(Master brick layer—Polly Morris).
Transcription
(Master brick layer—Polly Morris).
The Directors Write …. I am a total 'Alice' fan, and it has been a pleasure to both dramatise and co-direct 'Alice Through the Looking Glass', and watch the Players bring it to life. A special thanks goes from me to Sarah and Penny for the fantastic costumes they have made for this fantabulous production. Gail Young When Gail asked me to co-direct her dramatisation of "Alice", I thought I'd better read the book! Having done so, I agreed, not because I became a fan (I still don't really get it) but because I could immediately see how well it lends itself to all things theatrical. The Players are known for their ability to bring things to life and inject humour and pathos to any production. Add to that the amazing costumes and I'm sure you will appreciate the fantastical, bizarre and at times hilarious end result of our efforts! Anna Morris A n o te fr o m o u r c h a i r m a n . . . My love of “Alice through the Looking Glass” began back in nineteen seventy something acting in a production of ‘Alice’ at Christleton High School. If I told you it’s based on a book by a learned Victorian mathematician, the son of an Anglican cleric what would you expect? Certainly not “Alice through the Looking Glass”. The adolescent Alice walks through the mirror and into a fantasy world populated by the characters and creatures of her own vivid imagination. As she journeys across the chess board with the goal of becoming a queen she encounters the crazy White and Red Queens, the quizzical Humpty Dumpty, talking flowers and a boxing Unicorn and many more. In Looking Glass World anything can happen as normal conventions are reversed. The concepts may be abstract and the language absurd but the logic is always immaculate. A word of advice for the adults amongst the audience; 1. Whatever you do don’t attempt to follow the plot! - You will only get more confused. 2. After the show, find a younger member of the audience to explain it all to you. Simon Johnson T h e C a s t ( i n n o p a r t i c u l a r o r d e r) Alice Kim-Louise Yates This is Kim's first appearance at Guilden Sutton, but has also been involved in a number of plays at the Chester Little Theatre. She has always loved performing and really hopes to be accepted into Drama School this year. The role of Alice has been a challenging, but thoroughly enjoyable opportunity and really hopes everyone watching finds it as funny as we all do! Humpty Dumpty Choir Ben & Isabel French, Max Solomon, Isla, India & Oscar Beech, Harvey Solomon "Humpty's Choir", drawn from the many grandchildren of Robin and Vivian, had an eggciting time singing their song. Jabberwock Slayer (Max Solomon) Recently, Max played the part of Simba in the very successful Waverton Primary School production of The Lion King. He is hoping to slay the audience again in this debut with the Players Violet (Lavinia Lunt) Lavinia is a budding actress and was pleased after leafing through the script to be offered the blooming wonderful role of Violet. If only she can stay awake. Tweedledum (Julian Eyre) Julian is glad to be able to get his teeth into a role matching his intellectual powers and specifically asked to be TweedleDUM rather than Dee. No method acting was required to nail this one The White King (David Crossley) It is 25 years since his daughter played the Red Queen in the Junior Players adaptation of “Alice”, so the colour of his hair and his creaking back make him a natural to play the White King Unicorn (Gillian Eyre) After having to wear a bikini in the last play Gillian asked 'can I wear a bit more next time' Little did she think this would mean a Unicorn costume. At least she doesn't have to apply fake tan this time! Tweedledee / The Lion (Rob Jones) A veteran of over 10 years, Rob really feels part of the furniture at GSP. Unsurprisingly, though, he has never played an arrogant lion and an idiotic twin before. He hopes that, if the Players choose to adapt one of C.S. Lewis's famous novels in future, he might get to play the lion, the twit and the wardrobe. The Ticket Collector / The Red King Robert Minjoot Phantom of the Opera, Evita, Wicked and The 39 Steps, to name but a few, are all shows that Rob hasn't appeared in. Playing a part in Alice through the Looking Glass, was just the ticket. As the Red King, what is he dreaming of now? Rose / Hatta (Josie Herd) 'This is Josie's second production with Guilden Sutton, her previous one being the successful comedy 'Outside Edge'. She is currently studying for her A-Levels in Drama, English Language and Sociology with the aspiration of pursuing a career in teaching. Josie has really enjoyed working on such an imaginative production and taking on two different character roles!' Tiger Lily / Haigha (Anne Albany) After performing various roles, both on stage and backstage, for Players over the years, Anne is thrilled to have the opportunity to portray both an exotic flower and a medieval hare messenger. Now she can talk to the flowers without anyone thinking she’s crazy. The Carpenter / Red Knight (Alex Waring) Alex is another veteran of ‘Allo Allo’ who joined GSP on the promise of a huge moustache! “It’s great to be offered a part where I can show off both my DIY skills and my prowess as a rugby player.” The Red Queen (Anna Morris) Anna spent many hours as a child, dressing up and strutting about in a haughty fashion. In fact, her Dad used to call her, "the Princess". Now, she finally gets to be a Queen! As a director, she has enjoyed bossing about the two knights and encouraging them to be silly, but in a serious way.. The Walrus (John Alvey) In a long singing and acting career, John has never before played the part of a mammalian sea monster. He hopes he’ll rise to the tusk and that his performance will meet with your seal of approval. The White Queen (Sarah Bell) As the latest character Sarah played was suffering with Alzheimer's disease, she is now worried that there may be a bit of a theme building up! However, she gets to try out yet another accent and is not dead in this production!!! The White Knight (Simon Johnson) Simon first appeared with the players as one of the British Airmen in ‘Allo Allo’ in 2000. “I’ve had a lot of great parts with GSP over the years but this is the first time I’ve worked with animals. I’m finding it rather hard to come to terms with being upstaged by a horse!” Humpty Dumpty (Robin Norrie) We know that Robin is an all round good egg. He is well known for his appalling yokes and puns and as a plain speaking Yorkshire man is used to walking on eggshells. This is an absolutely cracking part for him! Backstage Crew Directors GailYoung, Simon Johnson & Anna Morris Stage Manager Stephanie Darbyshire Publicity & Box Office Anna Morris Sound Vivian Downing Lighting Chris Jones, Andy Simmonds, Rick Armitage Set Design Simon Johnson, GailYoung, Anna Morris & Sarah Bell Props Stephanie & Rachael Darbyshire Front of House Anne & Clive Albany & team Set Construction Cast & Crew (Master brick layer—Polly Morris) Programme Robert Minjoot Poster Anna Morris Make Up Marian Evans, Marcia Crossley & cast members Costumes Chorus Voices Sarah Bell & Penny Edwards Polly & Olivia Morris Previous Productions 1976 All Right on the Night 1986 Tomb with a View Help from Sweden Separate Tables A Fishy Business 1987 When We Are Married 1977 The Bride and the Bachelor Crimson Coconut Green grow the Cabbages No Man’s Land 1978 Raising the Roof The Invitation (Panto) 1979 The Other Fellow’s Oats George The Devil’s Limelight The Godsend 1980 Brush with a Body Revue 1981 Big Bad Mouse Unlikely Lad Parochial Problems Score Gosforth’s Fete 1982 Surprise Package The Invitation (Panto) 1983 Suddenly At Home None the Wiser The Laboratory The Walrus and the Carpenter 1984 Time and Time Again Frost at Midnight 1985 Two and Two Make Sex Old Tyme Music Hall Aladdin (Panto) 1988 Intent to Murder Local Affairs 1989 Anyone for Tennis Every Prospect Pleases Between Mouthfuls The Happiest Days of Your Life 1990 An Air for Murder Office Suite 1991 A Month of Sundays Holiday Snap 1992 Cards on the Table The Invitation (Panto) 1993 Hard Times Key for Two 1994 Semi-Detached Deadly Nightcap 1995 Blithe Spirit One o'clock from the House 1996 It Runs in the Family The Weekend 1997 Say Something Happened Philip and Rowena My Friend Miss Flint 1998 Straight and Narrow Tiptoe through the Tombstones 1999 Bums on Seats 2006 Black Comedy Cinderella (Panto) Cheshire Cats : (Edinburgh Fringe, Gateway Theatre) 2000 Funny Money An Inspector Calls ‘Allo ‘Allo 2007 Not the Royal Variety Performance 2001 The Rivals The Odd Couple Court in the Act 2008 Arsenic and Old Lace 2002 Trivial Pursuits Inspector Drake’s Last Case Habeas Corpus 2009 She Stoops to Conquer Flint Street Nativity 2003 Pratt of the Argus Neville’s Island 2004 The Importance of being Earnest Hobson’s Choice 2010 House Guest Memory of Water 2011 Outside Edge 2005 Mr Whatnot Cheshire Cats Please ensure that all mobile phones are switched off during the performance. Thank You Guilden Sutton Players (Affiliated to the National Operatic and Dramatic Association) Guilden Sutton Players won 2 awards for their November 2011 of production "Memory of Water". We were adjudged the Best Staged Drama for the whole of the North West and also won the NODA competition for the Best Full Length Play. This is an enormous achievement for our relatively small group. Costume Design & Creation S a r a h B el l a n d P en n y E dwa r d s Sarah Bell and Penny Edwards have designed and created the costumes for this production. They met 14 years ago at Art college and have been inseper‐ able ever since. They have worked on several artistic collaborative projects over the years, alongside their individual art work. Penny is concentrating on Copper and Pewter art pieces at the moment, and Sarah is mainly creating large, privately commissioned paintings. Art Work by Penny Edwards Painting by Sarah Bell Commissions taken: Penny 07887970343, Sarah 07941020777 The Players have been providing live drama in Guilden Sutton for 30 years. New members are always welcome, and offers of help, front of house or set building are always appreciated. The Guilden Sutton Players wish to thank other users of the Village Hall for their co-operation during production week. Can you see yourself in the spotlight? Do you secretly like dressing up? Are you a frustrated set builder? Give Gail a call on 01244 301558 Acknowledgements: Guilden Sutton Post Office Guilden Sutton Players Tickets £10.00 Tel : 01244 375662 Our next production will be from 16th to 19th May, 2012. Please put the date in your diary. If you want a reminder please make sure you are on the mailing list – see the front of house staff.