August 2014 - Musical Theatre New Zealand
Transcription
August 2014 - Musical Theatre New Zealand
August 2014 In This Month’s Spotlight … Presidential greetings from Lesley Carthew 2 Two free registrations for the Christchurch workshops – youth initiative 3 The Christchurch Training Weekend Info- registrations close 22 August 4 MTNZ General Manager Announcement 10 Into the Future – final workshop Wellington 10 August 11 Combined North and South Island Meetings – September – agendas P 46 - 50 12 Around the Zones and Noticeboard – Evita and Saturday Night Fever 14 Last Dance the new musical from April Phillips – expressions of interest 24 NASDA Auditions and NZ Singing School Info 26 New Wireless Comms System from the Light Site 27 Theatrelight Offer 28 Latest news from the copyright holders 29 Train the Trainers –the junior theatre project 23 August in Auckland 32 Photos from around the Workshops and MTNZ Future Roadshow 45 1 Greetings from President Lesley Carthew Hello Everyone, and welcome to “Spotlight” for August. As I was doing some research for this letter, I found the following quote – “I think human beings are really interesting. To me that’s the whole point of theatre. The whole point of theatre is us being able to look at a story, or listen to a song, or see something on stage and us feel less alone as human beings, to feel connected to other people. And the best theatre does that, the best theatre has universal themes in it, and makes you feel connected to humanity”. And thus said Emily Skinner. Emily Skinner is an American Musical Theatre actress who has played leading roles, amongst others in, Jekyll and Hyde, The Full Monty, Billy Elliott, Dreamgirls and the Best Little Whorehouse in Texas. Since my last letter, I have not been to any musical theatre productions, however I’ve been to see an excellent production of “Glide Time” in Waipukurau, and the Indian Ink Production of “Kiss the Fish”, both quite different pieces of theatre, but both excellent. However next week, I go back to Musicals with Theatre Hawkes Bay’s “Grease”, and North Shore Music Theatre’s “Hairspray”, and I am looking forward to both. The Executive has been extremely busy travelling the country, with the MTNZ “Into the Future Roadshow”. I am extremely grateful to Vice President Terry, along with General Manager Kate, and all the Zone Reps, for all the time and effort they have put into making these sessions such a success. I would also like to publicly thank through this letter, Aaron Tindell from North Shore Music Theatre, who has travelled with us, and been a huge help to all of us in garnering the wealth of information we have amassed. Special thanks also to all the societies who have hosted the Executive and attendees as we travelled the country, we are very grateful. By the time we wind up the roadshows there will have been 14 forums, I personally have now attended the two in Zone Three, and will attend the Wellington presentation next week. My experiences in both Palmerston North and Napier, have been fantastic, and I am sure that all attendees have come away from the presentations, with a far better insight of what MTNZ does, and hopefully enthusiastic about where we are heading in the future. Thank you to everyone who has attended the presentations, I hope you have found them beneficial. I look forward to joining with Terry and Kate, as we formulate the final document to be presented to you the members at our Annual General Meeting in Christchurch in March. I can only encourage you all to start saving now, in order to attend this event, I know Christchurch are well on the way to giving us a wonderful conference and I thank Violet Blay, Diane Brodie and Kate for their work on conference thus far. We have some very exciting seminars confirmed already and you won’t want to miss out. Speaking of events in Christchurch, we have our Christchurch Workshop Weekend at the end of the month, which I also encourage you to participate in and send your members along. We have also implemented a Next Gen/Youth Initiative around these workshops and I encourage our society members to make the most of this opportunity. Yours in Theatre Lesley. 2 A fantastic opportunity for our MTNZ Societies TWO FREE REGISTRATIONS ON OFFER FOR YOUR YOUTH/NEXT GEN MEMBERS Dear MTNZ Society Members In line with our current Youth/Next Gen Initiative, the Executive of MTNZ would like to offer each MTNZ Society member two FREE registrations for your Youth/Next Gen members (minimum age 18 as there won’t be “on hand” supervision at the venue) to attend the workshops in Christchurch 30 – 31 August. This is a fantastic opportunity for any youth members you have either on your committee or in your membership who have shown an interest in directing, stage and/or production management and musical directing to attend a 101 workshop and learn from tutors who work professionally in the arts and entertainment industry in New Zealand. These people are some of the best in the business. The nominating society, however, will have to cover any other expenses associated with attendance – ie. transport, accommodation, catering. Please email [email protected] to get a Next Gen registration pack and if you could please register your attendees by 22 August, that would be appreciated. If you have any questions or require clarification, please don’t hesitate to contact Kate or your Zone Rep. We look forward to your ongoing support of encouraging the Next Gen in our community theatres – they are our future. Warmest regards Lesley Carthew President - MTNZ 3 4 Our Tutors Rhonda Daverne As a professional dancer, ballet and jazz teacher, then musical theatre performer it seemed a natural transition for Rhonda Daverne to become firstly a Choreographer then Director. For the past 30 years she has become known and respected for her achievements throughout Auckland in the dual role of Director and Choreographer. She has worked with many talented performers in this capacity and takes great pleasure and pride in seeing many of these young people progress to professional theatre both here and overseas. Although Rhonda has worked for many theatre groups in the region she has been more closely affiliated with North Shore Music Theatre (NSMT) having directed and choreographed many of their most successful shows including Jesus Christ Superstar, Joseph and the Amazing Technicolour Dreamcoat (twice), Godspell (twice), Anything Goes, the New Zealand Premier of La Cage aux Folles and A Chorus Line – the first musical theatre production to be performed in the newly built Bruce Mason Theatre in Takapuna. Rhonda was also responsible for conceiving and directing NSMT ‘25th Anniversary’ and ‘30th Anniversary’ Concerts and in 2103 for organising the functions and celebrations for the society’s 50th anniversary weekend. To further her knowledge, throughout the years, she became keenly involved in all aspects of musical theatre; as a tutor/mentor, Business Manager, Production Coordinator, Marketing Manager, Programme Designer, Lighting Operator, Front of House Manager, Stage Crew and of course as a performer. She has been actively involved in the Northern Area Performing Theatre Awards (NAPTA), winning best show for ‘42nd St’ at Harlequin Musical Theatre and then receiving four ‘best performed choreography’ Naptas in the following years. She has directed and choreographed the ‘Awards Night Entertainment’ three times, been a judge and presenter over two years and most recently in 2013 and 2014 was Convener of Judges for the Napta organisation. Rhonda is a Life Member and past President of NSMT and the recipient of a Civic Honour from the North Shore City Council for her outstanding contribution to theatre. In 2007 she received a Merit Award from MTNZ for which she is most proud. Rhonda recently presented a seminar on “Directing 101” at the 2014 MTNZ annual conference in Napier and was also on the “Auditioning for a Show” panel with Richard Marrett and Tessa-May Brown. 2014 proves to be another busy year for Rhonda with three productions on the go. Godspell at Centrestage, Hairspray at Sky City for NSMT then Chess for Blenheim Musical Theatre. Appointed a Justice of the Peace in 2002 some of her many duties include work at the IRD and manning the JP service desk. She is married to Chris and with their dog Molly they enjoy relaxing in their Takapuna home or at their beach house on the Awhitu Peninsula. Kathryn Osborne has spent 30 years working behind the scenes in theatre in New Zealand, starting with recreation theatre groups in Auckland. Currently employed as the Stage Manager for the Royal NZ Ballet, she has toured NZ, UK, France, China and the USA with them. She was the Technical Manager / Stage Manager / Company Manager for New Zealand Opera between 1999 – 2009 which saw her involved in 40 opera shows and the creation of the Onehunga Technical Centre. As Stage Manager for Stetson Productions she has toured Starlight Express, The Rocky Horror Picture Show, Blood Brothers and The Original Phantom of the Opera around NZ, Australia, Korea and Japan. Her management skills were used for the APEC Leaders dinner in Auckland and the Mission / Millbrook outdoor concerts for IMG. She lectures in Stage Management at Toi Whakaarei and has been very active in the NZQA review of Technical Qualifications and the creation of proposed industry work based qualifications in technical theatre. 5 Annie Pearce has over the past 15 years, coordinated events at major venues including the Westpac Centre, the Christchurch Town Hall and the Isaac Theatre Royal for organizations such as Christchurch Symphony Orchestra, Showbiz Christchurch, The Christchurch City Council and CPIT. Annie has been the Production Manager for Cats, Miss Saigon, Starry Nights (Showbiz Christchurch), 42nd Street, Curtains, Cats, Guys & Dolls, Beauty & the Beast and Hair (CPIT’s NASDA) to name a few. Richard Marrett is a Principal Lecturer at CPIT and head of NASDA. In demand as a musical director he is also an accomplished pianist, arranger and composer. Well-known for his work in music throughout the country, Richard is also a sought-after teacher and vocal coach. He has lectured at the Christchurch Jazz School, conducted and arranged for Christchurch Symphony, Wellington Sinfonia, Showbiz Christchurch, The Court Theatre, Wellington Musical Theatre, ARTCO, Dunedin Operatic, Canterbury Music Theatre, Invercargill Musical Theatre, The Orpheus Choir and the Choral Federation. Several of his orchestrations have been recorded with the NZSO and he has a busy schedule working as producer and arranger on a number of recording projects. Richard’s close involvement with musical theatre began as pianist for shows such as Anything Goes, 42nd Street, Chess and Singin’ In The Rain. Since then his numerous musical direction credits include Mame, The King And I, Sweet Charity, Joseph And The Amazing Technicolor Dreamcoat, Tell Me On A Sunday, West End To Broadway (I, II and III), My Fair Lady, 42nd Street, Fiddler On The Roof, Annie, Grease, Les Miserables, Jesus Christ Superstar, Beauty And The Beast, Cats, Chicago and Miss Saigon. At The Court Theatre he has been musical director for their productions of My Fair Lady, South Pacific, The Rocky Horror Show, The Sound of Music, Jerry’s Girls, Oliver!, Guys and Dolls, The Producers, Anything Goes, I Love You, You’re Perfect, Now Change, Cabaret, Side By Side By Sondheim, Grease, End of the Rainbow and La Cage Aux Folles. Richard has also appeared as musical director and arranger for the popular ASB Starry Nights, staged in Hagley Park with Christchurch Symphony as part of the city's Summertimes programme, and in numerous cabaret performances. For ARTCO he created the score for the musical version of Once Were Warriors, and productions for NASDA include Lil’ Abner, Into The Woods, Urinetown, The Witches Of Eastwick, Oklahoma, The Music Man, 42nd Street, Curtains, Cats, Hair, Once On This Island and Sideshow. Following the successful concert Broadway Broads, he devised the musical theatre tribute concerts – Rodgers and Hammerstein and Bernstein and Sondheim with the Christchurch Symphony Orchestra and this year added The Magical Music of Disney to his repertoire of popular orchestral offerings. In 2009 and 2011 he was director of the Musical Theatre programme at the NZ National Singing School in Napier and in the past two years has been consulting for the New Zealand Musical Theatre Consortiums, creating the touring music solutions for Hairspray, Phantom of the Opera and Mamma Mia. Richard recently presented a seminar on “Click Tracks” at our annual conference in Napier and was also on the “Auditioning for a Show” panel with Rhonda Daverne and Tessa-May Brown. 6 Musical Theatre New Zealand Inc. with assistance from BOUNCE NZ Christchurch Weekend Training Courses 30 – 31 August 2014 Weekend Programme Venue: NASDA – CPIT Christchurch Polytechnic, Madras Street Saturday 30 August – Directing Musicals for the First Time Director 9am Registration, morning tea 9.30am Course commences Midday Lunch break - PLEASE PROVIDE YOUR OWN LUNCH 3pm Afternoon tea 5.30pm Conclude Sunday 31 August 8.30am Tea and coffee and registration for all three courses 9am Musical Directing 101 Course commences 9am Production Management 101 Course commences 10.30am Morning tea for those on the Musical Directing 101 Course 12.30pm Production Management 101 Course concludes 12.30pm Lunch break for those on the Musical Directing 101 Course PLEASE PROVIDE YOUR OWN LUNCH Registration for Stage Management 101 open 1pm Stage Management 101 Course commences 1.15pm Musical Directing 101 Course recommences (actual time TBC by Richard) 4.30pm/5pm Stage Management 101 Course concludes Musical Directing 101 Course concludes 7 COURSE BRIEFS ONE DAY COURSE - DIRECTING MUSICALS for the FIRST TIME DIRECTOR Saturday 30 August at CPIT – NASDA Campus Tutor – Rhonda Daverne This course is intended as an introduction to Directing Musicals and is most suitable for those who have never directed at all, those who’ve tried and struggled, those who have directed plays and are looking to try musicals, performers looking to better understand their craft, production managers, committee members with an interest in “the other side” and those looking to direct at some future date. Agenda topics include: being ready to direct – knowing your musical – research and preparation – auditions and casting – rehearsal schedules – planning - responsibilities working with the management team (MD & choreographer, designers & production manager) – blocking and staging – working with your cast - your personal approach to directing – developing an edge – production week and opening night. Participants leave with a broad understanding of how to go about taking the first step to directing a musical along with helpful tips on working with your cast and management team throughout the process. Hand-outs include: tips for auditioning - an example rehearsal schedule - props list directors lighting notes, wardrobe list, character assignment list, etc etc…… ONE DAY COURSE - MUSICAL DIRECTING 101 Sunday 31 August at CPIT – NASDA Campus Tutor – Richard Marrett This course explores the range of functions and responsibilities the Musical Director could be expected to cover in a production and will be a hands-on, practical series of sessions: Auditions, selection and voice-types Working in with Director and Choreographer, Production and Stage Managers Forming and preparing a band or orchestra Repetiteuring Conducting and score-reading Conducting from keyboard Tight ensemble sound, figuring out voicings Vocal coaching with soloists Working with tracks, keyboards and programming HALF DAY PRODUCTION MANAGEMENT 101 COURSE Sunday 31 August -9am – 12.30pm at CPIT – NASDA Campus Tutor – Annie Pearce COURSE CONTENT This course is focused on equipping you in your role as production manager. Taking a production from “well they’ve picked a show…now what?” through to “the show’s over but I still have work to do” requires someone who is very organized, can breakdown the big picture, has great people skills and can keep breathing under pressure. During our session, we will look at the following stages of a production and what is involved in each one: Before the show is announced Casting the show Getting the show onstage The season After the final bow 8 Specific topics covered will include time management, people management, organizational techniques and communication. ___________________________________________________________________ HALF DAY STAGE MANAGEMENT 101 COURSE Sunday 31 August –– 1pm – 4.30pm at CPIT – NASDA Campus Tutor – Kathryn Osborne Stage Management 101 will use a practical example to work through the five stages of putting on a performance from a Stage Manager point of view. The planning, the rehearsal period, the production period, performances and the wash-up at the end. It will include how to prepare a calling script, hints on calling a show, who needs what information, when to call stop, all supported with examples of the paperwork that Kathryn uses as a Stage Manager for Musicals, Opera, Ballet and Drama. Registration Fee Schedule for MTNZ Christchurch Training Weekend Member rate for MTNZ/ETNZ/DANZ member societies/schools/corporates/education and for secondary school students - non-member rates apply for everyone else. All fees include GST. Saturday 30 August 2014 $100.00 One Day Directing Course -MTNZ members $130.00 One Day Directing Course– for non MTNZ members Sunday 31 August 2014 $100.00 One Day Musical Directing Course - MTNZ members $130.00 One Day Musical Directing Course – non MTNZ members $55.00 $75.00 Production Management 101 - MTNZ members Production Management 101 – non MTNZ members $55.00 $75.00 Stage Management 101 - MTNZ members Stage Management 101 – non MTNZ members If you would like to do a combo of workshops, pricing is as follows for MTNZ members only: $90.00 Sunday Production/Stage Management Combo $180.00 One Day Directing/Production/Stage Management Combo $180.00 One Day Directing/One Day Musical Director Combo Contact [email protected] for a registration pack We have a quite a few registrations already which is fantastic. Close off is 22 August. Our tutors are the best in the business, so we encourage you to come along and get your members along, especially the youth members of your organisation. The combo registration pricing is the most popular – be great to have more people attend. 9 TO: MTNZ Members FROM: Lesley Carthew, President, MTNZ DATE: 21 July 2014 Dear MTNZ Members We are pleased to advise that at our recent Executive meeting held in New Plymouth, we have appointed Kate Ghent to the full time position of General Manager, MTNZ effective 1 July 2014. This move recognises the significant rise in interest of community theatre in New Zealand and a number a strategic initiatives being driven by the national body. This also recognises Kate’s skills, time and significant contribution given to this organisation over the last 14 years. Kate will continue to work from the MTNZ office which is based in her home. We congratulate Kate on her new appointment. If you have any questions, please don’t hesitate to contact me via email [email protected] or telephone +64 21 243 3714. Kindest regards to you all Lesley Carthew President - MTNZ 10 MTNZ – Into The Future: Final Workshop The Final Roadshow will be in Wellington 10 August A big HUGE thank you to all of you who have participated in the future planning for MTNZ. We really have appreciated you giving up your time and coming along. From here, the Executive are meeting in October to finalise a draft plan for circulation to the MTNZ membership asking for feedback. Once the feedback is received a “final” will be circulated with the AGM and conference papers in February 2015 with ratifying at the AGM in Christchurch in March. It’s all very exciting. Thank you to those societies that hosted the various roadshows – and a HUGE THANK YOU to our Vice President Terry O’Connor for facilitating these workshops. Last chance to participate this weekend in Wellington. See you there Date Time Finish Venue Address Sunday 10 August 11am 3pm Wellington – Toi Whakaari NZ Drama School 11 Hutchison Road, Newtown, Wellington If you have any questions and to RSVP contact Kate Ghent [email protected] or 027 203 3899 11 12 Agendas and weekend programmes for both these meetings at the end of the Spotlight on pages 46 - 50 13 To all MTNZ Societies As many of you know the rights for Evita have been recently released by Origin. Last weekend a meeting was convened of five societies who have obtained the rights for their respective cities and who were interested in sharing resources for this production. They are Showbiz Christchurch, Rotorua Musical Theatre, Hamilton Operatic Society, New Plymouth Operatic and Auckland Music Theatre. One of the outcomes of the meeting was that we agreed that we should canvas interest from any other MTNZ members who may wish to join the consortium or may want to consider a hire of the product in the future. Below is a summary of the key outcomes of the meeting and a schedule outlining the timing of each of the planned productions. The key outcomes of the meeting were: A consortium will be formed to commission the build of a set and costumes for the above societies. The earliest season would be in September 2015, to allow time for design and construction of set and costumes A Chairperson (myself) was appointed to oversee the management of the project. A preliminary discussion was held on budget levels and capped contribution of $30,000 each was agreed upon. A project management team was appointed being Chairperson Di Brodie (Showbiz Christchurch), Patrick Landigan (New Plymouth Operatic) and Grant Meese (Amici) The project team were to start discussions with one of New Zealand’s top creative designers to garner interest and availability for designing the set and costumes. The set to be constructed would be for larger venues, and all members of this partnership would need to ensure their venue had a full fly floor facility and a minimum proscenium arch width of 9.0m. The meeting also agreed we should canvas interest from any other MTNZ members who may wish to join the consortium or may want to consider a hire of the product. A further meeting will be convened in mid-August to formalise the Consortium arrangement. EVITA 2015 2016 2016 2016 2016 SOCIETY New Plymouth Operatic Hamiton Operatic Society Rotorua Operatic Society Auckland Music Theatre Showbiz Christchurch PERFORMANCES 26 September 15 – 26 October 15 TBA 30 April 16 – 22 May 16 June/July 2016 September 2016 If joining the consortium is of interest to your society and you have access to a large scale theatre could you please send me an expression of interest by 31st August 2014. Best regards Di Brodie [email protected] 14 Showbiz Queenstown is excited to announce our 2015 production is Saturday Night Fever. Australian and New Zealand community theatres are the first in the world to be given permission to stage this iconic musical – to date we’re the only New Zealand theatre group who have the rights, so it could be a New Zealand premiere. The movie (which the musical is based on) is credited with defining the 1970's, the sound track sold 25,000,000 copies. Since it debuted on Broadway the musical adaptation has set pulses racing around the world. It was described by one reviewer as a "one of a kind miracle in song, dance and simplicity." The central character is a 19 year old in a job going nowhere whose life lights up on the disco floor. The music by the Bee Gees includes their classic hits Stayin Alive, Night Fever, More than a Woman and How Deep is Your Love. It has a large cast with terrific ensemble dancing opportunities. We’re on the hunt for the right director to bring this magical musical to our Queenstown audiences. Interested? Exact dates will be confirmed in consultation with the professional team, but will be approximately: October or early November 2014 – a pre-audition workshop, to be run by the director and musical director February 2015 (13, 14 15; or 20, 21, 22) Auditions Early April – director’s rehearsals start May 14 or 21 – Opening Night While the ideal might be a director/choreographer, we do have amazingly talented choreographers in Queenstown, so choreography isn’t essential. We’d like to have our professional team in place by the end of August this year, so would appreciate a response from you by 20 August. If you’re interested, please advise your availability around the date guidelines above an outline of why you would like to direct Saturday Night Fever in Queenstown your experience with this genre of musical your fee expectation, and another financial requirements (e.g. travel, accommodation) Many thanks, we look forward to hearing from you by 20 August. Contact Hilary [email protected] 15 News from Zone One Opening in August HAIRSPRAY – NSMT – opens at SKYCITY - 16th August CHICAGO – Whangarei Theatre – 1st August Special Event: (Full details else in this newsletter) The (inaugural) JUNIOR THEATRE Project - TRAIN THE TRAINERS Welcome to The (inaugural) JUNIOR THEATRE Project - TRAIN THE TRAINERS Intensive. To be held in Auckland, NZ – Saturday 23rd August 2014. Some top notch professionals doing the training and NSMT have offered reduced rates to HAIRSPRAY for course attendees. Numbers are limited so do not wait too long to register. Plans are now complete for our 60th Anniversary celebrations! Friday 29th August - 7.30 pm : Let’s Get Together! Saturday 30th August – 6.30 pm to 12.30 am : Diamonds & Tiaras Sunday 31st August - 11.30 am : Family Picnic & Fun Day Friday night is an informal get together – a great chance to catch up with old theatre friends - $10 (includes light nibbles) Come dressed as your favourite show character (optional) – prizes! Saturday night – a more formal affair with dinner, entertainment and dancing Come and sparkle in your tiaras and diamonds! $50 per person Your special celebration evening will start with a welcome champagne cocktail At 7.15 pm a delicious main course buffet will be served At 8 pm – a showful of memories! Followed by dessert and dancing to the Off Broadway Big Band till 12.30 am Sunday from 11.30 am - Family Picnic & Fun Day! Were you around when our home was at the Ardmore Teachers’ College? Well, although that has long gone, the Air Cadets Hall next door is now a smartly renovated building with a sealed area and grass all around so that’s where we are having our picnic! As close to our much loved old home as we can be. If the weather is inclement there is a good hall there so we can play inside! This is a free event so we hope you will gather all your family, the kids and the grandkids, bring your picnic (and a blanket) and join in the fun races and games! We are trying to get in touch with former members and hope many of them will join us and if you know of any, please do pass the message on. PTC is thriving at 60 years – we have much to celebrate! Contact Barb Hieatt [email protected] 16 New Associate Members in Zone One – Rising Starz 17 Auckland Live presents PICK & MIX Every Saturday from 21 June to 6 September 2014 Performances 10.30am Workshops 11.15am Get a taste for the performing arts. We have 12 weeks of FREE family fun to get you through winter! From ballet to comedy, story-telling to hip hop, and theatre techniques, there is something for everyone in our 2014 Pick & Mix programme. Every Saturday morning, musicians, dancers, actors and storytellers will perform and run workshops for the whole family to enjoy for free. This is a great opportunity to introduce your kids, family and friends to performing arts entertainment and activities. Come and go as you please, there are no tickets or allocated seating. Just turn up and join in the fun or just relax and be entertained - it’s the perfect start to the weekend. http://www.aucklandlive.co.nz/pickandmix.aspx "New York Nights Live" started its life as an open mic night for musical theatre performers, but has since developed into a performance platform that can include dance, acting, spoken word, instrumentals, or singing. Performers can bring an mp3, play the instruments themselves, or bring sheet music for our live band. This event exists for two primary reasons: 1. To offer performers an opportunity to showcase their talent in a supportive and vibrant environment outside of a "show" or "audition" context. 2. To expand the musical theatre community by engaging with the public who would not normally connect with musical theatre. In order to accomplish the latter, the New York Nights team decided to move it out of its previous theatre home, and into Auckland's best live music venue- "The Portland Public house" in Kingsland. The logic being if we can't get the public to the theatre, they'll take the theatre to the public. This choice was validated at the June event when the venue was so packed with people who wanted to watch, and perform, that many were turned away at the door. The night was a brilliant success and showcased many talented singers and musicians from both the community theatre scene, and the professional world, including guest performances by number one recording artists Ginny Blackmore and Stan Walker, and Moorhouse- Who brought down the house with a number of fantastic songs. The highlight of the night was definitely Stan Walker's impromptu version of "The Circle of Life" from the "Lion King". "New York Nights live" occurs on the last Sunday of each month at "The Portland Public House" in Kingsland, Auckland, and is open for you to come along and perform, or support. Please bring your friends to this brilliant night of music, fun, laughter, and incredible talent. Get along and help build the Musical theatre community of Auckland in a fun and engaging way. Head to www.newyorknights.co.nz for more information, or to register. Picture - Ginny Blackmore and Stan Walker singing "Holding you" at New York nights 18 Qantas presents: The Music is Bond 8pm, 21 August, Auckland Town Hall Fast cars, nifty gadgets, dangerous escapes, beautiful women and devious villains are key components to any Bond film, but you don’t truly have a 007 movie without its music. Over the past 50 years the Bond movies have featured signature tracks with the stars of the day, from Louis Armstrong, to Madonna and Adele to name a few. It’s the big orchestral movements and voices like Shirley Bassey’s in ‘Goldfinger’ that give you that Bond feel, and the guitar riffs and swinging strings from Monty Norman’s theme tune that bring out your inner spy. From ‘You only live twice’ to ‘Diamonds are Forever’, the APO has all your favourite Bond classics on 21 August – LIVE in the Aotea Centre. Join us as we bring to life the suspense, the driving rhythms and the glitz of cinema’s most famous MI5 agent in this one-off concert, featuring a talented line-up of singers led by host Tim Beveridge. Be sure to come “dressed to kill”; get your picture taken with luxury Jaguar in the foyer and be in to win some fantastic 007-inspired prizes. Book before 11 August and receive 10% off public ticket prices. Use the promo code "BOND 2014" to redeem. Or get a group of eight together and save 19%, plus one ticket free for every eight purchased. Book at apo.co.nz or call 09 623 1052. News from Zone Two MUSICAL THEATRE GISBORNE Musical Theatre Gisborne’s last production in June was a musicalized version of the old British TV comedy, “Hi De Hi”. Although this show wasn’t a great financial success, it was a lot of fun and enjoyed by both cast and audience. It was pleasing to have some young people new to theatre along with some of our stalwarts in the cast. Perhaps in the future a musicalized version of “The Vicar of Dibley” might be considered. We are already planning a Christmas pantomime for staging in mid- December and will need to use an familiar venue, possibly the Gisborne Boys’ High School Hall. By then the school year will be finished but we are still uncertain of its limitations and possibilities. The choosing of which panto to do was easy, but the deciding on which version wasn’t. It is surprising when using our “old friend” google, how many different versions of “Jack and the Beanstalk” there are. However, they all star - the cow, so now we hope to find a theatre group which has already done “Jack” and has a cow tethered somewhere out the back of their Clubrooms. Gisborne is more grapes, logs and kiwi fruit than cows, so we would appreciate hearing from any group with a well-trained cow!! Musical Theatre Gisborne - Norm Grey – Secretary - [email protected] 19 News from Zone Three Grease the Musical Directed by Ken Keyes A "cool" 1950's gang leader and a prim and proper schoolgirl have an on again, off again romance during their senior year in high school. After meeting and having a brief summer romance in the late 1950's, Danny Zuko and Sandy Olsson say good-bye as they must return to their respective hometowns to finish high school. They eventually get back together and compete at a nationally televised dance-off, although later events separate them once more. As the school year draws to a close, they do what they can to get back together. Dinner & Show Tickets $59.50 (incl. Glass of wine with meal). Dinner served at 6.30pm. SHOW ONLY tickets $29.50 MATINEE tickets $25.00 On at The Playhouse August 7th til the 23rd. Book at Ticketdirect www.ticketdirect.co.nz Presented by Theatre Hawkes Bay Gilbert & Sullivan’s “The Mikado” Wellington G&S Light Opera (aka WGSLO) is taking The Mikado to audiences this July through to September, touring Lower Hutt, Palmerston North, Wanganui, Kapiti, and closing in Wellington. It tours with a cast of 40 singers and 24 players to Sullivan’s original orchestration. WGSLO has years of experience coping with the logistics of moving such forces around the countryside, but Nature has been known to intrude. In 2010 the closure of SH2 by slips prevented a performance in Wanganui. The next year during a performance of HMS Pinafore in Kapiti, a cyclonic storm passed through, uprooting massive trees. It drowned out the cast with hail on the roof. This din receded, to be capped off with a loud and rolling thunderclap as Captain Corcoran cracked the cat o’ nine tails. The chorus responded “Goodness me! Why, what was that?” to general merriment. Last year a matinee in Palmerston North was cut short at the start of the finale by the 21 July Seddon earthquake, with swinging of chandeliers and hastily lowered curtain and house lights up with some patrons in retreat. We trust that the excitement will all remain on-stage for this year’s Mikado. Direction is a classic interpretation, with full sets and wardrobe, and a seasoning of updated references. Both Ko-Ko, the Lord High (I’ve got a little list) Executioner and the Mikado (to make the punishment fit the crime) single out the categories of social miscreants we all so love to deplore – a rich mine with plenty of latter day targets to dig into! The production is in the final stages of rehearsal , and the music and wit is delighting the cast just as it looks well set to delight tour audiences. Gilbert’s ingenious wit provides depths of double-entendre and combines with Sullivan’s eclectic range of sparkling music to make The Mikado the most popular Comic Opera of all time. WGSLO has set out to encourage attendance by families and young persons with special concession rates including school-age. More details, and links to bookings are on the Wellington G&S Light Opera website www.gns.org.nz. 20 FUNDRAISER FOR “UPSTAGE” A movie musical to be filmed in December THE FUNDRAISER This performance is a fundraiser for the movie which will be filmed on location at the Little Theatre in Lower Hutt, and money raised will provide travel and accommodation for the professional cast and crew who are donating their time and talent to make the film. On August 15th at 7.30, the world premiere of the musical “Tikitikitanga” will take place in Whitireia's performance space, performed by a group of musical theatre students currently studying there. “Tikitikitanga” is the one hour long sung-through musical at the centre of the movie “Upstage” that is being filmed by Whitireia staff member Michael Nicholas Williams in December 2014. Ticket prices: $28 Venue: Whitireia Theatre, Vivian Street, Wellington Time: 7.30 – 9.00pm Seats are limited. BOOK NOW @ www.thetheatre.co.nz THE FILM The wait is over! Finally the Great New Zealand Musical has been written. “Tikitikitanga” is an all singing all dancing musical set in the 1880s featuring important local events such as Parihaka, the gold rush and the Tarawera volcano. Thrill to the spectacle of six talented actor/singer/dancers telling a timeless story of love and betrayal. Be amazed at the wide variety of musical styles from folk music to fifties. Loosely based on Emily Bronte’s classic novel Wuthering Heights, “Tikitikitanga” is a toe-tapping hit destined for Broadway. If only… You are invited to the Dress rehearsal of “Tikitikitanga”. The last run of the show before the public gets to see it. The last chance to get everything right before the critics air their views. It’s the run that keeps on going no matter what arises. And we all know the legend “a bad dress means a great opening” Which means “Tikitikitanga” is going to be a smash… What should be a smooth rehearsal instead turns in to every performer’s worst nightmare. But somehow, even with forgotten lyrics, infidelities, concussion, laryngitis, unrequited love, requited love, and the departure of a major cast member, the show goes on and the entire musical is performed. 21 22 The Association of Community Theatre invites all members of Musical Theatre New Zealand to attend our ninth Stagecraft conference on the weekend of the 20th and 21st of September. The venue is the National Institute of Dramatic Arts in Sydney. The keynote speaker is Australia's leading theatre producer of musicals John Frost AM. Another highlight is the chance to dance with our patron Nancye Hayes AM. The entire weekend of seminars, entertainment two lunches and dinner costs just $130 Aus for all members of Musical Theatre New Zealand. Download the full program at this link. http://www.showline.com.au/index.php/conference Seminars are on accents, auditioning for a play or musical, comedy, developing a character, making props, dancing, directing a musical, costumes, lighting sfx, choosing a show, budgeting, working with children, cabaret, using social media to sell tickets and OH & S. This year at Conference ACT is celebrating our 21st Anniversary. Fly across the ditch and enjoy a show or two at the same time. 23 World Premiere! Call for expressions of interest LAST DANCE, the musical Acclaimed writer April Phillips whose hit shows include “STiFF”, “Death & Taxes”, “Bonking James Bond”, and “Motel” has written a new jukebox musical featuring the music of the Queen of Disco; Donna Summer. In the same way that “Mamma Mia”, “We Will Rock You”, and “Movin’ Out” weave a story around the hit catalogue of legendary artists like ABBA, Queen and Billy Joel, Phillips’ exciting new show will have audiences dancing in their seats with a disco soundtrack that’s infectious, dramatic and thrilling! Last Dance has a storyline with all the energy and excitement of a big stage musical, but also and the grit and tension of a crime story. It is peopled with characters who are driven by ambition, lust, greed, desperation, fear and love. Featuring 20 hits songs including “Hot Stuff”, “Last Dance”, “She Works Hard For The Money”, “Bad Girls”, “Heaven Knows”, “MacArthur Park”, “I Feel Love”, “Love To Love You Baby”, “No More Tears (Enough is Enough)”. To read more about the show, visit www.lastdancemusical.com Last Dance is set in 1983 so it’s a gift for the wardrobe department! Neon colours, big hair and big shoulder pads, leg warmers, and lots of disco bling! Your props team will have fun sourcing rubik cubes, disco balls, ghetto blasters, and a giant mobile phone! Your choreographer will be challenged and inspired by the varying pace of the iconic disco songs and the nightclub and prison settings – think break-dancing; think “Chicago” and “Cabaret”, and the bar scenes from the movie “Flashdance”. Sexy, energetic, dramatic, desperate, romantic. Your set and lighting designers will be excited by a variety of scenes and musical sequences: Pulsating, intense, moody, reality and dream-like. The premiere company will be able to create and then hire out its sets and props to subsequent productions. Sheet music will be provided. Music rights are available. April is calling for expressions of interest from companies who would be interested in mounting the world premiere production of “Last Dance”. If you would like to read the script, please email Playmarket at [email protected]. The deadline for expressions of interest is 30 September 2014. 24 25 26 T h e a t r e & E v e n t www.lightsite.co.nz NEW!!- L i g h t i n g WIRELESS COMMS SYSTEM Available for hire now Basic compatibility with major wired intercom manufacturers’ systems For more information, please contact David Bosworth Phone: 03 372 9101 Email: [email protected] www.lightsite.co.nz 27 Theatrelight are now offering Wireless DMX Transmitters and Receivers in either Lumin Radio or Wireless Solutions formats both of which are the known leaders in wireless DMX. Contact Theatrelight for more information. [email protected] TL-SP-LTX Lumen Radio Transmitter The SP-LTX is a single universe wireless DMX transmitter employing the Lumen Radio CRDMX (tm) transceiver. Lumen Radio CRDMX (tm) wireless DMX transceiver 500m range using standard 2db antenna Wireless link and DMX input indicators Single DMX universe input with DMX thru connector Neutrik XLR DMX connectors, 5 pin or 3 pin option Surge protected DMX input, 1/250th RS485 load DMX input isolated from earth to 500vAC Portable design, suitable for wall or bar mounting TL-SPLTX Lumen Radio Transmitter TL-SP-LRX Lumen Radio Receiver The SP-LRX is a single universe wireless DMX receiver/splitter employing the Lumen Radio CRMDMX (tm) receiver. Lumen Radio CRDMX (tm) wireless DMX receiver 500m range using standard 2db antenna Wireless link and signal strength indicators Single wireless DMX universe split to two isolated DMX outputs Neutrik XLR DMX connectors, 5 pin or 3 pin option Surge protected DMX outputs, each isolated from earth to 500vAC Portable design, suitable for wall or bar mounting TL-SPLRX Lumen Radio Receiver 28 Sound Workshops – SOUND 101 with BOUNCE NZ These workshops will be run by Bounce NZ in association with MTNZ. The content will be relevant for those societies with smaller and medium sized venues Our aim is to get our community theatres in the regions “sound gear savvy It will give your local operators and technical teams the tools manage the sound of a production once the “pros” have left Glen and MTNZ will look at scheduling the workshops mid-August, so we will have an update from that meeting in September Spotlight. Register your interest if your society is keen to hold a workshop or want further information with Kate at the MTNZ Office [email protected] Latest News From the Copyright Holders 29 Photo is from the recent production staged by Wellington Repertory Theatre THE ADDAMS FAMILY - A New Musical Book by Marshall Brickman and Rick Elice, Music and Lyrics by Andrew Lippa Based on characters created by Charles Addams THE ADDAMS FAMILY features an original story, and it's every father's nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family - a man her parents have never met. And if that weren't upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he's never done before - keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday's 'normal' boyfriend and his parents. Cast: Gomez Addams, Morticia Addams, Uncle Fester, Grandma, Wednesday Addams, Pugsley Addams, Lurch, Mal Beineke, Alice Beineke, Lucas Beineke The Addams Ancestors (Ghosts) - 5m, 5w or as many as desired Do not "Move Toward The Darkness" this musical works with minimum set and props and with only one costume required for all cast members this is affordable to produce. Wellington Repertory recently staged this at the Gryphon Theatre, which is a small 80 seat venue – and it worked really well. Very suitable for smaller groups and venues. 30 Lovingly ripped off from the classic film comedy MONTY PYTHON AND THE HOLY GRAIL, SPAMALOT retells the legend of King Arthur and his Knights of the Round Table, and features a bevy of beautiful show girls, not to mention cows, killer rabbits, and French people. Did we mention the bevy of beautiful show girls? Cast: 13 Men, 7 Women, 7 Knights of Ni, 1 Round Table, 1 Holy Grail, 1 Killer Rabbit. Casting Tip: If you don't have men a plenty at your theatre you can have female cast members play these roles with great success or use these characters to create more featured roles for your ensemble. DEAD FOLKS in "Not Yet Dead" 1. 2. 3. 4. 5. 6. 7. THE HISTORIAN THE BLACK KNIGHT THE FRENCH TAUNTERS SIR ROBIN'S MINSTRELS THE KNIGHTS OF NI SIR BORS TIM THE ENCHANTER Royalty: 16% of gross box office takings or a minimum fee of A$260.00 per performance or part thereof. DOES YOUR THEATRE SEAT LESS THAN 100? Contact us for a SPECIAL quote. FREE PERUSAL materials for both shows which are yours to keep. "Thing" may even include a dark and dreary extra something into your perusal. Kim Ransley Managing Director, ORiGiN Theatrical Level 1, 213 Clarence Street, Sydney NSW 2000 PH: (61) 02 8514 5204 or (61) 02 8514 5211 F: (61) 02 9299 2920 www.origintheatrical.com.au 31 Join Industry professionals Doug Kamo, Michael Nicholas Williams, Teesh Szabo, Stuart Hendricks & Nikol McKail for a full day of musical theatre workshops. Whether you are a seasoned pro, or you’re just getting started, you will acquire new skills, learn best practices and walk away energized and ready to tackle any musical theatre challenge that comes your way. All attendees will also take home some valuable resources, discount vouchers for their next musical and one lucky school or community theatre will WIN major discounts off their next musical. Saturday 23 August 2014 at The Aotea Centre, Auckland Live Details DATE Saturday, 23 August 2014 TIMES Train the Trainers Intensive: 10:00am – 3:00pm Optional Theatre Tour: 3:30pm – 4:30pm Optional Show (Hairspray): 7:30pm – 10:30pm LOCATION Train the Trainers Intensive: Aotea Centre, Auckland Live, 50 Mayoral Drive AUCKLAND (Meet at Stage Door on Mayoral Drive) Optional Theatre Tour: as above Optional Show (Hairspray): SKYCITY Theatre - SkyCity, Level 3, 72 Victoria St West COST Train the Trainers Intensive: NZ$45.00 (MTNZ Members) or NZ$55.00 (non-MTNZ Members) Optional Theatre Tour: FREE Optional Show (Hairspray): NZ$49.00 (saving of NZ$30.00) per ticket. You’re welcome to invite friends, but places are limited... 32 What is The Junior Theatre Project? “Musicals: The Superfood of the Arts!” Tim McDonald Musicals may probably be the most collaborative of all art forms and brings together many facets of the arts industry: music, singing, acting, dancing, costume design, set building, painting and lighting among others. Everyone involved has a role to play (large or small) and their role is integral to the finished product – whether they are on stage or off. Each person learns responsibility, collaboration, respect, self-confidence & co-operation – and these vital life-skills are just the beginning. Seeing a need to make musicals more accessible and attainable for kids of all ages Music Theatre International in conjunction with Hal Leonard Australia have developed a collection of musicals tailor-made for young performers. What does the Train the Trainers Intensive involve? A full day of workshops for Music, Drama, Dance and general classroom teachers and practitioners. We cover how to develop a musical theatre program in your school or musical society through practical classes and forums with leading industry professionals. Why do the Train the Trainers Intensive? Because everyone can use a little inspiration and we can’t wait to share our learning with you! Because we’ve got answers to your challenges. Budget cuts, administrators who don’t get it, dealing with parents, recruiting talent, selecting the perfect musical, properly managing resources – we cover it all! Because everyone needs to recharge their batteries. It’s important to remember why you started doing musicals with kids in the first place and to renew that passion. Because nobody else teaches you how. There is no other program anywhere that teaches you how to put on a Junior musical with kids. And occasionally we all feel insecure even when we’re doing a great job. We’ll reinforce what works, and help you build skills in areas where you feel challenged. Our Junior Theatre Project is designed to empower teachers and theatre practitioners as well as inspire and develop young performers. To read more about this initiative please visit our website. What do you get? The Train the Trainers Intensive includes: • Workshops with leading professional theatrical practitioners. • Workshop tote bag that includes CD samplers, Production Handbook (A Guide to Putting on a Musical), discount Vouchers for your next show and much more. Morning Tea & Lunch 33 Meet the New Zealand Team Doug Kamo – Drama Specialist With 20 years in the performance and entertainment industry Dunedin-based Douglas is one of the busiest producers, directors and entertainers in the country having amassed an impressive array of drama, television, concert and musical theatre credits. As a producer and director he has been responsible for over 50 national and international musical theatre productions including The Rocky Horror Show, Les Miserables, The Producers, JC Superstar, Cabaret, Chess, and A Chorus Line. He toured New Zealand & Asia in the international casts of Chicago & Joseph & the Amazing Technicolor Dreamcoat. He has just finished producing and directing the sell out season of Mamma Mia in Dunedin. With an envious reputation within the lower South Island, his company DKCM Ltd is a market leader for corporate entertainment solutions, tours, concerts and theatrical experiences. www.dkcm.co.nz Michael Nicholas Williams – Music Specialist Michael was born in Petone and studied Music at the Wellington Polytechnic. He made his professional debut as Musical Director in 1983 with Tom Foolery at Circa Theatre. Since then has been Musical Director of many National Tours including Ken Hill’s Original Phantom of the Opera (also in Japan), Blood Brothers (also in Australia) and Starlight Express. A career highlight was Downstage’s Sweeney Todd. He created Dead Tragic (which has a return season at Circa in November) and has composed scores for many productions including 6 Roger Hall pantomimes. He wrote the music, lyrics and script of Lonely Heart which premiered at BATS theatre. His new musical Upstage will premiere in August. Teesh Szabo – Dance & Movement Specialist Teesh’s association in dance and musical theatre spans over 35 years. Classically trained in New Zealand and UK she has worked successful as a teacher, award winning choreographer, musical stager and performer in the UK, US and NZ. Highlights have been the opportunity to work with some of the greatest legends in musical theatre such as Chita Rivera, Tommy Tune, Rita Moreno, Cyd Charisse, and Russ Tamblyn, as well as the outstanding London casts of Martin Guerre, Lautrec, Whistle Down The Wind, Mamma Mia and Princess Cruise Lines. She recently finished a successful run as choreographer on Mamma Mia at the Civic in March 2014. Teesh relishes any opportunity to inspire and guide others to find their passion and understanding of Musical Theatre and is excited to be a part of the introduction of The Junior Theatre Project here in New Zealand. Stuart Hendricks – Director of Licensing and Hire & Program Support With a diverse background in music, education and business, Stuart brings a unique passion and dedication to the theatre community, stemming from a deep appreciation of and long-standing involvement in the industry. Stuart completed a Bachelor of Music Education at The University of Melbourne and spent the following years applying his expertise to music, teaching and theatre. After gaining further qualifications in Arts Management and Business, Stuart joined Hal Leonard Australia in 2002 to establish their theatrical rights division. Over the next 10 years, Stuart has overseen the expansion of Hal Leonard Australia’s Licensing and Hire Department, which now represents a number of major agencies, including Music Theatre International, Dramatis Play Service Inc and Boosey and Hawkes Ltd. Nikol McKail – Client Relations Manager & Program Support Nikol holds a Bachelor of Music Performance (Honours) from the Victorian College of the Arts and a Graduate Diploma of Education (Music/Drama) from The University of Melbourne. A semi-finalist in the Herald Sun Aria competition, Nikol has worked with a variety of theatre and opera companies here and abroad; including Melbourne Opera, The Puccini Festival and performed throughout Italy. Principal credits include Mabel (Pirates of Penzance), Madame Thernadier (Les Misérables), Musetta (La Boheme), Ancella (Turandot), Jack’s Mother (Into the Woods) and most recently Carlotta (Phantom of the Opera). Along with being engaged as vocal coach at Sharon Lawrence Academy of Dance, Nikol is the Client Relations Manager at Hal Leonard Australia, responsible for the promotion and performance licensing of a wide catalogue of musicals, plays and classical works. 34 35 36 Upcoming in August, we introduce our next national concert tour – European Romance! The great classics have enjoyed a renaissance in recent times largely due to artists like Andre Rieu and Andrea Bocelli and their ability to make the classics more accessible for all. For the last 14 years the daytime concert specialists, Operatunity have achieved their world famous in New Zealand status as they present high quality accessible concerts to tens of thousands of people throughout the country, in fact over 220 concerts per year. In their latest offering, Operatunity presents European Romance which in the style of Andre Rieu takes the great classics and presents them in a way that makes the music accessible while still keeping its integrity and beauty. Jessica Hindin, violinist, who has toured extensively in the States and Europe is joined by three top singers and Penny Dodd on piano to bring a concert which journeys to Europe and back without leaving your home town. "European Romance celebrates the best of Europe, waltzes and timeless melodies, presented with a bit of fun as well as with great respect to these gorgeous tunes" says Susan Boland, director of the company. "It is a privilege to sing this magnificent music and a privilege to present the best possible concert to our great audiences". Featuring: Susan Boland, Bonaventure Allan-Moetaua, Jessica Hindin & Amanda Atlas, accompanied by Penny Dodd. 24 Venues Nationwide: 30 July – 1 Sep 2014 Click here for more information TO BOOK: P: 0508 266 237 (toll free) P: 09 588 4250 E: [email protected] www.daytimeconcerts.co.nz 37 Presented by Auckland Live, Tim Lawson and Simon Painter THE FUTURE OF MAGIC IS HERE! 2 to 13 September Live at The Civic, Auckland The next generation of magic is coming to town! THE ILLUSIONISTS 2.0 -- a stunning sequel to the box-office smashing 2013 season of The Illusionists – is announced for Auckland’s The Civic theatre this September. Featuring seven masters of mental and optical illusion, THE ILLUSIONISTS 2.0 is a brand new production that will propel New Zealand audiences into the future of magic and illusion, using cutting-edge visual effects. A fast-paced, high-energy powerhouse performance, THE ILLUSIONISTS 2.0 gives audiences the chance to witness the magical genius of the world's greatest stars and their genre, each with a unique skill that has won them countless fans globally. Whether it's the deadly arts of The Warrior, or the high-risk tricks and stunts of The Deceptionist, THE ILLUSIONISTS 2.0 will leave audiences rubbing their eyes in disbelief. Edgy, exciting and most of all fun, it's the perfect live entertainment show. 'Forget abracadabra and rabbits jumping out of hats because The Illusionists 2.0 will make you question whether Harry Potter really is the chosen one.' Adelaide Advertiser 38 PEOPLE WHO PURCHASED TICKETS TO THE FIRST SEASON OF THE ILLUSIONISTS WILL HAVE EXCLUSIVE ACCESS TO TICKETS THIS FRIDAY. THE TICKETMASTER AND AUCKLAND LIVE PRE SALES START ON MONDAY 16 JUNE AND GENERAL PUBLIC CAN PURCHASE AS OF THURSDAY 19 JUNE. VENUE SEASON TIMES: The Civic From Tuesday 2 September to Saturday 13 September Tues & Sun, 6.30pm, Wed to Sat 7.30pm, Matinees – Sat, 2.30pm, Sun, 1pm BOOKINGS 0800 111 999 or ticketmaster.co.nz TICKETS: From $69.90* Family and Under 16 ticket prices available THE MASTER MAGICIAN – LUIS DE MATOS He's the king of conjuring, a superhero of stage illusion. Prepare to be astonished as one of the most renowned magicians of all time pushes the boundaries of the believable with a series of spectacular tricks and stunts that will redefine your idea of what is real. Hailing from Portugal, he's a multi-award-winning performer and host of the BBC's “The Magicians” – a superstar of sorcery and a maestro of mentalism with a flair for the theatrical. His use of cutting-edge video techniques makes him truly one of a kind. You'll be bewitched by The Master Magician! THE WARRIOR – AARON CROW He's the ultimate strong, silent type – the man who has mastered some of the most dangerous acts of mentalism on stage without uttering a single word! Using swords, paintball guns and highly powerful crossbows, Belgium's foremost international magic sensation creates acts that are as unusual as they are entertaining, leaving you on the edge of your seat in anticipation. Little wonder he took the planet by storm after winning first place at the World Championships of Magic. Prepare to defend yourself against The Warrior. THE DECEPTIONIST – JAMES MORE He's dark, handsome and a master of modern magic – combining a powerful stage presence with an outstanding talent for the art of illusion. One of the rising stars of the scene, this British-born, enigmatic character has a smart, slick approach, delivering fast-paced, high-risk tricks and stunts that have been witnessed by millions of people around the world. His many charms have seen him win over international audiences through appearances on major television shows that include ITV's primetime entertainment extravaganza, Fool Us, where he performed for Penn & Teller and Jonathan Ross. Prepare to fall for the dark arts of The Deceptionist. 39 THE MANIPULATOR – YU HO-JIN He's renowned as one of the most masterful sleight-of-hand artists in the world, with dazzling dexterity and the ability to fool even the fastest eye. You'll never figure out how he does it, because he'll always keep his secrets up his sleeve.Originally from South Korea, he has conquered stages around the world, winning multiple international illusion competitions, the highlight being 2012's FISM – the Golden Globes of the magic community. His act has become the benchmark of illusion. Now you see it, now you don't – meet The Manipulator. THE FUTURIST – ADAM TRENT He's a star for a new generation of magic fans, fusing classic techniques, dancing, comedy and technology in a show that shatters stereotypes for those who think they've seen it all. His edgy, fun style has been described as 'Justin Timberlake meets David Copperfield' and has put him on a fasttrack to global fame. He's performed more than 300 live shows in 19 different countries over the past year and his star is still rising, with two major television shows set to air in the United States this October. He's the next big thing – bring on The Futurist. THE TRICKSTER – JEFF HOBSON The showman of all showman returns to Auckland, he stole everyone’s hearts and a few watches last time and now he is back trickier than ever. The host of Las Vegas and is the epitome of glamour and showmanship. He leaves audiences laughing long after the curtain goes down. Don't be fooled by his innocent appearance. The Trickster will get you every time...! "Hobson steals the show like a slick bank robber." New York Daily News "A whirlwind of fabulousness that simply cannot be contained." Las Vegas Review Journal THE UNUSUALIST – RAYMOND CROWE He'll make you laugh, cheer and gasp. He's a home-grown hero – an entertainer extraordinaire of the most unconventional kind. Magician, comedian, mime artist, inventor and master of illusion, he's a multifaceted Aussie genius who keeps you guessing until the last moment. He's performed alongside Bon Jovi and Russell Brand, and for David Letterman, earned a standing ovation from more than 3,000 magicians at an international convention, and was the only Australian chosen to perform on the famous NBC television special, The World's Greatest Magic. Expect a rare treat with The Unusualist. 40 41 42 43 MTNZ Calendar 2014 - 2015 Date Event 30 – 31 August Christchurch Training Weekend – Directing Stage and Production Management, Musical Directing 12 – 14 September Combined North Island Meeting - Taupo 19 – 21 September Combined South Island Meeting – Timaru 10 – 12 October Executive Meeting – Napier 1 October Registrations open for conference 31 December Programme, poster and website competition entries close 31 January 2015 Patron, Merit and Community Tech award nominations close 20 – 22 March 55th AGM and Volunteer Training Weekend - Christchurch Check out the show calendar on our website www.mtnz.co.nz Email: [email protected] Link to MTNZ’s Facebook Page: https://www.facebook.com/MTNZI Team MTNZ (and Origin Theatrical’s Kim Ransley) Attending New Plymouth Operatic’s Phantom of the Opera 44 Some pictures from our roadshow gatherings over the last two months 45 Musical Theatre New Zealand – Zone 1, 2 and 3 Combined Meeting hosted by Centre Stage Taupo Inc. 2 Matai Street, Taupo Friday 12 and Saturday 13 September 2014 Weekend Programme and Meeting Agenda Friday 12 September 5 – 8pm Get Together at Centre Stage Taupo Inc. (nibbles/cash bar) Saturday 13 September 9.30 – 10am Tea, Coffee – Morning Tea 10am Welcome Centre Stage Taupo Inc. President Housekeeping 10.05 am Roll Call 10.15am Society Reports (each Society is asked to give highlights of their year to date – approx. three minutes only please) Corporate Guests (three minutes only please) 11am MTNZ News Insurances (what MTNZ can offer) CAF Fund Conference – Christchurch Other updates from the MTNZ Desk 11.30 How To Market A Show On A Tiny Budget 12.30 Lunch 46 -2- 1.30pm Toi Whakaari Ruth Love and Kelly Kiwha are both in their third year at Toi Whakaari: New Zealand Drama School. They have both come from amateur musical theatre backgrounds and are both aiming for considerably different careers after they graduate at the end of the year. Hear their stories and find out what opportunities are out there for the “New Gen” in your theatres 3pm Choosing Shows That Sell What Shows Have Been A Success For Your Society? 3.45pm General Business 5pm Bar Open - pre dinner drinks (cash bar only – no eftpos facilities) 6.00pm Dinner and Entertainment 47 How to find Centre Stage Taupo Inc. Telephone: 07 378 7969 48 Musical Theatre New Zealand – Combined Zone Four and Five Meeting 19 – 21 September 2014 Hosted by South Canterbury Drama League at the Drama League Rooms 198 Church Street, Timaru Friday 19 September 7pm For those arriving in Timaru on Friday night, dinner has been booked at Monteith’s Bay54, The Bay Hill, Timaru for 7pm – please advise if you are going to attend so we can confirm catering Saturday 20 September 10am Morning tea 10.30am Meeting Commences 12.30pm Lunch 1:30pm Meeting Resumes 6pm Dinner at Speight’s Ale House before the show 7.30pm Grease at the Theatre Royal – presented by South Canterbury Drama League RSVP to Helen Horsnell ([email protected] 027 220 6954 ) or Ross Benbow ([email protected] 027 445 5814) the numbers attending the Friday night dinner, Saturday meeting and dinner on Saturday night, plus an indication of tickets required for Grease. Accommodation Options (main motel that we are recommending and using) Panorama Motor Lodge - http://www.panorama.net.nz/ 52 The Bay Hill, Timaru Email - [email protected] Phone: 03 688 0097 For other options go to http://www.aatravel.co.nz/new-zealand/Timaru_Accommodation.html Click on the link below for a Google map for the Drama League South Canterbury Rooms: https://plus.google.com/106544930489380733333/about?gl=nz&hl=en#106544930489380733333/about Click on the link below for a Google map for the Theatre Royal, 124 Stafford Street, Timaru https://plus.google.com/103055016621496867032/about?gl=nz&hl=en#103055016621496867032/about 49 Musical Theatre New Zealand – Combined Zone Four and Five Meeting Hosted by South Canterbury Drama League at the Drama League Rooms 198 Church Street, Timaru – Saturday 20 September 2014 AGENDA 1. Welcome and apologies 2. Minutes from the Balclutha meeting 2012 3. Matters arising 4. Roll Call – two minute Society Report 5. Report from the MTNZ office and Executive (Kate and Executive) Conference 2014 wrap up Conference 2015 - Christchurch Roadshow update AON insurance scheme Spotlight on MTNZ Conference competitions Merit, Community Tech and Patron’s Encouragement awards Poster and programme Training opportunities Facebook Future Conferences 6. Discussion : Planning- Performance – copyright 7. Discussion on shared resources and consortiums 8. Corporate members 9. General Business 50