Market Analysis - Country Aircheck

Transcription

May 18, 2015, Issue 448
Market Analysis: Charleston, SC
Ten years ago, “Chucktown” had a single Country station
– iHeartMedia’s WEZL, which averaged a 7.7 share according
to Nielsen Audio. In 2008, Cumulus added WIWF and average shares grew to 10.2 for the format. Three years later, Apex
added a third Country station – WCKN. Since then, listening has
continued to increase to a three-station average of 13.0 shares as
of Fall 2014. Country Aircheck takes a closer look at the market
and how this Country power trio competes in a race that seems to
get tighter with every book.
WEZL PD Brian Cleary says there
are several reasons for increased Country
listening, including the natural growth in the
popularity of the format. “Part of it, too, is that
the population here grew a little more than
8% since 2010,” he says. “Some of the people
who’ve come into the market have brought
a country sensibility; they’re fans. With the
Brian Cleary
market size growing, the percentage of people
who like country has grown as well.”
Sand Tunes: When WCKN launched in 2011, its focus was
more of a classic/hit current blend. An August 2013 rebranding
as “New Country, Kickin’ 92.5” brought its music more in line
with WEZL’s “New Country for the Lowcountry” and WIWF’s
“Nash FM 96.9.” A seven-day Mediabase analysis of Current/
Recurrent/Gold percentages for each station shows WEZL at
46/32/22, WIWF at 44/30/26 and WCKN at 47/28/26. On
average, songs played on all three stations are from 2012 or
newer, and while their currents lists look pretty similar, only two
songs make the top five on all three (5/7-13): Keith Urban f/
Eric Church with “Raise ‘Em Up” and Tyler Farr’s “A Guy Walks
Into A Bar.”
(continued on page 10)
Sneak Preak: Mercury’s Easton Corbin visits the WPOC/
Baltimore thoroughbreds at the Preakness Stakes over the
weekend. Pictured (l-r) are iHeartMedia’s Meg Stevens,
Corbin, the station’s Laurie DeYoung and Tommy Chuck and
UMG/Nashville’s Katie Dean. Turn to page 12 to see Corbin’s
triple crown visit at the race.
Label Maker: ReeSmack Last week’s profile of Thirty Tigers
(CAW 5/11) showed how the company has
become a $14 million business by aggregating the releases of smaller companies and
taking them to market. This week, we drill
deeper to look at one of those small A&R
Ree Guyer
sources – ReeSmack Records – and how
Buchanan
it, others like it, major labels and, ultimately, country music and Country radio benefit from independent
success that was once unthinkable in the format.
© 2 0 1 5 Co u n t r y A i rc h e c k ™ — A l l r i g h t s r e s e r v e d . S i g n u p f re e a t w w w. c o u n t r y a i rc h e c k . c o m . S e n d n e w s t o n e w s @ c o u n t r y a i rc h e c k . c o m
May 18, 2015
The story begins two years ago when singer/songwriter Trevor
Rosen told his co-publishers – Wrensong/Reynsong’s Ree Guyer
Buchanan and SmackSongs’ Shane McAnally and Michael
McAnally Baum – he’d formed a band. McAnally produced a
few songs and the trio pitched Old Dominion to the majors. “Everybody passed,” says Buchanan. “We looked at each other and
said, ‘We have these sides – let’s just keep going.’ They’d been
playing a lot of club dates and we’d seen the reaction. Fans were
loving it.”
Buchanan, McAnally and Baum created ReeSmack and turned
to Sirius/XM’s John Marks in January 2014. Marks loved what
he heard and gave the group’s “Dirt On A Road” some spins.
According to Buchanan, reaction was immediate. “We had haters,
we had lovers,” she says. “And right away we started selling. It
sold about 25,000 digital downloads in two months.”
When those early figures still failed to attract major label
attention, “we looked at each other again and said, ’Let’s just
keep going,’” says Buchanan. “We decided to form a bigger
team.” That team, comprised of Thirty Tigers, Morris Artist Mgt.’s
Clint Higham, publicist Ebie McFarland and then-indie promoter Pam Newman (now in-house at Thirty Tigers) met weekly
to strategize and build OD’s foundation. Marks requested a second single and “Shut Me Up” had similar satellite radio success.
Newman began working terrestrial radio last July, getting about
20 stations on board. ReeSmack released the band’s EP in September and Marks requested a third single.
“When we released ’Break Up With Him’ in October it was
apparent right away that it was going to be the biggest single,
because we started selling between 4,000 and 5,000 digital
downloads a week,” says Buchanan. “And that’s when we started
getting major label interest.”
Negotiations with RCA began last November and in March,
Old Dominion finalized their deal with the label. In addition to the
impressive sales the band was already generating, Buchanan says
the tipping point was the momentum OD’s team had spent two
years building.
“Artist development is now in the hands of publishers and
producers,” she says. “There aren’t very many major labels and
they’re so full with the acts they are already working. Now the
labels have the luxury of jumping on things that are actually
selling. It was happening with Old Dominion and they could see
that. The days of signing an act that has nothing going on – the
labels just don’t have time to do that. And we do have time.”
Buchanan says she, McAnally and Baum never intended to be a
record label; they were just trying to create an outlet for their writ-
Page 3
PA G E T H R E E P I C
Frog Segues: KFRG/Riverside personality Scott Ward
(l) with a long-haired Tracy Lawrence during a
long-lost station visit. Have days-gone-by pictures
of your own? Send them fast to pagethreepic@
countryaircheck.com.
ers [OD’s Matt Ramsey is also signed to SmackSongs]. “We are
the farm team,” she says. “Our goal was always to get a major
label deal for them. Because as a little independent, you still need
Country radio and all the terrestrial radio stations playing your
record. The majors do that the best.”
Having said that, she adds if the right project came along, she
would absolutely step back into the game with Thirty Tigers. “I’d
love to take an artist all the way with them,” says Buchanan. “A lot
of people dream about stuff but they don’t actually put in the hard
work that goes with it. This team put in the work and the time. My
whole philosophy in anything is, just do something – and something will happen. And this was a beautiful example.”
–Wendy Newcomer
©2015 Countr y Aircheck™ — All r ights reser ved. Sign up free at w w w.countr yaircheck .com. S end news to news@countr yaircheck .com
May 18, 2015
Page 5
MY TUNES: MUSIC THAT SHAPED MY LIFE
1. Elvis: When I was younger my dad
had an Elvis cassette that we would play
non-stop. We had lots of long car rides
singing Elvis. My dad has an incredible
voice. Any vocal talent I have comes
from him. I grew up watching him and
trying hard to sing just like he did – and
singing Elvis was the main way to do it.
2. Marty Robbins/Cool Water: My
grandpa is a great storyteller. He would
Cam
recite that song as if he was completely
parched in the desert. We’d all just die
laughing. I remember the day I finally heard the song. I was so
confused because I thought it should’ve sounded just like my
grandpa told the story. Marty Robbins’ music is so vibey; he was
such a crooner.
3. Dixie Chicks: I was obsessed with their albums in high
school. Their harmonies, Natalie’s voice and that songwriting
style were a huge influence on me.
4. Indigo Girls: I freaking love their harmonies. They were a
big influence too. You can hear that a lot in my music.
5. Bulgarian Women’s Choir/Ergen Deda: I grew up in a
choir. We sang in 14 languages so I grew up with a lot of world
music. Some of my favorite songs when I was younger were
Bulgarian Women’s Choir songs – things that no one else knew.
[Hear it here.] It’s really dissonant and it trains your ear to like
things you wouldn’t normally think you’d like.
Highly regarded music you’ve never heard: Rita Ora.
She’s so beautiful and I see her modeling but I don’t think I’ve
ever heard her sing. I’d love to hear what she does.
An “important” piece of music you just don’t get: Adele.
I think she’s so good, but I didn’t understand the obsessiveness
and how successful she is worldwide.
Music you played incessantly: When I was little I would sing
the song “Love Potion No. 9” all the time. My parents had to
stop me.
Obscure or non-country music everyone should listen
to right now: People should listen to Sturgill Simpson’s
Metamodern Sounds in Country Music.
Music you’d rather not admit to enjoying: One of the first
albums I bought was Ace of Base. I loved them.
Bar Raised: Tyler Farr (c) celebrates his No. 1 with the
Columbia staff. Pictured (l-r) are Norbert Nix, RJ Meacham,
Mary Allison, David Friedman, Bo Martinovich and Samantha
Borenstein. Not pictured: Dave Dame, Brooke Meris.
Chart Chat
Congrats to Tyler Farr, Norbert Nix, RJ Meacham,
David Friedman and the whole Columbia promotion staff
on landing this week’s No. 1 with “A Guy Walks Into A Bar.” The
gold-certified track is the first single from Farr’s current album
Suffer In Peace and his third chart-topper (“Redneck Crazy,”
“Whiskey In My Water”).
And kudos to Kris Lamb and the rest of the Dot promotion staff on securing 38 adds for Steven Tyler’s “Love Is Your
Name,” topping this week’s board.
Paisley Launches Crushin’ It Tour
Arista’s Brad Paisley opened the Crushin’ It World Tour at the
Susquehanna Bank Center in Philadelphia Friday (5/15) with help
from Capitol’s Mickey Guyton and Valory’s Justin Moore. CBS
Radio WXTU morning show producer Kevin Crockett was there
and shares some highlights.
“Mickey was great and it was actually her first big tour-type
show,” Crockett says. “She talked to [MD/afternooner] Razz beforehand and asked how many people to anticipate. He casually
told her there’d be about 18,000, so she gave him that look like,
‘Say what?’ But she’s crazy talented and Justin is worth the price
May 18, 2015
OFF THE RECORD: Wade Bowen
Lilbuddy Toons’ Wade Bowen puts an
industry spin on the artist interview:
The first time I heard myself on the
radio was in a commercial and I thought
that was the coolest thing ever. It was for a
show in Amarillo and they were playing my
song in the ad. I almost wrecked the van.
One time on a radio tour we
randomly walked into a station – we had
been visiting another station in the city and
the label guy said, “This guy won’t return
my calls so we’re just going to show up.” It
was awkward. We forced him to meet with
Wade Bowen
us, and it was kind of cool to watch him. He
listened to the record, actually pulled people into the conference room
and completely did a 180. That doesn’t happen a lot.
Hold My Beer: Vol. 1 (with Randy Rogers) is old school. It’s
fiddle and steel and as country as country music can get. It’s sad and
beer drinkin’ and depressing, the way I feel country music should be. And
it’s a record you can dance to. I grew up begging my parents to take me
Saturday nights to the dance halls that were family-oriented, not the bars,
and let me ask a girl to dance. It was so much pressure and so much
fun. This record encompasses all of that. It showcases our friendship that
we’ve had for years, it showcases our bands and our influences, which we
listen to while we drink beer after the show every night.
I do a lot of embarrassing things. The most embarrassing
thing ever involved this acoustic tour Randy and I do. I’m a Dallas
teams sports fan – Cowboys, Rangers Mavericks. The Mavericks won
the NBA Championship, and I had a little too much to drink, and we
were in San Antonio – Spurs country – playing for about 3,500 people and I accidentally said something about the Mavericks winning
the championship. There were 3,500 people booing me.
If I could be stuck anywhere other than home, I would love
to go back to and maybe live in Ireland. My wife and I are going
back in December. I just eat potatoes and stay drunk – that’s the
theory there. It’s an amazing place.
Page 7
of admission himself.”
A handful of fans
and radio folks walked
away with some
really big smiles. “He
actually had a bar on
both sides of the stage
– on the stage – with
real taps and probably
six or seven people at
each one,” Crockett
says. “It was ourselves
and some winners for
three or four songs. It’s
Brad Paisley
crazy because you’re
just looking out at the
crowd while Brad’s
running all over the place performing. It’s like you’re Norm from
Cheers just sitting there taking it all in.”
A warm, fuzzy and fun moment came during a band jam. “I
don’t know how many guitars he gave away, but there were a lot,”
Crocket promises. “One went to this little kid that he’d brought
onstage to play a round of Mario Kart on the massive video
board. They gave him a headset to protect his ears and the band
just jammed around him while he played the video game in front
of everyone. Here I am a 29-year-old man and I was jealous!”
“He closed with ‘Alcohol,’ his encore,” Crocket continues. “And
I’m pretty sure he opened with ‘River Bank.’ He’s won Entertainer
of the Year, so he gets it for sure. He’s relentless up there and it was
awesome.” The Crushin’ It World Tour rolls next into Salem, VA May
30 and Charlotte May 31. Reach Crockett here.
–Russ Penuell
CONGRATULATIONS
TOP COUNTRY SONG “BURNIN’ IT DOWN”
TOP COUNTRY ALBUM OLD BOOTS, NEW DIRT
May 18, 2015
Panel Update
The following stations are no longer Country Aircheck/Mediabase Published Country reporters, effective with this week’s
chart (5/18): WOGI/Pittsburgh, KNTY/Sacramento, KEGA/
Salt Lake City.
News & Notes
Waters Sports WPDM-AM/Potsdam, NY and simulcast translator W261CJ have flipped to Classic Country as “Star 100.” Listen here.
Premiere has begun U.S. distribution of Radio Imaging
Works’ customized imaging service Country Qwips. The service offers
packages to be used in conjunction with current imaging. More here.
R&J’s KKCQ/Fargo, MN has added Envision’s The Country
Oldies Show.
Country winners in the 2014 International Songwriting
Competition are: First place – “Stuck” by Bonnie Pine, Dean
Dillon and Casey Beathard; Second place – “Little Miss Whiskey” by The Morrison Brothers Band; Third place – “Hopeful
Heart” by Nikki Boon and Ryan Nelson (Haven Drive).
Complete winners list here.
Songwriter Melissa Peirce has re-signed with Disney Music
Publishing and Patrick Joseph Music. Peirce’s songs include
Tyler Farr’s new No. 1 “A Guy Walks Into A Bar,” which she cowrote with Jonathan Singleton and Brad Tursi.
Artist News
The June 19-21 Chicago festival Windy City LakeShake (presented by Live Nation) has added a second stage
called “Next From Nashville” featuring Kelsea Ballerini, Tucker Beathard, Cam, Ruthie Collins, David Fanning, Haley
Page 10
& Michaels, JT Hodges, Joey Hyde, Ryan Kinder, Logan
Mize, Native Run, Cheyenne Rose, Waterloo Revival and Austin Webb. Headliners were revealed in January (CAT
1/27); more info here.
SouthrnGrnd/Varvatos/BMLG’s Zac Brown Band partnered
with Indian Motorcycle as part of an Armed Forces Day (5/16)
program. Brown and his band will serve various roles as brand
ambassadors for the motorcycle company, including a campaign
with the USO. Details here.
Country RIAA certifications issued in April include two-times
platinum for Florida Georgia Line’s “Dirt”; eight-times platinum for Taylor Swift’s “Love Story”; platinum for Sam Hunt’s
“Take Your Time”; gold for Tyler Farr’s “A Guy Walks Into A Bar,”
Little Big Town’s “Girl Crush” and Chris Young’s “Lonely Eyes”;
and gold for Hunt’s Montevallo.
Jon Pardi, BlackJack Billy and Michelle Wright are
among the artists performing at Chords For A Cause’s Summertime On The Row to benefit Monroe Carell Jr. Children’s
Hospital at Vanderbilt. The concert will be in Nashville June
27 at 3pm at Dan McGuinness.
Market Analysis: Charleston, SC
(continued from page 1)
Zac Brown Band’s “Homegrown” and Sam
Hunt’s “Take Your Time” are among top five
recurrents for all three stations, while WEZL
and WCKN share Cole Swindell’s “Ain’t Worth
The Whiskey” and Sam Hunt’s “Leave The
Night On” as well.
Outside of currents, musical differences
between the stations are slight, but WCKN
PD Garret Doll looks for an advantage with
Garret Doll
May 18, 2015
music, both new and familiar. His gold category plays 247 unique
titles to WEZL’s 206 and WIWF’s 211. WCKN has seven gold titles
that spin 10 times or more, while WIWF has only one that spins
that often, and WEZL doesn’t have any. “I have the ability to go out of
the box and play stuff that maybe they won’t,” Doll says. “I try to find
certain songs I know they’re not going to play and just play the gold
library that they don’t. A good example is ‘Raised On It’ by Sam Hunt.
It’s probably the most country-sounding song on that album and it’s
one of those I’m playing just to play.”
When it comes to quantity, WCKN plays more music – 353
titles on May 13 compared to WEZL’s 293 and WIWF’s 291. While
middays are the same on all three stations at 14 songs per hour,
WCKN plays more songs per hour than either of its competitors
during all other dayparts, with the biggest difference in mornings.
WCKN is at 12, with WEZL and WIWF playing seven and eight
songs per hour, respectively.
Doll says the biggest difference for his station is in the talent.
“We’re local,” he says. “[iHeartMedia and Cumulus] run great
radio stations, but where we’ve been able to hold our own is in
our ability to be 100% local. Everybody’s here.”
Both WEZL and WIWF have local talent in middays and
afternoons. In mornings, WCKN’s local host Andy Webb is up
against The Bobby Bones Show on WEZL and America’s Morning Show on WIWF. At night, WEZL has WMZQ/Washington’s
Michael J voicetracking, while WIWF airs Nash Nights Live.
Cleary thinks ‘EZL still has an edge. “We have a little bit of
the advantage with the heritage we have in the market,” he says.
“The WEZL’s been The WEZL for 35 years, so people get that. Not
that you should ever [take it for granted], but there’s more attention now paid to branding, particularly with everybody diving in
on the new country, so we’re making sure there’s a definite WEZL
element to every single thing we do. It may even be overdone that
way, but we’re all trying to carve that same piece out.”
And the elbow room is getting squeezed. WEZL’s P12+ lead
has averaged two to three shares over WIWF and WCKN, which
have consistently been within a share of each other. But Fall
2014 Nielsen Audio diary ratings have WEZL, WIWF and WCKN
showing a 5.4, 4.1 and 3.9, respectively. It’s the first time since
WCKN’s launch that the three stations have been within a share
and a half of one another. (Ed. Note: Requests for comment from
WIWF were not returned by press time.)
“Of course the competition’s tough every day,” says Doll. “The
content for the most part is king, and when you have guys like
(WEZL afternoon team) TJ & Ric across the street, who’ve been in
the market for 20 years and have a huge following, it’s definitely
a huge battle.”
Page 12
Mercury’s Easton
Corbin with
Kentucky Derby
and Preakness
winner American
Pharoah, jockey
Victor Espinoza and
trainer Bob Baffert.
On to Belmont!
Cleary says the other programmers are worthy competition. “It
pisses me off,” he jokes. “You’re talking about three stations that
have market grade signals, three quality companies, and whether
it’s Garret or Bill [West, WIWF’s PD], they’re not dummies. They
know what they’re doing. You’ve got to be on your A-game, and
that raises us all up because you know you can’t take the competition for granted. But it would be nicer if one of those other stations
really sucked.” Reach Cleary here and Doll here.
–Jess Wright
Lon Helton, [email protected]
Chuck Aly, [email protected]
Russ Penuell, [email protected]
Jess Wright, [email protected]
Wendy Newcomer, [email protected]
(615) 320-1450
May 18, 2015
April 2015 PPM Scoreboard
Country radio shares were up by 3% compared to March 2015. Of the
89 subscribing stations that posted a 1.0 share or higher, 50 increased, 29
decreased and 10 were flat.
March
April
March
Rank 6+April
Rank
Share
Cume
Cume
6+ Share
WKHX/Atlanta
3.3 13 3.4 13 625,000667,400
WUBL/Atlanta
4.4 10 4.6 7t 658,100730,600
KASE/Austin^
6.3 2t 6.6 2 374,400396,400
KVET/Austin^
6.3 2t 5.6 3t 342,300328,400
KOKE/Austin
1.9 20 1.9 18 106,300100,200
WPOC/Baltimore
8.8 1 7.6 1 495,700503,900
WKLB/Boston
5.8 5 5.4 5 814,300839,900
WBWL/Boston
1.5 20 1.4 21 357,600394,400
WCTK/Providence (Boston) 1.2
22
1.2
22
161,000 199,800
WKKT/Charlotte
7.4 2 8.2 1 496,000534,800
WSOC/Charlotte
7.9 1 8.5 1 506,000526,800
WEBG/Chicago
2.3 18t 2.0 22 742,400750,800
(flipped to Country 1/5/15)
WUSN/Chicago
2.6 15 2.7 14t 1,128,1001,160,300
WNNF/Cincinnati
2.2 17t 1.7 17 231,200242,700
WUBE/Cincinnati^ 6.2 4 6.8 3 431,300451,700
WYGY/Cincinnati^ 1.2 18 1.2 18t 166,600180,600
WGAR/Cleveland
9.3 2 10.1 1 441,500450,000
WCOL/Columbus, OH
12.6
1
11.7
1
498,300 513,200
WHOK/Columbus, OH
2.0
16
1.2
17
102,400
72,100
KPLX/Dallas^
4.5
4 4.7
3t 1,056,5001,138,500
KSCS/Dallas^
4.0 6 3.5 7t 730,400834,700
KWOF/Denver
2.1 19 2.3 18 245,400298,400
KYGO/Denver
4.3 10t 4.7 7t 491,900513,900
WDRQ/Detroit
1.7 19t 1.6 20 406,300395,800
WYCD/Detroit
3.5 14 4.1 10t 622,700676,700
WPAW/Greensboro 5.1 9 6.3 8 236,300265,000
WTQR/Greensboro 6.8 4 6.9 5 288,600297,100
WWYZ/Hartford
7.6 3 7.7 2t 224,400233,300
KILT/Houston
4.1 9 4.2 9 958,700993,200
KKBQ/Houston^
5.4
5 6.1
5 1,155,7001,324,700
KTHT/Houston^+ 2.1 20 2.2 19 536,600563,100
WFMS/Indianapolis 5.7 7 5.5 8 300,200309,000
WLHK/Indianapolis 7.4 1 7.5 1 331,200341,700
WGNE/Jacksonville 6.8 5 7.0 5 283,400292,200
WMUV/Jacksonville 1.1 15 1.0 15 54,00053,900
WQIK/Jacksonville 8.5 2 9.2 2 305,900321,300
KBEQ/Kansas City^
2.9
17
3.1
15t
279,300 298,600
KFKF/Kansas City^
4.6
8t
5.3
4t
332,500 316,100
WDAF/Kansas City
5.0
5t
4.9
7
337,400 333,900
KCYE/Las Vegas
2.5
16t
2.8
16
167,500 169,800
KWNR/Las Vegas
3.3
11
3.5
10
203,100 206,300
KKGO/Los Angeles
2.3
18t
2.2
18t 1,093,200 1,078,300
WEBL/Memphis
1.3 19 1.2 19 98,900108,700
WGKX/Memphis
4.0 10 5.6 7 177,900215,800
WLFP/Memphis 1.7
17
1.8
16
95,200 106,600
WKIS/Miami
3.5 13t 3.5 13t 479,900466,700
Station/City
Page 14
Total cume increased 1,798,000 to 37,853,100. The cume leader was
Cox’s KKBQ/Houston with 1,324,700. CBS Radio’s WUSN/Chicago was
second with 1,160,300.
Legend: A “+” indicates a Classic Country outlet; a “^” designates coowned Country stations in the metro; “t” indicates a tie; and a “*” indicates
a station best in that statistic. Ranks are among subscribers.
March
April
March
Rank 6+April
Rank
Share
Cume
Cume
6+ Share
WNSH/New York (Middlesex) 2.8
14
3.6
10t
135,400 168,400
WMIL/Milwaukee 10.7 1 10.5 1 460,800479,500
KEEY/Minneapolis 6.9 4 6.9 1 665,500747,900
KMNB/Minneapolis 5.0 9 4.9 11 581,200614,600
WKDF/Nashville^ 4.4 8 4.5 8 238,200270,000
WSIX/Nashville
3.4 12 4.3 9 242,400264,800
WSM-FM/Nashville^ 3.6 10t 3.8 10 211,900244,900
WSM-AM/Nashville 1.7 16t 1.6 17 55,80045,000
WNSH/New York (Nassau) 1.3
22t
1.3
23
147,200 130,100
WNSH/New York
1.5
20
1.7
19t
878,800 969,400
WGH/Norfolk
5.5 3t 5.5 4 238,600271,500
WWKA/Orlando
5.1 7 4.8 8 293,200279,600
KMLE/Phoenix
4.9 4 4.1 9 624,000643,600
KNIX/Phoenix
4.1 9 4.8 6 674,900657,600
WXTU/Philadelphia 4.2 11 4.9 6t 718,800849,500
WDSY/Pittsburgh
4.3 8 4.0 9 379,800397,300
WPGB/Pittsburgh
3.1 11 3.3 10 257,700270,000
KWJJ/Portland
5.0 7 7.1 2 420,900498,600
KUPL/Portland
3.8 10t 4.0 11 388,400393,000
WCTK/Providence
7.6 3 7.2 4 335,600342,400
WNCB/Raleigh
3.3 12t 3.7 11 184,400193,500
WQDR/Raleigh
8.2 1 8.0 1 301,300193,500
KFRG/Riverside
3.3 7 3.6 5 302,300287,300
KBEB/Sacramento 3.1 14t 3.7 11 226,700227,900
KNCI/Sacramento
4.0 10t 4.3 8 327,400348,000
KNTY/Sacramento 2.1 17 2.1 17 214,300204,900
KEGA/Salt Lake City
1.3
21t
1.3
22
168,900 166,900
KSOP/Salt Lake City
4.3
10
5.0
5t
242,300 242,200
KUBL/Salt Lake City
4.1
12t
4.1
11t
302,100 301,100
KAJA/San Antonio
5.2
4
5.4
4
551,300 558,900
KCYY/San Antonio^
7.2
1
8.1
1
595,200 671,300
KKYX-AM/San Antonio^+ 2.0
19
2.6
16t
136,600 178,500
KSON/San Diego
4.6
6t
4.1
7t
463,700 418,300
KRTY/San Jose
3.4
9t
2.6
16t
155,000 144,600
KSJO/San Jose
1.7
22t
2.0
22
107,500 102,700
KKWF/Seattle
4.8 6 5.3 3 525,800629,500
KMPS/Seattle
2.8 17 3.0 16 459,400502,000
KSD/St. Louis
6.0
5
5.4
7t
547,200 516,700
WIL/St. Louis
5.2
8t
5.4
7t
509,300 524,500
WFUS/Tampa
4.3 11 4.7 9 475,000484,700
WQYK/Tampa
5.0 6 4.9 8 386,000395,600
WMZQ/Washington 3.9 11t 3.7 11 625,800621,400
WIRK/West Palm Beach 7.5
2
7.1
3
216,900 204,100
Station/City
May 18, 2015
Page 15
New Country Aircheck/Mediabase Reporter Weights
These are the new weights for Country Aircheck/Mediabase Reporters and Activator reporters, based on audience estimates from the Fall 2014 Nielsen Audio ratings. Weights for stations in PPM markets use a three-month average of Oct.-Nov.-Dec. AQH Persons. The weights are calculated using
this formula: Market rank is multiplied by 10 and then added to the station’s AQH Persons. A station’s weight is determined by dividing the adjusted
AQHP by a number that is 10% of the leading Country station’s AQH (in this case WUSN/Chicago’s 26,130 adjusted AQHP and, for Activators, WFRE/
Frederick’s 9,630 adjusted AQHP.) This calculation assigns a weight for each panelist on a 1-10 scale. These new weights are effective with this week’s
Mediabase Country chart as printed in Country Aircheck.
Weights KMPS/Seattle3.6 WAMZ/Louisville3.3 WKDF/Nashville2.1 WRBT/Harrisburg1.9
3.4
KAJA/San Antonio
4.4 KNCI/Sacramento3.2 WBBS/Syracuse3.2 WKHK/Richmond4.2 WRNS/Greenville, NC
WRNX/Springfield,
MA
1.9
4.6 WKHX/Atlanta4.5
KASE/Austin3.4 KNIX/Phoenix5.0 WBCT/Grand Rapids
WSIX/Nashville1.9
1.3 WBEE/Rochester5.3 WKIS/Miami4.2
KATC/Colorado Springs
1.7 KPLM/Palm Springs, CA
2.9
KPLX/Dallas8.7
WBUL/Lexington, KY
2.7 WKKT/Charlotte4.0 WSLC/Roanoke, VA
KATM/Stockton, CA
3.9
WSOC/Charlotte4.9
1.8 WKLB/Boston9.7
KAWO/Boise, ID
1.2 KRST/Albuquerque1.8 WCKT/Ft. Myers
WSSL/Greenville, SC
3.2
2.1 WCOL/Columbus, OH
4.8 WKLI/Albany, NY
1.4
KBEB/Sacramento1.3 KRTY/San Jose
WTGE/Baton Rouge
1.4
2.9 WCOS/Columbia, SC
2.2 WKMK/Monmouth-Ocean2.3
KBEQ/Kansas City
2.3 KRYS/Corpus Christi, TX
WTHT/Portland, ME
1.7
2.4 WTQR/Greensboro2.9
KCCY/Colorado Springs 1.6 KSCS/Dallas7.8 WCTK/Providence5.6 WKML/Fayetteville, NC
3.8 WCTQ/Sarasota2.0 WKSJ/Mobile2.6 WUBE/Cincinnati4.6
KCYE/Las Vegas
1.7 KSD /St. Louis
1.0 WDAF/Kansas City
2.8 WKXC/Augusta, GA
2.2 WUBL/Atlanta7.0
KCYY/San Antonio
4.0 KSJO/San Jose
KDRK/Spokane1.3 KSKS/Fresno2.8 WDRM/Huntsville3.4 WLHK/Indianapolis3.0 WUSH/Norfolk2.2
3.6 WDSY/Pittsburgh3.2 WMAD/Madison, WI
1.2 WUSJ/Jackson, MS
1.2
KEEY/Minneapolis6.1 KSON/San Diego
WUSN/Chicago10.0
2.5 WDXB/Birmingham2.3 WMIL/Milwaukee5.7
KFDI/Wichita2.3 KSOP/Salt Lake City
2.0 WEBG/Chicago4.3 WMZQ/Washington, DC 5.8 WUSY/Chattanooga3.0
KFGY/Santa Rosa, CA
1.3 KSSN/Little Rock
2.7
1.8 WNCB/Raleigh1.9 WWGR/Ft. Myers
KFRG/Riverside3.3 KTEX/McAllen5.3 WEZL/Charleston, SC
WWKA/Orlando6.1
3.2 WFMS/Indianapolis3.0 WNCY/Appleton, WI
3.7
KHEY/El Paso
2.3 KTST/Oklahoma City
1.6
2.1 WFUS/Tampa4.9 WNOE/New Orleans
2.9 WWQM/Madison, WI
KHGE/Fresno1.4 KTTS/Springfield, MO
WWYZ/Hartford5.1
1.7 WGAR/Cleveland5.0 WNSH/New York
8.0
KHKI/Des Moines
1.8 KUAD/Ft. Collins, CO
4.3
2.1 WGGY/Wilkes-Barre2.4 WOGK/Gainesville3.7 WXBQ/Johnson City
KIIM/Tucson3.4 KUBL/Salt Lake City
WXCY/Wilmington,
DE
3.0
3.2 WGH /Norfolk
2.8 WPAW/Greensboro3.1
KILT/Houston6.8 KUPL/Portland, OR
WXTU/Philadelphia9.4
KIZN/Boise, ID
1.0 KUZZ/Bakersfield3.4 WGKX/Memphis2.3 WPCV/Lakeland3.8
3.1 WPGB/Pittsburgh2.0 WYCD/Detroit5.6
KJKE/Oklahoma City
2.9 KVOO/Tulsa1.9 WGNA/Albany, NY
WYCT/Pensacola, FL
1.9
KJUG/Visalia-Tulare1.6 KWEN/Tulsa2.6 WGNE/Jacksonville2.0 WPOC/Baltimore5.9
WYNK/Baton
Rouge
1.6
3.5 WGTY/York, PA
3.3 WPOR/Portland, ME
2.1
KKBQ/Houston9.7 KWJJ/Portland, OR
1.2 WHKO/Dayton6.1 WQDR/Raleigh5.1 WYRK/Buffalo6.9
KKGO/Los Angeles
8.2 KWNR/Las Vegas
4.8 WQHK/Ft. Wayne, IN
2.3 WZZK/Birmingham2.8
KKIX/Fayetteville, AR
2.4 KWOF/Denver2.3 WIL /St. Louis
Call Letters/Market
KKWF/Seattle5.3 KXKT/Omaha3.0 WIRK/West Palm
2.8 WQIK/Jacksonville2.5 Westwood One
Mainstream Country
8.0
2.7 KXLY/Spokane1.7 WITL/Lansing2.4 WQMX/Akron4.3
KMDL/Lafayette, LA
Westwood One Hot Country7.0
KMLE/Phoenix4.5 KYGO/Denver4.6 WIVK/Knoxville5.7 WQNU/Louisville2.3
Premium Choice
6.8
KMNB/Minneapolis6.1 KZSN/Wichita1.8 WJVC/Nassau-Suffolk1.4 WQYK/Tampa4.4
WIXY/Champaign, IL
4.1
WQCB/Bangor, ME
4.0
WAYZ/HagerstownChambersburg-Waynesboro6.6
WJCL/Savannah, GA
3.5
WQXK/Youngstown, OH 10.0
4.7
WBAM/Montgomery, AL
3.6
WKCN/Columbus, GA
3.7
WRWD/Poughkeepsie
4.3
ACTIVATOR STATIONS
KKNU/Eugene, OR
6.8
Call Letters/Market
KLLL/Lubbock, TX
KNUE/Tyler, TX
Weights
KAFF/Flagstaff-Prescott, AZ2.7
5.4
4.4
KBUL/Reno, NV
4.5
KRWQ/Medford-Ashland, OR3.3
WBYT/South Bend, IN
WKDQ/Evansville, IN
4.9
WTCM/Traverse City-Petoskey, MI4.6
KFGE/Lincoln, NE
4.6
KSNI/Santa Maria, CA
4.2
WCEN/Saginaw, MI
6.1
WKSF/Asheville, NC
8.4
WTHI/Terre Haute, IN
5.1
4.3
WCTY/New London, CT
5.5
KGKL/San Angelo, TX
3.8
KSUX/Sioux City, IA
WLLR/Quad Cities, IA-IL 8.1
WWFG/Salisbury, MD
5.7
KGNC/Amarillo, TX
3.9
KVOX/Fargo, ND-Moorhead, MN3.6
WDEZ/Wausau-Stevens Point, WI5.3
WLWI/Montgomery, AL
4.2
WWWW/Ann Arbor, MI
4.0
KXDD/Yakima, WA
4.1
WEGX/Florence, SC
WMSI/Jackson, MS
3.9
WWZD/Tupelo, MS
5.0
KXKS/Shreveport, LA
3.6
WFLS/Fredericksburg, VA 3.1
WOKO/Burlington, VT
7.1
WXCL/Peoria, IL
4.2
KYKR/Beaumont, TX
4.0
WFRE/Frederick, MD
WOVK/Wheeling, WV
4.8
WZKX/Biloxi6.0
KZKX/Lincoln, NE
3.8
WFRG/Utica - Rome, NY 7.3
WPUR/Atlantic City, NJ
5.1
Sirius XM/The Highway 10.0
7.8
WIBW/Topeka, KS
WQBE/Charleston, WV
6.2
KHAK/Cedar Rapids, IA
4.7
KHKX/Odessa-Midland, TX3.5
KIXQ/Joplin, MO
4.9
KKCB/Duluth, MN-Superior, WI4.1
KKJG/San Luis Obispo, CA4.0
WACO/Waco, TX
5.1
10.0
4.6
May 18, 2015
LW
TW
Artist/Title (Label)
Chart Page 1
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
2
1
TYLER FARR/A Guy Walks Into A Bar (Columbia)
28360
1597
8313
438
3
2
BILLY CURRINGTON/Don't It (Mercury)
27125
1333
7946
4
3
A THOUSAND HORSES/Smoke (Republic Nashville)
26211
1243
5
4
FLORIDA GEORGIA LINE/Sippin' On Fire (Republic Nashville)
24490
1
5
KEITH URBAN f/ERIC CHURCH/Raise 'Em Up (Capitol)
7
58.71
2.464
154
6
391
56.908 2.491
154
6
7729
402
55.531 2.524
153
6
1471
7225
417
52.288 3.671
153
6
23295
-4950
6727
-1495
45.832 -13.161
154
6
6
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia) 21620
1600
6283
397
44.496
154
6
8
7
CARRIE UNDERWOOD/Little Toy Guns (19/Arista)
19114
1045
5566
316
39.614 3.042
154
6
9
8
EASTON CORBIN/Baby Be My Love Song (Mercury)
18673
1528
5312
492
37.758 2.655
150
5
11
9
KELSEA BALLERINI/Love Me Like You Mean It (Black River)
17387
1255
5066
412
35.922 2.532
154
6
12
10
BLAKE SHELTON/Sangria (Warner Bros./WMN)
16698
1723
4756
500
35.279 3.779
154
6
10
11
TIM MCGRAW/Diamond Rings And Old... (Big Machine)
16690
79
4961
53
36.285
154
6
6
12
DIERKS BENTLEY/Say You Do (Capitol)
15720
-6062
4575
-1794
32.969 -10.839
154
6
13
13
CANAAN SMITH/Love You Like That (Mercury)
15574
1147
4424
268
29.235
2.11
149
4
14
14
LITTLE BIG TOWN/Girl Crush (Capitol)
14831
534
4199
106
31.31
2.026
154
6
15
15
BRAD PAISLEY/Crushin' It (Arista)
14572
296
4253
43
31.014 1.068
154
6
18
16
FRANKIE BALLARD/Young & Crazy (Warner Bros./WAR)
14111
491
4054
121
28.493 0.822
154
6
16
17
ERIC PASLAY/She Don't Love You (EMI Nashville)
13722
114
3970
57
26.828 -0.059
152
4
20
18
JASON ALDEAN/Tonight Looks Good On You (Broken Bow)
13615
847
3989
243
28.454 1.467
154
6
19
19
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
13290
458
3915
150
27.438 1.213
151
7
21
20
MICHAEL RAY/Kiss You In The Morning (Warner Bros./WEA)
12497
371
3604
60
152
6
25
21
LUKE BRYAN/Games (Capitol)
9123
1172
2838
436
18.896 2.759
94
6
23
22
GLORIANA/Trouble (Emblem/Warner Bros/WAR)
8465
100
2504
14
17.462 0.446
145
5
22
23
RASCAL FLATTS/Riot (Big Machine)
8463
189
2498
36
15.617 0.603
144
3
24
24
DUSTIN LYNCH/Hell Of A Night (Broken Bow)
8038
205
2426
100
12.984 0.368
144
7
26
25
ERIC CHURCH/Like A Wrecking Ball (EMI Nashville)
7920
234
2355
60
13.919 0.541
134
6
24.85
3.66
0.13
1.355
May 18, 2015
LW
TW
Chart Page 3
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
29
26
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
7459
1459
2055
457
14.328 2.768
142
22
27
27
KIP MOORE/I'm To Blame (MCA)
7381
621
2067
174
13.915 0.743
139
4
30
28
THOMAS RHETT/Crash And Burn (Valory)
6964
1046
1910
305
12.894 2.285
125
11
28
29
MADDIE & TAE/Fly (Dot)
6671
315
1927
105
13.305 0.649
145
5
32
30
CHASE RICE/Gonna Wanna Tonight (Columbia)
5628
391
1646
78
9.337
0.893
132
8
38
31
CHRIS JANSON/Buy Me A Boat (Warner Bros./WAR)
5448
1103
1710
319
10.22
1.915
80
14
31
32
MICKEY GUYTON/Better Than You Left Me (Capitol)
5408
125
1603
96
9.428 -0.112
143
6
33
33
REBA/Going Out Like That (Nash Icon/Valory)
5383
266
1493
75
14.275 0.623
57
1
35
34
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
5263
944
1268
246
11.75
2.053
112
16
34
35
BIG & RICH/Run Away With You (B&R/New Revolution)
4579
94
1478
57
6.807
0.072
123
1
37
36
PARMALEE/Already Callin' You Mine (Stoney Creek)
4345
181
1334
61
6.583
0.164
113
3
36
37
DAN + SHAY/Nothin' Like You (Warner Bros./WAR)
4299
43
1269
8
9.292
-0.3
113
5
39
38
LADY ANTEBELLUM/Long Stretch Of Love (Capitol)
4107
258
1063
64
8.992
2.221
100
6
COLE SWINDELL/Let Me See Ya Girl (Warner Bros./WMN)
3559
107
1042
34
5.946
0.327
95
10
44
40
AUSTIN WEBB/All Country On You (Streamsound)
3478
328
1112
95
4.853
0.657
94
4
40
41
BROTHERS OSBORNE/Stay A Little Longer (EMI Nashville)
3398
44
968
-11
5.322 -0.111
91
3
41
42
ELI YOUNG BAND/Turn It On (Republic Nashville)
3392
-63
912
8
5.359 -0.288
91
1
43
43
KACEY MUSGRAVES/Biscuits (Mercury)
3316
47
885
23
7.387
0.228
91
2
50
44
OLD DOMINION/Break Up With Him (RCA)
3248
1259
806
280
6.114
2.19
78
12
45
STEVEN TYLER/Love Is Your Name (Dot)
3222
3222
976
976
7.806
7.806
38
38
45
46
GARY ALLAN f/C. STAPLETON/Hangover Tonight (MCA)
2933
39
909
-3
3.5
-0.055
107
2
46
47
MO PITNEY/Country (Curb)
2725
-25
867
-35
3.801
0.211
86
2
47
48
JANA KRAMER/I Got The Boy (Elektra Nashville/WAR)
2650
216
860
68
4.151
0.316
90
6
49
SAM HUNT/House Party (MCA)
2596
999
766
288
4.801
1.617
52
17
50
THOMPSON SQUARE/Trans Am (Stoney Creek)
2165
-71
643
-12
2.687 -0.215
80
4
Debut
Debut
48
May 18, 2015
Country Aircheck Add Leaders
Adds
38
RANDY HOUSER/We Went (Stoney Creek)
22
22
17
16
14
CHRIS YOUNG/I'm Comin' Over (RCA)
Chart Page 4
Activator Top Point Gainers
885 ✔
725 ✔
723 ✔
688 ✔
686 ✔
13
638
12
593
11
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia)
593
10
579
LUKE BRYAN/Kick The Dust Up (Capitol)
10
528
Country Aircheck Top Point Gainers
Activator Top Spin Gainers
3222
1723
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia) 1600
✔
✔
✔
✔
✔
189
176
152
134
1597
1528
133
1471
1459
1333
131
130
129
1259
128
1255
112
Country Aircheck Top Spin Gainers
Country Aircheck Top Recurrents
Points
976
ZAC BROWN BAND/Homegrown (SouthrnGrnd/Varvatos/BMLG)
15309
500
SAM HUNT/Take Your Time (MCA)
13732
492
COLE SWINDELL/Ain't Worth The Whiskey (Warner Bros./WMN)
10204
457
LEE BRICE/Drinking Class (Curb)
9964
438
LUKE BRYAN/I See You (Capitol)
9151
436
THOMAS RHETT/Make Me Wanna (Valory)
7851
417
CHRIS YOUNG/Lonely Eyes (RCA)
7834
412
DARIUS RUCKER/Homegrown Honey (Capitol)
7773
A THOUSAND HORSES/Smoke (Republic)
402
397
SAM HUNT/Leave The Night On (MCA)
BRETT ELDREDGE/Mean To Me (Atlantic/WMN)
7311
6364
May 18, 2015
Chart Page 5
COUNTRY AIRCHECK ACTIVITY
Debuts at 45*
3,222 points, 976 spins
38 adds including: KASE, KBEB*, KFRG, KHEY, KHGE, KKIX,
KMDL, KMLE, KNCI, KNIX
A D D DAT E S
MAY 26
Lucy Angel/Crazy Too (G-Force/New Revolution)
CHRIS YOUNG/I’m Comin’ Over (RCA)
GARY ALLAN f/CHRIS STAPLETON/Hangover Tonight (MCA)
Moves 45-46*
2 adds: KWOF*, KXKT
JUNE 1
MO PITNEY/Country (Curb)
Moves 46-47
2 adds: KWOF*, WGH
June 8
JANA KRAMER/I Got The Boy (Elektra/WAR)
Moves 47-48*
6 adds: KBEB*, KCYY*, KPLM, KSJO*, KSSN, KWOF*
THE CADILLAC THREE/White Lightning (Big Machine)
Sam Hunt/House Party (MCA)
Hunter Hayes/21 (Atlantic/WMN)
Craig Campbell/Tomorrow Tonight (Red Bow)
Olivia Lane/You Part 2 (Big Spark/Star Farm)
Send yours to [email protected]
CHECK OUT
Debuts at 49*
17 adds including: KASE, KBEB*, KSJO*, KWOF*, WBCT,
WDXB, WEBG*, WFUS, WGAR, WGTY
Jon Pardi The B Sides, 2011-2014 (Capitol)
The digital EP contains six previously unreleased
tracks Pardi frequently performs live that were
recorded during sessions for his debut album
Write You A Song.
Moves 48-50
4 adds: KBEB*, KWOF, WGTY, WPGB*
Logan Mize Pawn Shop Guitar (Arista)
The five-song digital EP was produced by Jim
Catino, Ryan Gore and Mize, and includes the
current single “Can’t Get Away From A Good
Time.”
DRAKE WHITE/It Feels Good (Dot)
5 adds: KBEB*, KBEQ, WEBG*, WPGB*, WWGR
WATERLOO REVIVAL/Hit The Road (Big Machine)
2 adds: WGH, WYNK
Kelsea Ballerini The First Time (Black River)
Ballerini’s debut album features her first single
“Love Me Like You Mean It” and 11 other songs
she wrote or co-wrote.
CHASE BRYANT/Little Bit Of You (Red Bow)
4 adds: KAWO, KWOF*, WRNX, WXBQ
MONTGOMERY GENTRY/Folks Like Us (Blaster)
1 add: WPGB*
May 26
John Anderson Goldmine (Bayou Boys Music)
The Lacs Outlaw In Me (Average Joes)
Oak Ridge Boys Rock Of Ages (Gaither)
Mickey Guyton Self-Titled (Capitol)
May 18, 2015
Chart Page 6
LW
TW
2
1
10852
117
2251
52
55
0
4
2
10825
593
2266
130
55
0
3
3
A THOUSAND HORSES/Smoke (Republic Nashville)
10604
269
2195
70
55
0
1
4
KEITH URBAN f/ERIC CHURCH/Raise 'Em Up (Capitol)
10588
-529
2244
-94
54
0
5
5
10374
593
2147
129
57
0
6
6
10238
579
2110
133
54
0
8
7
9203
725
1877
131
56
0
7
8
TIM MCGRAW/Diamond Rings And Old... (Big Machine)
8896
402
1785
62
57
0
9
9
7874
723
1658
189
54
1
11
10
7495
688
1599
152
57
0
10
11
7430
285
1504
68
55
0
13
12
FRANKIE BALLARD/Young & Crazy (Warner Bros./WAR)
7322
370
1522
85
57
1
12
13
BRAD PAISLEY/Crushin' It (Arista)
7018
112
1425
30
56
0
14
14
LITTLE BIG TOWN/Girl Crush (Capitol)
6820
112
1456
37
57
0
15
15
JASON ALDEAN/Tonight Looks Good On You (Broken Bow)
6576
401
1387
99
56
0
17
16
CANAAN SMITH/Love You Like That (Mercury)
5930
261
1271
72
55
1
16
17
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
5820
81
1167
18
54
0
19
18
5034
638
1025
134
52
0
18
19
MICHAEL RAY/Kiss You In The Morning (Warner Bros./WEA)
4637
132
961
35
53
0
21
20
ERIC CHURCH/Like A Wrecking Ball (EMI Nashville)
3822
271
797
46
52
1
24
21
KIP MOORE/I'm To Blame (MCA)
3698
353
772
70
49
1
20
22
RASCAL FLATTS/Riot (Big Machine)
3642
77
744
16
43
0
22
23
GLORIANA/Trouble (Emblem/Warner Bros/WAR)
3562
172
718
41
48
0
23
24
MADDIE & TAE/Fly (Dot)
3439
73
703
5
49
2
28
25
3349
885
706
176
51
12
26
26
3170
528
641
112
48
2
25
27
DUSTIN LYNCH/Hell Of A Night (Broken Bow)
2897
210
623
43
47
0
27
28
MICKEY GUYTON/Better Than You Left Me (Capitol)
2666
187
548
49
47
1
30
29
REBA/Going Out Like That (Nash Icon/Valory)
2607
207
519
35
34
0
30
LADY ANTEBELLUM/Long Stretch Of Love (Capitol)
2461
202
524
50
45
1
29
Points +/- Points
Plays
+/- Plays
Stations Adds
May 18, 2015
Chart Page 7
LW
TW
31
31
1930
126
421
31
36
5
33
32
1923
460
379
104
25
7
32
33
ELI YOUNG BAND/Turn It On (Republic Nashville)
1635
113
354
16
34
1
35
34
CHASE RICE/Gonna Wanna Tonight (Columbia)
1429
126
306
24
36
0
38
35
AUSTIN WEBB/All Country On You (Streamsound)
1407
98
289
24
27
1
36
36
1310
91
311
17
29
4
37
37
PARMALEE/Already Callin' You Mine (Stoney Creek)
1264
72
296
19
32
2
39
38
GEORGE STRAIT/Let It Go (MCA)
1200
21
265
3
21
1
40
39
DAN + SHAY/Nothin' Like You (Warner Bros./WAR)
1123
-27
225
-9
26
0
41
40
KACEY MUSGRAVES/Biscuits (Mercury)
1121
62
238
12
31
0
42
41
BROTHERS OSBORNE/Stay A Little Longer (EMI Nashville)
941
11
219
13
28
2
43
42
TOBY KEITH/35 MPH Town (Show Dog)
918
62
209
12
24
1
44
43
BIG & RICH/Run Away With You (B&R/New Revolution)
897
111
183
25
25
0
46
44
JANA KRAMER/I Got The Boy (Elektra Nashville/WAR)
738
61
182
10
12
0
51
45
715
373
188
70
20
6
46
686
686
128
128
19
8
45
47
LOCASH/I Love This Life (Reviver/Star Farm)
686
38
155
7
11
0
47
48
BROOKLYHN WOODS/(When You Love A) Wild Thing (PCG/Nine North)
435
13
82
1
7
0
57
49
DARIUS RUCKER/Southern Style (Capitol)
381
138
79
33
7
2
49
50
CAM/My Mistake (Arista)
343
13
62
-3
9
0
52
51
340
37
115
13
16
0
48
52
JOHN KING/On Your Lips (Black River)
334
-62
57
-13
8
0
50
53
LOGAN MIZE/Can't Get Away From A Good... (Arista)
329
-10
85
-3
7
0
53
54
RACHELE LYNAE/Whole Lotta Nothin' (Momentum/In2une)
326
-16
50
-6
8
1
Debut
54
Points +/- Points
Plays
+/- Plays
Stations Adds
55
DRAKE WHITE/It Feels Good (Dot)
324
24
98
5
13
0
Debut
56
CHRIS YOUNG/I'm Comin' Over (RCA)
288
288
69
69
11
4
Debut
57
LEE BRICE/That Don't Sound Like You (Curb)
266
222
57
49
11
5
58
CHRIS STAPLETON/Traveller (Mercury)
246
-4
52
0
7
1
59
OLIVIA LANE/You Part 2 (Big Spark/Star Farm)
235
5
36
5
4
0
60
233
192
83
44
5
2
58
59
Debut

Market Analysis - Country Aircheck

Transcription

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