F ou gl orieu x - Louise Lecavalier

4528, rue de Bullion
Montréal (Québec) Canada
H2T 1Y6
F ou gl orieu x
PHOTO: ANGELO BARSETTI
www.louiselecavalier.com
AGENT : URIEL LUFT, ATMO PRODUCTIONS
\ [email protected] \ T. : 1 819-842-1919 \ F. : 1 819-842-1818 \
ADMINISTRATION : SUZANNE BENOIT
\ [email protected] \ T. : 1 450-258-3061 \
COORDINATION DE TOURNÉE ET COMMUNICATIONS_
TOUR COORDINATION AND COMMUNICATIONS: ANNE VIAU
\ [email protected] \ T. : 1 514-273-5478 \
louise LECAVALIER
LONE EPIC (2006)
Solo
Choreography: Crystal Pite
Dancer: Louise Lecavalier
Music: excerpts from Bernard Herrmann’s music for Citizen Kane
Lighting Design: Lucie Bazzo
Rehearsal Mistress: France Bruyère
Costume designed and built by: Anne-Marie Veevaete
Sound engineering: Owen Belton, Diane Labrosse
Length: 16 minutes
LULA AND THE SAILOR (2005)
Duet from Cobalt rouge
Choreography: Tedd Robinson
Dancers: Louise Lecavalier, Éric Beauchesne*
Original Music: Yannick Rieu
Lighting Design: Jean-Philippe Trépanier
Rehearsal Mistress: France Bruyère
Costumes: Yso, Dubuc
Length: 12 minutes
* with alternate performances by Elijah Brown
Production: Louise Lecavalier/Fou glorieux, Ten Gates Dancing
In co-production with Théâtre de la Ville, Paris, the Venice Biennale, and the National Arts Centre, Ottawa
“I” IS MEMORY (2006)
Solo
Choreography: Benoît Lachambre
Dancer: Louise Lecavalier
Original Music: Laurent Maslé
Lighting: Jean-Philippe Trépanier
Props: Louis-Philippe Saint-Arnault
Rehearsal Mistress: France Bruyère
Length: 45 minutes
Production of “I” Is Memory and Lone Epic: Louise Lecavalier/Fou glorieux, in co-production with STEPS # 10,
Switzerland; Théâtre de la Ville, Paris; Tanz im August – Internationales Tanzfest, Berlin; Aarhus Festuge, Aarhus;
National Arts Centre, Ottawa; Usine C, Montreal; in partnership with Quebec presenters.
Louise Lecavalier is supported by : the Conseil des arts et des lettres du Québec, the Canada Council for the Arts
and Foreign Affairs and International Trade Canada.
PRESENTATION
“The beginning point is my fascination for the impulse of movement, which precedes all forms of
human communication and which allows us to read the soul.
I identify with choreographers whose sense of movement captures this kind of subtlety. I want to
feel the evocative force of their gestural language to the point of being able to “read” their intuition. Minimal dance fascinates me as much as extreme dance, and I like to find one within the other.
By working with three choreographers with whom I have an affinity, each of whom has masterfully
elaborated a distinctive approach to movement, I hope to achieve a new form of creative osmosis
and open up new directions.
I chose to work with Canadian choreographer Crystal Pite, who collaborated for a long period
with William Forsythe at Ballett Frankfurt. She has a distinct, complex gestural vocabulary and
a keen sense of wit and invention that I appreciate very much. In Lone Epic, movement, in close
relation with the music, is at the service of human emotions. These 16 minutes of a condensed
lifetime, alternatively joyous, delicate, sad, and grandiose, are sufficient to reveal the totality of
the character imagined by Crystal Pite, one which is prey to a range of feelings that we have all
experienced at one point or another.
“Immodestly chaste,” the dance creations of Tedd Robinson, poet of the absurd, juxtapose
strange states and very short choreographic phrases that seem to come from nowhere, as if the
body were moving as fast as thought, or were taking the mind by surprise. Lula and the Sailor
has no story; the two performers cross each other’s path or meet, sometimes close and sometimes
distant. They reveal themselves by the way they move and communicate in duet. The dance brings
out the fragility of the connection between mind and body, a connection which is also the mirror
of our relations with ourselves and with others.
While Tedd Robinson’s work refers to the edginess of thought, in Benoît Lachambre’s solo “I”
Is Memory, the mind no longer directs the body’s movements: movement springs from an inner
explosion that radiates throughout the body—in its bones, muscles, organs, and articulations.
Disjointed and undulating, the body becomes thought. “I” Is Memory evokes abandonment, the
collapse of the mind, the loss of identity when a being is stripped of its habitual references. This
quasi meditative dance, performed with extreme slowness in a drastically minimalist mode, is the
dance of a creature of the shadows, a being in the process of metamorphosis, a mutant.”
— Louise Lecavalier
LONE EPIC
Lone Epic is a 16-minute solo set to selections from Bernard Herrmann’s majestic score for Citizen Kane.
“The work is decidedly brief and low-tech in contrast to the large-scale big-budget features that influence it.The conventions of epic
cinema serve as an unconventional backdrop for a small story that is personal, intimate and true.
Lone Epic looks for the possibility of real human emotion within the facade of presentation, while recognizing that the emotions of
love and loss, while intensely personal, are of epic importance.
When a performer waves good-bye to the unmistakeable chords of a cinematic ending, framed by proscenium and perfectly-angled
light, do we witness the retreat of a genuinely broken heart? Or does convention eclipse the heart and leave us unmoved? Lone Epic
is both humble and grand, real and artificial. A spectacle made of the real-life drama of desire.” — Crystal Pite
LULA AND THE SAILOR
This duet is an excerpt from the piece Cobalt rouge, first performed in February 2005 at the National Arts Centre in Ottawa and
at the Théâtre Outremont in Montreal.
”The quirky movement vocabulary of this particular duet was never revealed as fully as I thought it could be and now it will stand
alone simply and without distraction. The performers are hardly ever physically together and they rarely look at one another. Lula
and the Sailor considers the dynamics of a straight line, the clearcut relationship between in and out, and the grey areas of hello
and goodbye. A portrait of abundance in an austere frame. A meditation on the activity of simplicity.” — Tedd Robinson
“I” IS MEMORY
“The coming together of one body with the sinuous twistings of its own movements, “I” Is Memory reveals the mutations of a moving
image whose references are turned upside down—-the lyrical disintegration of a being in motion, like the dance of the rays of a
phoenix becoming a mermaid. “I” Is Memory presents kinetic images shared between Louise and I, creating an aesthetic whose
trajectory can take unpredictable turns. The dance leads us directly to the self, dissociated from its references, in the process of
developing an empathetic relationship with its surroundings.” — Benoît Lachambre
BIOGRAPHICAL NOTES
\ LOUISE LECAVALIER AND COLLABORATORS
LOUISE LECAVALIER, dancer
Born in Montreal, Louise Lecavalier has been a professional dancer since 1977. She joined La
La La Human Steps in 1981 in Oranges and went on to perform in every one of the company’s
productions until 1999. In 1985, she became the first Canadian to win a Bessie Award in New
York for her performance in Businessman in the Process of Becoming an Angel (1983). She
starred in Human Sex (1985), New Demons (1987), Infante (1991), and finally, in 2 (1995) and
Salt (1998), works in which she achieved remarkable maturity as a performer. She also participated in all the major collaborations of La La La Human Steps, including the David Bowie
Sound and Vision tour in 1990, The Yellow Shark concert by Frank Zappa and the Ensemble
Modern of Germany in autumn, 1992, and Michael Apted’s film, Inspirations, in 1996. As the
company’s symbol and luminary for nearly two decades, Louise gave her heart and soul to her art,
embodying dance on the outer edge with passion and unrestrained generosity, dazzling audiences
everywhere. In May 1999, when Louise Lecavalier received the Jean A. Chalmers National Award,
Canada’s most distinguished dance prize, it was the first time this award had been given to a
performer. In February 2003, she received a Career Grant from the Conseil des arts et des lettres
du Québec. She regularly gives training sessions and master classes at dance festivals in Europe.
In 2003, Louise Lecavalier worked with choreographer Tedd Robinson, who created Cobalt rouge
for her and three male dancers. Co-produced by the National Arts Centre (Ottawa), the Venice
Biennale, and the Théâtre de la Ville (Paris), this work premiered at the National Arts Centre and
was performed at the Théâtre Outremont as part of the Montreal HighLights Festival in February,
2005.Following the creation of the solo piece, “I” Is Memory, choreographed by Benoît Lachambre,
at Festival Steps # 10 in Switzerland in May 2006, she collaborated with Canadian choreographer
Crystal Pite to create the solo, Lone Epic, presented at the 2006 Festival Tanz im August in Berlin.
Lone Epic, “I” Is Memory, and Lula and the Sailor—a duet from Cobalt Rouge—are the three
components of a programme touring Canada, Europe, Mexico, and Japan during the 2006-2007
and 2007-2008 seasons. The duet Is You Me?, a collaboration between Louise Lecavalier and
Benoît Lachambre, was created last spring at Festival Transamériques in Montreal. Louise will
dedicate the coming months to the preparation of Children, a duet created for her and dancer
Patrick Lamothe by British choreographer Nigel Charnock.The work will have its premiere performance at Festival Oriente Occidente in Rovereto, Italy, in September, 2009.
ÉRIC BEAUCHESNE, dancer, Lula and the Sailor
Born in Bécancour, Quebec, Éric Beauchesne discovered dance at the age of 16 when he performed
in a student musical comedy show. After graduating from l’École supérieure de danse du Québec,
he danced in several productions of Les Grands Ballets Canadiens, Le Jeune Ballet du Québec,
and the Banff Festival Ballet. In 1994, upon receiving the du Maurier Prize for promising young
talent, Éric left for Europe where he became a member of the Badisches Staatstheater Karlsruhe,
and later, the Stadttheater Mönchengladbach in Germany. In 1997, he was invited to join Les
Ballets de Jazz de Montréal [bjm_danse,] with whom he performed the works of more than a
dozen choreographers in over twenty countries, earning particular distinction in pieces signed by
Crystal Pite, Dominique Dumais, and Patrick Delcroix. After seven years with [bjm_danse] in 2004,
Éric became an independent artist. Recent performances include works by Jean-Pierre Perreault,
Paul-André Fortier, Lina Cruz, Sylvain Émard, Kevin O’Day and Crystal Pite. Éric has also worked
with several new names in contemporary dance, including Aszure Barton, Andrew Giday, and
Edgar Zendejas.
ELIJAH BROWN, dancer, Lula and the Sailor (alternately with Éric Beauchesne)
Elijah Brown graduated in acting and dance at Ryerson Theatre School in Toronto. He recently
finished a five-year run as the leading White Character in the Céline Dion show, A New Day,
created in Las Vegas by Franco Dragone. He also acted in the Road to Avonlea television series and
in the films End of Summer and Brain Candy. Elijah was a member of Compagnie Marie Chouinard
in Montreal for seven years; Ms. Chouinard created the solo Des feux dans la nuit for him in 1999.
Other choreographers he has worked with include Dominique Porte, Julia Sasso, Michael Downing,
Mia Michaels, Ray Leeper, and Liz Imperio. In 2008, Elijah was assistant artistic director and
acting coach at Premio Lo Nuestro (the Latin Music Awards) in Miami. He is currently preparing
a show with the interdisciplinary performance collective, Bluemouth, in Toronto.
BENOÎT LACHAMBRE, choreographer, “I” Is Memory
Choreographer, performer, improviser, and teacher, Benoît Lachambre is interested in the
dynamics of communication and perception. His creations, presented at prestigious festivals in
Canada and abroad, blur the parameters of dance and reflect his quest for the authenticity of
movement. In 1966 in Montreal, Benoît founded the company par b.l. eux, devoted to contemporary choreography and international and interdisciplinary collaborations. He has worked with
important figures in new dance in Canada and Europe, including Lynda Gaudreau, Sasha Waltz,
and Meg Stuart, with whom he created Forgeries, Love and Other Matters, hailed as one of the
best productions of the 2004-05 season in Belgium and the Netherlands. In March 2006, Benoît
created Lugares Comunes, a work for nine dancers, presented at the Quartz theatre during
Festival Antipodes in Brest, France. Winner of the Jacqueline-Lemieux Prize from the Canada
Council for the Arts (1998), Benoît Lachambre also received two Dora Mavor Moore awards
for his solo work, Délire défait, performed in Toronto in 2001. In 2003, he shared the honours
with Carol Prieur for Best Performance at the Moving Pictures Festival (Toronto) for his role
in Marie Chouinard’s films Cantique no 1 and no 2. In September 2006, he received a Bessie
Award in New York for his performance in Forgeries, Love and Other Matters.
CRYSTAL PITE, choreographer, Lone Epic
Crystal Pite is a Vancouver-based choreographer and performer. From 1988 until 1996 she was a
member of Ballet British Columbia in Vancouver, performing the works of choreographers such as
John Alleyne, Serge Bennathan, James Kudelka, David Earle, Barry Ingham, and William
Forsythe.
Pite’s choreographic debut was in 1990, at Ballet British Columbia’s first choreographic workshop. Since then, she has created new works for Netherlands Dans Theatre 1, Ballett Frankfurt,
[bjm_danse] where she was resident choreographer from 2001 to 2004, Ballet British Columbia,
the Alberta Ballet, Ballet Jorgen, and several independent dance artists, including Louise
Lecavalier. She is the recipient of the Banff Centre’s Clifford E. Lee Award (1995), the Bonnie
Bird North American Choreography Award (2004), and the Isadora Award (2005). Her work
was also nominated for the Dora Mavor Moore Award (2006), and a Jessie Richardson Theatre
Award (2006).
In 1996, Pite joined Ballett Frankfurt in Germany under the directorship of William Forsythe,
performing worldwide in works such as Eidos: Telos, The Loss of Small Detail, and Endless House.
She was involved in the creation of Forsythe’s CD-ROM, Improvisation Technologies, and has
participated as both performer and creator in Forsythe’s recent works.
In 2001, Pite returned to Canada where she formed her own company, Kidd Pivot, and continues
to create and perform in her own work. Kidd Pivot tours nationally and internationally with
productions that include Uncollected Work (2002), Double Story (2004), and Lost Action
(2006), created with Richard Siegal. Kidd Pivot is the recipient of the Alcan Performing Arts
Award for 2006.
TEDD ROBINSON, choreographer, Lula and the Sailor
Born in Ottawa, Canada, Tedd Robinson graduated with a Bachelor of Fine Arts from York
University (Toronto). He also studied at The School of The Toronto Dance Theatre, and with eminent
British visual theatre artist Lindsay Kemp. Tedd first rose to prominence as the artistic director
of Contemporary Dancers in Winnipeg from 1984 to 1990, creating strongly theatrical ensemble
works. Returning to Ottawa in 1990 to pursue a solo career, he established himself as a choreographer, educator and solo artist whose award-winning, highly original works have resulted in
a multitude of commissions and international tours. His critically acclaimed work Rokudo: Six
Destinies in Three Steps received the 1998 Jean A. Chalmers National Dance Award. From 1994
to 2000, Tedd was a practising monk of hakukaze soto zen in Ottawa. He is artistic director of 10
Gates Dancing Inc., a non-profit company formed in 1998 to promote the development and
performance of contemporary dance creations.
LAURENT MASLÉ, composer, “I” Is Memory
Born in France, Laurent Maslé has lived in Montreal since 1987. He has been an active part of
the contemporary dance community, and has created music and soundscapes for over thirty
works by a number of choreographers, including Dominique Porte, José Navas and Emmanuel
Jouthe. Laurent’s close collaboration with Benoît Lachambre began in 1997, and he has since
been an integral part of the creation of the sound environments for works by par b.l.eux. He is
also involved in the production of installations, art films and documentaries.
YANNICK RIEU, composer and musician, Lula and the Sailor
Montreal-born Yannick Rieu was raised in the Gaspé and Saguenay regions of Quebec. After
studying at the Conservatoire de Rennes (Brittany) and later in Chicoutimi and Montreal, he
began his career as a jazz saxophonist in 1980. By 1988, Down Beat magazine ranked him
among the 20 most promising sax players in the world, along with Branford Marsalis, Joe
Lovano and Courtney Pine. Since then, Yannick has garnered rave reviews in pre-eminent jazz
publications in the U.S., France and Canada. He has performed mainly in Quebec, but also in
English Canada, France, Germany, Portugal, Switzerland, and the United States. Inspired by the
legendary saxophone players who marked the history of jazz, especially Charlie Parker, John
Coltrane, Sonny Rollins, Stan Getz, Éric Dolphy, Steve Lacy and Lee Konitz, Yannick has absorbed
their influences to forge his own highly personal style. He has played with Paul Bley, Dizzy
Gillespie, Dee Dee Bridgewater, John Hendricks, Toots Thielemans, François Théberge, Gilles
Naturel, Simon Goubert, Olivier Renne, Jean-Loup Longnon and Christian Vander, among others. He
was the recipient of the Oscar Peterson Prize at the 2006 Montreal International Jazz Festival.
LUCIE BAZZO, lighting designer, Lone Epic
Lucie Bazzo is a graduate of the stage production programme of the Conservatoire d’art dramatique de Québec. She has worked as a lighting designer in contemporary dance and theatre
productions for almost twenty years. She began her career with director Robert Lepage, designing the lighting for Dragon’s Trilogy. She has continued to collaborate with Lepage, winning the
Critics’ Award for the lighting of Tectonic Plates. Lucie has worked with leading choreographers
Lynda Gaudreau, Danièle Desnoyers, and Ginette Laurin, as well as with theatre director Denis
Marleau. She also collaborates with several emerging choreographers, and has started designing
creative architectural lighting.
JEAN PHILIPPE TRÉPANIER, lighting designer,
Lula and the Sailor and “I” Is Memory
Jean Philippe Trépanier has brought his skills in lighting design to new dance to more than 200
works. An independent lighting artist, he has worked with several different companies in productions all over Canada. In 1992, he was awarded the Jacqueline Lemieux Prize by the Canada
Council for the Arts, and received a grant for research and creation in the United States and
Europe. Recently, he was associate lighting designer for Franco Dragone’s Le rêve at the new Wynn
Las Vegas Resort. He began working with Louise Lecavalier in 2005.
FRANCE BRUYÈRE, rehearsal mistress
Classically trained, France Bruyère quickly widened her field of interest to include contemporary
and jazz dance. After her professional debut at age 17 with the Groupe Nouvelle Aire in Montreal,
she danced for numerous choreographers and with several dance companies which, besides Nouvelle
Aire, included Groupe Axis, the Louise Latreille dance troupe, Pointépiénu, and the Danny Grossman
Dance Company in Toronto. France teaches dance at university and in the private sector. After a
decade as rehearsal mistress for La La La Human Steps, she has pursued her teaching activities
with passion. She also does free-lance rehearsal work in both dance and the circus arts.
louise LECAVALIER
\ TOUR SCHEDULE 2006-2007-2008-2009
DATES
2006
CITY
COUNTRY
THEATRE/
FESTIVAL
PROGRAMME
March 18, 9 p.m.
RIO DE JANEIRO
BRAZIL
Theatro Municipal
[1]
March 22, 9 p.m.
BRASILIA
BRAZIL
Teatro Nacional
[1]
March 25, 9 p.m.
March 26, 6 p.m.
SÃO PAULO
BRAZIL
Teatro Alfa
[1]
May 6, 8:30 p.m.
CHIASSO
SWITZERLAND
Cinema Teatro
Steps # 10
[1b] [4]
May 9, 8:00 p.m.
BASEL
SWITZERLAND
Theater Kaserne
Steps # 10
[1b] [4]
May 12, 8:00 p.m.
ZURICH
SWITZERLAND
Theaterhaus Gessnerallee
Steps # 10
[1b] [4]
May 14, 7:30 p.m.
BERN
SWITZERLAND
Dampfzentrale
Steps # 10
[1b] [4]
May 17-18, 8:30 p.m.
LAUSANNE
SWITZERLAND
Théâtre Sévelin 36
Steps # 10
[1b] [4]
May 21, 8:30 p.m.
LJUBLJANA
SLOVENIA
Cankarjev Dom
Exodos Festival
[1b] [4]
August 18-19-20, 8 p.m.
BERLIN
GERMANY
Podlewils’sches Palais
Tanz im August
[2] [4]
September 8, 7:30 p.m.
AARHUS
DENMARK
Musikhuset
Aarhus Festuge
[2] [3] [4]
October 26-27-28, 8:30 p.m.
VIENNA
AUSTRIA
Tanzquartier Wien
[4]
November 2, 8:30 p.m.
MUNICH
GERMANY
Carl-Orff-Saal, Gasteig,
Dance 2006
[2] [3] [4]
November 6, 7 p.m.
TOKYO
JAPAN
Aoyama Round Theatre
Dance Triennale Tokyo 06
[1b] [4]
November 8, 7 p.m.
TOKYO
JAPAN
Aoyama Round Theatre
Dance Triennale Tokyo 06
[1b (duo 1)] [4]
Dec. 1-2-4, 8:30 p.m.
December 3, 3 p.m.
PARIS
FRANCE
Les Abbesses
Théâtre de la Ville
[2] [3] [4]
December 6, 8 p.m.
ESSEN
ALLEMAGNE
Pact Zollverein
[2] [3] [4]
December 9, 8:30 p.m.
CHÂTEAUVALLON
FRANCE
Théâtre couvert
[2] [3] [4]
December 14, 8:30 p.m.
December 15, 6 p.m.
MONACO
Opéra Garnier
Monaco Dance Forum
[2] [3] [4]
[1] Cobalt rouge
[1b] Cobalt rouge Remix
[2] Lone Epic
[3] Lula and the Sailor
[4] “I” Is Memory
DATES
2007
CITY
COUNTRY
THEATRE/
FESTIVAL
PROGRAMME
February 8-9-10-11, 8 p.m.
MONTREAL
CANADA
Salle Pierre-Mercure
Centre Pierre-Péladeau
série Danse Danse
[2] [3] [4]
March 7, 8 p.m.
ROUYN, CANADA
Théâtre du cuivre
[2] [3] [4]
March 15, 8 p.m.
L’ASSOMPTION, CANADA
Théâtre Hector-Charland
[2] [3] [4]
March 17, 8 p.m.
STE-THÉRÈSE, CANADA
Théâtre Lionel-Groulx
[2] [3] [4]
March 20, 8 p.m.
SHERBROOKE
CANADA
Salle Maurice O’Bready
[2] [3] [4]
Centre culturel de l’Université de Sherbrooke
March 23, 8 p.m.
VALLEYFIELD
CANADA
Théâtre du Collège de
Valleyfield
[2] [3] [4]
March 26-27-28, 8 p.m.
QUEBEC CITY
CANADA
Grand Théâtre de Québec
Salle Octave-Crémazie
[2] [3] [4]
March 31, 8 p.m.
RIMOUSKI, CANADA
Théâtre de Rimouski
[2] [3] [4]
April 5, 8 p.m.
LAVAL, CANADA
Maison des Arts
[2] [3] [4]
May 11-12, 9:30 p.m.
FLORENCE
ITALY
Stazione Leopolda
Fabbrica Europa
[2] [3] [4]
June 6, 10 p.m.
June 7, 8 p.m.
ZAGREB, CROATIA
ZKM (Zagreb Young Theatre)
24th Dance Week Festival
[2] [3] [4]
June 23, 10:30 p.m.
LILLE, FRANCE
Maison Folie de Wazemmes
Latitudes contemporaines
[4]
July 4-5, 9 p.m.
AMSTERDAM
THE NETHERLANDS
Théâtre Bellevue
Julidans
[2] [3] [4]
September 12-13, 8:30 p.m.
DIVONNE-LES-BAINS
FRANCE
Esplanade du lac
Festival de la Bâtie
[2] [3] [4]
October 1st, 8:30 p.m.
SAN LUIS POTOSI
MEXICO
Teatro de la Paz
[2] [3] [4]
XXVII Festival Internacional
de Danza Contemporánea Lila López
November 3, 8 p.m.
CHICOUTIMI
CANADA
Auditorium Dufour
Théâtre du Saguenay
[2] [3] [4]
November 16, 8 p.m.
ARR. MONTRÉAL-NORD
MONTREAL, CANADA
Maison culturelle et
communautaire Montréal-Nord
[2] [3] [4]
November 23, 8 p.m.
ARR. SAINT-LÉONARD
MONTREAL, CANADA
Théâtre Mirella et Lino Saputo
[2] [3] [4]
November 27-28, 8:30 p.m.
PARIS, FRANCE
Ménagerie de verre
Festival des Inaccoutumés
[4]
November 30
CHÂLONS-EN-CHAMPAGNE
FRANCE
La Comète
[2] [3] [4]
December 8, 9 p.m.
December 9, 6 p.m.
BRUGGE
BELGIUM
Stadsschouwburg
Dance 07
[4]
December 11, 8 p.m.
GHENT, BELGIUM
Vooruit, Theaterzaal
[4]
December 13-14, 8:30 p.m.
BRUSSELS, BELGIUM
Kaaitheater
[4]
[1] Cobalt rouge
[1b] Cobalt rouge Remix
[2] Lone Epic
[3] Lula and the Sailor
[4] “I” Is Memory
DATES
2008
CITY
COUNTRY
THEATRE/
FESTIVAL
PROGRAMME
January 16, 8 p.m.
ARR. VILLE-MARIE
MONTREAL, CANADA
Maison de la culture Frontenac
[2] [3] [4]
January 22, 7:30 p.m.
ARR. OUTREMONT
MONTREAL, CANADA
Théâtre Outremont
[2] [3] [4]
January 25, 8 p.m.
STE-GENEVIÈVE
CANADA
Salle Pauline-Julien
Collège Gérald-Godin
[2] [3] [4]
February 2, 8 p.m.
ARR. ROSEMONTLA-PETITE-PATRIE
MONTREAL, CANADA
Salle Jean-Eudes
Maison de la culture
Rosemont
[2] [3] [4]
February 10, 8 p.m.
ARR. LASALLE
MONTREAL, CANADA
Salle Jean-Grimaldi
[2] [3] [4]
February 12, 8 p.m.
ARR. AHUNTSICCARTIERVILLE
MONTREAL, CANADA
Maison de la culture
Ahuntsic
[2] [3] [4]
April 16-17-18, 8:30 p.m.
MADRID
SPAIN
Festival Madrid en Danza
Teatro Pradillo
[2] [3] [4]
June 8-9, 7 p.m.
OTTAWA
CANADA
Studio, National Arts
Centre
Canada Dance Festival
[2] [3] [4]
July 26, 7 p.m.
PYHÄJÄRVI, FINLAND
Full Moon Dance Festival
[2] [3] [4]
July 31, 9 p.m.
VIENNA
AUSTRIA
Akademietheater
ImPulsTanz
[4]
August 8, 8 p.m.
MONCTON, NB
CANADA
Théâtre l’Escaouette
Festival de danse en Atlantique
[2] [3] [4]
November 16
DÜSSELDORF
GERMANY
Schauspielhaus
Internationales
Tanzfest NRW 2008
[2]
November 18, 8:30 p.m.
MULHOUSE
FRANCE
La Filature
[2] [3] [4]
November 21, 9 p.m.
SAINT-QUENTINEN-YVELINES
FRANCE
Le Prisme
[2] [3] [4]
March 18-19-20, 8 p.m.
RENNES
FRANCE
Théâtre national de Bretagne
[2] [3] [4]
June 5, 8 p.m.
TROIS-RIVIÈRES
CANADA
Maison de la Culture
de Trois-Rivières
Festival DansEncore
[2] [3] [4]
2009
Lone Epic : Choreography : Crystal Pite
Lula and the Sailor, duet from Cobalt rouge : Choreography : Tedd Robinson
“I” Is Memory : Choreography : Benoît Lachambre
This schedule is subject to change. 03/02/2009
[1] Cobalt rouge
[1b] Cobalt rouge Remix
[2] Lone Epic
[3] Lula and the Sailor
[4] “I” Is Memory