Modern Declaration`s Daun Curry turns up the volume at a duplex
Transcription
Modern Declaration`s Daun Curry turns up the volume at a duplex
A New Spin on It Sky Nellor, seated on an Eames La Chaise chair, with Daun Curry of the New York–based design firm Modern Declaration. Kieran Kinsela wood tables. Painting from Flair Home. Modern Declaration’s Daun Curry turns up the volume at a duplex Chelsea loft owned by DJ and model Sky Nellor BY DAISY PRINCE W White Gus chaises anchor the living room. Curry found the three vintage lucite tables at Venfield. The Rug Company wool and silk rug. Custom pillows from Flair Home. Pendant chandelier from Lighting by Gregory. 46 THE HOME OBSERVER SPRING 2011 HO KNOWS YOU BETTER THAN YOUR HAIRDRESSER? N_\e I`ZXi[f IfaXj# n_f[f\jJbpE\ccfiËj_X`i#jX`[_\be\n k_\g\i]\Zk[\j`^e\i]fik_\df[\c$jcXj_$ ;AËj XgXikd\ek# j_\ kffb _`j i\Zfdd\e[Xk`fe kf _\Xik# Yi`e^`e^;Xle:liipfeYfXi[kfkiXej]fid_\i:_\cj\X [lgc\o%ÈDpXgXikd\ekcffb\[c`b\Xm\ipe`Z\\dgkp_fk\c iffd#ÉE\ccfijX`[%È@Ë[^lkk\[dpgcXZ\#g`Zb\[flkXcck_\ YXj`Zj#Ylk@[`[eËkbefn_fnkfdXb\dp_fd\X_fd\%É E\ccfi#n_fXgg\Xi\[fek_\Zfm\if]JgXe`j_Mf^l\Xe[ `eX>l\jjA\XejZXdgX`^en`k_8eeXE`Zfc\Jd`k_#`j]X$ d`c`Xin`k_k_\`ej`[\f]e`Z\_fk\ciffdj1XjXa\k$j\kk`e^ ;An_fjg`ejXk\m\ekjXe[ZclYj]ifdJgX`ekfJ_Xe^_X`# j_\d`^_kjg\e[fecpXn\\bg\idfek_`eE\nPfib% :liip#k_\]fle[\if][\j`^eÔidDf[\ie;\ZcXiXk`fe# _Xjj\\e_\ij_Xi\f]e`Z\_fk\ciffdj#kff1?\igfik]fc`f PHOTOGRAPHY BY EMILY GILBERT Left: Vintage brass palm tree lamps from Venfield flank a Pop Sofa and Tracy coffee table, both by Kartell. The teal Dana Barnes looped area rug is from BDDW. Below: Prints from several of Nellor’s modeling campaigns hang in the bathroom, above the tub and a Vivienne Westwood British flag rug. Opposite: The Marison dining room table is from Environment by Heather Heron. `eZcl[\jnfibfek_\i\efmXk`fef]k_\IfpXckfeXe[XÔm\$Y\[$ iffdXgXikd\ekXkk_\Zfe[fZfem\ij`fef]k_\JkXe_fg\%Befne ]fi_\im`ekX^\Ôe[j#:liipn\ekm`iklXc]fi_\i]i\hl\ekÕ`\iZc`$ \ek1 >`m\e E\ccfiËj jZ_\[lc\# k_\ dXafi`kp f] gliZ_Xj\j ]fi k_\ XgXikd\ek ZXd\ ]ifd Zc`Zb`e^ X c`eb% :liip jfliZ\[ fk_\i ki\X$ jli\jn_`c\_\iZc`\ekkiXm\c\[%È@Ë[Zfd\YXZb]ifdXki`gXe[jXp# Ê?\p#k_XkËje\nË#ÉjX`[E\ccfif]:liipËjX[[`k`fej%E\ccfikflZ_\[ [fneXk_fd\jf`e]i\hl\ekcpk_XkZc`\ekXe[[\j`^e\ie\m\iXZkl$ XccpdX[\`kkfXj_fniffdkf^\k_\i#`ejk\X[d\\k`e^XjcXk\Xj0 g%d%Çk_XkËjdfie`e^]fiX;AÇXe[ZiXZb`e^fg\eXYfkkc\f]n`e\ Y\]fi\^\kk`e^kfnfib% ÈN\aljkm`Y\[i\Xccpn\ccn_\en\d\k%@ kiljk\[ _\i% @ kfc[ _\i `] k_\ Zi\[`k ZXi[ jkfgj nfib`e^ k_\e n\ _Xm\XgifYc\d%É K_XkZXi[b\gknfib`e^Xj:liipjZfi\[jg\Z`Xcg`\Z\jc`b\(0.'j =i\eZ_YiXjjgXcdki\\cXdgjXe[Xgclj_;XeX9Xie\jcffg\[il^% È@ nXek\[ `k kf ]\\c nXid Xe[ `em`k`e^ n`k_flk Y\`e^ Zfqp Xe[ [\c`ZXk\#ÉjX`[E\ccfif]k_\n_`k\#Y\`^\Xe[c\dfe^iXjjgXc\kk\ `ekif[lZ\[Yp:liip%È@e\\[\[k_\g`\Z\jÉÇc`b\Z_lebpBXik\cc GfgJf]XjXe[B`\iXeB`ej\cXnff[kXYc\jÇÈkfY\jkli[p%@nXek 48 THE HOME OBSERVERSPRING 2011 49 kfj`kk_\i\n`k_dp^`ic]i`\e[jXe[_Xm\X^ff[k`d\%É G\ijfeXc \c\d\ekj XYfle[1 =iXd\[ g`Zkli\j _Xe^`e^ `e k_\ YXk_iffdZ_ife`Zc\E\ccfiËjdf[\c`e^ZXi\\i%Fk_\iXikXe[jZlcg$ kli\nXjjfliZ\[Yp:liipXk=cX`i?fd\Xe[M\eÔ\c[2k_\[\j`^e\i nfib\[n`k_`e_\iZc`\ekËjYl[^\kkfÔe[fe\$f]$X$b`e[g`\Z\jc`b\ gXg`\i$dZ_n`e^j[`gg\[`e)+$bXiXk^fc[#n_`Z_ÕXebXgX`ek$ `e^f]XeXe^\cgiXp`e^#X^`]kkfE\ccfi]ifdk_\Xik`jk% <Zf$]i`\e[cp\c\d\ekj`ek_\XgXikd\ek#i\efmXk\[n`k_k_\_\cg f]J:@<Õp;\j`^e#`eZcl[\jljkX`eXYc\nff[j]fik_\Ôi\gcXZ\#Õffij Xe[b`kZ_\ekXYc\Xe[eXkliXcjkfe\`ek_\YXk_iffdj%E\ccfiX[d`kj kffe\fiknfefk$jf$^i\\ecloli`\j#c`b\XYXk_klYk_XkZflc[[ifneX jdXcc\c\g_Xekc\kXcfe\XjXdgc\$j`q\;A %È@cfm\YXk_j#Éj_\jX`[%È@ jXk`ek_`j`ek_\j_fniffdXe[jX`[#ÊK_`j`jd`e\%ËÉ 50 Opposite (left): A 19thcentury French baroque mirror hangs above a Paratie bed from Environment by Heather Heron. Pendant lighting fixture from Lighting by Gregory; Dippy Lime area rug from the Rug Company. Opposite (right) and above: Papier-mâché wings dipped in 24-karat gold flank a 19thcentury French Louis VI stool. Left: Nellor’s accessories. Jbpd`o\jkiXZbj]ifd_fd\#Xe[_\infibjkXk`fenXjXgi`$ fi`kp% È@kËj dp c`]\#É j_\ jXpj% @e b\\g`e^ n`k_ k_\ XgXikd\ekËj jc\\be\jj#_\ikiXZbkXYc\jXi\n`i\[`ekfk_\ÕffiXe[Zfekifcc\[ Yp i\dfk\% C`m`e^ e\ok kf X ;A n_f c`b\j kf nfib ]ifd _fd\ jfle[jc`b\Xle`hl\cpliYXee`^_kdXi\#Ylkk_\e\`^_Yfij_Xm\ fecpZfdgcX`e\[feZ\%ÈN_\e@Zfd\YXZb]ifdXafYXk)RX%d%T# @Ëd efk klie`e^ fe dp dlj`Z% @Ëd ^f`e^ kf jc\\g#É E\ccfi jX`[% 8 n`e\ i\]i`^\iXkfi nXj `ejkXcc\[ `e k_\ b`kZ_\e ]fi jgfekXe\$ fljgXik`\j1`kZfekX`ejfecp:_XdgX^e\Xe[^\kjdfi\lj\k_Xe k_\jkfm\%È@k_`eb@lj\[dpb`kZ_\ek_i\\k`d\jcXjkp\Xi%K_\ d`ZifnXm\# [`j_nXj_\i Xe[ ]i`[^\ Xi\ dp ]i`\e[j%É JbpËj e\ok gifa\Zk`jYl`c[`e^flkk_\iff]%È@Ëd^f`e^kfk_ifncfkjf]gXi$ k`\j%@kn`ccY\Y\Xlk`]lc%É THE HOME OBSERVERSPRING 2011 THE HOME OBSERVERSPRING 2011 51
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