Dancing On the Edge Journal

Transcription

Dancing On The Edge News
Volume 1, Issue 23
July 25, 2012
Explorations in Beach and Shag Culture
In Search of The Lost Soul, Bluefield, VA
Wayne Pittman & Deborah Baker, Non-Pro Division
in the National Shag Dance Championship
Preliminaries in January!
DOTE News Marketing
Out-Of-Market
Marketing
Out-of-Market is not only ‘Out
of the Box,’ it raises the bar for your
competitors by increasing your advertising and branding impact in
multiples of 5, 10, even 20 times -and that’s a conservative estimate.
New Book
group in the Carolinas for out-ofmarket advertising. Now you might
ask whether advertising in Burlington
or Greenville or Charleston or
Gaffney have any value for you? (If
that’s a burning question, call the
number below to talk with Fessa’
Hook about a marketing plan to establish your brand).
***
Out-of-Market Advertising
Known for Innovation, Clemson
ful ne
w
ow er
Po
erful
new
Tourist areas can benefit tremen- silently launched a P
ce into N
atur
orce
Natur
aturee
dously from out-of-market advertis- For
ing. Here’s an example. Do you often hear a hotel, golf course or local
vacation rental companies advertise
in a local market? Of course not.
Visitors make hotel reservations and
The last few weeks have been a
delight in getting to know a lady who
somehow flew under the radar for
several years, even though she was
tee times before they arrive. These
types of businesses advertise in “out-
right in the middle of it in Myrtle
Beach in the 90s.
of-market” arenas.
We’ve followed this strategy since
Paula Harris’s daddy listened to
the Temptations, the Tams and the
we established a Beachhead with
WRDX-FM out of Salisbury broad-
Tops throughout her childhood.
It, and a whole lot more we
casting live from the Beach in the
late 80s. It boosted S.O.S. mem-
looking for the charts for 2007 to
2011, and for those who never got the
*big,* 1,000 page, two-volume encyclopedia, but who enjoy looking at the
Top 40 Beach songs of each year, reading about some of the unusual events
of the year below the charts, and perhaps pencilling in your OWN favorites missing from those charts.
For DJS, this is the perfect accessory on the air or in the club....all the
charts for each year, back to back. It’s
bership 400-500%, extended S.O.S.
from 4 to 10 days, and had an as-
only 100 pages, thin, you can slip it
in the side pocket of your computer
tounding effect on the overall economics of the Beach twice a year.
bag.
It’s priced at $9.95.
That’s effective out-of-market marketing.
Order
yours
at
www.beachshag.com . You’ll see the
The Endless Summer Network
has an established 25 radio station
Dancing O
n the E
dge JJour
our
nal
On
Edge
ournal
500 Hearthside Dr
Winston Salem, NC 27104
Tel: 704-219-1560
www
.beachshag.com
www.beachshag.com
[email protected]
The new Carolina Beach Music
Encyclopedia is for those who’ve been
link there on the front page that takes
you directly to the order page. Once
haven’t yet ascertained, shows!
Get to know Paula in this issue.
***
you order, it’s shipped within 48
hours.
Enjoy.
Fessa Hook
***
The Lost Soul (Prussians) of Bluefield, VA
In Search of the Lost Soul
--Jack Garrett
chedelic gem “Minds Expressway,”
Calfee says they were more into
Motown and the R&B Memphis-
While Lost Soul is all but forgotten in their home state of Virginia,
type sound. The band felt “some of
the music that was coming out on
legions of fans in the UK regard their
records as classics. Little has been
the hard rock side of it as not having
the soul that we liked... we were gonna
together with Gene and the Team
Beats of Martinsville. That group was
already recording for Raven Records
in Danville and suggested that manager John Cook (the bassist’s dad)
talk to Frank Koger, who owned and
operated the small recording studio
on the Piney Forest Road. Cook met
with Koger and the band traveled to
Danville in 1967 to commit two
songs to wax: “A Secret of Mine” b/
w “Minds Expressway.”
By all accounts, John Cook was a
savvy businessman. He was a salesman for Caterpillar and taught the
boys how to publicize and promote
their shows and dances, how to collect fees, and even how to dress, although the dark green checked suits
he bought for a job at the Fincastle
Country Club bombed with the
band. It was John who secured their
The Prussians ....Steve Calfee, Randy Conley, Donnie Fields, Jimmy
Johnson, Steve Cook
written about the band, whose members came together in 11th grade. All
but one attended Graham High
School in Bluefield, Va., performing
for about 18 months as The Prussians
before changing their name to Lost
Soul.
The group featured songwriters
Steve Calfee and Randy Conley on
guitar, organ and vocals; Steve Cook
on bass and vocals; and drummer
Donnie Fields.
Calfee explains that hard rock was
just coming to the fore. And while
Lost Soul was responsible for the psy-
try and put the lost soul back into
the rock and roll. Whether we actually did that or not I
bookings and traveled with the
group, and who ultimately brought
them to Danville in early 1967. Vox
was just making inroads into the U.S.
and he arranged for the group to receive free amplifiers and a PA system.
don’t know, but we gave
it a shot.”
With the name
change, the band began
looking for studio to
record some original
compositions.
The group did a lot
of promotional dances
and during one DJ
Charlie Duff put them
The Prussians ca. 1966 (l to r) Steve Calfee,
Randy Conley, Donnie Fields, Steve Cook
Calfee and Conley were the
group’s two guitarists but were forced
to make some last minute adjustments just prior to the recording session. Three months before they cut
their first record, lead vocalist Jimmy
Johnson quit for no apparent reason.
About the same time, keyboard
player Charlie Bassett married and
left the band to attend engineering
school. Rather than add a new member, the guitarists simply split the
keyboard duties, although Calfee
bought Bassett’s Acetone organ and
plays keys and sings lead on all four
Raven sides.
Live at the Fincastle Country Club, 1967, Bluefield, VA, (l to r) Steve
Calfee, Donnie Fields, Randy Conley, Steve Cook
Calfee remembers the House of
Sound studios as a small converted
heat. The songs were recorded directly to a two-track recorder, requir-
ice house, complete with loading
dock. The control room was no larger
ing multiple takes before an acceptable master was delivered.
A mistake on the end of the flip
than 6x6 with a glass window and a
hole cut for a window unit. This
proved a problem on their second
session in the summer. The air conditioner was so noisy that it could
only be turned on between takes,
leaving members praying for a flub
so they could get some relief from the
4
Dancing On the Edge News
To promote the disc, their new
manager landed the band a slot on
Dick Bennick’s Dance Party, a popular Bandstand-based broadcast on
WGHP 8 in High Point, NC. The
side was caught on tape and was incorporated into the song. If you lis-
band arrived to light snowfall around
mid-day, set up their equipment and
ten to “Minds Expressway,” there’s a
“pa-ping” sound on the cymbal.
were prepared to play when they were
told they would be lip-syncing the
Calfee says they’d gotten “to the very
end of a take and it was an accident
songs. That was a first and it took
the group “forever to get it right.”
that he did and as soon as we ended
the take (producers) Ernie (Dickens)
Whenever the cameras would roll,
the director would stop the band,
and Frank actually came out of the
booth and said, ‘What was that?”
telling Calfee his lips weren’t moving with the music and it looked “like
Drummer Donnie Fields took the
stick and did a ping off the bell of
a Japanese movie.” Compounding the
problem was the drum intro on “A
the cymbal and Koger said, “Well
that’s fantastic; it actually makes the
Secret of Mine.” Without a count
leading in to the song, it was impos-
record.” He asked Fields if he could
do that every time, so the band spent
sible to synchronize the video, so the
cameraman did a crossfade from a
“the next two hours doing take after
take of him trying to do that pa-ping
vine-covered trellis on the set to
Fields’ drums.
sound through the entire cut ‘til we
finally got it.”
They finally finished about 1:00
a.m. and left the studios to find three-
feet of snow on the ground. It took
them eight hours to reach their next
Calfee says the band decided to have
a few drinks to loosen up and
chedelic rock and funky soul. “We
didn’t know any better,” says Calfee,
gig, forcing the band to miss their
television debut.
thought they “were just kickin’ butt
and takin’ names” on the bandstand.
adding, “We didn’t know that you
were not supposed to mix the
Each member was given two boxes
of 45s and Calfee says they gave
The next day he “played the recording back for us and it was the worst
genres.” Electra-Asylum liked the
tapes, which included a soulful ar-
away as many copies as they sold.
Koger distributed discs to radio sta-
crap you’ve ever heard in your life.”
Calfee says it was so bad that “it lit-
rangement of “Day Tripper.” Their
manager secured a $25,000 advance
tions and the band followed up with
promotional appearances. “A Secret
erally sobered us up.” From that day
forward, no one took a drink on a job.
with an agreement to record two
more 45s and the promise of an al-
of Mine” was the pick of Top 40 radio, while “Mind Expressway” was
Six months later, Lost Soul was
back at Raven to record a second 45
bum, if the singles charted.
But it was not to be. About this
played by college stations in the FM
market. Along the way, Lost Soul fol-
and a demo tape for distribution to
major labels. They now shared man-
time, the band started to implode.
lowed or shared bills with ? and the
Mysterians, the Hombres and the
agement with Archie Bell and the
Drells and their new manager signed
Fantastic Johnny C.
Some of the largest crowds Lost
Soul played for were at the Coke
a deal with PM Distributors in Pittsburgh to press thousands of copies
of “I’m Gonna Hurt You” b/w “For
plant in Danville. Workmen would
use fork-lifts to clear out the ware-
You.” Calfee says the company had a
promotions man who got the 45 to
house and set up the stage. Local radio stations and the high school
rack jobbers and radio stations. The
effort paid off, as Calfee was told the
newspaper promoted the dances,
which attracted thousands.
song made it to the lower reaches of
Billboard’s Hot 100. (Perhaps it was
Their manager brought a Webcor
reel-to-reel to record one college job.
the Cashbox chart, as Billboard’s Top
Pop Singles 1955-1996 lists no entries by Lost Soul.) As many as 20,000
copies were pressed but the group
never received any royalties and requests for an accounting were ignored. Once the record started to
break nationally, Lost Soul moved
from playing country clubs and frat
houses to armories and auditoriums.
Several labels were interested in
the band, but Calfee says they had
an image problem. It seems the major labels couldn’t decide how to
market a group that played both psy-
It was 1968 and the height of the
Vietnam War. Cook was drafted,
Calfee decided to go back to school,
Conley left to attend trade school and
Fields got married. The band went
through a period of about six months
with pick-up drummers and even a
saxophone player before calling it a
day.
The later band delved further into
psychedelia. The group dropped
their matching suits in favor of multicolored shirts and sunglasses and
would scatter the stage with streamers. Borrowing from the Mothers of
Volume 1 No. 23
5
Invention, a metal trash can was also
incorporated into the stage act.
Calfee explains that “if you dropped
a live mic inside with lots of reverb
and delay, then banged on the can it
created quite a bizarre sound.” The
Fool had just painted Cream’s guitars in psychedelic colors, so Conley
and Calfee did the same with their
guitar and organ.
While national success eluded
them, Calfee believes that was probably a good thing, adding, “If we had
signed, as young as we were at the
time and as crazy as the business was,
I doubt seriously if any of us would
have survived.”
Calfee later returned to music. He
still plays and books entertainment
for a cruise line in Little River, SC.
Conley also returned to the stage,
performing as E.R. Conley. And
while their paths crossed occasionally on the road, Calfee lost touch
will his co-writer eight years ago.
Cook died about a year
ago, while Fields left music and went to work for
the railroad in Roanoke.
The band was all but
forgotten until some
Northern Soul fans in the
UK discovered A Secret of
Mine. Calfee was unThe last Lost Soul lineup, 1968, (l to r) Steve
aware of the renewed inCook, Randy Conley, Lance Yost, Joe Simoncini
terest until he received a
letter from an English musician he
had worked with in the 80s. He
learned the song was a favorite on the
club scene and that their first 45 was
selling for huge sums in England.
Two of the group’s songs were recently reissued on compact disc
(Aliens, Psychos & Wild Things, Vol.
3) and videos of the band draw thousands of views on Youtube. But
Calfee has yet to capitalize on the new
audience and has received no
songwriting royalties. While Calfee
is “amazed” by the band’s resurgence
in popularity, Cook recognized their
potential. Shortly before his death,
he told Calfee: “We never realized
how good we were and what a great
opportunity we had.” And while he
won’t rule out a reunion, Calfee says
it hasn’t happened yet and believes
things worked out for the best, adding, “We were just trying to make
music and have a good time.”
***
Jack Garrett is a Danville, Virginia native. He’s worked in radio and
television since his 1979 graduation from Averett University.
Jack is currently the afternoon reporter for WBTM 1330 AM and WAKG
103.3 FM in Danville. He was previously the Southside Bureau Chief for
WSET-TV 13 in Lynchburg, Virginia.
As Bureau Chief he was the first reporter to break the details of the National Tobacco Settlement. He’s also the winner of numerous Associated
Press and Virginia AB awards including Outstanding Effort by an Individual Reporter and a 1st place award from both in 2005 for an hour-long
documentary on Peter Tork of the Monkees.
When he’s not working he plays drums, with a string of local rock and
jazz groups on his resume, most recently including a 17-piece swing band.
His wife, Sherri, is a registered nurse. They have an 12-year old son and
twin 6-year old daughters.
6
Volume 1 No. 23
7
Memories of S.O.S. 1990 and WRDX Radio
-- Dave Landon / Slate Foyer
Just think only 22 years ago
WRDX – Beach 106 went to S.O.S.
Spring Safari for the first time.
After joining WRDX in fall of
1989 as sales manager and marketing director for WRDX and Carolina
Class magazine I decided we should
broadcast live from S.O.S.
The station owner said it wasn’t
in the budget. I laughed, and
Rod Harter, Phil Kehr, John Hook,
and yours truly, Dave Landon. A
couple of our part-time DJs, along
with Mr. Mike, our evening jock,
stayed in Salisbury to keep things
running smoothly on that end.
That first day started off on a bad
note when I locked all the live commercial scripts in the trunk of my car
never been done before.
Consider this. Although we were
broadcasting live, we weren’t on any
of the stations along the Grand
Strand. We were live on a station 185
miles away in Salisbury. Granted,
WRDX was a 100,000 watt station
that could be heard all the way to
the west side of Fayetteville, driving
toward the Grand Strand.
with the help of John Hook,
we put $30,000 worth of ad-
But the word was out. A
fully-loaded Beach Music sta-
vertising on the books for
S.O.S. so we were on our way
tion was in town to let everyone back home (the west-
to O.D.
We needed a place to stay
ern half of North Carolina,
the northwestern corner of
and a place to broadcast from.
I contacted Fat Harold and
South Carolina, and the
southwestern corner of Vir-
Norfleet Jones of Ducks and
offered that we’d broadcast live
ginia) know how much fun
S.O.S. could be.
from Tuesday through Saturday from both their clubs. In
We were having fun! Our
fans had already loaded us up
turn we needed a place to stay
so they arranged for a beach
with coffee, donuts and yes a
few beers and Bloody Marys
house for the WRDX staff -but it soon turned into Ani-
-- tomato juice is good for
your health.
mal House with all our fans
(Not only did we have a
dropping by (bringing lots of l-r: April McIntire, Dave Landon, Ben (in back) blast that Spring. Within a short
beer and fun).
with my keys and we had to call a time, those broadcasts and our skyrockWe played our first song that locksmith to open it. We had to wing eting circulation with Carolina Class
Spring at 7 a.m. on Tuesday from the
deck of Fat Harolds at the Pad.
Frank Sinatra’s “The Summer
Wind” came blowing in, and we announced, “Welcome to S.O.S. live
from O.D. at Fat Harolds. The summer breeze is blowing and you need
to be here.”
Nearly all our line up of WRDX
DJ’s were there -- April McIntire,
8
it for an hour until we got it open.
John Hook just laughed and said
Dave you owe us a couple beers, as
he ad-libbed the commercials till we
got the complete scripts out of my
trunk.
We were surprised so many fans
showed up early in the morning just
to be a part of this happening; especially when you consider that it had
and soon S.O.S. memberships increased
by the thousands.)
People back home across the Carolinas were listening and said to them
themselves, ‘damn! they are all having so much fun. Lets get down
there.”
S.O.S. brought in good crowds,
and by Thursday we had doubled the
attendance because of the live broad-
S.O.S. 1990 Revisited
-- Dave Landon / Slate Foyer
cast. The president of S.O.S. brought talked about that several times. By
us an additional $1,000 worth of ad- that time, the two of us had worked
vertising to promote S.O.S. and Shag for a dozen # 1 radio stations between
Becky Stowe of Beach Memories
Art presented us with a limited edition print of the 1990 WRDX Beach
club events throughout the region us. Neither of us had ever seen more
during our live broadcasts. We inter- than one or two pieces of fan mail in
viewed tons of Shaggers and Beach six months. We knew there was
Music Lovers. Those who were lis- something very special happening at
deejays. Also at S.O.S. 1990 spring
I went back into the Pad and had
tening on the radio could not wait WRDX.
to get to S.O.S. at O.D.
Beach 106 proved it’s worth to
S.O.S. acknowledged WRDX as S.O.S. ten times over. As we returned
the first official S.O.S. radio station in the fall of 1990 and spring and
about it for Carolina Class magazine
which later won an award for best
with a plaque. Ducks also proclaimed fall of 1991, S.O.S. was booming
us the Official
awards.
such great memories from my first
trip there in 1955 that I wrote a story
beach magazine story at the first
Beach Music Radio Hall of Fame
I love watching
Beach Music Station of Ducks.
the greats dancing
the Shag smooth
When we were
off the air we
not fancy, so I
started
the
could not buy a
drink. Our fans
Smoothies Shag
dance contest and
brought us beer
and on one occa-
it’s still going
strong today (wish
sion in the afternoon Fat Harold
they’d name it the
‘Slate
Foyer
brought a pitcher
of white Russians
Smoothies Contest’
before I leave this
to John Hook and
me. That was one
Beach
world).
hell of a live
broadcast. We got
My memories of
S.O.S. 1990-1991
l-r: April McIntire, Dave Landon, Phil Kehr, John Hook,
through it but don’t
remember it.
thanks to WRDX which had
We were already pretty certain changed its name to Beach 106.
that WRDX was the biggest and best
We opened the back deck of the
Music
and Beach
WRDX will live forever.
106
From all of us who broadcast live
there beginning in 1990 (until spring
Beach Music station ever.
Spanish Galleon in the fall 1991
From the time we went full-time with another Tuesday a.m. live
Beach and Shag in the late 80s, we broadcast.
averaged nearly a dozen pieces of fan
Legendary Myrtle Beach photog-
1995) thanks and remember we
loved every minute of it.
mail every week.
rapher Jack Thompson, took a great
To some that may not sound too photo of us on the back deck of the
impressive, but John Hook and I Galleon at that time.
keeping the music and the dance
alive with Dancing On the Edge
A very special thanks to John
Hook (the greatest Beach DJ ever) for
News.
***
Volume 1 No. 23
9
Candi Staton - Diva + Diva + Diva + Diva + Diva
Candi Staton was born March 13,
1940 in Hanceville, Alabama.
Her career spans five different
“Chance”
1979
“Run to Me”
“I Live”
1976
1979
“Hunter Gets Captured by the
Game”
1980
Diva eras.
Thankfully, we finally got to see
her live at the 2010 Carolina Beach
Music Awards at Myrtle Beach.
“Too Hurt to Cry” 1971
“A Dreamer of A Dream” 1977
Diva phase # 1 for Candi was as a
teenager. She and her sister Maggie
“Count On Me”
1981
“Without You I Cry”1981
were sent to attend the Jewell Christian Academy in Nashville, Tennessee, where her singing talents soon
also recorded for Nashboro, Apollo,
and Savoy Records from 1953 to
1963.
In 1968, Candi launched into her
solo career, (Diva phase # 2), making a mighty mark for Fame Records
with one R&B hit after another, finally gaining the title of First Lady
of Southern Soul for her Grammynominated version of “Stand By Your
Man.”
Unfortunately, Southern Soul fell
out of fashion in 1975, so Candi collaborated with Dave Crawford to
become Diva # 3 -- a Disco Diva.
Candi’s mark on Beach music, like
“Suspicious Minds” 1982
That doesn’t count the gospel
songs that some jocks pulled from her
many gospel albums.
In the mid 90s Candi gained a
many artists of that era, was both
evolutionary and retroactive, as the
ushered her and her sister into the
newly formed Jewell Gospel Trio.
80s began.
We started the decade with her
They toured the 50s gospel circuit with the Soul Stirrers, C.L.
1978 release of “Honest I Do Love
You” (which only rose as high as #
Franklin, and Mahalia Jackson. They
77 on the R&B charts), thus launching the Diva # 4 era.
From there Candi blew the doors
off. DJs reached back and followed
her forward simultaneously.
Of course one of the first we
reached back to was “Young Hearts
Run Free” from 1975. There were
many others -- going forward.
“Victim”
1978
10
new title (Diva # 5) “The Sweetheart
of Soul.
If you really want to get to know
her music, it’s also worth the time to
go back and scour her songs with the
Jewell Gospel Trio.
***
Volume 1 No. 23
11
Paula Harris: More than a Soul Singer
Home Girl:
Paula H
arris
Harris
First CD:
Tur
ning O
n the N
aughty
urning
On
Naughty
Internet pundits talk these days
about ‘plural’ identities and ‘plural
networking’ to describe people who
live two or more lives simultaneously,
under the same or different names.
Paula Harris may demonstrate
some of those attributes -- or she’s
simply an artist who’s been swingin’
on her star since she found it in the
80s--and it turns out to be a cluster
of stars!
area. It’s probably best they have an
international airport nearby. From
When she was 12 years old,
Emmalyn Frye, former opera singer
my perspective they’ll soon need
access to venues around the world.
and the choral teacher at her school
heard Paula singing alone. She asked
multidimensional in surprisingly
unpretentious ways.
It was a mere five months ago that
Paula and the Blue Gruv band
her which choral class she was in and
Paula replied she wasn’t in any of
She and her band, the Beasts of
Blues and The Big Ass Brass
competed in the International Blues
Challenge in Memphis, “for
them.
headquarter out of the San Francisco
exposure.” That’s Paula’s minimalist
explanation. (A great many bands
Looking over the pictures on this
page you may rightly assume she’s a
blues singer -- however, this lady is
in her position would have choked
or hyperventilated at the mere
suggestion of competing with those
110 bands back in February).
Hmm. As I think about it, that
may not make a lot of sense. After
all, Paula and the Beasts of Blues in
the picture above look like they’re
having a ball. And they look like folks
who have plenty of chops for the Blues
stage. Let me bring you up to speed.
Clemson, South Carolina
12
Clemson, 1985
That was a watershed day for the
endurance of her vocal chords. Her
choral teacher trained her in the
classical method which strengthens
She’s a Force of Nature
one’s vocal equipment as well as
enhances voice and vocal control.
vocalists from the end of ‘93 until
they closed in early 1995.
Paula graduated high school and
college in her hometown.
In her last year of college in ‘89
she traveled to Myrtle Beach for an
internship. She worked at the
Yachtsman hotel running Karaoke
shows.
Oddly, Paula says she really
didn’t get to sing much as the karaoke
director, there were too many others
lined up to sing, “they wouldn’t have
liked me taking away their time.”
Meanwhile, Paula had a side
project she was working--Beauty and
daddy grew up to in Spartanburg-Beach Music.
Talent pageants, where she racked up
some impressive wins.
Ann Anderson Harris with daughter
Paula, 1988
Actually, she sang more than
A Beach Music segment was
added to the Opry show which
teamed Paula with the Poor Souls
from Charlotte, NC (the late Bobby
country. She also sang the music her
A budding beauty queen 1986
Myrtle Beach Opry
Meanwhile, the music director
at the Myrtle Beach Opry, across the
street from Studebakers (not the
Carolina Opry), called on Paula
when one of their lead singers quit.
Paul wasn’t wild about singing
country, but ended up not only
performing with them, she was also
co-producer and one of the featured
Paula Harris, Miss Myrtle Beach
1992-93
Paula with George Carere’s sixpiece orchestra in Atlanta
Volume 1 No. 23
13
Paula Harris: A Force of Nature
Smith, the late Butch Stone, and
Roger Smith--still a Soul).
In Myrtle Beach, Paula had
worked with the Long Bay
Symphony and Coastal Symphony
orchestras. Not surprisingly, after
she arrived in Atlanta, Bell
introduced her to the Atlanta Pops
Symphony and the George Carere
Orchestras (all three of them).
According to Bell she also did a
series of Jazz and Blues concerts with
pianist Dale Elliott for the German
Consulate in Atlanta during the
1996 Olympic Games there.
As two-time champion of the
Paula with George Carere’s tenpiece orchestra
“Legends” singing competitions held
in Myrtle Beach and replayed on
Veteran Spartanburg DJ Harry
Turner stopped by to hear the Beach
TV’s “Startime,” Paula went on to
host that show for a year on Channel
Music segment one night and
soonafter introduced Paula to
America in 40 million homes.
On one of her facebook entries, Paula,
in describing Simon Cowell, noted
that he isn’t an artist according to
ordinary definitions, but that he has
a great eye and ear for artistic talent
as well as a track record for
promoting it when he finds it.
Sounds like ‘art’ to me.
Paula with George Carere’s 15piece orchestra
William Bell (“Easy Comin’ Out,
Part of what makes the Paula
Hard Goin’ In” and a long list of other
hits). William wanted Paula to come
Harris story fascinating is there’s
more talent to talk about.
to work with his company, Wilbe
Records in Atlanta.
Fact is, I’m not sure I’ve
represented her as well as I should.
14
Paula’s first oil painting hangs at
Collectors Cafe and Gallery, 7740
N. Kings Hwy, Myrtle Beach
Paula Harris: A Force of Nature
Perhaps more importantly, that
statement, plus some of Paula’s other
talents, open the question as to what
drives Paula the most?
Is it singing, or is singing just
one expression of something larger - creativity; art?
To help you decide, visit the
Collectors Cafe and Gallery on N.
Kings Highway in Myrtle Beach next
time you’re on the edge and check
out her oil painting (page 22) there.
Although she says its mood is
darker than her usual work, on the
suggestion of her husband Michael,
she painted her rendering of a Juarez
Machado painting below.
started
performing
again, once a week on
Saturday nights as the
vocal accompaniment at
the Top of the Mark with
Grammy
nominee
Ricardo Scales.
Two years whetted
her appetite to go for it.
It was a natural extension
to reach for jazz, but her
friends told her she
wasn’t a jazz singer.
International Blues Challenge in
When she asked, “well who the
heck is a jazz singer, if I’m not?”
They replied Diana Krall and
Norah Jones.
Paula agreed she
didn’t fit their profiles.
“Well then what am
I,” she asked.
“A blues singer,”
was the reply.
“Who’s a
blues
singer?”
“Etta James,” that
got her attention. Paula
loves Etta.
She says it’s darker than her
ordinary work. She seems to have a
Wherever Paula
derives her confidence
knack for it.
Isn’t it interesting that she
and fearlessness, it
couldn’t be more
doesn’t say, ‘well, the Blues are
‘darker’ than what I usually sing.’
evident than in her new
Blues career.
Maybe that used to be true. Not
anymore.
Just to ‘get things
rolling’ she teamed up
After marriage and a move to San
Francisco in 2003, Paula left the
with Blu Gruv last fall
and entered the Golden
entertainment industry for five years.
Then about three years ago she
Gate Blues Society’s
November.
That lead
to
the
super
competition of the International
Blues Challenge in Memphis in
February this year. They came in
third there. But the reaction
convinced Paula to take the next step.
She assembled a band in San
Francisco and they laid down 14
ning O
n the
tracks for her CD, Tur
urning
On
aughty.
Naughty
“Nick of Too Damn Late” is
already on the charts.
***
Volume 1 No. 23
15
Stev
ens & SSummer
ummer
time
tevee Ow
Owens
ummertime
We just had the opportunity to hear Summertime
over the July 4th holiday, four hours down the road from
a four-hour gig they did earlier in the day! That’s eight
hours on stage, with a four-hour ‘break’ driving the band
and equipment to the Spanish Galleon in North Myrtle
Beach, where it took in excess of another 1-2 hours to
set up and get the sound checks finished in time for the
next show.
And they knocked it out of the park!
If you’ve missed them so far, catch them July 14th at
Boom Boom’s in North Myrtle Beach, the O.D. Beach
Club there on July 27th, or TJ’s Night Life in Raleigh
on August 2nd.
1.
2.
You’re So Young, But You’re So True
Recapture the Magic
3.
4.
Greatest Love Ever Known
Working On A Big Chill
5.
6.
When the Moment Comes
I’d Give Up Everything for You
7.
8.
Second Chance
I Dig Everything About You
9.
10.
Do You Love Me Like That
Dance With My Father
11.
12.
A Much Better Place
Getaway Car
Steve Owens and Summertime includes Roy
Davis, Bryan Castro, Dave Owens, Steve Owens,
John Downing, Ben Shaw, Robin Woodard, and Joey
Tucker -- and there are rumors of some exciting new
additions!
16
Dancing O
n the E
dge N
ews
On
Edge
News
We’re looking for mor
es, and histor
moree stories, pictur
pictures,
historyy about this beach near Washington, NC. Contact me at
my e-mail listed at the bottom of page 2.
We recently announced one of
our current projects -- a history of
Beach Music and Shag in the
Burlington, NC area.
We’re pleased to say it’s coming
along famously and moving very fast.
If you have pictures or memories
of any of the bands, dances, venues,
or good times with Beach Music and
‘fast dancing’ in Burlington, please
If yyou
ou
ecor
ds bbyy this fello
w tucked away in a shoebo
x, w
ou’’ve got any rrecor
ecords
fellow
shoebox,
wee’d
w mor
altimor
e/W
ashington
lovve to kno
know
moree about them. H
Hee was a DJ in the B
Baltimor
altimore/W
e/Washington
lo
D.C. area in the 50s and early 60s, Charlotte, NC in the 60s and early 70s,
Florida,
semi-retir
etired
ed’’ since.
and has been in F
lorida, ‘‘semi-r
semi-r
etir
ed
contact me, (my e-mail address is on
page two) so we can make
arrangements to take a look at what
you have and how we can include it.
***
Volume 1 No. 23
17
Rev
ubba D. Liv
erance & Cor
nhole P
ev.. B
Bubba
Liverance
Cornhole
Prrophets
Bubba D. Liv
erance as a member of The K
eys, befor
Liverance
Keys,
beforee
he acquired “Reverend” status.
If you don’t know the difference between a soul
singer and a soulful singer, check out Bubba D.
Liverance. (Listen for this: a soul singer sings songs
by black artists -- a soulful singer makes you hurt,
laugh, cry, sigh, or feel like you’re gonna die when
he sings).
Soulful singers can sing simple things like that
and make statues weep while May Day celebrants
When a man breaks the heart of the woman who holds
him in her heart--witholding the adoration she deserves,
the friendship she desires, and the unrestricted love which
should adorn her day and night--he’s left with few choices.
He can stand on stage and sorrowfully sing an old
Mississippi Blues, which she’ll find pathetic.
Or he can admit his errors, suck up his pride, cover it
in humility, and offer his heart to her to a good Shag beat.
That’s the way Reverend Bubba D. Liverance does it,
singing for all of us from that secret place inside where
honesty and remorse struggle to strike a balance.
It’s that place at the core of compassion, where
heartbreak knocks strong men to their knees and only
soulsingers and souldancers can rise from the ashes with
their heads held high and ask sincerely for one more
chance. That’s where you’ll find the Rev....
18
***
dance obliviously between them.
Hence, The Recession Sessions.
James B
Brrown in Columbia, SC 1965
Volume 1 No. 23
19
D
eeper into the Beach M
usic Top 40
Deeper
Music
Tho Bratton & Blue Iyed Soul, from the Greenville/
The SugarBees are a Beach, Boogie, and Blues BradSpartanburg area, are on the charts with “Everybody’s ley House Music studio band in South Carolina founded
Bill Comes Due” from their CD Freaky for the First Time. by multi-platinum producer/engineer Fred Shaw along
From their website:
with Ripete Records’ president Marion Carter in 1996.
“Blue Iyed Soul is not just a name but a philosophy
Fred and Marion started the band to back national
and state of mind. All music has blues songs, and happy and international talent such as Maurice Williams and
songs, from bluegrass to old school 50s and 60s’s soul. the Zodiacs, Gatlin Brothers, The Stylistics, Drifters,
No group of people are immune from having the blues Tams, Embers, Platters, Danny and the Juniors, Joe
at some time in life or being happy in life. They just use Simon, Chuck Berry, Jay Spell of Jimmy Buffet’s Coral
different genres....”
Reefer Band, Nappy Brown, Bill Pinkney, Kip AnderDrums: Big Tez Sherard *
son, Dale Hawkins, Dan Penn, Spooner Oldham, and
Bass: Franklin Wilkie **
many more.
Guitar/keyboards: Rickey Godfrey ***
Sax: Don Wise ****
Named by Marion Carter, the SugarBees released their
debut CD “Bad, Bad Business” in 1998 and continued
Harp: Freddie Vanderford
Sax: Tony Kennedy
recording and touring, releasing four CD projects. They
currently have two original songs in the Top 40 Beach
Trumpets: Greg Day & Rich Parlier
Trombone: Wes Day
Music charts, “Vacation” and “Dizzy” featuring 24-year
old Mary Vella who joined the SugarBees in 2011.
Rhythm Guitar: Matt Morgan
Upright double bass: Tommy Bratton
New Orleans native, Ceasar, joined in 2005 adding
his unique, incredibly high energy Cajun influenced
* Big Tez Sherard tours with Edwin McCain
floorshow.
** Franklin Wilkie plays with Garfeel Ruff and the
THE SUGARBEES LINEUP
MTB
Ceasar - lead vocals, percussion, harp
*** Rickey Godfrey was also producer of “Everybody’s
Mary Vella - lead vocals, percussion
Bill Comes Due”
Fred Shaw - drums, vocals
**** Don Wise played sax with Delbert McClinton
Anthony (Amp) Brown - bass guitar
for 20 years.
Learn more at www.bismusic.net
20
***
Tyrell Taylor - keyboards
George Davis - guitar, vocals
***
Beach M
usic Top 40 Countdo
wn
Music
Countdown
The Beach Music Top 40
www.beachshag.com
24
21
25
19
18
22
2
3
5
6
7
8
1
COME GET TO THIS/STEPPIN’ OUT TONIGHT
Stepping Out Tonight
2
Reynolds, L.J.
DON’T WAIT TOO LONG
Laughing Down Crying
3
Hall, Daryl
ALL THAT MATTERS TO ME
4
Quick, Jim & Coastline
LOVE AFTER WAR
Love After War
5
Thicke, Robin
AIN’T THAT THE WAY
6
Legacy
PRICE YOU GOTTA PAY
Ain’t No Midnight Train
7
Calabash Blues & Boogie Band
IF I ONLY HAD THREE WISHES
See affiliate links at www.beachshag.com
July 21, 2012
Year
Record Co. & #
2010
KHP 1102
2011
2012
KHP 1102
2011
This
Week
This
Week
BPM
(LP or CD)
Last
Week
1
Title
Artist
No. of
weeks
36
Last
Week
No. of
weeks
To hear the Top 40 with Fessa John Hook
Title
Artist
21
20
21
KEEP YOUR STOVE WARM
7
24
22
Shrimp Shack Band
TAKE MY LOVE
BPM
(LP or CD)
Year
Record Co. & #
2012
2012
7
25
23
Martin Davis Band
VACATION
CTC-Music Lives On
13
23
24
Sugarbees f. Mary Vella
EVERY NOW AND THEN
Hangin’ Out
2012
Interscope 16290
2012
27
17
25
Strickland, Rick
JUKE JOINT (2)
KHP 1102
2012
26
26
Boppin’ Blues Band
ONE NIGHT
Boppin’ 15
22
After 7
Flyin’ Cloud 60
2012
KHP 1105
2012
rickstricklandband.com
2007
1989
5
32
27
After 7
COME ON
Forevermore
2010
15
30
28
Sons of Saint Rocco
EVERYBODY’S BILL COMES DUE
KHP Music
2008
5
31
29
Blue Iyed Soul f. Bratton, Tho
LOVEY DOVEY
30
Embers
I’M GOIN’ BACK
Atlantic Recs
2012
41
4
8
Thompkins Jr, Russell
I CAN’T THINK
10
9
Band of Oz w/ Tim Morris
COME WHEN I CALL
Dance to the Radio
29
Where the Light Is
10
Mayer, John
A MUCH BETTER PLACE
Steve Owens & Summertime
11
Owens, Steve & Summertime
MISSING YOU
KHP
2011
4
34
31
Ray, Donnie
I’m Goin’ Back
I’D GIVE UP EVERYTHING FOR YOU
Amick, April
DIZZY
Meet the Queens of Southern Soul KHP 1092
2012
35
32
FEELIN’ SINGLE
Steve Owens & Summertime
4
KHP
2012
37
33
Kelly, R.
DON’T WAIT AROUND
Write Me Back
3
RCA
2012
3
38
34
McDaniel, Rhonda
JELLY BELLY
CTC-Music Lives On
35
Fantastic Shakers
THINK IT OVER
KHP 1105
2012
KHP 1105
2012
17
31
12
9
15
14
12
26
11
13
13
15
14
12
16
15
Sugarbees f. Mary Vella
I WILL BE THERE
Bee Gees
Columbia 722665
2012
5
33
Bradley House
LOOK BEFORE YOU LEAP
McDaniel, Rhonda
Where the Boys Are
2012
KHP 1101
BEIN’ WITH YOU
Breeze Band
2011
KHP 1102
2
40
KHP 1102
2012
2012
2012
Ecko 1139
2012
2012
13
16
JUST AIN’T GONNA WORK OUT
Hawthorne, Mayer
2009
1
36
Sea Cruz - Allie, Butch, Dino
BIG LOVIN’ WOMAN
CTC-Music Lives On
17
18
17
I’M THE ONE WHO LOVES YOU
Poor Souls
1
37
Try to Remember
2011
PS 110402
Subway w/ Belinda Nicholas
ONE MORE NIGHT AT THE BEACH
Subway
12
One for Me, The
SWEET POTATO PIE
Liverance, Rev. Bubba D.
2012
1
38
Fantasy
WASN’T THAT A MIGHTY STORM
KHP 1099
2008
Recession Sessions, The
1
39
Taylor, James
EVERMORE
Hear Music (Starbucks)
2004
Universal
2012
15
40
Shaw, Ryan
OUGHTA KNOW
Real Love
2012
11
19
18
12
21
19
YOU’RE MY TREASURE
Dr. Victor & Rasta Rebels
11
22
20
PRIDE AND JOY
Cobb, Johnny
If You Wanna Be Happy
Evolution
Top Picks--Bubbling Under
AIN’T NO WAY
BIKER’S SHUFFLE
FIRST IMPRESSIONS
FOOLISH HEART
HAVE A GOOD TIME
I’M NOT AFRAID
KEEP ON GETTING’ IT ON
MELTING INTO YOU
MISSISSIPPI MILE
NEXT TO YOU
OUT OF MY MIND
POUR ME
SECOND CHANCE
SHAGALAGGIN’
SHE’S MY QUEEN
SMOOTH STEPPIN’ PAPA
SOMETHING YOU GOT
Fletcher, Kirk
Big Mucci
Gore, Terri
Summerdaze
Big G
Craver, Paul
Lindsey, Al
Jonas
Oates, John Band
Brown, Chris & Justin Bieber
Russell, Rene
Bonds, Gary U.S.
Carolina Breakers
Lucia and Levi
Barnes, Ronnie
Night Move Band
Oates, John Band
28
2011
McClinton, Clay
STEP ON BY
STOP (AND LOOK AROUND)
TAKE ME TO SOUTH CAROLINA
WALK AWAY FROM LOVE
LOVE IS ON THE WAY
PRETTY BABY
IF I DIDN’T LOVE YOU
2011
Buy American
Shanty’s Records
Kelly, Winzell
Golde, Frannie
Big Dez
Paris, Mica
Sims, Marvin
Lucia and Levi
Diedra
The Beach Music CD Top 10
20 1 1 STEPPING OUT TONIGHT
various
12 2 2 STEVE OWENS & SUMMERTIME
18 3 3 AIN’T NO MIDNIGHT TRAIN
12 4 4 WHERE THE BOYS ARE
11 5 5 RECESSION SESSIONS, THE
McDaniel, Rhonda
KHP 1101
Reverend Bubba D. Liverance
12 6 6 HANGIN’ OUT
12 7 7 ALL TIME COAST LINE
Strickland, Rick
Coastline Band
rickstricklandband.com
Isuwanee 0021
38 8 8 RHYTHM AND ROMANCE
28 9 9 LAUGHING DOWN CRYING
Strickland, Rick
Hall, Daryl
therickstricklandband.com
50 10 10 MEET THE QUEENS OF SOUTHERN SOUL
KHP 1102
various
KHP 1103
Flyin’ Cloud 60
KHP
Volume 1 No. 23
21
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Roadhouse B
lues and B
oogie Top 40
Blues
Boogie
Roadhouse Blues & Boogie Top 40
www.beachshag.com and www.cashboxmagazine.com
17
19
17
14
22
18
14
27
12
17
19
14
14
12
12
7
7
4
4
3
1
4
5
6
7
9
8
12
11
10
14
15
16
17
18
21
22
23
Year
Record Co. & #
1
HELP ME
2
Miller, Bill Band
STEAM UP THE WINDOWS
2012
3
Marr, Andrea
MIDNIGHT TRAIN
4
SEE YOU LATER BABE
5
Goudreau, Michael & Boppin’ Blues Band 20 Years of Bop & Blues
BIG TOWN PLAYBOY
6
Montoya, Coco w/ Meena & Shakura S’aida
JUST ONE MORE TIME
7
Hanck, Terry
MAKE UP ANOTHER LIE
8
Lawyers, Guns, and Money
DON’T PLAY THAT SONG (YOU LIED)
9
Moore, Sam & Bekka Bramlett
AIN’T NO WAY
Bill Miller Band
2012
Damn Good Time
11
Essential Collection
12
Omar & the Howlers
PRICE YOU GOTTA PAY
13
CERTAINLY ALL
14
Mannie & the Swingin’ Hipsters
CLEANIN’ HOUSE
15
James, Nikki & the Flamethrowers Blues Band
WE’RE GONNA MAKE IT
Beyond the Crossroads
16
Karp, Peter & Sue Foley
SEND FOR ME
Damn Good Time
17
Nighthawks
PRIDE AND JOY
18
Cobb, Johnny
PRETTY BABY
19
Lucia & Levi
ONE WRONG TURN
20
Estrin, Rick and th Nightcats
BLUES DES LOMBARDS
DON’T START ME TALKING
DOWN IN THE BOTTOM
Blood Red Blues
UNCONDITIONAL
Popovic, Ana
Unconditional
JUKE JOINT (2)
Boppin’ Blues Band
Boppin’ 15
IT DON’T MATTER TO ME
Cooper, Christina
Queens of Southern Soul
WILD TURKEY 101 PROOF
Wayne, Kenny Blues Boss
An Old Rock On A Roll
D.O.G.
Estrin, Rick and th Nightcats
One Wrong Turn
2012
Live In Paris
Eagle 202702
Omar & the Howlers
Hanck, Terry
Hilton, James Band
20
27
31
25
26
27
28
2007
2011
KHP 1092
2011
Stony Plain Recs
2012
Alligator 4950
WE’RE GONNA DO IT (ALL NIGHT)
Max, Johnny Band
9
33
30
YES
Rawls, Johnny
Soul Survivor
RELAXIN’
Perkins, Pinetop
Heaven
I’M ON TO YOU
Walker, Joe Louis
Hellfire
DIRTY WATER
Magness, Janiva
Stronger for It
2012
Alligator 4946
LOVE COMFORT ZONE
Salgado, Curtis
Soul Shot
2012
Alligator 4947
SMARTEST MAN IN THE ROOM
Mark, Paul & the Van Dorens
Smartest Man in the Room
MAYBE BABY
Johnny & the Mo Tones
Nothin’ to Lose
SITTIN’ WAITIN’
DeLone, Austin
Soul Blues
DISCONNECT MY PHONE
Rhythm Bombs
Better Be Ready
NICK OF TOO DAMN LATE
Harris, Paula
Turnig on the Naughty
NOTHING LEFT
Meena
Try Me
22
37
27
2012
Alligator 4950
2012
Omar & the Howlers
RoXi and the Blue Cats
19
2011
Electo Groove 513
29
9
Severn 0056
2012
One Wrong Turn
Sharpe, Jill
Juke Joints
24
32
23
2012
Sorin, Ron & Blue Coast Band
Juke Joints
13
14
17
BubblingUnder
BUILT FOR COMFORT
CATCH THAT TEARDROP
100 WAYS TO MAKE LOVE
James, Cee Cee
17
ABC&D of Boogie Woogie
BOOGIE MAN
BUILT FOR COMFORT
23
34
36
31
32
Flyin’ Cloud 60
Blind Pig 5146
2012
2012
FWG Records
26
12
Ruf 1174
2012
2012
Alligator 4949
4
27
Severn 0056
2012
Jump Start
ROCK IN MY BOOGIE
Bad Influence
24
Wienerworld 511
2012
IF YOU WERE MINE
Lil Ed & the Blues Imperials
Year
Record Co. & #
22
PMG 13
2010
Nighthawks
I WANT YOU
BIG WHITE CADILLAC
BLUES HAD A BABY
Flyin’ Cloud 60
2012
BPM
(LP or CD)
25
4
10
21
Title
Artist
17
2011
31
Greasy Soul’ Rockin’ BluesDelta Grooves 146
2011
27
Make Up Another Lie
My Turn
24
HPG
Fletcher, Kirk
TOO MUCH
7 YEARS
BAD LUCK
9
This
Week
2
BPM
(LP or CD)
No.
of
weeks
Last
Week
Week
17
This
Week
No.
of
weeks
Last
July 21, 2012
Title
Artist
1
1
GOING TO CHICAGO
GOOD GOOD ROCKIN’ GOIN’ ON
37
38
40
28
29
35
33
34
35
36
37
38
39
40
Juke Joints
Hanck, Terry
2012
Catfood 15
2012
Blind Pig 5145
2012
2012
Radiation 5929
2011
Altenburgh
2007
2008
NP015
2012
OVER YONDER WALL
PAYCHECK
2012
Ruf 1156
Bluesmasters f. Mickey Thomas
Pearson, Big Pete
HAPPY BIRTHDAY BLUESGoudreau, Michael & Boppin’ Blues Band
I’LL BE ON MY WAY Goudreau, Michael & Boppin’ Blues Band
SEE SEE BABY
SEND FOR ME
I’LL BE ON YOUR SIDE Goudreau, Michael & Boppin’ Blues Band
I’M HEADIN’ OUT THE DOORGoudreau, Michael/Boppin’ Blues Band
SHE’S SPREADIN’ RUMORSGoudreau, Michael/Boppin’ Blues Band
SNAKE RHYTHM ROCK
Omar & the Howlers
I’M READY
JAILBAIT
SUGAR DITCH
TEARS LIKE RAIN
Miller, Bill Band
Piper, Anni
Solon Fishbone f Alice Azam
National Debonaires
Omar & the Howlers
Omar & the Howlers
JIMMY REED HIGHWAY
Omar & the Howlers
JUST YOUR FOOL
Beckie Sue & Her Big Rockin’ Daddies
TEMPERATURE 110
THERE IT IS
LOVE MAN
MATCHBOX
TRAIN KEPT A ROLLIN’
Hanck, Terry
TRYING TO LIVE MY LIFE w/o YOUBig James & Chicago Playboys
Salgado, Curtis
Rhodes, Bill & Party Kings
Magness, Janiva
DRIVING WHEEL
EVERY DAY I HAVE THE BLUES
Bottoms Up Blues Gang
MEAN OLD MAN
Goudreau, Michael & Boppin’ Blues Band
MY BABY WANTS TO BOOGIE
Brown, Mel & Snooky Pryor
TWO CAN PLAY YOUR GAME
WATERMELON TEA
EVERYTHING GONNA BE ALRIGHT
Miller, Bill Band
FURTHER ON UP THE ROAD Calabash Blues & Boogie Band
NEVER MAKE YOUR MOVE TOO SOON
NO MORE DOGGIN’
WHAT YOU GONNA DO?
YOU MADE ME LAUGH
Salgado, Curtis
Omar & the Howlers
GETTING TO KNOW YOU
OFF THE HOOK
YOUR KINDA LOVE
Davies, Mary Bridget
Salgado, Curtis
Martens, Jessy
Smith, Holland K.
Cash Box Kings
Knox, Marquis
Retro Deluxe
Fessa Hook's Roadhouse Blues and Boogie Top 40 is is compiled from full time listeners, fast dancers, and DJs with the National R&B DJ Association & the Association of
Beach & Shag CLub DJs. Hear the Roadhouse Blues and Boogie Show, Sunday nights, EDT U.S., 6--9 pm and Wednesday nights 7--10 pm at www.beachshag.com
Volume 1 No. 23
23

Dancing On the Edge Journal

Transcription

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