Spring/Summer 2013

Transcription

Spring/Summer 2013

s
Spring/Summer 2013
Walker Evans in “US Camera” 1958, upon the release of
Robert Frank’s “The Americans”:
“For the thousandth time, it must be said that pictures speak for themselves, wordlessly,
visually—or they fail. But if those pictures chose to speak, they might well use the words
George Santayana once wrote in a small preface about the United States:
‘… the critic and artist too have their rights, … Moreover, I suspect that my feelings are
secretly shared by many people in America, natives and foreigners, who may not have
the courage or the occasion to express them frankly … In the classical and romantic tradition of Europe, love, of which there was very little, was supposed to be kindled by
beauty, of which there was a great deal; perhaps moral chemistry may be able to reverse
this operation, and in the future and in America it may breed beauty out of love.’”
Left: Photo by Koto Bolofo
Index
Contents
Ruscha, Ed 60
How to Photograph Women 136
4
Index
100 Trent Parke Minutes to Midnight
Ryssen-Bolofo, Claudia Van 80
Hustlers 132
5
Contents
102 Trent Parke The Christmas Tree Bucket. Trent Parke’s Family Album
Achermann, Beda 140
Sabrier, Bernard 168
in black and white 26
6
How to contact our imprint partners / Press enquiries
104 Aline Diépois and Thomas Gizolme Abstrakt Zermatt
Adams, Robert 38, 42
Shamis, Bob 34, 36
James Karales 34
7
How to contact us / How to order
106 Julien Frydman Paris Photo by David Lynch
Al-Thani, Khalid 98
Sigal, Ivan 24
Leon Levinstein 36
Alvermann, Dirk 26
Singh, Dayanita 76
Looking up Ben James—A Fable 56
Bailey, David 28
Sorrenti, Mario 130
Los Angeles Apartments 60
Bains Hartmann, Ruth 122
Staeck, Klaus 160
MANICOMIO. Secluded Madness 92
Balet, Catherine 112
Stahel, Urs 172
Matthias Schaller 164
Banier, François-Marie 90
Steidl, Gerhard 160
Bolofo, Koto 80
Artists
108 Domingo Milella Domingo Milella
Distribution
110 Robert Voit New Trees
8
Germany, Austria and Switzerland / USA and Canada
112 Catherine Balet Strangers in the light
9
France / All other territories
114 Martin d’Orgeval Découpages
Men and Women 88
11
Steidlville Bookshops
118 Manfred Paul Still-Life Photographs 1983–1985
Sternfeld, Joel 72
Message For You, A 126
12
Book Awards 2012
120 Nicolas Faure Heavenwards. Engel sind im Bild
Bourdin, Guy 126
Taylor-Johnson, Sam 138, 142
Metropolis 134
Campany, David 32
Voit, Robert 110
Minutes to Midnight 100
Celant, Germano 164
Wiedenhöfer, Kai 82
Never stop dancing 90
14
David Goldblatt The Transported of KwaNdebele
126 Guy Bourdin A Message For You
Cohen, John 54
Wood, Tom 88
New Trees 110
16
Robert Frank Park / Sleep
130 Mario Sorrenti Draw Blood for Proof
Davidson, Bruce 44
Zahm, Olivier 136
116 Guido Mocafico Stilleven
122 Erich Hartmann and Ruth Bains Hartman From a Summer Notebook
STEIDL World Wide Photography
124 Arthur Elgort Arthur Elgort
New York Arbor 20
18
Gordon Parks A Harlem Family 1967
132 Philip-Lorca diCorcia Hustlers
Depardon, Raymond 92
On Set 74
20
Mitch Epstein New York Arbor
134 Horst von Harbou Metropolis
diCorcia, Philip-Lorca 132
Once a Year 94
24
Ivan Sigal White Road
136 Olivier Zahm How to Photograph Women
Paris Photo by David Lynch 106
26
Dirk Alvermann in black and white
138 Sam Taylor-Johnson Second Floor
Park / Sleep 16
28
David Bailey Bailey’s East End
140 Beda Achermann Big Time—Männer Vogue, 1984–1989
Diépois, Aline 104
Titles
Elgort, Arthur 124
Elston, Annabel 144
Abstrakt Zermatt 104
Photographs 148
32
David Campany (ed.) Walker Evans: The Magazine Work
142 Sam Taylor-Johnson Birth of a Clown
Eneroth, Joakim 84
AKT 86
Place We Live. A Retrospective Selection of
34
Howard Greenberg and Bob Shamis (eds.) James Karales
144 Annabel Elston Somewhere Else
Epstein, Mitch 20
Amar Kanwar: Evidence 172
Photographs, 1964–2009, The 38
36
Howard Greenberg and Bob Shamis (eds.) Leon Levinstein
146 Nathalie Herschdorfer Beauty Work. A laboratory for photography
Exit Art 158
Americans 52
Prison, The 80
38
Robert Adams The Place We Live. A Retrospective Selection
Faure, Nicolas 120
Arnaud Maggs 170
Second Floor 138
Feltrinelli, Inge 148
Arthur Elgort 124
Somewhere Else 144
Forsslund, Maja 86
Bailey’s East End 28
Stilleven 116
Frank, Robert 16
Beauty Work. A laboratory for photography
Still-Life Photographs 1983–1985 118
Frydman, Julien 106
students 146
Gizolme, Thomas 104
students
of Photographs, 1964–2009
148 Inge Feltrinelli Photographs
Robert Adams What Can We Believe Where? Photographs of the
150 John Kobal Foundation (ed.) Glamour of the Gods
American West
152 Museum Folkwang (ed.) Bond, … James Bond
44
Bruce Davidson England / Scotland 1960
154 Nina Holland Glen Seator: Making Things Moving Places
Strangers in the light 112
46
Robert Polidori EYE and I
158 Exit Art Unfinished Memories: 30 Years of Exit Art
Beuys Book 160
Swedish Red 84
50
Nicholas Nixon Close Far
160 Klaus Staeck and Gerhard Steidl Beuys Book
Goldblatt, David 14
Big Time—Männer Vogue, 1984–1989 140
Transported of KwaNdebele, The 14
52
Christopher Morris Americans
164 Germano Celant (ed.) Matthias Schaller
Gossage, John 56
Birth of a Clown 142
Unfinished Memories: 30 Years of Exit Art 158
54
John Cohen The High & Lonesome Sound. The Legacy of Roscoe
166 Michael Ruetz The Family of Dog
Greenberg, Howard 34, 36
Black Maps: American Landscape and the
Vanuatu 168
Holcomb
168 Bernard Sabrier Vanuatu
Haas, Ernst 74
Apocalyptic Sublime 66
Walker Evans: The Magazine Work 32
56
John Gossage Looking up Ben James—A Fable
170 Arnaud Maggs Arnaud Maggs
Harbou, Horst von 134
Bond, … James Bond 152
Walking the High Line 72
60
Ed Ruscha Los Angeles Apartments
172 Urs Stahel and Daniela Janser (eds.) Amar Kanwar: Evidence
Hartmann, Erich 122
Christmas Tree Bucket. Trent Parke’s Family
What Can We Believe Where? Photographs of
62
Margit Rowell Ed Ruscha, Photographer
174 Tyrone Martinsson, Gunilla Knape and Hans Hedberg (eds.)
Hedberg, Hans 174
Album, The 102
the American West 42
64
Noah Purifoy High Desert Assemblage Artist
Herschdorfer, Nathalie 146
Close Far 50
White Road 24
66
David Maisel Black Maps. American Landscape and the Apocalyptic
Hoedt, Axel 94
Confrontier 82
Wilmot 68
Holland, Nina 154
Découpages 114
68
Susan Paulsen Wilmot
Janser, Daniela 172
Draw Blood for Proof 130
72
Joel Sternfeld Walking the High Line
Knape, Gunilla 174
Domingo Milella 108
74
Ernst Haas On Set
Maggs, Arnaud 170
Ed Ruscha: Photographer 62
76
Dayanita Singh File Room
Maisel, David 66
England / Scotland 1960 44
80
Koto Bolofo and Claudia Van Ryssen-Bolofo The Prison
Martinsson, Tyrone 174
Expedition Svalbard—lost views on the
82
Kai Wiedenhöfer Confrontier
Mikhailov, Boris 96
shorelines of economy 174
84
Joakim Eneroth Swedish Red
Milella, Domingo 108
EYE and I 46
86
Maja Forsslund AKT
Mocafico, Guido 116
Family of Dog, The 166
88
Tom Wood Men and Women
Morris, Christopher 52
File Room 76
90
François-Marie Banier Never stop dancing
Nixon, Nicholas 50
From a Summer Notebook 122
92
Raymond Depardon MANICOMIO. Secluded Madness
Orgeval, Martin d’ 114
From Japan 96
94
Axel Hoedt Once a Year
Parke, Trent 100, 102
Glamour of the Gods 150
96
Boris Mikhailov From Japan
Parks, Gordon 18
Glen Seator: Making Things Moving Places 154
98
Khalid Al-Thani Here is My Secret
Paul, Manfred 118
Harlem Family 1967, A 18
Paulsen, Susan 68
Heavenwards. Engel sind im Bild 120
Polidori, Robert 46
Here is My Secret 98
Purifoy, Noah 64
High & Lonesome Sound. The Legacy of Roscoe
Rowell, Margit 62
Holcomb, The 54
Ruetz, Michael 166
High Desert Assemblage Artist 64
42
Expedition Svalbard—lost views on the shorelines of economy
Sublime
Front- and back cover photo by Mitch Epstein
This catalogue is not for sale • © 2012 for the images by the artists • © 2012 for the texts by the authors • Scanning by Steidl’s digital darkroom • Production
and printing by Steidl • Düstere Str. 4, 37073 Göttingen, Germany • Phone +49 551 49 60 60 / Fax +49 551 49 60 649 • [email protected] • www.steidlville.com
4
www.steidl.de • All rights reserved • Printed in Germany by Steidl • ISBN 978-3-86930-599-8
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11
s
2012 Book Awards
Die Schönsten Bücher /
Best Designed Books for Germany 2012
Karl Lagerfeld and Carine Roitfeld
The Little Black Jacket
Scotiabank Photography Award 2012
Arnaud Maggs
Arnaud Maggs
Best of Corporate Publishing Award 2012
iF Communication Design Award 2012
Type Directors Club Award 2012
Daimler Aktiengesellschaft (ed.)
Daimler Chronicle
Deutscher Fotobuchpreis 2012
Gold Medal
Yves Marchand and Romain Meffre
The Ruins of Detroit
Thomas Wiegand
Deutschland im Fotobuch
Silver Medal
Paulo Nozolino
Makulatur
Martin Parr (ed.)
The Protest Box
Kraszna Krausz Book Awards 2012
Short List
William Eggleston
Chromes
Kassel Photobook Festival
International Photobook Award 2012
William Eggleston
Chromes
Daniel Blaufuks
Terezín
Swiss Press Photo 2012
Lifetime Achievement Award
Robert Frank
Left: Photo by Koto Bolofo
13
David Goldblatt
The Transported of KwaNdebele
After On the Mines, The Transported of KwaNdebele is the second of David Goldblatt’s books re-designed and expanded
by the artist for Steidl Publishers. Dating originally from 1989, it talks about the workers of an apartheid tribal homeland
for blacks, KwaNdebele, which has no industry, very few opportunities for jobs, and is a long way from the nearest industrial-commercial activity of white-controlled Pretoria. Workers from KwaNdebele catch buses in the very early morning,
some as early as 2:45 am, in order to be at their workplaces in Pretoria by 7:00. At the end of the day they repeat the journey in the other direction, to get home at between 8 and 10 pm. Goldblatt takes us on their bone-jarring journeys through
the night, which is a metaphor for their arduous struggle toward freedom itself. In photographs devoid of sentimentality and
artifice, the grim determination of these people to survive and overcome emerges in almost heroic terms.
Brenda Goldblatt, filmmaker and writer, interviewed some of the bus-riding workers who endured not only these journeys
but a civil war precipitated by the apartheid government’s attempt to foist a kind of independence on KwaNdebele; a condition which would have made the workers foreigners in the land of their birth, South Africa, and thus deprived them of
their limited right to work there. Interviews with contemporary (2012) bus-riders fill out the account. Phillip van Niekerk,
former editor of the Mail & Guardian, provides an essay on KwaNdebele, its place in the logic of ‘grand apartheid’ and
its half-life in post-apartheid South Africa.
David Goldblatt is a definitive photographer of his generation, esteemed for his dispassionate depiction of life in South
Africa over a period of more than fifty years. Born in Randfontein in 1930, Goldblatt worked in his father’s menswear
business until 1963 when he took up photography full time. Goldblatt’s work concerns above all human values and is
a unique document of life during and after apartheid. His photographs are held in major international collections, and
his solo exhibitions include those at the Museum of Modern Art in New York in 1998, and the Fondation Henri CartierBresson in Paris in 2011. In 1989 Goldblatt founded the Market Photo Workshop in Johannesburg to teach visual
literacy and photography especially to those disadvantaged by apartheid.
David Goldblatt
The Transported of KwaNdebele
Texts by Brenda Goldblatt and Philip van Niekerk
Book design by Cyn van Houten
80 pages
14 x 10 in. / 35.5 x 25.5 cm
27 photographs
Tritone
Clothbound hardcover
€ 65.00 / £ 48.00 / US$ 80.00
ISBN 978-3-86930-586-8
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15
THE ROBERT FRANK PROJECT
THE ROBERT FRANK PROJECT
Robert Frank
Park / Sleep
Following its acclaimed predecessors Tal Uf Tal Ab (2010) and You Would (2012), Park / Sleep is the third in the
series of Robert Frank’s late visual diaries. It takes up his familiar collage technique, combining new and old snapshots
mainly of Frank’s friends, family, and home/studio, but also scenic and urban settings and interiors. The images are
accompanied by short texts—notes, pieces of conversations, poems, and thoughts.
Robert Frank was born in Zurich, Switzerland, in 1924 and immigrated to the United States in 1947. He is best known
for his seminal book The Americans, first published in 1959, which gave rise to a distinctly new form of photobooks,
and his experimental film Pull My Daisy, made in 1959. Frank’s other important projects include the books Black White
and Things (1954), Lines of My Hand (1972), and the film Cocksucker Blues for the Rolling Stones (1972). He divides
his time between New York City and Nova Scotia, Canada.
Robert Frank
Park / Sleep
Text by Robert Frank
Book design by Robert Frank, A-chan and Gerhard Steidl
72 pages
8 x 9.8 in. / 20.5 x 25 cm
49 photographs
Tritone and four-colour process
Otabind softcover, housed in a slipcase
€ 25.00 / £ 22.00 / US$ 30.00
ISBN 978-3-86930-585-1
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17
Gordon Parks
A Harlem Family 1967
Gordon Parks: A Harlem Family 1967 honours the legacy and the work of late iconic artist and photojournalist Gordon
Parks, who would have turned 100 on November 30, 2012. The exhibition catalogue is co-published by The Studio
Museum in Harlem and The Gordon Parks Foundation and features approximately eighty black and white photographs
of the Fontenelle family, whose lives Gordon Parks documented as part of a 1968 Life magazine photo essay. A searing
portrait of poverty in the United States, the Fontenelle photographs provide a view of Harlem through the narrative of a
specific family at a particular moment in time.
Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant labourer, he worked
as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself, and
becoming a photographer. In addition to his storied tenures at the Farm Security Administration, the Office of War
Information (1941–1945) and Life magazine (1948–1972), Parks was a modern-day Renaissance man who found
success as a film director, author and composer. The first African-American director to helm a major motion picture, he
popularised the Blaxploitation genre through his film Shaft (1971). He wrote numerous memoirs, novels and books of
poetry and received many awards, including the National Medal of Arts and more than fifty honorary degrees. In 1997
the Corcoran Gallery of Art in Washington, D.C., mounted his retrospective exhibition “Half Past Autumn: The Art of
Gordon Parks”. Parks died in 2006.
Co-published with The Studio Museum in Harlem and The Gordon Parks Foundation, New York City
Exhibition: The Studio Museum in Harlem, New York City, 8 November 2012 to 10 March 2013
Gordon Parks
A Harlem Family 1967
Text by Thelma Golden, Lauren Haynes,
Peter W. Kunhardt, Jr., and Raymond J. McGuire
Book design by Gerhard Steidl and Peter W. Kunhardt, Jr.
112 pages
9.8 x 11.4 in. / 25 x 29 cm
100 photographs
Tritone
Hardcover with dust jacket
€ 28.00 / £ 22.00 / US$ 38.00
ISBN 978-3-86930-602-5
18
19
Mitch Epstein, New York Arbor
20
Mitch Epstein, New York Arbor
21
Mitch Epstein
New York Arbor
Mitch Epstein’s new work is a series of photographs of the idiosyncratic trees that inhabit New York City. These pictures
underscore the importance of trees to urban life and their complex relationship to their human counterparts. Rooted in
New York’s sidewalks, parks, and cemeteries, some trees grow wild, some are contortionists adapting to constrictive
surroundings, while others are pruned into prize specimens. As urban development closes in on them, surprisingly, New
York’s trees continue to thrive.
From 2011 to 2012, Epstein explored New York’s five boroughs in search of remarkable trees, often returning to
photograph the same trees through the changing seasons and light. Many of these trees, Epstein learnt, were planted
in one context—a farm or nursery, for instance—and had survived to be part of another, a city street or public garden;
and most will likely outlive us to find their habitat continue to change. The cumulative effect of these photographs is to
invert people’s usual view of their city: trees no longer function as background, but instead dominate the human life and
architecture around them.
Born in 1952 in Holyoke, Massachusetts, Mitch Epstein is one of America’s most influential contemporary photographers
and recipient of the 2011 Prix Pictet photography prize. Epstein’s books at Steidl include Family Business (2003),
Recreation: American Photographs 1973–1988 (2005), and American Power (2009) which won a Deutscher Fotobuchpreis gold medal in 2010.
Exhibition: Galerie Thomas Zander, Cologne, November 2012 and The A Fondation, Brussels, Spring 2013
Mitch Epstein
New York Arbor
Text by Mitch Epstein
Book design by Naomi Mizusaki, Supermarket
96 pages
14.2 x 11.8 in. / 36 x 30 cm
42 photographs
Tritone
Hardcover
€ 58.00 / £ 38.00 / US$ 68.00
ISBN 978-3-86930-581-3
22
23
Ivan Sigal
White Road
From 1998 to 2005, Ivan Sigal worked, lived and travelled in Central Asia, traversing Russia, Kazakhstan, Uzbekistan,
Tajikistan, Kyrgyzstan and Afghanistan. He roamed with a dual identity: on the one hand designing media projects with
local communities; on the other, an itinerant documentarian. The images from his multi-year odyssey reveal the unsettled lives of Eurasians in provincial towns and cities. Alongside the photos, an episodic narrative unfolds: vignettes
chronicling Sigal’s encounters while tracing his restless passage through the landscape. Through image and text, White
Road addresses what was left behind when the Soviet Union’s ideological superstructure was stripped away, eliminating
the grand narrative that imposed meaning on people’s lives. The cumulative effect is that of a search without a centre
or apparent goal. We sense that circumstances of history and power propel us—subject, traveller, and reader—from
encounter to encounter, and from place to place. The term “white road” means “safe journey” in Kazakh, Kyrgyz and
Uzbek. These words are printed on road signs at the edges of Central Asian towns, wishing travellers well as they enter
the emptiness of the steppe.
Ivan Sigal is a documentary photographer who works on long-term storytelling projects. Born in 1969 in Pennsylvania,
he has lived for extensive periods in the former Soviet Union and in Asia. Sigal’s Eurasia work has been exhibited in cities
across the former Soviet Union and in the United States. He also designs and creates international media projects,
with a focus on networked communities.
24
24
Exhibition: Corcoran Gallery of Art, Washington, D.C., 3 November 2012 to 27 January 2013
I VA N S I G A L
WHITE ROAD
24
24
Ivan Sigal
White Road
S T E I D L / C O R C O R A N G A L L E R Y O F A RT
Photo book
Box
I VA N S I G A L
WHITE ROAD
I VA N S I G A L
WHITE ROAD
Edited by Ivan Sigal and Paul Roth
Texts by Ivan Sigal and Paul Roth
Book design by Ivan Sigal, Paul Roth and Bernard Fischer
Book 1: 368 pages with 225 tritone photographs
10 x 7.3 in. / 25.5 x 18.5 cm
Book 2: 104 pages text
7.3 x 10 in. / 18.5 x 25.5 cm
Two books housed in a box
€ 65.00 / £ 50.00 / US$ 88.00
ISBN 978-3-86930-538-7
ST E I D L / C O R C O R A N G A L L E R Y O F A RT
S T E I D L / C O R C O R A N G A L L E R Y O F A RT
Book 1: Photographs
Book 2: Text
Text book
24
25
Dirk Alvermann
in black and white
Photographer Dirk Alvermann has always been curious about people and their occasionally strange habits. For decades
he observed them with his camera and only relied on his perception. In this subjective but unprejudiced way, any place
in his photographs became a setting of social interaction at which he only had to point the camera. Nothing is staged
in his images, “the world is by itself as it appears”.
For this volume, Alvermann has once again scoured his extensive photo archive and compiled another four of his filmlike image series. He is not so much concerned about the individual shots as their sequence and their relation to each
other, the filmic montage of the material. The result is a visual essay encompassing Alvermann’s entire photographic
work: From the Polish sympathetic strikes in favour of the upheavals in Hungary in 1956, the Dusseldorf Carnival and
Spanish Good Friday processions to the photographer’s private surroundings.
Dirk Alvermann was born in Dusseldorf in 1937. Early in his career he became an influential political photographer
publishing numerous books including Algerien—L’Algérie (1960) and Keine Experimente – Bilder zum Grundgesetz
(1961). Throughout the 1960s he worked as a photographer for magazines including Neue Berliner Illustrierte, Quick,
and Das Magazin. In 1966 he emigrated to East-Berlin where he continued to live and work. Since the publication
of his seminal book Ich Liebe Dich in 1979 he has focused on his work as a filmmaker and author. He has lived in
Mecklenburg, Germany, since 1982.
Dirk Alvermann
in black and white
Text by Christoph Danelzik-Brüggemann
Book design by Dirk Alvermann
136 pages
9.4 x 8.6 in. / 24 x 21.8 cm
107 photographs
Tritone
€ 28.00 / £ 22.00 / US$ 38.00
ISBN 978-3-86930-576-9
26
27
28
David Bailey, Bailey’s East End
David Bailey, Bailey’s East End
29
David Bailey
Bailey’s East End
“The idea for a book on the East End formed sometime in the 1980s. The London Docks had already closed down or
were starting to. I chose to shoot mainly in the districts of Silvertown and Canning Town. I have over the years spent
many weekends shooting whatever took my fancy. The other two times I had bursts of photographic energy in the East
End were in the 1960s and from about 2004 to 2010. These were my three key periods to draw pictures from, instead
of just trolling through the last fifty years of archives.
In the late 1940s and early 1950s I heard a quote on the radio, ‘Go west, young man.’ At the time I didn’t give it much
thought. Later I assumed it was from America and that it went back to the middle of the nineteenth century, when America’s
west coast was opening up to great wealth and opportunities. The cockneys should have listened, but they didn’t. They
went east like their ancestors before them. The ones that moved east out of ‘Old Nichol’ went to Whitechapel, then on
to Stepney and Bow, then to what is now called Newham and later to Barking, Dagenham and onto Essex.
My mother was from Bow, my father it seems was from Hackney, my grandfather from Bethnal Green. Before him they
all were from Whitechapel as far as records show.” David Bailey
David Bailey, born in London in 1938, is one of the most successful photographers of his generation, and his career,
in and beyond fashion photography, spans fifty years. Steidl has published Bailey’s Democracy (2005), Havana (2006),
NY JS DB 62 (2007), Is That So Kid (2008), Eye (2009), and Delhi Dilemma (2012).
Volume 1
Volume 2
David Bailey
Bailey’s East End
BAILEY’S EAST END
Volume 3
30
Text by David Bailey
Book design by David Bailey and Gerhard Steidl
Vol. 1: 96 pages / Vol. 2: 176 pages /
Vol. 3: 192 pages
10.2 x 13 in. / 26 x 33 cm
620 photographs
Three hardcover books in a sleeve
€ 148.00 / £ 125.00 / US$ 175.00
ISBN 978-3-86930-534-9
Sleeve
31
David Campany (ed.)
Walker Evans: The Magazine Work
Walker Evans (1903–1975) was one of the most important and influential artists of the twentieth century, who
produced a body of photographs that continue to shape our understanding of the modern era. He worked in every
genre and format, in black and white and in colour, but two passions were constant: literature and the printed page.
While his photographic books are among the most influential in the medium’s history, Evans’s more ephemeral pages
remain largely unknown. From small avant-garde publications to mainstream titles such as Harper’s Bazaar, Vogue,
Architectural Forum, Life and Fortune he produced innovative and independent journalism, often setting his own
assignments, editing, writing and designing his pages. Presenting many of his photo-essays in their entirety, Walker
Evans: The Magazine Work assembles the unwritten history of this work, allowing us to see how he protected his
autonomy, earned a living and found audiences far beyond the museum and gallery.
Walker Evans began photographing in the late 1920s. He moved quickly to define his aesthetic and his subject matter:
straight and sober photographs of American everyday life and its environs. Within a decade he had produced some
of the most significant photographs of the twentieth century, exhibited at the Museum of Modern Art, New York, and
published two landmark books (American Photographs in 1938 and Let us Now Praise Famous Men with James
Agee, in 1941). He wrote art and film reviews for Time (1943–45), was employed by Fortune between 1945 and 1965
and taught at Yale thereafter.
David Campany is a writer, curator and Reader in Photography at the University of Westminster, London. His books
include Art and Photography (Phaidon, 2003), Photography and Cinema (Reaktion, 2008), ANONYMES: L’Amérique
sans nom: photographies et cinéma (Steidl/Le Bal, 2010) and Jeff Wall: Picture for Women (Afterall, MIT 2011). His
essays have appeared in numerous books. He writes for Aperture, Frieze, Photoworks, Source, The Oxford Art Journal,
and PA magazine.
David Campany (ed.)
Walker Evans: The Magazine Work
Edited and with text by David Campany
Book design by David Campany
144 pages
11.4 x 8.6 in. / 29 x 22 cm
120 photographs
Four-colour process
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-259-1
32
33
Th e Howard G reenberg L ibr ary
Howard Greenberg and Bob Shamis (eds.)
James Karales
“James Karales (1930–2002) was big-time in the best time but is not as well known as he should be,” argues
photographic historian Vicki Goldberg. This book will change that. Early in his career, Karales began a photo-essay
documenting Rendville, Ohio, an important stop on the Underground Railroad during the Civil War and one of the few
racially integrated communities in America in the late 1950s. These pictures demonstrate his striking ability to capture
the essential qualities of a community, are reminiscent of images made for the Farm Security Administration in the
1930s, and reflect Karales’ state of mind as he grappled with the racial issues that were to preoccupy him and America
for many years to come.
Karales worked for Look from 1960 until it ceased publication in 1971. Among many important assignments for the
magazine, Karales documented Martin Luther King and the 50 mile, five-day Selma (Alabama) march in 1965. 15 minutes
before the end of the march, the sky darkened and Karales’ wide-angle shot of the protesters silhouetted against the
horizon has since become an emblem of the march and has insured the photographer’s place in this tumultuous period
of American history. Through this new publication we discover that Karales’ stature as a photojournalist and social
documentary photographer par excellence is based on much more than one iconic image from Selma.
James Karales was born in Canton, Ohio in 1930. In 1955, after earning his degree in Fine Arts from Ohio University,
he came to New York and worked as an assistant to the renowned W. Eugene Smith. As a photojournalist, Karales won
numerous awards, among them the Picture of the Year and the Overseas Press Club Award. His photographs are in
numerous collections including the High Museum in Atlanta, the International Center of Photography, and the Museum
of Modern Art, both in New York.
James Karales
Texts by Vicki Goldberg, Howard Greenberg and
Sam Stephenson
Book design by Gregory Wakabayashi
176 pages
11 x 9 in. / 28 x 23 cm
116 photographs
Tritone
Hardcover
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-444-1
34
35
Th e Howard G reenberg L ibr ary
Leon Levinstein
American street photographer Leon Levinstein is much admired within the photographic community, but little known
outside of it. Solo exhibitions at the National Gallery of Canada in 1995 and the Metropolitan Museum of Art in New
York in 2010 brought him to the attention of many, but his dynamic and original work is yet to achieve the recognition
it deserves. Levinstein’s fearless and unsentimental black and white images, whether shot in New York City, Coney
Island, Haiti, Mexico or India, possess, in Metropolitan Museum of Arts Curator of Photographs, Jeff Rosenheim’s words,
“graphic virtuosity—seen in raw, expressive gestures and seemingly monumental bodies—balanced by an unusual
compassion for his off-beat subjects”. In 1975, at the age of 65, Levinstein received a grant from the John Simon
Guggenheim Foundation. His intention, in his own words, was to photograph “as wide a spectrum of the American
scene as my experience and vision will allow”. This long-awaited book fulfils this ambitious goal.
Born in West Virginia in 1910, Leon Levinstein moved to New York in 1946 and studied with Alexey Brodovitch, artistic
director of Harper’s Bazaar, and Photo League founder and teacher Sid Grossman, both important early advocates. By
1950, Levinstein was photographing strangers on the street, a practice he would continue for the next 35 years.
Leon Levinstein
Texts by Jeff L. Rosenheim, Bob Shamis and Carrie Springer
Book design by Gregory Wakabayashi
320 pages
11 x 13.8 in. / 27.9 x 35 cm
200 photographs
Duotone and four-colour process
Hardcover
€ 68.00 / £ 54.00 / US$ 78.00
ISBN 978-3-86930-443-4
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37
Robert Adams, The Place We Live
38
39
Robert Adams
The Place We Live
A Retrospective Selection of Photographs, 1964–2009
“Are there affirmable days or places in our deteriorating world? Are there scenes in life, right now, for which we might
conceivably be thankful? Is there a basis for joy or serenity, even if felt only occasionally? Are there grounds now and
then for an unironic smile?” Robert Adams
The Place We Live traces Adams’ deep engagement with the geography of the American West, weaving together
various aspects of over four decades of work into a cohesive, epic narrative of the American experience. Taken as a
whole, this publication elucidates the photographer’s civic goals: to consider the privilege of the place we were given
and the obligations of citizenship. Printed with an unprecedented fidelity to the photographer’s original prints, volumes
one and two reflect Adams’ exacting, compelling sequence of nearly four hundred plates and bring together texts written
by the photographer to accompany his photographic projects. Volume three offers a detailed chronology of Adams’ life,
an illustrated bibliography of his monographs, selections from his personal archive, and a series of critical essays on his
work by Joshua Chuang, Tod Papageorge, Jock Reynolds and John Szarkowski.
Robert Adams, born in 1937 in New Jersey, first came to prominence in the early 1970s. His work has been shown
widely both in Europe and the United States, including in the landmark 1975 exhibition “New Topographics: Photographs
of a Man-Altered Landscape”. Steidl has published Gone? (2010) and Tree Line (2010).
Exhibitions: Los Angeles County Museum of Art, 11 March to 3 June, 2012; Yale University Art Gallery, New Haven,
3 August to 28 October, 2012; Museo Nacional Centro de Arte Reina Sofía, Madrid, 22 January to 13 May, 2013;
Josef Albers Museum Quadrat, Bottrop, Summer 2013; Jeu de Paume, Paris, 10 February to 18 May, 2014; Fotomuseum Winterthur, 6 June to 24 August, 2014
Co-published with Yale University Art Gallery
Robert Adams
The Place We Live
A Retrospective Selection of Photographs, 1964–2009
40
Volume 1
Volume 2
Volume 3
Slipcase
Introduction and texts by Robert Adams
Essays by Joshua Chuang, Tod Papageorge, Jock Reynolds
and John Szarkowski
Book design by Katy Homans and Joshua Chuang
Vol. 1: 248 pages / Vol. 2: 224 pages / Vol. 3: 168 pages
9.7 x 11.8 in. / 24.5 x 30 cm
460 photographs
Three clothbound hardcovers with dust jackets,
housed in a slipcase
€ 225.00 / £ 180.00 / US$ 295.00
ISBN 978-3-86930-533-2
41
Robert Adams
What Can We Believe Where?
Photographs of the American West
“In common with many photographers, I began making pictures because I wanted to record what supports hope: the
untranslatable mystery and beauty of the world. Along the way, however, the camera also caught evidence against hope,
and I eventually concluded that this too belonged in pictures if they were to be truthful and thus useful.” Robert Adams
What Can We Believe Where? offers a narrative sequence of more than one hundred tritone images that reveal a
steadfast concern for mankind’s increasingly tragic relationship with the natural world. Adams’ understated yet arresting pictures of the vast Colorado plains, the rapid suburbanization of the Denver and Colorado Springs areas, and the
ecological devastation of the Pacific Northwest region of the United States register with subtle precision the complex
and often fragile beauty of the scenes they depict.
Guided by three fundamental questions, “What does our geography compel us to believe? What does it allow us to believe? And what obligations, if any, follow from our beliefs?,” Adams’ work is distinguished not only by its economy and
lucidity, but also by its mixture of grief and affirmation. While acknowledging an impoverishing loss of space and silence,
he remains alert to the resilient beauty that can be seen in our altered geographies.
Robert Adams, born in 1937 in New Jersey, has photographed the geography of the American West for over forty years.
His work has been widely exhibited both in Europe and the United States. His more than forty publications include
The New West, What We Bought, Our Lives and Our Children, and Turning Back. He is a recipient of a MacArthur
Fellowship, the Spectrum International Prize for Photography, the Hasselblad Award and the Deutsche Börse Photography Prize.
Co-published with Yale University Art Gallery
Robert Adams
What Can We Believe Where?
Photographs of the American West
Introduction by Robert Adams
Afterword by Joshua Chuang and Jock Reynolds
Book design by Katy Homans and Joshua Chuang
128 pages
7 x 9.8 in. / 17.8 x 24.8 cm
110 photographs
Tritone
Hardcover
€ 25.00 / £ 20.00 / US$ 30.00
ISBN 978-3-86930-571-4
42
43
NEW REVISED EDITION
Bruce Davidson
England / Scotland 1960
In 1960, after an intense year photographing the notorious Brooklyn street gang “The Jokers”, Bruce Davidson decided
to remove himself from the tension and depression of that work. He received an assignment to photograph Marilyn
Monroe during the making of John Houston’s The Misfits in the Nevada desert, and then travelled to London on
commission for Queen magazine. Published by Jocelyn Stevens, Queen was devoted to British lifestyle and Davidson
was charged, with no specific agenda, to spend a couple of months touring England and Scotland to create a visual
portrait of the two countries.
England / Scotland 1960 offers a poetic insight into the heart of English and Scottish cultures. Reflecting a post-war
era in which the revolutions of the 1960s had not quite yet entered the mainstream, Davidson’s photographs reveal
societies driven by difference—the extremes of city and country life, of the landed gentry and the common people. Published for the first time in its entirety in 2005, this new edition has a larger ideal format chosen by Davidson initially for
his Outside Inside (2010), and now the standard size for his future publications with Steidl.
Born in 1933, Bruce Davidson began photographing at the age of ten in Oak Park, Illinois. Davidson studied at the
Rochester Institute of Technology and Yale University, before being drafted into the army. After leaving military service
in 1957, he freelanced for Life and in 1958 became a member of Magnum Photos. Davidson’s work is held in many major
museum collections and his awards include a Guggenheim fellowship (1961) and the first National Endowment for the
Arts in Photography (1967). Steidl has published Davidson’s Circus (2007), Outside Inside (2010), Subway (2011)
and Black & White (2012).
Bruce Davidson
England / Scotland 1960
Edited by Bruce Davidson and Michael Mack
Texts by Bruce Davidson and Mark Haworth-Booth
Book design by Gerhard Steidl and Duncan Whyte
144 pages
11.6 x 11.4 in. / 29.5 x 29 cm
116 photographs
Tritone
Clothbound hardcover with foil embossing
and a tipped-in photo
€ 58.00 / £ 45.00 / US$ 68.00
ISBN 978-3-86930-553-0
44
45
Robert Polidori, EYE and I
46
Robert Polidori, EYE and I
47
Robert Polidori
EYE and I
Robert Polidori is known for his large format photographs of habitats and rooms saturated with the traces of human
intervention. In EYE and I, he turns the lens around to reveal the portraits of people he has encountered in his work of
over thirty years photographing around the world, particularly in the Middle East and India. These instantaneous
portraits of mutual recognition reveal the photographed subject and the photographer intersecting with each other in a
fleeting gaze of mutual regard.
Robert Polidori was born in Montreal in 1951 and lives in New York City. His work has been the subject of exhibitions
in New York, London, Brazil, Montreal, among other places. He received the World Press Photo Award in 1997, the
Alfred Eisenstaedt Award for Magazine Photography in 1999 and 2000, and Communication Arts awards in 2007 and
2008. In 2006, Polidori’s series of photographs of New Orleans after Hurricane Katrina was exhibited at the Metropolitan
Museum of Art. His bestselling books Havana (2003), Zones of Exclusion—Pripyat and Chernobyl (2003), After the
Flood (2006), Parcours Muséologique Revisité (2009) and Some Points in Between... Up Till Now (2010) are
published by Steidl.
Robert Polidori
EYE and I
Text by Robert Polidori
Book design by Robert Polidori and Gerhard Steidl
160 pages
9.5 x 11.8 in. / 24 x 30 cm
80 photographs
Four-colour process
Hardcover
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-592-9
48
49
Nicholas Nixon
Close Far
Nicholas Nixon is known for the ease and intimacy of his large format photography. He has photographed porch life in
the rural South, the changing Boston cityscape, sick and dying people, the intimacy of couples, and an ongoing annual
portrait of his wife Bebe and her three sisters, beginning in 1975. Included in the seminal 1975 exhibition “ “New Topographics: Photographs of a Man-Altered Landscape”, Nixon is a major figure in American photography of the latter half
of the twentieth century.
In Close Far, Nixon presents a dichotomous group of photos made with his signature large-format view camera, in this
case one with an 11x14 inch negative. The first half of the book contains self-portraits, comprising, in Nixon’s words,
“sketches of an old man”. Filled with anxiety, longing and contentedness, these images chronicle the shapes, slopes and
pores of Nixon’s face. The second half of the book shows views of buildings in the densest part of Boston. Made from
high within the buildings and with the same camera, these images without horizons do not gaze down upon but rather
“through” the city. With the lens in the same orientation as his self-portrait photos, Nixon’s results are remarkable for
their richness of detail and complexity of form.
Nicholas Nixon was born in Detroit in 1947 and has lived in the Boston area for over forty years. He has received
numerous awards including three National Endowment for the Arts Fellowships and two Guggenheim Fellowships. In
2005, Nixon’s ongoing portrait of the Brown sisters was exhibited at the Museum of Modern Art in New York and the
Modern Art Museum of Fort Worth. His work is held in the collections of the Metropolitan Museum of Art in New York,
the Los Angeles County Museum of Art, and the Museum of Fine Arts in Boston, among others. Nixon’s books include
The Brown Sisters (2005) and Live Love Look Last, published by Steidl in 2011.
Nicholas Nixon
Close Far
Text by Peter Galassi
Book design by Katy Homans
104 pages
11 x 13.9 in. / 27.9 x 35.3 cm
48 photographs
Tritone
Hardcover
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-536-3
50
51
Christopher Morris
Americans
Americans is the second book in a series on America by Christopher Morris. While the first book My America (Steidl,
2006) focused on Republican nationalism, Americans takes a much broader journey across American society. With an
empathetic and critical eye, Morris presents a nation in a state of perpetual loss and its people searching for an identity —
stranded within two long-running wars and an economy on the verge of collapse.
Christopher Morris, born in California in 1958, began his career as a documentary conflict photographer, working
almost exclusively with Time Magazine, where he has been on contract since 1990. Parallel to his career as a
photojournalist, Morris has recently expanded into the fashion world, working for such clients as Roberto Cavalli and
magazines on the collections of Louis Vuitton, Prada and Max Mara. Morris has received many awards including the
Robert Capa Gold Medal, the Olivier Rebbot Award, and the Infinity Award for photojournalism from the International
Center of Photography. Morris is a founding member of VII Photo Agency in New York.
Christopher Morris
Americans
Book design by Christopher Morris and Claudia Kristen
200 pages
7.9 x 9.1 in. / 20 x 23 cm
117 photographs
Four-colour process
Clothbound hardcover with dust jacket
€ 34.00 / £ 27.00 / US$ 38.00
ISBN 978-3-86930-448-9
52
53
John Cohen
The High & Lonesome Sound
The Legacy of Roscoe Holcomb
“The music of Roscoe Holcomb transcends daily life. Although it is grounded in Appalachia, in East Kentucky, in his little
town of Daisy, his music travels like it is on a path towards a distant star.” John Cohen
In 1959 John Cohen travelled to East Kentucky looking for what he calls “old music”. Cohen asked for names at local
gas stations but soon ran out of leads and drove off the highway onto the next dirt road. Here he stumbled across
Roscoe Holcomb playing the banjo and singing on his front porch in a way, says Cohen, “that made the hairs on my
neck stand up on end”. And so, by pure chance, began the lifelong friendship that is the background for The High &
Lonesome Sound.
Cohen visited Holcomb frequently over the next three decades and made many photographs, films and records of his
music. In time Holcomb, a poor coal miner by trade, became a regular feature on the American concert and festival circuits.
The “strange beauty and discomfort” of his music—a mixture of blues, ballads and Baptist hymns, unique through his
high-strained voice—was exposed to a larger audience. Nevertheless, Holcomb died alone in a nursing home in 1981.
The High & Lonesome Sound combines Cohen’s vintage photos, film and musical recordings as well as an anecdotal
text into a multimedia tribute to this underappreciated legend of American music whose every performance was in
Cohen’s words “not just a rendition of music, but a test of something to be overcome”.
John Cohen, born in 1932 in New York, is a photographer, filmmaker, and founding member of the “New Lost City
Ramblers”. A master’s graduate from Yale University, Cohen was active in the artistic circles of late 1950s and early
1960s New York, and worked with Robert Frank on his film Pull My Daisy (1959). Steidl has published Cohen’s Past
1963/2010
2
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B
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Present Peru (2010).
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John Cohen
The High & Lonesome Sound
The Legacy of Roscoe Holcomb
DVD (NTSC & PAL)
THE HIGH & LONESOME SOUND
The legacy of Roscoe Holcomb
John Cohen
AUDIO CD
1. Across the Rocky Mountain / 2. Stingy Woman / 3. Hills of Mexico
4. I Am a Man of Constant Sorrow / 5. Hook and Line / 6. Graveyard Blues
7. Single Girl / 8. Let Her Go / 9. In The Pines / 10. Barbara Allen Blues
11. Swanno Mountain / 12. House In New Orleans / 13. A Village Churchyard
Text by John Cohen
Book design by Gerhard Steidl
DVD with two documentary films
on Roscoe Holcomb
CD of Roscoe Holcomb’s music
272 pages
8.3 x 10.2 in. / 21 x 26 cm
158 photographs
Tritone
Hardcover with a DVD and CD
€ 45.00 / £ 35.00 / US$ 58.00
ISBN 978-3-86930-254-6
2012
ISBN 978-3-86930-254-6
Steidl
Audio CD
54
55
John Gossage, Looking up Ben James—A Fable
56
John Gossage, Looking up Ben James—A Fable
57
John Gossage
Looking up Ben James—A Fable
“It is spring 2008 and my friend, photographer and book collector John Gossage is coming to the UK. We have planned
to embark upon a minor road trip together. All John requests is that I drive and that we visit some ‘typical Parr seaside
locations’. No problem.” Martin Parr
“The protagonist of this work, “the photographer”, Mr. Parr is pictured throughout the book.” John Gossage
Martin Parr and John Gossage’s British coastal trip covered spots like Georgian Clifton (Bristol), Severn Bridge (Wales),
and Caerau, the mining village near Cardiff where photographer Robert Frank had made his famous report and met the
miner Ben James in 1953. The road took them further north to reach Porthmadog and Blaenau Ffestiniog in North
Wales, ending in Liverpool, Morecambe and smaller towns in the Lake District. The outcome are shots of street scenes,
backyards, gardens, sceneries and very few people on the way, silent testimonies of small, unexpected details of everyday life in a world that is not visited by many, let alone photographed. As Parr concludes in his introductory text: “I am
amazed that the collective vision of this volume is so familiar, but entirely alien. It restores my faith in photography to know
that a mature and original photographer like John Gossage can see the things I just did not notice.”
John Gossage, born in New York in 1946, now residing in Washington, D.C., briefly studied with Lisette Model and
Alexey Brodovitch from 1960 to 1961. In the late 1960s he learned Telecaster guitar from Roy Buchanan and Danny
Gatton, giving up professional music in 1973 and returning to photography. From 1974 through 1990 he had various
exhibitions at Leo Castelli Gallery in New York. From 1990 on he has been concentrating almost exclusively on
publications, producing twenty-four different books and boxes on specific bodies of photographic work.
John Gossage
Looking up Ben James—A Fable
Text by Martin Parr
Book design by John Gossage
192 pages
13 x 16.3 in. / 33 x 41 cm
133 photographs (115 bw, 18 colour)
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-589-9
58
59
Ed Ruscha
Los Angeles Apartments
This is the catalogue for Ed Ruscha’s exhibition “Los Angeles Apartments” which will be held at the Kunstmuseum
Basel from June till September 2013. In 1965, Ed Ruscha published Some Los Angeles Apartments, the third of his
ongoing series of photographic books, and completed a group of ten related drawings that depict examples of the
ubiquitous Southern California apartment building. The exhibition will show the preparatory studies for these drawings
which were recently acquired by the Department of Prints and Drawings of the Kunstmuseum Basel. They are based
directly on the photographs Ruscha made of the apartment buildings. Included also, are photographs from Ruscha’s
Gasoline Stations series of 1962, one of which served as a model for the painting of Standard Station, Amarillo, Texas
of 1963. By immediately juxtaposing preparatory studies, drawings and photographs, Ruscha’s working method is
clearly highlighted and the significance of photography for his passage between abstraction and realism made evident.
Ed Ruscha was born in Omaha, Nebraska, in 1937 and grew up in Oklahoma City, Oklahoma, from 1941 to 1956. He
moved to Los Angeles, California, and attended Chouinard Art Institute from 1956 to 1960. His work has been exhibited
internationally and is represented in major museums and private collections throughout the world. In 2001, Ruscha was
elected to the American Academy of Arts & Letters as a member of the Department of Art. He was chosen by the U.S.
Department of State to represent the United States at the 2005 Venice Biennale.
Exhibition: Kunstmuseum Basel, 9 June to 29 September 2013
Ed Ruscha
Los Angeles Apartments
Text by Christian Müller
Book design by Steidl Design
160 pages
8 x 10 in. / 20.5 x 25.5 cm
80 photographs
Tritone
Clothbound hardcover with a tipped-in photograph
€ 38.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-596-7
60
61
Margit Rowell
Ed Ruscha, Photographer
Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his
photography. A new exhibition and accompanying catalogue, Ed Ruscha, Photographer, departs from earlier analyses
to explore how the artist’s different disciplines—painting, drawing, printmaking, and photography—are guided and
shaped by a single vision.
Ruscha’s relationship to photography is complex and ambivalent and his work is difficult to define. He has referred to
his photography as a “hobby” but from the outset it has drawn considerable critical interest. The small books of photographs that Ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his
peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were
snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and banal, with motifs drawn from sites in Southern California or the western
United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with
Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and
Minimalism, and later in Conceptual art.
Margit Rowell is an art historian, critic and museum curator working mostly in Paris and New York. Working independently today, her earlier long-term affiliations were with the Guggenheim Museum, New York, the Musée National d’Art Moderne, Centre Georges Pompidou, Paris, and The Museum of Modern Art, New York, where she organized exhibitions of
classical modern and contemporary artists (among them Joan Miró, Constantin Brancusi, Sigmar Polke, and Luciano
Fabro). In 2004, she organized a major exhibition of the drawings of Ed Ruscha for the Whitney Museum of American
Art, which traveled to Los Angeles and Washington, D.C., and inspired the present study of Ed Ruscha’s photographs.
Co-published with the Whitney Museum of American Art,
New York
Margit Rowell
Ed Ruscha, Photographer
Book design by Claas Möller
184 pages
8 x 10 in. / 20.5 x 25.5 cm
214 photographs
Tritone
Clothbound hardcover with a tipped-in photograph
€ 38.00 / £ 30.00 / US $ 48.00
ISBN 978-3-86521-206-1
62
63
Noah Purifoy
High Desert Assemblage Artist
“A Note to the Viewer
This book is divided into three separate parts: The photographs, the photographic chronology and the text. The
advantages of this format is to give you, the viewer, at least three options. You can proceed chronologically from the
beginning of the book to the end, thereby grasping the artist’s full intent to inform, entertain and intrigue. Or you may
casually thumb through the book spotting only those details that give meaning to each piece. Or you may flip the pages
rapidly just to get a bird’s eye view of the content. Or perhaps, you may discover some aspects of the book that we
overlooked altogether.
Nevertheless no matter what option a viewer chooses to take, it is our desire that each of you get so close to the piece
that you see the smoke from its breath as it comes alive.
Noah Purifoy
April, 1997”
Born in Snow Hill, Alabama, in 1917, sculptor Noah Purifoy lived and worked most of his life in Los Angeles and Joshua
Tree, California, where he died in 2004. First director of the Watts Towers Art Center in the 1960s, Purifoy dedicated
himself to the found object—creating artwork made entirely from junked materials—and to using art as a tool for social
change. In 1989, Purifoy moved his practice to the Mojave Desert, creating a ten-acre Outdoor Desert Art Museum of
Assemblage Sculpture on the desert floor. The Noah Purifoy Foundation maintains and preserves Purifoy’s museum and
legacy. Recent group exhibitions include Pacific Standard Time: Crosscurrents in Painting and Sculpture: 1950–1970,
J. Paul Getty Museum; Now Dig This! Art and Black Los Angeles 1960–1980, Hammer Museum, Los Angeles, and
MoMA PS1, New York; and Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers
Arts Center, Watts Towers Art Center, Los Angeles. In Spring 2014, the Los Angeles County Museum of Art (LACMA)
will present a traveling Noah Purifoy Retrospective.
Noah Purifoy
High Desert Assemblage Artist
Text by Noah Purifoy
Book design by Noah Purifoy
134 pages
8.3 x 11.7 in. / 21 x 29.7 cm
132 photographs
Four-colour process
Softcover
€ 38.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-595-0
64
65
David Maisel
Black Maps
American Landscape and the Apocalyptic Sublime
Black Maps is the first in-depth survey of the major aerial projects by David Maisel, whose images of radically altered
terrain have transformed the practice of contemporary landscape photography. In more than 100 photos that span
Maisel’s career, Black Maps presents a hallucinatory worldview encompassing both stark documentary and tragic
metaphor, and exploring the relationship between nature and humanity today. Maisel’s images of environmentally
impacted sites consider the aesthetics of open pit mines, clear-cut forests, rampant urbanization and sprawl, and zones
of water reclamation. These surreal and disquieting photos take us towards the margins of the unknown and, as the Los
Angeles Times has stated, “argue for an expanded definition of beauty, one that bypasses glamour to encompass the
damaged, the transmuted, the decomposed.”
David Maisel was born in New York in 1961. His photographs have been exhibited internationally and are included in
many permanent collections such as the Metropolitan Museum of Art in New York, the Los Angeles County Museum of
Art, and the Victoria and Albert Museum in London. Maisel was a scholar in residence at the Getty Research Institute
in 2007, an artist in residence at the Headlands Center for the Arts in 2008, and a recipient of an individual artist’s grant
from the National Endowment for the Arts. He is a trustee of the Headlands Center for the Arts.
Exhibitions: CU Art Museum, University of Colorado, Boulder, 1 February to 11 May, 2013; Scottsdale Museum of
Contemporary Art, Scottsdale, Arizona, 1 June to 1 September 2013
David Maisel
Black Maps
American Landscape and the Apocalyptic Sublime
Edited by Alan Rapp
Introduction by Julian Cox
Essays by Natasha Egan, Geoff Manaugh, Alan Rapp,
Kirsten Rian, Joseph Thompson and Kazys Varnelis
Poem by Mark Strand
Book design by Bob Aufuldish, Aufuldish & Warinner
240 pages
11.6 x 11.6 in. / 29.5 x 29.5 cm
115 photographs
€ 56.00 / £ 45.00 / US$ 75.00
ISBN 978-3-86930-537-0
66
67
From my earliest memories, Artelia Shelton was Memaw deY’s cook. She was thin, with legs that looked like
matchsticks. Artelia would arrive at Memaw’s in the morning, cook breakfast, wash the dishes, perhaps sweep
a bit, use the carpet sweeper or change the sheets, and then prepare lunch, to be served in the dining room
at noon for Memaw and Uncle William. She liked to have her cooking skills “bragged on,” and her specialty
was chocolate meringue pie.
W.B. built the cotton gin in the early 1920s and it has operated in the same place since then. It provides income to the owners, “rebates” to the actual farmers when the prices for cotton are low, and jobs for many
who would otherwise be unemployed.
Before I was born, Wilmot had a cotton seed mill where the oil was pressed from the seed. Miss Maude Hayden, born around 1875, wrote that when she was a child the sweet smell of the cotton seed mill perfumed
Wilmot for miles.
Our gin is not “state of the art,” but it is not bad. I prefer its shabby, interesting, old-timey look to the ubiquitous aluminum-sided monstrosities now dotting the Delta.
Susan Paulsen, Wilmot
68
Susan Paulsen, Wilmot
69
Susan Paulsen
Wilmot
Wilmot is a little town in Ashley County, in southeast Arkansas. Its main street—U.S. Highway 165—runs north-south
on the east side of a railroad track, raised on a bed several feet above the highway itself. Once a town reliant on
agriculture and cotton production, the growth of mechanized farming in the 1950s and 1960s and the arrival of mass
retail in the 1970s made people leave Wilmot just as in other rural areas of the U.S.
Susan Paulsen based her series on Wilmot on texts written and transferred to her by her cousin Mary Currie and sees
it as a metaphor for the American agricultural south in general. Yet, at the same time it represents a visual archive of the
liveliness of the town’s former times, depicting many buildings that do not exist anymore today or are derelict. As her
relative George T.M. Shackleford puts it: “Paulsen has created photographs that have resonance for anyone who looks
at them. That resonance comes not from some abstract language of forms seen in nature and captured in her lens, or
from a series of facts gathered and arranged in a dispassionate order. That resonance comes not in spite of her
involvement with the subject but because of it.”
Susan Paulsen was born in 1957 in Milwaukee, Wisconsin, and now lives and works in New York. She received a BA
in photography and painting from Ohio Wesleyan University. In 2004 she had a solo exhibition at the Maison Européenne
de la Photographie in Paris. Other books with Steidl: Tomatoes on the Back Porch (2005) and Sarah Rhymes with Clara
(2011).
Exhibition: Maison Européenne de la Photographie, Paris, 14 November 2012 to 13 January 2013
Susan Paulsen
Wilmot
Texts by George T.M. Shackelford and Mary Currie
Book design by Susan Paulsen and Bernard Fischer
248 pages
11 x 11 in. / 28 x 28 cm
320 photographs
Four-colour process
Hardcover
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-574-5
70
71
Joel Sternfeld
Walking the High Line
In March 2000, Joel Sternfeld began photographing the High Line, an abandoned elevated railway which runs down the
West Side of Manhattan. Sometimes a river of grass, sometimes more like Canadian wheat fields, this unique ruin
permitted Sternfeld to contemplate nature within the city. Walking the path of this true-time landscape, Sternfeld
experienced the seasons as they unfolded in a meandering ribbon within the vertical architecture of New York City, and
he created a suite of images marked by quiet grace and formal rigour. In Walking the High Line, as in all of his work,
landscape is both a social and cultural indicator. In 2009, the High Line was converted into a public park that will
preserve the delights of the High Line for future generations. Sternfeld’s book is thus a unique record of the High Line
at a time when it faced demolition, and this reprint follows several sold-out editions.
A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous
awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s
books published by Steidl include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008) and
First Pictures (2011).
Joel Sternfeld
Walking the High Line
Essays by Adam Gopnik and John Stilgoe
Book design by Joel Sternfeld and Gerhard Steidl
72 pages
10.2 x 8.4 in. / 26 x 21.5 cm
29 photographs
€ 28.00 / £ 25.00 / US$ 30.00
ISBN 978-3-86521-982-4
72
73
Ernst Haas
On Set
This volume considers the film-stills of Ernst Haas, one of the most accomplished photographers of the twentieth century,
transgressing the borders between static photography and the moving image. Haas worked with a variety of directors –
from Vittorio de Sica to John Huston, Gene Kelly and Michael Cimino – covering movie genres from suspense (The Third
Man; The Train) to the Western (The Oregon Trail; Little Big Man), and from comedy (Miracle in Milan; Love and Death)
to musicals (West Side Story; Hello Dolly). While the photographic reference system known as the film-still has existed
since the birth of cinema, inherent to the genre are precisely those parameters that are essential qualities of Haas’ photography, and which interact in a striking manner with his images made independently of film. On the one hand, we find
photographs documenting shoots and depictions of individual scenes. On the other hand, it is Haas’ clear ambition to inscribe a temporal dimension into these images; to impose filmic principles into the stills which, viewed in a sequence,
generate movement and narrative. Indeed, so great was his mastery of colour, light, and motion that Haas was frequently
called upon to photograph large group actions – from the battle scenes of Charge of the Light Brigade and the dances
of West Side Story to the ski-slopes of Downhill Racer. While adding a fascinating new take on the sets and the stars he
photographed, Ernst Haas’ On Set will also introduce readers to a little-known but crucial dimension in the work of this
celebrated photographer.
Ernst Haas was born in Vienna in 1921 and took up photography after World War II. His early work on returning Austrian
prisoners of war brought him to the attention of Life Magazine, from which he courageously declined a job as staff
photographer in order to maintain his independence. At the invitation of Robert Capa, Haas joined Magnum in 1949, developing close associations with Capa, Werner Bishof and Henri Cartier-Bresson. He began experimenting with colour,
and went on to become the premier colour photographer of the 1950s. In 1962 New York’s Museum of Modern Art
mounted its first solo exhibition of his colour photography. Haas’ books were legion, and one, The Creation (1971), sold
350.000 copies. Ernst Haas received the Hasselblad award in 1986, the year of his death.
Ernst Haas
On Set
Edited and with an introduction
by John P. Jacob
Essay by Walter Moser
Book design by John P. Jacob and
Sarah Winter
424 pages
9.8 x 9.8 in. / 25 x 25 cm
120 four-colour plates, 300 tritone plates
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86930-587-5
Sleeve
74
Book
75
Dayanita Singh
File Room
Dayanita Singh’s File Room is an elegy to paper in the age of the digitization of information and knowledge. The analogue
photographer and bookmaker has a unique relationship with paper that is integral not only to the work of making of
images, texts and memory, but also to a larger confrontation with chaos, mortality and disorder in the labyrinths of
working bureaucratic archives in a country of more than a billion people. The endless rows of files in Indian courts,
municipal offices, state archives and other such institutions for the conservation of human data create monuments to
knowledge and to the arts of memory. They have their own atmosphere and architecture, rooted both in history and in
the present. Archivists spend their lives organizing and conserving these forests of paper; historians and scholars
forage in them for voices from the past; and the lives of ordinary men and women get entangled in the bureaucratic and
litigious systems with their own copiousness of paperwork and files.
Including an interview with Hans Ulrich Obrist that relates this book with Singh’s other books and bodies of work, and
texts by Aveek Sen that explore the different ways in which the mad world of files and paperwork continue to touch
ordinary lives, File Room is itself an archive of archives. It documents, and reflects on, the nature of paper as material
and symbol in the work of making photographs and books.
Dayanita Singh was born in New Delhi in 1961 and studied at the National Institute of Design in Ahmedabad and the
International Center of Photography in New York. Singh has exhibited at institutions including the Serpentine Gallery in
London and Hamburger Bahnhof in Berlin. Handcrafting books is central to her practice. Singh’s books at Steidl include
Privacy (2004), Go Away Closer (2007), Sent a Letter (2008) and Dream Villa (2010).
Dayanita Singh
File Room
Book design by Dayanita Singh and Rukminee Guha Thakurta
88 pages
9.5 x 12.6 in. / 24 x 32 cm
70 photographs
Tritone
Softcover
€ 35.00 / £ 28.00 / US$ 48.00
ISBN 978-3-86930-542-4
76
77
“Both everyday life and the cultural landscape of Germany are determined by different religions, economies, and
political approaches. This defines our everyday and leads to mutual enrichment as well as to confrontation. At the same
time it is extremely evident that our society can no longer function without dialog, collaboration and the addressing of
different philosophies and actual realities.”
Susanne Gaensheimer, curator of the 2013 German Pavilion, Venice
Ai Weiwei, Romuald Karmakar, Santu Mofokeng and Dayanita Singh to represent Germany at 2013 Venice Biennale
78
79
Koto Bolofo and Claudia Van Ryssen-Bolofo
The Prison
Having left South Africa at the age of four as a political refugee with his parents, photographer Koto Bolofo returned to
his home country with his wife in 1992, two years after Nelson Mandela had been released from prison. Bolofo got free
access to the notorious and by now deserted prison of Robben Island, where Mandela had been held for the majority
of the twenty-seven years of his confinement in a cell of barely 6 square metres in Section B. The photographer and his
wife eagerly began documenting the site’s abandoned interiors and surroundings, dreading the prison’s potential closure. Meanwhile, it was converted into a well-frequented museum in 1997 and included on the World Heritage List by
UNESCO in 1999.
The black and white photographs of this volume conspicuously favour close-up depictions of details as opposed to
general views: leftover items, barbed wire fences, spacious dormitories viewed through a spyhole, the key in the lock
to Mandela’s cell which is so tiny it cannot be taken as a whole—all this is conveying the gloomy sense of claustrophobia
and suppression that characterise the place. The camera is constantly searching for the few rays of light that penetrate
the ubiquitous grimness and silence of cruelty.
Koto Bolofo was born in South Africa in 1959 and raised in Great Britain. Bolofo has photographed for magazines
such as Vogue, Vanity Fair and GQ and made short films for the Berlinale and the Venice Film Festival. He has created
advertising campaigns for companies including Hermès, Louis Vuitton and Dom Pérignon. Bolofo lives in the Vendée,
France, and his books with Steidl include Lord Snowdon, Dreams, Horse Power, Venus Williams, I Spy with my Little
Eye, Something beginning with S, Vroom! Vroom!, La Maison and Grande Complication.
Koto Bolofo and Claudia Van Ryssen-Bolofo
The Prison
Text by Kristine Miller Guest and Koto Bolofo
Book design by Koto Bolofo and Rukminee Guha Thakurta
288 pages
11.4 x 14.5 in. / 29 x 37 cm
105 photographs
Four-colour process
Hardcover
€ 65.00 / £ 39.00 / US$ 78.00
ISBN 978-3-86930-600-1
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Kai Wiedenhöfer
Confrontier
In 1989, Kai Wiedenhöfer photographed the fall of the Berlin Wall in his hometown, and was deeply moved by this
experience of history unfolding. At the time, Wiedenhöfer, like many, believed this event would mark the end of walls
being employed as political tools and dismissed them as anachronistic instruments of division. Over twenty years later,
history has proved us wrong; indeed, walls have enjoyed a barbaric renaissance. Border barriers have been erected in
the US, Europe, and the Middle East in the aftermath of political, economic, religious and ethnic conflicts. Wiedenhöfer
has documented walls in Belfast, Ceuta and Melilla, Baghdad, the Occupied Palestinian Territories, the AmericanMexican border, Cyprus, Korea as well as the remains of the Iron Curtain. Confrontier presents Wiedenhöfer’s comprehensive project and evidences his conviction that walls are not solutions to today’s political and economic problems,
but proof of human weakness, error and our inability to communicate with one another.
Kai Wiedenhöfer, born in Schwenningen, Germany, in 1966, received a Master’s in photography and editorial design
from the Folkwang School in Essen and studied Arabic in Damascus, Syria. Since 1989 the focus of his work has been
the Middle East. Wiedenhöfer has received numerous awards including the Leica Medal of Excellence, the Alexia
Foundation For World Peace Grant, World Press Photo Awards, the Eugene Smith Grant in Humanistic Photography
and the Carmignac Gestion Photojournalism Award. Steidl has published Wiedenhöfer’s Perfect Peace (2002), Wall
(2007) and The Book of Destruction (2010), the photos of which comprised a solo exhibition at the Musée d’Art Moderne de la Ville de Paris.
Kai Wiedenhöfer
Confrontier
Text by Stefanie Rosenkranz
Book design by Dirk Fütterer and Daniel Schilke
184 pages with 8 gatefolds
9 x 13 in. / 23 x 33 cm
128 photographs
Four-colour process
Paperbound hardcover with foil embossing
€ 48.00 / £ 35.00 / US$ 68.00
ISBN 978-3-86930-550-9
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Joakim Eneroth
Swedish Red
What is the world coming to? Well, if you ask Joakim Eneroth the answer is bleak at best. He captures our growing fear,
isolation and lack of trust in a series of images that at first strikes you as common and plain. But under the surface and
beyond the first glance, you sense strange and highly neurotic vibrations. The naïve struggle for increased security and
comfort portayed in these images are either humorous or disturbing.
In Swedish Red, Eneroth examines the idea of the home as a perfect place, where life is totaly comfortable and secure,
how fear, or the need for security, easily evolves into deep isolation. The images tempt us, and tell us to mind our own
business at the same time.
Joakim Eneroth was born in 1969 and is based in Stockholm. His works are included in such collections as Tate Modern (London), Moderna Museet (Stockholm), The Brooklyn Museum of Art (NY), Houston Museum of Fine Art (Houston), Dallas Museum of Art (Dallas), MEP (Paris) and more. Eneroth received the prize Prix Voies Off in Arles in 2005.
Swedish Red has been exhibithed in Paris, London, Berlin, Dallas, Stockholm, among other places.
Co-published with GUN, Stockholm
Joakim Eneroth
Swedish Red
Edited by Greger Ulf Nilson and Joakim Eneroth
Book design by Greger Ulf Nilson
48 pages
6.7 x 10 in. / 17 x 25.6 cm
32 photographs
Four-colour process
€ 28.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-613-7
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Maja Forsslund
AKT
At art school in Paris, Maja Forsslund regularly sketched croquis models for about six years. These croquis sessions
are the raw material for painters, teaching them to interpret and shape the human form. Forsslund left Paris and moved
to Kraków to continue her studies and she returned to these croquis models, but this time with a camera. The camera
adds another dimension. Details stick ruthlessly to the photographs, creating surreal and often tragic portraits. A pair
of slippers, a fan and some spots of paint are given an altered meaning. The props turn into the models’ personal
belongings, parts of their universe. A man in the midst of easels and scattered stools is reminiscent of a survivor on a
battlefield.
Maja Forsslund was born in Stockholm in 1975. She moved to Paris at the age of 19 and stayed there for ten years
before graduating from ENSBA, The Academy of Fine Art in Paris in 2003. In 2001/2002 she studied at The Academy
of Fine Art in Kraków. Whilst studying she worked as a set designer and mural painter.
Co-published with GUN, Stockholm
Maja Forsslund
AKT
Poem by Wisława Szymborska
Edited by Greger Ulf Nilson
Book design by Greger Ulf Nilson
80 pages
11.6 x 9.3 in. / 29.5 x 23.6 cm
40 photographs
Tritone
Clothbound hardcover with a tipped-in photo on the back
€ 48.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86521-410-2
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Tom Wood
Men and Women
Before moving to North Wales in 2003, Tom Wood had been photographing the people of his Liverpool neighbourhood
for almost three decades. In these two volumes, Wood displays carefully edited photographs taken from his archives
filled with artistic chronicles of the lives of men and women. Even though the pictures are not presented in a
chronological order, Men and Women ends up being a book saturated with history, showing Liverpool in transition from
its industrial past. Never seen without his camera, and constantly moving between different formats and photographic
styles, colour and black and white, the Photie Man (as Wood became known locally and as his last book with Steidl was
titled) readily mixes images of strangers with portraits of family and friends.
Tom Wood was born in 1951 in County Mayo in the west of Ireland. He lived and worked on Merseyside between 1978
and 2003 before he moved to his current home in North Wales. Wood has published numerous books, including Bus
Odyssey, People, All Zones Off Peak and Looking for Love. He has had solo and group exhibitions worldwide and his
work is part of the collections of major museums. Tom Wood: Men and Women, his first major UK retrospective, is currently being shown at The Photographers’ Gallery, London (12 October 2012 to 6 January 2013) and then will tour to
the National Media Museum, Bradford (22 March to 1 September 2013).
Tom Wood
Men and Women
Book design by Padraig Timoney
Vol. 1 (Men): 168 pages
Vol. 2 (Women): 176 pages
7.8 x 10 in. / 19.8 x 25.5 cm
268 photographs
Two hardcover books housed in a sleeve
€ 78.00 / £ 48.00 / US$ 88.00
ISBN 978-3-86930-570-7
Vol. 1 (Men)
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Vol. 2 (Women)
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François-Marie Banier
Never stop dancing
“People are like letters of a secret alphabet. There is a secret within them, a treasure they always carry with them. A
person’s character, this tiny little thing that lets them stand out profoundly, cannot be better embraced than with a
photographic portrait.” François-Marie Banier
The distinctive iconography of François-Marie Banier’s latest body of work, Never stop dancing, stems from his unconditional
interest in every single subject. Predominantly shot in Paris, New York, Brazil and Africa within the last two years, this book
celebrates the good old days of analogue photography as much as human beings in all their diversity. Banier’s dictum that
“everybody is a piece of art” has materialized in this volume in neatly printed black and white.
François-Marie Banier was born in Paris in 1947. A novelist and playwright, he has also been taking photographs of
public figures and anonymous people in the street since the 1970s. In 1991, the Centre Pompidou in Paris exhibited
his photographic works for the first time, and further exhibitions have since been organized throughout Europe, in Asia
and in America. The Maison Européenne de la Photographie in Paris presented a retrospective in 2003, exhibiting his
“written” and “painted” photographs for the first time. He lives and works in Paris.
Never stop dancing
160 pages
9.5 x 13 in. / 24 x 33 cm
140 photographs
Tritone
€ 48.00 / £ 35.00 / US$ 68.00
ISBN 978-3-86930-577-6
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Raymond Depardon
MANICOMIO
Secluded Madness
“In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the
leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he
started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted
in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not
believe us,’ he told me. With more than a hundred thousand people interned in psychiatric asylums all over Italy, the
situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.
For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed
these places of pain to preserve them in memory and to pay tribute to Franco Basaglia—who died from a sudden illness
in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later—after a long pause—that I
have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon
Raymond Depardon, born in Villefranche-sur-Saône in 1942, belongs to a generation of French photographers reluctant
to over-interpret his subjects. Depardon developed a profound love for the Middle East and the desert, recurrent themes
in his later work. In 1967 an encounter with Gilles Caron led to the founding of Gamma, through which they were
assigned the most troubled parts of the world. In 1973 Depardon became Gamma’s director. From 1975 to 1977 he
travelled in Chad. The next year Depardon left Gamma to become a Magnum associate, then a full member in 1979,
when he also received a Georges Sadoul Prize for his film Numéros Zéro. Depardon’s numerous awards include the
Robert Capa Gold Medal, the César Award for Best Documentary and a nomination for an Academy Award. His books
with Steidl include Villes/Cities/Städte (2007) and Manhattan Out (2008).
Co-published with the Fondation Cartier pour l’art contemporain, Paris
Raymond Depardon
MANICOMIO
Secluded Madness
Book design by Raymond Depardon
208 pages
11.6 x 8.7 in. / 29.5 x 22 cm
215 photographs
Tritone
€ 48.00 / £ 35.00 / US$ 68.00
ISBN 978-3-86930-535-6
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Axel Hoedt
Once a Year
It is carnival in south-western Germany: On the streets of Endingen and Sachsenheim, Kissleg and Singen, Wilfingen
and Triberg, the elaborate and lavish costumes of the Swabian-Alemannic tradition are paraded.
The fashion and portrait photographer Axel Hoedt from the area of Breisgau in Germany shows the carnival revellers
and their disguises beyond established clichés and radically breaks with carnival iconography. No breathtaking
somersaults in front of the crowds and romantic timber framework, no crazy goings-on but revellers in earnest pose, in
front of a bright background, in a forest or in front of customary functional buildings. Classical studio shots, Polaroid
snapshots and still life images are juxtaposed. Hoedt regularly confronts the quaint masks with the wintry-rigid scenery
impressions and reminds us of what carnival used to be: a last jamboree before the dawning of hard times.
Axel Hoedt was born in Freiburg in 1966 and studied photo design at the University of Applied Sciences Bielefeld. He
has lived and worked in London since 1999. Axel Hoedt has received numerous awards such as the Gold Medal of Lead
Awards in 2010 and the Otto-Steinert-Preis of the German Society of Photography in 2011.
A x e l Ho e d t O n c e a Ye a r
Axel Hoedt
Once a Year
Text by Heike Geißler
Book design by Steidl Design
104 pages
7 x 8.7 in. / 18 x 22 cm
83 photographs
Four-colour process
€ 28.00 / £ 22.00 / US$ 38.00
ISBN 978-3-86930-597-4
Steidl
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Boris Mikhailov
From Japan
From Japan is Boris Mikhailov’s photographic statement from and on Japan. Best known for images of his native Ukraine,
Mikhailov is concerned with ignored social realities and depicts his subjects with tragicomic compassion. By turning his
attention to Japan, Mikhailov has joined other contemporary colour photographers such as Nan Goldin and Juergen
Teller who have been fascinated by the country. Mikhailov’s Japan displays sexual desire as an often repressed but
underlying social factor.
Volume 1
Volume 2
Boris Mikhailov was born in 1938 in Kharkov, Ukraine, and today lives and works in the Ukraine and Berlin. His work
has been important in documenting the effects of the break-up of the Soviet Union on social structures and the human
condition. Mikhailov has exhibited extensively, at institutions including the Kunsthalle Zurich and the Museum of Modern
Art in New York. In 2000 he received the Hasselblad Award.
Volume 3
Volume 5
Volume 4
Volume 1
Volume 2
Volume 3
Volume 5
Volume 6
Volume 7
Volume 4
Volume 8
Volume 6
Boris Mikhailov
From Japan
Book design by Boris Mikhailov, Bernard Fischer and Gerhard Steidl
Volume 1: 24 pages / Volume 2: 48 pages / Volume 3: 48 pages / Volume 4: 32 pages
Volume 5: 40 pages / Volume 6: 48 pages / Volume 7: 48 pages / Volume 8: 64 pages
8.3 x 5.9 in. / 21 x 15 cm
176 photographs
Four-colour process
Eight magazines in a box
€ 48.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86521-817-9
Volume 7
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Volume 8
Box
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Qatar Museums Authority
Doha
Khalid Bin Hamad Bin Ahmad Al-Thani
Here is My Secret
Much of Qatar appears to be a desert stretching in all directions—a seemingly lifeless landscape of low, barren sand
plains and rolling dunes. Yet within this desolateness are signs of life and things of beauty which Al-Thani—who has
perhaps examined the Qatari landscape more closely than any other photographer—reveals for the first time to an
international audience. The photos in Here is My Secret were taken in 2008 and 2009, when Al-Thani traversed Qatar,
his only companions a Toyota four-wheel drive and his Leica camera. Eschewing human change on the landscape, Here
is My Secret is a poetic contemplation on nature and an illustration of the larger cultural transformation that Qatar is
currently undergoing.
Khalid Bin Hamad Bin Ahmad Al-Thani, born in 1980 in Doha, describes photography as a “language without subtitles”
and his project is to establish a unique and authentic Qatari photographic language. With a degree in business from
Qatar University, Al-Thani has now focused his attention on the Qatari desert, his ambition to reveal its unacknowledged
beauty to the general public.
Co-published with the Qatar Museums Authority Gallery, Doha
Khalid Bin Hamad Bin Ahmad Al-Thani
Here is My Secret
Foreword by His Highness Sheikh Hamad Bin Khalifa Al-Thani,
Emir of Quatar
Book design by Khalid Al-Thani and Gerhard Steidl
160 pages
11.4 x 9.4 in. / 29 x 24 cm
80 photographs
Tritone
Clothbound hardcover with a tipped-in photo
€ 48.00 / £ 35.00 / US$ 68.00
ISBN 978-3-86930-344-4
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Trent Parke
Minutes to Midnight
In 2003, Trent Parke began a roadtrip around his native Australia, a monumental journey that was to last two years and
cover a distance of over 90.000 km. Minutes to Midnight is the ambitious photographic record of that adventure, in which
Parke presents a proud but uneasy nation struggling to craft its identity from different cultures and traditions. Minutes
to Midnight merges traditional documentary techniques and imagination to create a dark visual narrative portraying
Australia with a mix of nostalgia, romanticism and brooding realism. This is not a record of the physical landscape but
of an emotional one. It is a story of human anxiety and intensity which, although told from Australia, represents a universal
human condition in the world today.
Trent Parke, born in Newcastle, Australia, in 1971, joined Magnum Photos in 2002 and has been a full member since
2007. Parke has exhibited internationally and has received numerous awards including World Press Photo Awards in
1999, 2000, 2001 and 2005, and the W. Eugene Smith Grant in Humanistic Photography in 2003. His publications
include Dream / Life (1999), The Seventh Wave with Narelle Autio (2000), Bedknobs & Broomsticks (2010), and the
long-awaited Christmas Tree Bucket, also to be published this season by Steidl.
Trent Parke
Minutes to Midnight
Book design by Trent Parke, Duncan Whyte
and Gerhard Steidl
96 pages
11.6 x 9.8 in. / 29.5 x 25 cm
48 photographs
Tritone
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86930-205-8
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Trent Parke
The Christmas Tree Bucket
Trent Parke’s Family Album
“’Twas the night before Christmas, when all through the house,
Not a creature was stirring, not even a mouse…”
The Christmas Tree Bucket is a modern-day Christmas story with a dark edge. A wordless narrative, Parke’s story is
an ironic take on the typical Australian suburban Christmas. He photographs friends and family, and casts them in a
twisted tale that merges fact and fiction. The viewer is left to make imaginative sense of images of barbeques, screaming children, a burning gingerbread house, and even the photographer himself vomiting into the infamous Christmas Tree
Bucket. Says Parke: “It was there—while staring into that bright red bucket, vomiting every hour on the hour for fifteen
hours straight—that I started to think how strange families, suburbia, life, vomit and in particular, Christmas really was…”
Merry Christmas!
Trent Parke, born in Newcastle, Australia, in 1971, joined Magnum Photos in 2002 and has been a full member since
2007. Parke has exhibited internationally and has received numerous awards including World Press Photo Awards in
1999, 2000, 2001 and 2005, and the W. Eugene Smith Grant in Humanistic Photography in 2003. His publications
include Dream / Life (1999), The Seventh Wave with Narelle Autio (2000), Bedknobs & Broomsticks (2010), and the
highly anticipated Minutes to Midnight, also to be published this season by Steidl.
Trent Parke
The Christmas Tree Bucket
Trent Parke’s Family Album
Book design by Trent Parke, Duncan Whyte
and Gerhard Steidl
128 pages
10.8 x 8.8 in. / 27.5 x 22.4 cm
61 photographs
Four-colour process
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86930-206-5
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Aline Diépois and Thomas Gizolme
Abstrakt Zermatt
In the valleys, from the high summits that surround Zermatt, the gigantic movement of the glacier is frozen, like an
irreversible snapshot. Here, the seasons pass one after the other, but have no power over a history that has fallen to
pieces. The rare human silhouettes and colour are incorporated into this immobile flux like annexes to the autarkic
oxygen of Zermatt as a place. The imprint of plants appears to be mineral and gigantic, the summits and perspectives
are turned upside down, the immobility of stone and ice resembles a fossilized tumult, a flow of ages. The almost total
effacing of intention in these photographs lets other things appear—as if by imposition—in the glacial mist or the pastel
intoxicated by altitude: a form of nature in which texture and matter take on the aspect of puzzles, fractals, the
interweaving of crystals and of gypsum.
These ups and downs of mute logic and unthought-of mirror-games have laid down their principles for the composition
of a book, reinforcing this choice by using over-aged rolls of film whose texture, matured by the coldness of wintry
mountains, has worked alone, with its specifically intimate process. Since the image has been captured in this form of
withdrawal, its pictorial force comes across as a natural element: a contemplated, integral secret.
Aline Diépois and Thomas Gizolme live and work together in Paris. Both artistic directors and photographers, they
share their time between advertising or editorial commissions and personal projects. Their first book, Dust Book, was
released by Steidl in 2009.
Aline Diépois and Thomas Gizolme
Abstrakt Zermatt
Book design by Aline Diépois and Thomas Gizolme
96 pages
9 x 11.8 in. / 23 x 30 cm
73 photographs
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86930-580-6
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105
SUNIL GUPTA
The New Pre-Raphaelites 3, 2008,
WLUDJHMHWG¶HQFUHVXUSDSLHUDUFKLYDO
106,68 x 71,12 cm. Courtesy l’artiste.
SUNIL GUPTA
et reicia inverum
Exceais at et
tur, cus.
ae eicae num ipita
Julien Frydman (ed.)
Paris Photo by David Lynch
For the first time, Paris Photo presents an original journey within the galleries: “Paris Photo seen by ...”. In 2012, Paris
Photo entrusts David Lynch with the task of choosing from among the works exhibited by the gallery owners. An original
way for the public to contemplate the works whilst at the same time discovering the artist’s aesthetic universe.
“Looking at David Lynch’s selection is a bit like visiting Paris Photo in his company; a dialogue begins; we do look at
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the works “together”, but first of all we look at them in a different way, through a “Lynchian” filter. Our first perception
SUNIL GUPTA
undergoes a distortion, the reading becomes a plural one and reveals the metaphoric power of every image; I believe
SUNIL GUPTA
it will be the same for other visitors, only that Lynch’s subconscious takes over: the body, the strangeness, the potential narrative and the ambiguity of the image are always present.” Julien Frydman, Director of Paris Photo
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SUNIL GUPTA
SUNIL GUPTA
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SUNIL GUPTA
SUNIL GUPTA
Julien Frydman (ed.)
Paris Photo by David Lynch
Texts by Kristine McKenna and David Lynch
Book design by Cléo Charuet
208 pages
7.9 x 10.6 in. / 20 x 26,8 cm
100 photographs
Four-colour process
Paperback
€ 20.00 / £ 16.00 / US$ 26.00
ISBN 978-3-86930-616-2
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107
Domingo Milella
Domingo Milella
“It’s hard to talk about photography without facing issues of time, memory and death—not as stereotypical archetypes,
but as challenging and malleable entities of culture and nature.” Domingo Milella
This first published monograph by Domingo Milella is a photographic journey from his hometown in the outskirts of Bari
in southern Italy, taking us to Mexico City, Cairo, Ankara, Anatolia, Sicily, Tunisia, and as far as Mesopotamia. Milella’s
subject is cities and their borders, cemeteries and villages, caves and homes, tombs and hieroglyphs—in short, signs
of man’s presence on earth. His interest is the overlap between civilisation and nature, and how landscape and architecture are invested with individual and collective memory. These photographs emerge from and challenge classical
ideas of landscape in art history, and seek an alternative iconography in which an almost forgotten past coexists with
the present. Says Milella: “Making images doesn’t only mean documenting or taking photographs. It’s also a possibility for contemplation and recollection. Building an image of the past is to face the present, and activate the possibility
of the future.”
Domingo Milella was born in 1981 in Bari, Italy, and today divides his time between his hometown and New York. At
the age of eighteen Milella moved to New York to study photography at the School of Visual Arts (BFA 2005), where
Stephen Shore was one of his teachers. Milella has worked with Massimo Vitali and Thomas Struth has been an
influential mentor. Since 2001, he has been developing his landscape project. Milella has exhibited at Brancolini Grimaldi
(Rome and London), Tracy Williams, Ltd. (New York), Foam photography museum (Amsterdam), the Venice Biennale
and Les Rencontres d’Arles.
Exhibition: Brancolini Grimaldi, London, 23 November 2012 to 19 January 2013
Domingo Milella
Domingo Milella
Essay by Francesco Zanot
Book design by Domingo Milella and Gerhard Steidl
72 pages
14.8 x 11 in. / 37.5 x 28 cm
31 photographs
Four-colour process
€ 65.00 / £ 50.00 / US$ 88.00
ISBN 978-3-86930-487-8
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Robert Voit
New Trees
Robert Voit has discovered a new species of plant that he calls “new trees”—cellular phone antennae of steel,
fibreglass and plastic, camouflaged as trees. This unusual new life form can be found all over the world. There are pine
trees, palm trees, cypresses, cacti and various deciduous trees. Some are in the desert or in newly planted forests;
others are in fields and parking lots, next to highways and in housing developments. Voit has photographed these
trees in the USA, South Africa and Europe, creating a peculiar arboretum where reality and illusion are blurred.
Robert Voit, born in Erlangen in 1969, lives in Munich. He studied under Gerd Winner at the Academy of Fine Arts in
Munich and under Thomas Ruff at the Düsseldorf Art Academy. Voit has exhibited at the Fotomuseum and Haus der
Kunst in Munich, at the Nuremberg Kunsthalle and at the Deichtorhallen in Hamburg, among other institutions.
Robert Voit
New Trees
Text by Christoph Schaden
Book design by Robert Voit and Gerhard Steidl
120 pages
10 x 13 in. / 25.5 x 33 cm
60 photographs
Four-colour process
€ 58.00 / £ 42.00 / US$ 68.00
ISBN 978-3-86521-825-4
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Catherine Balet
Strangers in the light
One summer night Catherine Balet was inspired by the sight of a young couple standing in the sea bathed in moonlight, shooting a self-portrait with a mobile phone. Balet was touched by the beauty of the scene, the two white bodies
revealed by the lightning of the electric flash, and was struck that this was the point where technology met romanticism,
where the future met the past, and the blue light of the new world met the golden light of classical painting. Connecting
the ephemeral, vacuous, anonymous nature of an out-of-control digital world with long-lived cultural references, Balet
questions how yesterday links into tomorrow. Strangers in the light explores the dominance of media screens in contemporary life, from surgical simulators to
interactive sex, from a connected family gathering to the violence of video games. Her images also refer to the
narcissistic self-awareness expressed on social networks and the new approach to quick, light mobile photography
that affects our visual culture. All the scenes are lit only with the technological devices, generating a mysterious beauty.
Balet casts a fascinated, sometimes ironic, eye on the intricate relationship between man and technology, providing
a captivating portrait of our society that hovers between fiction and documentary. Catherine Balet graduated at the École des Beaux Arts in Paris and worked as a painter before turning to photography
ten years ago, with an artistic approach to sociological issues. As a freelance photographer, she has been a regular
contributor to various French and international magazines. Her work has been exhibited widely and is part of private
collections. She lives and works in Paris and Brighton. In 2006, Steidl published Identity. An early image from the
series, Ines connected with Amina, won the London National Portrait Gallery Taylor Wessing Photographic Third prize
in 2008.
Catherine Balet
Strangers in the light
Book design by Catherine Balet
96 pages
11 x 11.2 in. / 28 x 28.5 cm
85 photographs
Four-colour process
€ 38.00 / £ 30.00 / US$ 45.00
978-3-86930-285-0
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Martin d’Orgeval
Découpages
In Martin d’Orgeval’s fifth monograph, Découpages, the land lies dry, bleak and deserted. No humans pass through
this almost phantasmal and blurred terra incognita, captured in mellow black and white. However, the young Frenchman does not present nightmarish sceneries in his imaginary country. It is just his unmitigated attention to shapes and
shades, lines and surfaces that challenges our ingrained viewing habits. Embedded in d’Orgeval’s clean but warm encounter with the world’s objects, the reader embarks on an exceptional and touching journey to an unknown territory.
Through documentary style, in reshaping the landscape into natural processed drawings and “decoupages” (cut-outs),
d’Orgeval rediscovers what William Henry Fox Talbot, the English inventor of photography, coined The Pencil of Nature,
his famous book from 1844-46, and gives this concept a new existence.
Martin d’Orgeval was born in 1973 in Paris, where he still lives and works. His work has been exhibited in France, USA,
England, Germany, Italy and China, in particular at Maison Européenne de la Photographie, Paris; Musée de la Chasse
et de la Nature, Paris; Villa Oppenheim, Berlin; Museo Archeologico Nazionale, Naples; Galerie Hussenot, Paris; Adamson Gallery, Washington; Pace Gallery, Beijing. Découpages is d’Orgeval’s fourth book with Steidl.
Martin d’Orgeval
Découpages
M A RTI N D’O R G E VA L
DÉC O U PA G E S
Text by Martin d’Orgeval
Book design by Martin d’Orgeval
64 pages
9 x 11 in. / 23 x 28 cm
31 photographs
Duotone
Hardcover
€ 38.00 / £ 22.00 / US$ 45.00
ISBN 978-3-86930-579-0
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Guido Mocafico
Stilleven
“The day someone looking at my pictures asked me why I had photographed paintings, I knew my goal—illusion—had
been achieved.” Guido Mocafico
Stilleven is Guido Mocafico’s interpretation of the great Dutch and German still-life paintings of the seventeenth and
eighteenth centuries. By painstakingly reconstructing banquet and floral scenes as well as vanitas still-lifes by artists
including Floris van Dijck and Pieter Claesz, Mocafico not only copies these paintings but brings them back to life.
Using a large-format analogue camera with colour transparencies, Mocafico creates brilliant images with the highest
degree of verisimilitude. Mocafico’s triumph, however, is not only recreating the appearance of things, but his restaging
of the devout, mystical atmosphere of these paintings.
Guido Mocafico was born in Switzerland in 1962, and today works in Switzerland and Paris. A specialist in still-life,
Mocafico works regularly for fashion magazines. He has photographed advertising campaigns for many luxury brands.
His books at Steidl include Venenum (2005), Medusa (2006), Serpens (2008) and Movement (2008).
Guido Mocafico
Stilleven
Edited by Patrick Remy
Essay by Jan Seewald
Book design by Thomas Lenthal and Mathieu Perroud
Limited edition of 300 sets,
signed and numbered by the artist
56 pages
11.4 x 14.6 in. / 29 x 37 cm
25 photographs, tipped in by hand
Four-colour process
Leatherbound hardcover in a slipcase
€ 450.00 / £ 380.00 / US$ 600.00
ISBN 978-3-86930-326-0
117
Manfred Paul
Still-Life Photographs 1983–1985
This series of still-life photographs by Manfred Paul were produced while the GDR still existed. As photographs they
go beyond the general symbolicism of still lifes; time seems doubly frozen, as if the fish, leaves and branches at the
bottom of the lake have been frozen into a still-life photograph, as if petrified in clear ice before the first snowfall.
Things are abandoned, with apparent carelessness—a bunch of tulips in a glass vase wilts in infinite beauty, their black
and white sharpness emits an almost painful appeal against the transience and replaceability of the blooms. In their irredeemable alienation they inevitably become a devotional mental image of human existence.
Manfred Paul was born in 1942 in Schraplau (former German Democratic Republic). After graduating from high
school he worked as a photolab technician before studying photography and camerawork in Leipzig and PotsdamBabelsberg. From 1983 to 1985 he made his first works using an 18 x 24 cm plate camera. The nature morte series
was produced. He lectured in photography from 1974 to 1994 at the FWG Berlin and was subsequently appointed
Professor of Photography and Audiovisual Media at the FHTW Berlin (1995–2007). He lives in Berlin.
Manfred Paul
Still-Life Photographs 1983–1985
Text by Eugen Blume
Book design by Cyan
64 pages
9.5 x 11.8 in. / 24 x 30 cm
32 photographs
Tritone
€ 35.00 / £ 28.00 / US$ 48.00
ISBN 978-3-86521-804-9
118
119
Nicolas Faure
Heavenwards
Engel sind im Bild
Heavenwards is Nicolas Faure’s answer to Rainer Maria Rilke’s question in the first Duino Elegy (1912): “Who, if I
cried out, would hear me among the Angelic Orders?” At first sight Faure’s photographs seem to show nothing but
forests, rivers and light, but in each picture there is something hiding—a human being, an animal or perhaps even an
angel as the book’s subtitle suggests. In Rilke’s words, “Perhaps there remains some tree on a slope that we can see
again each day: there remains to us yesterday’s street, and the thinned-out loyalty of a habit that liked us, and so stayed,
and never departed.”
Nicolas Faure was born in Switzerland in 1949 and since 2000 has taught at the Ecole cantonale d’art in Lausanne.
A self-taught artist, Faure has exhibited and published widely; Steidl released his Landscape A in 2006.
Nicolas Faure
Heavenwards
Engel sind im Bild
Text by André Vladimir Heiz
Book design by Nicolas Faure, François Rappo
and Gerhard Steidl
96 pages
13.8 x 10.9 in. / 35 x 27.8 cm
44 photographs
Four-colour process
€ 58.00 / £ 42.00 / US$ 68.00
ISBN 978-3-86930-126-6
120
121
Erich Hartmann and Ruth Bains Hartmann
From a Summer Notebook
“Here are pages from a photographer’s summer notebook, the sights he wishes to remember, the feelings he wishes
to record… These pages from my notebook encompass that same time, those same places, seen through a different
eye, recorded in a different language…” Ruth Bains Hartmann
So begins From a Summer Notebook which combines the photos of Magnum photojournalist Erich Hartmann with the
words of his writer wife Ruth Bains Hartmann. This book is a record of a shared summer holiday in coastal Maine, not
an album of incidents but a distillation of a particular time and place through images and words. Long married, much
travelled, often separated by work, but together here in the same place during a calm interval of privacy, photographer
and writer reveal separate realities and parallel memories that together form one statement. Photographs of their family
summerhouse and the quiet Maine countryside through which they roam without plan or destination are not described
but enhanced by the writer’s memories of past summers, and perhaps of time itself. Both separate and personal, these
images and words are a quiet celebration of a fondly remembered summer.
Erich Hartmann (1922–1999), a Magnum photojournalist for fifty years, was renowned for his work in the arts, his
interpretation of the industrial landscape and his revelation of the beauties of technology.
Ruth Bains Hartmann was a book editor in a New York publishing house before turning to freelance research and
writing, often working in collaboration with her husband on major projects such as Our Daily Bread and In the Camps.
After his sudden death in 1999 she assumed direction of his photographic estate for which she has curated numerous
exhibitions and edited Where I Was, a book of his personal photographs.
Erich Hartmann and Ruth Bains Hartmann
From a Summer Notebook
Book design by Ruth Bains Hartmann,
John P. Jacobs and Sarah Winter
32 pages
7.9 x 11.8 in. / 20 x 30 cm
13 photographs
Four-colour process
€ 24.00 / £ 18.00 / US$ 30.00
ISBN 978-3-86521-840-7
122
123
Arthur Elgort
Arthur Elgort
This is Arthur Elgort’s first comprehensive book, showing his world-renowned fashion imagery alongside his personal
work. The book spans Elgort’s five-decade career and illustrates his longevity as an emulated fashion photographer. His
lively and casual shooting style is significantly influenced by a lifelong love of music and dance, particularly jazz and ballet.
Elgort’s 1971 debut in British Vogue created a sensation in the fashion world where his soon-to-be iconic “snapshot”
style and emphasis on movement and natural light transcended norms of fashion photography. Elgort subsequently
rose to fame working for such distinguished magazines as American, French and Italian Vogue, Interview, GQ, Life and
Rolling Stone and shooting advertising campaigns for fashion labels including Chanel, Valentino and Yves Saint Laurent.
Arthur Elgort was born in 1940 and raised in New York City. He attended Stuyvesant High School and Hunter College
where he initially studied painting before switching to photography, which he took to naturally. Elgort’s numerous books
include Personal Fashion Photographs (1983) and the bestseller Models Manual, released during the supermodel
boom in 1994. Elgort has also directed two films, Texas Tenor: The Illinois Jacquet Story (1992), and the documentary
Colorado Cowboy (1993) which portrays legendary cowboy Bruce Ford and won the award for Best Cinematography
at the Sundance Film Festival in 1994. In 2011, Elgort received the Board of Directors’ Special Tribute Award from the
Council of Fashion Designers of America.
Arthur Elgort
Arthur Elgort
Foreword by Grace Coddington
Essay by Martin Harrison
Book design by Marianne Houtenbos and Aoife Wasser
424 pages
10 x 12.7 in. / 24.5 x 32 cm
280 photographs
Four-colour process with a fifth fluorescent colour
Hardcover with acetate jacket
€ 65.00 / £ 54.00 / US$ 75.00
ISBN 978-3-86930-543-1
124
125
Guy Bourdin, A Message For You
126
Guy Bourdin, A Message For You
127
Guy Bourdin
A Message For You
With the eye of a painter, Guy Bourdin created images that contained fascinating stories, compositions, and colours.
Using fashion photography as his medium, he sent out his message, one that was difficult to decode, exploring the
realms between the absurd and the sublime. Famed for his suggestive narratives and surreal aesthetics, he radically
broke conventions of commercial photography with a relentless perfectionism, and sharp humour.
This tome is a road trip through Bourdin’s visual landscape; a collage of images that maps his artistic search and
vision. The texts, polaroids, poems, sketches and contact sheets unfold in real time through the memories of model
Nicolle Meyer, a muse to Bourdin. Given total creative freedom, and with uncompromising artistic ethic, Guy Bourdin
captured the imagination of a whole generation. The late 1970s, recognized as the highest note in his career, is the focal
point of the work.
This revisited edition, originally printed as two volumes, is the first monograph in a forthcoming set of eight books which
explore the most outstanding and undiscovered work thus far.
Guy Bourdin (1928-1991) was born in Paris. His career as a fashion photographer spans over three decades, shooting
largely for Vogue Paris, as well as Harper’s Bazaar, Chanel, Issey Miyake, Versace, Charles Jourdan, and Emanuel Ungaro.
Today, his work is exhibited in the most prestigious museums, such as The Victoria & Albert Museum, The Jeu de Paume,
and The National Museum of China, and his images have a cult-like following amongst the fashion set.
Guy Bourdin
A Message For You
Book design by Pascal Dangin
320 pages
9.6 x 11.8 in. / 24.5 x 30 cm
250 photos
Four-colour process
Hardcover
€ 48.00 / £ 38.00 / US$ 65.00
ISBN 978-3-86930-551-6
128
129
Mario Sorrenti
Draw Blood for Proof
Initially conceived as a personal project on the walls of Sorrenti’s New York loft, the material in Draw Blood for Proof
eventually found its way onto gallery walls as a large-scale installation piece in 2004. Papering the site from floor to
ceiling with layers of collected snapshots, contact sheets, prints, polaroids, and ephemera drawn from over 15 years
of work, Sorrenti’s collection was a unique look into the artist’s diaristic creative process, going beyond ideas of public
and private production.
Re-photographed as a series of 8 x 10 polaroids and reconstituted here, Sorrenti’s montage finds yet another incarnation
in book form. Here, the images are both documentation and personal exploration, and the layout repositions Sorrenti’s
photographs in a series faithful to their placement on the walls of the gallery. This gives the viewer a sense of the raw
impact of the original installation but also creates new visual relationships between images as they move across spreads,
redefining themselves and one another on the pages. Images obscured in one layout may appear fully and with renewed
force on the next. The result is a free-associative experience like memory or dreams, rooted in Sorrenti’s methods but
drawing on his cache of personal associations, and the act of perception becomes part of the work.
Mario Sorrenti is a New York based photographer whose work has appeared in the publications W, Vogue, and Harper’s
Bazaar, among many others, and has been exhibited internationally at institutions such as the Victoria & Albert
Museum in London and the Museum of Modern Art in New York. Previous publications of his work include The Machine
(Steidl, 2002).
Mario Sorrenti
Draw Blood for Proof
336 pages
11.6 x 18.4 in. / 46.7 x 29.4 cm
155 photographs
Four-colour process
Hardcover
€ 98.00 / £ 78.00 / US$ 128.00
ISBN 978-3-86930-303-1
130
131
Philip-Lorca diCorcia
Hustlers
Between 1990 and 1992, Philip-Lorca diCorcia, funded by a National Endowment for the Arts fellowship, made multiple
trips to Los Angeles to scout locations, invent scenarios, and ultimately find male prostitutes that would agree to pose for
his camera. The last task proved to be the easiest—diCorcia simply used his fellowship money to pay the men whatever
price they charged for their most typical service—and ultimately prompted a complaint of misuse of government funds.
In 1993, twenty-five selected images were initially exhibited at the Museum of Modern Art, marking Philip-Lorca diCorcia’s
first solo exhibition. The show, entitled “Strangers” was accompanied by a museum catalog. Twenty years later, steidldangin publishes the series in its entirety. Hustlers is an empathetic yet melancholic poem of the Hollywood dream gone
wrong, prescribing to the heavily-staged pictorialism and happenstance of street casting for which diCorcia is most widely
recognized. Knowing precisely what he wanted from each photograph, and fearful of police involvement, diCorcia would
prearrange all settings: this motel room, that vacant lot, in between cars, in a fast-food restaurant—the narrative was always deliberate. From the moment diCorcia approached a potential subject (usually around Santa Monica Boulevard in
Hollywood), to the completion of the shoot, seldom more than one hour had passed. The titles of these encounters amplify the facts: Ralph Smith, 21 years old, Ft. Lauderdale, Florida, and $25.
Philip-Lorca diCorcia attended university at the School of the Museum of Fine Arts, Boston, and Yale University, New
Haven. Since 1977, his work has been featured in numerous solo exhibitions and has become part of the collections of
major institutions such as the Museum of Modern Art, New York, the Metropolitan Museum of Art, New York, the
Museum of Contemporary Art, Los Angeles and the San Francisco Museum of Modern Art.
Philip-Lorca diCorcia
Hustlers
160 pages
13 x 17.3 in. / 33 x 44 cm
66 photographs
Four-colour process
Hardcover
€ 98.00 / £ 78.00 / US$ 128.00
ISBN 978-3-86930-617-9
132
133
Horst von Harbou
Metropolis
Fritz Lang’s Metropolis from 1927 is the undisputed prototype of science fiction films in the twentieth century. A
collection of images by the still photographer Horst von Harbou, bequeathed by Brigitte Helm who had appeared in the
film as a seventeen-year-old, has re-emerged at an auction in Berlin in late 2010. Edition 7L Paris, the new owner of
the originals, has now printed an identical facsimile of the original album which was once given to Brigitte Helm as a
souvenir by von Harbou and his wife.
Metropolis displays the photographs and some of their reverse sides which feature hand-written notes. The images
exclusively show scenes from the film during its making and off-camera action and mainly feature the young actress. They
not only offer a rare insight into Lang’s film but have been crucial in reconstructing missing scenes from it.
Horst von Harbou was born in 1879 in Hutta, Posen, and died in 1953 in Potsdam-Babelsberg. Very little is known about
von Harbou, except for the films on which he worked as a still photographer: these include Mensch ohne Namen (1932),
Starke Herzen im Sturm (1937) and Augen der Liebe (1951).
Horst von Harbou
Metropolis
Book design by Karl Lagerfeld and Gerhard Steidl
88 pages
9.1 x 6.7 in. / 23 x 17 cm
35 photographs
Four-colour process
Clothbound hardcover photo album with
images inserted by hand
€ 58.00 / £ 45.00 / US$ 68.00
ISBN 978-3-86930-603-2
134
135
Olivier Zahm
How to Photograph Women
Ever since Karl Lagerfeld gave him his first digital camera, Olivier Zahm—the co-founder and editor-in-chief of the
critically-acclaimed magazine Purple Fashion—has been taking pictures that he regularly publishes in the Night section
of his magazine as well as on his website, Purple Diary. This book largely features Zahm’s personal pictures from the
past seven years including images of nightlife and parties, friends, girlfriends, sex, celebrities, landscape and architecture.
His mostly black and white photos combine his favourite erotic references, such as the work of Nobuyoshi Araki, Helmut
Newton, and Richard Kern, with a typically nineties snapshot aesthetic which gives a feeling of intimacy and reality to
his pictures. All images are credited and often commented on by Zahm, lending a direct, personal edge to this story.
Olivier Zahm worked as an art critic for Artforum, Flash Art, Art Press and Texte zur Kunst during the 1980s and early
1990s. He is a renowned curator and has worked on over 150 exhibitions of contemporary art, for institutions including
the Museum of Modern Art in New York and the Centre Pompidou in Paris. In 1992, Zahm founded Purple Prose
magazine (1992–1998) with Elein Fleiss, and the publication has created spin-offs such as Purple Fiction (1992–
1998), Purple Sexe (1998–2001), Purple magazine (1998–2003), Purple Journal (2004–present), Purple Fashion
(1995–1998, 2004–present), and Purple Books, a publishing house. The “realistic”, sometimes dubbed “anti-fashion”
aesthetics of Purple was a reaction against the glamour of the eighties and can be linked to the global counterculture
of that time, with the work of Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti.
O LIVI E R Z A H M
H OW TO
P H OTO G R A P H
WO M E N
Olivier Zahm
How to Photograph Women
Book design by Purple Institute
504 pages
8.2 x 12 in. / 21 x 30.5 cm
750 photographs
Softcover with dust jacket
€ 65.00 / £ 50.00 / US$ 88.00
ISBN 978-3-86930-552-3
136
137
Sam Taylor-Johnson
Second Floor
When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel’s headquarters at 31 Rue Cambon, Paris,
she did not quite know what to expect. Her destination was Coco Chanel’s private apartment on the second floor; her
mission, to photograph it. Through the door marked “MADEMOISELLE PRIVÉ”, Taylor-Johnson entered Coco Chanel’s
secret world—exactly as she had left it at her death in 1971. Taylor-Johnson captures the mysterious, eerie presence
of Coco’s ornaments and furniture: a golden lion, a bejewelled birdcage, leather-bound books, Chinese lacquer
screens, crystal chandeliers. Ultimately we are left with a sense of beautiful emptiness—Coco’s touch is everywhere,
but everywhere is haunted by her absence.
Born in 1967, Sam Taylor-Johnson (Sam Taylor-Wood) is at the forefront of contemporary British art. Filmmaker,
photographer and conceptual artist, her solo exhibitions include those at the Kunsthallle Zurich, the Hayward Gallery,
London, and the Contemporary Arts Museum, Houston. In 2009 Taylor-Johnson directed her debut feature film Nowhere
Boy about the young John Lennon. Her books at Steidl include Crying Men (2004), Still Lives (2006) and the upcoming Birth of a Clown.
Sam Taylor-Johnson
Second Floor
Texts by Justine Picardie and Karl Lagerfeld
Book design by Amina Rab / Peter Miles Studio
80 pages
10.2 x 13.4 in. / 26 x 34 cm
30 photographs
Four-colour process
Clothbound hardcover with foil embossing in a slipcase
€ 65.00 / £ 52.00 / US$ 78.00
ISBN 978-3-86930-264-5
138
139
Beda Achermann
Big Time—Männer Vogue, 1984–1989
This book is an exciting step back in time to when Männer Vogue was Germany’s leading men’s fashion magazine.
During Männer Vogue’s golden age between 1984 and 1989, Swiss-born Beda Achermann was the magazine’s creative
director and left his iconic style on a generation of graphic designers, typographers, photographers, fashion journalists
and stylists. Commissioning young photographers like Mario Testino, Ellen von Unwerth and Max Vadukul, along with
established talents including Herb Ritts, Peter Lindbergh and Helmut Newton, Achermann set a new benchmark in
fashion editorial.
Big Time is a retrospective of Achermann’s groundbreaking work for Männer Vogue, showing the magazine’s best
spreads which have lost none of their modernity and flair. The book comprises three chapters—“Big Style” (fashion),
“Big Shots” (features and portraits) and “Big Bang” (portfolios)—which together recreate a unique period in fashion history when international glamour was made in Germany.
Highlights in Beda Achermann’s career include positions as creative director at Männer Vogue in Munich and Donna
in Milan. In 1990, he founded the acclaimed Studio Achermann in Zurich, which combines art in all its forms with
advertising and other commercial projects.
Beda Achermann
Big Time—Männer Vogue, 1984–1989
Essays by Karl Lagerfeld, Mario Testino and Angelica Blechschmidt
Interview with Christiane Arp and Beda Achermann
Book design by Studio Achermann, Zurich
384 pages
10.4 x 13.8 in. / 26.3 x 35 cm
300 photographs
Four-colour process
Softcover in a slipcase
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-445-8
140
141
Sam Taylor-Johnson
Birth of a Clown
In 1947 the International Circus Clowns’ Club began keeping a record of its member clowns’ make-up. Each unique
make-up design was painted onto an emptied chicken egg that was catalogued and used to trademark the identities
of clowns including the famous Coco and Grimaldi. Stan Bult, founder of the club, painstakingly painted the earliest
designs by hand himself. Birth of a Clown is Sam Taylor-Johnson’s photographic documentation of these fascinating
objects, now part of the Clowns’ Gallery and Museum in Somerset. Taylor-Johnson stumbled onto the museum by
chance and has now preserved these eccentric portraits—sometimes hilarious, sometimes sad—in book form.
Born in 1967, Sam Taylor-Johnson (Sam Taylor-Wood) is at the forefront of contemporary British art. Filmmaker,
photographer and conceptual artist, her solo exhibitions include those at the Kunsthallle Zurich, the Hayward Gallery,
London, and the Contemporary Arts Museum, Houston. In 2009 Taylor-Johnson directed her debut feature film
Nowhere Boy about the young John Lennon. Her books at Steidl include Crying Men (2004), Still Lives (2006) and
the upcoming Third Floor.
Sam Taylor-Johnson
Birth of a Clown
Book design by Peter Miles
48 pages
9.1 x 13 in. / 23 x 33 cm
45 photographs
Four-colour process
€ 48.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86521-853-7
142
143
Annabel Elston
Somewhere Else
Annabel Elston’s photographs reveal a shadowy truth, where private moments appear in public places. In Elston’s
work, individuals drift in the street, seemingly unaware of their surroundings or her presence, neither looking into the
lens nor averting their eyes. The expressions stamped on faces appear transcendental, but the emotions are concrete.
Working in this manner, the photographer sees the world constructed not with walls, pavement or buildings but with
an architecture of emotions. Elston gives us proximity beyond mere observation and we become immersed in the
subject’s thoughts and decisions. The strangers are seductive and their anonymity enviable.
For the past fifteen years, Annabel Elston has lived and worked in London and Cornwall. Inspired by her environment,
her photographs are diverse, including still lives, portraits, interiors and reportage. Her editorial work includes The
World of Interiors, House and Garden, Observer Magazine and Japanese Vogue. She has received advertising
commissions from Hermès, Habitat, Volvo and Guinness, and has contributed to a number of publications such as
Pure Fuel, Fuel 3000, Surface Contemporary Photography, and Tord Boontje. In 2007, the British Council
commissioned her to photograph forty British nationals living in Turkey, resulting in her first exhibition with venues in
London and Turkey.
Annabel Elston
Somewhere Else
Essay by Rick Wester
Book design by Peter Miles
112 pages
11.6 x 9.6 in. / 29.5 x 24.5 cm
52 photographs
Four-colour process
Paperbound hardcover with a tipped-in photo
€ 48.00 / £ 38.00 / US$ 58.00
ISBN 978-3-86521-744-8
144
145
Nathalie Herschdorfer
Beauty Work
A laboratory for photography students—
Daegu, Lausanne, New York
For over a century, photography has had a profound impact on our perception of the body. Photographers create mythical
beauties. Widely distributed and exhibited, the body photographed for advertising purposes or fashion magazines tends
to set itself up as the norm. Even in the 21st century, it is still appropriate to think about the creation of a new image of
beauty. Must beautiful women be necessarily young, energetic and forward looking? Are Western criteria for beauty comparable to Asian beauty? Or does our view of what constitutes beauty vary according to where we live?
The works presented in this volume open a discussion to the challenges facing fashion imagery in an international
context. A workshop was organised for students of three major photography schools, across three continents—Asia,
Europe and America—in which they were asked to exchange views on the current challenges facing the world of beauty
photography. Sixty students from Kyungil University in Daegu, Korea, ECAL in Lausanne, Switzerland, and the School
of Visual Arts in New York, came up with a variety of proposals. Beauty Work represents the lab spirit of the workshop
and features a range of approaches to today’s photography.
Nathalie Herschdorfer is an art historian specialized in the history of photography. Curator at the Foundation for the
Exhibition of Photography (FEP) in Lausanne, she is also Director of the Swiss photography festival Alt. +1000 and was
a curator at the Musée de l’Elysée, Lausanne, Switzerland. Nathalie Herschdorfer is the author of Afterwards:
Contemporary Photography Confronting the Past (2011) and Coming into Fashion: A Century of Photography at
Condé Nast (2012). She is a co-curator of the 2012 Daegu Photo Biennale, Korea.
Nathalie Herschdorfer
Beauty Work
A laboratory for photography students—
Daegu, Lausanne, New York
Text by Nathalie Herschdorfer
Book design by Claudia Doms
120 pages
9.5 x 9.3 in. / 24.2 x 23.5 cm
145 photographs
Four-colour process
Softcover
€ 15.00 / £ 12.00 / US$ 20.00
ISBN 978-3-86930-588-2
146
147
Inge Feltrinelli
Photographs
“I grew up in the after-war period, hungry to see the world. That is why I moved from Göttingen to Hamburg in 1950.
I learnt the basics of photography, and as I was quite smart-looking, I could earn a little bit of money working as a model.
When I drove my bike through Pöseldorf, a fancy white car stopped right next to me. The driver pointed at my camera
and asked whether I was a photographer. It was Hans Huffzky, the founder of the women’s magazine Constanze. When
he saw my photographs, he said: ‘Awful! What a catastrophe! Stop taking pictures of ships in the harbour. You have to
photograph people.’ Huffzky became my Professor Higgins and introduced me to the publishers Rudolf Augstein and
Axel Springer. Both were still on their way up and very easy-going. At those times, it was easy to reach for the stars and
conquer the world.” Inge Feltrinelli
In addition to her photographic skill and her beautiful appearance, it was Inge Feltrinelli’s talent to be at the right place
at the right time that opened doors for her. She shot the rich, the intelligent and the famous figures of her time. All
photographs are witness to the candid, amicable relationship with her models. Marc Chagall pulled a pleasant face for
her, Simone de Beauvoir looked happy, and Gary Cooper continued to get drunk while letting Inge do her job. In one
of her most famous photographs, we see the beautiful young artist herself along with Ernest Hemingway, holding a
giant swordfish.
Inge Feltrinelli (born Schönthal in 1930) began her career photographing for magazines such as Constanze, Paris Match
and Life. After her wedding in 1960 she followed her husband Giangiacomo Feltrinelli to Milan. From 1969 she was the
vice president of Feltrinelli Publishers and overtook the leadership after her husband died in 1972. Inge Feltrinelli received
various international awards, the most recent being the Médaille Charlemagne pour les Médias Européens in 2011.
Inge Feltrinelli
Photographs
Text by Inge Feltrinelli
280 pages
9 x 12.6 in. / 23 x 32 cm
480 photographs
Tritone
€ 38.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-583-7
148
149
John Kobal Foundation (ed.)
Glamour of the Gods
Glamour of the Gods is a survey of Hollywood portraiture from the industry’s golden age, the period from 1920 to
1960. All the photographs are drawn from the extraordinary archives of the John Kobal Foundation in London. John
Kobal was the last century’s pre-eminent authority on Hollywood photography and was the first collector and later author who systematically sought to understand photography’s role in creating and marketing the great stars central to
the Hollywood mystique. Garbo, Dietrich, Cooper and Bogart are among the famous faces featured and in many cases
these are the career defining images of their era. Most of the reproductions are from the archive’s original vintage prints.
Film historian Robert Dance has written about John Kobal’s important place in Hollywood history and offers a lucid
overview of the still and portrait photographer’s place in the Hollywood studio system. Critic and historian John Russell
Taylor’s introduction draws from his memory of many years of friendship with Kobal.
Eleanor Powell for Born to Dance, MGM. Unidentified MGM Photographer, 1936
Nina May McKinny for Hallelujah, MGM. Rith Harriet Louise, 1929
Fred Astaire and Ginger Rogers for Swing Time, RKO. John Miehle, 1936
Greta Garbo for Anna Christie, MGM. Clarence Sinclair Bull, 1929
John Kobal Foundation (ed.)
Glamour of the Gods
Texts by Robert Dance and John Russell Taylor
Book design by Joby Ellis
288 pages
9.8 x 12.2 in. / 25 x 31 cm
250 photographs
Four-colour process
Softcover
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86521-682-3
King Kong, RKO.
Robert Coburn, 1933
150
151
Museum Folkwang (ed.)
Bond, … James Bond
When the first film adaptation, Dr. No, played at the cinemas in 1962, nobody dared to imagine that the smart secret
agent would ever enjoy such great popularity. The production firm (Econ-Productions) has since managed to adapt the
plots, designs and the character to the prevalent zeitgeist. The exhibition and the catalogue reflect on the character of
the gentleman, his antagonists, the image of women, the topics of violence, technology and architecture as well as imitations and parodies—and trace the developments and changes in the films and the posters.
The posters and photographs from private collections are partly exhibited for the first time.
Exhibition: German Poster Museum at Museum Folkwang, Essen, Germany, 10 November to 13 January 2013
Museum Folkwang (ed.)
Bond, … James Bond
Text by René Grohnert
Book design by Steidl Design / Bernard Fischer
256 pages
9.3 x 11.6 in. / 23.6 x 29.5 cm
325 photographs
Four-colour process
Softcover
€ 28.00 / £ 22.00 / US$ 38.00
ISBN 978-3-86930-578-3
152
153
“I think there’s a connection to a child setting out to rebuild the world one brick or stone at a time —
exactly like the original, all the same materials, built in the same way. He’s so hopeful at the start, but
as he works, he realizes in one way and then another that it can’t be done.”
Glen Seator
Nina Holland, Glen Seator: Making Things Moving Places
154
Nina Holland, Glen Seator: Making Things Moving Places
155
Nina Holland
Glen Seator: Making Things Moving Places
Glen Seator took the simple materials and circumstances of everyday life and with them created monumental dramas
of human consciousness. Rebuilding the places that surrounded him and the terrain under his feet, he gave form to a
collection of architectural reconstructions that undermined the statement, “I am here.” These large-scale masterpieces
inspired a generation of artists in the 1990s to rethink architecture as a material and subject of sculpture. Before that,
Seator realized approximately 120 works that are virtually unknown to the public. Glen Seator: Making Things Moving
Places reveals for the first time the entire body of sculptural work produced from 1980 to 2002. The volumes are
organized into fourteen workbooks that reconstruct Seator’s work process, step by step, using the raw materials of the
artist’s archive, including his notes, plans, drawings, photographs, and personal statements. Together the volumes form
a portable version of the archive and give a lively and personal view into the process of making objects.
Glen Seator was born in 1956 in Beardstown, Illinois, and died in Brooklyn at the age of 46. During the 1990s he
realized a body of influential and widely acclaimed full-scale architectural reconstructions at many of the world’s leading
galleries and institutions. His few surviving works are part of the permanent collections of the Whitney Museum and the
Guggenheim Museum.
In collaboration with 12 Duffield: The Glen Seator Foundation
Includes a catalogue of the complete sculptural works and source notes for all primary sources from the artist’s archive.
Volume 1
Volume 2
Volume 3
Volume 4
Volume 5
Nina Holland
Glen Seator: Making Things Moving Places
156
Volume 6
Volume 7
Volume 8
Volume 9
Volume 11
Volume 12
Volume 13
Volume 14
Volume 10
Texts by Glen Seator and Nina Holland
Book design by Nina Holland
1888 pages
7.48 x 10.24 in. / 19 x 26 cm
1590 colour and 80 duotone illustrations
Box contains 14 stitched soft-cover
volumes and a DVD
€ 100.00 / £ 85.00 / US$ 125.00
ISBN 978-3-86930-572-1
157
Exit Art
Unfinished Memories: 30 Years of Exit Art
Founded in 1982 by Jeanette Ingberman and Papo Colo, Exit Art was an interdisciplinary cultural center that presented
innovative exhibitions, films and performances that reflected a commitment to contemporary issues and ideas. It
supported emerging, under-recognized, mid-career and international artists, emphasizing new and experimental forms
of expression, and was interested in art that explored environmental, political and cultural issues as a means of initiating or instigating social change. The diversity of Exit Art’s programmes reflected the multiplicity of its audience, which
included artists, activists, scholars, scientists, students, cultural critics, educators, collectors, and the New York community at large.
After thirty years, the gallery closed at the end of May 2012, and Exit Art ’s extensive archives have been transferred to
the Downtown Collection at Fales Library & Special Collections at New York University, where they are currently being
processed, and will eventually be available to scholars and students for research. Steidl publishes this final document
of Exit Art on the occasion of the closing of the gallery. It is directed at the preservation of the work of Exit Art and will
illustrate in text and images—many published here for the first time—the history of Exit Art exhibitions and events. It is
hoped that it will provide a scholarly resource focused on experimental American artworks linked to the creative, social,
and political dimensions of American culture. This major monograph will serve as a lasting record of the unique collaborative achievement of Jeanette Ingberman and Papo Colo in the creation of Exit Art.
Exit Art
Unfinished Memories: 30 Years of Exit Art
Essays by Holland Cotter, Papo Colo, Jeanette Ingberman,
Mary Anne Staniszewski, and Rachel Gugelberger.
Plus 82 texts by artists, curators, and writers associated
with Exit Art, including Vito Acconci, Nicole Eisenman, Jane
Hammond, Laurence Kardish, Lucy Lippard, Glenn Lowry,
Shirin Neshat, Nancy Spector, Robert Storr, Margarita
Tupitsyn, Ursula von Rydingsvard, Martha Wilson, and
Krysztof Wodiczko.
Book design by Annemieke Beemster Leverenz
448 pages
11.3 x 9.1 in. / 28.6 x 23.2 cm
1000 photographs
Four-colour process
Hardcover
€ 48.00 / £ 35.00 / US$ 68.00
ISBN 978-3-86930-582-0
158
159
28.09.1982 / Beuys working with Steidl at Steidl Verlag, Düstere Straße 4
Klaus Staeck and Gerhard Steidl
Beuys Book
Joseph Beuys was photographed extensively during his life, whether at work, while travelling, or at home. But only a few
photographers had the privileged access and tenacity of Klaus Staeck and Gerhard Steidl. Graphic artist Staeck and
printer/publisher Steidl accompanied Beuys with their cameras from 1970 until his death in 1986. Staeck and Steidl
were part of Beuys’ entourage, worked closely with him to produce his multiples and objects, and documented intimate
aspects of the life of this unmatched artist-performer. These photos reveal Beuys’ unique charismatic personality that
influenced not only those he met, but society and art in general.
Born in 1938 in Pulsnitz near Dresden, Klaus Staeck is one of Germany’s most prominent graphic artists. Renowned
for his political posters, Staeck has been president of the Akademie der Künste in Berlin since 2006. Steidl has
produced Staeck’s posters throughout his career and has published many of his books including Ohne Auftrag (2001),
Pornografie (2005) and Schöne Aussichten (2009).
Gerhard Steidl was born in 1950 in Göttingen, Germany, where he continues to live and work. Steidl received his
informal printing training from Klaus Staeck and Joseph Beuys, and in 1972, the first Steidl book Befragung der
Documenta was published. Since the mid-1980s, Steidl has published literature including the work of Nobel laureates
Günter Grass and Halldór Laxness. In 1996, Steidl founded an international photography book programme.
Klaus Staeck and Gerhard Steidl
Beuys Book
Edited by Klaus Staeck and Gerhard Steidl
Text by Erhard Kluge
Book design by Klaus Staeck, Gerhard Steidl and Duncan Whyte
736 pages
6.5 x 9.4 in. / 16.5 x 24 cm
455 photographs
Four-colour process and duotone
Hardcover with foil embossing
€ 28.00 / £ 22.00 / US$ 35.00
ISBN 978-3-86521-914-5
162
163
Germano Celant (ed.)
Matthias Schaller
Matthias Schaller is a retrospective of Schaller’s photography in book form, presenting all his major bodies of work
from the last ten years such as the series “Studio Gursky” (2000), documenting Andreas Gursky’s Düsseldorf studio;
“Die Mühle” (2001–02), showing the studio-home of Bernd and Hilla Becher; “Controfacciata” (2008), presenting
colour-drained images of the interiors of Venetian palaces; “Purple Desk” (2004–08), showing the personal desks of
30 cardinals of the Roman Curia; “Fratelli d’Italia” (2005–08), featuring 150 Italian opera houses; and “Disportraits”
(2008–09), a series of astronauts. Including thumbnail images of all these series and a bibliography, this book is the
perfect entry-point to Schaller’s oeuvre and a comprehensive summary of it.
Matthias Schaller was born in Dillingen/Donau, Germany, in 1965, and today lives in Venice/Italy and New York City.
Schaller studied cultural anthropology in Göttingen, Hamburg and Siena. He was a DAAD fellow in Rome and has
exhibited internationally in solo shows at institutions including Fondazione Giorgio Cini, Biennale d’Arte in Venice, the
Das Meisterstück (2007–present )
Picasso Museum in Münster, and Museu de Arte Moderna in Rio de Janeiro. Steidl has published Schaller’s The Mill
(2007), Controfacciata (2008) and Purple Desk (2009).
Germano Celant is an internationally acclaimed author and curator acknowledged for his theories on Arte Povera.
Celant has curated numerous exhibitions at many of the world’s most prominent institutions, and has authored
hundreds of publications, both books and catalogues. He is currently director of Fondazione Prada in Milan, curator
of Fondazione Aldo Rossi in Milan and curator of Fondazione Emilio and Annabianca Vedova in Venice.
Purple Desk (2004–08)
Germano Celant (ed.)
Matthias Schaller
Text by Germano Celant
Book design by Dario Zannier
336 pages
9.6 x 13 in. / 24.5 x 33 cm
490 photographs
Four-colour process
€ 58.00 / £ 42.00 / US$ 68.00
ISBN 978-3-86930-323-9
Disportraits (2008–09)
164
165
Michael Ruetz
The Family of Dog
With The Family of Dog, Michael Ruetz has implemented a unique photographic series in the last fifty years which at
the same time presents a subtle and enlightening depiction of people and their social behaviour. Dogs, after all, are what
we want to see in them and what we make of them. In the rarest case, a dog is simply an animal. Michael Ruetz
photographed dogs on the street, at homes, on the beach or in front of the TV, which usually makes them fall asleep.
He depicts them alone, with cats and cows and again and again as man’s companion. Ruetz avoids any mise-en-scène
and imposing himself on the animals. Occasional provocative payoffs result from patient observation. As man in his
daily routine, dogs slide into odd situations all the time.
In this sincere and nevertheless ironic book, Michael Ruetz shows the various forms of canine existence, a comédie
canine, in life as in death.
Michael Ruetz was born in Berlin in 1940. He studied Sinology, Japanese and journalism and lived abroad for thirteen
years. From 1969 to 1973, he was a staff photographer for the weekly magazine Stern. Since then he has worked solely
as a freelance photographer and as a contract writer and photographer with Little Brown and Company/New York Graphic
Society. Ruetz is a professor for communication design at the Hochschule für Bildende Künste in Braunschweig, Germany,
and is a member of the Akademie der Künste, Berlin. He was appointed Officier des Arts et Lettres in 2006. With Steidl
he has published Sichtbare Zeit, Das Willy-Brandt-Haus, Bibliothek der Augen, Cosmos, WindAuge, Eye on Time, Die
unbequeme Zeit and Eye on Infinity.
Michael Ruetz
The Family of Dog
Text by Klaus Honnef and Michael Ruetz
Book design by Michael Ruetz
152 pages
11.6 x 12.2 in. / 29.7 x 31 cm
130 photographs
Tritone
€ 40.00 / £ 32.00 / US$ 56.00
ISBN 978-3-86930-575-2
166
167
Bernard Sabrier
Vanuatu
As a child Bernard Sabrier was given a map of the Pacific by his father, and since then the archipelago of Vanuatu has
remained in his imagination. Forty years later, Sabrier travelled to Vanuatu and this book documents his experiences.
Discovered by the Spanish in 1606 and claimed by the French and English in the 1880s, Vanuatu became a republic
in 1980 and today subsists mostly on agriculture and tourism. Such facts inform our perception of Sabrier’s pictures
but are secondary to his project. These candid images depict the natives with which Sabrier has formed personal
bonds, and the realisation of a childhood dream in an open-eyed, non-patronizing way.
Bernard Sabrier was born to Franco-Russian parents in Casablanca in 1953 and as a child intended to become a war
photographer. Sabrier has a particular interest in photographing the cultures of the Pacific.
Bernard Sabrier
Vanuatu
Text by Bernard Sabrier
Book design by Erol Toker and Bernard Sabrier
144 pages
9.4 x 11.8 in. / 24 x 32 cm
71 photographs
Four-colour process
€ 65.00 / £ 54.00 / US$ 78.00
ISBN 978-3-86930-258-4
168
169
Arnaud Maggs
Arnaud Maggs
This is the second in a series of annual publications published by Steidl celebrating the winner of the Scotiabank
Photography Award, Canada’s largest contemporary photography award for an established Canadian artist. Scotiabank
is a leader among Canadian corporations and is recognized internationally for its charitable donations and philanthropic
activities. The award was established by photographer Edward Burtynsky and Jane Nokes of Scotiabank.
Arnaud Maggs demonstrates the range of this year’s winner’s oeuvre with seventeen series including Joseph Beuys, 100
Profile Views (1980); Kunstakademie (1980); André Kertész, 144 Views (1980); Hotel (1991); Répertoire (1997); Contamination (2007); The Dada Portraits (2010) and his most recent series After Nadar (2012). Together they convey current theories related to the study of the history of photography, which stress the importance of using first generation
objects as research tools to re-examine history. Arnaud Maggs brings viewers face to face with books, ephemera, and portrait studies, skilfully photographed, re-presented and gracefully shared with us as works of fine art.
Since 1994, Toronto-based artist Arnaud Maggs’ interest in archival practice has led him to photograph objects and books
of extreme beauty, rarity and historical importance. These pristine, technically brilliant images are at the forefront of a
current trend within contemporary art: the archive. At the age of 47, Maggs left behind a successful career as a commercial illustrator and fashion photographer to dedicate himself to the fine arts. His first major photographic work, 64 Portrait
Studies (1976–78) featuring thirty-two anonymous models, photographed frontally and in profile from the shoulders up,
arranged in a grid to a total of 64 black and white, gelatine silver photographs laid the groundwork for an artistic vision
that Maggs has carried through to the present.
Co-published with Scotiabank
Arnaud Maggs
Arnaud Maggs
Texts by Maia-Mari Sutnick and Sophie Hackett
Book design by Barr Gilmore
216 pages
12 x 9.5 in. / 30.5 x 24.2 cm
200 photographs
Four-colour process and duotone
Papercovered hardcover
€ 45.00 / £ 36.00 / US$ 58.00
ISBN 978-3-86930-591-2
170
171
Urs Stahel and Daniela Janser (eds.)
Amar Kanwar: Evidence
Imagine nineteen sheets of paper floating forever in the wind. Imagine the simultaneous viewing of multiple time. Imagine
time that is filled with as many silences as with words. Imagine the slow gathering together of time. Moment by moment.
Evidence by evidence. Imagine the formal presentation of poetry as evidence in a future war crimes tribunal.
“This book represents a moment in a life and oeuvre constantly in flux, always branching out and converging, following
a course, but at times deliberately diverging, because there is time, or time can be found—to breathe, to walk, to pause,
to move on, to circle. There is poetry in Amar Kanwar’s words and lyricism in his films—both method and metaphor alike
by which life’s distillation and dissipation become comprehensible and deeper knowledge can be gained. Space can
be grasped through time, time through poetry. What is at stake is always the life of the individual, the rules of society,
power, abuse, violence, the power to enlighten and the courage to change.” Urs Stahel
Born in 1964 in New Delhi, India, Amar Kanwar lives and works in New Delhi. He is a documentary filmmaker and video
installation artist, his early work having been substantially influenced by the violent events of 1984 in Delhi. Kanwar has
exhibited at the documenta in Kassel, at Haus der Kunst in Munich, at the Stedelijk Museum in Amsterdam and at
Whitechapel Gallery in London. For his videos, he has received various awards including the Golden Gate Award, the
Golden Conch and the Edward Munch Award for Contemporary Art. Evidence is his first book with Steidl.
Co-published with the Fotomuseum Winterthur, sponsored by The George Foundation, Winterthur
Urs Stahel and Daniela Janser (eds.)
Amar Kanwar: Evidence
Texts by Amar Kanwar, Urs Stahel, Anne Rutherford, Sandhini Poddar,
Aseem Shrivastava and Marie Muracciole
Book design by Moiré
400 pages
6.3 x 9 in. / 16 x 23 cm
250 images
Four-colour process
€ 35.00 / £ 22.00 / US$ 45.00
ISBN 978-3-86930-540-0
172
173
Tyrone Martinsson, Gunilla Knape and Hans Hedberg (eds.)
In September 2011, a group of scientists, artists and writers embarked on an expedition to North-West Svalbard, the
northern extremity of Norway. Travelling on a ship, the M/S Stockholm, each of them recorded the event from their own
professional and personal perspective. The aim of the expedition was to discuss the discourse of the voyage regarding
the environment and our relation to the land and nature. As such, this book turns out as an artistic account integrated
by scientific documentation.
A range of environmental scientists have warned for decades about the effects of global warming, often prophesying
the future collapse of the earth’s ecosystem and urban communities as we know them. With regard to this, our culture’s
concept of a frozen north is about to change and with it, our perceptions of the Arctic. The sites on the route map of the
journey facing the northern shores of the Polar Sea all have a story to tell, natural or cultural. The book is a narrative of
the places visited by the expedition with the many different approaches shaping the views of the land encountered. The
poetics of artists and photographers meeting the environmentalist writers and researchers of science and history tells
the story of an expedition following its historic predecessors. The history of photography and earlier travel accounts as
well as burning contemporary issues guided the journey into the Arctic. The book is an outcome of shifting voices from
a wild place.
Tyrone Martinsson is researcher and senior lecturer in photography at the Valand Academy, University of Gothenburg.
Gunilla Knape is research consultant at the Hasselblad Foundation, the editor of books and exhibition catalogues and
collaborating with the research group in photography at the University of Gothenburg.
Hans Hedberg is head of artistic research in photography, University of Gothenburg, and curator at Fotografins Hus,
Stockholm.
EXPEDITION SVALBARD:
LOST VIEWS ON THE SHORELINES OF ECONOMY
Tyrone Martinsson, Gunilla Knape and Hans Hedberg (ed.)
Contributions by Sophie Calle, Marie Deplechin, Stevie
Bezencenet, Gunilla Bandolin, Per Holmlund, Joan Fontcuberta,
Rebecca Solnit, Urban Wråkberg, Chris Wainwright,
Tyrone Martinsson, Gunilla Knape, and Hans Hedberg
Book design by Sarah Winter
264 pages and one gatefold
11.4 x 10.2 in. / 29 x 26 cm
100 photographs
Four-colour process
Hardcover
€ 48.00 / £ 28.00 / US$ 58.00
ISBN 978-3-86930-590-5
STEIDL
174
175
BACKLIST
BACKLIST
Berenice Abbott
Documenting Science
Clothbound hardcover with a tippedin photo
11.6 x 12.2 in. / 29.5 x 31 cm, 180 pp
93 photographs, Tritone
€ 58.00 / £ 50.00 / US$ 75.00
ISBN 978-3-86930-431-1
A-chan
Off Beat
Otabind softcover
7.5 x 9.4 in. / 19 x 24 cm, 64 pp
€ 20.00 / £ 16.00 / US$ 25.00
ISBN 978-3-86930-416-8
A-chan
Vibrant Home
Otabind softcover
9.3 x 11 in. / 23.5 x 28 cm, 104 pp
68 colour photographs
€ 20.00 / £ 16.00 / US$ 25.00
ISBN 978-3-86930-415-1
Adams, Bryan
Exposed
Clothbound hardcover with foil
embossing and a tipped-in photo
25 x 33.3 cm, 304 pp
€ 65.00 / £ 54.00 / US$ 88.00
ISBN 978-3-86930-500-4
Bailey, David
Havana
Leatherbound hardcover
26 x 33 cm, 176 pp
Four colour process
€ 45.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-270-2
Bailey, David
Is That So Kid
Hardcover
26 x 33 cm , 72 pp
51 tritone plates
€ 40.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-632-8
Bailey, David
NY JS DB 62
Hardcover
26 x 33 cm, 72 pp
3 colour and 24 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-414-0
Bailey, David
Pictures that Mark Can Do
26 x 33 cm, 176 pp
164 colour plates
€ 45.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-367-9
Adams, Robert
Gone?
Clothbound hardcover with
dust jacket
25.4 x 25.4 cm, 128 pp
118 tritone photographs
€ 49.50 / £ 44.00 / US$ 69.95
ISBN 978-3-86521-917-6
Adams, Robert
Tree line
dust jacket
25.6 x 27.6 cm, 128 pp
Tritone
€ 35.00 / £ 30.00 / US$ 50.00
ISBN 978-3-86521-956-5
Abdsessemed, Adel
I am Innocent
26 x 35 cm, 260 pp
€ 30.00 / £ 22.00 / US$ 38.00
ISBN 978-3-86930-541-7
Miles Aldridge
Other Pictures
Clothbound hardcover with a tippedin photo, housed in a slipcase
15.4 x 10.6 in. / 39 x 27 cm, 140 pp
€ 98.00 / £ 82.00 / US$ 145.00
ISBN 978-3-86930-437-3
Bailey, David
8 Minutes
26 x 33 cm, 264 pp
Four colour process
€ 44.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86521-864-3
Bailey, David
Flowers, Skulls, Contacts
Leatherbound hardcover with
a tipped-in photo
26 x 33 cm, 300 pp
€ 56.00 / £ 49.00 / US$ 75.00
ISBN 978-3-86930-128-0
Bailey, David
Eye
26 x 33 cm, 188 pp
3 colour plates, 89 tritone plates
€ 48.00 / £ 44.00 / US$ 75.00
ISBN 978-3-86521-708-0
Lewis Baltz
Rule Without Exception / Only
Exceptions
Two otabind softcovers held in a sleeve
9.4 x 13.1 in. / 23.8 x 33.3 cm, 368 pp
260 photographs, Duotone / four colour
€ 65.00 / £ 50.00 / US$ 80.00
ISBN 978-3-86930-110-5
Ahtila, Eija-Liisa
Parallel Words
Clothbound Hardcover
21.7 x 28 cm, 200 pp
€ 35.00 / £ 28.00 / $ 45.00
ISBN 978-3-86930-490-8
Alÿs, Francis
Sign Painting Project
Hardcover
26.5 x 14 cm, 220 pp
300 photographs
€ 45.00 / £ 38.00 / US$ 64.00
ISBN 978-3-86521-290-0
Dirk Alvermann
Algeria
Softcover
4.3 x 7.1 in. / 10.8 x 18 cm, 224 pp
€ 18.00 / £ 15.00 / US$ 28.00
ISBN 978-3-86930-255-3
Bailey, David
Bailey’s Democracy
26 x 33 cm, 160 pp
47 tritone plates
€ 44.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-192-7
Lewis Baltz
Texts
embossing and a bookmark,
with an acetate dust jacket
5.3 x 8.3 in. / 13.5 x 21 cm, 160 pp
€ 24.00 / £ 20.00 / US$ 30.00
ISBN 978-3-86930-436-6
Baltz, Lewis
The Prototype Works
dust jacket
27.9 x 26.8 cm, 188 pp
85 photographs, tritone
€ 58.00 / £ 48.00 / US$ 72.00
ISBN 978-3-86930-250-8
Baltz, Lewis
Candlestick Point
32.2 x 24.5 cm, 128 pp
50 photographs, 72 tritone and 12
colour plates
€ 58.00 / £ 48,.00 / US$ 72.00
ISBN 978-3-86930-109-9
Banier, François-Marie
Perdre la tête
Hardcover
18 x 24.7 cm, 256 pp
160 tritone plates
€ 26.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-234-4
176
177
BACKLIST
BACKLIST
Beckett
Hardcover
14.5 x 18 cm, 88 pp
Four colour process
€ 18.00 / £ 15.00 / US$ 25.00
ISBN 978-3-86521-983-1
I Missed You
Hardcover
18 x 24.5 cm, 328 pp
Tritone
€ 45.00 / £ 39.50 / US$ 60.00
ISBN 978-3-86521-823-0
Grandes Chaleurs
24 x 30 cm, 144 pp
109 tritone plates
€ 45.00 / £ 35.00 / US$ 59.90
ISBN 978-3-86521-822-3
Boite de dessins
Autocar Volume 1
36 x 26 cm, 96 pp
€ 75.00 / £ 65.00 / US$ 85.00
ISBN 978-3-86930-066-5
Optimisme
Autocar Volume 10
10 x 14.5 cm, 196 pp
Four colour process
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86930-163-1
Pense à moi
Autocar Volume 11
34 x 31.5 cm, 48 pp
Four colour process
€ 48.00 / £ 40.00 / US$ 58.00
ISBN 978-3-86930-164-8
Barnett, Mariani (eds.)
Hiroshima Ground Zero 1945
Otabind softcover
25.4 x 30.9 cm, 248 pp
Four colour process
€ 48.00 / £ 42.00 / US$ 68.00
ISBN 978-3-86930-334-5
Joseph Beuys, Klaus Staeck
Honey is flowing in all directions
Clothbound
21 x 29.6 cm, 104 pp
93 duotone plates
€ 24.50 / £ 17.50 / US$ 29.95
ISBN 978-3-88243-538-2
Brioche Lait Pot Poire
Autocar Volume 2
30 x 40 cm, 48 pp
€ 46.00 / £ 76.00 / US$ 110.00
ISBN 978-3-86930-067-2
To have fun at home
Autocar Volume 3
7.5 x 14 cm, 48 pp
€ 24.00 / £ 20.00 / US$ 32.00
ISBN 978-3-86930-068-9
On n’est jamais tranquile
Autocar Volume 4
33 x 19 cm, 64 pp
€ 58.00 / £ 48.00 / US$ 68.00
ISBN 978-3-86930-073-3
I am Fascinated
Autocar Volume 5
Leporello fold with a cardboard cover
15.5 x 29.3 cm, 24 pp
€ 48.00 / £ 58.00 / US$ 58.00
ISBN 978-3-86930-074-3
Bolofo, Koto
Große Komplikation / Grand
Complication
Three clothbound hardcovers housed
in a slipcase
29 x 37 cm, 274 pp
€ 98 / £ 80.00 / US$ 118.00
ISBN 978-3-86930-055-9
Bolofo, Koto
Horse Power
29 x 37 cm, 144 pp
197 photographs, four colour
process
€ 75.00 / £ 59.00 / US$ 99.00
ISBN 978-3-86930-129-7
Bolofo, Koto
La Maison
11 hardcover books, bound in craft
paper with tipped-in photos, housed
in a slipcase
18 x 23.2 cm, 864 pp
€ 175.00 / £ 149.00 / US$ 238.00
ISBN 978-3-86521-912-1
Koto Bolofo
Lord Snowdon
11.4 x 14.6 in. / 29 x 37 cm, 208 pp
€ 75.00 / £ 59.00 / US$ 99.00
ISBN 978-3-86930-329-1
Etoiles
Autocar Volume 6
32 x 37.5 cm, 92 pp
Four colour process
€ 98.00 / £ 80.00 / US$ 125.00
ISBN 978-3-86930-159-4
Poaime
Autocar Volume 7
35 x 29.5 cm, 80 pp
Four colour process
€ 98.00 / £ 80.00 / US$ 125.00
ISBN 978-3-86930-160-0
Follow me
Autocar Volume 8
17.5 x 25 cm, 60 pp
Four colour process
€ 48.00 / £ 40.00 / US$ 58.00
ISBN 978-3-86930-161-7
A 2 Doigts
Autocar Volume 9
25.5 x 32 cm, 32 pp
Four colour process
€ 48.00 / £ 40.00 / US$ 58.00
ISBN 978-3-86930-162-4
Bolofo, Koto
Venus Williams
Clothbound hardcover with dust
jacket, 29.7 x 34 cm, 100 pp
90 colour and b/w plates
€ 42.00 / £ 30.00 / US$ 60.00
ISBN 978-3-86521-602-1
Bolofo, Koto
Vroom! Vroom!
Hardcover
29 x 37 cm, 96 pages
84 colour plates
€ 58.00 / £ 52.00 / US$ 75.00
ISBN 978-3-86521-961-9
Manuel Alvarez Bravo, Henri CartierBresson, Walker Evans
Documentary and Anti-Graphic
Photographs
Hardcover, 20 x 24 cm
192 pages, 89 tritone plates
€ 30.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-072-2
Brohm, Joachim
Ohio
dust jacket, 29.5 x 25 cm
120 pp, 40 colour plates
€ 40.00 / £ 36.00 / US$ 59.95
ISBN 978-3-86521-698-4
178
179
BACKLIST
BACKLIST
Brohm, Joachim
Areal
20.4 x 26.6 cm, 264 pp
206 colour plates
€ 35.00 / £ 22.50 / US$ 35.00
ISBN 978-3-88243-878-9
Brohm, Joachim
Ruhr
29 x 32 cm, 160 pp
50 colour plates
€ 50.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-389-1
Brush, Daniel
Red Breathing
Hardcover
21.4 x 32 cm 128 pp
€ 85.00 / £ 76.00 / $ 125.00
ISBN 978-3-86521-746-2
Brynner, Victoria (ed.)
YUL
Yul Brynner: A Photographic Journey
Four softcover books in a slipcase
21.6 x 28.2 cm, 800 pp
€ 98.00 / £ 88.00 / US$ 150.00
ISBN 978-3-86930-131-0
Lynne Cohen
Nothing is Hidden
embossing
12.4 x 10.3 in. / 31.5 x 26.2 cm, 172 pp
€ 65.00 / £ 50.00 / US$ 80.00
ISBN 978-3-86930-449-6
Cole, Ernest
The Photographer
Hardcover
27 x 29 cm, 256 pp
€ 45.00 / £ 38.00 / US$ 56.00
ISBN 978-3-86930-137-2
Collins, Michael
Record Pictures: Photographs from
the Archive
30 x 25.5 cm, 218 pp
60 colour plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-031-9
Cowin, Daniel
Modernist Photography: The Daniel
Cowin Collection at ICP
Hardcover
22.3 x 25.4 cm, 112 pp
70 colour plates
€ 40.00 / £ 32.00 / US$ 60.00
ISBN 978-3-86521-158-3
Burtynsky, Edward
China
38.1 x 30.5 cm, 180 pp
80 colour plates
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-130-9
Burtynsky, Edward
Oil
37.5 x 29.5 cm, 140 pp
100 colour plates
€ 98.00 / £ 85.00 / US$ 128.00
ISBN 978-3-86521-943-5
Burtynsky, Edward
Quarries
38.1 x 30.4 cm, 176 pp
80 colour plates
€ 68.00 / £ 60.00 / US$ 88.00
ISBN 978-3-86521-456-0
Callahan, Harry
Seven Collages
28 x 32.4 cm, 32 pp
7 tritone plates
€ 40.00 / £ 34.00 / US$ 50.00
ISBN 978-3-86930-140-2
D'Agati, Mauro
Alamar
29.5 x 25 cm, 156 pp
87 colour plates
€ 45.00 / £ 35.00 / US$ 59.95
ISBN 978-3-86521-954-1
D’Agati, Mauro
Sit Lux et Lux Fuit
19 x 28.5 cm, 346 pp
€ 56.00 / £ 35.00 / $ 45.00
ISBN ISBN 978-3-86930-488-5
D'Agati, Mauro
Palermo Unsung
Hardcover
22 x 30 cm, 104 pp
55 tritone plates
€ 45.00 / £ 39.50 / US$ 60.00
ISBN 978-3-86521-918-3
Bruce Davidson
Black & White
Five clothbound books, with tipped-in
photos, housed in a slipcase
11.6 x 11.4 inches / 29.5 x 29 cm,
704 pp, 561 tritone plates
€ 248.00 / £ 220.00 / US$ 345.00
ISBN 978-3-86930-432-8
Calle, Sophie
True Stories
The Hasselblad Award in
Photography 2010
25.6 x 27.6 cm, pp 128
€ 45.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86930-156-3
Carroll, Mary Ellen
Mary Ellen Carroll
Softcover housed in a slipcase
17.5 x 24.5 cm, 360 pp
400 colour and b/w illustrations
€ 35.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-618-2
Clarke, Brian
WORK
Seven clothbound hardcover books
25.4 x 36.5 cm
€ 180.00 / £ 150.00 / US$ 249.90
ISBN 978-3-86521-633-5
Chuck Close
Scribble Book: Self Portrait
Two accordion-fold books and a saddle-stiched booklet in a clamshell box
25.4 x 36.5 cm. Books: 2 x 9 pp,
booklet: 8 pp, 9-colour printing
€ 75.00 / £ 64.00 / US$ 99.90
ISBN 978-3-86521-492-8
Davidson, Bruce
Subway
29.5 x 29 cm, 140 pp
117 photographs, four colour process
€ 58.00 / £ 52.00 / Distributed in the
USA by Aperture
ISBN 978-3-86930-294-2
Davidson, Bruce
Outside Inside
Three clothbound hardcover books
23 x 30 cm, 944 pp
Tritone
€ 185.00 / £ 158.00 / US$ 195.00
ISBN 978-3-86521-908-4
Dean, Tacita
Darmstädter Werkblock
Softcover, signed and numbered by
the artist
6 x 15.3 cm, 80 pp
80 colour plates
€ 85.00 / £ 70.00 / US$ 100.00
ISBN 978-3-86521-703-5
Dean, Tacita
Seven Books Grey
Seven softcover books in a slipcase
19.2 x 26 cm, 488 pp
Four colour process
€ 78.00 / £ 65.00 / US$ 98.00
ISBN 978-3-86930-299-7
180
181
BACKLIST
BACKLIST
Delehaye, Luc
2006 – 2010
Otabind softcover
21 x 26 cm, 80 pp
13 photographs, 8 details
Four colour process
€ 24.00 / £ 20.00 / US$ 30.00
ISBN 978-3-86930-228-7
Demarchelier, Patrick
Patrick Demarchelier
jacket, 27 x 31 cm
408 pp, 410 colour and b/w plates
€ 68.00 / £ 48.50 / US$ 99.00
ISBN 978-3-86521-736-3
Depardon, Raymond
Manhattan Out
29.5 x 20.5 cm, 120 pp
97 tritone plates
€ 30.00 / £ 25.00 / US$ 49.50
ISBN 978-3-86521-704-2
Derges, Susan
Elemental
Hardcover
25 x 35 cm, pp 240
€ 54.00 / £ 48.00 / US$ 75.00
ISBN 978-3-86930-150-1
Jim Dine
Hello Yellow Glove
Softcover
21 x 28 cm, 64 pp
€ 25.00 / £ 20.00 / US$ 34.00
ISBN 978-3-86930-484-7
Doisneau, Robert
From Craft to Art
Hardcover
17 cm x 24 cm, 160 pp
Tritone
€ 38.00 / £ 34.00 / US$ 55.00
ISBN 978-3-86930-025-2
D’Orgeval, Martin
The Soul
42 x 34.3 cm, 80 pp
Four colour process
€ 65.00 / £ 57.00 / US$ 88.00
ISBN 978-3 -86930-072-6
Diane Dufour and Jean-Yves
Jouannais (eds.)
Topographies of War
Hardcover
11.4 x 8.3 in. / 29 x 21 cm, 96 pp
110 photographs, Four colour
€ 25.00 / £ 18.00 / US$ 38.00
ISBN 978-3-86930-421-2
Jim Dine
Donkey in the Sea before Us
4.5 x 6.7 in. / 11.5 x 17 cm, 56 pp
24 colour images
€ 18.00 / £ 12.00 / US$ 28.00
ISBN 978-3-86930-451-9
Dine, Jim
Birds
29.5 x 31.5 cm, 88 pp
36 tritone plates
€ 49.00 / £ 35.00 / US$ 50.00
ISBN 978-3-88243-240-4
Dine, Jim
Entrada Drive
29.5 x 31.5 cm, 48 pp
44 tritone plates
€ 50.00 / £ 35.00 / US$ 70.00
ISBN 978-3-86521-080-7
Dine, Jim
The Photographs,
So Far (vols. 1-4)
Four books housed in
a slipcase, 21.3 x 28.5 cm
1046 pp, 548 plates
€ 150.00 / £ 100.00 / US$ 150.00
ISBN 978-3-88243-905-2
Edström, Anders
waiting some birds a bus a woman /
spidernets places a crew
26.8 x 21 cm, 128 pp
80 colour plates
€ 45.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-032-6
William Eggleston
Chromes
Three clothbound hardcovers with
tipped-in photos, housed in a slipcase
12.4 x 12.6 in. / 31.5 x 32 cm, 744 pp
€ 248.00 / £ 220.00 / US$ 345.00
ISBN 978-3-6930-311-6
Eggleston, William
Los Alamos
Three clothbound hardcover books
with tipped-in photos, housed in a
slipcase
31.5 x 32 cm, 432 pp
€ 248.00 / £ 220.00 / $ 345.00
ISBN 978-3-86930-532-5
Eggleston, William
Before Color
Hardcover
22.5 x 25.5 cm, 200 pp
Quadrotone
€ 48.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86930-122-8
Dine, Jim
Hot Dream (52 books)
52 hardcover books housed in a
cardboard box, 17 x 23.5 cm
b/w, tritone and four colour process
€ 380.00 / £ 327.00 / US$ 480.00
ISBN 978-3-86521-693-9
Dine, Jim
This Goofy Life of Constant
Mourning
Clothbound flexible hardcover
21.5 x 25 cm, 296 pp
181 colour plates
€ 70.00 / £ 48.00 / US$ 80.00
ISBN 978-3-88243-967-0
Dine, Jim
Night Fields, Day Fields – Sculpture
Softcover
23 x 28 cm, 144 pp
€ 35.00 / £ 29.00 / US$ 42.00
ISBN 978-3-86930-204-1
Dine, Jim
This Is How I Remember Now
Hardcover
21 x 24.5 cm, 350 pp
Four colour process
€ 48.00 / £ 33.00 / US$ 70.00
ISBN 978-3-86521-603-8
Elkoury, Fouad
Be ... Longing
Hardcover
18 x 24 cm, 160 pp
Four colour process and tritone
€ 28.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86930-345-1
Engström, JH
CDG / JHE
Hardcover
29.7 x 23 cm, 112 pp
66 colour plates
€ 38.00 / £ 28.00 / US$ 48.00
ISBN 978-3-86521-538-3
Engström, JH
Haunts
jacket, 24.2 x 30.5 cm, 216 pp
127 colour and duotone plates
€ 50.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-297-9
Enwezor, Okwui (ed.)
Snap Judgments: New Positions in
Contemporary African Photography
24 x 32 cm, 300 pp
250 colour plates
€ 55.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86521-224-5
182
183
BACKLIST
Enwezor, Okwui (ed.)
Events of the Self:
Contemporary African Photographs
from The Walther Collection
24 x 32 cm, 352 pp
€ 65.00 / £ 58.00 / US$ 88.00
ISBN 978-3-86930-157-0
Epstein, Mitch
Berlin
Clothbound hardcover in a slipcase
24.5 x 29.5 cm, 72 pp
Four colour process
€ 45.00 / £ 36.00 / US$ 55.00
ISBN 978-3-86930-224-9
Epstein, Mitch
Work
Hardcover
22.9 x 26.6 cm, 276 pp
226 duotone and 138 colour plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-281-8
Eskildsen, Ute
Photography Collection Museum
Folkwang
Hardcover
22.5 x 28 cm, 312 pp
€ 34.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86930-071-9
Eskildsen, Joakim / Rinne, Cia
The Roma Journeys
Hardcover with a CD of field
recordings and music recorded on
the journeys, 23.3 x 26.6 cm
€ 60.00 / £ 52.00 / US$ 78.00
ISBN 978-3-86521-371-6
Evans, Walker
Lyric Documentary
23.7 x 24.4 cm, 260 pp
200 tritone plates
€ 48.00 / £ 32.00 / US$ 60.00
ISBN 978-3-86521-022-7
Franck, Martine
Women / Femmes
a tipped-in photo
20.5 x 22.5, 152 pp
€ 35.00 / £ 31.00 / US$ 50.00
ISBN 978-3-86930-149-5
Frank, Robert
The Americans
dust jacket
20.9 x 18.4 cm
€ 30.00 / £ 20.00 / US$ 39.95
ISBN 978-3-86521-584-0
Frank, Robert
Looking In: Robert Frank’s The
Americans – Expanded Edition
Hardcover, 24 x 29.2 cm, 528 pp
108 colour, 168 tritone, 210 duotone
plates
€ 69.00 / £ 49.90 / US$ 85.00
ISBN 978-3-86521-806-3
184
BACKLIST
Epstein, Mitch
American Power
dust jacket, 29.5 x 26.5 cm
€ 58.00 / £ 48.00 / US$ 72.00
ISBN 978-3-86521-924-4
Frank, Robert
Come Again
Sewn softcover
21.5 x 28 cm, 48 pp
Colour matt inks with polaroid varnish
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-261-0
Frank, Robert
The Complete Film Works
Vol. 1: Pull My Daisy, The Sin of
Jesus, Me and My Brother
Three DVDs in a film-roll box
€ 78.00 / £ 75.00 / US$ 140.00
ISBN 978-3-86521-365-5
Frank, Robert
Vol. 2: OK End Here, Conversations,
Liferaft Earth
€ 78.00 / £ 75.00 / US$ 140.00
ISBN 978-3-86521-525-3
Frank, Robert
Vol. 3: Keep Busy, About me: A
Musical, S-8 Stones
€ 78.00 / £ 75.00 / US$ 140.00
ISBN 978-3-86521-591-8
Fäldt, Tobias
Year One
dust jacket
18.5 x 25 cm, 128 pp
120 colour plates
€ 38.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86521-537-6
Robert Frank
The Complete Film Works / Volumes
4, 5, 6
Nine DVDs in film-roll boxes, housed
in a cardboard box
Nine films, 295 minutes
€ 98.00 / £ 80.00 / US$ 150.00
ISBN 978-3-86930-480-9
Frank, Robert
Frank Films – The Film and Video
Work of Robert Frank
Softcover
17 x 24 cm, 304 pp
B/w photographs throughout
€ 32.00 / £ 27.00 / US$ 45.00
ISBN 978-3-86521-815-5
Frank, Robert
Pull My Daisy
Hardcover
13.7 x 20.2 cm, 64 pp
53 tritone plates
€ 17.50 / £ 14.00 / US$ 27.50
ISBN 978-3-86521-673-1
Frank, Robert
Pull my Daisy
DVD, text booklet and photomagazine
housed in a cardboard box
14.2 x 19.2 cm 88 pp
€ 20.00 / £ 16.00 / $ 28.00
ISBN 978-3-86930-428-1
Frank, Robert
Black White and Things
Softcover
20 x 20.7 cm, 80 pp
37 tritone plates
€ 22.00 / £ 18.00 / US$ 29.95
ISBN 978-3-86521-808-7
Frank, Robert
Henry Frank, Father Photographer
14 x 16.5 cm, 88 pp
Tritone
€ 24.00 / £ 20.00 / US$ 28.00
ISBN 978-3-86521-814-8
Frank, Robert
Me and My Brother
Softcover with DVD
25 x 32.5 cm, 56 pp
100 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-363-1
Frank, Robert
New York to Nova Scotia
Hardcover
22.7 x 30.4 cm, 112 pp
27 duotone and 4 colour plates
€ 25.00 / £ 17.50 / US$ 30.00
ISBN 978-3-86521-013-5
Frank, Robert
One Hour
10.5 x 15 cm, 96 pp
14 tritone plates
€ 18.00 / £ 12.50 / US$ 20.00
ISBN 978-3-86521-364-8
185
BACKLIST
BACKLIST
Frank, Robert
Paris
18.5 x 22 cm
€ 30.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-524-6
Frank, Robert
Pangnirtung
23 x 30.5 cm, 40 pp
27 photographs, quadrotone
€ 25.00 / £ 22.00 / US$ 32.00
ISBN 978-3-86930-198-3
Frank, Robert
Portfolio
Brochure in printed envelope
20.5 x 27.3 cm, 48 pp
40 tritone plates
€ 18.00 / £ 12.00 / US$ 20.00
ISBN 978-3-86521-813-1
Frank, Robert
Seven Stories
Seven stapled softback albums
14 x 10 cm, 124 pp
93 colour plates, four colour process
€ 25.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-789-9
Goldblatt, David
On the Mines
Clothbound Hardcover with foil
embossing
27.9 x 27.9 cm, 180 pp
€ 58.00 / £ 48.00 / 75.00
ISBN 978-3-86930-491-5
Gossage, John
The Thirty-Two Inch Ruler / Map of
Babylon
Clothbound with dust jacket
23.5 x 28.6 cm, 80 pp
180 colour plates
€ 45.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86521-710-3
Graham, Paul
Paul Graham
Hardcover
22.5 x 28 cm, 376 pp
250 colour plates
€ 48.00 / £ 42.00 / US$ 64.00
ISBN 978-3-86521-858-2
Graham, Paul
a shimmer of possibility
Softcover
24.2 x 31.8 cm, 376 pp
176 colour plates
€ 48.00 / £ 42.00 / US$ 64.00
ISBN 978-3-86521-862-9
Frank, Robert
Storylines
Softcover
24.5 x 28 cm, 240 pp
225 duotone and 25 colour photos
€ 35.00 / £ 25.00 / US$ 40.00
ISBN 978-3-86521-041-8
Frank, Robert
Tal Uf Tal Ab
Otabind softcover housed in
a slipcase
20.5 x 25 cm, 40 pp
Tritone
€ 25.00 / £ 22.00 / US$ 28.00
ISBN 978-3-86930-101-3
Robert Frank
You Would
Otabind softcover housed in a slipcase
8.1 x 9.8 in. / 20.5 x 25 cm, 48 pp
41 photographs, Tritone and four colour
process
€ 25.00 / £ 22.00 / US$ 28.00
ISBN 978-3-86930-418-2
Frank, Robert
Zero Mostel reads a book
Hardcover
14.4 x 21.5 cm, 40 pp
36 tritone plates
€ 17.50 / £ 14.00 / US$ 27.50
ISBN 978-3-86521-586-4
Robert Graham
Early Work 1963–1973
Clothbound hardcover with a tippedin image
8 x 10 in. / 20.3 x 25.4 cm, 128 pp
47 colour images
€ 48.00 / £ 38.00 / US$ 65.00
ISBN 978-3-86930-985-9
Grant, Alexandra / Reeves, Keanu
Ode to Happiness
Brochure in a clothbound slipcase
20 x 32.5 cm, 40 pp
€ 38.00 / £ 32.00 / $ 55.00
ISBN 978-3-86930-209-6
Grass, Günter
Günter Grass Catalogue Raisonné 1
- The Etchings
24 x 31 cm, 608 pp
303 illustrations
€ 98.00 / £ 70.00 / US$ 125.00
ISBN 978-3-86521-565-9
Grass, Günter
Günter Grass Catalogue Raisonné 2
- The Lithographs
24 x 31 cm, 742 pp
356 illustrations
€ 98.00 / £ 70.00 / US$ 125.00
ISBN 978-3-86521-566-6
Frank, Robert
Valencia
Colthbound Hardcover
25.3 x 25.3 cm, 64 pp
€ 34.00 / £ 27.00 / $ 27.00
ISBN 978-3-86930-502-8
Peter Fraser
A City in the Mind
embossing
11.2 x 12.6 in. / 28.5 x 32 cm, 80 pp
€ 65.00 / £ 54.00 / US$ 85.00
ISBN 978-3-86930-453-3
Garner, Philippe / Mellor, David Alan
Antonioni’s Blow-Up
Hardcover
24.5 x 28.6 cm, 144 pp
€ 38.00 / £ 32.00 / US$ 49.00
ISBN 978-3-86930-023-8
Goldberg, Jim
Open See
Four volumes in a printed sleeve
16.5 x 26.1 cm, 200 pp
Tritone and four colour process
€ 40.00 / £ 36.00 / US$ 50.00
ISBN 978-3-86521-826-1
Gursky, Andreas
Bangkok
Hardcover book
22 x 29 cm, 112 pp
€ 24,80 / £ 20.00 / $32.00
ISBN 978-3-86930-554-7
Gundlach, F.C.
Martin Munkacsi
Clothbound Hardcover with a dust
jacket
24 x 29.5 cm
€ 58.00 / £ 45.00 / $ 78.00
ISBN 978-3-86930-269-6
Hajek-Halke, Heinz
Artist, Anarchist
26 x 33 cm, 224 pp
108 tritone plates
€ 65.00 / £ 45.00 / US$ 80.00
ISBN 978-3-86521-134-7
Hara, Cristóbal
Autobiography
Hardcover
18 x 24 cm, 96 pp
69 colour plates
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-472-0
186
187
BACKLIST
BACKLIST
Amanda Harlech
Travelling in India
Clothbound hardcover with red handcoloured fore edges
8.3 x 5.8 in. / 20 x 14.8 cm, 192 pp
€ 32.00 / £ 25.00 / US$ 40.00
ISBN 978-3-86930-393-2
Dan Holdsworth
Blackout
11.3 x 13 in. / 28.6 x 33 cm, 80 pp
€ 48.00 / £ 38.00 / US$ 65.00
ISBN 978-3-86930-454-0
Horn, Roni
Another Water
Otabind softcover
19.7 x 30 cm, 112 pp
Four colour process
€ 38.00 / £ 35.00 / US$ 58.00
ISBN 978-3-86930-318-5
Horn, Roni
Haraldsdóttir, part two
foil embossing, 20.8 x 26 cm, 144 pp
€ 88.00 / £ 75.00 / US$ 98.00
ISBN 978-3-86930-317-8
Horn, Roni
Her∂ubrei∂ at Home
Softcover
15.2 x 21.6 cm, 128 pp
60 colour plates
€ 20.00 / £ 13.00 / US$ 25.00
ISBN 978-3-86521-457-7
Horn, Roni
VATNASAFN / LIBRARY OF WATER
23 x 17 cm
€ 35.00 / £ 30.00 / US$ 45.00
ISBN 978-3-86521-942-8
Horn, Roni
AKA
28.4 x 30.5 cm, 36 pp
€ 35.00 / £ 25.00 / US$ 50.00
ISBN 978-3-86930-133-4
Horn, Roni
Roni Horn aka Roni Horn
Two volumes housed in
a paper slipcase
19 x 24 cm, 430 pp
375 colour plates
€ 50.00 / £ 42.00 / US$ 70.00
ISBN 978-3-86521-831-5
Horn, Roni
Haraldsdóttir, part two
Special edition in slipcase
embossing, 20.8 x 26 cm, 144 pp
€ 380.00 / £ 330.00 / US$ 540.00
ISBN 978-3-86930-429-8
Horn, Roni
If on a Winter’s Night...
Softcover
17.2 x 22.9 cm, 128 pp
62 colour plates
€ 20.00 / £ 14.50 / US$ 20.00
ISBN 978-3-88243-911-3
Horn, Roni
Cabinet of
Hardcover
30.5 x 35.6 cm
€ 65.00 / £ 40.00 / US$ 65.00
ISBN 978-3-88243-864-2
Horn, Roni
Her, Her, Her, & Her
Softcover
24 x 24 cm
128 pp, 120 duotone plates
€ 35.00 / £ 24.00 / US$ 45.00
ISBN 978-3-86521-035-7
Jacob, John P. (ed.)
Kodak Girl
Hardcover
21.7 x 26 cm, 336 pp
Four colour process
€ 58.00 / £ 48.00 / US$ 78.00
ISBN 978-3-86930-324-6
Jasper, Texas
The Community Photographs of
Alonzo Jordan
Hardcover
29.5 x 23 cm, 160 pp
137 tritone and 3 colour plates
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86930-151-8
Johansson, Gerry
Deutschland
a tipped-in image
17 x 24 cm, 448 pp
222 tritone plates
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86521-534-5
Johns, Jasper
Catenary
dust jacket
25 x 30 cm, 128 pp
51 colour plates, 30 illustrations
€ 48.00 / £ 35.00 / US$ 58.00
ISBN 978-3-86521-162-0
Horn, Roni
Index Cixous
Softcover
14 x 20.5 cm, 116 pp
€ 22.50 / £ 15.00 / US$ 30.00
ISBN 978-3-86521-135-4
Horn, Roni
This is Me, This is You
Hardcover
18.5 x 23 cm, 192 pp
96 colour plates
€ 28.00 / £ 18.00 / US$ 25.00
ISBN 978-3-88243-798-0
Horn, Roni
A Kind of you
Softcover
20.9 x 22.8 cm, 96 pp
Colour and b/w plates
€ 20.00 / £ 15.00 / US$ 30.00
ISBN 978-3-86521-583-3
Horn, Roni
bird
28.4 x 30.5 cm, 36 pp
20 colour plates
€ 35.00 / £ 25.00 / US$ 50.00
ISBN 978-3-86521669-4
Keita, Seydou
Photographs, Bamako, Mali,
1948–1963
a tipped-in photo, 27.5 x 35.5 cm
€ 98.00 / £ 86.00 / US$ 148.00
ISBN 978-3-86930-301-7
Chris Killip
Arbeit / Work
11.2 x 10.4 in. / 28.5 x 26.5 cm
136 pp
84 Tritone photographs
€ 38.00 / £ 28.00 / US$ 48.00
ISBN 978-3-86930-457-1
Killip, Chris
Seacoal
dust jacket
27 x 23 cm, 112 pp
116 tritone plates
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-256-0
Koudelka, Joseph
Roma
dust jacket
32 x 24 cm, 224 pp
109 quadrotone plates
€ 48.00
ISBN 978-3-86930-388-8
188
189
BACKLIST
BACKLIST
Kuhn, Mona
Bordeaux
29.2 x 31 cm, 102 pp
Four colour process
€ 58.00 / £ 50.00 / US$ 78.00
ISBN 978-3-86930-308-6
Kuhn, Mona
Evidence
29.2 x 31.1 cm, 108 pp
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-372-3
Kuhn, Mona
Photographs
26.5 x 28.5 cm, 108 pp
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-008-1
Lagerfeld, Karl / Roitfeld, Carine
The Little Black Jacket
Otabind softcover housed in a slipcase
29 x 37 cm 232 pp
€ 50.00 / £ 40.00 / $ 65.00
ISBN 978-3-86930-446-5
Lynch, David
Works on Paper
Hardcover in a sleeve
28.5 x 39.5 cm, 528 pp
Four colour process
€ 145.00 / £ 125.00 / US$ 195.00
ISBN 978-3-86930-130-3
Marchand, Yves / Meffre, Romain
The Ruins of Detroit
38 x 29 cm, 200 pp
150 colour plates
€ 89.00 / £ 82.00 / US$ 125.00
ISBN 978-3-86930-042-9
Mark, Mary Ellen
Falkland Road: Prostitutes
of Bombay
32.6 x 28.4 cm, 106 pp
65 colour plates
€ 55.00 / £ 40.00 / US$ 75.00
ISBN 978-3-86521-128-6
Meiselas, Susan
Carnival Strippers
27.3 x 23.4 cm, 164 pp
78 tritone plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-88243-954-0
Lagerfeld, Karl
Byzantine Fragments
Singer-stitched brochure housed in
a slipcase, 30 x 40 cm, 52 pp
25 photographs, 7-colour process on
ivory parchment
€ 85.00 / £ 72.00 / US$ 110.00
ISBN 978-3-86930-246-1
Lagerfeld, Karl
Metamorphoses of an American
Four clothbound hardcover books
15.2 x 20 cm, 1144 pp
864 tritone plates
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-522-2
Lagerfeld, Karl
Work in Progress
Softcover
20 x 25 cm, 192 pp
€ 20.00 / £ 17.00 / US$ 25.00
ISBN 978-3-86930-261-4
Leaf, June
Record 1974/75
18.3 x 30 cm, 188 pp
Four colour process
€ 40.00 / £ 35.00 / US$ 59.95
ISBN 978-3-86930-045-0
Meiselas, Susan
In History
Hardcover
17.7 x 24.7 cm, 264 pp
200 b/w and colour plates
€ 50.00 / £ 40.00 / US$ 75.00
ISBN 978-3-86521-685-4
Mettig, Klaus
Don’t Be Left Behind
dust jacket
23.5 x 31 cm, 328 pp
Four colour process
€ 48.00 / £ 42.00 /US$ 75.00
ISBN 978-3-86521-595-6
Meunier, Sébastien
Visual Pollution
dust jacket
29.5 x 32 cm, 120 pp
€ 58.00 / £ 52.00 / US$ 78.00
ISBN 978-3-86521-093-7
Michals, Duane
A Visit with Magritte
Flexible hardcover
15.5 x 20.5 cm, 64 pp
Four colour process
€ 25.00 / £ 22.00 / US$ 32.00
ISBN 978-3-86521-987-9
Lebeck, Robert
Tokyo / Moscow / Leopoldville
Three hardcover books in a slipcase
21 x 29 cm, 576 pp
380 b/w plates
€ 65.00 / £ 55.00 / US$ 85.00
ISBN 978-3-86521-527-7
Leiter, Saul
Early Color
20 x 20 cm, 168 pp
Four colour process
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86521-139-2
Leong, Sze Tsung
History Images
34.2 x 27.9 cm, 144 pp
80 colour plates
€ 75.00 / £ 50.00 / US$ 90.00
ISBN 978-3-86521-274-0
Henry Leutwyler
Ballet
22 x 30 cm, 436 pp
€ 65.00 / £ 50.00 / US$ 88.00
ISBN 978-3-86930-544-8
Michener, Diana
Sweethearts
Softcover
17 x 11.5 cm, 224 pp
Four colour process
€ 15.00 / £ 14.00 / US$ 22.00
ISBN 978-3-86521-713-4
Michener, Diana
Figure Studies
Softcover sewn with red thread,
housed in a black slipcase
29 x 37 cm, 64 pp
Quadrotone
€ 28.00 / £ 24.00 / US$ 39.50
ISBN 978-3-86930-213-3
Boris Mikhailov
From Japan
Eight magazines in a box
8.3 x 5.9 in. / 21 x 15 cm, 352 pp
€ 78.00 / £ 65.00 / US$ 98.00
ISBN 978-3-86521-817-9
Mikhailov, Boris
Salt Lake
Hardcover
40 x 30 cm, 80 pp
65 tritone plates
€ 68.00 / £ 45.00 / US$ 65.00
ISBN 978-3-88243-815-4
190
191
BACKLIST
BACKLIST
Mikhailov, Boris
Maquette Braunschweig
Hardcover
24 x 34 cm, 272 pp
Four colour process
€ 48.00 / £ 43.00 / US$ 68.00
ISBN 978-3-86521-834-6
Morath, Inge
First Color
25 x 32 cm, 336 pp
Four colour process
€ 38.00 / £ 34.00 / US$ 49.95
ISBN 978-3-86521-930-5
Christopher Morris
Americans
Clothbound hardcover with a dust
jacket
7.9 x 9.1 in. / 20 x 23 cm, 200 pp
€ 48.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86930-448-9
Morris, Christopher
My America
20 x 23 cm, 180 pp
112 colour plates
€ 35.00 / £ 24.00 / US$ 40.00
ISBN 978-3-86521-201-6
Packham, Monte
Concentric Circles
A Chronicle of Steidl Publishers
17 x 23 cm, 160 pp
€ 20.00 / £ 17.00 / US$ 27.50
ISBN 978-3-86930-024-5
Parr, Martin (ed.)
The Protest Box
Five books and a text booklet in
a cardboard box
Limited edition of 1,000 boxed sets
€ 380.00 / £ 338.00 / US$ 500.00
ISBN 978-3-86930-142-6
Trent Parke
The Christmas Tree Bucket, Trent
Parke’s Family Album
10.8 x 8.8 in. / 27.5 x 22.4 cm, 128 pp
€ 58.00 / £ 50.00 / US$ 75.00
ISBN 978-3-86930-206-5
Trent Parke
Minutes to Midnight
11.6 x 9.8 in. / 29.5 x 25 cm, 96 pp
€ 58.00 / £ 50.00 / US$ 75.00
ISBN 978-3-86930-205-8
Munkacsi, Martin
Martin Munkacsi
Hardcover
24 x 29 cm, 416 pp
318 tritone plates
€ 58.00 / £ 45.00 / US$ 78.00
ISBN 978-3-86521-269-6
Nádas, Péter
Own Death
18.5 x 26.2 cm, 288 pp
161 colour plates
€ 40.00 / £ 28.00 / US$ 50.00
ISBN 978-3-86521-010-4
Nozolino, Paulo
bone lonely
Hardcover
18 x 26 cm, 72 pp
Four colour process
€ 34.00 / £ 32.00 / US$ 50.00
ISBN 978-3-86521-861-2
Nozolino, Paulo
Far Cry
24.8 x 32 cm, 136 pp
78 tritone plates
€ 45.00 / £ 30.00 / US$ 60.00
ISBN 978-3-86521-122-4
Paulsen, Susan
Sarah Ryhmes with Clara
23.5 x 27 cm, 128 pp
Four colour process
€ 40.00 / £ 34.00 / US$ 48.00
ISBN 978-3-86930-244-7
Picardie, Justine
Chanel - Her Life
dust jacket, housed in a sleeve
15.4 x 23.5 cm, 400 pp
€ 38.00 / £ 40.00 / US$ 58.00
ISBN 978-3-86930-262-1
Pigozzi, Jean
Catalogue Deraisonné
Hardcover
23.6 x 28.6 cm, 400 pp
€ 56.00 / £ 48.00 / US$ 78.00
ISBN 978-3-86930-034-4
Pol, Andri
Where is Japan
Hardcover
24.2 x 30 cm, 320 pp
Four colour process
€ 40.00 / £ 28.00 / US$ 45.00
ISBN 978-3-86521-993-0
Nozolino, Paulo
Makulatur
Singer-stiched brochure
18 x 26 cm, 20 pp
Tritone
€ 24.00 / £ 21.00 / US$ 35.00
ISBN 978-3-86930-327-7
Odermatt, Arnold
On Duty
28 x 31.2 cm, 336 pp
Four colour process
€ 65.00 / £ 45.00 / US$ 80.00
ISBN 978-3-86521-271-9
Olsson, Mikael
Södrakull Frösakull
Clothbound hardcover with French
fold jacket printed recto/verso
25 x 26 cm 208 pp
Four colour process
€ 58.00 / £ 48.00 / US$ 72.00
ISBN 978-3-86930-059-7
Orri
Interiors
144 pages with a 16-page text booklet
11.7 x 12.2 in. / 29.7 x 31 cm, 144 pp
€ 48.00 / £ 40.00 / US$ 68.00
ISBN 978-3-86930-375-8
Polidori, Robert
After the Flood
38.6 x 30 cm, 320 pp
300 colour plates
€ 75.00 / £ 50.00 / US$ 90.00
ISBN 978-3-86521-277-1
Polidori, Robert
Parcours Muséologique Revisité
Three hardcover books housed in a
slipcase, 29 x 29 cm
€ 98.00 / £ 85.00 / US$ 124.90
ISBN 978-3-86521-702-8
Polidori, Robert
Points in between...Up till now
Hardcover
25 x 30 cm, 192 pp
Four colour process
€ 30.00 / £ 27.00 / US$ 45.00
ISBN 978-3-86521-994-7
Prinz, Bernhard
Latifundia
Hardcover
22.8 x 27.9 cm, 180 pp
114 colour plates
€ 50.00 / £ 34.00 / US$ 65.00
ISBN 978-3-86521-487-4
192
193
BACKLIST
BACKLIST
Raad, Walid
I might die before I get a rifle
25.6 x 27.8 cm, 120 pp
Tritone
€ 35.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-336-9
Rautert, Timm
Josef Sudek, Prag 1967
24 x 28 cm, 98 pp
42 b/w plates
€ 35.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-712-7
Rautert, Timm
No Photographing (English)
Clothbound hardcover with a belly
band, 22 x 28 cm,156 pp
Four colour process and duotone
€ 38.00 / £ 32.00 / US$ 48.00
ISBN 978-3-86930-322-2
Rodchenko
MacGill, Peter / Steidl, Gerhard (eds.)
24.5 x 33 cm, 104 pp
€ 88.00 / £ 74.00 / US$ 115.00
ISBN 978-3-86930-245-4
Ruscha, Ed
Catalogue Raisonné of the Paintings,
Volume 3: 1983-1987
Clothbound hardcover housed in a
slipcase, 24 x 29.2 cm, 558 pp
Four colour process
€ 160.00 / £ 110.00 / US$ 210.00
ISBN 978-3-86521-368-6
Ruscha, Ed
Volume 4: 1988-1992
Four colour process
€ 148.00 / £ 135.00 / US$ 219.90
ISBN 978-3-86521-833-9
Ruscha, Ed
Volume 5: 1993 – 1997
Clothbound hardcover housed in
a slipcase, 24 x 29 cm, 504 pp
Four colour process
€ 165.00 / £ 138.00 / US$ 220.00
ISBN 978-3-86930-251-5
Schaller, Matthias
The Mill
Hardcover
29 x 23.5 cm, 120 pp
55 colour plates
€ 50.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-378-5
Rovner, Michal
Fields
Hardcover
21 x 16 cm, 400 pp
Four colour process
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-216-0
Rubins, Nancy
Work
Two clothbound Hardcover and a
softcover in a slipcase
24 x 32 cm, 528 pp
€ 125.00 / £ 100.00 / $ 175.00
ISBN 978-3-86930-493-9
Ruetz, Michael
Eye on Infinity
Hardcover
29.5 x 29.5 cm, 252 pp
112 tritone plates
€ 48.00 / £ 35.00 / US$ 70.00
ISBN 978-3-86521-766-0
Ruetz, Michael
Eye on Time
29.7 x 21 cm, 360 pp
290 tritone plates
€ 48.00 / £ 35.00 / US$ 70.00
ISBN 978-3-86521-577-2
Schaller, Matthias
Purple Desk
dust jacket, 25 x 29 cm
€ 38.00 / £ 32.00 / US$ 49.90
ISBN 978-3-86521-597-0
Inka Schube and Thomas Weski (eds.)
Photography Calling!
Hardcover
9.3 x 11.8 in. / 23.5 x 30 cm, 460 pp
450 photographs, Four colour process
€ 45.00 / £ 38.00 / US$ 60.00
ISBN 978-3-86930-379-6
Schoen, Geza / Steidl, Gerhard
Paper Passion Perfume
50 ml perfume in a glass bottle, presented in a cut out book and housed
in a hand made cardboard box
11.5 x 16 cm
€ 85.00 / £ 68.00 / $ 98.00
ISBN 978-3-86930-501-1
Schorr, Collier
Neighbors
Forest and Fields Volume 1.
Hardcover
32 x 26 cm, 88 pp
58 tritone plates
€ 38.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-303-7
Ruetz, Michael
Spring of Discontent: 1964-1974
Hardcover
24.6 x 29 cm, 192 pp
Tritone
€ 40.00 / £ 30.00 / US$ 55.00
ISBN 978-3-86521-866-7
Ruscha, Ed
THEN & NOW
Slipcased
45 x 32 cm, 152 pp
Four colour process
€ 120.00 / £ 80.00 / US$ 175.00
ISBN 978-3-86521-105-7
Ruscha, Ed
Volume 1: 1958-1970
24 x 29.2 cm, 436 pp
Four colour process
€ 160.00 / £ 110.00 / US$ 200.00
ISBN 978-3-88243-972-4
Ruscha, Ed
Volume 2: 1971-1982
Four colour process
€ 160.00 / £ 110.00 / US$ 200.00
ISBN 978-3-86521-138-5
Schorr, Collier
Blumen
Forest and Fields Volume 2.
Hardcover
25 x 31.4 cm, 104 pp
€ 35.00 / £ 35.00 / US$ 50.00
ISBN 978-3-86521-687-8
Schorr, Collier
There I Was
Hardcover
25 x 31.4 cm, 72 pp
Four colour process
€ 27.50 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-616-8
Serra, Richard / Reinartz, Dirk
Te Tuhirangi Contour
24 x 22 cm, 76 pp
40 duotone plates
€ 28.00 / £ 20.00 / US$ 35.00
ISBN 978-3-86521-014-2
Serra, Richard
Notebooks
Five books housed in a cardboard box
Limited edition of 1,050, signed and
numbered by the artist
€ 420.00 / £ 350.00 / US$ 550.00
ISBN 978-3-86930-253-9
194
195
BACKLIST
BACKLIST
Sescz, Maria
Inter esse
Berlin 1985 – 87
29.5 x 23.6 cm, 80 pp
€ 45.00 / £ 40.00 / US$ 58.00
ISBN 978-3-86521-788-2
Sheikh, Fazal
Ladli
26.7 x 33 cm, 140 pp
70 tritone plates
€ 30.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-381-5
Sheikh, Fazal
Portraits
dust jacket
19.7 x 25 cm, 304 pp
142 photographs, quadrotone
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86521-819-3
Sheikh, Fazal
Moksha
26.7 x 33 cm, 220 pp
170 tritone plates
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-125-5
Soth, Alec
Niagara
Hardcover with a tipped-in photo
23 x 26.5 cm, 144 pp
Four colour process
€ 48.00 / £ 35.00 / US$ 65.00
ISBN 978-3-86521-233-7
Soth, Alex
Broken Manual
Softcover with gatefolds and UV finish
21 x 29.7 cm, 68 pp
17 colour plates, 33 b/w plates
€ 40.00 / £ 32.00 / US$ 50.00
ISBN 978-3-86930-199-0
Staeck, Klaus
Pornografie
Softcover
20 x 25 cm, 392 pp
295 b/w plates
€ 35.00 / £ 24.00 / US$ 45.00
ISBN 978-3-88243-124-7
Sternfeld, Joel
First Pictures
Clothbound with a tipped-in photo
29.5 x 24.5 cm, 320 pp
Four colour process
€ 48.00 / £ 42.00 / US$ 78.00
ISBN 978-3-86930-309-3
Sheikh, Fazal
The Circle
17 x 22.5 cm, 114 pp
108 tritone plates
€ 30.00 / £ 20.00 / US$ 40.00
ISBN 978-3-86521-599-4
Signer, Roman
Travel Photos
Hardcover
24 x 30 cm, 240 pp
Four colour process
€ 38.00 / £ 25.00 / US$ 45.00
ISBN 978-3-86521-282-5
Signer, Roman
Karpaten / Carpathians
Softcover
23 x 16.5 cm, 120 pp
€ 24.00 / £ 18.00 / $ 34.00
ISBN 978-3-86930-489-2
Singh, Dayanita
Dream Villa
Flexible plastic softcover
10 x 20 cm, 136 pp
Four colour process
€ 28.00 / £ 24.00 / US$ 38.00
ISBN 978-3-86521-985-5
Joel Sternfeld
On This Site
12 x 10 in. / 30.5 x 25.4 cm, 112 pp
50 colour plates
€ 48.00 / £ 42.00 / US$ 65.00
ISBN 978-3-86930-434-2
Sternfeld, Joel
American Prospects
Colthbound Hardcover
39 x 30.5 cm 160 pp
€ 98.00 / £ 80.00 / distributed in the
USA by DAP
ISBN 978-3-88243-915-1
Sternfeld, Joel
Sweet Earth: Experimental Utopias in
America
30.5 x 25.5 cm, 136 pp
60 colour plates
€ 60.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86521-124-8
Sternfeld, Joel
iDubai
20.3 x 25.4 cm, 160 pp
70 colour plates
€ 20.00 / £ 18.00 / US$ 28.00
ISBN 978-3-86521-916-9
Singh, Dayanita
Go Away Closer
Softcover
16 x 20 cm, 32 pp
31 tritone plates
€ 12.00 / £ 8.50 / US$ 15.00
ISBN 978-3-86521-386-0
Singh, Dayanita
Sent a Letter
Seven softcover volumes housed in
a handmade clothbound box
9 x 15.5 cm, 126 pp
Tritone
€ 65.00 / £ 45.00 / US$ 90.00
ISBN 978-3-86521-454-6
Soth, Alec
Dog Days Bogotá
Hardcover
21.5 x 22.5 cm, 60 pp
50 colour plates
€ 25.00 / £ 22.00 / US$ 34.00
ISBN 978-3-86521-451-5
Soth, Alec
Sleeping by the Mississippi
a tipped-in photo
28.5 x 27.5 cm, 120 pp
Four colour process
€ 40.00 / £ 35.00 / US$ 54.00
ISBN 978-3-86521-753-0
Sternfeld, Joel
When it Changed
Softcover
22.3 x 15 cm, 144 pp
54 colour plates
€ 25.00 / £ 17.50 / US$ 35.00
ISBN 978-3-86521-278-8
Sternfeld, Joel,
Stranger Passing
Clothbound Hardcover with a tippedin photo
34.00 x 29.00 cm, 132 pp
€ 65.00 / £ 50.00 / $ 88.00
ISBN 978-3-86930-499-1
Subotzky, Mikhael
Retinal Shift
19 x 26 cm, 300 pp
€ 38.00 / £ 30.00 / $ 48.00
ISBN 978-3-86930-539-4
Teller, Juergen
Märchenstüberl
Hardcover
27 x 21 cm, 144 pp
140 colour plates
€ 22.00 / £ 14.00 / US$ 25.00
ISBN 978-3-88243-863-5
196
197
BACKLIST
BACKLIST
Teller, Juergen
Nackig auf dem Fußballplatz
Softcover
27.3 x 20.4 cm, 184 pp
9 colour plates and 1 duotone plate
€ 25.00 / £ 18.00 / US$ 30.00
ISBN 978-3-88243-963-2
Teller, Juergen
Zimmermann
Clothbound hardcover housed
in a slipcase
23.5 x 29 cm, 56 pp
€ 45.00 / £ 39.00 / US$ 65.00
ISBN 978-3-86521-996-1
Teller, Juergen
Nürnberg
35 x 28 cm, 120 pp
60 colour plates
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-132-3
Juergen Teller
Pictures and Text
Two hardcovers housed in a slipcase
21.5 x 26.2 cm, 192 pp
€ 48.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86930-320-8
Vitali, Massimo
Landscape with Figures
38.5 x 30 cm, 200 pp
114 photographs, four colour
process
€ 85.00 / £ 69.00 / US$ 98.00
ISBN 978-3-86930-197-6
Waddell, Stephen
Hunt and Gather
dust jacket
25 x 28.7 cm, 96 pp
41 colour plates
€ 35.00 / £ 32.00 / US$ 50.00
ISBN 978-3-86930-115-0
Wessel, Henry
Waikiki
a tipped-in photo and dust jacket
29.5 x 29.5 cm, 60 pp
€ 58.00 / £ 50.00 / US$ 85.00
ISBN 978-3-89630-300-0
Wetzel, Gereon / Adolph, Jörg
How to Make a Book with Steidl
DVD, documentary, 90 min
Original version: English / German
with subtitles
€ 25.00 / £ 22.00 / US$ 34.95
ISBN 978-3-86930-119-8
Juergen Teller
The Keys to the House
24 x 30 cm, 160 pp
€ 45.00 / £ 39.00 / US$ 65.00
ISBN 978-3-86930-383-3
Juergen Teller
THE MASTER I
Stapled softcover
16.5 x 21.6 cm, 48
€ 8.00 / £ 6.00 / US$ 10.00
ISBN 978-3-86521-104-0
Juergen Teller
THE MASTER II
Stapled softcover
16.5 x 21.6 cm, 48 pp
€ 8.00 / £ 6.00 / US$ 10.00
ISBN 978-3-86930-056-2
Juergen Teller
THE MASTER III
Stapled softcover
16.5 x 21.6 cm, 48 pp
€ 8.00 / £ 6.00 / US$ 10.00
ISBN 978-3-86521-800-1
Wiedenhöfer, Kai
The Book of Destruction
dust jacket
22.7 x 30.5 cm, 160 pp
€ 34.00 / £ 30.00 / US$ 48.00
ISBN 978-3-86930-207-2
Wylie, Donovan
British Watchtowers
Hardcover
30.3 x 23.5 cm, 72 pp
49 colour plates
€ 40.00 / £ 27.50 / US$ 50.00
ISBN 978-3-86521-499-7
Wylie, Donovan
Maze
Two hardcover books and
a singer-stitched booklet, housed in
a slipcase, 29.5 x 23.5 cm
€ 48.00 / £ 44.00 / US$ 65.00
ISBN 978-3-86521-907-7
Wylie, Donovan
Outposts / Kandahar Province
dust jacket
29.5 x 23.5 cm, 64 pp
€ 32.00 / £ 28.00 / US$ 45.00
ISBN 978-3-86930-321-5
Teller, Juergen / Jacobs, Marc
Marc Jacobs Advertising 1998-2009
dust jacket
30 x 38 cm, 576 pp
700 colour plates
€ 88.00 / £ 78.00 / US$ 120.00
ISBN 978-3-86521-715-8
Tuggener, Jakob
Fabrik
dust jacket
22.8 x 30.9 cm, 62 pp
€ 65.00 / £ 45.00 / US$ 85.00
ISBN 978-3-86521-493-5
Tunbjörk, Lars
I Love Borås!
Hardcover in a slipcase
27.4 x 34.4 cm, 168 pp
175 colour plates
€ 75.00 / £ 50.00 / US$ 90.00
ISBN 978-3-86521-296-2
Tunbjörk, Lars
Vinter
Hardcover with a tipped-in photo
22.5 x 27.8 cm, 192 pp
135 colour plates
€ 40.00 / £ 27.50 / US$ 50.00
ISBN 978-3-86521-497-3
198
199
F r o n t - a n d B a c k c o v e r p h o t o : M i t c h E p s t e i n , N e w Yo r k A r b o r
ISBN 978-3-86930-599-8

Spring/Summer 2013

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