Culver City - Art Ltd Magazine

Transcription

CULVER CITY
THE ART OF
SCREENLAND
SPECIAL SUPPLEMENT
CULVER CITY
ART WORLD CROSSROADS
C
ulver City is thriving. More than just another gallery district, it has become the crossroads of the L.A. art world.
Combining the gritty authenticity of an actual city, with
real pedestrian-friendly storefronts to stroll past, and the autofriendly centrality that Los Angelenos adore, it’s the out-of-theway nexus where everything seems to converge. To walk along
La Cienega or Washington Boulevard during one of the mobbed
weekend openings is to be a participant in an extraordinary, fully
mature, cultural landscape. Stretch limos block intersections,
tastefully grungy art school graduates mill about between galleries or stand around in animated discussion swilling Dos
Equis. To a casual observer, it would be hard to believe that only
five years ago, this span of La Cienega was a morose neighborhood of neglected low-rise industrial buildings and auto repair
joints that was best defined by the odd, lazy “S” curve south of
Venice, and best seen through one’s rear view mirror on the way
to the airport.
Today, Culver hosts a wide range of cultural venues, including
some of L.A.’s most important galleries. Among the best known
and most internationally respected are Susanne Vielmetter and
Blum & Poe, who essentially laid the cornerstone for the new
neighborhood when they opened the first major gallery in the
area in Fall 2003: an airy 5,000’ space just up the block from
Washington, overlooking the scenic concrete culvert of Ballona
Creek. If the corner of Washington and La Cienega is the hub of
Culver’s art scene, La Cienega remains its central spoke. The
block features such trendily diverse galleries as Anna Helwing,
George Billis, Taylor DeCordoba, Walter Maciel, Lizabeth
Oliviera, LA Contemporary, and Lightbox, dressed up all in a
row, interrupted by the renovated watering hole Mandrake, and
capped by the non-for-profit space LA><ART, which, with its
penchant for ambitious installation work, and focus on regionally significant artists, has become a major destination in its own
right. The fact that this particular strip of La Cienega, along the
eastern side of the street, isn’t even technically in Culver City has
been no hindrance to the city’s enthusiastic support of this
nascent art scene, or of the population’s embrace of it.
Washington too, is now booming: there’s the Gothy Surrealism
of Billy Shire two blocks east, and Bandini Art, just around the
corner on South Fairfax. As of May, the formidable Roberts &
Tilton is relocating from its narrow digs at 6150 Wilshire to a
roomy space next to Susanne Vielmetter. Meanwhile, ambling
westward from the Big Tire (“Since 1937!”) on the corner are
such Culver stalwarts as BLK/MRKT, Koplin Del Rio, d.e.n. contemporary, Corey Helford, and CaldwellJimmerson. Heading
Helms-ward, toward Downtown Culver, there is the stylish new
design museum of MODAA, Western Projects, and still further
out on Venice, such small but significant stand-alone galleries as
Cherry & Martin and Overtones.
By now, most L.A. art lovers know Culver like the back of their
Thomas Guide. Rather than attempting to duplicate that knowledge, in this supplement, we focus on the lesser-known Culver:
the smaller, newer, more out-of-the-way spaces. Beyond the bigname galleries, Culver has all sorts of flourishing cultural eddies
that are well worth exploring. The bad news—you can’t necessarily just walk there anymore. Then again, this being L.A., you
probably never did.
– GEORGE MELROD
A R T LT D . S P E C I A L S U P P L E M E N T • C U LV E R C I T Y
CC3
Discovering
The Unknown
Culver
By Kim Beil
The sense of community that has developed in tandem with Culver
City’s maturing art scene is central to many of the gallerists who
have elected to open spaces in the neighborhood. John Kinkead
suggests that this community atmosphere has also been particularly beneficial for the artists on his roster who take advantage of
Kinkead Contemporary’s residency program. He says, “Most artists
coming from out-of-state come in for the weekend, hang the work,
then have a collector dinner and they’re on their way. The relationships we’ve built with our artists are very unique and familial. The
breadth of the galleries in Culver City is particularly conducive for
artists coming from elsewhere so that they can get a real feeling
for what’s happening in LA.”
On a larger scale, the Scion Installation Gallery also introduces a
broad range of American and international artists to Los Angeles
through their space in Culver City. Backed by the car manufacturer
Photo credit: Colin Young-Wolff
“It’s strange that people now think, ‘Why do we need galleries if
we can just go to the Internet and look at art?’ From a social point
of view, the gallery is a very important way of staying in touch,”
says Luciano Perna of Norma Desmond Productions. He continues,
“Openings, they may seem trivial, but there people can talk and
connect and see the work in person.” This is particularly important
for many of the artists on Perna’s roster, which is eclectic and
steeped in conceptualism and process-oriented work. Perna’s
gallery is off the beaten paths of Washington Boulevard and La
Cienega Boulevard in Culver City, but like the Bermuda Triangle, La
Cienega Avenue (not Boulevard) seems to draw a crowd of lost
gallery-goers right to the doorstep of Norma Desmond Productions.
With characteristic humor, Perna recalls the gallery’s first experience with the Culver City Art Walk: “We didn’t even know there
was an Art Walk and suddenly we had an overwhelming crowd of
lost people who thought they were on La Cienega Boulevard!”
CC4
Scion, the gallery grew out of a four-year-old project called Scion
Installation Tour, a curated group show of forty artists which travels to twelve cities each year. Scion also pays for the artists to
accompany the exhibition on its stop in Miami during Art Basel.
Director Evan Cerasoli describes the unique opportunity that
Scion provides for its artists: “All the sales of the art goes to the
artist, unlike a traditional gallery. Scion definitely wants to be
involved in the arts in an authentic way.” The gallery’s spacious
new location on Helms Avenue near National also doubles as a
studio preceding each installation and Scion hosts all of their visiting artists for a week prior to the hanging of a show. The larger
space also allows for spectacular opening events which regularly
include music also selected by the curator or exhibiting artists.
Beau Basse of Project:Gallery got his start hosting wildly popular
“art parties” at an industrial space on Venice and La Brea at the
edge of Culver City. His goal had been to introduce his friends, a
mid-twenties to early-thirties trend-setting crowd, to the artwork
opposite:
Scion Installation Gallery’s spacious location allows for
spectacular openings that often include music chosen
by the curator and artists
top right:
With a recent shift in focus towards emerging contemporary
artists, Cerasoli Gallery represents a mixture of abstract and
illustrative styles in an intimate environment
bottom right:
Greg Fleishman stands before his Main Street studio
where visitors can test his signature “spring” chairs or
explore his modular plywood structures
CC5
David Somerville Music oil on canvas 72" x 96"
D avid S omerville
J u n e 3 - J u ly 1 2 , 2 0 0 8
A rt i s t R e c e p t i o n
S at u r d ay, J u n e 7 , 5 - 8 p. m .
george billis gallery l a
2716 s. la cienega blvd • culver City • los angeles ca 90034
phone: 310 838 3685 • Email: [email protected] • www.georgebillis.com
and artists whom he admired. He explains, “A lot of
people had that expectation of an art gallery being
kind of snooty and high-brow and so we combined a
party atmosphere as a bridge.” While Basse’s parties would routinely draw crowds between eight and
nine hundred visitors, his new space on Washington
Boulevard can’t match the capacity of the old warehouse. However, the driving force behind his gallery
remains unchanged.
“…suddenly we had an overwhelming
crowd of lost people who thought they
were on La Cienega Blvd.”
Basse says, “We really strive to be that gallery that
is accessible. People can come in here and any of
my staff, or myself, will be happy to talk about the
artwork. The one thing that I just can’t stand is when
you walk into a gallery and there’s an assistant who
is doing everything they can to ignore you. It’s like
they’ve been trained to ignore people. I think there
are a lot of people who just need an introduction so
that they feel like it’s okay to ask, ‘Hey, what’s this
painting about? What’s going on in this piece?’”
Across the street, Freddi Cerasoli of Cerasoli Gallery
expresses a similar frustration with the studied
snobbery of some blue-chip galleries. “I feel like I’m
in Comme des Garcons and someone’s looking over
my shoulder as if I’m going to steal something. I
wanted to make our gallery different from that. I’ve
made it smaller and more intimate in a number of
ways. We’ve changed the color of the walls, for
example,” She laughs and explains, “I made them
off-white…not stark white.”
Cerasoli, who comes to the art world through fashion and design, is inspired by her time in New York.
She was “…used to quirky little galleries, dotted
around the East Village and SoHo, a mixture of galleries, not just one type of galleries.” When Cerasoli
moved to Los Angeles almost a decade ago, she
was disappointed to find that “everything here was
CardwellJimmerson’s unusual approach to programming
includes such notable exhibitions as this recent large-scale
light and space installation by Tom Eatherton
CC7
“A lot of people had that
expectation of an art
gallery being kind of
snooty and high-brow…”
high-end; there were very few low-brow
galleries.” Her decision to open a gallery
was largely a response to the frustration of
seeing her friends working in graphic
design and illustration get turned down by
galleries again and again. Cerasoli’s gallery
in Culver City is four-years-old in its current
location and has recently shifted focus from
her original program of design-oriented,
graffiti, and guerilla artists. Los Angeles has
caught up with New York with a recent proliferation of alternative spaces, says
Cerasoli, and she’s ready to try something
new and is currently looking towards a
group of emerging contemporary artists.
Still, she says, “My background is in fashion, so a lot of my artist’s [works] have a
theme running through them—mark-making, drawing, coming from a textile background. We represent a mixture of abstract
and also illustrative styles.”
The French artist Fette, who is also wellknown for her art blog, The Flog, opened
Fette’s Gallery in October 2006. Fette, too,
points to the importance of creating a less
intimidating atmosphere for art-viewing.
She explains, “The space is located in our
house. It’s about 1200 square feet, but it’s
different from what most people think of as
a house since we don’t really have any furniture. It’s all dedicated to the gallery setting, aside from the kitchen and the bathroom. I’ve noticed that the domestic setting
makes a different relationship with the art.
When people first enter, they feel as if they
are in a house, then they slowly start to recognize that they are in gallery. They are
engaged right away and asking questions,
as opposed to the experience of being in a
commercial gallery.”
Before opening her own space and beginning The Flog in the spring of 2005, Fette
CC8
rob e r t @ rob e r t tol l . c om
w w w. rob e r t tol l . c om
Many of the Culver City galleries are daring
not just in their selection of artists, but also
in the unique approaches to presentation
and scheduling. From Fette’s collaborations
to Beau Basse’s “art parties” and Kinkead
Contemporary’s residencies, these galleries
are not satisfied with the status quo. John
Kinkead is planning a whirlwind summer
schedule to showcase six artists in solo
shows that each last for only a week and a
half. While he jokes that the rapid turn
around times and unrelenting schedule
from July 12 until the middle of August will
likely have his assistant cursing his name by
the end of the summer, he hopes the program will breathe some life into what is typically a dead season for Los Angeles galleries. He relates, “The problem that I see is
310 . 8 41. 5 0 5 0
Created as a showcase for the art collection
of Susan Hancock, Royal/T, a new “concept
space” which just celebrated its grand opening on April 12, is a unique art experience. In
addition to presenting rotating exhibitions of
work from the Hancock Collection, Royal/T
also includes a café serving “Japanese comfort food with a fresh California twist” and a
shop featuring products that reflect the
themes explored in the exhibitions. Drawing
on the contemporary Japanese culture of
“cosplay” (costume play), servers at Royal/T
wear maid uniforms playfully updated in
bright colors. Designer Lesley Chi of the
New York-based Goto Design says, “Royal/T
reflects the interior realm of fantasy that
strongly influences the artists included in
Hancock’s collection.”
Robert S Toll / Sculptor
worked in several galleries. Of these experiences she says, “I learned about all the
things that I didn’t want to do in my own
gallery.” While she maintains that such
work disabused her of her overly romantic
picture of the art market, Fette’s Gallery and
the collaborative projects that she undertakes still reflect her original optimistic
enthusiasm for art. “The way people
describe the different arts centers in Los
Angeles as having a certain aesthetic, like a
Culver City or Chinatown aesthetic, is just
an attempt to try and build up some drama.
This is nonsense; hopefully we can all work
together.” Fette regularly makes good on
this goal by collaborating with galleries
around the city, including a recent show of
one of her artists, Jasper de Beijer, at
Chung King Projects in Chinatown. Fette,
whose artists are mostly European, also
works internationally and is planning a curatorial exchange project between her gallery
in Culver City and Foil Gallery in Tokyo.
CC9
BANDINI
ART
-AY ¯*UNE
!LEJANDRO'EHRY
*AMES'OBEL
#ARRIE*ENKINS
%DDIE2USCHA
"LOOD'LITTER
#URATEDBY(EATHER(ARMONAND
!SHLEY-C,EAN%MENEGGER
3&AIRFAX!VENUE
#ULVER#ITY#!
/PEN4UESDAYTHRU3ATURDAY
AM¯ PM
WWWBANDINIARTCOM
#ARRIE*ENKINS
5NTITLED3TUDY4WOFORTHE2OAD
ACRYLICANDGOUACHEONPAPER
XINCHES
Where the Artworld
is Headed.
Now on
newsstands,
or subscribe
online at
www.artltdmag.com
CC10
that people don’t get a whole lot of information about an artist from one or two pieces
in a group show. As a first-time viewer, you
really have no idea if that’s a good piece or a
bad one within the larger body of work. So
the idea with this program is to give each of
those artists a solo whereas they would normally be included in a group show over the
summer.” With an opening every Saturday
for a month and a half and a very compelling
group of artists, including an installation by
New York-based Alexander Lee, Kinkead
Contemporary is certain to shake Culver City
out of the summertime malaise.
CardwellJimmerson Contemporary Art also
takes an unusual approach to programming,
combining art and design with a unique historical, and sometimes revisionist, bent.
The gallery, owned by Damon Cardwell and
Tom Jimmerson, just celebrated its oneyear anniversary in the fall and has already
taken on several significant projects.
Inspired by the social and cultural history of
the city of Los Angeles, Tom Jimmerson
says, “We’d like to invert history in some
way; to challenge the way the grading has
occurred and offer a counter-narrative to
decisions that have already been made.”
Last summer the gallery restaged a 1964
exhibition of prints and drawings by Connor
Everts that was shut down by the LAPD
under changes of obscenity. The
CardwellJimmerson installation recovered
many of the sexually explicit works that
were at the center of the controversy, as
well as works made by the artist while he
stood trial until his eventual acquittal. Other
notable exhibitions at CardwellJimmerson
include the rediscovered sculptures made
and abandoned by Stan Bitters in the 1960s
and a large-scale light and space installation
by Tom Eatherton.
The diversity of the Culver City art scene
and the powerful feeling of community that
draws its disparate elements together is
inspiring for all involved—from artists to gallerists and gallery-goers. The warm welcome of gallerists who are truly committed
and excited to share great artwork with the
world will keep visitors coming back for a
taste of something new, both in the highcaliber of work on view and in their push to
change the attitude of the art world towards
its would-be patrons.
Culver City: By Design
W
hile museum exhibitions occasionally probe the many
intersections of art and architecture, the Museum of
Design Art and Architecture (MODAA) based in Culver
City takes these explorations as its mission. The
striking Museum building, designed and underwritten by Studio
Pali Fekete, occupies a prominent location near the Helms Bakery
complex on Washington Boulevard; with its memorable facade
and thoughtful exhibition program, it also serves as an institutional anchor to the burgeoning design scene in Culver City.
While the explosion of design studios and architecture firms has
been relatively recent, Gregg Fleishman has called Culver City his
home for nearly fifty years. Standing in the large glass alcove of his
Main Street studio Fleischman is surrounded by models of his
architectural work and design. Gesturing to the collection,
Fleishman says, “Most people ask, ‘What is this? What is this
place?’ Well, I don’t really have an answer. Primarily it’s an architectural studio. The gallery aspect is almost for my own personal
interest. I try to put on a good show.” Inside, visitors can test
Fleishman’s signature “spring” chairs made from bent birch plywood and explore a full-size nine-by-nine foot square structure
built from the same material.
Fleishman was born in Los Angeles in 1947 and has lived in Culver
City for almost all that time. After receiving a degree in architecture
from USC, Fleishman worked for two years in building, working
primarily with concrete. In 1972 he began the project that still
occupies him to this day. He describes his work as “trying to come
up with a solution for building, making building easier.”
.
There is very little material that is not used in the execution of
Fleishman’s designs. Working with five-by-ten foot sheets of
sustainable solid birch plywood from Finland, Russia, and Latvia,
the structures and chairs are designed with interlocking parts that
are each carefully arranged to fit onto the fewest possible number
of sheets. Fleishman designed a fourteen foot square structure as
a solution to the need for disaster housing. He says, “I thought
they needed a quality structure—something that they can put up
quickly but take their time building it in. It’s almost diametrically
opposed to what’s out there now. $250 for tents for disaster victims provided by UN agencies. There’s almost zero concept of the
long-term.”
Megan Griffith of Denizen is also committed to supporting furniture designers and artists whose work is stylish, but still pays
attention to the impact of the materials on the planet. She says,
“It’s a cradle-to-cradle mentality—that it’s brought up from the
earth and can return to the earth. However, our designers also represent a really high-quality design aesthetic.” Griffith is adamant
that “green design also has to be good design.”
Denizen, which opened in 2006, is not a showroom in the traditional sense. As Griffith describes, “The designers who I represent are
artists; they’re not mass producers. What we’re really talking
about here are the people, not just the product.” Griffith also
encourages her clients to think of the pieces in her gallery as artworks that will last, both aesthetically and from a construction
standpoint. “We’re doing a photo essay called the Dead Sofa
Society. We keep cameras in the car and pull over to the side of
the road every time we see a dead sofa, take a picture. It’s just a
shame that people feel they can dispose of a couch like that. Most
couches are made really poorly and nobody’s going to adopt those
things off the street corner.”
By reassessing the relationship between design and the human
environment, these establishments are also adding to the sustainability of their own environment, as Culver City grows ever more
into a destination for design.
– KIM BEIL
CC11
CULVER CITY GUIDE
OFF THE MAP
WESTSIDE
Overtones
Cherry and Martin
Duncan Miller Gallery
DOWNTOWN
Gregg Fleishman Studio
Western Project
Museum of Jurassic Technology
Fresh Paint Art Advisors
Royal/T
Official Culver City ARTWALK Gallery List map as of 4/23/08. Information subject to change. Original map design by Jamie Greenberg.
Dates listed are tentative opening dates. Contact each individual gallery for exhibit dates and Opening Night information.
GALLERIES
ANGSTROM GALLERY 38
David Quadrini, Owner
Corrina Wright, Director
2622 S. La Cienega Blvd.
310.204-3334
www.angstromgallery.com
Artists: Tim Bavington, Kaz Oshiro, Brian Bress, Colin
Chillag & David Quan, Tanya Haden.
ANNA HELWING GALLERY 25
Anna Helwing, Owner
310.202-2213
www.annahelwinggallery.com
Artists: Lutz / Guggisberg, Kelly Poe, Karl Haendel, Robert
Russell. Emilie Halpern, Maya Schindler, Martin Hoener,
Macrae Semans, Matt Keegan, Mindy Shapero, Kelly
Nipper, Mario Ybarra Jr. 2008 highlights: May 24: Emilie
Halpern; July 5: “That’s Not How I Remember It”;
September: Matt Keegan; October: Macrae Semans;
November: Heidi Bucher.
BANDINI ART 41
Josh Kaplan, Owner
Ashley McLean Emenegger, Director
2635 Fairfax Ave.
310.837-6230
www.bandiniart.com
Bandini Art is a welcoming, contemporary art gallery
emphasizing the unique and vibrant vision, technique and
materials of current Californian artists, especially women,
exhibiting painting, drawing, sculpture and installation.
Artists: Ashley McLean Emenegger, Susan Holcomb,
Bryan Ida, Robin McCauley, Paul Pitsker, Lana
Shuttleworth, Elizabeth Turk, Jen Vanderpool, Luke
Whitlatch, Leslie Yagar 2008 highlights: May - June:
“Blood & Glitter” - Group show with works by James
Gobel, Alejandro Gehry, Carrie Jenkins and Eddie Ruscha.
June – August: Miya Ando Stanoff. September - October
- Elizabeth Turk. October - December - Jennifer
Vanderpool.
CC12
BILLY SHIRE FINE ARTS 44
Billy Shire, Owner
Annie Adjchavanich, Director
5790 Washington Blvd,
323.297-0600
www.BillyShireFineArts.com
Billy Shire is the father of the ‘Pop Surrealist’ movement,
spanning over 20 years. Artists: Glenn Barr, Dave Cooper,
Chris Mars, Elizabeth McGrath, Scott Musgrove, Shag,
Owen Smith, Joe Sorren, Marion Peck, Miriam Wosk.
2008 highlights: May 10: Scott Musgrove & Elizabeth
McGrath; June 14: Glenn Barr; July 19: Shawn Barber;
September 13: Chris Mars; October 11: Miriam Wosk.
BLUM AND POE 27
Tim Blum, Co-owner
Jeff Poe, Co-owner
Alexandra Gaty, Director
Alexis Johnson, Director
2754 La Cienega Blvd.
310.836-2062
www.blumandpoe.com
Artists: Jennifer Bornstein, Slater Bradley, George Condo,
Sam Durant, Mark Grotjahn, Sharon Lockhart, Takashi
Murakami, Yoshitomo Nara, Peter Saville, Chris Vasell
2008 highlights: May 3: Takashi Murakami.
BRADFORD STEWART
CONTEMPORARY ART 30
Bradford Stewart, Director
Collette Porteous, Studio Manager
310.287-0061
www.bradfordstewart.com
Bradford Stewart is an abstract painter living and working
in Culver City. As a former composer and professional
musician, his artwork is inspired by contemporary jazz,
ethnic and avant-garde classical music.
CARDWELL JIMMERSON 16
Damon Cardwell, Co-owner
Tom Jimmerson, Co-owner
8568 Washington Blvd.
310.815-1100
www.cardwelljimmerson.com
“Black, White and Gray” is a group exhibition of artists
from different generations, working in various media—
painting, sculpture, drawing, photography—sharing the
same reduced color palette to often surprising and powerful effect. Artists: Stan Bitters, Gerard Brane, Bob
Burchman, Tom Eatherton, Nancy Evans, Connor Everts,
Doug Henry, Ynez Johnston, Stephen Mueller and Takako
Yamaguchi. 2008 highlights: Nancy Evans: “Psychic
River,” “Black, White and Gray” (group show), Gerard
Brane: “Paintings,” Takako Yamaguchi: “New Work.”
CERASOLI GALLERY 18
Freddi & Evan Cerasoli, Owners
8530-B Washington Blvd.
310.310 558 0911
www.cerasoligallery.com
The Cerasoli Gallery represents a select group of talented,
up-and-coming and established, local and international
artists whose common thread is creating thoughtful,
imaginative, contemporary art. Artists: Ria Brodell,
Michele Carlson, Marco Cibola, Jennifer Davis, Ryan Kapp,
Joshua Krause, Scott Meyers, David O’Brien, Catherine
Ryan, Theresa Sapergia, Suzanne Sattler, Andy J.
Simmons, Jill Simonsen. 2008 highlights: May 10: Andy
J. Simmons: “Visions of Europe” Solo Exhibition in Gallery
One; Joshua Krause: “Convince me I’m on fire” Solo
Exhibition in Gallery Two.
CHERRY AND MARTIN W
Mary Leigh Cherry, Co-owner
Philip Martin, Co-owner
12611 Venice Blvd.
310.398-7404
www.cherryandmartin.com
Cherry and Martin represents emerging Los Angeles and
international artists, collaborating closely with them in
long-term relationships that facilitate understanding and
awareness of their work. Artists: Holly Coulis, Daniel
Dove, Nathan Mabry, Ruby Osorio, Antonio Adriano Puleo,
Amanda Ross-Ho, Sara VanDerBeek, Augusta Wood.
2008 highlights: Thru May 24: Daniel Dove, May 31: Noah
Sheldon, September: Amanda Ross-Ho.
COREY HELFORD GALLERY 19
Jan Corey Helford, Owner/Curator
Richard Scarry, Director
310.287-2340
www.coreyhelfordgallery.com
Corey Helford Gallery is a haven for the new contemporary
art scene in Los Angeles. Presenting work from a provocative cache of talented emerging and established artists.
Artists: Chris Anthony, Van Arno, Natalia Fabia, Korin Faught,
David Hochbaum, Karen Hsiao/Miso, Sylvia Ji, Brandi Milne,
Joshua Petker, David Stoupakis.
DAVID GALLERY 42
David Barenholtzi, Owner
323.939-9069
www.davidgallery.net
David Gallery specializes in contemporary and classic photography and exhibits a wide range of work with a primary
emphasis on architectural and large format contemporary
photography and American photojournalism. Artists:
Anderson & Low, Stephen Wilkes, Eve Arnold, Andreas
Feininger, Alfred Eisenstaedt, Michael Prince, Harry Benson,
Kobi Israel, Margaret Bourke-White, Wouter Deruytter.
2008 highlights: Thru May 24: Eve Arnold: All About Eve.
d.e.n. contemporary art 23
Donna Enad Napper, Owner
310.559 3023
www.dencontemporaryart.com
The gallery features painting, work on paper, sculpture, photography, video, and installation art with a focus on nonobjective approaches as well as conceptually based practices, by emerging and mid-career artists. Artists: Daniel
Brice, Leyla Cárdenas, Carlos Estrada-Vega, Tim Forcum,
Teo González, Kristi Lippire, Brandon Morse, Michael
Napper, Coleen Sterritt, Nicola Vruwink. 2008 Highlights:
April 26: “RIPE” group exhibition, Jun 21: Group Exhibition
of Contemporary Artists from India, Sept – Oct: Kristi Lippire.
DENIZEN DESIGN GALLERY
Megan Griffith, Owner
8600 Venice Boulevard
310.838-1959
www.denizendesigngallery.com
[email protected]
Denizen is a multi-line showroom gallery representing a
spectacular grouping of independent furniture, lighting and
object designers as well as fine artists. With emphasis on
presenting the talent behind the designs, Denizen features
provocative installations of design and art in a gallery atmosphere. Artists: Andrea Kitts, Ekla Home, David Eddington,
Daniel Ogassian, Ivo Vergara, Joe Cariati, LAX Series, Sens
Furniture, Soja Design, Swinda Reichelt. 2008 Highlights:
“Denizen Suggests...” a weekly newsletter highlighting Art,
Design and Architecture events, openings and installations
in Los Angeles.
www.georgebillis.com
George Billis Gallery opened the Culver City area gallery in
September 2004, and marks its eleventh year in the Chelsea
arts district in New York City. George Billis shows work by
both emerging and established artists. Artists: Bonita
Helmer, Adam Normandin, Terry Thompson, Josh Dorman,
Carol Es, Carol Inez Charney, Michelle Muldrow, Craig
Carlisle, Charlotte Smith, Lisa Bartleson. 2008 highlights:
June 3: David Somerville and Charlotte Smith, July 14: NeoRealism: Group Show curated by Anne Hromadka,
September 2: Joe Piccillo and Kalani Engles, October 14:
Josh Dorman and Carol Es (This show is held in tandem
with an exhibition by Josh Dorman at the Craft and Folk Art
Museum.
GREGG FLEISHMAN D
3850 Main Street
310.202-6108
www.greggfleishman.com
An architect, designer, artist and inventor whose work is
largely informed by geometry and functionality.
HONOR FRASER GALLERY 39
Honor Fraser, Owner
Nicole Archibeque, Director
310.837-0191
www.honorfraser.com
Honor Fraser Gallery opened its doors in February 2006 in
Venice, California. The gallery relocated to La Cienega Blvd.
November 2007 to a space designed by Johnston Marklee.
Honor Fraser specializes in emerging and mid-career artists
both local and foreign in various media. Artists: Yi Chen,
Rosson Crow, Gardar Eide Einarsson, Andre Ethier, Tomoo
Gokita, Alexandra Grant, Tillman Kaiser, Mark Licari, Erik
Parker, Kenny Scharf. 2008 highlights: April 12: Andre
Ethier, Vancouver Before Christ, April 12: Cathy Akers (project room), Hertopia: An Illustrated History of the New
World, May 24: Tillman Kaiser, Don’t Worry About The
Motion On The Ocean, July 12: Jekyll Island, Group show
curated by Erik Parker and Max Henry, September 13:
Alexandra Grant.
THE JAZZ BAKERY
3233 Helms Ave.
bae.jazzbakery.org
A part of the Jazz Bakery, Bakery Art Exhibitions (BAE) is a
non-profit visual art exhibition program. The Lobby Gallery
and Music Room of the Jazz Bakery display paintings,
drawings, prints, collages and photographs by emerging
contemporary artists.
JK GALLERY 37
10959 Venice Blvd.
310.838-2440
www.duncanmillergallery.com
Duncan Miller Gallery specializes in unique works of fine art
photography from significant artists.
Javad Kheradmandan, Owner
2632 South La Cienega Blvd.
310.837-3330
www.jkgallery.net
JK Gallery features an eclectic selection of art from emerging and established local and regional artists, and exhibit
works that embodies an exploration of depth and detail and
provides its audience with both an enjoyable experience and
art of appreciating value. Artists: Gloria Adams, B. A.
Bosaiya, Yvette Brown, Lee Clarke, Diane Cockerill, Chris
Engman, Veronika Constantine, Malaika Zweig, 2008 highlights: May 24: B. A. Bosiya, Diane Cockerill, Chris Engman,
Photography - a group exhibition.
FETTE’S GALLERY
KINKEAD CONTEMPORARY 22
Fette, Owner
4255 Baldwin Ave.
310.559-7733
www.fette-gallery.com
fette’s gallery is an independent space for contemporary art.
Through exhibitions, film projections and performances, this
new laboratory for the arts will allow you to participate in dialogues made between artists working outside of the city,
and artists working in the realm of California. Artists:
Anoush Abrar, Maureen Gubia, David Ostrowski, Margaux
Williamson, Jasper de Beijer, William Lamson, Nick van
Woert, John Copeland, Erica Eyres, Bas Louter. 2008 highlights: May 15: Swab - Internatinal Art Fair Barcelona, May
30: Nicola Pecoraro, solo show, June 14: Jasper de Beijer,
The Riveted Kingdom - solo show hosted by Chung King
Project, July 25: Frédéric Magazine - group show, Sept. 12:
Sandrine Pelletier, solo show.
John Kinkead, Owner
310.838-7400
www.kinkeadcontemporary.com
Kinkead Contemporary is dedicated to emerging artists.
Founded by collector John Kinkead, the gallery’s mission is
to introduce new voices through an ambitious series of solo
and curated group exhibitions. Artists: Angela Dufresne,
Keltie Ferris, Alexander Lee, Jim Lutes, Lester Monzon,
James Everett Stanley. 2008 highlights: Apr. 5: Jim Lutes,
May 24: Angela Dufresne, July 12: Summer Solo Projects,
September 6: Alexander Lee.
DUNCAN MILLER GALLERY W
FRESH PAINT D
Josetta Sbeglia, Owner
9355 Culver Blvd. Suite B
310.558-9355 x22
www.freshpaintart.com
GEORGE BILLIS GALLERY 28
George Billis, Owner
Anne Hromadka, Director
310.838-3685
KINSEY/DESFORGES GALLERY 24
Jana DesForges, Owner/Director
310.837-1989
www.kinseydesforges.com
Established in 2001, Kinsey/DesForges shows an eclectic
range of local and international contemporary art with an
emphasis on emerging artists. Artists: Ian Francis, Mike
Stilkey, Dave Kinsey, Marion Lane, Gregory Euclide, Tiffany
Bozic, Jeff Soto, Ryan McLennan. 2008 highlights: 2008
will see three Kinsey/DesForges artists returning for second
or third solos: Oakland’s Tiffany Bozic, Ian Francis from
Bristol, UK and Los Angeles favorite, Mike Stilkey. The year
is rounded off with a solo exhibit by sculptor Mark Jenkins
(whose hooded figure atop the BLK/MRKT building in Culver
City is a neighborhood mainstay) and the multi-talented
William Hundley who will be showing his unique photography and sculpture in Los Angeles for the first time.
KOPLIN DEL RIO GALLERY 21
Eleana Del Rio, Co-Director
Sugar Elisa Brown, Co-Director
Ronald DeAngelis, Manager
310.836-9055
www.koplindelrio.com
The focus of Koplin Del Rio is contemporary painting, drawing, and sculpture of established, internationally known
artists, as well as emerging California artists. Showing representational, figurative, landscape, and still-life works.
Artists: Sandow Birk, Einar and Jamex de la Torre, Moira
Hahn, D.J. Hall, Laurie Hogin, David Ligare, Kerry James
Marshall, Fred Stonehouse, Bill Vuksanovich, Yuriko
Yamaguchi. 2008 highlights: May 31: D.J. Hall, Full Circle
(Concurrent Retrospective at the Palm Springs Art
Museum), July 19: Laguna College MFA Mentor Program Group show of student and faculty work, Sept. 6: Kerry
James Marshall, Recent Work, Nov. 11: Steven Albert, New
Paintings and Robert Schultz, Recent Drawings.
LA CONTEMPORARY 36
Masoud Pourhabib, Owner
Hoojung Lee, Director
310.559-6200
www.lacontemporary.com
The exhibition program of LA Contemporary balances a
selection of emerging and mid-career artists including
Contemporary Asian artists who have established their art
career in the US as well as internationally. Artists: Han DaiYu, Todd Williamson, Jae Hwa Yoo, Laddie John Dill,
Kharlene Boxenbaum, Kevin Buck, Joong Keun Lee, Barbara
Drucker, Ronn Davis, Debbie Han. 2008 highlights: Thru
May 15: Laddie John Dill/Robert Rauschenberg, May 24: LA
Style II (street art show) /Robert Rauschenberg, June 26:
Adi Da Samraj, photography, Oct. 7: Kevin Buck/John
Baldessari, Nov. 11: Todd Williamson.
LAX ART 35
Lauri Firstenberg, Director
310.559-0166
www.laxart.org
With a renewed vision for the potential of independent art
spaces, la><art provides a center for interdisciplinary
discussion and interaction and for the production and exhibition of new exploratory work. 2008 highlights: May 10:
Michelle Lopez, “The Year We Made Contact.”
LIGHTBOX 32
Kim Light, Owner
310.559-1111
www.kimlightgallery.com
LIZABETH OLIVERIA GALLERY 29
Lizabeth Oliveria, Owner
310.837-1073
www.lizabetholiveria.com
In 2004 Lizabeth Oliveria gallery opened in Culver City art
district. While the gallery is interested in collaborating with a
variety of artists, it will continue to focus on and establish
the careers of a small group of emerging artists. Artists:
Nick Ackerman, Todd Bourret. Michael Henry, Jen Liu,
Manuel Ocampo, Julia Page, Clare Rojas, Jon-Paul Villegas,
Anna Von Mertens.
MALONEY FINE ART 33
Michael Maloney, Owner
310.829-0985
www.artnet.com/gallery/424149003/maloney-fine-art.html
Private Dealer, Michael Maloney / Maloney Fine Art is
focused on the resale of established and mid career artists.
Michael Maloney is also a certified appraiser (Appraisers
Association of America). Artists: Diane Arbus, Jean Michel
Basquiat, Damien Hirst, Donald Judd, Robert Mapplethorpe,
Agnes Martin, Vic Muniz, Yoshitomo Nara, Jorge Pardo, Ed
Ruscha, Robert Ryman, Hiroshi Sugimoto, Andy Warhol.
2008 highlights: Spring: Robert Mapplethorpe “Flowers,”
Phillip Maberry: New Work, Summer: Jorge Pardo: “Five
Lamps and a Very Large Table.”
MC 40
Christian Haye, Owner
Renaud Proch, Director
6086 Comey Ave.
323.939-3777
www.mckunst.com
MC is a site of exchange, where a series of solo, large-scale
projects create bridges between Los Angeles and international art practices. Unlike traditional commercial galleries,
CC13
MC does not represent artists and instead focuses on the
production of major new works, in direct collaboration with
a single artist from a rotating, intercontinental roster.
Additionally, each artist creates a limited edition produced
specifically for the installation. Artists: Christian Jankowski.
Aernout Mik, David Lamelas, Martin Creed, Kori Newkirk,
Corey McCorkle, Paul Pfeiffer, William Pope L., Minerva
Cuevas, Coco Fusco. 2008 highlights: Michel Francois,
Kaoru Katayama, Julie Mehretu.
MODAA GALLERY AT SPF:A 15
Dafna Zilafro, Director of Marketing
310.558-0902
www.modaagallery.com
www.spfa.com
The MODAA Gallery at SPF:a explores the symbiotic relationship between design, art and architecture. Curated by
artist and architect, Judit Méda Fekete and underwritten by
Studio Pali Fekete architects www.spfa.com, MODAA exhibitions represent organic synapses where different expressions of art and design meet, play, and return inspired.
Artists: Not a traditional gallery – MODAA features revolving exhibitions, no artist representation. 2008 highlights:
April 18 – June 14: Michael Kalish. May 3: Collage Dance
Theatre performance. June 20 – August 20: Corbin Smith.
August 29 – October 20: “Light & Space, the Next
Generation”. October 24 – December 31: DeWain Valentine.
THE MUSEUM OF JURASSIC TECHNOLOGY D
9341 Venice Blvd.
310.836-6131
www.mjt.org
An educational institution dedicated to the advancement of
knowledge and the public appreciation of the Lower
Jurassic.
NORMA DESMOND PRODUCTIONS
Luciano Perna, Director
2654 La Cienega Ave.
310.280-0833
The gallery program focuses on artworks by international
and local contemporary artists engaged with a variety of
media: painting, sculpture, photography, installation, etc.
and with a conceptually inclined structuring of strategies.
We have also been showing artworks by historically significant conceptual artists. Artists: Aaron Wrinkle, Cheryl
Cotman, Alex Klein, Casey Lurie, Alex Dordoy, Claudio
Perna, Douglas Huebler, Case Hudson,Peter Reiss, Alfred
Wenemoser. 2008 highlights: Upcoming program will be
exhibitions by represented artists as well as organized by
guest curators-to be announced.
OVERTONES GALLERY W
Elizabeta Betinski, Owner
12703 Venice Blvd.
310.915-0346
www.overtonesgallery.com
Overtones Gallery is a contemporary Los Angeles art gallery
whose focus is presenting emerging artists in all media and
showcasing work of established artists to infuse and inspire
the coming generations. Artists: Sue Coe, Robbie Conal,
Victor Gastelum, Simone Lourenço, Amy Ross, Margi
Scharff, Carole Silverstein, Ilene Sunshine, Nancy Spero,
Alexis Weidig. 2008 highlights: May 17: Simone Lourenço,
September 13: Victor Gastelum, November 1: Election
Surprise.
PROJECT:GALLERY 17
Beau K. Basse, Owner/Director
310.558.0200
www.projectgalleryLA.com
project:gallery is one of the fastest growing galleries specializing in new contemporary art. Dealing in the development
of a select roster of emerging talent, project:gallery is fast
becoming one of the premier galleries showcasing the next
generation of artists. Artists: Yoskay Yamamoto, Tessar Lo,
Rebecca Artemisa Urias, Nate Frizzell, Ryuichi Ogino, Lisa
Alisa, Scott Belcastro. 2008 highlights: May 3: Yoskay
Yamamoto, July 12: Edwin Ushiro, September: Fresh Faces
Annual Show, October: Ryuichi Ogino, Heisuke Kitazawa,
Deth P. Sun, November: Nate Frizzell.
Titus Kaphar, Thomas Kiesewetter, Matt Leines, Becca
Mann, Barry McGee, Faris McReynolds, Ellen De Meutter,
Adam Pendleton, Peter Rogiers, Andrew Schoultz, Ed
Templeton, Aya Uekawa, Kehinde Wiley, Ai Yamaguchi.
2008 highlights: June: 5801 Inaugural Exhibition.
ROYAL/T D
Susan Hancock, Owner
310.559-6300
www.royal-t.org
Royal/T is a playful collision of spaces—café/shop/art
space—presented in stunning fusion. An eclectic mix of
retail and contemporary art re-imagined in the surrounds of
Los Angeles’ first Japanese inspired maid café. Artists:
Susan Hancock’s collection includes works by Chiho
Aoshima, Chinatsu Ban, Izumi Kato, Takashi Murakami,
Yoshitomo Nara, Cecily Brown, Mark Grotjahn, Mike Kelley,
Richard Prince, Lisa Yuskavage.
SANDRONI REY 26
Kristin Rey, Co-owner
Tara Sandroni Hirshberg, Co-owner
310.280-0111
www.sandronirey.com
Artists: Hernan Bas, iona rozeal brown, Matty Byloos, Sue
de Beer, John Espinosa, Anthony Goicolea, Soo Kim,
Henning Kles, Jörg Lozek, Chloe Piene, Adam Putnam,
David Schnell, Yanai Toister. 2008 highlights: April/June
Soo Kim, June: Matty Byloos, August: Ruby Stiler,
September: Anthony Goicolea, October: Adam Putnam.
SCION INSTALLATION L.A. 10
3521 Helms Ave
310.815-8840
www.scion.com/space
Dedicated to fostering independent artistic expression, the
Scion Installation L.A. Gallery is a space that allows artists to
explore their creative visions. Each month a different curator
brings together artists that exhibit and create original work
in the space. 100% of the proceeds from sales of artwork
go directly to the artists. Artists: Featuring over 200 artists
(so far) from: Australia, Japan, Italy, Spain, U.K., France,
New Zealand, Sweden, Belgium, Argentina, Thailand,
Mexico, Poland, Germany, Netherlands, Croatia, Iceland,
and all over the United States. 2008 highlights: May 10:
‘It’s a Beautiful World’ Final stop on the Scion Installation 4
Tour featuring original work from over 30 internationally
renowned contemporary artists including. June 1: ‘It’s a
Beautiful World’ Live Auction. All artwork from this year’s
Installation tour will be auctioned off live. All proceeds go to
support Art based charities and non-profit organizations.
June 7: ‘Travel & Document’ Curated by J. Shea and
featuring: Larry Mills, Tanner Goldbeck, J. Shea, Vanae
Rivera, Jorge Rivas.
SUSANNE VIELMETTER
LOS ANGELES PROJECTS 43
WESTERN PROJECT D
Cliff Benjamin, Co-owner
Erin Kermanikian, Co-owner
3830 Main Street
310.838-0609
www.western-project.com
Western Project represents a group of artists ranging from
emerging to established and working in drawing, painting,
sculpture, and photography. Artists: Wayne White, Oliver
Arms, Jason Adkins, Tanya Batura, Heimir Björgúlfsson,
Patrick Lee, Sush Machida Gaikotsu, Hubert Schmalix,
Michael Reafsnyder, Vincent Valdez. 2008 highlights: Thru
May 24: Justin Dahlberg, New Work, May 28: Sculpture Part
1: Tanya Batura, Jason Adkins, Michael Dee, Ron Athey,
June 21: “Contradictions and Complexities: Contemporary
Art From India” a simultaneous show at d.e.n. contemporary art and Western Project, in collaboration with Nature
Morte, New Delhi. Curated by Patricia Hamilton and Peter
Nagy, June 22: Symposium with Peter Nagy and Betty Seid,
moderated by Patricia Hamilton.
ARTISTS
ROBERT TOLL, SCULPTOR
3830 Willat Ave.
Culver City, CA 90232
310.841-5050
www.roberttoll.com
ART SCHOOLS
KLINE ACADEMY OF FINE ART
Cheryl Kline, Owner
3264 Motor Ave.
310.927-2436
www.klineacademy.com
http://klineacademy.blogspot.com/
A different place to learn to paint, draw, create. Promoting
foundations in Classical Painting and Explorations in
Contemporary Art. Live demonstrations, all levels with
instruction personally tailored to you. Instructors: All our
instructors are classically trained, professional artists. Cheryl
Kline, Hal Yaskulka, Gary Blackwell, Suzanne Erickson,
Lance Richlin. 2008 highlights: Art LTD Special!! New
students receive 1 FREE CLASS when you sign up for 1
month. All Classes are on going, Portrait- Drawing / Painting/
Sculpting, Figure Painting / Drawing, Outdoor Landscape
Painting, Contemporary and Abstract Painting.
Susanne Vielmetter, Owner
5795Washington Blvd.
323.933-2117
www.vielmetter.com
Artists: Edgar Arceneaux, Andrea Bowers, Nicole
Eisenman, Charles Gaines, Alice Konitz, Shana Lutker,
Rodney McMillian, Wangechi Mutu, Ruben Ochoa, Amy
Sillman. 2008 highlights: Artists included in the Whitney
Biennial 2008: Edgar Arceneaux, Alice Konitz, Rodney
McMillian, Ruben Ochoa.
TAYLOR DE CORDOBA 31
Heather Taylor, Co-owner
Alex De Cordoba, Co-owner
310.559-9156
www.taylordecordoba.com
Representing both local and international emerging artists,
Taylor De Cordoba provides a forum for artists working within a variety of media. Artists: Sasha Bezzubov, Kimberly
Brooks, Ryan Callis, Kyle Field, Timothy Hull, Charlene Liu,
Claire Oswalt, Jeana Sohn, Frohawk Two Feathers. 2008
highlights: May: Kimberly Brooks, September: Kyle Field.
This is a special supplement published by
Art Ltd.® Magazine for Culver City. Printed in
the U.S.A. Contents may not be reproduced
without written consent from Art Ltd.®
Magazine. ©2008
Peter Fehler Publisher
George Melrod Editor
Michael Cripps Creative Director
Bill Bush Advertising Director
Kathryn Louyse Art Direction
WALTER MACIEL GALLERY 34
ROBERTS & TILTON
Bennett Roberts, Co-owner
Jack Tilton, Co-owner
Julie Roberts, Co-owner
323.549-0223
www.robertsandtilton.com
Roberts & Tilton was opened in Los Angeles in 1999 with
founding partners, Bennett Roberts, Julie Roberts and Jack
Tilton. Roberts & Tilton represents emerging artists as well
as mid-career and established artists of international recognition. Artists: Eduardo Abaroa, Jimmy Baker, Delphine
Courtillot, Noah Davis, Eberhard Havekost, Adam Janes,
CC14
Walter Maciel, Owner
310.839-1840
www.waltermacielgallery.com
Contemporary art by emerging and mid-career
artists featuring painting, sculpture, video and photography.
Artists: Hung Liu, Margarita Cabrera, Andrea Cohen,
Rebeca Bollinger, Frank Ryan, Lezley Saar, Maria E. Pineres,
Chris Lowell, John Jurayj, Cynthia Ona Innis. 2008 highlights: May 10: Andrea Cohen, New Sculpture, June 28:
Freddy Chandra/Lisa Solomon/Jil Weinstock, September 13:
John Jurayj, New Work, September 13: Maria E. Pineres,
New Work, November 1: Hung Liu, New Paintings.
www.artltdmag.com
All material is compiled from sources believed to be
reliable but published without responsibility for
omissions or errors. art ltd.® assumes no responsibility for claims made by advertisers. art ltd.® is not
responsible for the return of unsolicited submissions.
Material in this publication may not be reproduced
without written permission from the publisher.
CITY OF CULVER CITY PRESENTS the 3rd Annual
ARTWALK
CULVERCITY
2008
THE
MAY 31, 2008 12NOON TO 8PM
Sponsored by Sony Pictures Entertainment and
89.9 KCRW - the Official Public Radio Sponsor
with participation by The MOCA Contemporaries
of The Museum of Contemporary Art, Los Angeles.
310.253.5716
www.culvercity.org
ARTWALK CULVER CITY is a free, self-guided tour of over forty
art galleries and exhibition spaces in the Culver City area.
6C9G:LEDBB>:G
6C9NBJ:AA:G
6C<:A67D6ILG><=I
6
7A6>C:;DCI6C6
7A:@A:
7A:@A:G6I
G6I
6
7DD@H>>>>
86>6 @DDEB6C
86>6@DDEB6C
8=G>HNDGB>8@
8D9N =J9HDC
8D9N=J9HDC
96A:@
6
96K>98=D:
96K>9
6
:AA>H
96K>9:AA>H
:N: DC:
:N:DC:
;G6C8:H8D AD86HIGD
;G6C8:H8DAD86HIGD
&+01))1
&+01))1&,+
&1j0"21&#2)4,/)!
&1j0
&1
0"21&#2)4,/)!
"21&#2) 4,/)!
0 &,+/11,2/
&,+ /1 1,2/
;G:99>8
?#H=:6
?6B:H ?:6C
?6B:H?:6C
?:;; HDID
?:;;HDID
?DH=J6 @G6JH:
?DH=J6@G6JH:
@:AH:N7GDD@:H
@:CIDCE6G@:G
@D;>:
I=:ADC9DC EDA>8:
I=:ADC9DCEDA>8:
B:A @69:A
B:A@69:A
B>8=6:A H>:7:C
B>8=6:AH>:7:C
B>@: <>6CI
B>@:<>6CI
G#<G>B:H
G6BB:AAO::
G:IC6
GDC :C<A>H=
GDC:C<A>H=
H6<: K6J<=C
H6<:K6J<=C
I>BB88DGB>8@
IG6K>H
6
B>AA6G9
IG6K>HB>AA6G9
NDH@6N
6 N6B6BDID
NDH@6NN6B6BDID
#&+)1,2/01,-*6'2+"
H8>DC>CHI6AA6I>DCA#6#"(*'&=:ABH6K:CJ:6IC6I>DC6A8JAK:G8>IN!86#.%'('E(&%#-&*#--)%
H8>DC
>CHI6AA6I>DCA# 6#"(*'&=:ABH 6K:CJ:6I
6
C6I>DC6A 8JAK:G8>IN! 86#.%'('E(&%#-&*#--)%
,-"+&+$/" "-1&,+*61%
"-1&,+*6
6 1%
H8>DC#8DB$HE68:
E
+E"-E6GI>HI
6GI>HI6C9EG:HHG:8:EI>DC
6C9 EG:HHG:8:EI>DC
-E"&%EEJ7A>8
EJ7A>8G:8:EI>DC
G:8:EI>DC
%/&162 1&,+'2+"
1&,+'2+"01
" 01
)E",E6J8I>DC
6J8I>DC7:<>CHEGDBEIAN6I*E
7:<>CH EGDBEIAN 6I*
6 E
;dgW^YY^c\^c[dgbVi^dck^h^i!lll#hX^dc#Xdb$^chiVaaVi^dc#6aabdcZngV^hZY^cVjXi^dcl^aa\dY^gZXianidlll#Vgi[gdbhXgVe#dg\

Culver City - Art Ltd Magazine

Transcription

Similar documents

Los Angeles Adds to Growing Art Scene

discoveryAUG15

The Entire Article

Press Release - Flowers Gallery

May for Email.pub - South Bay Watercolor Society

Art Gallery Brings Hope and Motivation to Local Artisans

Catalogue

October 2014

www.iaca.com | (505) 265-9149 5 the state of Alaska promotes its

How the DRAW works A chance to snap up orignal artworks by