The Bullitt Foundation Building
Transcription
The Bullitt Foundation Building
The Bullitt Foundation Building Proposal for Design Services [RE-THINK] Olson Sundberg Kundig Allen Architects with Pliny Fisk III, Gail Vittori and Katrina Morgan Letter of Interest January 26, 2009 Dear Advisory Committee, It is clear that you want Bullitt Foundation Building to be at the leading edge of green design. It’s time to rethink what that means. It’s not simply meeting green standards – it means going beyond them. We want to take your project beyond the prescriptive to the inventive. We actively seek clients and collaborators who want to go someplace new – we’re interested in this project because you want something more than a concrete-base, wood-frame building with some PV panels on top. Our history is expanding beyond a commodity to create a building with character and beauty – a building that will last physically as well as in people’s thoughts and imaginations. Olson Sundberg Kundig Allen has a strong tradition of rethinking – working with collaborators to re-imagine the limits of what a building can be through the innovative use of engineering, function and art. But the Bullitt Building needs something more if it is going to push the boundaries of design. To help us imagine the possibilities, we’re partnering with two sets of collaborators. Pliny Fisk III is a visionary, a real inventor who’s been rethinking the science and technology of building since the 1970s. He has deep roots in green design, and unlike others, he’s remained an idealist, partly by staying close to experimentation and hands-on building. He and Gail Vittori are co-directors of the Center for Maximum Potential Buildings Systems (CMPBS), a non-profit design firm dedicated to sustainable planning, design and demonstration. Gail is a powerhouse – she’s the Chair of the U.S. Green Building Council’s Board of Directors and has worked on groundbreaking sustainable projects around the country. Pliny and Gail will contribute recognized experience in the science of sustainability, creative thinking, and the use of analytical tools to make assessments – all of which are key to the Living Building Challenge. They will work with us closely in the conceptual phases, and will be integral to developing the philosophy of your building. We’ll also work with Katrina Morgan, director of Blackbird Studio, a local sustainability consulting firm. Kat, a former employee of OSKA, is currently working on several of our projects as well as training our staff in aspects of sustainable design and LEED. Sustainability is not only about metrics. It’s not a market niche, and it’s not something that we think about separately from other design concerns. It’s the way we create, and it has been part of the firm’s thinking since Jim Olson designed his first green roof in 1968, and Pliny and Gail began their decades-long contribution toward improving our future. We want to take this knowledge, this curiosity and passion, and use it to create the Bullitt Foundation Building. Sincerely, Tom Kundig, FAIA [email protected] Cistern diagram from OSKA residential project. Portfolio Great architecture is the intersection of the rational and the poetic. - Glenn Murcutt Chicken Point Cabin Design Approach How do we design and build appropriately to the realities of our time? How do we design and build in order to improve our future? For over 35 years, OSKA has considered these questions by challenging, reinterpreting, and combining proven ideas to move our design in new directions. Through collaboration with engineers, artists and inspirational personalities, we’ve learned that ideas can be shaped and matured into realities far beyond an initial conception. This rethinking of ideas and concepts is an integral part of Olson Sundberg Kundig Allen. An example of how we think and work is our approach to “inside-outside” relationships at Chicken Point Cabin. It’s a theme we’ve played with in much of our work, letting it evolve in built projects that blur the separation between shelter and nature. The design of Chicken Point started with an idea that a building could be like a tent; that a window wall could act like the thin zippered door between shelter and the natural world. With little effort, a person can open the entire wall and change the nature of the building and the occupants’ experience. Through collaboration with engineers, Tom’s original idea of a pivoting wall driven by a sandbag counterweight transformed into a kinetic device powered by the equivalent force of a small child, aided by geared mechanical advantage and a fly-ball governor for controlled decent. This project has captured the imaginations of hundreds of people and won multiple awards (including a National AIA Honor Award); the New York Times called it “modern architecture at its most elemental.” Chicken Point is an example of our theory that buildings and their parts are most successful when they are simple in form, but do multiple things. A single device performs multiple roles – it is a window, wall, door, awning, and a frame for a view. The parts and systems that comprise the overall form are inseparable from their function and shape the experience of the occupants. This one part/many roles can be seen in much of our work, including our office’s skylight (pg 16), T Bailey pipes (pg 10), and the lightcatcher at the Whatcom Museum (pg 11). Likewise, the sustainable aspects of the building are inseparable from its design: the window wall facilitates natural ventilation and daylighting; long-lasting materials like concrete and steel are unfinished and contribute to a raw aesthetic; discarded metal pieces like a steel pipe and truck suspension spring are rescued and repurposed into remarkable custom furniture. Multiplicity of purpose and flexibility for user-needs leads to a particular vision about sustainability, one with which we have found true partners in Pliny Fisk and Gail Vittori. Their work shares our vision about flexible building systems that can be adapted to changing needs and conditions. Buildings conceived in this way will ultimately be more effective, serve more purposes, and have a longer life. OSKA and CMPBS also share a strong environmental and site-specific sensitivity and understanding of the limits and opportunities of a locality. Our approach to the Bullitt Foundation building will align a common respect and understanding for the Northwest region and this Capitol Hill neighborhood. We believe this project holds the potential to make Seattle – the place where we live and do the majority of our work – a more sustainable city. Our firm’s philosophy of sustainability hinges on respect for the environment, natural and manmade, and aligns itself closely with a focus on craft, light, nature and the life of the building. Pliny and Gail, as well as Katrina, bring a deep understanding of science and technology of sustainability. This dialogue between the science and the architecturally poetic, where Tom has great affinities and strength, is what will produce a building which can meet, or better yet, exceed your aspirations for this project. 1900 First Avenue Hotel and Apartments Seattle, WA Estimated Completion in 2011 Olson Sundberg Kundig Allen Architects • Designed to LEED Platinum. • The project will be visually active, public, and transparent. • By creating a strong visual terminus at the grid shift on First Avenue, the development will create hinge between two neighborhoods – the Market district and Belltown. • The development will extend the pedestrian oriented character of the market district through the use of courtyard and alley space. • The building creates interest through the texture and pattern of surface treatments and window fenestrations. Advanced Green Builder Demonstration, CMPBS Office and Studio Austin, TX Ongoing Project Center for Maximum Potential Building Systems • Project links building design and construction to the central Texas region, integrating the supply and use of water, food, energy, waste and material resources with local and regional businesses and utilities. • Planned and designed using Eco-Balance Planning ™ methodology, reflecting the spatial footprints resulting from the life cycles of sustainable technologies incorporated in the project. • An open, flexible building system that can be modified to adapt to changing needs and working conditions while keeping the basic spatial life cycle footprints as efficient and site-dependent as possible. • Sustainable design features include: climatic design and orientation, daylighting, rainwater harvesting, on-site wetland wastewater treatment, composting toilets, solar photovoltaic panels, straw bale and straw panel walls, caliche block, fly ash concrete, recycled content steel post and beam structure, food-producing landscaping. Delta Shelter Seattle, WA Completed in 2005 Olson Sundberg Kundig Allen Architects • A steel-clad box on stilts that can be completely shuttered when the owner is away. • Extremely limited materials palette: plywood, steel, aluminum windows, and tongue-and-groove car decking. • All four shutters can be opened and closed simultaneously by using a hand wheel that moves the shutters over the glazed portions of each façade. The shutters are operated by a series of mechanical devices including a hand wheel, drive shafts, u-joints, spur gears and cables. In this way, the user can use human power to respond to climatic conditions. • The shutters can close the house at night, limiting heat loss, and open during the day for solar gain. Natural ventilation is achieved by having one-half of each façade capable of opening the building to the outside. • Most of the structure was prefabricated off-site, limiting typical construction waste and reducing on-site waste and site disruption. • Small footprint of 1,000 SF; minimal site impact. GroHome, Solar Decathalon Prefabricated Housing Center for Maximum Potential Building Systems with Texas A&M University • An approach to housing that uses an open building system invented by Pliny Fisk and developed for Texas A&M’s entry for the 2007 Solar Decathlon Competition. • Incorporates best practices supply chain management to achieve economies of scale and anticipate changing needs of the building owner, allowing for upgrades and replacements. • Basic structural frame uses high performance, light weight, industrialized elements, easy to transport and assemble. Onto the frame, the builder can add prefab- ricated groWalls, groFloors, and groRoofs that provide all of the services and feature of the home. Because they are coordinated dimensionally, a component can be replaced or altered as the owner obtains more money or requires different features. Solar generators such as photovoltaic arrays or hot-water arrays provide the energy needs appropriate to the life style and solar resource availability. • The system expands to include a groCommunity, taking into account transportation, food production, waste disposal, and water resources. 1111 E Pike Mixed Use, Capitol Hill Seattle, WA Completed in Spring 2009 Olson Sundberg Kundig Allen Architects • The project rethinks the concept of inexpensive housing, injecting it with modern, multifunctional design. • Urban infill project in Seattle’s Pike/Pine neighborhood. • Draws from historic industrial aesthetic of the neighborhood. • Program includes ground-level retail, five levels of condominiums, and two underground parking levels. Each condominium features nine-foot floor to ceiling windows and openplan layouts. T Bailey Offices Anacortes, WA Estimated Completion in 2010 Olson Sundberg Kundig Allen Architects • Project explores how a client’s product – pipes used in wind turbines – can be used in the construction of their headquarters. • Architects rethought how the pipes could be used to promote sustainability practices. Located within the vertical pipe, a skylight and large fan ventilate the main office floor. The skylight and fan are powered by solar energy. Warm air is sucked from the office space through the stairway pipe and evacuated out of the building, significantly reducing the cooling load. • The project is located in a delicate marine environment. The roof’s slope directs runoff into a native-plant rain garden. • Visitors enter the building and climb to the main office space via a horizontal 14’ and vertical 22’ diameter pipes. • This 11,700 sf office addition adjoins a existing heavy industrial manufacturing plant – all steel fabrication and erection takes place next door to the project. • Blackbird Studio conducted an Eco-charrette at the beginning of the project. 10 Whatcom Museum Bellingham, WA Estimated Completion in Spring 2009 Olson Sundberg Kundig Allen Architects • Urban infill project provides a much needed cultural and social center for the city. • The building is designed to LEED Silver and includes educational exhibits about the building’s sustainable aspects, including rain harvesting, pervious paving, a rain garden, and a green roof. • A 37’ tall, 180’ long translucent wall, “the light catcher,” is the focal point to a central courtyard. The light catcher serves multiple roles. It acts as a beacon and makes a direct connection with the Old City Hall; it also serves as a surface to screen movies and light art. The light catcher’s double-skin glazing naturally ventilates and acts as a thermal insulator for semi-conditioned lobby and public spaces. The nearly completed light catcher 11 Rainwater collection Operable windows Operable south windows for passive heating PV/Solar thermal Planter boxes Sun control Skylights for natural ventilation Deck/Edible garden Urban wind turbine Green roof Planter boxes SECTION N storage Mixed for MelroseWater Square Use Seattle, WA solar thermal collector Estimated Completion in Winter 2009 Katrina Morgan, Blackbird Studio SECTION 3. BULDING DESIGN Rainwater collection Operable south windows for passive heating Solar chimney for natural ventilation, passive heating and daylighting Planter boxes • An existing masonry building built in the early 1900’s, this project is characterized by a new central core that combines multiple jobs, including daylight capture, natural ventilation, and power generation. • Blackbird conducted the Eco-charrette and follow-up consulting that originally identified the strategies now being incorporated. • The project employs rainwater harvesting, urban wind turbines, solar hot water, and green roofs to drastically reduce the ecological footprint on its urban site. • Geothermal systems, solar hot water, radiant heat, and a solar chimney work to achieve a net zero residence above with commercial tenant space below. Skylights for natural ventilation N SECTION PV/Solar thermal N ater storage for Images courtesy of Graham Baba Architects lar thermal collector 12 SECTION ESIGN MELROSE SQUARE 1510 Melrose Avenue Seattle, WA 98122 GRAHAM BABA ARCHITECTS Laredo Blueprint Demonstration Farm Laredo, TX Completed in 1990 Center for Maximum Potential Building Systems • Headquarters and environmental education center representing the fauna and flora of the lower Rio Grande River Valley. • Employs a flexible building system originally designed to respond to farmers’ changing needs due to climatic variation, market demand, and added value potential. • Planning is based on a 30’ x 30’ grid cell system, a fundamental component of CMPBS’ master planning approach based on the Plate Carre projection system. • The building is efficiently cooled using downdraft evaporative cooling towers and is built with plastered straw bale walls, a folded sheet metal roof and stabilized earth floors. • The extensive shade system is designed to allow plant and animal species to thrive at multiple elevations and to support a variety of activities. The building envelope is designed to be an integrated pest management system and to create an environment for plants, insects and birds. 13 Sun Valley Center for the Arts Ketchum, ID Estimated Completion in 2011 Olson Sundberg Kundig Allen Architects • Designed to LEED certification. • The project is a highly transparent space designed to accommodate a multitude of uses. • 43,000 square foot facility will include an auditorium, classrooms, and art project areas as well as underground parking. • The ability of artists and curators to morph the space is an integral part of this project, blurring the line between architecture and art. 14 Sedgwick Rd. Seattle, WA Completed in 2002 Olson Sundberg Kundig Allen Architects • Steel I-beams, first-growth wood beams, original wood doors and windows, aluminum light fixtures, and a steel crane from the original building – all originally slated for demolition – were repurposed in the design. • Old pieces of the original structure were recreated into moveable partition walls – “The Frankenstein” – leaving the clients to construct and adapt work spaces. • The shell of the structure was left untouched, and the clerestory windows and scissor trusses raw and unpainted. • Recycled steel was used for flooring and stairs. Modular carpet tiling of recycled material was used in high-traffic work areas. • Sedgwick Rd is featured in the book The Good Office: Green Design on the Cutting Edge. (Collins Design, 2008) 15 Olson Sundberg Kundig Allen Offices Seattle, WA, Completed in 2004 Olson Sundberg Kundig Allen Architects “The historic rehabilitation of the Washington Shoe Building [designed by Olson Sundberg Kundig Allen Architects}… demonstrates that going green can inspire cutting edge design.” from The Good Office: Green Design on the Cutting Edge • Office is naturally ventilated – skylight and open stair create a chimney effect. • Skylight operates only by city water pressure, and is activated in the office by turning a valve. • Water used in the hydraulic system is reclaimed and used to irrigate a roof garden. • An open plan layout, pulled away from the perimeter walls, takes advantage of daylight. • Original warehouse walls and windows were left unpainted. Floors and walls fabricated from highly recycled content material. • Materials and workstations from the previous office were refashioned into a large structure that supports the kitchen, copy area, and library. • Working with Phil Turner, Tom designed a 6-ton, 14x25 foot counter-weighted skylight, designed to bring light into the two levels of office space below. 16 Art Stable Skinner Studio - Capitol Hill • Building will incorporate hydronic heat, natural ventilation and active solar/photovoltaic technology. • • Six-story urban infill in South Lake Union will provide ground level retail, parking, and adaptable live-work space. The space was created out of two bays on the second floor of a former warehouse. The building’s history and its uses remain evident in the patina of the floors, which were simply cleaned rather than resurfaced. • Sliding and pivoting 9’x9’ wall panels run adjacent to the large, central wood beam and allow the space to be reconfigured as needed. • The custom-made Rolling Table – designed by Tom Kundig and constructed of milled steel pipes, brass washers, and the center cut of a fallen log – rolls between the kitchen and the studio. Seattle, WA Estimated Completion in Olson Sundberg Kundig Allen Architects • The concrete frame structure draws upon the warehouse typology of the neighborhood. • Large operable wall panels and a built-in crane allow for lifting oversized objects into units. Seattle, WA Completed in 2006 Olson Sundberg Kundig Allen Architects 17 Figure 9 - Velocity Distribution at Center of Class Olive 8 Hotel and Condominium High-Rise Seattle, WA Estimated Completion in 2009 Katrina Morgan, Blackbird Studio • Blackbird is LEED consultant for the project. • Project achieved an FAR bonus through City of Seattle’s Green Building program by pursuing LEED Silver certification. • Seattle Steam provides an efficient source of hydronic heating. The condensate created by using steam is recovered for use in irrigation. • Stormwater runoff is reduced through use of the vegetated roofs. • Highly efficient curtain-wall glazing, multiple mechanical upgrades, commissioning, and lighting efficiencies all add up to beat the Seattle Energy Code by 17.5%. • Utility rebates helped to support the additional first cost of these strategies. • Designed to LEED Silver (hoping to reach Gold). Washington Middle School Figure 10 - Isometric View of Typical Science Room – Awning Windows Opened 45 Degrees Olympia, WA Completed in Winter 2009 Katrina Morgan, Blackbird Studio • Katrina was on the design team at Mahlum Architects from schematic design through construction; Blackbird conducted the Post Occupancy Evaluation (POE) on the project. • Sustainable strategies were supported by over $800,000 in grants and incentives. • The goal of creating a healthy indoor environment in response to years of sick building was achieved through the use of natural ventilation shafts with assist fans, operable windows, displacement ventilation, daylighting, and thoughtful selection of interior finishes. • Computational Fluid Dynamics (CFD) modeling and daylight modeling were performed during design to ensure the building geometry would perform as expected. • POE results confirmed exceptional air quality and water savings, and an Energy Use Index (EUI) of 42. Middle schools in the Pacific Northwest typically range from 40-50 EUI. • Image courtesy of MulvannyG2 Washington Sustainable Schools Protocol (WSSP) Certified. Images courtesy of Mahlum Architects 18 Olson Sundberg Kundig Allen Architects Olson Sundberg Kundig Allen Architects began its creative existence with architect Jim Olson, whose work in the late 1960s explored the relationship between dwellings and the landscape they inhabit in the Northwest. Olson started the firm based on some simple ideas: that buildings can serve as a bridge between nature, culture and people, and that inspiring surroundings have a positive effect on people’s lives. Rick Sundberg joined the firm in 1975, and its commitment to urbanism and civic life became evident as they began designing and developing modern urban buildings in and around Seattle’s national historic districts Pike Place Market and Pioneer Square. Earth House, 1968 Pike & Virginia, 1978 In 2000, Tom Kundig and Scott Allen joined Olson and Sundberg as owners, taking the firm to another level of creative exploration and helping it grow into an office with an international reputation. Alan Maskin and Kirsten Murray joined the owners group in 2008, continuing the evolution of the firm and furthering its commitment to the experience around architecture, articulated in exhibit design, interiors, and connections to urban and rural landscapes. The firm now numbers over 85 employees. Olson Sundberg Kundig Allen’s work, including museums, academic buildings, exhibit design, interior design, places of worship and residences, often for art collectors, is now worldwide. The office combines the capacity of a large firm with the intensity of a small one. The firm’s commitment to vigorous, critical design review sessions has infused its designers with a shared sense of commitment to every project. Chicken Point Cabin, 2002 First Avenue Hotel and Apartments, 2011 Among the firm’s accolades are the 2009 National AIA Architecture Firm Award (often referred to as the Firm of the Year award); National and Regional design awards from the American Institute of Architects, American Architecture Awards from the Chicago Athenaeum, Jim Olson’s AIA Seattle Medal of Honor, and Tom Kundig’s National Design Award from the Smithsonian Cooper-Hewitt and his Academy Award in Architecture from the American Academy of Arts and Letters. 19 Project Team Organizational Chart BULLITT FOUNDATION Tom Kundig, Design Lead and Principal in Charge Stephen Yamada-Heidner, Project Manager Steven Rainville, Project Architect Tom Kundig will be the lead designer and Principal in Charge, seeking ways to integrate the vision of the owner with the goal of providing an architectural experience that delights, celebrates and educates. CMPBS Pliny Fisk III Gail Vittori OSKA Tom Kundig Stephen Yamada-Heidner Steven Rainville BLACKBIRD STUDIO Katrina Morgan Stephen Yamada-Heidner, project manager, will be responsible for interteam communication and have responsibility for the overall administration of the project and its collaborators, while seeing that the parameters and goals of the project, including budget and schedule, are met. He will shepherd this project from concept to realization. Steven Rainville, project architect, will be responsible for implementing the vision and goals of the project at a tangible level. He will have direct oversight over the deliverables, architectural staff, and will coordinate consultants more directly involved in the development of the building. Pliny Fisk, Sustainable Design Collaborator Gail Vittori, Sustainable Design Collaborator Pliny Fisk will help conceptualize how this ambitious project will extend the boundaries of the state of the art. The extent of this effort and Pliny’s participation will be dictated by the Bullitt Foundation’s project goals as they become more concrete during early planning and schematic design phases. This idea generation, the dialogue which follows, and the physical possibilities they represent, will become a part of the platform from which Tom and the team will construct an integrated, thoughtful and compelling architectural concept. Depending on the agreed direction of the building project and program, Pliny and CMPBS may also assist in the implementation of design concepts for which they are uniquely qualified, such as life cycle design and eco-balance. Similarly, Gail Vittori, co-director of CMPBS, will provide valuable design input during conceptual design and where needed, solution implementation. Katrina Morgan, LEED and Sustainability Facilitator Backed by the engineering strength of Blackbird/Rushing, Katrina will provide technical and analytical support to the team, while lending her experience and eye to the design process. Katrina will be in charge of LEED implementation, including assessment, tracking and documentation. She will also be the point person in any attempt to achieve the goals laid out by other green building rating systems, including the Living Building Challenge. Katrina will be called upon to use her knowledge of local resources, regional considerations, the City of Seattle, green initiatives, and alternative funding procurement options to help move the project forward. The Rolling Table from Skinner Studio reuses milled steel pipes, brass washers, and the center cut of a fallen log. 20 Tom Kundig, FAIA Principal, Olson Sundberg Kundig Allen Architects Role on this Project: Design Lead, Principal in Charge Tom Kundig is the recipient of the 2008 National Design Award in Architecture Design, awarded by the Smithsonian’s Cooper-Hewitt National Design Museum. He has won five National AIA Institute Honor Awards and is a recipient of a 2007 Academy Award in Architecture from the American Academy of Arts and Letters. In 2004, Kundig was selected as one of eight North American Emerging Architects by the Architectural League of New York and was elected to the College of Fellows by the American Institute of Architects (AIA). He was a finalist for the 2005 National Design Award for Architecture, and he is a recipient of a MacDowell Colony Fellowship. Architectural Record has named two of Kundig’s projects Record Houses – the Rolling Huts in 2008 and Delta Shelter in 2006. To date, Kundig has been awarded a total of twenty-nine AIA awards, and over fifty awards total. Olson Sundberg Kundig Allen Architects received the 2009 National AIA Architecture Firm Award. Kundig’s work encompasses residential, commercial and institutional and is located around the world. His signature detailing and raw, kinetic construction explore new forms of engagement with site and landscape, which he frames in the workings of unique, building-size machines. InCurrent projects includ his houses, which are quickly becoming recognized as modern-day classics, brute strength and tactile refinement are held in perfect equilibrium. e the Sun Valley Center for the Arts, in Ketchum, Idaho, West Chelsea Scramble Tower in New York City, urban infill and two large hotel and mixed-use projects in downtown Seattle, the T Bailey Offices in Anacortes, Washington, and private residences in Spain and throughout North America. In 2006, Princeton Architectural Press released Tom Kundig: Houses – which featured Studio House, the Brain, Chicken Point Cabin, Hot Rod House, and Delta Shelter. Kundig has been published in over 250 publications worldwide. Cover stories have appeared in the New York Times Home Magazine, Italy’s La Republica’s D CASA and Acciaio Arte Architettura, and Spain’s Diseño Interior. His work has been featured in many books on architecture, including Dung Ngo’s World House Now, Casamonti and Pavan’s Cantine 1990-2005, Jean-Louis Cohen and Martin Moeller Jr.’s Liquid Stone: New Architecture in Concrete, and the forthcoming edition of The Phaidon Atlas of Contemporary World Architecture. Kundig has lectured extensively on design and served as a university studio critic throughout the United States and in Japan (at Harvard, Syracuse University, the University of Texas and the University of Oregon, among others). His awardwinning work has been widely exhibited in North America, at the American Academy of Arts and Letters in New York, Syracuse University, the Seattle AIA, and at the National Building Museum in Washington, DC. A monograph on the work of the firm, Olson Sundberg Kundig Allen Architects: Architecture, Art and Craft, was published by the Monacelli Press in 2003. Kundig’s undergraduate and graduate architecture degrees are from the University of Washington. 21 Pliny Fisk III and Gail Vittori, LEED AP Co-Directors of The Center for Maximum Potential Building Systems Role on this Project: Sustainable Design Collaborators Pliny Fisk is considered one of the originators of the Sustainable Architecture and Planning movement in the U.S. and has several national and international awards in the field. His work has been significant at many levels: from helping formulate local and national policy in green building, to designing signature buildings, many of which have been published in the national press. Starting with his interdisciplinary thesis work with Ian McHarg in 1969 and continuing into the present day, Pliny has developed a series of Meta eco-technology plans, processes and procedures. These range from the first large-scale wetland for urban waste water treatment, to a global transformation of the biogeochemical cycles covering 39% of the global population on coastal regions. On a strategic planning level Pliny was instrumental in an EPA funded project that developed the country’s first IO/LCA/GIS model, representing 12.5M businesses in the US. At the site planning level he has developed an interscalar resource balancing approach to master planning called EcoBalance Planning. This life cycle based planning method is used in design curriculums at two universities and was recently incorporated into a sustainable urbanism plan for ‘Verano’, a new community in San Antonio, Texas with an expected population of 20,000. Pliny has received numerous national and international awards including a USGBC Leadership award in 2008, an Earth Summit Award (shared with the City of Austin), and the first Sacred Tree Award presented by the U.S. Green Building Council. He also recently had the honor of being appointed to the General Services Administration’s national peer review committee for federally funded buildings. In the press, Pliny was featured in Texas Monthly magazine’s thirtyfifth anniversary issue as one of 35 futurists, and in 2006, Metropolis Magazine selected him as one of fourteen design visionaries. Pliny’s research and teaching covers a wide range of subject matter including the development of one of the first design/ build courses in sustainable architecture in the U.S. at UT Austin. He has written extensively on his theories and practices, and lectures regularly both in the U.S. and abroad, averaging 20 such appearances on an annual basis. Lectures and invited appearances in 2008 included the Netherlands Architecture Institute Pavilion at the Venice Architecture Biennale, CNU XVI in Austin, Texas, and Eco-Build El Paso. Gail Vittori, LEED AP, is Co-Director of the CMPBS, where she has worked since 1979, and serves as Chair of the U.S. Green Building Council’s Board of Directors. Since 1993, Ms. Vittori has coordinated the Center’s Sustainable Design in Public Buildings Program, including serving as a Sustainable Design Consultant for the Pentagon Renovation Program’s Commissioning Team from 1999 to 2006, numerous City of Austin design projects including Texas’ first public sector LEED® certified building, the redevelopment of the 709-acre former Austin airport, the new Austin Federal Courthouse with Mack Scogin Merrill Elam Architects, and the first LEED-Platinum certified hospital in the world, Dell Children’s Medical Center of Central Texas. Additionally, she oversees sustainable design and green development with a host of projects in Austin, including the 1-million square foot Block 21 mixed use development and Escarpment Village retail center, both with Stratus Properties. Since 2000, Ms. Vittori has been a catalyst for several national initiatives focused on green health care facilities, including collaborating on the development of the American Society of Healthcare Engineering’s (ASHE) Green Healthcare Construction Guidance Statement, and the Green Guide for Health Care, convened by the Center in 2002, and currently a project of the Center and Health Care Without Harm. 22 Gail Vittori (continued) Current health care projects include Co-Coordinator of the Green Guide for Health Care, and Founding Chair of the U.S. Green Building Council’s LEED for Healthcare core committee (2004-2008). In her hometown of Austin, Texas, Ms. Vittori has been a driver of policy initiatives that have fundamentally influenced its future. In 1989, Ms. Vittori proposed a conceptual framework for what evolved as the City of Austin’s Green Builder Program, the only U.S. program recognized at the 1992 U.N. Earth Summit in Rio de Janeiro, and the first green building program in the world. She oversaw the early stage development of the program through 1992. Austin’s Green Builder Program influenced the formation of the U.S. Green Building Council and LEED®, in addition to scores of policies throughout the U.S. and abroad. Additionally, from 1988 to 1998, she served on the City’s Solid Waste Advisory Commission – six years as Chair – formed in response to a successful initiative co-coordinated by Ms. Vittori to cancel a proposed waste-to-energy municipal solid waste incinerator. Her work on establishing pay-as-youthrow recycling residential recycling programs, in addition to recycling programs for the City’s commercial and multifamily sectors, has led to Austin having one of the nation’s most successful recycling programs. Ms. Vittori was a Loeb Fellow at Harvard University’s Graduate School of Design from 1998-1999, and attended the University of Massachusetts at Amherst where she studied economics. She collaborates with Health Care Without Harm and the Healthy Building Network on numerous national and international environmental health initiatives. Ms. Vittori is on the advisory boards of Natural Home magazine and Environmental Building News. She is co-author, with Robin Guenther FAIA, of Sustainable Healthcare Architecture, published by Wiley and Sons in 2008, was featured as an Innovator: Building a Greener World in TIME Magazine in March 2007 and, with Pliny Fisk III, in Texas Monthly’s 35th year anniversary issue (February 2008) in the article ‘35 People Who Will Shape Our Future’. Katrina Morgan, AIA, CSBA Director, Blackbird Studio; Associate Principal, Rushing LEED Accredited Professional Role on this Project: LEED and Sustainability Facilitator Often called the “Horsewhisperer” in green building circles, Katrina brings a unique brand of sustainable design expertise to her projects. Drawing from her background in architecture (she is an Olson Sundberg Kundig Allen alumnus) and 15 years in the construction industry, she has managed the sustainability and LEED consulting for over 6 million square feet of built environment, including post occupancy evaluations and alternative funding procurement. With a deep knowledge of sustainable practices, Katrina acts as an educator, facilitator, and technical resource to enable teams to achieve soulful, ecologically sensitive, affordable places. As the Director of Blackbird Studio, Katrina has worked on a wide variety of building types, including commercial office, multi-family residential, mixeduse projects, civic buildings, and schools. All Blackbird Studio projects benefit from the MEP engineering expertise of its parent company, Rushing. A licensed Architect, LEED AP, and Certified Sustainable Building Advisor (CSBA), Katrina holds degrees in Architecture and Environmental Design from Ball State University. Katrina is currently leading a series of monthly sustainability workshops at Olson Sundberg Kundig Allen for principals, associates, and senior project managers. Each month focuses on a topic of sustainable design – site development, water use, etc. – and explores how to implement these tactics on current projects, as well as how to present sustainable opportunities to clients. 23 Stephen Yamada-Heidner, AIA Steven Rainville, AIA Principal, LEED Accredited Professional Role on this Project: Project Manager Associate Role on this Project: Project Architect Stephen has been a member of Olson Sundberg Kundig Allen Architects since 1989, becoming a principal in 2004. He has been involved with the design and management of a series of significant projects ranging from residential to institutional. Stephen is a LEED accredited professional and for the past ten years has led Olson Sundberg Kundig Allen’s in-office effort to educate staff about green design concepts, and help implement them on projects. Steven Rainville takes pride in being a generalist architect, with a strong interest in building construction and architectural technologies. Since joining the firm in 1996, Steven has been involved with the design and management of a series of Tom’s well-recognized projects, including Chicken Point Cabin, Outpost, and the Olson Sundberg Kundig Allen Offices. He is currently working with Tom on the T Bailey Offices, a project in a delicate marine environment which utilizes the company’s product — pipes used in wind turbine towers — for sustainable strategies. Projects on which he’s worked have been published internationally in such publications as the New York Times, Elle Decoration, Frame, Haüser, Western Interiors and Design. Many of those projects have received awards including National, Regional and Local awards from the American Institute of Architects (AIA) as well as an American Architecture Award from the Chicago Athenaeum. Steven maintains an active role in the firm’s staff development as manager of the mentorship and intern programs, along with key involvement in quality control. A licensed architect, he has a Bachelor of Architecture from Washington State University. Stephen’s experience includes project management of the Seattle University Temporary Library, Noah’s Ark Galleries at the Skirball Cultural Center, the St. Mark’s Cathedral re-design in Seattle, the Whatcom Museum, the Wing Luke Asian Museum in Seattle, the Sun Valley Center for the Arts in Ketchum, Idaho, and numerous houses, often for art collectors. Projects on which he’s worked have been published in numerous publications worldwide including Architectural Digest and Architectural Record. The book Art + Architecture: The Ebsworth Collection and Residence features a single project on which he served as project manager. Another project for which he served as project manager, the Lake Washington Residence, was included in the best-selling book, The Green House: New Directions in Sustainable Architecture and Design, and in the exhibit of the same name held at the National Building Museum in Washington, DC. Stephen holds a Master of Architecture degree from the University of California at Berkeley, and his architectural training is supported by an educational background that includes psychology, politics, music, and the law. 24 “Tom....Thanks for becoming a one-man campaign to show the rest of the country that we Northwesterners care about our built environment as we do our natural one.” Gene Duvernoy, President, Cascade Land Conservancy OSKA 1900 First Avenue Shawn Parry, Co-owner Touchstone Corporation (206) 441-2955 [email protected] Douglas Howe, Co-owner Touchstone Corporation (206) 727-2394 [email protected] Robert Thurston Owner and Operator Inn at the Market (206) 923-8178 [email protected] Delta Shelter Michal Friedrich, Owner (206) 619-2063 [email protected] Tim Tanner, Contractor (206) 789-5060 [email protected] Phil Turner, Collaborator Turner Exhibits (425) 776-4930 [email protected] 1111 E Pike Anne Michelson, Owner (206) 328-3696 [email protected] Suzanne Cole, Owner’s Rep Justen Company LLC (206) 652-4138 [email protected] Frank Firmani, Contractor Formerly of Charter Construction Firmani LLC (206) 261-4422 [email protected] T Bailey Offices Gene Tanaka, President T Bailey Inc. (360) 293-0682 x229 [email protected] Mike Jansma, Project Manager T Bailey Inc. (360) 293-0682 x232 [email protected] Eric C. Martin, P.E., S.E. Principal, Sargent Engineers, Inc. (360) 867-9284 [email protected] Whatcom Museum Patricia Leach, Director Whatcom Museum (360) 778-8932 [email protected] Mark Handzlik, Project Manager City of Bellingham Department of Public Works (360) 778-7900 [email protected] Jeff McClure, Board Member Whatcom Museum (360) 676-7733 [email protected] Sun Valley Center for the Arts (SVCA) Sam Gappmayer, President & CEO Colorado Springs Fine Arts Center former Executive Director of SVCA (719)477-4310 [email protected] Tom Swift, Building Committee (208) 788-9400 [email protected] Jeri Waxenberg, Board Member (208) 726-1685 [email protected] Jay Sfingi, SVCA Owner’s Rep The Sfingi Group (208) 726-7020 [email protected] Sedgwick Rd. Jim Walker Former Director, Sedgwick Rd Chief Creative Officer TM Advertising (206) 971-4240 [email protected] Valerie Piacenti Assistant to Jim Walker (206) 971-4250 [email protected] George S. Schuchart Schuchart Corporation (206) 682-3030 [email protected] OSKA Office Adam Hasson Samis Land Company, Building Owner (206) 957-8753 [email protected] Monte Clark, Structural Engineer MCE Structural Consultants, Inc. (406) 780-9011 [email protected] References Eric Jones, Contractor Foushee and Associates, Inc. (425) 746-1000 [email protected] Art Stable Chris Rogers Point32 Development Company (206) 805-3232 [email protected] Chris Faul Point32 Development Company (206) 633-3003 [email protected] Jim Dow Schuchart Dow Construction (206) 633-3003 [email protected] Skinner Studio Catherine Skinner, Client (206) 443-1742 [email protected] David Skinner, Client (206) 328-6266 [email protected] CMPBS Advanced Green Builder Demonstration Doug Seiter US Department of Energy (303) 275.4810 [email protected] Petrice “Pete” Parsons Executive Director Texas H2 Coalition (210) 722 – 7270 [email protected] Bruce Esterline Senior Program Officer, Meadows Foundation (214) 826-9431 [email protected] GroHome, Solar Decathlon Mark J. Clayton, PhD Associate Director of the Center for Housing and Urban Development Liz and Nelson Mitchell Professor in Residential Design Department of Architecture, TAMU (979) 845-2300 [email protected] Tom Regan Professor and Former Dean College of Architecture, TAMU 979- 458- 0443 [email protected] Larry Zuber Senior Director of Development, TAMU 979 845 1222 [email protected] Laredo Blueprint Demonstration Farm Meg Guerra Editor, Laredos (956) 791 – 9950 [email protected] Alberto Luera Centro Aztlan, CMPBS Board Member 956-334-7712 (cell) [email protected] Jim Earhart, Professor Head Rio Grand International Study Center, Laredo Community College (956) 721- 5392 [email protected] Blackbird Studio Washington Middle School Butch Reifert, Principal Architect Mahlum Architects (206) 441-4151 [email protected] Bob Wolpert, Owner former Director of Facilities Olympia School District Now with KMB Design Groups (360) 352-8883 [email protected] Tim Byrne, Project Manager Olympia School District [email protected] 360-596-8560 Olive 8 Derek Janke, Project Manager RC Hedreen (206) 624-8909 [email protected] David Thyer, President RC Hedreen (206) 624-8909 [email protected] Peter Boileau, Contractor JTM Construction (206) 405-3311, ext 402 [email protected] Melrose Square Jim Graham, Architect Graham Baba Architects (206) 323-9932 [email protected] Bruno Lambert, Owner (206) 612-8586 [email protected] Peter Dobrovolny Green Building Specialist City of Seattle Green Building Program (206) 615-1094 [email protected] 25