2pm, 28th October 2013

Transcription

Fine & Rare Instruments
2pm, 28th October 2013
Sale Date: 2pm, 28th October 2013
Viewing Dates & Location
27th October 2013 - 10am -to 7pm / 28th October 2013 - 9am to 12pm
Location: The Royal Institution of Great Britain, 21 Albemarle Street, London, W1S 4BS
In the UK the clocks go back 1 hour at 2am on the 27th October.
Bidding Enquiries and Contact Details
Visit www.bromptons.co to view our online catalogue and place a bid prior to the auction.
Email: [email protected]
Absentee Bids/Results: +44 (0)20 7670 2947
Bids Office Fax Number: +44 (0)20 7670 2963
Shipping & Delivery - Brompton’s are happy to announce that a representative from Alban Shipping
will be on hand at the auction between 1pm and 6pm, to arrange customs paperwork and shipping,
and to advise in regard to any export queries.
For all shipping enquiries please call Alban Shipping on +44 (0)1582 493 099
**
VAT - VAT is chargeable on the purchase price of (
) lots at the standard rate (currently 20% on
the hammer), and on lots marked ( ) at the reduced rate (currently 5% on the hammer). VAT may be
refunded upon proof of export from the European Union within 2 months of the sale.
VAT No. GB 869826653. Sale No. 1026
*
Photography - All lots are illustrated in our online catalogue. Please visit www.bromptons.co
Sunday 3rd November 2013, 7.30pm - The Dukes Hall, Royal Academy of Music
Brompton’s and The Royal Academy of Music
invite you to celebrate the tenth anniversary
of the London Cello Society. The concert
gathers together six of the worlds finest
Stradivari cellos, played by some of the finest
cellists. Interestingly the concert will reunite
the ‘Archinto’ cello and viola for the first time in
many years.
The programme will include works by
Beethoven, Tchaikowsky, Jules Massenet, Faure’
and the All-Stradivari Cello Ensemble.
Tickets: www.londoncellos.org
The instruments by Stradivarius:
• the ‘Lord Aylesford’ 1696 played by
Danjulo Ishizaka
• the ‘Barjansky’ 1690 played by
Julian Lloyd-Webber
• the ‘Saveuse’ 1726 played by Robert Max
• the ‘Mara’ 1711 played by Christian Poltera
• the ‘Countess of Stanlein’ 1707 played
by Stephane Tetreault
• the ‘Archinto’ 1689 played by Raphael Wallfisch
• the ‘Archinto’ 1696 viola played by
Paul Silverthorne
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28th October 2013
Brompton’s Team
4 steps to buying at Brompton’s
Buying with Brompton’s is quick, easy and transparent.
1. View Instruments
Discuss your requirements with a Brompton’s expert, who will be happy to advise you about the
instruments on offer and their condition, and then make an appointment for a private viewing. You
may try the instrument in the Faraday auditorium and experience a real concert environment, or
professional musicians may request the chance to try it on loan for a few days.
Peter Horner
Director
+44 (0)20 7670 2913
[email protected]
Eckhard Kropfreiter
Consultant
+44 (0)20 7580 8828
[email protected]
James Westbrook
Consultant for Guitars
& Fretted Instruments
+44 (0)7836 550210
[email protected]
Peter Oxley
Consultant for Bows
+44 (0)20 7670 2932
[email protected]
2. How to Bid
Register to Bid
If you are attending the auction in person you will need to register with one of our clerks before the sale.
We will then give you a “paddle” with your unique bidder number on it – you are now ready to bid.
Placing a Bid
If you decide not to attend the auction you are able to leave bids in a variety of ways:
Rebecca Titcombe
Auction Manager
+44 (0)20 7670 2932
[email protected]
Juliet Cook
Auction Administrator
+44 (0)20 7670 2947
[email protected]
Anne Bastille
Auction Administrator
+44 (0)20 7670 2916
[email protected]
Live-time internet bidding: In conjunction with Artfact/Invaluable, Live Internet Bidding will be
available through their website for this sale. From within our online catalogue, follow the onscreen
instructions and you will be taken to Invaluable where you will be able to view each lot and register
to bid live during the sale from the comfort of your own home. Once you have registered, and been
approved to bid, you will be assigned a paddle number. Then, by simply signing in you will be able
to take part in all of Brompton’s Live Internet Auctions. We look forward to seeing you online, or in
person at the auction.
Absentee bids: Absentee bids can be left with Brompton’s either online, by fax or by email. It is
also possible to bid live at the auction by telephone. Discuss the best way to make your bid with a
member of Brompton’s staff.
ASIA
3. Pay & Receive your Instrument
Once you have successfully bought an instrument in one of our sales, full payment is required within
seven days of the sale date. Brompton’s accept most major credit cards; alternatively wire transfers
can be made.
Wonphil Lee
CEO of Brompton’s Asia
+82 (0)2 588 8251
[email protected]
2
Jihye Choi
Head Auctioneer
+82 (0)2 588 8251
[email protected]
Min Joo
Planning Manager
+82 (0)2 588 8251
[email protected]
4. Shipping
Brompton’s will be happy to direct you to expert fine art shippers who will arrange for
professional packing and insurance. Information on VAT refunds and export advice is available
through Brompton’s.
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28th October 2013
1 A Fine Silver-Mounted Violin Bow by
F. N. Voirin
Stamped: F N Voirin a Paris
Round stick
Weight: 56g. (whalebone lapping)
The Vuillaume style frog and button
£4,000 - £6,000
5 A Good French Silver-Mounted Violin Bow
Stamped: Gand Frere
Round stick
Weight: 62g.
The frog possibly later
£600 - £1,000
Stamped: Caressa & Francais Paris
Round stick
Weight: 60g.
The later frog and button
H.R. Pfretzschner
Stamped: H.R. Pfretzschner
Further stamped with a coat of arms on the frog
Round stick
Weight: 64g.
13 A Modern Bow in the Baroque style by
Eduardo Gorr
Stamped: E. Gorr
The fluted stick
Weight: 48g.
£600 - £800
£500 - £800
pg. 17
2 A French Silver-Mounted Violin Bow
9 A German Silver-Mounted Violin Bow by
6 A Silver-Mounted Violin Bow by James Tubbs
Unstamped
Round stick
Weight: 65g.
The head spliced
£600 - £800
£1,200 - £1,800
10 A Silver-Mounted Violin Bow by
W. E. Hill & Sons
Stamped: W.E. H&S
Round stick
Weight: 59g.
The frog, by Hill, possibly later
14 An English Silver-Mounted Violin Bow by
W. E. Hill & Sons
Stamped: H&S.
Round stick
Weight: 60g.
£1,000 - £1,500
£800 - £1,200
3 A Nickel-Mounted Violin Bow by
Albert Nurnberger, After Tubbs
Stamped: Albert Nurnberger
Octagonal stick
Weight: 62g.
£600 - £800
7 A Fine Silver-Mounted Self-Rehairing
Violin Bow, Workshop of Vuillaume
Faintly Stamped
Round stick
Weight: 61g.
Sold with the certificate of Bernard Millant,
Paris 2013
£2,000 - £3,000
Sold with the certificate of Jean-François Raffin,
Paris 2010
Emile Ouchard Pere
Stamped: Emile Ouchard
Round stick
Weight: 62g.
The later ferrule of nickel
£6,000 - £10,000
£800 - £1,200
pg. 17
C.N. Bazin
Unstamped
Round stick
Weight: 61g.
pg. 17
12 A Nickel-Mounted Violin Bow by C. N. Bazin
Stamped: C. Bazin
Round stick
Weight: 56g.
£600 - £1,000
Stamped: Nicholas Delaune
Octagonal stick
Weight: 63g.
£600 - £1,000
Paris 2013
£3,000 - £5,000
4 A Fine Silver-Mounted French Violin Bow
by A. Lamy
Stamped: A. Lamy A Paris
Round stick
Weight: 63g.
11 A Very Fine Silver-Mounted Violin Bow by
15 A Silver-Mounted Violin Bow
16 An English Silver and Tortoiseshell-Mounted
Violin Bow by W. E. Hill & Sons
Stamped: W.E. Hill & Sons
Round stick
Weight: 58g.
£500 - £800
17 A French Silver-Mounted Violin Bow by
Emile and E. A. Ouchard
Indistinctly stamped
Weight: 55g. (no hair)
Paris, 2011
£3,000 - £5,000
4
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28th October 2013
18 A Good Silver Mounted German Violin Bow by
F. Winkler
Stamped: F. Winkler pierced with arrow
Round stick
Weight: 58g.
£500 - £800
19 A Good Gold and Tortoiseshell-Mounted Viola
Bow, Probably English
Unstamped
Octagonal stick
Weight: 69g.
Sold with the certificate of Salchow & Sons,
New York, 2010
pg. 17
21 A Silver-Mounted Violin Bow by Klaus Gruenke
Paris
This bow is in almost perfect condition and
retains its original lapping.
This bow is illustrated in The Bow Makers of
the Peccatte Family by Paul Childs, Magic Bow
publications, on pg. 91 (illustration no. 40).
pg. 18
Various Properties
Violin Bow by Charles Tourte, circa 1800
Unstamped
Octagonal stick
Weight: 61g.
£1,200 - £1,800
Paris 2001
26 A French Silver-Mounted Violin Bow,
£2,500 - £3,500
School of Bausch
Unstamped
Octagonal stick
Weight: 54g. (sparse hair)
£200 - £300
Colin-Mezin
Stamped: Colin-Mezin
Round stick
Weight: 62g.
Restored near head
£500 - £800
24 A Fine and Interesting Ivory-Mounted Baroque
29 A Very Fine Silver and Ivory-Mounted French
W. E. Hill & Sons
Stamped: W.E. H&S
Round stick
Weight: 54g. (sparse hair)
27 A German Nickel-Mounted Violin Bow,
Stamped: Peccatte
Further stamped: Paris
Round stick
Weight: 60g.
Refer to department
School of Maline, circa 1860
Unstamped
Octagonal stick
Weight: 62g.
An Extremely Fine and Important SilverMounted Violin Bow by Dominique Peccatte,
Paris 1845
Jean Dominique Adam, Paris circa 1840
Stamped: Adam
Round stick
Weight: 60g.
£1,000 - £1,500
Paris 2012
23 Property of a Gentleman
20 A Fine French Nickel-Mounted Violin Bow by
Stamped: Klaus Gruenke
Round stick
Weight: 57g.
Martin
Stamped: J. Martin
Round stick
Weight: 56g.
The contemporary frog and button by another
hand
£1,500 - £2,000
£600 - £1,000
£7,000 - £10,000
22 A Silver-Mounted Violin Bow by Jean-Joseph
£15,000 - £20,000
pg. 18
Albert Nurnburger
Stamped: *Albert Nurnberger*
Octagonal stick
Weight: 64g.
£1,800 - £2,000
Kurt Dolling
Faintly stamped: *Kurt Dolling*
Octagonal stick
Weight: 60g.
£500 - £800
W. E. Hill & Sons
Round stick
Weight: 57g.
£2,000 - £3,000
Violin / Gamba Bow
Unstamped
The fluted shaft
Weight: 50g. (no hair, no lapping)
The swan head
A very similar cello bow by Pierre Nicola Tourte
was sold through these rooms on the 21st June
2011 as lot 265.
£5,000 - £8,000
6
pg. 18
7
28th October 2013
Faintly stamped: C. Hountasis
Round stick
Weight: 62g.
The frog and button possibly later
£200 - £300
*
34 A Silver-Mounted Violin Bow by Cuniot Hury
Stamped: Cuniot-Hury
Round stick
Weight: 60g.
£400 - £600
37 A Silver-Mounted Violin Bow by Gustav Prager
Faintly stamped: Gustav Prager
Futher stamped: GP with an arrow device
Octagonal stick
Weight: 58g.
£600 - £1,000
38 A Silver-Mounted Violin Bow, Attributed to
Eugene Sartory
Stamped: E. Sartory A Paris
Round stick
Weight: 60g.
The pinned head
£2,500 - £3,500
35 A French Silver-Mounted Violin Bow, Mirecourt
School, circa 1800
Unstamped
Round stick
Weight: 54g.
£1,500 - £2,000
Albert Nurnberger
Octagonal stick
Weight: 60g.
£1,200 - £1,800
36 A German Silver-Mounted Violin Bow,
School of Pfretzschner
Stamped: Lowendahl’s
Round stick
Weight: 60g.
£300 - £500
40 A German Gold-Mounted Violin Bow,
Attributed to A. Nurnberger
Round stick
Weight: 62g.
£1,000 - £1,500
41 Property of a Lady
45 An English Violin by Walter H Mayson,
A Very Fine Italian Violin by Januarius
Gagliano, Naples 1774
Bearing an original label: Januarius Gaglianus
fecit Neapoli 1774
Length of back: 13 11/16ins, 348mm
The fingerboard bears the W. E. Hill & Sons
registration number S296
This violin is in exceptional condition
£60,000 - £100,000
pg. 20
42 A Fine French Violin by C.A. Miremont,
Paris 1880
Labelled: CA Miremont fecit Parisiis anno Dni,
1880
Length of back: 14ins, 357mm
£7,000 - £10,000
43 A Fine English Violin by Alfred Vincent,
London 1924
Bearing the original label, dated 1924
The upper bass-side rib is autographed by Marie
Hall, dated February 27th 1925
£3,000 - £5,000
44 A Fine Dutch Violin, Probably by Jacobs,
Manchester 1901
Labelled: Walter H Mayson, Mancester fecit 1901
‘messalina’
£2,000 - £3,000
46 A Violin, Caussin School, circa 1880
Unlabelled
£1,000 - £1,500
47 A Violin by Paulus Pilat, Budapest 1926
Bearing the original label dated 1926,
numbered 408
Branded on the upper back: PP beneath a cross
and set within a circle
£3,000 - £5,000
48 A Violin, Probably German circa 1760
Unlabelled
The violin retains its original neck and
fingerboard
£1,200 - £1,800
Amsterdam Second Half of the Seventeenth
Century, After Amati
Labelled: Nicolaus Amatus....
The scroll possibly by a member of the
Ruggieri family.
£8,000 - £12,000
8
pg. 40
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28th October 2013
49 A Violin by Paul Lorange, Lyon 1902
Labelled: Paul Lorange, a Lyon 1902 No 94
£1,000 - £2,000
54 A Violin from the Workshop of Emile Laurent,
Bordeaux 1923
Labelled: E. Laurent, Bordeaux,
6 Rue J.J Rousseau 1923
£1,500 - £1,800
50 No Lot
59 A Fine German Violin by Oswald Möckel,
Berlin 1909
Bearing an original label
Sold with the certificate of Andreas Kagi,
Berlin 2004
55 An Italian Violin, School of Bisiach,
A Fine Italian Violin by Leandro Bisiach,
Milan 1897
Labelled: Leandro Bisiach della scuola Cremonese
in Milano 1897, Piazza del Duomo
Inscribed in ink on the label: ..Giovanni Violinista
Enrico Giorgi(?) Leandro Bisiach
£30,000 - £40,000
pg. 21
Various Properties
£7,000 - £10,000
pg. 40
56 A Good Scottish Violin by Thomas Hardie,
Edinburgh 1844
Labelled: Thomas Hardie, Edinburgh
decit-anno 1844
£3,000 - £5,000
52 A German Violin by a Member of the Kloz
Family, circa 1760
Labelled: Sebastian Klotz, Mittenwald, 1754.
£3,000 - £5,000
53 A French Violin by Paul Bailly, circa 1890
Bearing an original label, numbered 936
Signed by the maker
£2,000 - £3,000
60 A Violin by Paul Blanchard, Lyon 1902
Bearing an original label dated 1902 and
numbered: 579
£1,200 - £1,800
61 A Fine German Violin
Labelled: Michael Boller Geigenmacher in
Mittenwald an der iser in 18..
The scroll probably later
This violin is in baroque setup
57 A Violin by Perry, Dublin circa 1800
£1,200 - £1,800
58 A Violin by Marc Laberte, France 1952
Bearing the original label dated 1952,
numbered 994
£800 - £1,200
62 A Fine Italian Violin by Joannes Florenus
Guidantus, Bologna circa 1750
Bearing a facsimile label: Joannes Florenus
Guidantus fecit Bononiae anno 1737
A dendrochronology report is available to
purchase from Peter Ratcliff. Initial readings
indicate that the treble side dates from 1746,
and the bass side from 1742. The wood matches
with other Italian instruments, including
those by Del Gesu, Deconet, Bergonzi Tononi,
Gagliano, and Santo Serafin.
£20,000 - £30,000
64 An English Violin, Attributed to
Panormo School, First Quarter of the
Nineteenth Century
Labelled: Vincenzo Panormo...
£2,000 - £3,000
£1,000 - £1,500
Unlabelled
Stamped on the upper back: Perry Dublin
This violin retains its original neck
Zurich 1905
Labelled: Anton Siehenhümer, Zurich Anno 1905.
Further labelled AS surmounted by a cross, set
within a double circle
£4,000 - £6,000
£4,000 - £6,000
Second Half of the Nineteenth Century
Labelled: Johannus Franciscus Pressenda q.
Raphael fecit Taurin ano dominae 1847
63 A Fine Violin by Anton Siebenhunner,
65 A Fine Italian Violin, School of Cappa,
circa 1700
Unlabelled
indicate that the one-piece front dates from
approximately 1695. The wood matches almost
exactly with a violin and cello by Cappa.
£15,000 - £25,000
pg. 41
66 A Good French Violin, Attributed to Jean
Deshayes Salomon, Second Half of the
Eighteenth Century
Labelled: Salomon naitre luthier a Paris, rue
L’Arbre sec a Ste. Cecile
Branded on the upper back: Salomon a Paris
£5,000 - £7,000
pg. 22
67 A Fine German Violin, First Half of the
Eighteenth Century
Labelled: Jacobus Steiner, in Absom prope in
pontum 1662(?)
£2,000 - £3,000
10
*
11
28th October 2013
68 An Interesting French Violin by Vuillaume Pere,
Paris circa 1790
Branded internally: Vuillaume
Further inscribed: Repaired by John.M...
Philadelphia 1881
£4,000 - £6,000
Various Properties
72 An Interesting Violin, Possibly Italian,
First Half of the Twentieth Century
Labelled: Rocca Enrico fu Giuseppe...1914
£3,000 - £5,000
*
69 An Interesting Violin, Probably
Mid-Nineteenth Century
Labelled: Giov. Bapt. Grancino....16..
This violin retains its original neck
£1,200 - £1,800
70 A Good English Violin by a Member of the
Furber Family, circa 1830
Unlabelled
The violin retains its original neck and
fingerboard
£600 - £1,000
71 Property of the late James William Dodds
1909-1992
A Fine Italian Violin by Giuseppe Pedrazzini,
Milan 1919
Labelled: Giuseppe Pedrazzini, Cremonese, fece in
Milano l’Annno 1919
Signed on the label: G. Pedrazzini
Further labelled: Sole agents No.35 Hawkes & son,
Denman St Piccadilly Circus London dated 1919
Sold with the original illustrated brochure pgs.
20, 21, 22, from Hawkes & Son, advertising
Pedrazzini’s work.
76 An Interesting Violin
Labelled: fatto da Contavalli, primo di Luigi
Signed on the label
£800 - £1,200
*
77 A Fine English Violin, Probably by a Member of
73 A Good German Violin by J.H. Schult,
Lubec 1939
Labelled: J H Schult Hof-Geigenmacher Lubec
anno 1939
Branded JHS on the button
£2,000 - £3,000
74 A Good Neapolitan Violin, Attributed to
Lorenzo Ventapane
Labelled: Lorenzo Ventapane fabbricante di
strumenti armonici strada donna regina
Napoli 1840
the Panormo Family, London circa 1790-1800
Labelled: Vincenzo Trusiano Panormo fecit anno
1770(?)
£12,000 - £18,000
*
78 A Violin, Probably Neapolitan, First Half of the
Nineteenth Century
Labelled: Lorenzo Ventapane...
Sold with the certificate of Dykes and Sons,
London 1926, attributing the violin to the
Neapolitan school.
£3,000 - £5,000
Sold with the certificate of Dietmar Machold,
Vienna 2006
£10,000 - £15,000
79 A Violin, Caussin Family, circa 1870
Faintly labelled
75 A Good German Violin, circa 1900
A Fine and Rare Violino Piccolo by Francesco
Ruggieri, Cremona 1696
Labelled: Francesco Ruger detto il per in
Cremona 1696
The later Italian scroll by Joseph Gagliano
This violin is illustrated on pgs. 480 - 481 of
Sotheby’s Four Centuries of Violin Making,
Cozio 2005
£60,000 - £80,000
pg. 24
Various Properties
82 An English Violin by Job Arden
Labelled: Made by Job Arden 1826 to 1912,
Wilmslow Cheshire
The fingerboard bears the W. E. Hill & Sons
number: K300
£1,500 - £2,000
83 A Violin, Probably French, circa 1750
Labelled: Jofeph Sneider, Paprae, Alumnus Nicolai
Amati, Cremonae, fecit anno 1709
£800 - £1,200
£1,200 - £1,500
Labelled: Lorenzo Carcassi...
£2,000 - £3,000
84 A German Violin
80 A Violin, School of Neuner, circa 1880
Unlabelled
£700 - £1,000
Labelled: Vuillaume, Á Paris, Rue Croix des Petits
Champs, 46.
£500 - £800
During his lifetime James ‘Billy’ Dodds
performed in all the major theatres in and
around the Newcastle area in the 1920s and
1930s, including the Palace Theatre, the
Haymarket and the Empire Theatre. In 1937 Billy
purchased the Pedrazzini and it remained in his
possession until his death.
£30,000 - £40,000
12
pg. 23
13
28th October 2013
85 An Italian Violin by Barnadus Calcanius, Genoa
circa 1740 and Later
Labelled: Matteo Gofriller fece in Venetia
The later English back
£12,000 - £18,000
89 A Fine Violin by Paul Bailly, London circa 1880,
After Nicolo Amati
Labelled: Paul Bailly, luthier ancien eleve de JB
Vuillaume 8 medailles a Paris, Sydney, Melbourne 8
Signed on the label
Further signed internally
After Rocca
Labelled: Joseph Antonius Rocca fecit Taurini
anno domini 1862
Branded internally: GR within an oval, and again
on the lower rib
£4,000 - £6,000
Sold with a dendrochronology report by John
Topham, Redhill 2012. Initial readings show the
youngest ring on the one-piece front, inside the
purfling line, was 1714.
86 A Good German Violin, Dresden 1927
Labelled: Prof. F. J. Koch-Dresden anno 1927 n...II
/ 72
Branded internally: Koch
£1,000 - £1,500
87 A French Violin by Hawkes & Son
Labelled: The Concert Violin (Registered) 189
Hawkes & Son, 28, Leicester Sq., London.
88 A Fine Italian Violin by Giuseppe Baldantoni,
Ancona 1858
Bearing an original label: Joseph Baldantoni
Anconae fecit anno 1858
This violin retains its original neck and
fingerboard and is in an almost perfect state of
preservation
£15,000 - £20,000
90 A Good English Violin, Probably by Henry Jay,
London 1746
Labelled: Made by Henry Jay in Long Acre
London 1746
The later scroll
£2,000 - £3,000
91 An Interesting Violin, Attributed to
£5,000 - £8,000
£10,000 - £15,000
*
pg. 42
95 A Fine French Violin, School of Chanot,
Labelled: Joseph Guarnerius fecit Cremoniensis
Dom Nicolo Amati, circa 1750
Bearing a facsimile Amati label
£600 - £1,000
94 A Very Fine and Interesting Violin, circa 1900,
*
92 An English Violin by Rushworth & Dreaper
Labelled: The ‘Ardeton’ Violin. Made throughout in
the workshops of Rushworth & Dreaper
£1,200 - £1,800
pg. 41
93 A German Violin by L. Lowendhal
Labelled: Louis Lowendhal, fecit Dresdae.
Anno 1887
Sold with the receipt from J & A Beare,
London 1956
£4,000 - £6,000
98 A Good German Violin, School of Hopf
circa 1760
Labelled: Giofredius Cappa...
£700 - £1,000
*
99 An Interesting Violin, First Half of the
Nineteenth Century
Faintly labelled
£400 - £600
100 A Good Italian Violin by Alfredo Gianotti,
Milan 1977
Bearing an original signed label
Numbered: 84
Sold with the original receipt from
Alfredo Gianotti, Milan 1978
£5,000 - £7,000
96 A Violin by Juste Derazey, circa 1890
Labelled: J. Derazey, Luthier, Mirecourt
£2,500 - £3,500
101 A Good Violin by J. B. Havalka, Linz 1793
Labelled: Goa Bapt Havalka fecit Linzia anno 17..
£1,200 - £1,800
97 An Interesting Violin, Attributed to
Stefano Scarampella, circa 1900
Labelled: Stefano Scarmapella premiato con
medagli d’argento...fece in Brescia anno 1900
£2,000 - £3,000
£500 - £700
14
15
28th October 2013
102 A Scottish Violin by Alex Smilie, Glasgow 1900
Numbered: 27
£800 - £1,200
103 A Fine and Interesting Violin, Probably Italian,
circa 1780
Unlabelled
A full dendrochronology report is available to
show there is a strong correlation with Italian
instruments: the bass side dates from 1753, and
the treble side dates from 1758.
£10,000 - £15,000
106 An Interesting Violin, Possibly Italian,
Last Quarter of the Eighteenth Century
Unlabelled
The outline has been modified, the back and
table set with double purfling, the back with
inlaid geometric patterns
£7,000 - £10,000
107 An Extremely Fine Violin by Perry and
Wilkinson, Dublin
Labelled: Made by ThoS Perry and W M Wilkinson,
Musical Instrument Makers, No.4, Anglesea Street
£3,000 - £5,000
pg. 42
104 An English Violin by C. W. Tiller,
Bournemouth 1927
Bearing an original manuscript label,
numbered: 27
108 A Good Violin, Probably German,
Late Nineteenth Century
Unlabelled
£800 - £1,200
£1,200 - £1,800
109 A Violin Second Half of the Nineteenth Century
105 A French Violin by Didier Nicolas Aine,
Mirecourt circa 1920
Stamped internally: La ville de Cremonne D.
Nicolas Aine
£1,000 - £1,500
Faintly labelled
£500 - £700
A Very Fine Italian Violin by Felix Mori Costa,
Parma 1807
Labelled: Felix Mori Costa fecit Parmae anno 1807
£40,000 - £60,000
pg. 25
Lots 111-289 continue on page 49
Lot 1
16
Lot 4
Lot 11
Lot 20
17
28th October 2013
Lot 23
18
Lot 24
Lot 29
Lot 171
Lot 174
Lot 187
Lot 195
Lot 205
19
28th October 2013
20
Lot 41
Lot 51
A Very Fine Italian Violin by Januarius Gagliano, Naples 1774
£60,000 - £100,000
A Fine Italian Violin by Leandro Bisiach, Milan 1897
£30,000 - £40,000
21
28th October 2013
22
Lot 62
Lot 71
A Fine Italian Violin by Joannes Florenus Guidantus, Bologna circa 1750
£20,000 - £30,000
A Fine Italian Violin by Giuseppe Pedrazzini, Milan 1919
£30,000 - £40,000
23
28th October 2013
24
Lot 81
Lot 110
A Fine and Rare Violino Piccolo by Francesco Ruggieri, Cremona 1696
£60,000 - £80,000
A Very Fine Italian Violin by Felix Mori Costa, Parma 1807
£40,000 - £60,000
25
28th October 2013
26
Lot 118
Lot 135
An Important Italian Viola by Carlo Ferdinando Landolphi, Milan 1767
£150,000 - £200,000
A Fine English Cello by John Betts, London circa 1800
£18,000 - £25,000
27
28th October 2013
28
Lot 142
Lot 143
Lot 145
The Ex Francisco Gabarro
A Very Fine Italian Cello by Emilio Celani, Ascoli circa 1890
£30,000 - £50,000
A Good French Cello, School of Bocquay, Paris
First Half of the Eighteenth Century, After Amati
£8,000 - £12,000
A Good Italian Cello by Giovanni Grancino, Milan
circa 1690 and Later
£65,000 - £85,000
29
28th October 2013
30
Lot 148
Lot 151
A Fine and Interesting Italian Cello, School of Gofriller, Venice First Quarter of the Eighteenth Century
£30,000 - £40,000
A Fine Italian Cello by Joseph & Antonio Gagliano, Naples circa 1800
£70,000 - £100,000
31
28th October 2013
32
Lot 153
Lot 215
A Fine French Cello by J. B. Vuillaume, Paris 1830
£120,000 - £150,000 *
A Very Fine Italian Violin by Giofredo Cappa, Saluzzo 1685
£130,000 - £150,000 *
33
28th October 2013
34
Lot 233
Lot 248
A Fine Italian Violin by Enrico Rocca, Genova 1898
£40,000 - £60,000 *
A Fine Italian Violin by Carlo Antonio Testore, Milan First Half of the Eighteenth Century
£80,000 - £120,000 *
35
28th October 2013
36
Lot 258
Lot 266
A Very Fine Italian Violin by Andreas Postacchini, Fermo circa 1810
£40,000 - £50,000
A Fine and Important Italian Violin by Andrea Guarneri, Cremona 1684
£200,000 - £300,000 *
37
28th October 2013
38
Lot 284
Lot 289
A Fine Angélique by Joachim Tielke, Hamburg 1698
£40,000 - £50,000
A 1962 Classical guitar by Robert Bouchet
£25,000 - £35,000
39
28th October 2013
40
Lot 44
Lot 65
A Fine Dutch Violin, Probably by Jacobs, Amsterdam Second Half of the Seventeenth Century, After Amati
£8,000 - £12,000
A Fine Italian Violin, School of Cappa, circa 1700
£15,000 - £25,000
Lot 55
Lot 88
An Italian Violin, School of Bisiach, Second Half of the Nineteenth Century
£7,000 - £10,000
A Fine Italian Violin by Giuseppe Baldantoni, Ancona 1858
£15,000 - £20,000
41
28th October 2013
42
Lot 94
Lot 111
A Very Fine and Interesting Violin, circa 1900, After Rocca
£10,000 - £15,000 *
A Fine English Viola by William Forster, London circa 1800
£6,000 - £10,000
Lot 103
Lot 114
A Fine and Interesting Violin, Probably Italian, circa 1780
£10,000 - £15,000
An Extremely Fine Viola by Gand Pere, Paris 1828
£25,000 - £35,000
43
28th October 2013
44
Lot 138
Lot 223
A Fine Italian Cello, Probably by Giovanni Tedesco, Naples circa 1910
£30,000 - £40,000 *
A Fine Italian Violin, Workshop of Andreas Postacchini, Firmo circa 1820
£15,000 - £20,000
Lot 152
Lot 226
A Very Fine and Interesting Cello, Possibly by a Member of the Sgarabotto Family
£15,000 - £20,000
A Good Italian Violin by Giovanni Grancino, Milan circa 1700
£40,000 - £60,000
45
28th October 2013
46
Lot 237
Lot 252
A Good English Violin by Vincenzo Panormo, London circa 1790, After Nicolo Amati
£20,000 - £30,000
A Fine Italian Violin by Stefano Scarampella, Mantova 1922
£15,000 - £20,000
Lot 241
Lot 255
A Fine Italian Violin by Alfredus Contino, Naples 1929
£20,000 - £30,000
A Fine Violin by Plino Michetti, Turin 1932, After Giuseppe Rocca
£18,000 - £25,000
47
28th October 2013
111 A Fine English Viola by William Forster,
London circa 1800
Labelled: William Forster Violin maker...bow
maker...London...
116 A Good English Viola by William Goldsmith,
Great Baddow 1954
Bearing an original label dated 1954
£2,000 - £4,000
Sold with the certificate of Peter Voigt Ltd,
Lindfield 1986
£6,000 - £10,000
pg. 43
117 A German Viola, Late Nineteenth Century
Labelled: Hans Georg Leeb...
112 A Good Viola by Jean Striebig, Mirecourt 1931
Bearing an original label faintly numbered 1073
Branded internally: JS Striebig
£3,000 - £5,000
113 A Good Viola
Lot 279
An Italian Violin, School of Ceruti, Cremona circa 1800
£12,000 - £18,000
Labelled: Averna Alfredo, me fecit Palermo 1947
£1,500 - £2,000
£1,000 - £1,500
An Important Italian Viola by Carlo Ferdinando
Landolphi, Milan 1767
Bearing an original label: Carolus Ferdinandus
Landolphus fecit mediolani in Via S. Mar-garitae
anno 1767
Sold with the certificate of Hamma & co,
Stuttgart 1977
114 A Fine Viola by Gand Pere, Paris 1828
Labelled: Gand luthier de la musique du Roi & de
L’ecole royale de musique rue croix des peitites
champs No. 24 a Paris 1828
£150,000 - £200,000
pg. 26
Various Properties
119 An English Viola, School of Joseph Hill, London
Sold with the certificate of Charles Enel,
Paris 1948
circa 1780
Unlabelled
£25,000 - £35,000
£4,000 - £6,000
pg. 43
115 An Interesting Viola, Possibly Neapolitan
Labelled: Lorenzo Ventapane...Napoli 1823
£3,000 - £5,000
*
120 A Good Italian Viola by Vittorio Bellarosa,
Naples 1967
Bearing an original label dated 1967
£18,000 - £25,000
**
Lot 285
A Fine and Rare Mandolino by Joseph Molinari, Venice 1759
£2,000 - £4,000
48
49
28th October 2013
121 A Fine English Viola by John Wilkinson,
London 1930
Labelled: John Wilkinson, London 1930
The lower rib numbered: 9979
125 An Italian Viola, School of Sderci,
First Half of the Twentieth Century
Unlabelled
£4,000 - £6,000
£4,000 - £6,000
129 An English Viola by Longman & Broderip,
London circa 1800
Unlabelled
Branded on the upper back: Longman & Broderip,
36 Cheapside & No. 19 Hay Market London
£3,000 - £4,000
126 A Good Viola by Wolfgang B. Ritter,
122 A Good Viola
Labelled: Giuseppe Bargelli & F.glio liutaio via dei
saponai 12 telef 294246 Firenze = (Italia)
Dated in ink: 1945
£3,000 - £5,000
**
123 An English Viola by Ian Clarke,
Collingham 1979
£2,000 - £4,000
Mittenwald 1997
Bearing an original signed label, dated 1997 and
numbered 110
£1,500 - £2,000
127 An English Viola, Attributed to and Probably
by Richard Duke Junior, London circa 1780
Bearing a repairer’s label: R Duke Junier Violin
maker London 1st May 1777 repaired DG Ramsay
Glasgow 14th April 1881
Branded on the upper back: Duke London
£2,000 - £3,000
124 A German Viola, circa 1900
Unlabelled
£400 - £600
130 A Good German Viola, circa 1900
Bearing an indistinct label
£600 - £1,000
131 A Fine Italian Cello, School of Antoniazzi,
Labelled: Jo. Baptista Ceruti Cremonensis fecit
Cremonae An 1809
Sold with a summary dendrochronology report
from John Topham, Redhill 2008 - indicating the
date of the youngest ring to be 1731.
£20,000 - £30,000
128 A German Viola
Labelled: Anton Sandner-Balzer geigenbaumeister
nauheim b.gross gerau
Numbered internally: 3115...
134 A German Cello
Labelled: Ignaz Thomas, Guarnerius Modell
£1,200 - £1,800
A Fine English Cello by John Betts,
London circa 1800
Labelled: John Betts real musical instrument
maker at the violin and German flute No. 2 under
the north piazza of the Royal Exchange made in
the noted manner violins the pattern of Antonius
Stradivarius Hieronimous Amati, Jacobus Steiner
and Tyrols ...tenors, Vuillaume cellos, pentachords,
&&...
Branded on the upper back: Betts Royal
Exchange London.
Sold with the certificate of Hart & Son,
London 1927
£18,000 - £25,000
pg. 27
Various Properties
136 A Good Cello by Joseph Settin, 1963
132 A Fine English Cello, Probably by a Member of
Sold with the letter of Gerald D Moss,
Farnham 1966
the Furber Family, London circa 1830
Bearing a repairer’s label: Inscribed on the
underside of the table:- Made by W. Forster
London 1781
£500 - £800
£7,000 - £8,000
Labelled: G.J. Carsettinius c-s fec. centum an
dom 1963
Sold with a letter from Joseph Settin, New York
1966
£2,000 - £3,000
**
133 A Good French Cello, Probably by
Augustinus Chappuy, circa 1770
Labelled: Augustinus Chappuy fecit Parisius
anno 1764
£3,000 - £5,000
50
51
28th October 2013
137 An English Cello by William Glenister,
141 A Mittenwald Cello, School of Neuner &
London 1923
Bearing an original manuscript label
Hornsteiner, circa 1880
Unlabelled
£1,500 - £2,000
£2,000 - £3,000
145 A Good Italian Cello by Giovanni Grancino,
Milan circa 1690 and Later
Labelled: Andrea Guarnerius fecit Cremona...
The fine table by Giovanni Grancino, the later
ribs, back and scroll
£65,000 - £85,000
138 A Fine Italian Cello, Probably by Giovanni
Tedesco, Naples circa 1910
Labelled: Alfonso Dalla Corte fecit Neapoli
anno 1868
£30,000 - £40,000
*
pg. 44
139 An Interesting 7/8 Size Cello, First Half of the
Eighteenth Century
Unlabelled
The centre of the back inlaid with a stylised
monogram, the later scroll, the outline of the
cello has been modified
£4,000 - £6,000
140 A Mittenwald Cello, School of Neuner &
Hornsteiner circa 1880
Unlabelled
£3,000 - £5,000
pg. 29
Various Properties
149 A Good English Cello, London First Half of the
Eighteenth Century
Unlabelled
£3,000 - £5,000
The Ex Francisco Gabarro
A Very Fine Italian Cello by Emilio Celani,
Ascoli circa 1890
Labelled: Bertolarmio Obici in Verona 1681
A very similar example can be seen on pgs. 234
& 235 of Violin Makers of Central Italy
Florian Leonhard, London 2011
For a full description see www.bromptons.co
£30,000 - £50,000
pg. 28
Vienna 1732
Bearing the original label
A Good French Cello, School of Bocquay, Paris
First Half of the Eighteenth Century,
After Amati
Unlabelled
pg. 29
Various Properties
147 A French Cello, circa 1800
Unlabelled
144 A Good French Cello, Mirecourt circa 1900
Labelled: Rapasse et fini par Alfred Vidoudez,
luthier en Geneve an 1910
A Fine and Interesting Italian Cello, School of
Gofriller, Venice First Quarter of the Eighteenth
Century
Unlabelled
The table possibly later
£30,000 - £40,000
150 A Good German Cello, School of Neuner &
Hornsteiner, Mittenwald circa 1880
Labelled: Giuseppe Guarneri...1671
£2,000 - £4,000
£6,000 - £8,000
£4,000 - £6,000
£8,000 - £12,000
146 A Cello by Johann Christoph Leidolff,
pg. 30
A Fine Italian Cello by Joseph & Antonio
Gagliano, Naples circa 1800
Labelled: Joseph Gagliano filius Nicolai fecit Neap
177(?)
purchase from Peter Ratcliff - the initial readings
indicate the latest date to be 1780
£70,000 - £100,000
pg. 31
Various Properties
152 A Very Fine and Interesting Cello, Possibly by a
Member of the Sgarabotto Family
Unlabelled
£15,000 - £20,000
pg. 44
£3,000 - £5,000
52
53
28th October 2013
153 Property of a Retired Musician
156 A Good Violin Bow, Possibly by Barbe
A Fine French Cello by J. B. Vuillaume,
Paris 1830
Unlabelled
Signed internally: J. B. Vuillaume No 202,
Paris 1830
Sold with the following certificates and letters:
Peter Biddulph, London October 2012.
Rembert Wurlitzer, New York 1960.
C. F. Langonet and Son, London 1960.
Also sold with a letter from J & A Beare, London
1955 confirming that Mr. Beare had examined
the instrument and found it to be a genuine
cello by J. B. Vuillaume.
£120,000 - £150,000
*
pg. 32
Various Properties
Louis-Joseph Morizot Père
Stamped: A. Voirin Fils
Octagonal Stick
Weight: 63g.
Paris, 2008
£1,500 - £2,000
Unstamped
Round stick
Stamped: A. Nurnberger
Octagonal stick
Weight: 59g.
£1,000 - £1,500
£400 - £600
157 A Silver and Tortoiseshell-Mounted Violin Bow
162 A German Silver-Mounted Violin Bow
by W. E. Hill & Sons
Round stick
Weight: 62g.
Stamped: Penzel
Octagonal stick
Weight: 60g.
The later button
£2,500 - £3,500
£200 - £400
W. E. Hill & Sons
Round stick
166 A Good French Nickel-Mounted Violin Bow
Unstamped
Round stick
Weight: 54g.
The mother-of-pearl inlaid handle
£300 - £500
Stamped: Georges Apparut
Round stick
Weight: 60g.
£500 - £800
*
K. V. D. Meer
Stamped: K.V.D. Meer
Octagonal stick
Weight: 59g.
163 A Gold-Mounted Violin Bow by
W. E. Hill and Sons
Octagonal stick
£1,200 - £1,800
164 A Silver-Mounted Violin Bow by Max Möller
Stamped: M Möller Amsterdam
Octagonal stick
Weight: 57g.
£400 - £600
167 A Silver-Mounted Violin Bow by C. N. Bazin
Stamped: C.N. Bazin
Round stick
Weight: 53g.
£1,200 - £1,800
168 A Good Silver-Mounted French Violin Bow,
Possibly Workshop of Maire
Unstamped
Round stick
Weight: 60g.
£3,000 - £5,000
£400 - £600
£2,000 - £3,000
£400 - £600
Stamped: C. Buthod A Paris
Round stick
Weight: 60g.
161 A German Silver-Mounted Violin Bow
160 A French Silver-Mounted Violin Bow by C. Enel
Stamped: C. Enel a Paris
Round stick
Weight: 64g.
£2,000 - £3,000
54
55
28th October 2013
173 An Interesting French Silver-Mounted
177 A French Nickel-Mounted Violin Bow by Emile
Stamped: A. Vigneron a Paris
Octagonal stick
Weight: 54g.
Violin Bow
Unstamped
Round stick
Weight: 61g.
Ouchard
Stamped: Emile Ouchard
Round stick
Weight: 61g.
£400 - £600
£2,000 - £3,000
Sold with the certificate of P. Guillaume,
Brussels 2011
174 A Fine Silver-Mounted Violin Bow by N. Maline,
Paris circa 1860
Stamped: Vuillaume
Round stick
Weight: 62g.
Stamped: A Lamy A Paris
Octagonal stick
Weight: 57g.
£400 - £600
£8,000 - £12,000
171 A Fine French Silver-Mounted Violin Bow by
François Peccatte
Unstamped
Engraved on the ferrule: E.G. Slawell(?)
Round stick
Weight: 62g.
The frog possibly later, with the original slide
Paris 1997
£16,000 - £20,000
pg. 18
Stamped: Leon Bernadel
Octagonal stick
Weight: 64g.
£1,000 - £1,500
£3,000 - £5,000
pg. 19
175 A French Gold and Ebony-Mounted Violin Bow,
Probably by Victor Fetique
Indistinctly stamped
Octagonal stick
Weight: 64g.
Unstamped
Octagonal stick
Weight: 62g.
£1,000 - £1,500
Faintly stamped: Bazin
Octagonal stick
Weight: 60g. (button missing)
£1,000 - £1,500
176 A French Silver-Mounted Violin Bow,
Attributed to François Lupot II
Stamped: Lupot
Octagonal stick
Weight: 61g.
Paris, 2008
180 A Fine Silver-Mounted Violin Bow, Probably
Workshop of C. N. Bazin
Stamped: J.B. Vuillaume A Paris
Round stick
Weight: 63g.
The later button
181 A Nickel-Mounted Violin Bow by Charles Bazin
Unstamped
Round stick
Weight: 59g.
£1,200 - £1,800
182 A Violin Bow by Penzel
Stamped: K.Penzel**
Octagonal stick
Weight: 65g.
183 A Good Nickel-Mounted Bow,
Probably by Gaude
Unstamped
Round stick
£3,000 - £5,000
184 A Nickel-Mounted Violin Bow by Charles Bazin
Stamped: C. Bazin
Round stick
Weight: 62g.
The later button
£1,000 - £1,500
£5,000 - £7,000
£2,000 - £3,000
56
57
28th October 2013
185 An Interesting Silver-Mounted Violin Bow,
After Tourte
Octagonal stick
Weight: 57g.
Unstamped
Round stick
Weight: 59g.
£600- £1,000
£200- £400
193 A Fine Silver-Mounted Viola Bow by
Louis Gillet
Stamped: L.Gillet
Round stick
Weight: 72g.
Paris 2013
186 A Fine French Violin Bow, After Tourte
Unstamped
Round stick
Weight: 61. (cloth lapping)
The bone button
Unstamped
Round stick
Weight: 56g.
The Vuillaume style frog
£4,000 - £6,000
£1,000 - £2,000
191 A French Silver-Mounted Violin Bow, Probably
A Very Fine French Violin Bow by Dominique
Peccatte, Paris circa 1850
Stamped: Peccatte
Round stick
Weight: 61g.
Paris 2007
Refer to department
pg. 19
Various Properties
188 A French Nickel-Mounted Violin Bow,
Possibly by Barbe
Indistinctly stamped: Caressa & Français
Round stick
Weight: 62g.
The later nickel ferrule and back plates
£1,500 - £2,000
58
190 A French-Silver-Mounted Violin Bow
by Charles-Nicolas Bazin
Stamped: Chanot et Chardon
Round stick
Weight: 58g.
£2,000 - £3,000
192 A French Nickel-Mounted Violin Bow
Stamped: Gand
Round stick
Weight: 60g.
£700 - £1,000
£5,000 - £8,000
197 A Fine Ivory and Ebony-Mounted Viola Bow by
Grand Adam, Paris circa 1845
Unstamped
Octagonal stick
Weight: 64g. (cloth lapping)
The frog and button possibly later
Paris
£7,000 - £10,000
194 A Good Silver-Mounted Viola Bow
Faintly stamped
Round stick
Weight: 70g.
198 A Silver-Mounted Cello Bow by
W. E. Hill & Sons
Stamped: Hill
Round stick
Weight: 53g. (sparse hair, no lapping)
£500 - £800
£2,000 - £3,000
195 A Nickel and Ivory-Mounted Violin Bow
by Maire
Unstamped
Round stick
Paris
£5,000 - £7,000
pg. 19
196 A German Gold and Tortoiseshell-Mounted
Viola Bow
Stamped: Mathias Thoma***
Round stick
Weight: 73g.
£2,000 - £3,000
199 A French Cello Bow by C. Thomassin,
circa 1900
Stamped: C.Thomasin A Paris
Round stick
Weight: 71g.
£1,000 - £1,500
200 A Fine Silver-Mounted Cello Bow by P. Simon,
Paris circa 1855
Unstamped
Round stick
Weight: 78g.
Paris
£12,000 - £18,000
59
28th October 2013
201 A German Nickel-Mounted Cello Bow,
School of Bausch
Unstamped
Round stick
Weight: 75g.
£150 - £200
202 A Fine Silver-Mounted Cello Bow by Charles
Nicolas Bazin, circa 1890
Unstamped
Octagonal stick
Weight: 78g.
Paris 2012
£3,000 - £5,000
203 A Silver-Mounted Cello Bow
Stamped: Voirin Paris
Octagonal stick
Weight: 78g.
The later nickel button
209 A Silver-Mounted Cello Bow by Dodd
A Very Fine French Cello Bow by
Dominique Peccatte
Unstamped
Round stick
Weight: 78g.
Sold with the certificate of Bernard Millant, Paris
2008
Refer to department
pg. 19
Various Properties
206 A Fine Gold and Ebony-Mounted Cello Bow by
204 A Good Silver-Mounted Cello Bow by
R. Weichold
Stamped: R.Weichold. Dresden
Octagonal stick
Weight: 72g.
£1,000 - £1,500
60
Stamped: Dodd
Round stick
Weight: 81g.
The spliced shaft and head
Unstamped
Round stick
Weight: 79g.
The swan head
£500 - £800
£3,000 - £5,000
210 A French Silver-Mounted Cello Bow by
214 A Good Silver-Mounted Cello Bow,
E. Henry
Stamped: E. Henry Paris
Round stick
Weight: 73g.
Probably by J. V. Henry
Stamped: Henry J.V.
Octagonal stick
Weight: 77g.
£1,500 - £2,000
£4,000 - £6,000
William Watson, London
Stamped: WD Watson London
Round stick
Weight: 80g.
£3,000 - £5,000
207 No Lot
Sold with another cello bow
£300 - £500
213 A Good French Silver-Mounted Cello Bow
208 A Silver-Mounted Cello Bow by
W. E. Hill & Sons
Round stick
Weight: 78g.
£1,500 - £2,500
211 A Fine Silver-Mounted Cello Bow,
215 A Very Fine Italian Violin by Giofredo Cappa,
School of Bazin
Unstamped
Round stick
Saluzzo 1685
Bearing an original label: Giofredus Cappa in
Saluzzio, fecit anno 1685
£2,000 - £3,000
Sold with the certificates of:
J & A Beare, London 2007
Peter Biddulph, London 1996
W. E. Hill & Sons, London 1937
212 A Good and Interesting Silver-Mounted Cello
Bow, Second Half of the Nineteenth Century
Unstamped
Round stick
£2,000 - £3,000
£130,000 - £150,000
*
pg. 33
216 A Fine French Violin by Emile Germain,
Paris 1901
£4,000 - £6,000
61
28th October 2013
217 An Interesting Violin, Second Half of the
221 An Interesting Violin
225 A Violin by Amedee Dieudonné, 1934
Eighteenth Century
Unlabelled
Labelled: Pietro - Paulo Desideri Fece in Ripa
1787 (?)
£3,000 - £5,000
£1,000 - £1,500
Labelled: Fait a Mirecourt, No. 97 Apar le MaitreLuthier, Amedee Dieudonné en 1934
Signed on the label
229 A Good Bohemian Violin by Houslar Lancinger
Branded internally: Houslar Lancinger Praha
£800 - £1,200
Sold with the original certificate by the maker
218 A Fine Italian Violin by Ottello Bignami,
Bologna 1970
Labelled: Ottello Bignami, fecet in Bologna
Signed on the label and dated 1970
Branded internally: O.Bignami
£20,000 - £30,000
**
219 A Good Italian Violin, Probably by Monzino,
Milan 1924
Labelled: Premiata liuteria Italiana scholua
Cremonese di Ricardo Antoniazzi copia di
Stradvarius (in manuscript) fatto nell laboratorio
di Antonio Monzino e figli in Milano
Signed on the label: A Monzino e filgi, and
dated 1924
£7,000 - £10,000
**
220 A Fine French Violin by Maurice Mermillot,
Paris 1883, After Del Gesu
Bearing an original label dated 1883 and
numbered 135
Length of back: 14 /16ins, 357mm
£3,500 - £5,000
222 A German Violin, circa 1880
Labelled: Jacobus Stainer in Abfam prope
Oenipontum 1734
£300 - £500
223 A Fine Italian Violin, Workshop of
Andreas Postacchini, Firmo circa 1820
Labelled: Felice Beretta...
Length of back: 14 ins, 357mm
There are striking similarities between this
instrument and the Andreas Postacchini violin
(lot 258), particularly in the treatment of the
scroll and the corners.
£15,000 - £20,000
pg. 45
224 A Violin by Colin-Mezin, 1907
Labelled: Ch. J.B Collin-Mezin, Luthier a Paris, Rue
du Faub Poissonniere, No 29
£2,000 - £3,000
£1,500 - £2,000
226 A Good Italian Violin by Giovanni Grancino,
Milan circa 1700
Labelled: Joseph Guarnerius...
purchase from Peter Ratcliff - the initial readings
indicate that the treble side dates from 1688,
and the bass side from 1687.
£40,000 - £60,000
pg. 45
227 A Good French Violin by Paul Bailly
Unlabelled
Sold with a letter of authenticity from Stephan
Csonka, Cologne 2001
£3,000 - £5,000
228 An Interesting Violin, Probably Low Countries,
circa 1800
Indistinctly labelled
The violin retains the original neck and
fingerboard
£1,500 - £2,000
A Very Fine Italian Violin by Eugenio Degani,
Venice 1898
Labelled: Degani Eugenio quattrodici medagi di
merito fece Venezia-anno 1890
Sold with the letter and certificate of Balmforth,
Leeds 1966
£25,000 - £35,000
231 Various Properties
An Italian Violin, Venice Second Half of the
Nineteenth Century
Labelled: Antonius Cerin, alumnus anselmii,
belosii
The later scroll
£7,000 - £10,000
232 A Fine Irish Violin by Perry and Wilkinson,
Dublin circa 1880
Labelled: Made by Thos. Perry and W. Wilkinson
musical instrument...4 Anglesea St No 4027,
Dublin 18.5
Branded on the upper back: Perry Dublin
Further branded on the button: No 64027
£2,500 - £3,500
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28th October 2013
233 A Fine Italian Violin by Enrico Rocca,
Genova 1898
Labelled: Rocca...Giuseppe, Premiato alle
Esposizion, Milano 1881- Arezzo 1882 - Torino
1884, Bologna 1888 - Palermo 1892, Genova 2
medaglie 1892-93, fecit in Genova anno
Domini 1898
Sold with the certificate of Kenneth Warren &
Son, Chicago 2012
£40,000 - £60,000
*
237 A Good English Violin by Vincenzo Panormo,
London circa 1790, After Nicolo Amati
Unlabelled
The fingerboard stamped with the Hill & Son
registration number H472
Sold with the certificate of W. E. Hill & Sons,
London 1942
£20,000 - £30,000
pg. 46
pg. 34
234 A Violin by Eugene Langonet, Nantes1924
Labelled and Branded: Eugene Langonet
Sold with a copy of a letter from Eugene
Langonet, Nantes 1927, and the original bridge
238 A Very Fine French Violin by Jean Francois
Manchester 1878
Labelled: Deus adsit obsit mundus Walter H
Mayson Manchester fecit anno 1878
Signed on the label
£20,000 - £30,000
pg. 46
242 A Violin by G.B Buchstetter
Labelled: Gabriel David Buchftetter, La?teri, und
Geigenmacher Pedepontipio, peRa??
bomum anno 17??
Sold with the letter of W. E. Hill & Sons,
London 1907
£5,000 - £7,000
243 A Fine French Violin, School of Salomon
239 A Very Interesting Violin, First Half of the
Eighteenth Century
Labelled: Nicholas Amatus Cemona Hieronimi filii,
Antonii fecit...
£7,000 - £10,000
240 A Fine French Violin, Probably by a Member of
Signed internally
the Gavinies Family, Paris 1770
Labelled: Gavinies rue S Thomas du Louvre a
Paris 1770
Bearing the registration number: M-212
£800 - £1,200
£1,500 - £2,000
*
245 A Fine Dutch Violin, School of Jacobs, First
Quarter of the Eighteenth Century
Labelled: Nicholas Amati...
£6,000 - £8,000
246 A Rare German Violin by Puncraty Reber,
Mogonty 1795
Bearing an original label: Puncraty Reber fecit
Mognty 1795
Bearing a repairer’s label dated 1899
£4,000 - £6,000
247 A Good French Violin by J. B. Deshayes
£12,000 - £18,000
£1,200 - £1,800
236 A French Violin by Colin Mezin Fils, Paris 1918
Naples 1929
Labelled: Alfredus Contino Crermiato al concorso
di liuteria in Roma unico allievo di V. Postiglione
fecit napoli anno 1929
Signed on the label
Branded on the button: A. Contino Napoli
Aldric, Paris circa 1820, After Stradivarius
Labelled: Antonius Stradivarius...
£1,500 - £2,000
235 A Good English Violin by W. Mayson,
241 A Fine Italian Violin by Alfredus Contino,
Labelled: Gio. Baptista Gabrielli...
Salomon, Paris circa 1760
Branded internally: Salomon a Paris
Bearing a repair label: E. Daniel Marseilles 1868
£1,200 - £1,800
£4,000 - £6,000
244 A Good Violin by Carl August Berger, 1932
Labelled: Karl August Berger, Basel # 207 1932.
New York
Branded internally: CAB in a shield, bearing a
stylised crook
£1,000 - £1,500
**
248 A Fine Italian Violin by Carlo Antonio Testore,
Milan First Half of the Eighteenth Century
Labelled: Carlo Antonio Testore...Contrada
Milano 17..
Branded internally with a double headed eagle,
lower crown above the letters CAT, set within
a circle
Previously sold through messrs Sotheby’s & co.
on May 22nd 1986 as lot 22.
A Hart and Sons certificate dated 1902
accompanied this instrument but has sadly
since been lost.
£80,000 - £120,000
64
*
pg. 35
65
28th October 2013
249 A Good English Violin by
George Wulme-Hudson, London 1923
Labelled: Carressi-G. W-H.- fecit London 1923
£3,000 - £5,000
250 A Good French Violin, Probably by Maurice
Mermillot, circa 1880
Labelled: M Mermillot luthier 2 rue Morel Paris
Further branded on the label: MM within a circle
253 A Fine English Violin by Joseph Hill, London
Third Quarter of the Eighteenth Century
Inscribed internally: Repaired by JB Wilkinson
Leeds 1891
This violin is very similar to the viola by
Joseph Hill dated 1774 illustrated on pg. 208209 of The British Violin
£4,000 - £6,000
254 A Fine English Violin by Simpson, London 1778
£3,000 - £5,000
251 A Good French Violin by Georges Apparut
Labelled: Fait par G Appareut en 1942 # 319
Sold with the certificate of guarantee of Georges
Apparut, Mirecourt 1943
£1,500 - £2,500
256 A Good French Violin from the Workshop
Various Properties
**
£2,000 - £3,000
255 A Fine Violin by Plino Michetti, Turin 1932,
A Fine Italian Violin by Stefano Scarampella,
Mantova 1922
Bearing the original label: Stefano Scarampella,
di Brescia premiato con medaglie d’argento
fratello ed allievo del Giuseppe fece in Mantova
anno 1922
This violin seems to show the hand of
Scarampella’s talented pupil, Gaetano Gadda
£15,000 - £20,000
Bearing an indistinct manuscript label dated
London 1778
Branded on the upper back: Simpson
The violin retains its original neck and is set up
in baroque fashion
pg. 47
After Giuseppe Rocca
Labelled: Plinio Michetti fece in Torino anno 1932
Signed on the label: Giuseppe Rocca 1852
£18,000 - £25,000
pg. 47
of J. B. Vuillaume, Paris Second Half of the
Nineteenth Century
Labelled: Jean Baptistse Vuillaume a Paris 3 rue
Demours-Termes
Inscribed on the label in ink: non verni par lui
The lower rib numbered 5182
The later French varnish
Sold with a letter from Etienne Vatelot, Paris
1973 numbered 5182 in which he states that the
violin, by J. B. Vuillaume, was varnished after the
maker’s death.
£4,000 - £6,000
*
257 A Fine Italian Violin, Workshop of Stefano
Scarampella, Mantua circa 1906
Labelled: Stefano Scarampella di Brescia premiato
con medaglie d’argento fratello et allevio del
Giuseppe, fece in Mantova anno 1906
£8,000 - £10,000
260 A German Violin, School of Neuner, Mittenwald
circa 1800
Unlabelled
This violin retains the original neck and
fingerboard
£700 - £1,000
*
261 An Interesting Violin, Probably Italian, Second
Half of the Eighteenth Century and Later
Unlabelled
The lower rib bears the J & A Beare registration
number 7988
The later back
Sold with the receipt of J & A Beare, London
1931 which states the violin is an old Italian
instrument.
£7,000 - £10,000
262 A Fine German Violin by Georg Klotz,
A Very Fine Italian Violin by Andreas
Postacchini, Fermo circa 1810
Labelled: Andreas Postacchini Firmanus sub titulo
S. Raphaelis Archang. 18..
Mittenwald 1773
Labelled: Georg Klotz in Mittenwald an
der Iser 1773
£4,000 - £6,000
263 A Violin by Alois Bittner
Sold with the certificate of Dmitry Gindin,
London 2011
Bearing a label dated 1923
£40,000 - £50,000
£1,200 - £1,800
pg. 36
Various Properties
259 A Fine French Violin by Charles J.B. Colin-Mezin,
Paris circa 1920
Unlabelled
264 A Violin
Faintly labelled in manuscript
£200 - £400
Sold with the certificate of Serge Boyer, Paris 2005
£3,500 - £5,000
66
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28th October 2013
265 A French Violin, Attributed to
268 A Fine French Violin by Honore Derazey, Paris
Sebastian Vuillaume
Labelled: Sebastian Vuillaume, á Paris
£1,200 - £1,800
First Half of the Nineteenth Century
Branded internally: H. Derazey
This violin is in an excellent state of preservation
272 A French Violin by A. Salvatore
Labelled: A Salvator, Paris H.E.B.
£400 - £600
£4,000 - £5,000
266 A Fine and Important Italian Violin by Andrea
Guarneri, Cremona 1684
Labelled: Andreas Guarnerius fecit Cremonae sub
titulo sanctae Teresaia 1684
This violin seems to show the hand of the young
Joseph Filius
Previously sold through Messrs Sotheby’s & co.
in June 1982 as lot 194
Illustrated on pgs. 318 and 319 of Four Centuries
of Violin Making
Sold with a copy of a certificate by W. E. Hill &
Sons, London 1962
£200,000 - £300,000
*
pg. 37
267 A Good Italian Violin, Attributed to Ornati
Labelled: Giuseppe Ornati fece in Milano anno
1936
Signed on the label
Branded internally: Giuseppe Ornati Milano
within an oval
Sold with the certificates of Giuseppe Lucci,
Rome 1984, and Biase & Fantoni, New York 2004
£6,000 - £10,000
273 A German Violin, circa 1890
269 An Interesting Violin, Attributed to Carlo
Antonio Testore
Labelled: Carlo Antonio Testore figlio maggiore del
fu Carlo Giuseppe in contrada...1760
Branded on the upper button CAT below a
double headed eagle, the inked purfling
Sold with the certificate of Matthius Eugene
Mehne, Berlin 1978
£3,000 - £5,000
*
270 A Good French Violin by D. Nicholas Aine,
Mirecourt circa 1830
Branded internally: A la ville de Cremonne, D
Nicholas Aine
£1,200 - £1,800
271 An English Violin, School of Hill,
London circa 1780
Labelled: Mezardri...
£700 - £1,000
*
Unlabelled
£400 - £600
274 No Lot
277 A Good French Violin by Maucotel &
Deschamp, Paris circa 1910
Labelled: Copie de Antonius Stradiuarius...
Branded internally: Maucotel & Deschamp
Sold with the certificate of Gilles Chancereul,
Paris 2013
£1,800 - £2,500
278 A French Violin, School of Aine, circa 1840
Unlabelled
£700 - £1,000
A Very Fine Italian Violin by Natale Novelli,
Milan 1947
Bearing an original label: Giuseppe Pedrazzini,
Cremonese, fece in Milano 1947
Signed on the label
Branded internally: G. Pedrazzini
Sold with the certificate of Florian Leonhard,
London 2013
Natale Novelli worked for his uncle
Giuseppe Pedrazzini
£15,000 - £20,000
Various Properties
276 A Good Violin, Attributed to Lorenzo and
Tomasso Carcassi, Florence circa 1760
Labelled: Lor. E Tom. Carcassi lo Firenze nell’ anno
17.. all insegnia del gigio
Sold with the certificate of Frederick Ewald
Haenel, Connecticut 1943 attributing the violin
to T. Carcassi
£4,000 - £6,000
279 An Italian Violin, School of Ceruti, Cremona
circa 1800
Labelled: Laurentius Storioni fecit cremonae 1774
Length of back: 13 7/8in, 353mm
Sold with the certificate of J. J. Rampal,
Paris 2012
£12,000 - £18,000
pg. 48
280 A Fine Italian Violin by Mario Bedocchi,
Reggio 1924
Labelled: Mario Beddochi anno 1924 fece
in Reggio
This violin is featured in “Liuteria Moderna in
Emilia Romagna” Artemio Versari, ed. Il Salanue,
pgs. 24-25
£18,000 - £25,000
281 An Italian Violin by Aldo Zani, Cesena 1931
Labelled: Aldo Zani-fece-Cesna-1931
This violin is featured in Liuteria Italiana da
Scoprire, ed. Novecento, pg. 198
£8,000 - £12,000
68
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28th October 2013
282 A Good Violin, Probably by Antonino
Cavalazzi, Ravenna 1955
Labelled: Antonino Cavalazzi, Ravenna anno 1955
Signed on the label
Branded internally: Antonino Cavalazzi Ravenna
£7,000 - £10,000
283 An Italian Violin, Probably Bologna, First Half
of the Eighteenth Century
Labelled: Joseph Cavalari fecit Genoa..1748
£5,000 - £7,000
Labelled: Fratelli Pasquale e Gaetano Esposito,
Fabrica di Strumenti Armonici, Allievi dei, Fratelli
Vinaccia
Further labelled: George Withers...
25 ribs, 24 frets extending into the oval soundhole, mother of pearl inlaid scratch-plate and
between purfling.
Total length 610mm, string stop length 340mm.
£700 - £1,000
287 A Double Violin Case by W. E. Hill & Sons
£500 - £700
284 A Fine Angélique by Joachim Tielke,
Hamburg 1698
Nine fluted flamed-maple ribs, original spruce
soundboard, with carved rose, original bridge
with original holes evident, neck with ivory and
tortoiseshell inlays, later rosewood frets, original
main head with ivory fret-work. The finish is
mainly original, with some over polish, original
strap buttons, secondary head absent.
Total length 927mm.
Labelled: Joachim Tielke in Hamburg, An. 1698.
£40,000 - £50,000
286 A Mandolin by Fratelli Esposito
pg. 38
285 A Fine and Rare Mandolino by
Joseph Molinari, Venice 1759
Original soundboard with carved rose, bridge
for six-courses, nine flamed-maple ribs with
rosewood stringing, end-clasp with further
stringing, rosewood fingerboard, head for
twelve boxwood tuning pegs and square finial.
Total length 515mm, string length 306mm
Labelled: Jofeph Molinari, fecit Venctiis, Anno
1759, with a further attributing branding
to the soundboard tongue. A later external
paper label reading: V?stava Pražské baroko,
Um?lecka beseda, 1938, which suggests that this
instrument was shown at ‘the Prague Baroque’
exhibition in 1938.
288 A Violin Case by W. E. Hill & Sons
£500 - £800
Absentee Bids Form
This form should be sent or faxed to be received by the Brompton’s Absentee Bids Office in advance of the sale. References should be supplied in good time to be taken
up before the sale. Bids received later than one hour before the start of the sale may not be processed.
The Royal Institution of Great Britain, 21 Albemarle Street, London W1S 4BS
Tel: +44 (0)20 7670 2947 Fax: +44 (0)20 7670 2963
Sale Date: 2pm, 28th October 2013 / Sale 1026
I request Brompton Auctioneers, without legal obligations of any kind on it’s part, to bid on the following Lots up to the price given below. I understand that if my bid
is successful the Purchase Price payable will be the sum of the final bid and a Premium at the Rate of Premium as a percentage of the final bid (together with any VAT
chargeable on the final bid and the Premium) – see Conditions of Business. The Rate of Premium is 20% of the Hammer Price of each lot; VAT is chargeable on the
purchase price of (**) lots at the standard rate (currently 20%), and on lots marked (*) at the reduced rate (currently 5% on the hammer and 20% on the Premium). All
bids shall be treated as offers made on the Conditions of Business printed in the catalogue. I also understand that Brompton’s provides the service of executing bids on
behalf of clients for the convenience of clients and that Brompton’s will not be held responsible for failing to execute bids. If identical absentee bids are received for the
same Lot, the absentee bid received first by Brompton’s will take precedence. Bids are not accepted via e-mails.
Please print clearly in block letters and ensure that bids are in sterling
Lot Number
(in numerical order)
Price Bid £ (excluding
Buyer’s Premium)
Lot Number
Buyer’s Premium)
Lot Number
Buyer’s Premium)
289 A 1962 Classical guitar by Robert Bouchet
A magnificent example of Bouchet’s work
from his finest ‘Bream’ period. It bears a label
which Bouchet not only designed, but printed
himself. It is signed and dated on a back brace,
with the additional serial number of 82 (of a
total output of only around 154 instruments).
In perfect condition, with no repairs or cracks,
original finish, and only minor playing wear. It
has Bouchet’s iconic head-shape, classic fivefanbraces, and body made of dark Brazilian
rosewood, with the original ‘retro’ tuning
machines. String length 650 mm
This guitar spent most of its early life in and
around Paris and Belgium.
£25,000 - £35,000
pg. 39
Client Number (if known):
Name:
Address:
Postcode:
Tel (Home):
Tel (Office)
Fax:
Email:
Signature
(Credit card surcharge 2% • Amex surcharge 4% • No surcharge for debit cards)
Card No.
Signature:
Start Date:
Expiry Date:
Issue No:
Security Code
Name on card
Sold with the original case.
£2,000 - £4,000
pg. 48
Please charge all purchases to my card
Do not charge my card. I will arrange to send payment. (Brompton’s will only charge your card should you default on the payment terms agreed)
70
71
28th October 2013
Please print clearly in block letters and ensure that bids are in sterling
Lot Number
Buyer’s Premium)
Lot Number
Buyer’s Premium)
Lot Number
Conditions of Business
Buyer’s Premium)
The conditions set out below are the terms on which we contract, as auctioneers,
with sellers and, as agent acting on behalf of sellers, with buyers. Buyers and
sellers should read the conditions carefully. Buyers’ attention is drawn in particular
to clause 16 which limits our liability. For ease of reference, the conditions are
divided into sections: Section A gives a background to some of the terms that are
used in the Conditions generally; Section B is of particular relevance to sellers;
Section C to buyers; and Section D to both sellers and buyers.
A. Background to Terms used in
these Conditions
1. In the conditions set out below, some terms are used regularly that need
explanation.
They are as follows:
• “the Buyer” means the person with the highest bid accepted by the auctioneer;
• “the Lot” means any item deposited with us for sale at auction and, in particular,
the item or items described against any lot number in any catalogue;
• “the Hammer Price” means the amount of the highest bid accepted by the
auctioneer in relation to a Lot;
• “the Buyer’s premium” means the charge payable by the Buyer as a percentage
of the Hammer Price, at the rates set out in clause 15(a) in Section C;
• “the Reserve” means the amount below which we agree with the Seller that the
Lot cannot be sold;
• “Forgery” means a Lot constituting an imitation originally conceived and
executed as a whole with a fraudulent intention to deceive as to authorship,
origin, age, period, culture or source where the correct description as to such
matters is not reflected by the description in the catalogue and which at the
date of the auction had a value materially less than it would have had if it had
been in accordance with the description in the catalogue. Accordingly, no Lot
shall be capable of being a Forgery by reason of any damage and/or restoration
work of any kind.
• “The Insured Value” means the amount that Brompton’s Auctioneers Limited in
its absolute discretion from time to time shall consider to be the value for which
a Lot should be covered by insurance (whether or not insurance is arranged by
us).
B. The Seller
References required for clients not yet known to Brompton’s
2. Brompton’s Auctioneers Limited’s Role as Agent.
Our sales at public auction are undertaken as agent, on behalf of the Seller. The
contract for the sale of the Lot will be between the Seller and the Buyer.
Bank Name
3. Commission
We shall charge the Seller commission at a rate agreed between the Seller and
Brompton’s Auctioneers Limited. VAT at the appropriate rate will be charged on
the commission. We shall also collect from the Buyer a premium in addition to the
Hammer Price, VAT at the appropriate rate is also charged on this premium.
Bank Address:
Postcode:
Account Number
Date
4. Expenses
Brompton’s will charge the Seller for all its out of pocket expenditure over and
above its agreed fee, in particular:
a)all costs of Packing and shipping the Lot to us for sale;
b)all applicable transit insurance costs;
c)all costs relating to packing and shipping the lot if it is returned to the Seller;
d)all applicable customs duties;
e)all restoration of the Lot agreed in advance with the Seller
f ) all examination costs incurred by external experts we believe appropriate, if
72
agreed in advance with the Seller
g)photography charges of £35 per lot advertised online, and where previously
agreed charges for the catalogue photography.
h)all Storage costs of the lot after the sale;
i) all applicable VAT.
Brompton’s will on request provide advance estimates of such expenditure and
the Seller is directed to www.bromptons.co where applicable rates for the more
routine of these expenses are posted from time to time. The Seller is aware that
Brompton’s will not have control of the level of such third party charging and the
Seller is advised, if concerned, to make his/its own direct advance enquiries of, for
example relevant insurance, customs and vat authorities.
5a. Where the Lot is included under Brompton’s Auctioneers Limited’s Policy
a)Unless we agree otherwise, the Lot will be automatically included as consigned
or entrusted goods under Brompton’s Auctioneers Limited’s Fine Art Policy for
the amount that we from time to time consider to be its appropriate value. This
Value is not an undertaking by us that the Lot will be sold for this amount.
b)We shall charge the Seller a fee for the inclusion of the Lot under our policy at
the rate of 1.5% of the Hammer Price. If we arrange transport, we may charge
the Seller an additional fee based on the value of the Lot and the particular
circumstances of the requirements for the transport to maintain the benefit of
the inclusion of the Lot under Brompton’s Auctioneers Limited’s policy during
such transport. Although we shall suggest carriers if specifically requested, we
cannot accept any liability in this respect.
c)The Lot will retain the benefit of inclusion under Brompton’s Auctioneers
Limited’s policy until the expiry of seven days after the sale. If the Lot has not
been sold, it will be at the Seller’s risk after that time.
d)We are unable to accept responsibility for damage caused by woodworm,
changes in atmospheric conditions or acts of terrorism.
5b. Owner’s Insurance
If the Seller specifically instructs us not to insure the Lot, it will remain at the
Seller’s risk at all times until the Buyer has made payment in full. The Seller will
indemnify us and our employees and agents, and the Buyer (where applicable)
against any claim made against us or them in respect of the Lot, however that
claim may arise. The Seller will also reimburse us and them on demand for any
expenses we or they may incur as a result of such a claim, even if we or they are
found to have been negligent and even where such reimbursement is required of
a payment made without any legal liability being proved. The Seller must notify
the Seller’s insurers of the terms of this clause.
6. The Seller’s Undertakings regarding the Lot
This clause sets out the basis on which we shall handle the Lot and which will
govern the Seller’s relationship with the Buyer. If that basis proves incorrect in any
way, either we or the Buyer may take legal action against the Seller.
We shall handle the Lot, and the Buyer will purchase, on the basis of the Seller’s
undertakings that:
a)the Seller is the sole owner of the Lot with an unrestricted right to transfer
title to the Buyer free from all third party rights or claims (including copyright
claims);
b)the Seller has complied with all requirements, legal or otherwise relating to any
export or import of the Lot and has notified us in writing of any failure
c)by third parties to comply with such requirements in the past; and
d)the Seller has notified us in writing of any material alterations to the Lot of
which the Seller is aware and of any concerns expressed by third parties in
relation to the ownership, condition or attribution of the Lot. If any of (a), (b)
and (c) above is incorrect, the Seller will indemnify us and/or the Buyer in full
on demand against all claims, costs or expenses incurred by us or the Buyer as a
result, whether arising in relation to the Lot or the proceeds of sale.
7. Sale Arrangements
73
28th October 2013
a)We shall have complete discretion as to the way the Lot is described and
illustrated in the catalogue or any condition report; the place and manner of
sale; the decision as to which persons should be admitted to the auction, and
as to which bids should be accepted; whether expert advice should be sought,
and the combination or division of goods for sale.
b)Any estimate given, orally or in writing, is a matter of opinion only and is not an
assurance in relation to the price the Lot will eventually fetch.
c)The Seller may not withdraw the Lot from sale without our consent. However,
we reserve the right to withdraw the Lot from sale at any time if (i) we have
any doubt as to its attribution or authenticity or as to the accuracy of the
statements made in clause 6 (a), (b) or (c) above or (ii) there is any breach of
these Conditions of Business or (iii) we believe it would be improper to include
the Lot in the sale.
d)If either we or the Seller withdraw the Lot, we shall charge the Seller a fee equal
to 20% of the Reserve or, if no Reserve has been agreed at that time, 20% of
the Insured Value, together with any applicable VAT and insurance and other
expenses.
8. Conduct of Sale
a)The Lot will be sold subject to the Reserve, which cannot be above the low
estimate printed in the catalogue unless the Reserve is agreed to in a currency
other than pounds sterling and the exchange rates fluctuate between
the time the Reserve is agreed and the day of the sale. In this case, unless
we agree otherwise, the Reserve shall be an amount equal to the pound
sterling equivalent based on the closing exchange rate on the business day
immediately preceding the sale. We shall in no circumstances be liable if bids
are not received at the level of the Reserve. We shall however be entitled to sell
the Lot below the Reserve. If we do so, we shall be obliged to account to the
Seller as if the Hammer Price was equal to the Reserve.
b)The Seller may not bid for the Lot nor employ any person to do so on the
Seller’s behalf, although we shall have the right to bid on the Seller’s behalf up
to the amount of the Reserve.
9. After the Sale
a)Accounting
After the sale, we shall require payment in full from the Buyer, including
payment of the Buyer’s premium within seven days. Provided this has occurred,
we shall remit to the Seller an amount equal to the Hammer Price less all
charges due from the Seller, 35 days after the date of the sale, unless we have
received notice that the Lot is a Forgery (as defined in Section A of these
Conditions of Business). In the event of late payment by the Buyer we shall
make such remittance to the Seller within seven days of that payment by the
Buyer. If for any reason we make payment to the Seller of the amount due
before payment by the Buyer, we shall acquire complete ownership of and title
in the Lot, save only that in the event that we are obliged to accept the Lot back
from the Buyer on the basis that it is a Forgery, the Seller will refund to us the
proceeds of sale paid to the Seller.
Payment will be made in sterling unless the Seller instructs otherwise in
writing. If the Seller requires payment other than in sterling, we shall charge
the Seller for any currency costs incurred. Sale proceeds will be calculated at
the rate of exchange quoted to us by Coutts & Co. prevailing on the day of the
pay-out 35 days after the date of the auction. Our certificate as to such rate will
be conclusive.
b)Non-Payment by the Buyer
If the Buyer fails to pay the full amount due within 35 days after the date of sale,
we shall be entitled to agree special terms on the Seller’s behalf for payment,
storage and insurance, and to take any steps we consider necessary to collect
the amount due from the Buyer. However, we shall not be obliged either to
remit the price due to the Seller ourselves, nor to take any legal proceedings
on the Seller’s behalf. We shall discuss with the Seller the appropriate course of
action to be taken to recover the purchase price from the Buyer.
c)Forgeries
74
If within three months of the date of the auction the Buyer satisfies us that the
Lot is a Forgery (as defined in Clause 1 of these Conditions of Business), then
(i) if the Buyer at that time has not yet paid the full amount due, we shall have
the right to cancel the sale and/or (ii) if we have at that time paid the Seller the
whole or part of the full amount due to the Seller, then the Seller must refund
to us, on demand, the total amount paid. In the latter case we shall exercise a
lien over any property of the Seller under our control as security for the amount
due
d)Unsold Lot
If any Lot is unsold, or is not included in a sale, or is withdrawn from sale for
any reason, it must be collected from us within 35 days after we send the Seller
a notice requiring the Seller to collect it. If any such Lot remains uncollected
for a period exceeding 35 days, a storage charge of £1 per item per day will
apply and an additional charge will be made for insurance. The Seller will not
be entitled to collect the Lot until all outstanding charges are met. If any such
Lot is not collected within 90 days after the date of the sale or the date of the
notice referred to above (whichever occurs first), it may be disposed of by us
as we see fit, which may involve its removal to a third party warehouse at the
Seller’s expense and its sale by public auction on such terms as we consider
appropriate, including those relating to estimates and reserves. We shall then
account to the Seller for the proceeds of sale, having deducted all amounts
due. If any Lot is bought in or otherwise unsold by auction, we are authorised
as the exclusive agent for the Seller for a period of two months following the
auction to sell such Lot privately for a price that will result in a payment to the
Seller of not less than the net amount – i.e. after deduction of all charges due
from the Seller – to which the Seller would have been entitled had the Lot been
sold at a price equal to the Reserve, or for such lesser amount as we and the
Seller shall agree. In such event the Seller’s obligations to us with respect to
such a Lot are the same as if it had been sold at auction.
10. Photographs and Illustrations
We shall have the right (on a non-exclusive basis) to photograph, video or
otherwise produce an image of the Lot. All rights in such an image will belong to
us, and we shall have the right to use it in whatever way we see fit.
11. Other Matters
VAT The Seller will give all relevant information about his VAT status and that of
the Lot to ensure that the correct information is printed in the catalogues. Once
printed, the information cannot be changed. If we incur any unforeseen cost or
expense as a result of the information being incorrect, the Seller will reimburse to
us on demand the full amount incurred.
C. Buyers
12. Brompton’s Auctioneers Limited as agent
As auctioneers, we act as agent for the Seller. Unless otherwise agreed sales of
goods at our auctions result in contracts made between the Seller, through our
agency, with the Buyer.
13. Before the Sale
a)Examination of goods
Prospective buyers are strongly advised to examine personally any goods in
which they are interested, before the auction takes place. Condition reports are
usually available on request. We provide no guarantee to the Buyer other than
in relation to Forgeries, as explained in clause 1 of these Conditions of Business.
b)Catalogue descriptions
Statements by us in the catalogue or condition report, or made orally or in
writing elsewhere, regarding the authorship, origin, date, age, size, medium,
attribution, genuineness, provenance, condition or estimated selling price
of any Lot are merely statements of opinion, and are not to be relied on as
statements of definitive fact. Catalogue illustrations are for guidance only, and
should not be relied on either to determine the tone or colour of any item or to
reveal imperfections. Estimates of the selling price should not be relied on as a
statement that this price is either the price at which the Lot will sell or its value
for any other purpose. Many items are of an age or nature which precludes their
being in perfect condition and some descriptions in the catalogue or given
by way of condition report make reference to damage and/or restoration. We
provide this information for guidance only and the absence of such a reference
does not imply that an item is free from defects or restoration nor does a
reference to particular defects imply the absence of any others.
c)Buyers Responsibility
Buyers are responsible for satisfying themselves concerning the condition of
the goods and the matters referred to in the catalogue description.
d)Importation into a buyer’s destination country
The purchaser’s inability to import any item into his destination country as
a result of Government economic sanctions or other restrictions shall not
justify cancellation or rescission of the sale or any delay in payment. Please
satisfy yourself before bidding as to whether a lot is subject to such import
restrictions, or any other restrictions on importation or exportation
14. At the Sale
a)Refusal of admission
Our sales take place on our own premises or premises over which we have
control for the sale, and we have the right, exercisable at our complete
discretion, to refuse admission to the premises or attendance at an auction.
b)Registration before bidding
Every prospective buyer must complete and sign a registration form and
provide identification before making a bid at auction. Prospective buyers
should be aware that we usually require buyers to undergo a credit check.
c)Bidding as Principal
When making a bid, prospective buyers will be accepting personal liability,
unless it has been agreed in writing, at the time of registration, that a bidder is
acting as agent on behalf of a third party acceptable to us.
d)Absentee Bids
If a prospective buyer gives us instructions to bid on his behalf, by using
the form provided, we shall use reasonable efforts to do so, provided these
instructions are received not later than 24 hours before the sale. If we receive
absentee bids on a particular Lot for identical amounts, and at auction these
bids are the highest bids for the Lot, it will be sold to the person whose bid was
received first. Absentee bids are undertaken subject to other commitments
at the time of the sale, and the conduct of the sale may be such that we
are unable to bid as requested. Since this is undertaken as a free service to
prospective buyers on the terms stated, we cannot accept liability for failure
to make a absentee bid. Prospective buyers should therefore always attend
personally if they wish to be certain of bidding.
e)Telephone Bids
If prospective buyers make arrangements with us not less than 24 hours before
the sale, we shall use reasonable efforts to contact the bidders to enable them
to participate in bidding by telephone, but in no circumstances will we be liable
to either the Seller or any prospective buyer as a result of failure to do so.
f ) Currency Converter
At some auctions, a currency converter will be operated, based on the rates of
exchange quoted to us by Coutts & Co. at opening on the date of the auction.
Bidding will however take place in sterling. The currency converter is not always
reliable, and errors may occur beyond our control either in the accuracy of the
Lot number displayed on the converter, or the foreign currency equivalent of
sterling bids. We shall not be liable to the Buyer for any loss suffered as a result
of the Buyer following the currency converter rather than the sterling bidding.
g)Video images
At some auctions there will be a video screen. Mistakes may occur in
its operation, and we cannot be liable to the Buyer regarding either the
correspondence of the image to the Lot being sold or the quality of the image
as a reproduction of the original.
h)The auctioneer’s discretion
The auctioneer has the right at his absolute discretion to refuse any bid to
advance the bidding in such manner as he may decide to withdraw or divide
any Lot, to combine any two or more Lots and, in the case of error or dispute, to
put an item up for bidding again.
i) Successful bid
Subject to the auctioneer’s discretion, the striking of his hammer marks the
acceptance of the highest bid and the conclusion of a contract for sale between
the Seller and the Buyer.
j) Online Bidding
Brompton’s Auctioneers offer an online bidding service via www.invaluable.
com/bromptons for bidders who cannot attend the sale. In completing the
online bidder registration and providing your credit card details and unless
alternative arrangements are agreed with Brompton’s Auctioneers you:
i. authorise Brompton’s Auctioneers, if they so wish, to charge the credit
card given in part or full payment, including all fees, for items successfully
purchased in the auction via www.invaluable.com, and
ii. confirm that you are authorised to provide these credit card details to
Brompton’s Auctioneers through www.invaluable.com . Please note that any
lots purchased via Artfact / Invaluable live auction service will be subject
to an additional 3% commission charge + VAT at the rate imposed on the
hammer price.
15. After the Sale
a)Buyer’s Premium
In addition to the Hammer Price, the Buyer must pay us the Buyer’s premium at
a rate of 20% of the Hammer Price.
b)Value Added Tax
Value Added Tax is always payable on the premium. It may also be payable on
the Hammer Price, if the Lot has been marked with a sign to that effect in the
catalogue. It may be refunded on proof of export from the European Union.
c)Payment
The Buyer must provide us with his or her name and permanent address and,
if so requested, details of the bank from which payment will be made and then
pay the full amount due (comprising the Hammer Price, the Buyer’s premium
and any applicable value added tax) within seven days after the date of the
sale. This applies even if the Buyer wishes to export the lot and an export
licence is (or may be) required. The Buyer will not acquire title to the Lot until all
amounts due to us have been paid to us, even in circumstances where we have
released the Lot to the Buyer. Payment may be made in the following ways: by
credit or debit card (Visa, Mastercard, or Amex are accepted); wire transfer in
GBP, EUR, or USD; or by GBP in cash up to £5,000. Payments exceeding £5,000
can normally only be made by the card holder in person whilst on our premises.
Full and exact payment to be made in British pounds. Brompton’s are not
responsible for buyers individual bank charges, and reserve the right to collect
any outstanding funds.
d)Collection of Purchases
Unless we specifically agree to the contrary, we shall retain items sold until
all amounts due to us, or to any other associated company of Brompton’s
Auctioneers Limited, have been paid in full. Items retained will be covered by
our insurance from the date of sale for a period of seven days or, if by then the
goods have been collected, to the time of collection. After seven days or from
the time of collection, whichever is the earlier, the Lot will be entirely at the
Buyer’s risk.
e)Notification
Invoices are sent out by email after the sale day, but we do not accept
responsibility for notifying you of your bid. Bidders are requested to contact us
as soon as possible after the sale to obtain details of the outcome of their bids
to avoid incurring charges for late payment. Successful bidders will pay the
price of the final bid plus premium plus any applicable VAT.
f ) Handling Purchases
We shall use all reasonable efforts to take care when handling a purchased Lot
but remind the Buyer that after seven days from the sale date or from the time
of collection the Lot is entirely at the Buyer’s risk.
75
28th October 2013
g)Recommended packers and shippers
Brompton’s does not provide a shipping or packing service. We recommend
that you contact a professional shipping company who will advise on
collection and delivery and provide a quotation. If you require a quotation
after the auction then you will need to provide the shipping company with the
information from your Brompton’s invoice. All shipments should be unpacked
and checked on delivery and any discrepancies notified immediately to the
shipper in question.
h)Remedies for non-payment or failure to collect purchases
If the Buyer fails to make payment within seven days, we shall be entitled to
exercise one or more of the following rights or remedies:
• to charge interest at a rate not exceeding 4% above Coutts & Co. base rate per
month on the full amount due to the extent it remains unpaid for more than
seven days after the date of the auction;
• to set off against any amounts which we or any other associated company of
Brompton’s Auctioneers Limited may owe the Buyer in any other transaction the
outstanding amount remaining unpaid by the Buyer;
• to exercise a lien on any of the Buyer’s property which may be in our possession
for any purpose and, following 14 days’ notice to the Buyer of the amount
outstanding and remaining unpaid, arrange the sale of such property and apply
the proceeds in discharge of the amount outstanding to us;
• where several amounts are owed by the Buyer to us or any other associated
company of Brompton’s Auctioneers Limited in respect of different transactions,
to apply any amount paid to discharge any amount owed in respect of any
particular transaction, whether or not the Buyer so directs;
• to reject at any future auction any bids made by the Buyer or on his behalf or
obtain a deposit from the Buyer before accepting any bids. If the Buyer fails to
make payment within thirty-five days, we shall in addition be entitled:
• to issue proceedings on behalf of the Seller against the Buyer to recover the full
amount due, together with the costs of such proceedings on a full indemnity
basis and with interest, charged at 4% per annum above Coutts & Co. Base Rate;
• to cancel the sale of the Lot or any other item sold to the Buyer at the same or
any other auction;
• to arrange a resale of the Lot, publicly or privately, and, if this results in a lower
price being obtained, claim the balance from the Buyer together with any costs
incurred in connection with the Buyer’s failure to make payment.
i) Failure to collect
Where purchases are not collected within seven days after the sale, whether or
not payment has been made, we shall arrange storage at the Buyer’s expense,
and only release the items purchased after payment has been made in full
of storage, removal, insurance and any other costs incurred, together with
payment of all other amounts due to us.
j) Export Licence
Unless otherwise agreed by us in writing, the fact that the Buyer wishes to
apply for an export licence does not affect his obligation to make payment
within seven days nor our right to charge interest on late payment. If the Buyer
requests us to apply for an export licence on his behalf, we shall be entitled to
recover from him our disbursements and out of pocket expenses in relation
to such application, together with any relevant VAT. We will not be obliged to
refund any interest or other expenses incurred by the Buyer where payment is
made by the Buyer despite the fact that an export licence is required. It is the
buyer’s responsibility to obtain any export or import licences and/or certificates
as well as any other required documentation.
16. Extent of Our Liability
We have an obligation to refund the Buyer in the circumstances set out in clause
17. However, neither the Seller nor we, nor any of our employees or agents, are
responsible for the correctness of any statement as to the authorship, origin, date,
age, attribution, genuineness or provenance of any Lot nor for any other errors of
description or for any faults or defects in any Lot. Neither the Seller, ourselves, our
employees or agents, give any guarantee in respect of any Lot. Any warranty of
any kind whatsoever is excluded by this clause.
17. Refund in the case of Forgery
A sale will be cancelled, and the amount paid refunded to the Buyer if a Lot (other
than a miscellaneous item not described in the catalogue) sold by us proves to
have been a Forgery. We shall not however be obliged to refund any amounts if
either
a)the catalogue description or saleroom notice at the auction date corresponded
to the generally accepted opinion of scholars or experts at that time, or fairly
indicated that there was a conflict of opinions, or
b)it can be demonstrated that the Lot is a Forgery only by means of either a
scientific process not generally accepted for use until after publication of the
catalogue or a process which at the date of the auction was unreasonably
expensive or impracticable or likely to have caused damage to the Lot.
Furthermore, the Buyer should note that this refund can be obtained only if the
following conditions are met:
i. the Buyer must notify us in writing, within three months of the auction date,
that in his view the Lot concerned is a forgery;
ii. the Buyer must then return the item to us within fourteen days, in the same
condition as at the auction date; and
iii.as soon as possible following return of the Lot, the Buyer must produce
evidence satisfactory to us that the Lot is a Forgery and that he is able to
transfer good title to us, free from any third party claims. In no circumstances
shall we be required to pay the Buyer any more than the amount paid by
him for the Lot concerned and the Buyer shall have no claim for interest. The
benefit of this guarantee is not capable of being transferred, and is solely for
the benefit of the person to whom the original invoice was made out by us
in respect of the Lot when sold and who, since the sale, has remained the
owner of the Lot without disposing of any interest in it to any third party. We
shall be entitled to rely on any scientific or other process to establish that the
Lot is not a Forgery, whether or not such process was used or in use at the
date of the auction.
D. Conditions Applicable to both Buyers
and Sellers
18. Copyright
The copyright in all images, illustrations and written material relating to a Lot is
and shall remain at all times our property and shall not be used by the Buyer nor
anyone else without our prior written consent. Where the vendor provides the
text, photographs and illustrations for publication the vendor warrants that use is
authorised by the copyright owner and indemnifies the Company against claims
and costs arising from wrongful use.
19. Notices
Any notice given under these Conditions is to be in writing and, if given by post,
will be taken to have been received by the addressee on the second working
day after posting or, if the addressee is overseas, on the fifth working day after
posting.
20. Severability
If any part of these Conditions of Business is found by any court to be invalid,
illegal or unenforceable, that part may be discounted and the rest of the
conditions shall continue to be valid and enforceable to the fullest extent
permitted by law.
21. Law and Jurisdiction
These Conditions of Business are subject to English law, which shall apply to their
construction as well as to their effect. For our benefit, the Seller and the Buyer
submit to the exclusive jurisdiction of the English courts.
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Web
76
Brand
Print
Makers’ Index
Maker
Lot
Bows
Adam, Jean Dominique_________________ 20
Bazin, C. N.�� 11, 12, 167, 181, 184, 202
Colin-Mezin___________________________ 28
Cuniot-Hury__________________________ 34
Dodd_______________________________ 209
Dolling, Kurt__________________________ 31
Enel, C.______________________________ 160
Gillet, Louis__________________________ 193
Gorr, E_______________________________ 13
Gruenke, K____________________________ 21
Henry, E_____________________________ 210
Hill & Sons, W. E._______ 10, 14, 16, 25, 32, 157,
163, 165, 198, 208
Lamy, A_______________________________ 4
Maline______________________________ 174
Martin, Jean-Joseph____________________ 22
Meer, K. V. D._________________________ 159
Moller, Max__________________________ 164
Morizot Pere, Louis-Joseph_____________ 154
Nurnberger, Albert________________ 3, 30, 39
Ouchard Pere, Emile_____________________ 8
Ouchard, Emile_______________________ 177
Ouchard, Emile and E. A.________________ 17
Peccatte, Dominique___________ 23, 187, 205
Peccatte, Francois_____________________ 171
Penzel______________________________ 182
Pfretzschner, H. R_______________________ 9
Prager, Gustav_________________________ 37
Simon, P____________________________ 200
Thomassin, C.________________________ 199
Tourte, Charles________________________ 29
Tubbs, James__________________________ 6
Voirin, F. N.____________________________ 1
Watson, William______________________ 206
Weichold, R._________________________ 204
Winkler, F.____________________________ 18
Violins
Aine, Didier Nicolas_______________ 105, 270
Aldric, Jean Francois___________________ 238
Apparut, Georges_____________________ 251
Arden, Job____________________________ 82
Bailly, Paul_____________________ 53, 89, 227
Baldantoni, Giuseppe___________________ 88
Bedocchi, Mario______________________ 280
Berger, Carl August____________________ 244
Bignami, Ottello______________________ 218
Bisiach, Leandro_______________________ 51
Maker
Lot
Bittner, Alois_________________________ 263
Blanchard, Paul________________________ 60
Buchstetter, G. B.______________________ 242
Calcanius, Barnadus____________________ 85
Cappa, Giofredo______________________ 215
Colin-Mezin__________________________ 224
Colin-Mezin Fils______________________ 236
Colin-Mezin, Charles J. B._______________ 259
Contino, Alfredus_____________________ 241
Degani, Eugenio______________________ 230
Derazey, Honore______________________ 268
Derazey, Juste_________________________ 96
Dieudonne, Amedee__________________ 225
Gagliano, Januarius____________________ 41
Germain, Emile_______________________ 216
Gianotti, Alfredo______________________ 100
Grancino, Giovanni____________________ 226
Guarneri, Andreas_____________________ 266
Guidantus, Joannes Florenus_____________ 62
Hardie, Thomas________________________ 56
Havalka, J. B._________________________ 101
Hawkes & Son_________________________ 87
Hill, Joseph__________________________ 253
Jacobs_______________________________ 44
Klotz, Georg_________________________ 262
Klotz, J_______________________________ 52
Laberte, Marc_________________________ 58
Lancinger, Houslar____________________ 229
Langenot, Eugene____________________ 234
Lorange, Paul_________________________ 49
Lowendahl, L__________________________ 93
Maucotel & Deschamp_________________ 277
Mayson, Walter H__________________ 45, 235
Mermillot, Maurice____________________ 220
Michetti, Plino________________________ 255
Miremont, C. A.________________________ 42
Mockel, Oswald_______________________ 59
Mori Costa, Felix______________________ 110
Novelli, Natale________________________ 275
Panormo, Vincenzo____________________ 237
Pedrazzini, Giuseppe___________________ 71
Perry________________________________ 57
Perry & Wilkinson_________________ 107, 232
Pilat, Paulus___________________________ 47
Postacchini, Andreas__________________ 258
Reber, Puncraty_______________________ 246
Rocca, Enrico_________________________ 233
Ruggieri, Francesco____________________ 81
Rushworth & Dreaper___________________ 92
Salomon, J. B. Deshayes________________ 247
Salvatore, A__________________________ 272
Scarampella, Stefano__________________ 252
Schult, J. H.___________________________ 73
Siebenhunner, Anton___________________ 63
Maker
Lot
Eckhard Kropfreiter /
Luthier
Simpson____________________________ 254
Smilie, Alex__________________________ 102
Testore, Carlo Antonio_________________ 248
Tiller, C. W.___________________________ 104
Vincent, Alfred________________________ 43
Vuillaume Pere________________________ 68
Wulme-Hudson, George_______________ 249
Zani, Aldo___________________________ 281
Violas
Bellarosa, Vittorio_____________________ 120
Clarke, Ian___________________________ 123
Forster, William_______________________ 111
Gand Pere___________________________ 114
Goldsmith, William____________________ 116
Landolphi, Carlo Ferdinando____________ 118
Longman & Broderip__________________ 129
Ritter, Wolfgang B.____________________ 126
Striebig, Jean________________________ 112
Wilkinson, John______________________ 121
Cellos
Betts, John__________________________ 135
Celani, Emilio________________________ 142
Gagliano, Joseph & Antonio_____________ 151
Glenister, William_____________________ 137
Grancino, Giovanni____________________ 145
Leidolff, Christoph____________________ 146
Settin, Joseph________________________ 136
Vuillaume, J. B._______________________ 153
Guitar, Mandolino &
Angelique
Bouchet, Robert______________________ 289
Esposito, Fratelli______________________ 286
Molinari, Joseph______________________ 285
Tielke, Joachim_______________________ 284
99 Mortimer Street / London / W1W 7SX
+44 20 7580 8828 / [email protected]
The Royal Institution of Great Britain, 21 Albemarle Street, Mayfair, London, W1S 4BS
+44 (0)20 7670 2932 [email protected] www.bromptons.co

2pm, 28th October 2013

Transcription

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