractive floral design. We were shown how she sorts out the order in which the pieces are laid down, which is all very logical. The afternoon session was more playful, with a heart design vliesofixed to a background, and stitched down using a variety of different machine stitches and threads. It was certainly interesting to see the results, and I think we all found a use for stitches which, in some cases, we didn’t know our machines were capable of. This type of appliqué is probably more suited to either children’s quilts or perhaps more free form art quilts, but it was fun, and certainly a welcome change of look from the rather ubiquitous buttonhole stitching. Lynda Brockelhurst Class Review—How to Make an Award Winning Quilt Workshop with Ansa Breytenbach On Sunday 26th July, 11 of us turned up for the How to Make an Award winning Quilt workshop. We had a very busy theoretical day which covered many aspects of designing a quilt. Ansa was very generous with giving away her secrets of designing a quilt from start to finish. The areas we covered were: design, balance of design and colour, how colours compliment and contrast, quilting and the finishing of a quilt. We then went on to be shown how to plan and design our own quilt. At the end of our day we were able to have a close up look at the quilts Ansa had bought with her to display. Wow....these quilts are fantastic and we were very lucky to have such an up close look and discussion about them. Thank you to Joy and Marilyn for organising an enjoyable day. Anita Tips for Hand Quilting 7 Use a strong, long, thin needle Use a good quality glazed hand quilting thread Use a thread about 20” long Knot the thread at the beginning and ending of each thread and bury these knots in the Dacron layer Use a thimble on the finger that you usually push the needle through the fabric Book Reviews Sharon K Baker, More Fabulous Flowers , Martingale, Woodinville, WA, 2008 I didn’t expect to like this book as much as I do! It gives simple directions for making small flowers such as foxgloves, hollyhocks and marigolds and shows how to incorporate them in tiny quilts, mostly about 10 x 12 inches. The directions are clear and the little flowers I have made so far look great. I’m sure this book would trigger your creativity if you wanted to use the techniques given to make something bigger and more ambitious. Linda Cowan Freddy and Gwen Collaborate Again – Gwen Marston and Freddy Moran This book showcases freewheeling twists on traditional quilt designs. It is the follow up book from Collaborative Quilting. It includes historical references to traditional quilts and is full of lots of handy hints. They state that “everything old is new again.” The book is very well laid out with detailed instructions. This is a very liberating book for those wishing to make bright and busy quilts. Joy Judd Symposium Help Symposium will be held in Christchurch in October 2017. The initial meeting has been held, chaired by Catherine McDonald who will be the convenor. CPQG are represented on the organising committee by Judy van Leeuwen, Julie Laing, and Linda Cowan. However lots more people are needed to make this event happen. If you are willing to help in any way at all, please would you talk with Judy, Julie or Linda so that your interest is registered. We will be delighted to hear from you. 8 ‘The Colourful World of Kaffe Fassett’ - March until November 2nd 2014 With great excitement and anticipation I went to Bath to view Kaffe’s Exhibition. I was not disappointed! A magnificent poster on the outside of the building welcomed visitors to the feast in store. As I entered I was encapsulated in colour, mainly pink on the walls and display tables displaying books and cards for sale. Following a ‘pathway’ of one of his quilts, digitally reproduced on the floor, I passed through a mirrored tunnel giving a kaleidoscopic view of the central display. The exhibition was laid out in colour groups, starting on the left with yellows, golds and oranges in the sweater, shawl and ‘Crazy Squares’ Runner (1997). Getting richer with 2 quilts and a canvas work hanging. In front of these was a glass display case containing Bill Gibb’s famous award winning design for Vogue (mid 1960’s), the blue pleated tartan skirt, billowy sleeved blouse and waistcoat. The cabbages came next! The room was softly lit lime greens and pinks, with a green display case of small items, samples and cushions. The walls showed various large pieces of embroidery and quilts including the ‘Floating Peony’ (2006), the Hollyhock canvas work in long and short stitch, and the needlepoint hanging of ‘Kaffe’s Vegetable Patch’. It was this piece that covered the floor with a specially printed digital image on lino. The red corner was a feast for the eyes with quilts as a back drop to the case showing an array of richly coloured artefacts, including his waistcoat and the vase that inspired it’s needlepoint fronts. The red knitted Romeo and Juliet Coat came next. It was inspired by the costumes of Nureyev’s ballet at that time, mid 1980’s. Reds turned into blues with quilts and sweaters from the ‘Stars and Diamonds’ period gracing the walls. Kaffe studied Japanese and Islamic patterns. (Glorious Knitting). Another display case held more of Kaffe’s personal artefacts in rich petrol blues, purples and turquoise. Throughout the exhibition of Kaffe’s treasured possessions collected over 50 years, there were brightly coloured chairs with fabric or needlepoint seats. I have not mentioned the centre piece of this unique exhibition, ‘My Opera of Colour’, as words fail me. You can get an idea by going on line and seeing the pictures in glorious inspirational colour. Kaffe has a long (50 years) history with The American Museum in Britain at Claverton Manor, near Bath, Avon BA2 7BD. He spent many hours drawing the room settings in the Manor House, which can be seen displayed on the second floor, when exploring the house. Plus his vibrant paintings of designs for his fabrics showing several colourways, framed and shown on the ground floor. www.americanmuseum.org There is a 5 minutes video about the exhibition giving a very good impression of some of the things to be seen. 9 Bound to Please Saturday 11 October 9.30 – 3.30 at Rangi Ruru Room F15 Cost $35 Sue Mitchelmore will teach you many different ways to make pleasing bindings, including bias and straight, piped with and without cords, faced, mitred, scalloped and Prairie pointed. These techniques will give that edge to your bindings. Sue is a current guild member who has been quilting for around 20 years. For 7 years she owned the shop Quilter’s Quarters at Rangiora. She has been teaching for 10 years. 10 Book Reviews Modern Quilt Perspectives by Thomas Knauer 12 Patterns for meaningful quilts. This book explores the idea that each quilt you make brings an idea and concept that is part of somebody's life. Even though a quilt provides warmth, protection and love it also speaks to the person seeing the quilt. A modern quilt express an idea and makes a statement about time and place. It defines and transforms social, cultural and personal concerns into the quilt thus reflecting the life and surroundings of the quilter. The books author uses simple patterns and bold fabrics and the way these are placed define the quilt. He says that modern means that the pattern is only a guide which can be varied in many different ways. The book is broken down into chapters from the tools required, materials and resources the is required to make a quilt. A chapter also has other helpful tools and a set of techniques. The author also talks about each quilt in the book by exploring the different ideas and approaches to the quilts conversation by using the headings of conversations, identity, social commentary and the quilting tradition. In summary he says he keeps returning to a single phrase "Go make stuff" allowing it to reflect the immediacy of one's life. I found the book interesting and enlighten and enjoyed reading it. Hand Quilted with Love (patchwork projects inspired by a passion for quilting) by Sarah Fielke The book is broken down by chapters from an introduction as to why the author wrote the book through choosing the fabrics. In this chapter she says this is the time that you can pet and caress fabrics to drool over the designs and beautiful colours. For her the start of the journey into making the quilt is full of excitement and promise not dread and confusion.. Using a lots of fabrics in a colour way stops any one fabrics dominating and she doesn't get stuck on finding the perfect fabric.. The book also has chapters on the quilting workspace, tools & equipment, whilst at the end the book has chapters on techniques with detailed instruction on finishing – i.e. quilting, appliqué batting backing and binding. Each other the quilts projects has step by step instructions in the construction of that quilt. With any templates that are required in a section of its own at the back of the book. A helpful book for any quilter. Julie Laing 11 POST SYMPOSIUM CLASSES JANUARY 2015 Blind Hem and Free Motion Applique BLIND HEM AND FREE MOTION APPLIQUE CLASS 1 day Class We will be exploring how much fun and easy free motion appliqué is. It is a very relaxed technique adding texture and line work inside your shapes before quilting. This medium is free form, modern and can be transferred so many styles of quilts. One flower will be stitched in the morning In the afternoon blind hem applique is worked through. This looks like needle turn applique with the lovely blind hem stitch. We will take 9 drunkards path blocks so easily and a few circles to add onto of the block. A really practical and enjoyable day for all skill levels. . FREE MOTION QUILTING USING STENCILS 1 day very popular class This class is designed to give you the confidence and skills to free motion quilt on the line and take a pattern and free form it to make a unique design. Start designing your own individual quilting patterns exclusively to your own special quilts. Demonstrating free motion control to stay on the line. Neat stopping and starting Working with stencils and quilt pounces Learning to take a simple pattern and extending the design to make many possibilities. An example: taking a simple loop design and turning it into leaves and flowers . Twin needle free motion quilting Taking patterns and changing then to fit into blocks, corners and borders to make a harmonious look to your quilt. Making border designs out of a simple element like a rose and how to get an all over pattern with even distribution of quilting. Taking patterns, then mirror reversing , half dropping, looking at many design changes options How to fill a space efficiently Designs for sashes, blocks, and borders Achieving beautiful accurate designs while opening up a whole range of quilting on the line. A great learning achievable day for all free motion quilters new or experienced. 12 Bound to Please with Sue Mitchelmore Saturday 11 October 9.30am – 3.30pm ENROLMENT FORM (Please send to Joy Judd, 14 Felstead Place, Avonhead, Christchurch 8042) NAME………………………………………………………………………… PHONE……………………………………………. ADDRESS ………………………………………………………………………………………………………………………………… POSTCODE ………………………… EMAIL ADDRESS ………………………………………………………………………………………………………………………. $35.00 cash/ cheque made out to Canterbury Patchwork and Quilting Guild Canterbury Patchwork & Quilting Guild Inc 2014 Membership Renewal Form Name _________________________________________________________________________________________ Address ________________________________________________________________________________________ ______________________________________________________ postcode ________________________________ email ____________________________________________________ phone ________________________________ Our financial year is 1 January to 31 December. The annual subscription is: $30 if paid by the end of February; $35 March through August; $15 September through December For members living outside Canterbury, the annual subscription is half the above amount. Amount Enclosed: _____________ When did you first become a member of CPQG? _______________(Year) Please make cheques payable to Canterbury Patchwork & Quilting Guild, and attach to this form. Give to Treasurer at a Guild Meeting, or post to: the Treasurer, CPQG, PO Box 130119, Armagh, Christchurch, OR: Direct Deposit to CPQG, Westpac Bank, 031592 0156141 00, referencing your name (If this option is chosen, this form must still be filled out and given to Treasurer) Are you prepared to have your name published on a new membership list issued in April? Yes______ No______ 13 staple The Official newsletter of the Canterbury Patchwork and Quilting Guild Inc. President: Linda Cowan, ph 352 0512, e-mail [email protected] Secretary: Judy van Leeuwen Treasurer: Mary Hastie Regular Meetings: The third Thursday of the month, 9:30 am - 11:30 a.m. and the first Saturday of the month, 1:30 p.m. - 4:00 p.m at the Christchurch Bridge Club rooms, Nova Place (off Barbadoes Street), Christchurch Intending new members should confirm meeting dates with a Committee member. Canterbury Patchwork and Quilting Guild Inc. PO Box 130119, Armagh, Christchurch 8141