ANNUAL CONFERENCE: THE GASPÉ PENINSULA, QUEBEC WE

Transcription

NUMBER 134/135, WINTER 2012/SPRING 2013
PUBLISHED BY THE VERNACULAR ARCHITECTURE FORUM
of saints who peered down from white walls. A jazz
band waited in the pulpit, but for now the air rang with
the mournful notes of “Sposa son disprezzata”….
This had to be the coolest ski week on earth.
ANNUAL CONFERENCE: THE
GASPÉ PENINSULA, QUEBEC
We’ve already let National Geographic Traveler inform us
that the Gaspé Peninsula is one of the world’s top 20
destinations. Now we’ll let the New York Times
(January 25, 2013) of two months ago do the talking:
The VAF and Gaspé organizing committee promise
attendees of our Annual Conference, June 11-15,
2013, a better time! Visit the conference website
<crcprb.chaire.ulaval.ca/en/vernacular-architectureforum/> for wonderful images of this wonderful
place. See the French alphabet soup of entities that
are assisting the committee, the VAF, and Patrimoine
Gaspésie in putting on this conference. The most
gracious hospitality is being offered to us by those
who want to cast the Gaspé in the most glorious of
tangerine glows. How can we refuse to accept? To
echo the Times, this promises to be the coolest
conference week on earth. Please come to the Gaspé
with us, so we may amaze, delight, and edify you!
Snow squeaked under my boot as I turned up the Rue
Ste.-Anne and into the tangerine glow flowing from the
streetlamps overhead. The storm that had blown in that
afternoon had eased up for the moment, and in the
distance I could just make out the sandstone spires of
the St.-Michel church still shrouded in fog.
Though Percé—a small coastal community on the far
eastern tip of the Gaspé Peninsula in Quebec—has a
handful of lovely cafes and taverns overlooking the
Gulf of St. Lawrence, few places are large enough to
hold hundreds of people at once. The church could.
So on that night last February I opened its big, white
doors, and eased into the warmth of the narthex. I
gasped at what lay before me. Some 350 cross-county
skiers with rubicund faces from three days of playing
outside were packed in the nave that caterers had
transformed into a magnificent dining hall. Pews ran
perpendicular to the altar, and bread and wine sat on
dozens of long wooden tables. Yak sausages and
sauerkraut steamed in chafing dishes beneath the gaze
Gaspé village, Paul Strand 1936 (Paul Strand Archive)
LAST PAPER VAN —DOUBLE ISSUE!
WE NEED YOUR EMAIL ADDRESS!
VAN NO. 1 INCLUDED INSIDE
VAN 134/135 : WINTER 2012/SPRING 2013 1
THE VERNACULAR ARCHITECTURE FORUM was organized in 1980 to encourage the study and preservation of all
aspects of vernacular architecture and landscapes through interdisciplinary and multidisciplinary methods. Members receive
the quarterly Vernacular Architecture Newsletter, the annual journal Buildings & Landscapes: Journal of the Vernacular
Architecture Forum, and advance notice of VAF conferences and tours. Members of VAF are encouraged to participate
actively in its meetings, conferences, and other functions and to contribute to the Newsletter, as well as to express their
thoughts and suggestions to the officers, nominating committee, meeting planning committee, and editors.
VAF OFFICERS AND BOARD OF DIRECTORS 2012-13
[expiration of term in brackets]
Officers
President: Susan Kern, College of William and Mary [2013]
First Vice President: James Buckley, Massachusetts Institute of Technology [2013]
Second Vice President: Marcia Miller, Maryland Historical Trust [2013]
Secretary: Gabrielle Lanier, James Madison University
Treasurer: Don Linebaugh, University of Maryland [2013]
Elected Directors
David Bergstone, Old Salem Museum & Gardens [2013]
Michael Chiarappa, Quinnipiac University [2014]
Jennifer Cousineau, Parks Canada, Toronto [2014]
Gayle Dubrow, University of Minnesota [2013]
Jennifer Elliott, PhD candidate, University of Virginia [2013]
Kingston Wm Heath, University of Oregon [2013]
Elaine Jackson-Retondo, National Park Service, Oakland CA [2014]
Sarah Lopez, Provost Postdoctoral Scholar, University of Chicago [2015]
Paula Mohr, Iowa State Historic Preservation Office [2015]
Will Moore, Boston University [2015]
Philip Pendleton, Independent Consultant [2013]
Virginia Price, Historic American Buildings Survey, Washington DC [2014]
Wendy Ward, Preservation Napa Valley [2015]
Aaron Wunsch, University of Pennsylvania [2014]
Carla Yanni, Rutgers University [2015]
Appointed Directors
VAN Editor: Marvin Brown, URS Corporation [2013]
Buildings & Landscapes Editors: Cynthia Falk, State University of New York at Oneonta &
Marta Gutman, City College of the City University of New York
Website Editors: Susan Garfinkel, Library of Congress &
David Bergstone, Old Salem Museum & Gardens
Special Series Editors: Thomas Carter, University of Utah &
Anna Vemer Andrzejewski, University of Wisconsin-Madison
Archivist: Claire Dempsey, Boston University
2012 Conference Coordinator: Anna Vemer Andrzejewski, University of Wisconsin-Madison [2013]
2013 Conference Coordinator: Tania Martin, Université Laval [2014]
2014 Conference Coordinator: Janet Foster, Columbia University [2015]
VAN Support Editors
Features Editor: Warren Hofstra, Shenandoah University
Bibliographer: Virginia Price, Historic American Buildings Survey, Washington DC
2 VAN 134/135 : WINTER 2012/ SPRING 2013
PRESIDENT’S COLUMN
A Brief History of VAN
Susan Kern
VAN is older than VAF and has been a quarterly
publication since its inception. VAN was
instrumental in making VAF. The earliest VANs
were typed and photocopied (or perhaps even
mimeographed), stapled, and folded to put in an
envelope for mailing. The first VAN, reproduced
below, was three single-sided sheets of blue or green,
8-1/2 x 11” paper—the copy in front of me is so
faded, it’s hard to tell the original color. If I were
looking at it in an archive, I’m sure I’d be wearing
gloves. Dell Upton edited VAN No. 1, Fall 1979,
which had exactly three parts.
Changes to VAN
This spring VAF is taking on an important change—
the format of VAN. The type of information VAN
carries will not change, just the mode of delivery.
VAN is going electronic.
What this means to you is that your email address has
to be current. We have been asking members for
email addresses for a number of years. Our member
rolls include email addresses for about 75% of
members. Your email will now serve as the main
conveyance for VAN. VAN is a benefit of your
VAF membership, which means it is sent directly to
members. To get it to you every quarter, we must
have a current email address. Please send it to
VAF secretary, Gabrielle Lanier, at
[email protected].
The VAF listserv is different. Our member list does
not generate the listserv list; anyone can subscribe to
receive the listserv messages. The listserv will
continue to carry announcements that have deadlines:
conference announcements, opportunities for
research, fellowships, and jobs; queries about
research. The listserv has a purpose different from the
newsletter.
The VAF website—<vafweb.org>— is also different.
It, too, is open to all and it continues to grow and
change. For now, though, VAN remains the single
voice that directly reaches all of the membership.
Like everything else VAF, our publications happen
because volunteers in VAF manage them. The elected
board has committees that oversee the publications;
the editors of VAN, Buildings & Landscapes, and the
Special Series are appointed to the board. The editor
of VAN and the VAN support editors gather
content that is crucial to how we operate as an
organization and also content that helps members
pursue their research and professional interests.
The first part was the summary of a symposium at
George Washington University in April of that year,
at which “it was agreed that some sort of modest
vernacular architecture organization is desirable. This
newsletter is a first effort…toward the formation of
such a group.” The newsletter’s purpose was “to
establish lines of communication which otherwise
might be difficult to maintain in such a diverse field.”
The second part of VAN No. 1 was the
announcement of an October lecture at George
Washington by Robert Machin of the University of
Bristol (U.K.), as a keynote for the second meeting of
individuals interested in vernacular architecture.
Following the lecture, interested parties were invited
to stay to plan a meeting for April 1980 and to send
comments on the newsletter to Cary Carson, John
Pearce, Orlando Ridout V, or Dell Upton.
Part three was a simple form to register name and
mailing address and level of interest in the plans for
the organization, and to contribute $2.00 (yes, two
dollars) to help defray the cost of the newsletter.
IN THIS ISSUE
GASPÉ PENINSULA CONFERENCE
PRESIDENT’S COLUMN
FUND FOR FIELDWORK
NEW BIBLIOGRAPHER NEEDED
NEWS
BIBLIOGRAPHY
1
3
8
13
14
17
The first VAN contained this acknowledgement:
“Preparation and distribution of this newsletter was
made possible by gifts to the Graduate Program in
Historic Preservation of the George Washington
University.”
As VAN No. 2, Winter 1979-80 (five-pages, singlesided, pink paper) pointed out: “Because the initial
meeting was a hastily organized affair with attendance
drawn mostly from the DC area, it was thought best
to defer formal organization until the spring
conference, when a larger and more geographically
representative group of people would be present.”
The newsletter invited proposals for the meeting and
how people could be involved in the as-yet-to-benamed organization. The April 1980 meeting became
the first official meeting of the Vernacular
Architecture Forum.
VAN No. 2 also included a list of recent and
forthcoming publications; a research query; a
bibliography of current articles, books, and theses; a
request for readers to contribute news and comments;
and where to send registration.
VAN Moving Forward
VAN will continue to be the record to members of
minutes from the fall and spring board meetings;
summaries before and after our annual meeting; and
announcements about members and their work.
VAN has become a home for features, shorter-length
articles about VAF’s history or on a member’s
research. This will continue. As always, the VAN
editors welcome your submissions of reviews, events,
topical articles, and member news.
Before listservs and websites, VAN had the
important role of announcing fellowships,
conferences, current publications. Listservs mean that
deadline-dependent information doesn’t need to wait
for a quarterly newsletter. Likewise, the bibliography
is better in a different home. The VAF website will
host the bibliography because it is much more useful
where it is searchable and sortable.
As with all changes, we can expect adjustments. We
often learn about member information that needs to
be updated only when mail is returned (by the postal
carrier or electronically). Again, updates to your
delivery information should be sent to VAF secretary,
Gabrielle Lanier, at [email protected].
Marvin Brown, who has been our steadfast VAN
editor for just shy of ten years, will be passing the
baton. We will announce the next stewards of VAN
in the next issue.
As ever, VAN welcomes your questions, content, and
comments. Please use the following email addresses
for those things:
● Your contact information: [email protected]
● VAN editorial content: [email protected]
● Comments about changes: [email protected]
Once more: Have you sent an updated email
address to: <[email protected]>?
VAF Creates Fund for Fieldwork
Virginia Price
Drawing buildings has been an essential part of the
Vernacular Architecture Forum since its founding.
The disparate band of archaeologists, architectural
historians, historians, folklorists, and preservationists
who came together to form the VAF shared a passion
for those pieces of the architectural landscape long
ignored by the academic establishment. Studying the
vernacular meant getting out in it and thus by
necessity we became fieldworkers (Fig. 1). Fieldwork
centered on drawing as a means of representing and
analyzing the building types and technologies that
were becoming part of what we often called the
“new” architectural history. To honor this tradition of
drawing, the VAF has established a Fund for
Fieldwork (FFF) as a source of funds to support
fieldwork among its membership. Grants from the
FFF will serve as a contribution from the
organization to those members wanting to draw
buildings as part of their research (Fig. 2). They are
not intended to finance entire projects, but rather,
help cover some of the costs associated with such
work.
Figure 1. Ellen Coxe and Orlando Ridout measuring
the Coe Barn, Anne Arundel County, Maryland, 1980
(Dell Upton)
Figure 2. University of Delaware, CHAD students
checking their field drawing, on-site in Mineral Point,
Wisconsin, 2010 (Becky Sheppard)
The idea for the Fund for Fieldwork comes from
former VAF President Tom Carter. In donating an
initial $5,000 to start the program, Tom recalled that
as a young folklore graduate student, small grants
from the American Folklife Center and University of
North Carolina often made the difference. The grants
provided the gas money or recording equipment that
made his fieldwork trips to the Blue Ridge possible. It
is his hope that the FFF will grow over time to
become an integral part of the VAF’s activities,
encouraging and supporting the art of drawing among
the membership, both old and new (Figs. 3-5). After
all, fieldwork was and continues to be one of the
things that distinguishes our organizations from
others, and forms the common ground upon which
our interdisciplinary investigations are built. Tom,
along with the Officers and Board of the VAF, asks
for donations to allow the fund to grow to a level that
can make a number of small annual awards possible.
The guidelines for Fund for Fieldwork grants are
simple, and all members of VAF are eligible to apply.
Applicants are asked to outline their project in a letter
of intent, which includes a description of how the
FFF funds will be used. Also needed is a letter of
support from a faculty member (if a student) or
knowledgeable reference (if not matriculated in an
academic program). The two letters are all that is
required in the application. FFF assistance will come
at the beginning of a grantee’s project, not the end,
and is not dependent on a finished product or set of
drawings. All that is asked is that the person receiving
VAF support file a year-end report detailing the
various activities that went on during the grant period.
the Fieldwork Apprenticeships programs, and now
with the establishment of the Fund for Fieldwork, it
looks to actively support fieldwork itself. This new
program comes with the full backing of the VAF
Board, which is committed to fieldwork as one of the
things the organization does. As Dell Upton
observed, “Fieldwork is both the joy and the
foundation of vernacular architecture studies. The
Fund for Fieldwork is a marvelous opportunity to
expand our collective knowledge base and to indulge
one’s longing for the wide-open—and small
cramped—spaces.”
Figure 3. Preliminary field investigations of Pear
Valley, Northampton County, Virginia, 1975 (Carl
Lounsbury)
Figure 5. Tom Carter shows Travis Olson rudiments
of field drawings as part of UW-Madison Field School
in Wiota, Wisconsin, June 2009 (Dee Finnegan)
Figure 4. Joe Larrea (top), Ben Rogers (kneeling), and
Hans Cerny taking measure of Basque pilota court in
Jordan Valley, Oregon, Summer 1997 (Tom Carter)
For many years the VAF has supported training in
fieldwork through the Field School Fellowships and
The development of a Fund for Fieldwork
endowment is underway with receipt of Tom Carter’s
initial gift. Matching funds received since then bring
us close to the start-up goal of $25,000, a sum that
will allow small grants to begin to be made from
interest payments. We encourage all members to
make a donation. If everyone would give at least $10
at least once, we will easily have enough in the
endowment account to have the fund be selfsustaining and be able to increase the number of
grants awarded annually. Those who can contribute,
we encourage to do so, either by including the FFF in
your estate planning document or by simply adding a
few dollars when you renew your membership. This is
a great time to give a little extra and make a big
difference in the organization’s future. Once it is fully
financed, the endowed Fund for Fieldwork will be a
cornerstone of the grants program and facilitate
members’ studies of the vernacular landscape for
years to come.
The Fund for Fieldwork joins VAF’s established
grant programs, for the field schools and
apprenticeships, encouraging the practice of field
recording. When asked about the potential of the FFF
and the value of fieldwork, former VAF President
Kim Hoagland remarked, “the close examination of
buildings causes you to form new research questions
and rethink the ones you had; it enables you to
identify the unusual and reaffirm the mundane; and it
permits you to understand how a house was lived in
and guess at why it was changed. It is an essential part
of understanding the built landscape” (Fig. 6).
Figure 7. Coversheet to HABS Student Guidelines
Figure 6. Delaware CHAD students work in Montana
as part of VAF conference fieldwork funding, 2008
Part of VAF’s long-standing commitment to
fieldwork as part of the research process was the
dialogue about field recording with the Historic
American Buildings Survey (HABS). The
VAF/HABS initiative began with the one-day
Symposium held in 2008 to review existing
documentation methodologies and to explore areas
for collaboration between the two organizations. Kim
Hoagland and HABS Chief Catherine Lavoie led the
Symposium, and the results from that meeting were
discussed at the Fieldwork Roundtable at the 2009
Conference in Fresno. With the input from VAFers
given at those meetings, HABS revised its student
guidelines for field recording. These guidelines are
available through HABS and are a key resource for
potential fieldworkers (Fig. 7). Although the degree of
detail noted about the buildings will vary with
available time, personnel, and purpose or scope, it is
fieldwork as an investigative technique that many
VAFers practice, and all the grant programs support.
The VAF Fieldwork grant program includes grants to
field schools, many run by VAFers either as a field
methods course during the school year or an
intensive, on-location two to four week long program
during the summer (Fig. 8). These field schools
provide training to those new to fieldwork, or serve as
a refresher course for those returning to the field.
Often, the work done in field schools becomes the
nucleus of a conference – Gaspe, Madison, and
Jamaica for instance – each very different in subject
and each grounded in an architectural landscape
revealed, in part, through field drawing and the oral
histories that happen spontaneously as fieldworkers
crawl around the building and the occupants wonder
what they are finding (Fig. 9). In Gaspe, VAFer Tania
Martin founded the Built Heritage and Cultural
Landscapes Summer Field School as an opportunity to
hone her fieldwork skills and record an important
vernacular landscape. With the field school, Tania
introduces the students to a VAF line of inquiry.
Because the students come from many area
specialties, the program fosters peer-learning as one
discipline informs another. Select groups of Canadian
and U.S. students learn field measuring and perform
community outreach in the Gaspe each summer (Fig.
10). They do so in the same spirit as Louis Nelson
and his students have done in Falmouth over
successive summers (Fig. 11). Feedback from Tania’s
students says it all: “I found the course a real eyeopener. Extremely informative, and it exposed me to
new ways of thinking and learning, and lots of new
connections!” And “… the exercise of documenting
and examining Trachy Hall and the Presbytery within
the larger physical and cultural context of
Douglastown and the Gaspe has been a deeply
revealing exercise and one which is certain to inform
the way in which I treat and understand buildings and
their environments in the future.” What better
measure of a program’s success?
Figure 10. Taking measure of the Gaspé (Tania
Martin)
Figure 8. Don Linebaugh’s U of M vernacular
architecture students document the Compton-Bassett
property in Prince Georges County, Maryland
Figure 11. University of Virginia field school students
measuring the green house, Falmouth, Jamaica
(Louis Nelson)
Figure 9. Susan Minogue and Dawn Eichenlaub
interview Mrs. Tuzo, Flatts, Bermuda, 1980 (Dell
Upton)
In addition to Tania’s field school in Gaspe, VAF
Field School Fellowships have gone to support Travis
McDonald’s Architectural Restoration Field School held
each summer at Thomas Jefferson’s Poplar Forest.
Travis established the field school in 1990, and his
students also exclaim – proclaim – its benefits. In
their words: “I learned more practical experience in
two weeks than I learned in two years of graduate
school.” “The quality of the experience in regards to
the caliber of people that we met, spoke to, and were
lectured by was astounding.” And “The examples that
I was shown and the literature that I was given at the
Field School have and will continue to help me in my
field. The Poplar Forest Restoration Field School has
given me the confidence and understanding I needed
to pursue my dream of restoring historic houses”
(Fig. 12).
Figure 12. Thomas Jefferson’s Poplar Forest
Architectural Restoration Field School participants
plus one, 2002 (Travis McDonald)
The Poplar Forest field school represents the
spectrum of field recording – from that done
expediently (in an hour!) to capture the essence of a
building going to ruin to that done exactingly for a
meticulous, museum-quality restoration of an
eighteenth-century masterpiece (a restoration effort
recognized with the Buchanan Award in 2005). Other
field schools administered by VAFers include Carl
Lounsbury’s in Williamsburg through Colonial
Williamsburg and the National Institute of American
History and Democracy (NIAHD), Kingston Heath’s
in Oregon, Anna Andrzejewski’s in Wisconsin (and
this year with Arijit Sen in Wisconsin), as well as the
University of Delaware’s Center for Historic
Architecture and Design (CHAD) run by Becky
Sheppard, and many other programs – like Lillian
Makeda’s at the University of New Mexico – that
coalesced in response to a preservation need. VAFers
get into the field, and the grants program encourages
those new to fieldwork to join them in these
programs (and others needing a shout-out but
inadvertently omitted here) and in apprenticeships
(Fig. 13).
In the Fieldwork Apprenticeship Program an
experienced fieldworker joins the apprentice in the
field and together they undertake a field-based
research project. This effort is designed to develop
the apprentice’s fieldwork skills and provide them
with experience needed to tackle the next building, or
site, on his or her own. With exposure to fieldwork
fundamentals, the apprentice can focus on the artifact
and begin to read the vernacular landscape in ways
that will inform and educate all of us as we learn of
his or her work.
Figure 13. Sarah Fayen Scarlett translating fieldnotes
into pencil drawings, UW-Madison Field School, 2010
(Andrea Truitt)
The Fund for Fieldwork adds to these programs and
facilitates getting the fieldworkers into the field. They
can be current students, or graduates of a field school,
alumni of programs like HABS and CHAD, an
apprentice turned journeyman/woman, or enrolled in
any number of classes taught by VAFers. As Becky
Sheppard said about the potential of the FFF:
In my mind, fieldwork represents the core of what
VAFers do. We want to look at buildings and
landscapes in person, up close and personal, to see
what we can learn from them. But it takes time and
practice to develop those skills, along with the chance
to see many different kinds of resources. The VAF
Fieldwork Grants Program has already allowed many
CHAD students the opportunity to study historic
buildings in landscapes very different from the MidAtlantic region. Places like Butte, Montana, and Mineral
Point, Wisconsin, forced them to confront and make
sense of unfamiliar building types and construction
methods. Those trips also offered a chance to meet
local scholars and preservation professionals (as well as
sampling local cuisine). These students universally
claim that those trips were one of the best experiences
of their graduate program. Establishing a higher level
of funding for the VAF Fieldwork Fund is a wonderful
initiative that hopefully will make these kinds of
experiences available to more and more students in the
future!
Drawing buildings as part of the research process may
not be what all VAFers do in their studies of the built
environment and cultural landscapes, but the field
record generated by those drawings informs our
understanding of the past. VAF recognizes and
applauds a myriad methodologies and path-breaking
findings that have emerged as the organization has
grown. We recognize that diversity and caliber of
research through our awards. Those acknowledged by
the awards and the individuals for which those prizes
are named—Abbott Lowell Cummings, Henry
Glassie, Paul Buchanan, and Catherine Bishir—
inspire us to get into the field and talk about what we
see. They urge us to become fieldworkers, to go see
the buildings, wherever they may be, and to discover
something new. In that spirit, the VAF Fieldwork
Grants Program encourages all members to “have the
best educational experience” ever as Travis’ students
said of Poplar Forest, the best educational experience
ever as we continue to learn through the work of the
Vernacular Architecture Forum.
Bibliography 2.0: New Bibliographer
Needed
Virginia Price
For decades the VAF has offered an extensive and
invaluable bibliography to its members and other
researchers. Source material for the bibliography—
those citations and references to scholarship of
interest to VAFers—has been amassed quarterly for
the VAN and subsequently uploaded into the
bibliographic database hosted by Gary Stanton and
the University of Mary Washington. The VAN is
now going digital, joining the bibliography’s on-line
presence, and this offers VAF an exciting opportunity
to rethink how the bibliography can be compiled and
presented in such a way as to optimize its usefulness
for scholars in the future. It also provides a wonderful
opening for an interested individual or groups of
individuals to take leadership in the stewardship and
shaping of this precious resource within the new
electronic context.
The VAF board seeks young or emerging scholars,
comfortable with the electronic tools of the twentyfirst century, to construct and implement a new vision
for this priceless tool developed over decades. The
new format may challenge members to share
authority for the bibliography through posting,
chatting about, and evaluating resources in the style of
Facebook, Yelp, Google scholar, or other social
media. Imagination is the only limit to how this VAF
service may be taken into the future.
Working together to create the bibliography, and to
think about what resources are available, is a great
chance for those newer to VAF to be a part of
shaping the organization. You—all of you!—would
join the VAFers who have created the bibliography in
the past. Add your name to the list of VAFers below
whose time and commitment is inspirational and
whose camaraderie has had a lasting impact upon our
field of endeavor!
VAN Editors: Dell Upton, Michael Ann Williams,
Gary Stanton, Philippe Oszuscik, and Marvin Brown.
Former VAF President John Larson humorously
captured the maturation of the VAN in Volume 84
(2000), with tales of Dell Upton relying on smoke
signals for news and heralding the benefits of WhiteOut to correct typed pages. He also acknowledged the
assistance of Orlando Ridout V, Peter Kurtze, and the
Maryland Historical Trust, which at that time mailed
out the newsletter that Dell compiled and
painstakingly typed. (As noted at the President’s
Column, above, the earliest VANs went out courtesy
of George Washington University’s Graduate
Program in Historic Preservation.) Michael Ann
Williams and her graduate students—Ardell Jarrett,
Amy Taylor, April Frantz, and Anna Fitzgerald—took
over from Dell, and they added sections to the VAN.
Their time at the helm saw an expansion of the
bibliography and introduced Marty Perdue to the
VAN ranks. Gary Stanton, also armed with graduate
students, followed suit. Gary’s editorial sojourn was
eased by the assistance of Julie Poyer, Heather Keister
Pettus, Miriam Lu, Peter Hallock, Alison Martin, and
Jessica Neils. His editorship saw the introduction of
the book reviews section (under Howard Davis) and
the features section (under Bernie Herman). Phil
Oszuscik succeeded Gary and pushed the publication
of the VAN even further. Marvin Brown currently
oversees the VAN, and under his stewardship it has
evolved and now will undergo another exciting
transformation into a digital format.
VAN Bibliographers: Dell Upton, Marty Perdue,
Bryan Clark Green, Jennifer Baughn, Virginia Price.
VAN Book Review Editors: Howard Davis, Lauren
Sickels-Taves, Marilyn Casto.
VAN Features Editors: Bernie Herman, Julie
Turner, Don Linebaugh, Anna Andrzejewski, Warren
Hofstra.
VAN Features Authors: David Ames, John Bold,
Carter Hudgins, Susan Buck, Martha McNamara,
Edward Crocker, Julie Turner, Michelle St. Clair, Ed
Chappell, Anne Grady, Bernie Herman, Carl
Lounsbury, Chris Wilson, Alice Morrison Mordoh,
Barksdale Maynard, Jim Gabbert, Sharon Williamson
Buford, Deidre McCarthy, Dwayne Poovey, Susan
Jezak Ford, Dan Pezzoni, Stewart Gray, Jim Draeger,
Betty Bird, Robert Craig, Chad Moffett, Faith
Meader, Warren Hofstra, Tom Carter, Rachelle
Green, Amy Hill Wyatt, Tom Hubka, Terri Myers,
Elizabeth Butman, Penne Sandbeck, Carolyn White,
Daves Rossell, Kingston Heath, Lisa Mroszczyk,
Virginia Price, Pam Simpson, Sean McPherson,
Hyun-Tae Jung, Douglas Sanford, Dennis Pogue,
Cary Carson, Richard Candee, Camille Wells, Amber
Wiley, George Thompson, Ritchie Garrison, David
Rotenstein, Catherine Bishir, Katy Lasdow.
(Apologies if your name was not included; many,
many wonderful features ran in the pages of VAN.)
Join Us! Please let the web committee; the
Bibliographer, Virginia Price, at
<[email protected]>; and/or the VAN Editor,
Marvin Brown at <[email protected]>, know
your thoughts and your interest in continuing the
tradition of the bibliography in a contemporary—
perhaps yet to be imagined—format. Thanks.
[Editor’s note: I had the pleasure of working with Book
Review Editor Marilyn Casto, Features Editors Anna
Andrzejewski and Warren Hofstra, and Bibliographers
Jennifer Baughn and Virginia (Gigi) Price, and of publishing
Features by many of the individuals listed above. It was a
pleasure working with each and every one of them. I must
extend special thanks, however, to Gigi for putting together the
voluminous list of names above, for submitting bibliographies
precisely on time and in the correct font, font size, and format,
and for always keeping a careful eye out for my wellbeing.
Thanks Gigi and thanks all.]
NEWS
Tishler Captures Glassie
The 2012 Henry Glassie award winner is William
(Bill) Tishler, an Emeritus Professor of Landscape
Architecture at the University of Wisconsin-Madison.
Bill played an important role in the early history of
VAF, including serving as president in 1982, and as
organizer of the 1983 conference in Madison. His
numerous publications and field work that featured
the folk and vernacular architecture of the Midwest—
notably stovewood buildings and German-American
fachwerk construction—greatly increased our
understanding of ethnic building and landscape
traditions.
To best understand Bill, however, one needs to
recognize that he is a product of Door County—the
picturesque peninsula of northeastern Wisconsin that
juts into Lake Michigan. Door County is nationally
recognized for its natural and cultural attributes, and
it shaped Bill both as a person and a scholar. In
addition, Bill’s father was a local carpenter, a quite
appropriate trade for someone with the German
name of Tishler (Tischler).
Following high school Bill made his way UW-M,
where he fortuitously discovered the field of
landscape architecture. In 1965, shortly after receiving
a Master of Landscape Architecture degree from
Harvard’s Graduate School of Design, Bill returned to
his alma mater and began teaching at the UWMadison. During his early career as a faculty member
in the Department of Landscape Architecture, Bill
was asked to prepare a master plan for Old World
Wisconsin (OWW), the outdoor ethnic museum then
being proposed for the state. Working primarily with
students, Bill and his assistants developed the overall
OWW plan and also prepared proposals that defined
the spatial organization of individual ethnic
farmsteads. When OWW opened in 1976 the project
was immediately recognized for its sensitive treatment
of environmental and cultural phenomena; indeed,
the plan soon received a national honor award from
the American Society of Landscape Architects.
Among several other notable projects that Bill
undertook during his career was the preparation of a
preservation plan for the Lake Superior shoreline
community of Bayfield, one of Wisconsin’s premier
tourist destinations; and a National Historic
Landmark nomination for the Namur Belgian District
in northeastern Wisconsin, the first NHL property to
recognize a rural ethnic group. During the 1990s he
and I worked with several graduate students at
Sleeping Bear Dunes National Lakeshore in Michigan,
where we prepared some of the first cultural
landscape reports for the National Park Service.
Bill also taught courses on historic preservation
methods and practice, including the first in the nation
to feature cultural landscapes. A number of students
who enrolled in those classes subsequently went on to
careers in state and local planning agencies, consulting
firms, and academic departments. Certainly among
Bill’s important instructional activities were the
summer field schools that he organized and directed
during the 1970s, all of which documented historic
buildings and landscapes in several areas of
Wisconsin. That tradition was revived during this
century when three field schools, organized and
taught by Anna Andrzejewski and others, contributed
so significantly to the field guides that were prepared
for the 2012 VAF conference in Madison.
Following his retirement in 2000, Bill taught the first
on-line survey course in the UW-M Department of
Landscape Architecture, prepared a DVD on the
career of Jens Jensen, and wrote a history of Door
Country’s Peninsula State Park. For his decades of
activity furthering the cause of the Vernacular
Architecture Forum, and documenting the buildings
and landscapes of Wisconsin and the Midwest, Bill
Tishler is a most worthy recipient of the 2012 Henry
Glassie award.
[Editor’s note: These remarks were delivered by Arnie Alanen
in Madison, Wisconsin last June upon presentation of the
Glassie Award to Bill Tishler. The VAN reported on
Orlando Ridout’s Glassie Award, which was also presented in
Madison, in its Summer 2012 issue.]
Bill Tishler accepts the Glassie Award in Madison
(Marvin Brown)
Membership
As of late February 2013, VAF had a total of 680
members. The US was home to 655 of these (464
active, 20 contributing, 5 free exchange, 34
household, 54 institutional, 3 lifetime, 4 patrons, 71
students). Canadian and overseas members totaled 25
(16 active, 1 contributing, 2 free exchange, 4
institutional, 2 students).Our new and re-upped
lapsed members are:
Margot Ammidown
Tamsen Anderson
Jane Eva Baxter
Robert Buerglener
Catherine Boland Erkkila
D Bradford Hunt
Mark Kasprzyk
John P Lozito
Patrick McBriarty
Janice J Medina
Denise Moore
Amanda Olson
Thomas Pettee
Stephanie L Reinert
Evelyn Cole Smith
Suzanne Stanis
Jenn Thomas
Bonnie Tipton Wilson
Christy Anderson
Kimberly Barnard
Mary & Tom Boswell
Michael P Conzen
David Gallagher
Kathleen John-Alder
Mary Krugman
Daniel E Machamer
Dennis McClendon
Steven T Moga
Kate Ogden
Janine Origer
Renee Pinkston
Clare Robinson
Jean Spencer
Terry Tatum
Caroline E A Warner
Historic Preservation
Dept School of the Art
Institute of Chicago
PAS:APAL Meeting in the Mohawk
The Pioneer America Society: Association for the
Preservation of Artifacts & Landscapes will hold its
45th annual conference in the Mohawk Valley of
New York on October 9-12, 2013. The Conference
theme is: "The Mohawk Valley—New England
Extended: Landscapes of Cultural and Economic
Change & Diversity." The meeting will begin on
Wednesday with registration and an evening
welcoming reception. On Thursday, participants may
choose between walking tours of downtown Utica or
of historic Cooperstown. Friday will be devoted to
paper presentations and the annual Awards
Reception, Ceremony, and Banquet. Saturday will
offer an all-day bus tour that will highlight the
Mohawk Valley. The meeting headquarters is the
restored 1912 Hotel Utica, designed by Eisenvein &
Johnson of Buffalo, in historic downtown Utica.
Rooms at the hotel will be available to conference
attendees at the special rate of $80.00 per night.
The Mohawk Valley Conference Committee will be
soliciting proposals for papers, special sessions, and
panel discussions relating to the conference theme
after the first of the year. At that time, papers on all
aspects of material culture and landscapes that are of
interest to the Society will be welcome.
PLEASE NOTE that all presenters must be members
of the Society, and that only papers submitted by
registered conference participants will be accepted for
the Friday program. For further conference details,
please contact Wayne W. Brew, Conference Chair,
Montgomery County Community College (PH 201),
322 DeKalb Pike, Blue Bell, PA 19422; phone:
215/641-6326; email:[email protected], or visit the
Society’s website at: <pioneeramerica.org> and click
on “Annual Meeting.”
PAS:APAL 2012 Award Winners
PAS: APAL is pleased to announce the recipients of
its 2012 Awards:
The Henry H. Douglas Distinguished Service Award
to longtime member Alexander T. Bobersky of
Warren, Ohio, the Urban Design & Grant
Coordinator for the Warren Community
Development Department.
The Fred B. Kniffen Book Award recognizing the
best-authored book in the field of North American
material culture to Peter Benes, the director of the
Dublin Seminar for New England Folklife in
affiliation with Historic Deerfield for Meetinghouses of
Early New England (University of Massachusetts Press
2012).
The Allen G. Noble Book Award recognizing the
best-edited book in the field of North American
material culture to Michael P. Conzen of the
University of Chicago for The Making of the American
Landscape, 2nd edition (Routledge Press 2010).
The Historic Preservation Award to Ryan and Eric
Berley for their restoration of the Shane Candies
confectionery in the Old City District of Philadelphia,
and the Historic Preservation Certificate of Merit
award to Temple University in recognition of its
outstanding efforts to rehabilitate and adaptively reuse
the 1891 North Broad Street Baptist Temple, also in
Philadelphia.
And two inaugural awards: the W. Frank Ainsley
Outstanding Service Award to Cathy A. Wilson of
Punxsutawney, Pennsylvania, the Society's current
secretary; and the Wilhelm-Keiffer Student Research
Award to Kristin L. Britanik, a recent graduate of the
Historic Preservation program at the University of
Maryland, for her paper, "Where are the Ladies' Rest
Rooms? The Evolution of Women-Only Resting
Rooms Amid Social Changes of the Early Twentieth
Century."
PLANNED GIVING AND VAF
As a non-profit 501(c)3 organization, the Vernacular
Architecture Forum relies on the generosity of its
members to sustain its vital activities and services. In
addition to the donation option on your membership
renewal card, it is also possible to designate VAF as a
recipient of a bequest in your will or as a beneficiary
of a life insurance policy. In some cases, there may be
a tax advantage for you in naming VAF as the
recipient of a planned gift. Your tax adviser can
provide more precise information about this
possibility. Please remember VAF as you organize
your tax and estate planning this year.
ADVERTISE IN VAN
Any publisher, organization, consultant, institution, or
the like that wishes to reach VAF’s membership and
readers may advertise in the Vernacular Architecture
Newsletter.
A full-page advertisement is $220, a half-page is $120,
and a quarter-page is $70.
For more information, contact the editor at
<[email protected]>
or the address on the return label.
BIBLIOGRAPHY
Bibliography Notes
Because scaled plans and drawings, as well as builders’
original drawings, are a vital part of many vernacular
architecture and landscape studies, their use is
indicated in the bibliography as follows: D=Drawing,
section, elevation, or other scaled or contemporary
drawings other than plans; M=Map; P=Plan, scaled
or original; S=Site Plan; and X=None of the above.
The absence of a symbol means that the information
is not known for that item. The cumulative VAF
bibliography database is available for online searches
at <www.math.ufl.edu/math/biblio.html> and
<vafweb.org>. Please submit data to bibliography
editor Virginia Price, 3906 Vacation Lane, Arlington
VA 22207 or <[email protected]>. Separate
bibliographies were prepared for the Winter 2012 and
Spring 2013 issues of VAN.
As this is a double issue, both are included here, the
Winter bibliography first and the Spring bibliography
following. The bibliography editor extends special
thanks to Don Linebaugh for assistance with the
following entries.
Bibliography (Winter 2012)
Aav, Marianne, ed. Marimekko: Fabrics, Fashion, Architecture.
NY: Bard Center, 2012.
Aitchison, Mathew. “Townscape: Scope, Scale and
Extent.” Journal of Architecture 17, no. 5 (2012):621-42.
Albrecht, Donald. Now Boarding: Fentress Airports and the
Architecture of Flight. NY: Scala, 2012.
Amberg, Rob. The New Road: I-26 and the Footprints of
Progress in Appalachia. Athens: University of Georgia
Press, 2009.
Arceneaux, Noah. “Wanamaker's Department Store and
the Origins of Electronic Media, 1910–1922.” Technology
and Culture 51, no. 4 (October 2010): 809-28.
Bachmann, Anne. “Atlantic Crossings: Exhibiting
Scandinavian-American Relations in Scale Models and
Moving Pictures during the mid 1910s.” Early Popular
Visual Culture 10, no. 4 (November 2012): 345-66.
Bakirtzis, Charalambos. Mosaics of Thessaloniki: 4th to 14th
Century. Athens: Kapon, 2012.
Banner, James M., Jr. Being a Historian: An Introduction to the
Professional World of History. NY: Cambridge University
Press, 2012.
Barnes, Jodi A. The Materiality of Freedom: Archaeologies of
Postemancipation Life. Columbia: University of South
Carolina Press, 2012.
Bayard, Emile. The ABC of Styles. NY: Parkstone Press,
2012.
Beech, Nick. “‘Et tu, Peter?’ Some Kinds of Real – (Or
Not So) Politik at the Festival of Britain.” Journal of
Architecture 17, no. 5 (2012): 747-62.
Belcher, Margaret, ed. The Collected Letters of A.W.N. Pugin:
Volume 4 1849 to 1850. NY: Oxford University Press, 2012.
Bideau, Florence Graezer and Mondher Kilani.
“Multiculturalism, Cosmopolitanism, and Making Heritage
in Malaysia: A View from the Historic Cities of the Straits
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Biesta, Gert. “Becoming Public: Public Pedagogy,
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Bilsel, Can. Antiquity on Display: Regimes of the Authentic in
Berlin’s Pergamon Museum. NY: Oxford University Press, 2012.
Block, Kristen. Ordinary Lives in the Early Caribbean: Religion,
Colonial Competition, and the Politics of Profit. Athens:
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Ammon, Francesca Russello. “Unearthing Benny the
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Anderson, Jennifer L. Mahogany: The Costs of Luxury in Early
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Brandi, Richard. San Francisco's St. Francis Ward. SF:
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Breen, Colin. Dunluce Castle: History and Archaeology. Dublin:
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Breen, Louise A., ed. Converging Worlds: Communities and
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Breslaw, Elaine G. Lotions, Potions, Pills and Magic: Health
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Bronner, Simon. Explaining Traditions: Folk Behavior in
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Brown, Ras Michael. African-Atlantic Cultures and the South
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Bru, Nicolas. Archives de Pierre: Les eglises du Moyen Age dans
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Bullivane, Lucy. Masterplanning Futures. NY: Routledge,
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Burke, Catherine. A Life in Architecture and Education: Mary
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Cameron, Fiona R. and Sarah Mengler. “Cosmopolitics,
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Carson, Cary and Carl R. Lounsbury, eds. The Chesapeake
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Casey, Christine and Conor Lucey. Decorative Plasterwork in
Ireland and Europe: Ornament and the Early Modern Interior.
Dublin: Four Courts Press, 2012.
Cepl, Jasper. “Townscape in Germany.” Journal of
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Cesalkova, Lucie and Katerina Svatonova. “Between
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Chrestien, J. P., and D. Dufournier. “French Stoneware
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Cohen, Michael David. Reconstructing the Campus: Higher
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Collum, Maria O. and Barbara E. Krueger. Detroit’s Historic
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Princeton: Princeton Architectural Press, 2012.
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Coney Island. Philadelphia: University of Pennsylvania Press,
2012.
Dardi, Domitilla. Eero Saarinen. Milan: 24 Oro Cultura,
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Darley, Gillian. “Ian Nairn and Jane Jacobs, the Lessons
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Derden, John K. The World’s Largest Prison: The Story of
Camp Lawton. Macon: Mercer University Press, 2012.
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Deutsch, Stephanie. “Reinventing Rosenwalds.”
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Dickinson, N. S. “Regional Variation and Drift: Late
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Dinius, Oliver and Angela Vergara, eds. Company Towns
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Communities. Athens: University of Georgia Press, 2011.
Ding, Yannan and Nick Schuermans. “‘Happiness Hefei’:
Public Art and Rural-Urban Citizenship Struggles in
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Friedman, David. “Visual Documents, Property Archives,
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Dyble, Louise. Paying the Toll: Local Power, Regional Politics,
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Pennsylvania Press, 2009.
Garnaut, Christine, Robert Freestone and Iris Iwanicki.
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Erten, Erdem. “I, the World, the Devil and the Flesh:
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King, P. Nicole. Sombreros and Motorcycles in a Newer South:
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[D,M.P]
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Luque Blanco and José Luis. Continuum Cosmico: Frederick
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Moura, Eduardo Souto De. Eduardo Souto Moura: 30 anos,
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Lynes, Barbara Buhler and Agapita Judy Lopez. Georgia
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Muller, Edward K. “Urban Blueways: John Ormsbee
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Macarthur, John. “‘The Revenge of the Picturesque’
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Nuijsink, Cathelijne. How to Make a Japanese House.
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