The Merging of Musical Brains. Thomas Knak is working with Björk
Transcription
The Merging of Musical Brains. Thomas Knak is working with Björk
The Merging of Musical Brains. Thomas Knak is working with Björk. Remee is producing hits for Safri Duo and the young Indie musician Christoffer Høyer was recently spotted by a Japanese world star who wanted to make music with the Dane. There is an increasing collaboration between musicians and composers when the songs of today are being created. “If you like it say yes, if you don’t like it, say no.” The 56 year-old Japanese super composer is sitting only a few centimeters from his new Danish friend. The friend encourages him to go on playing. The beat is hard and firm but the melody is effortlessly and tunefully playing on top of the cool guitar beat. We are in a hotel with a world star. An April night at the Hotel D’Angleterre. It is the first meeting between the Danish Indie musician Christoffer Høyer and the Burt Bacharach of Asia, Hiroaki Serizawa – with his gilt-edged hit career, millions in the bank and more than 50 number one hits on his creative conscience. And, moreover, he is kind. This elegant gentleman, dressed in black, who seems to have taken a strong liking to the music of Christoffer Høyer. The meeting has been organized after the Music Festival, MIDEM, in Cannes where Hiroaki’s friend and collaborator through out a number of years, and former top boss of Polygram in Japan, Alexander Abramoff, meets with Høyer’s manager, Michael Hoffman. The two of them exchange experiences and talk about music. New music. Hiroaki is looking for a European composer. A young musician with whom he can write music for the European market. A co-writer. “It has been very exciting” I didn’t know anything about Hiroaki until Michael Hoffman introduced us. But he is really lovely person. Very inspiring to be around. His approach to music is very much based on imagining and sensing the music in your mind before you play. Other musicians often sit with the guitar and make the music and lyrics as they go along playing. But Hiroaki feels that it is better to create and live inside the music through your imagination instead of playing your way into it. And several times he would say, “stop” and then remain quiet for 20 seconds, thinking with his eyes closed. After which he would play the whole section that we would be looking for”, explains Christoffer Høyer. Normally he is a part of the Indie band, Envelope, who released their debut album, “Stay”, in the autumn of 2001. The music appealed to the Japanese star composer who is behind a large number of hits in Asia, film themes as well as the music scores to around 500 Japanese animation movies. A Creative Exchange of Ideas However, the Japanese connection is not exceptional. Danish musicians are collaborating like never before. It’s all about listening to each other’s material, discussing tunes, themes and moods – “a creative exchanging of ideas” says the producer Remee. The former member of the rap group Sound of Seduction, Blachman Thomas and the 80’s cult name, Dr. Baker, has had his fingers dipped in many international hits for names like Britney Spears, the boy band Blue and Safri Duo. “After ten minutes we had found the melody for All the People”, Remee says. Working with others is extremely important. To most composers it’s a question of keeping the creative juices flowing. You give and you take, and thus you develop as a songwriter. Creatively, I would die if I didn’t get that punch once in a while. I have grown a lot through collaborating with others who can offer something else than me,” explains Remee whose current title is “hit maker”. He often meets up with his steady collaborators, the producer team, Cutfather and Joe, who, among other things, have produced their way to success with songs like “Superstar”. The song became the turning point in the career of the teenager from Gilleleje, Christine Millton, who entered the world of pop through the television show “Popstars”. “You might call it a regular day job. We get together at almost the same hour every day. We then listen to a few beats and I sing the melody that I feel fits in. Both Cutfather and Joe are very disciplined. They work concentrated and fast. So on average, we can do a track in a day. I have learned very much by working with others, but in the beginning it was hard. It requires that you let go of your own ideas and that you are completely open”, says Remee, who also thinks that Danish musicians have learned a lot from the music scene abroad where collaboration has been practiced for many years. American rap artists are working with each other’s lyrics as well as coproduce with one another. “At home there has been quite a lot of jealousy if someone became successful. But it’s not like that anymore”, Remee says. Musicians open up The composer, Thomas Knak is also familiar with the benefits of opening up. A great bulk of his music is being created in collaboration with foreign producers who are working in electronic worlds of sound parallel to his own. For the time being, Thomas Knak is working with the German sound artist, Carsten Nicolai, on the project “Alvanoto” But his musical collaboration has also involved the world star, Björk, for whom he produced two tracks on the album called “Vespertine” “It transformed me quite a lot. Not only because you can use the collaboration on a commercial level, but our work pushed me from only being an instrumental music producer into also incorporating songs with vocals. I also think that she got something out of it. Originally, she is a singer. She has needed to meet other creative people from whom she could learn different things”, says Thomas Knak. In the North Western part of town, Christoffer Høyer goes on working. The studio is quiet because of the muted ceilings. The biscuit-colored hangings on the walls, a cozy couch and an old mixer that belongs to Anne Linnet is placed side by side with various instruments. The monotonous humming from a powerful Mac-computer that collects the notes blends into the atmosphere, which is calm and friendly. “It hasn’t been finished yet”, Christoffer Høyer ensures us as we are listening to the initial demo recordings from Hiroaki Serizawa’s recent visit to the studio. Pure guitars and vocals. The plan now is for Høyer to finish the lyrics to all the songs that the two of them did during the visit to Copenhagen. “A very good opportunity I would call it. Japan is a great big market, so it’s a fantastic connection to get. I hope it will create new possibilities for the band as well as my self” Hiroaki Serizawa (fact sheet) Hiroaki Serizawa is borne in 1948 and started composing in 1978. Through out his 25 year long career he has written more than 3000 songs. Many present as well as former Japanese pop stars have worked with him. Among others: The Checkers, Akina Nakamori, Chiemi Hori, Yoshimi Iwasaki and TOKIO. He has sold more than 15 million records, written the scores to a series of animation movies and had more than 50 number one hits. Now he is collaborating with the Danish musician, Christoffer Høyer. Hiroaki Serizawa visited Denmark four days in April where the two played and composed together. The songs are hopefully going to end up on a CD.