(Master brick layer—Polly Morris).

Transcription

(Master brick layer—Polly Morris).
The Directors Write ….
I am a total 'Alice' fan, and it has been a pleasure to both
dramatise and co-direct 'Alice Through the Looking Glass',
and watch the Players bring it to life. A special thanks
goes from me to Sarah and Penny for the fantastic costumes they have made for this fantabulous production.
Gail Young
When Gail asked me to co-direct her dramatisation of "Alice", I thought I'd better
read the book! Having done so, I agreed, not because I became a fan (I still don't
really get it) but because I could immediately see how well it lends itself to all
things theatrical. The Players are known for their ability to bring things to life and
inject humour and pathos to any production. Add to that the amazing costumes
and I'm sure you will appreciate the fantastical, bizarre and at times hilarious end
result of our efforts!
Anna Morris
A n o te fr o m o u r c h a i r m a n . . .
My love of “Alice through the Looking Glass” began back in nineteen seventy
something acting in a production of ‘Alice’ at Christleton High School.
If I told you it’s based on a book by a learned Victorian mathematician, the son of
an Anglican cleric what would you expect? Certainly not “Alice through the Looking Glass”.
The adolescent Alice walks through the mirror and into a fantasy world populated
by the characters and creatures of her own vivid imagination. As she journeys
across the chess board with the goal of becoming a queen she encounters the
crazy White and Red Queens, the quizzical Humpty Dumpty, talking flowers and a
boxing Unicorn and many more.
In Looking Glass World anything can happen as normal conventions are reversed. The concepts may be abstract and the language absurd but the logic is
always immaculate.
A word of advice for the adults amongst the audience;
1.
Whatever you do don’t attempt to follow the plot! - You will only get more
confused.
2.
After the show, find a younger member of the audience to explain it all to
you.
Simon Johnson
T h e C a s t ( i n n o p a r t i c u l a r o r d e r)
Alice
Kim-Louise Yates
This is Kim's first appearance at Guilden Sutton, but
has also been involved in a number of plays at the
Chester Little Theatre. She has always loved performing and really hopes to be accepted into Drama
School this year. The role of Alice has been a challenging, but thoroughly enjoyable opportunity and
really hopes everyone watching finds it as funny as
we all do!
Humpty Dumpty Choir
Ben & Isabel French, Max Solomon, Isla,
India & Oscar Beech, Harvey Solomon
"Humpty's Choir", drawn from the many
grandchildren of Robin and Vivian, had an
eggciting time singing their song.
Jabberwock Slayer
(Max Solomon)
Recently, Max played the part of Simba in the
very successful Waverton Primary School production of The Lion King. He is hoping to slay
the audience again in this debut with the Players
Violet
(Lavinia Lunt)
Lavinia is a budding actress and was pleased
after leafing through the script to be offered the
blooming wonderful role of Violet. If only she
can stay awake.
Tweedledum
(Julian Eyre)
Julian is glad to be able to get his teeth into a
role matching his intellectual powers and specifically asked to be TweedleDUM rather than
Dee. No method acting was required to nail
this one
The White King
(David Crossley)
It is 25 years since his daughter played the
Red Queen in the Junior Players adaptation
of “Alice”, so the colour of his hair and his
creaking back make him a natural to play the
White King
Unicorn
(Gillian Eyre)
After having to wear a bikini in the last
play Gillian asked 'can I wear a bit more next
time' Little did she think this would mean a
Unicorn costume. At least she doesn't have to
apply fake tan this time!
Tweedledee / The Lion
(Rob Jones)
A veteran of over 10 years, Rob really feels
part of the furniture at GSP. Unsurprisingly,
though, he has never played an arrogant lion
and an idiotic twin before. He hopes that, if the
Players choose to adapt one of C.S. Lewis's
famous novels in future, he might get to play
the lion, the twit and the wardrobe.
The Ticket Collector / The Red King
Robert Minjoot
Phantom of the Opera, Evita, Wicked and The
39 Steps, to name but a few, are all shows that
Rob hasn't appeared in.
Playing a part in Alice through the Looking
Glass, was just the ticket. As the Red King,
what is he dreaming of now?
Rose / Hatta
(Josie Herd)
'This is Josie's second production with Guilden
Sutton, her previous one being the successful
comedy 'Outside Edge'. She is currently studying for her A-Levels in Drama, English Language and Sociology with the aspiration
of pursuing a career in teaching. Josie has
really enjoyed working on such an imaginative
production and taking on two different character
roles!'
Tiger Lily / Haigha
(Anne Albany)
After performing various roles, both on stage
and backstage, for Players over the years, Anne
is thrilled to have the opportunity to portray both
an exotic flower and a medieval hare messenger. Now she can talk to the flowers without
anyone thinking she’s crazy.
The Carpenter / Red Knight
(Alex Waring)
Alex is another veteran of ‘Allo Allo’ who
joined GSP on the promise of a huge moustache!
“It’s great to be offered a part where I can
show off both my DIY skills and my prowess
as a rugby player.”
The Red Queen
(Anna Morris)
Anna spent many hours as a child, dressing
up and strutting about in a haughty fashion.
In fact, her Dad used to call her, "the Princess". Now, she finally gets to be a Queen!
As a director, she has enjoyed bossing
about the two knights and encouraging them
to be silly, but in a serious way..
The Walrus
(John Alvey)
In a long singing and acting career, John has
never before played the part of a mammalian
sea monster. He hopes he’ll rise to the tusk
and that his performance will meet with your
seal of approval.
The White Queen
(Sarah Bell)
As the latest character Sarah played was suffering with Alzheimer's disease, she is now
worried that there may be a bit of a theme
building up! However, she gets to try out yet
another accent and is not dead in this production!!!
The White Knight
(Simon Johnson)
Simon first appeared with the players as one
of the British Airmen in ‘Allo Allo’ in 2000.
“I’ve had a lot of great parts with GSP over the
years but this is the first time I’ve worked with
animals. I’m finding it rather hard to come to
terms with being upstaged by a horse!”
Humpty Dumpty
(Robin Norrie)
We know that Robin is an all round good egg.
He is well known for his appalling yokes and
puns and as a plain speaking Yorkshire man is
used to walking on eggshells. This is an absolutely cracking part for him!
Backstage Crew
Directors
GailYoung, Simon Johnson &
Anna Morris
Stage Manager
Stephanie Darbyshire
Publicity & Box Office
Anna Morris
Sound
Vivian Downing
Lighting
Chris Jones, Andy Simmonds,
Rick Armitage
Set Design
Simon Johnson, GailYoung,
Anna Morris & Sarah Bell
Props
Stephanie & Rachael Darbyshire
Front of House
Anne & Clive Albany & team
Set Construction
Cast & Crew
(Master brick layer—Polly Morris)
Programme
Robert Minjoot
Poster
Anna Morris
Make Up
Marian Evans, Marcia Crossley &
cast members
Costumes
Chorus Voices
Sarah Bell & Penny Edwards
Polly & Olivia Morris
Previous Productions
1976 All Right on the Night
1986 Tomb with a View
Help from Sweden
Separate Tables
A Fishy Business
1987 When We Are Married
1977 The Bride and the Bachelor
Crimson Coconut
Green grow the Cabbages
No Man’s Land
1978 Raising the Roof
The Invitation (Panto)
1979 The Other Fellow’s Oats
George
The Devil’s Limelight
The Godsend
1980 Brush with a Body
Revue
1981 Big Bad Mouse
Unlikely Lad
Parochial Problems
Score
Gosforth’s Fete
1982 Surprise Package
The Invitation (Panto)
1983 Suddenly At Home
None the Wiser
The Laboratory
The Walrus and the Carpenter
1984 Time and Time Again
Frost at Midnight
1985 Two and Two Make Sex
Old Tyme Music Hall
Aladdin (Panto)
1988 Intent to Murder
Local Affairs
1989 Anyone for Tennis
Every Prospect Pleases
Between Mouthfuls
The Happiest Days of Your Life
1990 An Air for Murder
Office Suite
1991 A Month of Sundays
Holiday Snap
1992 Cards on the Table
The Invitation (Panto)
1993 Hard Times
Key for Two
1994 Semi-Detached
Deadly Nightcap
1995 Blithe Spirit
One o'clock from the House
1996 It Runs in the Family
The Weekend
1997 Say Something Happened
Philip and Rowena
My Friend Miss Flint
1998 Straight and Narrow
Tiptoe through the Tombstones
1999 Bums on Seats
2006 Black Comedy
Cinderella (Panto)
Cheshire Cats :
(Edinburgh Fringe, Gateway Theatre)
2000 Funny Money
An Inspector Calls
‘Allo ‘Allo
2007 Not the Royal Variety Performance
2001 The Rivals
The Odd Couple
Court in the Act
2008 Arsenic and Old Lace
2002 Trivial Pursuits
Inspector Drake’s Last Case
Habeas Corpus
2009 She Stoops to Conquer
Flint Street Nativity
2003 Pratt of the Argus
Neville’s Island
2004 The Importance of being Earnest
Hobson’s Choice
2010 House Guest
Memory of Water
2011 Outside Edge
2005 Mr Whatnot
Cheshire Cats
Please ensure that all mobile phones are
switched off during the performance.
Thank You
Guilden Sutton Players
(Affiliated to the National Operatic and
Dramatic Association)
Guilden Sutton Players won 2 awards for their November 2011 of production "Memory of Water". We
were adjudged the Best Staged Drama for the whole
of the North West and also won the NODA competition for the Best Full Length Play. This is an enormous achievement for our relatively small group.
Costume Design & Creation
S a r a h B el l a n d P en n y E dwa r d s
Sarah Bell and Penny Edwards have designed and created the costumes for this production. They met 14 years ago at Art college and have been inseper‐
able ever since. They have worked on several artistic collaborative projects over the years, alongside their individual art work. Penny is concentrating on Copper and Pewter art pieces at the moment, and Sarah is mainly creating large, privately commissioned paintings. Art Work by Penny Edwards
Painting by Sarah Bell
Commissions taken: Penny 07887970343, Sarah 07941020777 The Players have been providing live drama in Guilden Sutton for 30
years. New members are always welcome, and offers of help, front of
house or set building are always appreciated.
The Guilden Sutton Players wish to thank other users of the Village Hall
for their co-operation during production week.
Can you see yourself in the spotlight? Do you secretly like dressing up? Are you a frustrated set builder? Give Gail a call on 01244 301558 Acknowledgements:
Guilden Sutton Post Office
Guilden Sutton Players
Tickets £10.00
Tel : 01244 375662
Our next production will
be from 16th to 19th May,
2012. Please put the date
in your diary. If you want a
reminder please make sure
you are on the mailing list
– see the front of house
staff.