Exhibition brochure - Australasian Arts Project
Transcription
Exhibition brochure - Australasian Arts Project
List of Artists for Desert Icons Exhibition 2010 1. 2. 3. 4. 5. 6. Angeline Pwerle Ngala Annie Pitjara Hunter Audrey Kngwarreye Morton Betty Club Mbitjana Caroline Petrick Casey Holmes 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. Dolly Petyarre Mills Freddy Kngwarreye Jones Gladdy Kemarre Gloria Petyarre (Pitjara) Hazel Kngwarreye Morton Janice Kngwarreye Morton Jorna Nelson Napurrula Josie Petrick Kemarre Joy Kngwarreye Jones Julie Pangata Kathleen Ngala Kumanjayi (Janelle) Napaltjarri Stockman Kylie Kemara Clarke Lesley Petrick Lily Kelly Napangardi Lisa Pula Mills Lucky Kngwarreye Morton Mary Kemarre Morton Mitjili Napurrula Molly Napaltjarri Jugadai Kumanjayi (Narputta) Nangala Natalie Pula Holmes Patrick Bloomfield Patrick Tjungurrayi Polly Ngala Ruby Kngwarreye Morton Sally Kemara Perkins Sandy Pitjara Hunter Susan Pitjara Hunter Thomas Tjapaltjarri Walala Tjapaltjarri Walangkura Napanangka Wally Pwerle Clark Warlimpirrnga Tjapaltjarri 303 Tanglin Road, Singapore 247952 DES ERT ICO N S art and artists PR ES ENTED BY WITH THE COLLABORATION AND SUPPORT OF 2 - 16 NOVEMBER 2010 Telephone 97 71 8974 Australasian Arts Projects supports the Indigenous Australian Art Commercial Code of Conduct Exhibition hours: Monday – Saturday 10am – 3pm or by appointment 303 Tanglin Road, Singapore About Desert Icons Australasian Arts Projects … a personal note Welcome to Australasian Arts Projects’ second event - Desert Icons – an exhibition of Aboriginal artists from the eastern, central and western deserts of Australia. It is with great delight that we bring you Desert Icons. In some ways, this exhibition is a continuation of our first - The Utopia Story - which was held in May this year, as we have been able to invite back some of the same Utopian artists with their exciting new works. In many ways, however, Desert Icons is a significant growth and development as we have included several more artists from the central and western deserts as well as the eastern Utopian region. Both the amount of artists, the subject matter covered, and the vast geographic area being represented, ensures that Desert Icons is delightful and surprising in its breadth and variety. Please take the time to appreciate this diversity of styles and subject matter. We are thankful to the Aboriginal people who have brought these paintings to us for you to enjoy. The panels of information and DVD imagery provide valuable insight into how these artists came to be here. We would love you to come back and see the works again over coffee with us. There are many paintings we have not been able to hang tonight and would be happy showing these to you privately over the next few weeks. “For some viewers the story of the work is important; for others, the visual impact of the painting predominates. It is this combination of a strong sense of design, finely honed use of colour or surface texture, spatial relationships underpinned by an intangible but ever-present connection with the land, its creators and their stories, and the artist’s rights to and interaction with this that gives much Aboriginal 1 art its unique quality and power”. Widely sought after, Australian Aboriginal art has now taken its place in the collections of museums and galleries worldwide. Its popularity is testament to global interest in both the ancient traditions it represents, and the newer, contemporary expression of those traditions. Desert Icons is an exhibition of art from the geographic area which is iconic in its own right – as it is known as being birthplace of the modern Aboriginal art movement as we know it today. The renowned art critic, Robert Hughes, has likened the growth in Aboriginal art to the greatest aesthetic movement of our time. Both the artists and the Australasian Arts Projects team thank you for your attendance. Walangkura Napanangka, My Country, 147 x 61 cm 1 Susan McCulloch, McCulloch’s Contemporary Aboriginal Art - The Complete Guide, p.13 2 DESERT ICONS - art and artists DESERT ICONS - art and artists 3 Thomas, Walala and Warlimpirrnga Tjapaltjarri, Tingari Cycle, 304 x 183 cm Football field at Redgum on Macdonald Downs, NT, Central Australia Whilst a desert in name is arid, vast and harsh, the Australian desert is also a land of great abundance and variety - and home and inspiration for many ancient Aboriginal cultures and their artists. At the core of Aboriginal belief systems is the inseparable nature of the land and its people. Desert Icons celebrates the lives of these desert peoples, presented to us through the eyes of 40 resident artists. Geographically, the area represented in Desert Icons is more than a 700 kilometre radius from Alice Springs. With over 2000 Aboriginal artists living in this area, styles of art vary widely – from individual to individual, from male to female, from family to family, and from region to region. The pieces of art being exhibited today are from the areas of Utopia, Santa Teresa, Kintore, Kiwirrikura, Yuendumu, Haasts Bluff, Mt Liebig, Marua, Lampintya, and Atnangkere, with artists from 7 language groups – Alyawarr, Anmatyerre, Warlpiri, Arrernte, Luriitja, Pintupi and Pitjantjatjara. Our criteria for the selection of works for Desert Icons is based on each piece being ‘iconic’ in some special way– whether it be the subject matter, the painting style, the aesthetic qualities, or the artist him or herself. By this it means something about that painting has taken on a life of its own, and a legend has grown – whether this legend exists within the community from whence it came, or whether it has meaning in broader communities. Icons are often fondly recognizable symbols, that act as keys to further knowledge and appreciation, and in the case of desert art from Aboriginal Australia, are now known and enjoyed internationally. Chronologically, the subject matter of Desert Icons is broad – running from the ancient times of the creation ancestor, Tingari, and finishing at legendary modern day desert pastimes such as cattle station life and Australian Rules football. Wally Clark, Hawthorn Football Player 4 DESERT ICONS - art and artists Yarding cattle at Macdonald Downs, NT, central Australia DESERT ICONS - art and artists 5 Tower Rock, Conservation Park, Macdonald Downs, NT, central Australia Petrick family - three generations Stylistically, therefore we have extraordinary variety, from the iconic ‘dot’ paintings of many desert works such as Bush Plum Dreaming representations from Utopia, to interesting uses of colour and texturing, in several media - acrylic on linen, native bean tree wood, and recycled products. There are many celebrated families who have reached iconic status with their art, and some are represented in Desert Icons. We have the Pwerle Ngala sisters – Angeline, Kathleen and Polly, the Petyarre sisters Gloria and Dolly, the 3 Tjapaltjarri brothers, the Pitjara Hunter and Kngwarreye Morton families and Narputta Nangala and her daughter Molly Napaltjarri Jugadai. We have the confident emerging artist Natalie Holmes painting the well known and important subject matter of sand dunes, with her young son Lesley Petrick by her side making toy trucks and hence representing an integral part of modern day cattle station life. Kumanjayi (Narputta) Nangala, My Father’s Country, 121 x 61 cm Betty Club Mbitjana, Awelye & Bush Melon, 178 x 36 cm 6 DESERT ICONS - art and artists DESERT ICONS - art and artists 7 Lesley Petrick with toy truck A special mention is needed for the bush toys included in Desert Icons – which are on their first international exhibition. Made from recycled every day household items, both children and adults from Utopia have contributed to this collection, offering a particularly charming and whimsical insight into the society of which they are a part. In the case of youngster Lesley Petrick, his truck is the first he has made for public display and has covered much ground on its journey to Singapore. Having it here brings him immense pride. “Relieved of the burden of seriousness that is fixed to the objects known as ‘artefacts’, toys inhabit a zone where playtime and real time merge. The bush toys … demonstrate the extent to which an an ‘Aboriginalised’ country and western culture has permeated the lives of indigenous people in the 2 desert regions”. Angeline Pwerle Ngala, Aranya - Women Dreaming, 140 x 77 cm Ant hills, NT, central Australia Caroline Petrick, Toy Truck, 41 cm l x 17 cm w x 13.5 cm h 2 Hetti Perkins, Curator, Art Gallery of New South Wales. 8 DESERT ICONS - art and artists DESERT ICONS - art and artists 9 About Australasian Arts Projects Each with two decades of arts management experience, Gabrielle Cummins and Simone Lourey joined forces in 2010 to create Australasian Arts Projects, a regionally focused arts production company, to entertain, inform and educate the general public about art, artists and artistic practice. With Simone’s welcomed arrival of baby Felix in July of this year, Gabrielle has put together Desert Icons with the much appreciated efforts of Melanie McCollin-Walker and Monique Morris. The Australasian Arts Projecs team has an interest in contemporary art and, specifically related to these last two projects, an awareness of the need to educate people about the social and political context of the Australian aboriginal art movement. Plenty River, Macdonald Downs, NT, Australia Special Thanks Simone Lourey, Melanie McCollin-Walker, Monique Morris, Brandon Batagol, Zac, Mathilde and Brigitte Batagol, Sonja Chalmers, Linx Macpherson, Susan McCulloch, Anna Layard, Wine Guru, Australian High Commission, Louise Conn, Vanessa Clementson, Rosalie Reyes, June Wong. Gloria Petyarre, Bush Medicine, 121 x 153 cm Susan Pitjara Hunter, Body Paint (detail), 184 x 180 cm 10 DESERT ICONS - art and artists DESERT ICONS - art and artists 11