ACM Week Romeo Replay John Dickey Explains

April 27, 2015, Issue 445
John Dickey Explains Pop Category
Cumulus raised more than a few eyebrows over the last month
with the addition of pop songs on the playlists of two of its most
prominent Country stations – WNSH/New York and KSCS/Dallas.
Curiosity, speculation and criticism have attended the move, while
the word from Cumulus was mum ... until now. EVP/Programming
& Content John Dickey explains the decision, discusses its evolution, counters the naysayers and drops a few
interesting hints along the way in this exclusive
interview.
As he explains below, the impetus for the
new category is Taylor Swift. An analysis of
airplay over the seven days from 4/20 to
4/26 (source: Mediabase 24/7) shows KSCS
played 19 different Taylor Swift songs a total
John Dickey of 86 times. Swift’s “22” leads the way with
10 plays. Eleven pop hits by artists other
than Swift played a total of 46 times. The most-played cut in this
category was Ellie Goulding’s “Love Me Like You Do,” which aired
nine times. Songs in this category alternate between early in the second quarter hour, usually
beginning around :16-:18, and midway in the
third quarter hour, usually starting around :4041. These songs air primarily middays, afternoons and overnights, with occasional spins in
morning drive. KSCS airs Nash Nights Live with
Shawn Parr in the evenings. WNSH has ceased
playing the pop hits. Swift airplay comprised
10 titles and 29 plays in the last seven days.
CA: Why play pop songs on Country stations and why
on these two stations in particular?
JD: New York and Dallas are good markets for us to do this
in for similar, but slightly different reasons. We are defining what
country is in those markets. We own the only Country station in
New York and at this point we own the only two Country stations
in Dallas. And if there were to ever be a third, we would own it as
well. So we’re in good stead and therefore have the opportunity to
try a few things.
(continued on page 8)
Gamblin’ Man: Blue Chair/Columbia’s Kenny Chesney welcomes
radio backstage at one of two Mohegan Sun Casino shows in
Connecticut over the weekend. Pictured (l-r) are Columbia’s RJ
Meacham, WWYZ/Hartford’s Cory Myers, WKLB/Boston’s Ginny
Rogers, WWYZ’s Rich Rizzo, Chesney, WWYZ’s Broadway, WCTY/
Norwich’s Dave Elder, Morris-Higham Management’s Scot
Michaels and Sony’s RG Jones.
ACM Week Romeo Replay
Six years in the making, the logistics of taking the 50th Annual
ACM Awards and associated events to North Texas were daunting.
Despite attempting an awards show on a scale never before seen,
storms that threatened both nights of the Party
For A Cause Festival and a wee bit of industry
grumbling, a record-setting 70,000 attended
an awards show that set a 17-year ratings
high water mark.
As executed by the ACM team and a cast
of thousands, the original vision of ACM
CEO Bob Romeo exceeded his expectations.
Bob Romeo
“Humbled,” he says, looking back at the organization’s biggest week ever. “I’m humbled at
the fans, at the artists – when I think about it I start to tear up.”
© 2 0 1 5 Co u n t r y A i rc h e c k ™ — A l l r i g h t s r e s e r v e d . S i g n u p f re e a t w w w. c o u n t r y a i rc h e c k . c o m . S e n d n e w s t o n e w s @ c o u n t r y a i rc h e c k . c o m
April 27, 2015
Page 3
PA G E T H R E E P I C
Brad To The Bone: Newbie Arista artist Brad Paisley
(l) with then-WYCD/Detroit MD Brian Hatfield, who
describes Paisley’s 1998 conference room visit as
“one of the best I’ve ever seen even to this day.”
Send throwback shots of your own to pagethreepic@
countryaircheck.com.
Diving right into a list of the performers at Friday night’s Lifting
Lives Gala (4/17), he says, “Those artists volunteered and helped
us raise about $3 million.” Rain delayed the start of the outdoor
festival show also taking place that night, but Saturday’s gathering
at Globe Life Park had some truly scary moments. “Thank God
there was no tornado,” Romeo says. “We scanned 29,000 and
they were all waiting in the concourses. If we lost 3,000 [to the
delay] I’d be surprised. When the artists saw that, they were like,
‘What can we do?’ And they all stepped up. This was a big gamble and if they’d said, ‘Bob, we’re going home’ and we couldn’t
deliver a special to CBS, we would have lost millions. But the fans
are the heroes. We have the greatest fans in any format – true
dedication.”
As for the big show itself, look for an in-depth analysis of
Sunday’s awards (4/19) with Exec. Producer RAC Clark in next
week’s issue (5/4). In the house, exhaustive planning and testing
couldn’t prevent a few audio “dead zones,” including in industry
seating between the stages. “We’ve dealt with festivals with large
crowds, we’ve dealt with awards shows ... nobody on the team
had ever dealt with 70,000
people for an awards show,”
Romeo says. “Not that we
weren’t prepared. We were so
dialed in on sound. [Sound
designer] Pat Baltzell walked
that room 10 times. We were
getting a few complaints that
people couldn’t hear Blake
and Luke talking, but if you
turn them up too high you get We Can’t Hear Anything!
to the point of feeding back
on the open mics we have out in the house for the TV audio. Pat
said, ‘Bob, I’ve never pushed that threshold in one of those shows.
Of course, the biggest one I’ve done had 15,000 people.’ With
70,000 people in the room, at any given time you might have
12,000 of them talking. That’s more than fits in the MGM Grand.
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April 27, 2015
So when you’re handing out awards, we almost couldn’t get over
the ambient noise volume.”
The telecast, however, seemed to dodge the typical audio
complaints. Visually, it was exceptional. “Even if you’re not a fan,
if you happened to catch it on TV and see one of those shots of
somebody singing on the big screen, then see the massiveness
behind it, you’re going, ‘What the shit is this?’” Romeo says. “You
don’t have to tell people it’s big. They could just see it. It sends a
message to the world, ‘Look how big country music is.’”
Romeo is effusive with praise for CBS and President/CEO Les
Moonves, who embraced the move as a concept, with increased
financial support and prodigious promotion. “He has been 100%
supportive and never backed up at all,” Romeo says. Moonves
and venue owner Jerry Jones were so pleased, they’ve already
asked for a return. And Romeo told local media he’d consider
playing AT&T Stadium every five years. “Well, I got blindsided,”
he says of his answer to the suggestion. “The governor, Les and
Jerry were saying they’d love for it to be in Dallas every year. I had
to say to Les, ‘We have given a commitment to go back to Vegas
next year.’ But we do want to carry on these discussions. It was
unique to do something like this with no playbook – a complete
unknown. Now we know how to do it – I have 20 pages of notes,
trust me.”
Before he publishes the book on ginormous awards shows,
however, Romeo has a few [thousand] people he wants to thank.
“We are just so humbled at the help from everyone – radio,
television, artists, sponsors. We wouldn’t have been able to do
this without a lot of support and I hope everyone who pitched in is
paid back tenfold in interest in country music and great success.
I just want them all to know how grateful the Academy and the
board are to all those who helped.” –Chuck Aly
Chart Chat
Congrats to Lee Brice, Ryan Dokke, Mike
Rogers and the entire Curb promotion staff on
scoring this week’s No. 1 with “Drinking Class.”
The song is the second chart-topper from his I
Don’t Dance album, joining the title track.
Kudos also to Zac Brown Band, Southern Ground and BMLG on the ascension of
“Heavy Is The Head” to No. 1 on the MediaLee Brice
base Active Rock chart. The song also features
Chris Cornell. As well to Mara Sidweber, Chuck Swaney and
team for landing 73 Country adds for ZBB’s “Loving You Easy,”
topping this week’s board.
Page 5
MY TUNES: MUSIC THAT SHAPED MY LIFE
Geisler Radio’s Carl Geisler discusses
his most influential music:
1. The Uniques, 1966, Conroe, TX:
Joe Stampley was the lead singer of this
pop group that played at the VFW hall.
I was a sophomore in high school and
knew right then that I wanted to be in
the music business. I was too impatient
to learn to play an instrument and can’t
sing – but fortunately I discovered radio
in 1972 and I’ve been doing it ever
Carl Geisler
since. Thanks Joe!
2. Conway Twitty/I Can’t Stop Loving You: One of the
first songs I played at my first station, KNRG/Midwest City,
OK in 1972. I didn’t care for country music at the time, but
this song started turning me around. And Conway lived in the
area at the time.
3. George Strait, Blame It On Mexico: We booked George
at our county fair in Columbus, TX. He pulled up to the venue in
a 12-passenger van with a U-Haul trailer. As we drove around
to the back to unload, he asked me what my favorite song on
his first album was. I told him “Blame It On Mexico.” To this day
it is still my favorite George Strait song.
4. Led Zeppelin/Stairway To Heaven: My favorite song of
any genre. I saw them do it twice in concert – something I will
never forget.
5. Willie Nelson/Always On My Mind: My favorite country song. A lot of people have done this great song, but not
like Willie.
•A highly regarded song or album you’ve never heard:
The Outsiders, Eric Church. Very popular ... maybe I’ll check it
out one day.
•An “important” piece of music you just don’t get: Rap.
The beat on some of the songs is ok but I have no idea what
they are saying.
•An album you played or listened to incessantly: The
Beatles’ Sgt. Pepper’s Lonely Hearts Club Band.
•One obscure or non-country song everyone should listen to right now: The new album by Jessi Teich, Twisted Soul.
If you like female jazz singers, this lady kills it.
•Music you’d rather not admit to enjoying: Polka. You
can’t live in my part of Texas without getting a full dose of polka
music. A lot of it is very good.
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April 27, 2015
News & Notes
iHeartMedia has launched KDRB-HD2/Des Moines as “96.5
Country.” Premiere’s The Bobby Bones Show will debut in mornings May 26.
Premiere’s Bobby Bones has signed a deal with a division of
HarperCollins to publish his memoir.
Cox’s WHKO/Dayton is the latest affiliate of Envision’s
AmeriCountry prep service.
Songwriter Parker Welling has signed a publishing deal with
Jeffrey Steel’s 3 Ring Circus Music.
CMA World GlobaLive!, a free, international country music
showcase, will be held June 8 at 6pm CT in downtown Nashville’s
Walk of Fame Park and feature artists from Australia, New Zealand, Brazil, Canada, the Netherlands and U.K./Ireland.
Women Rock For The Cure will hold its annual Young Survivors Retreat Sept. 24-27 at Deer Run Retreat Center in Thompson’s
Station, TN. The all-expense paid event is open to around 20 women currently undergoing treatment or survivors of breast cancer who
were diagnosed between the ages of 18-40 years. Limited space is
available and applications will be accepted May 1-4 here.
Artist News
Dierks Bentley, Eric Church, Brett Eldredge, Big Kenny, Jana Kramer, members of Little Big Town and Martina
McBride are among the artists attending the 16th annual Best
Cellars Dinner tonight (4/27) at City Winery in Nashville. The
event helps the T.J. Martell Foundation fund research for leukemia, cancer and AIDS at the Frances Williams Preston Labs at the
Vanderbilt-Ingram Cancer Center. More info here.
Singer-songwriter Chelsea Bain has signed with WME for
booking representation.
Keith Anderson will release I’ll Bring The Music May 12. He’s
also partnered with Kicker Audio for the I’ll Bring The Music
Tour. More here.
Ty Herndon and Meghan McCain will host the inaugural
Concert for Love and Acceptance June 12 at City Winery in Nashville. More info here.
John Berry will kick off the first leg of his 2015 Christmas Tour
Nov. 20 in Marietta, GA. Tour dates here.
The Garth Brooks World Tour with Trisha Yearwood has
extended its Knoxville run, making opening night May 28 at
Thompson Boling Arena. Additional dates are May 29-31.
A Night With Legends will be held June 10 at The Wildhorse
Saloon in Nashville benefiting The Children’s Hospital At
Page 7
OFF THE RECORD: Jason Michael Carroll
For The Lonely Records’ Jason Michael
Carroll puts an industry spin on the
artist interview:
I grew up listening to WQDR/Raleigh, NC. I’d have to sneak my headphones into my bed and listen at night.
Growing up, my parents didn’t allow me
to listen to anything but gospel music.
The first time I heard myself on
the radio, I called into WQDR for an
Jason Michael
interview. We were still a local band at the
Carroll
time, opening for Neal McCoy. They said
they wanted to interview us at the same time. To this day, Neal is
one of my favorite people. My mom recorded the interview so I
got to hear it later.
My first single was called “Lookin’ At You.” Lori Hartigan
was one of our radio reps. She had this awesome promotion
idea to make laminates with sheep on them that said “Lookin’
At Ewe.” She went to an adult-themed store and bought a blowup sheep. At one of the stations we visited, she tried to get me
to go in, sheep in hand, and give it to the deejay. Looking back,
it’s genius because they would never have forgotten about me.
But I wasn’t willing to carry this sheep. So the sheep stayed on
the bus and we used all the holes in it as Sharpie holders.
I played a golf tournament the other day for a Chamber of Commerce. They had a charity booth and the guy said,
“Would you like to fire a golf ball out of an AR-15?” He had a
special attachment on the end of it and if you paid $10 to the
charity you could fire the golf ball and play it wherever it landed. I guess that’s the most redneck thing I’ve done lately.
I wish I had written “Don’t Know What You’ve Got (Till
It’s Gone).” I’ve taught my kids the value of Cinderella. It’s a
family favorite.
I’m kind of an open book; I don’t really have a least
favorite interview question. My least favorite question for people
to ask me when I’m out somewhere is, “You don’t remember
me, do you?” It’s like, “C’mon man, you just wasted time and
we could have already been in a conversation.”
I love Chicago. That town is amazing. I grew up in the
country and I would never want to live anywhere else, but
there’s something about Chicago that’s got my heart.
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April 27, 2015
Vanderbilt. Artists confirmed include The Oak Ridge Boys,
Mickey Gilley, Lorrie Morgan, Restless Heart’s Larry Stewart
and Exile. Larry Gatlin and WSM-AM’s Bill Cody will co-host
the event. Tickets here.
The Week’s Top Stories
Full coverage at countryaircheck.com.
• Nielsen Audio released Winter 2015 diary ratings. (4/20-27)
• Beasley KCYE/Las Vegas afternoon Todd Michaels was promoted to APD. (4/27)
• Cumulus WKOS (Nash FM)/Tri-Cities, TN shifted to Nash
Icon. (4/24)
• Cox KCYY/San Antonio APD/MD/afternooner Carey Edwards exited. (4/24)
• CBS Radio/Las Vegas VP/Programming Charese Fruge was
named VP/Programming & OM of the company’s Houston cluster,
which includes Country KILT. (4/23)
• Ryman Hospitality WSM-AM/Nashville GM Randy Bush
exited after more than a year. (4/23)
• iHeartMedia Top 40 WIHT/Washington MD/evening personality Elizabethany will voice-track that daypart for the company’s KWNR/Las Vegas. (4/22)
• Cumulus WQXK/Youngstown, OH afternoon
personality Heather Stevens resigned after 12 years. (4/22)
John Dickey Explains Pop Category
(continued from page 1)
In New York, our challenge is not only to expose country to
New Yorkers from the consumer standpoint, but to also expose
and define it to Madison Avenue. We have to reintroduce country,
help them understand how far it’s come and give them a better
Page 8
sense of what country today looks and feels like. So we’re trying to
put on a mass-appeal format. Tying into Dallas, we want to give
the station a real shot in the arm by pulling audience from the big
Top 40s, Hot AC and even AC in the market.
But you’re not playing pop in New York any longer.
That was a short-term thing purposefully designed to create a
lot of chatter, which it did, but we’re not playing what I call “bridge
records” anymore in New York. It reenergized
the cume and created a lot of interest, but the
goal was never to try and build a format or
coalition around those records. The key for us is
what we’re doing with Taylor Swift there and in
Dallas by playing her every hour. We’re going
to see how it works, and maybe eventually roll
it out more.
And in Dallas where you own both
Taylor Swift
Country stations?
Our goal is to put two great radio stations on that compete
tooth-and-nail for audience, but that are properly positioned and
differentiated. So KPLX is the more gold-driven of the two. It’s
similar to what we’re doing in New York in the sense that we’re
playing more gold and what I would consider to be the superstars
of the format. It’s not as current, so it’s more artist-driven on KPLX.
KSCS is more song-driven. It’s a very current, 18-34-focused
Country station that is deciding what it plays based on the quality
of the song and not necessarily on the artist and their longevity
in the format. I’m programming those radio stations to be very
aggressive, successful and complimentary of one another. When
somebody’s punching in KSCS versus KPLX, they’re going to get
country, but they’ll get two different experiences.
And part of that experience on KSCS is pop songs.
Aren’t you worried about driving away Country P1s?
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ca/mb: 14* +1,487 points
(8th largest increase of the week)
bb: 14* +2,850,000 audience
(6th largest increase of the week)
researching - selling - reacting
convert this hit today!
April 27, 2015
No. Those songs are sprinkled into a category that the preponderance of which is Taylor Swift. Taylor had four albums before
1989. So you’ve got 50 songs, maybe a few more, 16 of which
were taken to Country radio and were hugely successful. We’ve
designed a category that has all of that music in it with just a few
of those songs you’re describing. They’ve been spun heavily over
on [Top 40 KHKS] or on [Hot AC KDMX] and they’re familiar.
Listeners think, “I know the song, I like the song, and I’m hearing
it on this station. Okay, great.”
People in the business are looking at it on a monitor and
saying, “Wait a minute. Why is Echosmith showing up?” That’s
not how the average person thinks about it. There are 12 other
records around it that are not pop-driven. Look at the sharing
that’s being done in markets now between the big Top 40 and the
current-driven Country station. It’s huge. The real story is not so
much that we occasionally play an Echosmith or Ed Sheeran song;
it’s why have we been sending people to Top 40 for Taylor Swift
for the last 15 months?
What about the argument you’re not meeting audience
expectations by playing pop songs on a Country station?
You’re in the middle of it from an industry standpoint –
let’s play flashcards. You don’t know these artists. You’re just
listening to just a few hooks of their songs. You tell me what
they are. Florida Georgia Line – country, rock or pop? We can
do Brantley Gilbert, Eric Church or Sam Hunt. You’re telling
me Sam Hunt’s song is country?
Today Country is successful because
it’s co-oping other audiences into
the format. The problem that our
business will always have and that
will keep it from realizing its full potential is the narrow-mindedness of
the industry; the inability of people
inside our business to look at what
we’re trying to do and not be so formatically rigid about what
defines Country.
People didn’t go to school over formats – they love music, and
they’re getting a Country experience on KSCS. You’ve got 13
records an hour, of which 97-98% are pure country as we would
rigidly define it. So I don’t think that there’s anybody who’s going
to be listening and say, “Geez, what are they doing?” They’ll say,
“I’m going back and forth between [KHKS] and KSCS. I love Sam
Hunt, Florida Georgia Line, Meghan Trainor and Taylor Swift.
This is how 30-somethings, millennials, teens and forward interact with and consume music. This is what they’ve got on their
custom playlists.
Page 9
So you’re correct in saying that one of the tenets of programming is to understand what the expectation is and don’t violate it.
I agree with that. But what we haven’t thought about and debated
as an industry is where are those expectations changing? What
have we done to keep up with those expectations? When you’ve
got artists and bands that could just as easily be rock as country or
pop as country, and we still have radio stations that are overly rigid in how they image and package themselves, then I think that’s
the problem – a missed opportunity and misalignment of expectations. The values on [KSCS] are always going to be country.
So let’s talk about Taylor.
She’s the biggest artist on the planet right now and I promise
you when she kicks off her stadium tour, the Country station in
every market she goes into will be fully engaged and sending
listeners. Why let the Top 40 stations have a monopoly on the biggest artist on the planet because she wanted to creatively expand
her horizons? It’s crazy.
The cume in New York over the last 30 days has crested back
over a million with no marketing and the ratings on the radio
station are growing. Based on everything we’re looking at, there’s
a correlation between that, the familiarity of the artists and that
we’re giving people Taylor.
Where are you seeing the cume growth?
It’s growing on the younger end and I would broadly define
that as 18-49. It’s really coming in a 20 to 25-year band from 18
to 40. The top-cuming [Country] radio stations in the U.S. [have
never] been able to exceed 1.4 million, give or take. Top-cuming
Top 40s do three times that.
In New York we’re trying to get to two million cume. That may
be a real lofty goal, which is fine. But I want to see if we can’t
push the envelope and collectively, with what we draw out of New
Jersey and Long Island, have a station that reaches two million
people in this format. The only way we’re going to do that is by
broadening the format.
Back to Taylor, the question is does she have a role in Country
today? Dallas and New York think so. We are back in the Taylor
business and this is why. That’s the story. And secondarily and in
line with that, in Dallas we’re using some bridge records creatively
to pull audience that we’re sharing closer.
–Russ Penuell
Lon Helton, [email protected]
Chuck Aly, [email protected]
Russ Penuell, [email protected]
Jess Wright, [email protected]
Wendy Newcomer, [email protected]
(615) 320-1450
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April 27, 2015
Page 10
Winter 2015 Diary Ratings Scoreboard
Here are Winter 2015 (1/8-4/1) Nielsen Audio diary ratings results, listed
alphabetically by market. Ranks (in parentheses) are among subscribers. Nonsubscribing stations in published markets are excluded.
Legend: A “+” indicates a Classic Country outlet; a “^” designates co-owned
Country stations in the metro; “t” indicates a tie; and a “*” indicates a station
best in that statistic
Station/City
12+ Share Last Book
12+ Share Winter 2015
WFFG/Albany
0.9 (16t)
0.8 (16)
WCYQ/Knoxville
WGNA/Albany
8.1 (1)
8.8 (1)
WIVK/Knoxville
WKLI/Albany
3.3 (8)
3.3 (9)
WMYL/Knoxville
1.5 (11)
1.5 (11)
KBQI/Albuquerque
2.7 (10)
3.5 (8t)
WAMZ/Lousville
7.2 (2)
7.6 (2)
KBQI HD2/Albuquerque 2.4 (11)
2.2 (14)
WQNU/Louisville^
4.7 (6)
3.1 (10)
KRST/Albuquerque
4.1 (5)
3.5 (8t)
WRKA/Louisville^+
3.3 (11)
2.9 (11t)
WCTO/Allentown
10.5 (2)
10.3 (2)
WNOE/New Orleans
4.6 (6)
4.9 (6)
2.3 (14)
WRKN/New Orleans
1.3 (15)
1.3 (14)
9.2 (2)
KJKE/Oklahoma City
5.2 (5)
6.5 (1)
KCWR/Bakersfield^
KUZZ/Bakersfield^
2.3 (13t)
10.0 (1)
Station/City
12+ Share Last Book
12+ Share Winter 2015
5.3 (6)
3.4 (7)
16.9 (1)
17.1 (1)
KVMX/Bakersfield
1.2 (18)
0.8 (18t)
KTST/Oklahoma City^
5.6 (2)
5.6 (5)
WYNK/Baton Rouge
4.0 (5)
6.3 (4)
KXXY/Oklahoma City^+ 3.7 (9t)
3.4 (9t)
WZZK/Birmingham
5.6 (5)
6.0 (3)
KFFF/Omaha^+
2.5 (12)
3.1 (9t)
WDXB/Birmingham
4.5 (7)
5.2 (5)
KXKT/Omaha^
9.4 (1)
9.2 (2)
12.8 (1)
8.1 (2)
WLFV/Richmond^
1.7 (13)
2.2 (12)
2.0 (10)
WKHK/Richmond
9.2(1)
8.1 (2)
WWLB/Richmond^+
1.4 (15)
2.1 (13)
WYRK/Buffalo
WCLI/Dayton
WHKO/Dayton
1.4 (13)
12.8 (1)
12.0 (1)
WYDB/Dayton
1.6 (12)
1.6 (12)
WBEE/Rochester, NY
11.3 (1)
10.0 (1)
KHEY/El Paso
5.2 (6t)
5.4 (8)
KIIM/Tucson
8.7 (1)
7.5 (3)
KHGE/Fresno
2.5 (11)
2.5 (13)
KYWD/Tucson
1.4 (15t)
0.8 (19t)
KSKS/Fresno
4.9 (5)
4.4 (6t)
KTGX/Tulsa
3.9 (10)
4.6 (6t)
WBCT/Grand Rapids
10.4 (1)
9.4 (1)
KVOO/Tulsa^
4.6 (6)
6.5 (2)
WTNR/Grand Rapids
3.1 (8t)
3.2 (10t)
KWEN/Tulsa
6.8 (1)
6.1 (3)
WESC/Greenville, SC^
6.0 (3)
8.1 (2)
KXBL/Tulsa^+
5.8 (3t)
4.6 (6t)
WSSL/Greenville, SC^
7.5 (2)
6.6 (3)
WGGY/Wilkes-Barre
7.2 (3)
6.9 (3)
WRBT/Harrisburg
5.4 (5)
6.7 (4)
WSJR/Wilkes-Barre
1.7 (10)
2.0 (9)
WZCY/Harrisburg
2.0 (8)
2.3 (8)
WGTY/York, PA
WXBQ/Johnson City, TN 20.0 (1)
21.9 (1)
12.3 (1)
10.9 (1)
WZCY/Harrisburg (York, PA) 3.3 (7)
1.5 (7t)
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April 27, 2015
March 2015 PPM Scoreboard
Country radio shares were down by less than 1% compared to February
2015. Of the 89 subscribing stations that posted a 1.0 share or higher, 39
increased, 37 decreased and 11 were flat.
March
February
March
February Rank
Rank
6+ Share
Cume
Cume
6+ Share
WKHX/Atlanta
3.1 14t 3.3 13 587,800625,000
WUBL/Atlanta
4.8 7 4.4 10 650,700658,100
KASE/Austin^
6.6 2t 6.3 2t 338,500374,400
KVET/Austin^
6.6 2t 6.3 2t 301,300342,300
KOKE/Austin
1.7 19 1.9 20 90,100106,300
WPOC/Baltimore
8.8 1 8.8 1 513,000495,700
WKLB/Boston
5.8 5 5.8 5 779,400814,300
WBWL/Boston
1.3 21 1.5 20 306,600357,600
(flipped to Country June 13)
WCTK/Providence (Boston) 0.9
22
1.2
22
147,200 161,000
WKKT/Charlotte
7.3 1 7.4 2 475,100496,000
WSOC/Charlotte
6.3 3 7.9 1 446,400506,000
WEBG/Chicago
1.7 23 2.3 18t 615,600742,400
(launched 1/5)
WUSN/Chicago
2.8 15t 2.6 15 1,083,1001,128,100
WNNF/Cincinnati
1.8 16t 2.2 17t 211,500231,200
WUBE/Cincinnati^ 6.6 5 6.2 4 393,000431,300
WYGY/Cincinnati^ 1.5 17 1.2 18 161,700166,600
WGAR/Cleveland
8.8 3 9.3 2 440,000441,500
WCOL/Columbus, OH
11.8
1
12.6
1
422,800 498,300
WHOK/Columbus, OH
2.0
16
2.0
16
97,300 102,400
KPLX/Dallas^
4.8
4 4.5
4 1,045,2001,056,500
KSCS/Dallas^
3.6 9 4.0 6 801,400730,400
KWOF/Denver
2.1 18t 2.1 19 260,700245,400
KYGO/Denver
4.2 11t 4.3 10t 459,200491,900
WDRQ/Detroit
1.5 22 1.7 19t 357,700406,300
WYCD/Detroit
3.5 14 3.5 14 600,500622,700
WPAW/Greensboro 6.4 4 5.1 9 232,600236,300
WTQR/Greensboro 6.1 6 6.8 4 271,800288,600
WWYZ/Hartford
8.0 3 7.6 3 209,200224,400
KILT/Houston
3.9 9 4.1 9 928,400958,700
KKBQ/Houston^
5.3
6 5.4
5 1,157,2001,155,700
KTHT/Houston^+ 2.0 19t 2.1 20 545,900536,600
WFMS/Indianapolis 5.3 8 5.7 7 269,400300,200
WLHK/Indianapolis 6.2 4t 7.4 1 294,700331,200
WGNE/Jacksonville 7.3 4t 6.8 5 282,100283,400
WMUV/Jacksonville 1.4 15 1.1 15 51,60054,000
WQIK/Jacksonville 7.3 4t 8.5 2 278,600305,900
KBEQ/Kansas City^
3.4
14
2.9
17
282,700 279,300
KFKF/Kansas City^
4.7
9
4.6
8t
300,300 332,500
WDAF/Kansas City
6.2
3
5.0
5t
236,100 337,400
KCYE/Las Vegas
3.3
10
2.5
16t
177,400 167,500
KWNR/Las Vegas
3.1
13t
3.3
11
188,300 203,100
KKGO/Los Angeles
2.3
19t
2.3
18t 1,100,500 1,093,200
WEBL/Memphis
1.3 19t 1.3 19 76,70098,900
WGKX/Memphis
3.9 9 4.0 10 167,400177,900
WLFP/Memphis
1.8 16t 1.7 17 92,00095,200
(flipped to Country 9/26)
Station/City
Page 11
Total cume increased 1,451,400 to 36,145,100. The cume leader was
Cox’s KKBQ/Houston with 1,155,700. CBS Radio’s WUSN/Chicago was
second with 1,128,100.
Legend: A “+” indicates a Classic Country outlet; a “^” designates coowned Country stations in the metro; “t” indicates a tie; and a “*” indicates
a station best in that statistic. Ranks are among subscribers.
February
March
February
Rank 6+March
Rank
Share
Cume
Cume
6+ Share
WKIS/Miami
3.2 15t 3.5 13t 443,900479,900
WNSH/New York (Middlesex) 2.5
16
2.8
14
127,700 135,400
WMIL/Milwaukee 10.7 1 10.7 1 446,000460,800
KEEY/Minneapolis 6.3 4t 6.9 4 628,900665,500
KMNB/Minneapolis 5.3 7t 5.0 9 547,200581,200
WKDF/Nashville^ 4.9 8 4.4 8 230,900238,200
WSIX/Nashville
3.8 10 3.4 12 222,900242,400
WSM-FM/Nashville^ 4.3 9 3.6 10t 215,200211,900
WSM-AM/Nashville 1.3 17t 1.7 16t 51,30055,800
WNSH/New York (Nassau) 1.1
25t
1.3
22t
136,200 147,200
WNSH/New York
1.3
22
1.5
20
763,300 878,800
WGH/Norfolk
6.0 3t 5.5 3t 236,200238,600
WWKA/Orlando
5.4 6t 5.1 7 294,500293,200
KMLE/Phoenix
4.6 7 4.9 4 633,000624,000
KNIX/Phoenix
4.2 9 4.1 9 623,700674,900
WXTU/Philadelphia 4.2 9 4.2 11 687,400718,800
WDSY/Pittsburgh
4.8 6 4.3 8 376,100379,800
WPGB/Pittsburgh
3.2 11 3.1 11 244,700257,700
KWJJ/Portland
5.9 4 5.0 7 466,400420,900
KUPL/Portland
3.5 12t 3.8 10t 361,200388,400
WCTK/Providence
7.6 3 7.6 3 329,000335,600
WNCB/Raleigh
3.4 13 3.3 12t 169,200184,400
(flipped to Country 11/1/13)
WQDR/Raleigh
8.8 4 8.2 1 299,200301,300
KFRG/Riverside
3.5 6 3.3 7 251,700302,300
KBEB/Sacramento 2.5 14t 3.1 14t 189,300226,700
KNCI/Sacramento
4.5 6t 4.0 10t 328,800327,400
KNTY/Sacramento 2.0 17 2.1 17 213,400214,300
KEGA/Salt Lake City
1.2
21t
1.3
21t
172,500 168,900
KSOP/Salt Lake City
5.1
7
4.3
10
254,000 242,300
KUBL/Salt Lake City
3.5
13
4.1
12t
314,700 302,100
KAJA/San Antonio
5.9
3
5.2
4
568,300 551,300
KCYY/San Antonio^
7.0
1
7.2
1
568,300 595,200
KKYX-AM/San Antonio^+ 2.6
16t
2.0
19
143,800 136,600
KSON/San Diego
4.9
6
4.6
6t
443,600 463,700
KRTY/San Jose
4.0
7
3.4
9t
166,400 155,000
KSJO/San Jose
1.7
25t
1.7
22t
82,200 107,500
KKWF/Seattle
4.7 6t 4.8 6 522,100525,800
KMPS/Seattle
2.6 19 2.8 17 420,000459,400
KSD/St. Louis
5.8
4
6.0
5
519,200 547,200
WIL/St. Louis
5.7
5t
5.2
8t
513,900 509,300
WFUS/Tampa
4.5 9t 4.3 11 500,100475,000
WQYK/Tampa
5.2 6 5.0 6 404,600386,000
WMZQ/Washington 3.4 13t 3.9 11t 641,000625,800
WIRK/West Palm Beach 6.8
3
7.5
2
213,000 216,900
Station/City
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April 27, 2015
LW
TW
Artist/Title (Label)
Chart Page 1
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
3
1
LEE BRICE/Drinking Class (Curb)
27067
1755
7794
507
59.897
2
2
DIERKS BENTLEY/Say You Do (Capitol)
26557
490
7615
101
5
3
KEITH URBAN f/ERIC CHURCH/Raise 'Em Up (Capitol)
24484
945
7050
252
6
4
TYLER FARR/A Guy Walks Into A Bar (Columbia)
24157
1438
7141
397
151
0
60.748 1.562
151
0
55.813 2.833
151
0
151
0
1
5
SAM HUNT/Take Your Time (MCA/Capitol)
23672
-3954
6815
-1211
50.766 -11.403
151
0
7
6
BILLY CURRINGTON /Don't It (Mercury)
22548
881
6575
307
49.877 1.283
151
0
8
7
A THOUSAND HORSES/Smoke (Republic Nashville)
20237
1529
5871
423
45.902 4.587
150
0
4
8
ZAC BROWN BAND/Homegrown (SouthrnGrnd/Varvatos/BMLG) 19986
-5191
5706
-1491
42.866 -11.064
151
0
10
9
FLORIDA GEORGIA LINE/Sippin' On Fire (Republic Nashville)
19738
2385
5598
677
45.848 6.023
150
0
11
10
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia) 17498
1378
5146
452
38.842 2.351
151
0
13
11
EASTON CORBIN/Baby Be My Love Song (Mercury)
15150
597
4333
184
34.065 1.578
148
0
14
12
CARRIE UNDERWOOD/Little Toy Guns (19/Arista)
14993
661
4364
231
151
0
12
13
TIM MCGRAW/Diamond Rings And Old... (Big Machine)
14975
140
4475
72
35.339 0.528
151
0
15
14
KELSEA BALLERINI/Love Me Like You Mean It (Black River)
14310
1487
4228
376
31.775
151
0
17
15
BRAD PAISLEY/Crushin' It (Arista)
12857
554
3756
163
28.777 0.693
151
1
16
16
ERIC PASLAY/She Don't Love You (EMI Nashville)
12716
-34
3768
35
26.976 -0.552
150
0
19
17
CANAAN SMITH/Love You Like That (Mercury)
12183
1043
3560
306
24.398 1.947
145
0
20
18
FRANKIE BALLARD/Young & Crazy (Warner Bros./WAR)
11611
1404
3388
453
24.763
151
0
21
19
LITTLE BIG TOWN/Girl Crush (Capitol)
11314
1381
3240
429
24.657 3.563
150
0
26
20
BLAKE SHELTON/Sangria (Warner Bros./WMN)
10922
3160
3089
943
24.493 7.588
149
13
23
21
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
10342
1719
3040
479
22.252 4.697
144
1
22
22
MICHAEL RAY/Kiss You In The Morning (Warner Bros./WEA)
10146
527
3070
200
19.62
1.154
134
1
25
23
JASON ALDEAN/Tonight Looks Good On You (Broken Bow)
9635
1381
2822
421
19.533
2.66
142
7
18
24
MIRANDA LAMBERT/Little Red Wagon (RCA)
9418
-2073
2676
-637
20.595 -4.447
147
0
27
25
GLORIANA/Trouble (Emblem/Warner Bros/WAR)
7898
271
2351
108
17.105 0.423
143
1
53.76
33.6
3.1
2.872
1.39
4.02
2.53
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April 27, 2015
LW
TW
Artist/Title (Label)
Chart Page 2
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
28
26
RASCAL FLATTS/Riot (Big Machine)
7303
355
2204
121
14.331 0.669
143
4
30
27
DUSTIN LYNCH/Hell Of A Night (Broken Bow)
6965
770
2056
232
11.735
140
5
31
28
ERIC CHURCH/Like A Wrecking Ball (EMI Nashville)
6262
68
1906
93
11.799 0.109
129
2
32
29
KIP MOORE/I'm To Blame (MCA)
5979
-14
1672
10
12.656 0.096
133
6
33
30
MADDIE & TAE/Fly (Dot)
5970
84
1729
4
13.041 0.447
137
2
35
31
LUKE BRYAN/Games (Capitol)
5549
963
1566
318
12.244 2.104
81
7
34
32
REBA/Going Out Like That (Nash Icon/Valory)
5171
101
1372
30
15.037 0.443
54
0
36
33
MICKEY GUYTON/Better Than You Left Me (Capitol)
5086
504
1456
111
10.088 1.004
137
1
37
34
CHASE RICE/Gonna Wanna Tonight (Columbia)
4571
238
1319
78
7.873
0.105
123
2
38
35
BIG & RICH/Run Away With You (B&R/New Revolution)
4470
264
1393
110
7.059
0.422
123
0
39
36
DAN + SHAY/Nothin' Like You (Warner Bros./WAR)
3856
583
1118
160
8.926
1.253
105
3
40
37
PARMALEE/Already Callin' You Mine (Stoney Creek)
3619
361
1107
112
6.102
0.972
111
1
38
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
3342
3342
989
989
8.515
8.515
76
73
41
39
LADY ANTEBELLUM/Long Stretch Of Love (Capitol)
3175
310
817
118
6.241
0.585
86
7
46
40
BROTHERS OSBORNE/Stay A Little Longer (EMI Nashville)
2999
703
842
221
5.207
1.444
84
1
45
41
ELI YOUNG BAND/Turn It On (Republic)
2864
221
827
58
5.023
0.2
85
2
42
42
GARY ALLAN f/C.STAPLETON/Hangover Tonight (MCA)
2840
9
877
4
4.127
0.139
106
3
THOMAS RHETT/Crash And Burn (Valory)
2775
1045
776
276
5.491
2.282
93
34
Debut
0.92
47
44
AUSTIN WEBB/All Country On You (Streamsound)
2773
526
934
168
3.754
1.202
89
5
44
45
KACEY MUSGRAVES/Biscuits (Mercury)
2718
65
786
16
4.906
0.05
87
2
29
46
JOSH TURNER/Lay Low (MCA)
2702
-4027
773
-1240
139
0
43
47
MO PITNEY/Country (Curb)
2632
-105
864
-15
3.886
-0.08
85
1
48
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
2624
2624
734
734
6.186
6.186
51
44
49
JANA KRAMER/I Got The Boy (Elektra Nashville/WAR)
2529
434
767
102
4.474
0.427
81
6
50
DRAKE WHITE/It Feels Good (Dot)
1975
-50
573
-9
2.585 -0.152
74
2
Debut
48
49
4.938 -7.027
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April 27, 2015
Country Aircheck Add Leaders
Adds
Chart Page 3
Activator Top Point Gainers
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
73
BLAKE SHELTON/Sangria (Warner Bros./WMN)
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
44
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia)
916 ✔
THOMAS RHETT/Crash And Burn (Valory)
34
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
890 ✔
COLE SWINDELL/Let Me See Ya Girl (Warner Bros./WMN)
27
JASON ALDEAN/Tonight Looks Good On You (Broken Bow)
851 ✔
KID ROCK/First Kiss (Warner Bros./WBR)
23
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
831 ✔
CHRIS STAPLETON/Traveller (Mercury)
21
FLORIDA GEORGIA LINE/Sippin' On Fire (Republic Nashville)
804
TOBY KEITH/35 MPH Town (Show Dog)
20
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
798
BLAKE SHELTON/Sangria (Warner Bros./WMN)
13
LUKE BRYAN/Games (Capitol)
642
LITTLE BIG TOWN/Girl Crush (Capitol)
574
TYLER FARR/A Guy Walks Into A Bar (Columbia)
547
CHRIS JANSON/Buy Me A Boat (Warner Bros./WAR)
8
GEORGE STRAIT/Let It Go (MCA)
8
Country Aircheck Top Point Gainers
1324 ✔
Activator Top Spin Gainers
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
3342
BLAKE SHELTON/Sangria (Warner Bros./WMN)
3160
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
2624
FLORIDA GEORGIA LINE/Sippin' On Fire (Republic Nashville)
2385
LEE BRICE/Drinking Class (Curb)
1755
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
A THOUSAND HORSES/Smoke (Republic Nashville)
KELSEA BALLERINI/Love Me Like You Mean It (Black River)
1719
1529
1487
TYLER FARR/A Guy Walks Into A Bar (Columbia)
FRANKIE BALLARD/Young & Crazy (Warner Bros./WAR)
✔
✔
✔
✔
✔
BLAKE SHELTON/Sangria (Warner Bros./WMN)
297
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia) 176
JASON ALDEAN/Tonight Looks Good On You (Broken Bow)
176
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
174
FLORIDA GEORGIA LINE/Sippin' On Fire (Republic Nashville)
174
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
167
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
158
LITTLE BIG TOWN/Girl Crush (Capitol)
143
1438
LUKE BRYAN/Games (Capitol)
130
1404
LADY ANTEBELLUM/Long Stretch Of Love (Capitol)
114
Country Aircheck Top Spin Gainers
Country Aircheck Top Recurrents
Points
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
989
COLE SWINDELL/Ain't Worth The Whiskey (Warner Bros./WMN)
12749
BLAKE SHELTON/Sangria (Warner Bros./WMN)
943
CHRIS YOUNG/Lonely Eyes (RCA)
12192
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
734
LUKE BRYAN/I See You (Capitol)
9919
FLORIDA GEORGIA LINE/Sippin' On Fire (Republic Nashville)
677
DARIUS RUCKER/Homegrown Honey (Capitol)
9799
LEE BRICE/Drinking Class (Curb)
507
THOMAS RHETT/Make Me Wanna (Valory)
9253
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
479
JASON ALDEAN/Just Gettin' Started (Broken Bow)
8222
FRANKIE BALLARD/Young & Crazy (Warner Bros./WAR)
453
BRETT ELDREDGE/Mean To Me (Atlantic/WMN)
7565
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia)
452
SAM HUNT/Leave The Night On (MCA)
6788
LITTLE BIG TOWN/Girl Crush (Capitol/Interscope)
429
A THOUSAND HORSES/Smoke (Republic Nashville)
423
BLAKE SHELTON f/ASHLEY MORNOE/Lonely Tonight (Warner Bros./WMN)
TIM MCGRAW/Shotgun Rider (Big Machine)
6785
6715
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April 27, 2015
Chart Page 4
COUNTRy AIRCHECK ACTIVITy
KACEY MUSGRAVES/Biscuits (Mercury)
Moves 44-45*
2,718 points, 786 spins
2 adds: WPAW, WXCY
JOSH TURNER/Lay Low (MCA)
Moves 29-46
2,702 points, 773 spins
No adds
MO PITNEY/Country (Curb)
Moves 43-47
2,632 points, 864 spins
1 add: WBUL
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
Debuts at 48*
2,624 points, 734 spins
44 adds including: KASE, KCYE, KEEY, KFRG, KHGE, KILT,
KKIX, KMNB, KMPS, KRTY
JANA KRAMER/I Got The Boy (Elektra/WAR)
Moves 48-49*
2,529 points, 767 spins
6 adds: KCCY, KKBQ*, WBCT, WGH, WKKT, WWKA*
DRAKE WHITE/It Feels Good (Dot)
Moves 49-50
1,975 points, 573 spins
2 adds: KSD, WKLI
THOMPSON SQUARE/Trans Am (Stoney Creek)
1,964 points, 579 spins
2 adds: WHKO*, WXCY
COLE SWINDELL/Let Me See Ya Girl (Warner Bros./WMN)
1,790 points, 498 spins
27 adds including: KCYY*, KEGA, KHGE, KMPS, KSD, KTTS,
KWEN*, KWJJ, KXLY, IHPC
WATERLOO REVIVAL/Hit The Road (Big Machine)
1,664 points, 553 spins
1 add: KUZZ
CAM/My Mistake (Arista)
1,541 points, 482 spins
3 adds: KFRG, KKBQ*, WYNK
A D D DAT E S
May 4
CODY WAYNE & WESTBOUND 21/Makin’ Love In The
Moonlight (Edgehill)
ZAC BROWN BAND/Loving You Easy
(SouthrnGrnd/Varvatos/BMLG)
Brett Eldredge/Lose My Mind (Atlantic/WMN)
Darius Rucker/Southern Style (Capitol)
May 11
COREY SMITH/Feet Wet (Rounder/Sugar Hill)
LEE BRICE/That Doesn’t Sound Like You (Curb)
CHRIS JANSON/Buy Me A Boat (Warner Bros./WAR)
JACKIE LEE/Headphones (Broken Bow)
May 18
RANDY HOUSER/We Went (Stoney Creek)
Send yours to [email protected]
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Concert (Cracker Barrel)
The exclusive Cracker Barrel album features 15
songs and was recorded live at the Prince William
campus of George Mason University in Manassas,
Virginia.
Zac Brown Band Jekyll + Hyde (Southern
Ground/John Varvatos/Big Machine/Republic)
ZBB’s latest includes the No. 1 “Homegrown” plus
15 other tracks and genre-crossing collaborations
with Chris Cornell and Sara Bareilles.
Tyler Farr Suffer in Peace (Columbia)
Farr’s second album includes the hit “A Guy Walks
Into A Bar” plus the introspective title cut and
“Damn Good Friends,” a duet with Jason Aldean.
Mitchell Tenpenny Black Crow (Creation Lab)
Tenpenny wrote all the songs on his debut album,
which features guest artists Ace Frehley, Brian
Welch, The SteelDrivers and the McCrary Sisters.
©2015 Countr y Aircheck™ — All r ights reser ved. Sign up free at w w w.countr yaircheck .com. S end news to news@countr yaircheck .com
April 27, 2015
LW
TW
Artist/Title (Label)
3
1
KEITH URBAN f/ERIC CHURCH/Raise 'Em Up (Capitol)
2
2
5
3
6
4
7
1
Chart Page 5
Points +/- Points
Plays
2276
+/- Plays
Stations Adds
10600
-36
6
56
0
DIERKS BENTLEY/Say You Do (Capitol)
10589
-356
2217
-76
53
0
TYLER FARR/A Guy Walks Into A Bar (Columbia)
10308
547
2194
106
54
0
BILLY CURRINGTON/Don't It (Mercury)
9161
423
1938
95
55
0
5
A THOUSAND HORSES/Smoke (Republic Nashville)
8970
404
1912
80
54
0
6
SAM HUNT/Take Your Time (MCA)
8883
-2119
1853
-465
49
1
9
7
KENNY CHESNEY w/GRACE POTTER/Wild Child (Blue Chair/Columbia)
8840
916
1856
176
56
0
10
8
TIM MCGRAW/Diamond Rings And Old... (Big Machine)
8082
201
1687
47
56
0
12
9
FLORIDA GEORGIA LINE/Sippin' On Fire (Republic Nashville)
7889
804
1674
174
53
0
11
10
CARRIE UNDERWOOD/Little Toy Guns (19/Arista)
7450
266
1567
58
56
0
14
11
EASTON CORBIN/Baby Be My Love Song (Mercury)
6782
214
1392
38
52
0
13
12
ERIC PASLAY/She Don't Love You (EMI Nashville)
6733
-116
1393
-47
54
0
15
13
KELSEA BALLERINI/Love Me Like You Mean It (Black River)
6651
258
1377
60
54
0
16
14
BRAD PAISLEY/Crushin' It (Arista)
6141
13
1295
23
54
1
19
15
LITTLE BIG TOWN/Girl Crush (Capitol)
5672
574
1220
143
56
2
18
16
FRANKIE BALLARD/Young & Crazy (Warner Bros./WAR)
5647
524
1233
111
55
1
20
17
CANAAN SMITH/Love You Like That (Mercury)
5317
370
1133
60
54
2
21
18
JASON ALDEAN/Tonight Looks Good On You (Broken Bow)
5161
851
1092
176
53
2
23
19
BLAKE SHELTON/Sangria (Warner Bros./WMN)
5152
1324
1138
297
55
5
22
20
BRANTLEY GILBERT/One Hell Of An Amen (Valory)
4681
798
941
158
52
2
17
21
MIRANDA LAMBERT/Little Red Wagon (RCA)
4555
-1035
993
-209
48
0
24
22
MICHAEL RAY/Kiss You In The Morning (Warner Bros./WEA)
4059
330
854
92
51
3
30
23
LUKE BRYAN/Games (Capitol)
3144
642
683
130
48
6
25
24
ERIC CHURCH/Like A Wrecking Ball (EMI Nashville)
3047
-38
709
11
50
0
29
25
GLORIANA/Trouble (Emblem/Warner Bros/WAR)
2933
224
619
33
47
2
28
26
MADDIE & TAE/Fly (Dot)
2775
40
598
-4
45
0
27
27
RASCAL FLATTS/Riot (Big Machine)
2636
-106
543
-11
41
0
31
28
KIP MOORE/I'm To Blame (MCA)
2386
34
523
4
40
3
32
29
REBA/Going Out Like That (Nash Icon/Valory)
2314
32
490
1
34
3
33
30
2228
314
494
76
41
6
DUSTIN LYNCH/Hell Of A Night (Broken Bow)
©2015 Countr y Aircheck™ — All r ights reser ved.
4=Top
5 point gainers.
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April 27, 2015
Chart Page 6
LW
TW
Artist/Title (Label)
Points +/- Points
Plays
+/- Plays
Stations Adds
34
31
MICKEY GUYTON/Better Than You Left Me (Capitol)
2086
91
437
14
43
0
26
32
JOSH TURNER/Lay Low (MCA)
2022
-1028
451
-207
39
0
34
33
LADY ANTEBELLUM/Long Stretch Of Love (Capitol)
2002
516
424
114
33
4
35
34
GARY ALLAN f/C. STAPLETON/Hangover Tonight (MCA)
1542
126
322
18
34
0
36
35
ELI YOUNG BAND/Turn It On (Republic Nashville)
1530
204
348
45
34
1
41
36
THOMAS RHETT/Crash And Burn (Valory)
1352
471
274
90
32
3
39
37
CHASE RICE/Gonna Wanna Tonight (Columbia)
1242
18
287
0
33
1
40
38
MO PITNEY/Country (Curb)
1162
-28
228
-10
22
1
42
39
AUSTIN WEBB/All Country On You (Streamsound)
1148
219
256
50
18
1
41
40
KACEY MUSGRAVES/Biscuits (Mercury)
1007
60
224
19
23
1
42
41
PARMALEE/Already Callin' You Mine (Stoney Creek)
942
129
238
27
28
1
44
42
DAN + SHAY/Nothin' Like You (Warner Bros./WAR)
898
217
212
39
12
1
Debut
43
ZAC BROWN BAND/Loving You Easy (SouthrnGrnd/Varvatos/BMLG)
890
890
167
167
14
12
Debut
44
BRETT ELDREDGE/Lose My Mind (Atlantic/WMN)
831
831
174
174
25
16
43
45
LOCASH/I Love This Life (Reviver/Star Farm)
719
-3
145
2
11
0
46
46
BROTHERS OSBORNE/Stay A Little Longer (EMI Nashville)
712
164
184
53
20
4
45
47
BIG & RICH/Run Away With You (B&R/New Revolution)
686
56
138
13
23
0
50
48
GEORGE STRAIT/Let It Go (MCA)
684
316
160
71
20
6
48
49
TOBY KEITH/35 MPH Town (Show Dog)
673
290
166
72
17
8
49
50
JANA KRAMER/I Got The Boy (Elektra Nashville/WAR)
508
135
153
34
10
2
47
51
AARON WATSON/That Look (Big/Thirty Tigers)
410
15
106
4
10
0
52
52
LOGAN MIZE/Can't Get Away From A Good... (Arista)
376
10
96
0
8
0
53
53
JOHN KING/On Your Lips (Black River)
340
-5
67
-1
9
0
54
54
BROOKLYHN WOODS/(When You Love A) Wild Thing (PCG/Nine North)
339
1
66
-4
6
0
Debut
55
COLE SWINDELL/Let Me See Ya Girl (Warner Bros./WMN)
317
281
109
57
15
6
51
56
JUSTIN MOORE/This Kind Of Town (Valory)
250
-116
53
-31
5
0
57
57
WATERLOO REVIVAL/Hit The Road (Big Machine)
223
-25
52
-4
7
0
Debut
Debut
58
SAM HUNT/House Party (MCA)
221
207
100
45
11
1
59
CAM/My Mistake (Arista)
219
65
40
12
7
2
Debut
60
RACHELE LYNAE/Whole Lotta Nothin' (Momentum/In2une)
191
5
34
-2
6
0
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