Pdf Catalogue - John Moran Auctioneers

Transcription

D e c o r at i v e A r t A u c t i o n
Tuesday, February 17, 2015
Preview opens 12:00 pm
Catalogued Sale 3:00 pm
Pasadena Convention Center
300 East Green Street Pasadena California 91101
Bidding available: live, via phone, absentee, or online at
liveauctioneers.com :: Bidsquare.com
Inquiries welcome:
626 793 1833 :: [email protected]
735 West Woodbury Road Altadena California 91001 :: www.johnmoran.com
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JOHN MORAN AUCTIONEERS, INC.
FOUNDERS
President, Principal Auctioneer
Senior Vice President, Auctioneer
Vice President, Public Relations
John H. Moran
Jeffrey J. Moran
Madeleine Moran
SPECIALISTS
Vice President - Estates Auction Director
Roland Rynkiewicz
Antique & Decorative Art Specialist
Maranda Moran
Antique & Decorative Art Cataloguer
Kim Jarand
Estate SpecialistJohn Simon Taylor
jewelry Specialist - Sale Director
Mollie Burns Keith, G.G.
Jewelry SpecialistAna Wroblaski, G.G., A.J.P.
Fine Art specialistMorgana Blackwelder
Fine Art & Cataloging Consultant
Katherine Halligan
Fine Art CataloguerBobby Cullen
CLIENT SERVICES
Office Manager, Client Accounting
Betty Lanza
Client Services / Social Media
Jardine Bruce
Client ServicesJean Rapagna
OPERATIONS
Operations Director, AuctioneerGlenn Storey
Art Handlers / Property Control Larry Muradian
Padded Van ServicesMike Hook
DIGITAL DESIGN
Webmaster / Network Administrator
Oscar Tsao
Photographer Shane Strong
Advertising Director / Digital Design
Nathan Martinez
Assistant Photographer / Social Media
Ali Breen
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Conditions Of Sale
1. Lots Sold to The Highest Bidder: The highest bidder acknowledged by the auctioneer shall be the buyer. Under no circumstances are the
consignors or the consignors‚ agents or persons acting on behalf of the consignors permitted to bid at the auction on their consigned property. The
auctioneer has the right to reject any bid, to advance the bidding at his or her absolute discretion and, in the event of any dispute between bidders
or any other issue with respect to the highest bidder, to determine the successful bidder, to continue the bidding or to reoffer and resell the lot
in question. In the event of any dispute after the sale, John Moran Auctioneers.‚ Inc., a California Corporation (hereinafter referred to as, JMA),
record of final sale shall be conclusive.
2. Lots are Sold AS IS. ALL PROPERTY IS SOLD AS IS AND ALL IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS ARE
EXCLUDED. NEITHER WE NOR THE CONSIGNOR OR OUR ASSOCIATES MAKE ANY REPRESENTATION, EXPRESSED OR IMPLIED
WARRANTY, OR GUARANTEE IN CONDITION, SIZE, PROVENANCE, MEDIUM, SIGNATURE, INSCRIPTION, EXHIBITION (S),
IMPORTANCE, RARITY, COUNTRY OR ORIGIN, AGE, GENUINENESS, SUBJECT HISTORICAL RELEVANCE, MONETARY OR OTHER
VALUE, FRAMING OR LACK THEREOF, MOUNTING, CONSERVATION, COLOR (S), PALETTE, INSCRIPTION, EDITION, STYLE
LABEL OR OTHER DESCRIPTOR. NO STATEMENT IN THE CATALOGUE, BROCHURES OR IN THE BILL OF SALE OR INVOICE OR
BIOGRAPHIC INFORMATION OR STATEMENTS MADE BY THE AUCTIONEER DURING THE AUCTION OR ELSEWHERE SHALL
BE DEEMED SUCH A WARRANTY OR REPRESENTATION OR AN ASSUMPTION OF LIABILITY. NO EMPLOYEE OF JOHN MORAN
AUCTIONEERS IS AUTHORIZED TO MAKE, ON OUR BEHALF OR THAT OF THE CONSIGNOR, ANY REPRESENTATION OR
WARRANTY, ORAL OR WRITTEN, WITH RESPECT TO ANY PROPERTY.
3. Buyer’s obligation to inspect each item: Buyers are strongly encouraged to view all items auctioned on display before the auction to
determine the true condition and nature of any item(s) of interest. Although there is no legal requirement that each buyer inspect lots purchased
before the auction, the failure to inspect may constitute a waiver of that buyer’s complaint that the item was not delivered in a condition equal to
the existent condition at the auction as described in section 14 of these Conditions of Sale.
4. All Sales Final: Notwithstanding any other terms of these conditions, any and all refunds shall be given at the sole discretion of JMA. Refunds
requested on the grounds of authenticity must be made within 10 days of the auction date, and such requests must be accompanied by at least
one supporting statement in writing from a recognized authority stating that the painting or art sold is incorrect or not the work of the artist. A
recognized authority shall be defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person
who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artists estate or
someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of
the period, medium and subject matter in question during the course of their duties. Please note that dealers who advertise to buy a wide range of
artists, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific
involvement with an artists work as specified above in addition to their daily duties. Any lot in question must be returned to JMA in the exact same
condition as when sold. Please be advised that JMA does not grant extensions to refund considerations based upon authenticity due to shipping
delays. There are no exceptions to this refund policy.
5. The Right to withdraw Lots: JMA reserves the right to withdraw any lot before or at the sale.
6. Buyer’s Premium: The buyer agrees to pay the sum of the hammer price plus a premium of 25.5% (of the hammer price). A discount of 2.5%
is applied if paying by check, cash or wire transfer, and a 3% discount will apply if bidding via the floor, telephone or absentee, together with any
applicable tax. Buyers outside of the United states must submit payment via wire transfer. Credit cards are not an accepted form of payment for
buyers outside of the United States.
7. Lots are Subject to a Reserve Price: Some lots in the auction are subject to a reserve, which is the confidential minimum price below which the
lot will not be sold (the reserve). In no event will the reserve price exceed the low estimate. JMA shall act to protect the reserve by bidding through
the auctioneer. The auctioneer may open bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue
to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.
The estimates provided by JMA concerning a given lot, are carefully considered opinions of the cataloguer and fine art staff. Any estimates given
are merely suggestive guidelines for interested buyers. Buyers must be aware that paintings and art are subject to fluctuating values depending on
the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices either above or below
estimates.
8. Winning Bid Constitutes an Immediate Transfer of Title: Title to the offered lot shall pass to the buyer upon the fall of the auctioneer's
hammer and announcement by the auctioneer that the lot has been sold, subject to compliance by the buyer with all other Conditions of Sale.
The buyer shall forthwith assume full risk and responsibility for the lot and shall pay the full purchase price or such part thereof as JMA, in its sole
discretion, shall require. In addition, the buyer may be required to sign a confirmation of purchase or abide by any other financial terms that JMA
deems necessary to protect the interest of the consignors.
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Conditions Of Sale Continued
9. Removal of Purchased lots: All items sold may not be removed from JMA’s premises, or the premises of the auction, until the buyer has paid in
full the purchase price therefor or has satisfied such terms, as JMA, in its sole discretion, shall require. Subject to the foregoing, all lots are to be paid
for and removed from JMA premises at the buyer’s expense no later than the third calendar day following the sale, and, if not so removed, JMA may
transfer any such lot to its warehouse at the risk and expense of the buyer. If a lot has not been collected the third calendar day following the sale
and JMA does transfer the uncollected property to its warehouse, the buyer will be liable to JMA for storage and handling charges of $10.00 per
day for each lot. In addition to other remedies available by law, JMA reserves the right to impose a late charge of 1% per month or the maximum
permitted by law on the purchase price commencing on the day following the date on which payment is due if the buyer does not make payment in
full in accordance with these Conditions of Sale.
10. Absent Bidders: Bids which are submitted to JMA in writing or are otherwise left with JMA prior to an auction for execution at or below a
specified price (Absentee bids), as well as telephone bids, shall be entertained and executed by JMA for the convenience of bidders not present
at auction, but JMA shall not be responsible for failing to execute such bids or for errors relating to our execution of such bids. Bidding on any
article(s), whether in person, by agent, order bid, telephone or other means, constitutes the highest bidders acceptance of these Conditions of
Sale. All absentee bids must be received by JMA prior to the day of sale. Bidders by telephone are also encouraged to leave a cover bid in case of
technical failure.
11. Applicable taxes: Unless exempted by California law, the buyer shall be required to pay any applicable state and local sales tax or compensating
use tax on the purchase price.
12. Buyer’s Breach of Conditions of Sale: If the buyer fails to comply with any of these Conditions of Sale, JMA may, in addition to asserting all
remedies available by law, including the right to hold such defaulting buyer liable for the purchase price, (I) cancel the sale, retaining as liquidated
damages any payment made by the buyer, (II) resell the property without reserve at public auction or privately on seven days notice to the buyer,
or (iii) takesuch other action as we deem necessary or appropriate. If JMA resells the property, the original defaulting buyer shall be liable for
the payments of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable
attorneys‚ fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase
price for any or all lots purchased, JMA shall apply the payment received to such lot or lots that JMA, in our sole discretion, deems appropriate.
JMA shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California where the
auction is held.
13. Governing Law, Venue and Jurisdiction: The rights and obligations of the parties with respect to the Conditions of Sale and the conduct of the
auction shall be governed and interpreted by the laws of the State of California. By bidding at an auction, whether present in person or by agent, by
absentee bid, telephone or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of such state and
the federal courts sitting in such state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by the Conditions
of Sale, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, Pasadena Branch located at 300 E. Walnut
Street, Pasadena, California 91101 or the Federal Court Central District located at 312 North Spring Street, Los Angeles, California, 90012-4793.
The buyer expressly agrees that (i) neither JMA nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages,
including, without limitation, loss of profits and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot.
14. Delivery of Lots Sold: The packing and handling of purchased lots by John Moran Auctioneer’s staff at the auction is undertaken solely as to
customers. There is no charge for packing material and labor supplied to you on the evening of the sale. In no event will JMA be liable damage to
painting, glass or frames regardless of cause in connection with this free service.
JMA may, in our discretion and as a service to buyers, arrange to have purchased lots packed, insured and forwarded at the request, expense risk of
the buyer. JMA assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, whether recommended by
JMA. Nor does JMA assume any responsibility for any damage to picture frames or to the glass therein. In circumstances JMA arranges and bills
for such services via invoice or credit card, JMA will include an administration charge.
In the case of JMA personally delivering an item, if an item cannot be delivered in condition equal to the existent condition at the time of should
any item be mis delivered, stolen or lost prior to delivery, JMA‚s liability shall not exceed the amount paid by the buyer at the auction. Buyers are
strongly encouraged to view all items auctioned on display before the auction to determine the true condition of items of interest.
15. Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be
in writing and addressed to JMA at 735 West Woodbury, Altadena, California 91001.
16. Effect of any Unenforceable Provisions: Should any of the Conditions of Sale be deemed unenforceable by a competent court having
jurisdiction, such unenforceable provision shall have no effect on the enforcability of the remaining provisions contained in the Conditions of Sale.
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This catalogue is meant merely as a guide.
The Auctioneers do not warrant the accuracy, genuineness,
authenticity, description, weight, count or measure of any of the lots
specified herein.
Buyer’s Premiums
House Premium
25.5% (of the hammer price) when paying by credit card
23% when paying by check, cash or wire transfer
Reduced Premiums – Floor, Telephone or Absentee Bidders
22.5% if paying by credit card
20% when paying by check, cash or wire transfer
BIDDING INCREMENTS
$100 - $475 @ $25 increments
$500 - $950 @ $50 increments
$1,000 - $1,900 @ $100 increments
$2,000 - $4,750 @ $250 increments
$5,000 - $9,500 @ $500 increments
$10,000 - $19,000 @ $1,000 increments
$20,000 - $47,500 @ $2,500 increments
$50,000 - $95,000 @ $5,000 increments
$100,000 - $190,000 @ $10,000 increments
$200,000 - $480,000 @ $20,000 increments
$500,000 & above @ $50,000 increments,
or at Auctioneer's discretion.
View Illustrated Catalogue Online @
www.johnmoran.com
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1001 Ansel Adams (1902-1984 Carmel, CA)
''Alfred Stieglitz at an American Place, New York, New York'', circa 1939, printed
August 1978, signed in pencil on the mount lower right: Ansel Adams, artist's Carmel
studio label on the mounting board, gelatin silver print on paper under glass, paper size:
12.75'' H x 8.5'' W, est: $2500/3500
Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally good
condition. A 2mm surface scuff about the electrical outlet and a 1.5mm scuff in the
upper left corner. Photograph mounted as stated. Your bid indicates acceptance of our
Conditions of Sale. AS-IS. ALL SALES FINAL
1002 Alfred Stieglitz (1864-1946 New York, NY) and Edward Steichen (18791973 New York, NY), John Marin
'John Marin at 291'', 1911, gelatin silverprint on paper under glass, photograph
unmarked, paper size: 10'' H x 8'' W, est: $800/1200
condition. Paper taped along the upper and lower edges to the front mat. Three diagonal
black lines across the lower left quadrant that appear to be in the plate. Scattered
surfaced scuffs visible throughout but are on the plate. Your bid indicates acceptance of
our Conditions of Sale. AS-IS. ALL SALES FINAL
1003 Imogen Cunningham (1883-1976 San Francisco, CA)
''Edward Weston and Margrethe Mather'', signed and dated in pencil on the mount
lower right: Imogen Cunningham 1923, gelatin silver print on paper under glass, paper
size: 7.5'' H x 6'' W, est: $2000/3000
Note: The Imogen Cunningham Trust, San Francisco, CA label affixed to the backing
board. Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally
good condition. Photograph mounted as stated. Your bid indicates acceptance of our
1004 Edgar Bissantz (1901-1998 San Francisco, CA), two photographs
Two works: ''Imogen Cunningham photographing August Sander in his home in
Kuchhausen, Germany'', signed and dated in pencil on the mount lower right: Edgar
Bissantz 6-3-1960, titled in pencil on the mount lower left, gelatin silver print on paper
under glass, paper size: 9.75'' H x 8'' W; and ''August Sander, Kuchhausen'', signed and
dated in pencil on the mount lower right: Edgar Bissantz 6/3/1960, titled in pencil on
the mount lower left, paper size: 9.75'' H x 8'' W, two pcs, est: $700/1000
Provenance: Private Collection, Los Angeles, CA. Condition: The first: Generally good
condition. A 1'' diagonal shallow knife cut on the surface along the lower center edge.
Photograph mounted as stated. The second: Generally good condition. Mounted to the
back mat with glue. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
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1005 Yousuf Karsh (1908-2002 Canadian)
''Edward Steichen'', signed in ink on the mount lower left: Karsh, artist's studio stamp on
the mounting board and titled and dated in pencil: 1965, gelatin silver print on paper
under glass, paper size: 19.75'' H x 15.75'' W, est: $1500/2500
Provenance: sale, Christie's, New York, NY, 5 October 1994, lot 199 ($2,300); acquired
by the present owner from the above. Condition: Visual: Generally good condition.
Photograph mounted as stated and the mounting board tipped onto a second mat.
Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1006 A group of twelve gelatin silver prints by Edward Weston (1886-1958
Carmel, CA)
Comprising: two identical portraits of a young man, each signed and dated in ink on
the folio backing paper lower left: Weston - 1912, each 5.75'' H x 4'' W; two marriage
portraits of the same man and woman, two photos mounted into one folio, folios
stamped with Weston's Tropico studio stamp, the man 5.75'' H x 4'' W, the woman
seated 6.5'' H x 4.5'' W, the woman standing 6.5'' H x 3.25'' W, 2 pcs; portrait of a standing
child, signed, inscribed and dated in ink on the folio backing paper lower right: Weston
- Tropico - 1911 -, 6'' H x 3.5'' W; portrait of a woman in profile, signed and dated in ink
on the folio backing paper lower left: Weston - 1912; portrait of Esther Lois Jones, signed
and dated in ink on the folio backing paper lower right: Weston - 1912; portrait of a
mother and baby Margaret, signed in the image upper left: Weston; portrait of a young
woman, unsigned, dated in pencil along the lower center edge: 1911; and Portrait of
Charles Clifton Chase, unsigned; 10 pcs, est: $800/1200
Note: These Hastings Family portraits date from 1911 and 1912 when Weston worked
out of his Tropico studio in the present-day Glendale, CA area. Weston executed the
photographs in the soft-focus, pictorial style that characterized his early period. In the
formal studio portraits, Weston bathes the sitters in dramatic and ethereal light while
the small boy is presented in two, more playful images, one in a full length shot facing
the camera and one seated and smiling. Also included is a tender 1916 double portrait
of a mother and three-month-old baby Margaret. Provenance: The Hastings Family
Collection, La Canada, CA. Condition: Each: Generally good condition. The upper
edges tipped to the back folio mats. All retaining the original folios, some with the artist's
signature and date. Some with minor scattered nibbles to the edges. Portrait of a young
woman: extensive staining throughout the background. Loose in the folio. Portrait of
a mother and baby Margaret: a few scattered losses and scratches to the left and right
of the mother and throughout. The photograph mounted to backing paper but lacking
folio. Portrait of Charles Clifton Chase: Tack holes in the upper center. The lower right
corner missing. The image out of focus. Loose in a folio. Your bid indicates acceptance
of our Conditions of Sale. AS-IS. ALL SALES FINAL
1007 Edward Weston (1886-1958 Carmel, CA)
''Mr. Brown-Jones of Georgia'', signed and dated with initials on the mount lower
right: E.W. 1941, titled verso, gelatin silver print on paper under glass, paper size:
9.5'' H x 7.25'' W, est: $700/1000
Literature: E. Weston, ''50 Photographs'', New York, NY, 1947. Note: Mr. Brown-Jones
was a school teacher in Athens, Georgia. He was photographed in at least two poses:
the present work where the sitter looks directly at the camera and another pose where
Mr. Brown-Jones looks down at his clasped hands. Weston likely shot these images on
December 15, 1941, a day when he photographed black models. Provenance: Private
Collection, Los Angeles, CA. Condition: Visual: Generally good condition. A few small
dents in the paper scattered throughout. Mounted to the back mat with glue. The recto
and back mat are hinged together with linen hinge tape along the upper edge. Your bid
indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
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1008 Two early 20th Century boxing photographs
Two boxing action photos, each: unsigned, each: black and white photographs with oil
pastel highlights, each sight size: 7.25'' H x 9.25'' W, 2 pcs, est: $400/600
Provenance: Private Collection, Los Angeles, CA. Condition: Each: Generally good
condition. Handling creases throughout. Glued to the back mat along the edges.
The recto and back mat further glued together. Your bid indicates acceptance of our
1009 George Hurrell (1904-1992 California), Portfolio I
Including 10 movie star portrait silver prints, each portrait signed and numbered in
the lower margin: Hurrell 71/190. Creative Art Investments, Inc., Los Angeles, CA,
publisher, in original box with original paperwork including publisher's certificate of
authenticity, paper size: each: 14'' H x 11'' W, est: $1500/2000
Note: Portrait subjects include: Greta Garbo and John Barrymore, Gary Cooper, Joan
Crawford, Bette Davis, Marlene Dietrich, Clark Gable, Jean Harlow, Loretta Young and
Tyrone Power, Rita Hayworth and Katharine Hepburn. Provenance: Private Collection,
Los Angeles, CA. Condition: Each: Generally good condition. Each portrait retains it's
original plastic sleeve. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1010 A pair of Reed & Barton ''Francis I'' sterling silver bowls
One dated 1950, the other 1954, Taunton, MA, each marked ''Reed & Barton / Sterling
/ X569 / Francis I'', each with a circular flared scalloped rim repousse-decorated with
C-scrolls, foliate clasps and fruiting pendants, over a tapering body, 2 pieces, each:
1.75'' H x 7.875'' Dia., total weight 40.830 oz troy approximately, est: $500/700
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition.
General marks, scratches, rubbed wear and tarnishing commensurate with age. With
polish residue to crevices, scattered remnants of earthquake putty and sticker residue to
undersides. One with concentrated areas of irregular scratching to underside. Your bid
1011 A set of 12 Steuben clear crystal ''Teardrop'' goblets
Circa 1940, each marked ''S'' to base, model #7737, of hand-blown clear crystal, each
of flaring conical form over a hollow stem raised on a spreading circular foot, with
original Steuben canteen and individual dust bags, 12 pieces, each: 7.25'' H x 3.75'' Dia.,
est: $400/600
Note: Original packing slip included. Provenance: Private Collection, Pasadena, CA.
Condition: Overall good condition. Your bid indicates acceptance of our Conditions of
Sale. AS-IS. ALL SALES FINAL
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1012 A Lalique frosted art glass ''Nemours'' bowl
20th century, signed ''Lalique / France'', the circular bowl cut to exterior with tapering
rows of black-centered flowers, 4'' H x 10'' Dia., est: $400/600
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition.
General marks, scratches, and light rubbing commensurate with age. One .25''-long
surface scratch to outer rim. Your bid indicates acceptance of our Conditions of Sale.
AS-IS. ALL SALES FINAL
1013 A Jaeger LeCoultre Skeleton Clock
Circa 1962, brushed gilt brass body with glazed front and rear panels, 8 day
movement and hour markers attached to look suspended between glass, glass signed
''Jaeger-LeCoultre'', ''8'' and ''Swiss'', with original case and certificate from factory,
8'' H x 7'' W x 1.75'' D, est: $400/600
Provenance: Proceeds to benefit charity, Daz-E Shop, Altadena, CA. Condition: Overall
good condition. General light scuffs commensurate with age. Winds and runs. Moran's
does not guarantee working condition of clocks. Your bid indicates acceptance of our
1014 A Steuben gold Aurene art glass bowl
Circa 1918 - 1933, etched ''Aurene'' and with model number ''5061'' to underside, the
flared rim over a shallow circular body raised on a short circular foot, 3'' H x 12'' Dia.,
est: $500/700
Condition: Overall good condition. General light marks and scratches commensurate
with age and handling; a few scattered darker scratches to interior of bowl, the longest
1.5''-long. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1015 A Loetz iridescent art glass vase
Early 20th century, signed ''Loetz / Austria'', of undulating tapering form rising to a
slightly flared mouth, with striations of iridescent purple and green on a spring green
ground, 13.75'' H x 7'' Dia., est: $400/600
Provenance: Private Collection, Tujunga, CA. Condition: Overall good condition.
General light marks, scratches, and rubbed wear commensurate with age and
handling. Three light spots of darker discoloration localized to center body; the largest
approximately .25'' x .25''. Scattered white-colored scuffs around base; the largest
approximately .125'' x .25''. Your bid indicates acceptance of our Conditions of Sale.
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1016 Edward Steichen (1879-1973 New York, NY)
''Maurice Chevalier Does a Song and Dance, New York'', 1929; printed 1950, unsigned,
artist's studio stamp verso, gelatin silver print on paper under glass, paper size:
13.5'' H x 16.5'' W, est: $2500/3500
Note: Inscribed in pencil verso: Neg. #723-27 / Vanity Fair / Exh. #91 / Book 122. With
other various printer notations verso. Provenance: sale, Christie's, New York, NY, 5
October 1994, lot 118 ($2,300); acquired by the present owner from the above, Private
Collection, Los Angeles, CA. Condition: Visual: Generally good condition. Remnants
of paper tape in the upper verso corners. The photograph tipped into corners to the
back mat. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1017 A group of three figural gelatin silver prints, Nowinski and G.L. Manuel
Freres
Three works: Ira Nowinski (b. 1942 New York, NY), ''Mr. Graffeo, Graffeo Coffee''
signed, titled, dated and numbered verso: Ira Nowinski 1981 2/30, matted bromoil
gelatin silver print, image size: 17.75'' H x 12'' W; Nowinski, ''Allen Ginsberg - Shig's
Apartment'', appears unsigned, matted bromoil gelatin silver print, sight size:
11.5'' H x 17.5'' W; Studio of G.L. Manuel Freres, ''Maurice Chevalier'', inscribed in
the plate lower left: G.L. Manuel Freres. Paris, autographed and inscribed in ink left
center: James Ahern, Cordially, Maurice Chevalier, paper size: 11.5'' H x 9.25'' W, 3 pcs,
est: $400/600
Provenance: Private Collection, Los Angeles, CA. Condition: The first: Generally good
condition. Mounted to the back mat with plastic pocket corners. The recto mat and back
mat are taped together. The second: Generally good condition. mounted to the back mat
with glue. The recto mat and back mat are glued together. The third: All four corners are
missing. Missing paper from the left center edge to lower left edge. Small tears in the
paper throughout. A large tear with missing paper lower center. Mounted to the back
mat with glue. The recto mat and back mat are hinged together with acid free tape along
the upper edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
''Roppeita Kita and Grandson Nagayo Kita'', 1969; likely printed later, signed in ink on
the mount lower left: Karsh, titled in pencil in another hand on the mounting board:
Roppeita Kita, gelatin silver print on paper under glass, paper size: 19.75'' H x 15.75'' W,
est: $2500/3500
Literature: Y. Karsh, ''Faces of Our Time'', Toronto, 1971, pl. 102, another example
illustrated. Note: Kita was a legendary actor of the Noh drama and his grandson acted in
the same company. Provenance: Private Collection, Los Angeles, CA. Condition: Visual:
Generally good condition. Tiny nibbles to the right extreme edge of the paper and in
the upper and lower right corners. Photograph mounted as stated. Your bid indicates
acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1019 Roy Schatt (1909-2002 New York, NY)
''James Dean (from the Torn Sweater series)'', 1954; later impression, unsigned, gelatin
silver print on paper under glass, paper size: 13.5'' H x 16'' W, est: $1000/1500
condition. A horizontal handling crease in the lower left. Glued into the archival
mat, verso not viewable. Appears to be hinged to the back mat. Your bid indicates
5
1020 Helmut Newton (1920-2004 German)
''Ava Gardner'', signed photo, 1984, printed 1992, signed in pencil along the right
margin: Helmut Newton, numbered in pencil verso: 29/75, publication stamp verso,
photogravure on paper, paper size: 11.5'' H x 9.5'' W, est: $800/1200
Edition: edition of 75 (20 artist's proofs). Note: Together with the book ''Helmut
Newton: Naked and Dressed in Hollywood'', Pascal de Sarthe Gallery, Los Angeles,
CA, 1992, in the original cloth folio. Provenance: Private Collection, Los Angeles, CA.
Condition: Visual: Generally good condition. The photogravure in the original paper
cover and tucked into the folio along with the book. Your bid indicates acceptance of
''Maria Felix at home in Cuernavaca'', signed, titled, inscribed and dated verso: Helmut
Newton 1990, gelatin silver print on paper under glass, image size: 19'' H x 18.5'' W,
est: $800/1200
Literature: "Helmut Newton: Naked and Dressed in Hollywood'', Pascal de Sarthe
Gallery, Los Angeles, CA, 1992, p. 20. Provenance: Private Collection, Los Angeles,
CA. Condition: Visual: Generally good condition. A small tear in the margin upper
left. Hinged to the recto mat with paper tape along the upper edge. Your bid indicates
''Vincent Price at the Magic Castle'', signed, titled, inscribed and dated verso: Helmut
Newton Hollywood 1990, gelatin silver print on paper under glass, image size:
12.25'' H x 10.5'' W, est: $800/1200
Literature: "Helmut Newton: Naked and Dressed in Hollywood'', Pascal de Sarthe
Gallery, Los Angeles, CA, 1992, p. 21. Provenance: Private Collection, Los Angeles, CA.
Condition: Visual: Generally good condition. Hinged to the recto mat with paper tape
along the upper edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1023 An erotic Vienna cold-painted bronze figure
Early 20th century, unsigned, depicting an Orientalist dancing female figure with hinged
skirt lifting to reveal the dancer's nude lower half, on an integral carpet, raised on a
stepped green onyx base , 7.5'' H x 4.25'' W x 4.75'' D, est: $600/900
Provenance: Private Collection, Encino, CA. Condition: Rubbed wear, scattered minor
verdigris and darkening to bronze commensurate with age. Onyx base with a diagonal
break and subsequent repair and scattered scratches, scuffs and minor fleabite chips to
underside edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
6
1024 Two Vienna cold-painted bronze figures, Bruno Zach (1891 - 1945
Austrian / German)
Early 20th century, each signed to base ''Zach'' and stamped ''Made in Austria'',
each depicting a scantily clad female figure; one posing, the other adjusting her
stockings, each raised on a stepped square green onyx base, 2 pieces, the first:
5.75'' H x 1.5'' W x 1.5'' D; the second: 5.5'' H x 1.625'' W x 1.625'' D, est: $1000/2000
Provenance: Private Collection, Encino, CA. Condition: Overall good condition.
General minor scratches, marks and rubbed wear commensurate with age. Chips and
scattered fleabites to bases. Your bid indicates acceptance of our Conditions of Sale.
1025 An L.C. Tiffany Favrile iridescent art glass perfume bottle
Circa 1921, inscribed to base ''L.C.T. / Favrile / 611-P'', the elongated bulbous stopper
over a flaring circular rim above a spreading, ribbed body with upwards-reaching drips
at the base, 7'' H x 2.5'' Dia., est: $400/600
Provenance: Private Collection, West Hills, CA. Condition: Overall good condition. A
.25''-long vertical crack at terminal of dropper. A .0625''-diameter chip to base of bottle.
1026 A sterling silver table vase, Tiffany & Co.
Circa 1895, with maker's mark for directorship of Charles L. Tiffany, marked ''Tiffany
& Co. / 12321 Makers 7293 / Sterling Silver / 925-1000 / T'', the wide, crenellated
mouth chased to interior with stylized waves, tapering to a baluster-form body all-over
repousse-decorated with stylized waves, kelp, and pneumatocysts, over a waisted base
with a waved socle, supported on a stepped circular foot, 18.25'' H x 7.25'' Dia., 59.345 oz
troy approximately, est: $2000/3000
General marks, scratches, and tarnishing commensurate with age. Some tips of waves at
mouth bent slightly in or outward. One side of foot slightly out of shape; does not stand
perfectly flush on a flat surface. Your bid indicates acceptance of our Conditions of Sale.
1027 A Galle cameo cut-back art glass vase
Circa turn of the 20th century, cameo signed ''Galle'', the flared rim above a tapering
elongated body wheel-cut overall with vines issuing leaves, flowers and berries,
13.5'' H x 4.75'' Dia., est: $1000/2000
General light marks and scratches commensurate with age and handling. Localized
areas of adhesive residue to body. Your bid indicates acceptance of our Conditions of
7
1028 An Ernst Wahliss / Amphora ceramic bust, ''Daphne''
After 1900, Turn-Teplitz, Bohemia, impressed ''4263'', titled ''Daphne.'' to base,
depicting a draped beauty wearing a foliate crown over an integral square base,
28.75'' H x 18.5'' W x 7.5'' D, est: $4000/6000
Literature: This model illustrated, B. Vreeland, ''Monsters & Maidens: Collector's
Edition'', Fledermaus Press, 2011, p. 432. Provenance: Private Collection, Southern
California. Condition: Overall good condition. General light marks, scratches and
rubbing commensurate with age. Scattered professional restorations to leaf tips. An
approximately 2''-long tight hairline crack to base. Your bid indicates acceptance of our
1029 A German Art Nouveau cast brass-mounted art glass vase, Carl Deffner
Circa 1900, Esslingen, with maker's mark ''CD / E'' over crossed halberds within a shield,
further marked ''A'', ''CD'' within a square, and ''6'', the pierced, dual-handled brass mount
enclosing a clear frosted art glass vase with cut-back and polychrome enameled floral
sprays to each face, over a spreading oval foot, 6.75'' H x 6'' W x 4.25'' D, est: $500/700
General rubbed wear, light scratches, dings and tarnishing to mount commensurate
with age. A 1.5''-long pushed-in section to brass foot. A .25'' x .125'' shallow chip to body
of one leaf. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1030 A Legras Art Deco acid-etched art glass vase
Circa 1925, cameo signed ''Legras'', the baluster-form body acid-etched in relief and
painted in magenta enamel with abstract linear decoration over a frosted pink and
white-speckled ground, 12.25'' H x 5.5'' Dia., est: $500/700
General light marks and scratches commensurate with age and handling. Your bid
1031 Ringling Bros. and Barnum & Bailey Circus photograph, circa 1920,
Cleveland, OH
signed and inscribed twice in the plate: By H.A. Kramp, 1919 Holmden Ave., Cleveland,
O., paper size: 7.5'' H x 33'' W, est: $500/700
condition. Damage to the upper left corner with very minor paper loss. Slight water
damage in the upper left corner and upper center. The paper is rippled throughout.
8
1032 Chang Reynolds (circa 1914-1987 Pasadena, CA)
Ringling Brothers Circus elephants, signed lower right: Chang Reynolds, oil on canvas,
22'' H x 28'' W, est: $600/800
Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally
good condition. Blacklight: A .75'' x 1'' 'L'-shaped area of touch-up upper right with
corresponding patch verso. A pea-sized spot of touch-up lower left with corresponding
patch verso. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1033 Clarence Nelson Aldrich (1893-1953 Bishop, CA)
Cole Bros Circus workers, signed lower right: Clarence N. Aldrich, inscribed verso:
First Award Watercolor, L.B. Art Assoc., watercolor on paper under glass, paper size:
19.25'' H x 24.75'' W, est: $700/900
Exhibited: Long Beach Art Association, Long Beach, CA, first award watercolor, n.d..
Note: Sight size: 18'' H x 23.75'' W. Provenance: Private Collection, Los Angeles, CA.
Condition: Visual: Generally good condition. Mounted to the recto mat with archival
tape in the four corners. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1034 Joseph Edward Knowles (1907-1980 Santa Barbara, CA)
Carnival nocturne with figures, signed and dated lower left: J. Knowles '39, watercolor
on paper under glass, paper size: 15.25'' H x 22.5'' W, est: $600/800
Note: Sight size: 14.5'' H x 21.5'' W. Provenance: Private Collection, Los Angeles, CA.
Condition: Visual: Generally good condition. Mounted to the back mat with plastic
corner pockets in the upper corners and paper shelves along the lower edge. The recto
and back mat are hinged together along the lower edge. Your bid indicates acceptance
1035 Robert Barbour Johnson (1907-1987 San Francisco, CA)
Circus band pulled by eight horse team, signed lower right: Robert Barbour Johnson,
mixed media on board under glass, board size: 19'' H x 14.25'' W, est: $600/800
condition. Varnish discoloration. Mounted to the recto mat with masking tape. Your
bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
9
1036 Emil J. Kosa Jr (1903-1968 Los Angeles, CA)
Portrait of a clown, signed lower right: Emil Kosa Jr, oil on masonite, 36'' H x 30'' W,
est: $1000/2000
Provenance: Private Collection, Huntington Beach, CA. Condition: Visual: Generally
good condition. Blacklight: No evidence of restoration under blacklight. Your bid
1037 20th Century American
'Clowns Making Up'', signed illegibly lower right, titled verso, watercolor on paper
under glass, paper size: 14.5'' H x 18.5'' W, est: $300/500
Note: Sight size: 13.75'' H x 17.75'' W. Provenance: Private Collection, Los Angeles, CA.
Condition: Generally good condition. Mounted to the recto mat with archival tape along
the upper edge and lower center. Your bid indicates acceptance of our Conditions of
1038 Lee Everett Blair AWS (1911-1993 Los Angeles, CA)
Circus dogs, signed faintly lower right: Lee Blair, mixed media on board under glass,
sight size: 10.25'' H x 14.5'' W, est: $300/500
condition. The board is mounted to the recto mat with archival and masking tape. Your
1039 Robert Barbour Johnson (1907-1987 San Francisco, CA)
Circus steam calliope wagon with horses, signed lower right: Robert Barbour Johnson,
gouache and graphite on board laid to board under glass, sight size: 9.25'' H x 15'' W,
est: $400/600
condition. The recto and back mat are glued together. Your bid indicates acceptance of
10
1040 Boris Leven (20th Century- American)
Circus setup, signed and dated lower right: Boris Leven '44, watercolor on paper under
glass, sight size: 18'' H x 24'' W, est: $500/700
condition. The recto and back mat are glued together. Your bid indicates acceptance of
1041 A Pathe disk phonograph with horn
Early 20th century, French, marked to stylus arm ''Reproducteur pour disques /
Pathe / Brevte SGDG / Pathe Multitone'', further marked to case ''Les Disques
Pathe Chantent Sans Aiguille'' (Pathe disks sing without needle), adjustable-speed
manual-wind, fitted with a red bell-shaped horn, accompanied by one 10.5'' Dia disk,
25.5'' H x 15.5'' W x 20'' D, est: $500/700
Provenance: Private Collection, West Hills, CA. Condition: Winds and runs. Warping
to cover of case; does not sit flush with housing. Chip to connecting shaft of stylus arm;
does not securely screw into horn terminal. Scattered shrinkage cracks and chips to
case primarily localized around lower beveled edge and scuffs and scratches to horn
commensurate with age and use. Your bid indicates acceptance of our Conditions of
1042 An American tenor banjo, Bacon Banjo Co. Inc.
Circa 1930, Groton, Connecticut, model B&D Montana Special Silver Bell, Style No.
1, serial number ''27037'' stamped to dowel stick, accompanied by original case, 33'' H,
est: $800/1200
Provenance: Private Collection, Southern California. Condition: Head diameter:
11''. Overall good condition. General marks, minor scuffs and wear commensurate
with age. Skin banjo head detached from tension hoop at bottom left quadrant;
needs replacement. Armrest partially detached. Your bid indicates acceptance of our
1043 The Gorilla with The Ritz Brothers, movie poster
20th Century Fox, 1939, Joseph H. Tooker Litho Co., Inc., three sheet color lithograph
on paper laid to linen under Plexiglas, 76.5'' H x 39.5'' W, est: $500/700
Note: With printing notations along the lower margin: Litho In U.S.A. #3349. This Poster
Is The Property of Twentieth Century Fox Film Corp. It Is Leased - Not Sold. Copyright
By Twentieth Century Fox Film Corp. MCMXXXIX. The Gorilla 3SH NO.3. Joseph
H. Tooker Litho Co., Inc.. Provenance: Private Collection, Pasadena, CA. Condition:
Generally good condition. Some minor restoration along the left vertical folding crease.
Very minor rippling throughout. Small tear upper right edge. Your bid indicates
11
1044 Carter the Great - A Baffling Chinese Mystery, magic tour poster
featuring The Elongated Maiden, circa 1935, Otis Lithography Co., Cleveland, Ohio,
three sheet color lithograph on paper laid to linen under Plexiglas, 78'' H x 41'' W,
est: $500/700
Note: Charles Joseph Carter (1874-1936 San Francisco, CA) started as a journalist
and lawyer before moving full time to a successful career in magic. He toured
extensively abroad and in 1917 Carter purchased Martinka Magic Palace in New York
and purportedly kept his lion ''Monty'' in the back of the shop. Provenance: Private
Collection, Pasadena, CA. Condition: Generally good condition. A few areas of
restoration and paper loss in the upper and center portion of the center vertical folding
crease. Small spots of paper loss in the upper and center portion of the left and right
vertical folding crease. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1045 The Fak Hongs, magic tour poster
Numero D'Illusion Le Plus Grand Du Monde, circa 1920, E. Mirabet, printer,
Valencia, Spain, color lithograph on paper laid to linen under Plexiglas, 73'' H x 50'' W,
est: $500/700
Provenance: Private Collection, Pasadena, CA. Condition: Generally good condition.
Minor handling creases scattered throughout, mainly along the folding creases. Minor
rippling throughout. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1046 A Bolex H-16 Reflex REX-4 16mm motion picture film camera, zoom
lens and accessories
Circa 1965, serial number 21900216, together with a P. Angenieux, Paris 120 RX zoom
lens (f/2.2 12-120), type 10 x 12 C, with a built-in geared crank allowing for slow zooms
and a detachable 1'' rod for faster zooms, and a Kern-Paillard ''Visifocus'' Switar RX
16mm f/1.8 lens, each lens with lens cover retained, also with top-mounted Gossen
exposure meter, five additional filter holders, a later model Paillard Bolex H Declic
trigger hand grip with leather strap, 1 2'' square Kodak no. 96 N.D. 0.60 gelatin filter,
1 2'' square Kodak No. 1A skylight gelatin filter, 1 2'' square No. 8 K2 gelatin filter, 1 2''
square No. 85 daylight filter for Kodak type A color films, 1 3'' square No. 85B daylight
filter for Kodak type B color films, original instruction manual and fitted carrying case,
camera body only: 8.75'' H x 7.25'' W x 3.5'' D, est: $300/500
Cranks and runs. Geared crank of Angenieux 120 lens lacking finial. One screw to
interior of body with some rust evident. Minimal dust to interior of camera body; would
benefit from light cleaning. Axillary viewfinder mounts to exterior of body cover rusty.
One filter holder with rust to ends. Adjustable milled ring of viewfinder's eyepiece
will not budge; may have been over-tightened (viewfinder currently set to leftmost (-)
setting). Exposure meter may require a new battery. Small pieces cut from No. 85 and
No 85B filters; all filter envelopes have broken seals. Your bid indicates acceptance of
12
1047 A Rookwood pottery ''Soft Porcelain'' duochrome floor vase
1917, Cincinnati, OH, impressed ''RP'' monogram and flame mark over Roman
numeral ''XVII'', further marked with shape number ''2371'', and sideways ''P'' denoting
''Rookwood Soft Porcelain'' body material, of duochrome glaze with turquoise
interior and ''Catawba'' purple gloss exterior, the flared mouth over a short, fourhandled neck above a baluster-form body, raised on a slightly spreading circular foot,
16.5'' H x 8.5'' Dia., est: $600/900
Condition: Overall good condition. Your bid indicates acceptance of our Conditions of
1048 A pair of Spanish Colonial style cast iron three light torchieres
Late 19th / early 20th century, each with pierced and repousse-decorated patinated
metal backplates centering sunflowers raised on a central cast iron standard issuing
three polychrome-painted foliate-sheathed arms terminating in foliate sockets affixed
with faux candles, raised overall on three foliate-sheathed double-scroll legs, electrified,
2 pieces, each: 98'' H x 20'' W x 20'' D, est: $2000/3000
Provenance: Private Collection, La Jolla, CA. Condition: General marks, scratches and
rubbed wear commensurate with age and use. Losses and chipping to paint and rust
throughout. Loss to lower 2'' section of one backplate. Each with vertical backplate
supports detached from bottom screws. One with old, nonfunctioning wiring to verso
of backplate. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1049 A group of 16 ''Monaco'' California glazed ceramic tiles
Second quarter 20th century, some stamped ''Monaco'', some stamped ''Monaco / Santa
Monica / Brick Co.'', others unsigned, comprising: 6 rectangular semi-gloss orange tiles
(6'' H x 3'' W x .5'' D); 2 square semi-gloss orange tiles (6'' H x 6'' W x .5'' D); 2 square
semi-gloss black tiles (6'' H x 6'' W x .5'' D); and 6 combination matte / glossy glazed
polychrome tiles (5'' x 5'' x .75'' D), 16 pieces, est: $500/700
Provenance: Private Collection, Orange, CA. Condition: Overall good condition. Each
with varying degrees of craquelure to glaze. Scattered marks, scratches and chips (the
largest 1'' x .25''). Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1050 A Mexican three-panel folding screen with inset carved alabaster
panels
Mid 20th century, of three hinged mahogany panels, each inset with two square
vertically-arranged alabaster panels carved to each face with pre-Columbian deities,
57'' H x 54.25'' W x 1.25'' D, est: $600/900
Minor sun fading to upper quarter of one side. One alabaster panel with a 3.5''-long
diagonal crack to upper corner; another with a 2.25'' x 1'' area of fill to lower section of
one face. Scattered areas of minor craquelure to wood finish. Flanking mahogany panels
do not sit flush with floor; central mahogany panel with a 2''-long vertical split to top
and four vertical splits to one leg (the longest approximately 12''). Your bid indicates
13
1051 Richmond Kelsey (1905-1987 Oxnard, CA)
Folding Screen with early California Theme, signed lower right: Richmond I. Kelsey, oil
on board, each panel: 65.75'' x 24''. Total: 65.75'' H x 72'' W, est: $4000/6000
Provenance: Private Collection, Ventura, CA. Condition: Visual: Each panel: Generally
good condition. General marks, scratches, minor paint loss, chips and losses to edges
commensurate with age; the largest 5.25'' x .25'' approximately. Lacking one set of hinges
connecting left and center panels. Left panel: A 3'' scratch with minor paint loss in the
woman's neck. An 8'' scratch with minor paint loss right center. Middle panel: A small
pinhole in the man's face on the right. Right panel: A 3'' and a 1'' scratch in the man's
sombrero lower center. Small areas of paint loss lower right, the largest pea-sized. A
small pinhole lower right. A small area of paint loss in the boy's chest. Blacklight: Left
panel: Touch-up along all four edges. A 15'' x 5'' area of touch-up in the body of the cello.
Two 8'' lines of touch-up in the neck of the cello. Spots of touch-up in the man's hat,
mustache and neck. A 4'' line and a 3'' scattered line of touch-up lower right. A 3'' x 1.5''
area of touch-up in the sombrero on the ground lower left. Middle panel: 8'' x 2'' areas of
touch-up in the upper corners. A 4'' x 3'' area of scattered touch-up right center. An 8'' x
7'' area of touch-up in the center. A 1.5'' x 2'' area and a 4'' line of touch-up in the woman's
dress and a 3'' line on her right leg. A 5'' line of touch-up right center edge. Small spots
of touch-up scattered throughout. Right panel: Touch-up throughout the entire upper
background. Touch-up along all four edges. Touch-up throughout the man's face. Touchup throughout the cactus. Touch-up throughout the boy's face and body. Touch-up
scattered throughout the sombrero. A 9'' x 9'' 'T'-shaped area of touch-up lower right.
Two 5'' lines of touch-up lower center. Your bid indicates acceptance of our Conditions
of Sale. AS-IS. ALL SALES FINAL
1052 Hernando G. Villa (1881-1952 Los Angeles, CA)
Figures on a path overlooking the coast, signed lower left: H.G. Villa, oil on artist board,
11.75'' H x 8.25'' W, est: $600/800
Provenance: Estate, Anacortes, WA. Condition: Visual: Generally good condition.
Blacklight: No evidence of restoration under blacklight. Your bid indicates acceptance
1053 Harry Emerson Lewis (1892-1958 San Francisco, CA)
''Tasco (sic) Cathedral'', signed lower left: Emerson Lewis, titled and dated verso: W/26,
watercolor on paper under glass, sight size: 20'' H x 26'' W, est: $500/700
Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally
good condition. The paper is slightly rippled. Your bid indicates acceptance of our
14
1054 Emil Kosa Sr (1876-1955 Los Angeles, CA)
Figures in a wooded park, signed lower right: E. Kosa Sr, oil on board, 24'' H x 32'' W,
est: $1000/1500
Provenance: Estate, Rancho Palos Verde, CA. Condition: Visual: Flaking, instability and
paint loss upper right, lower right, lower left and in the center. Surface grime. Blacklight:
No evidence of restoration under blacklight. Your bid indicates acceptance of our
1055 E. H. Pohl (1874-1956 San Diego, CA)
Five California landscapes, each signed lower right: E.H. Pohl, each: pastel on paper laid
to board under glass, each paper size: 4.5'' H x 6'' W, est: $400/600
Note: Each sight size: 4'' x 5.5''. Provenance: Private Collection, Santa Monica, CA.
Condition: Visual: Each: Generally good condition. Your bid indicates acceptance of
1056 Frederick William Becker (1888-1974 Palm Springs, CA)
''Tujunga Canyon'', signed lower left: Frederick W. Becker, titled and dated on artist label
verso: '64, oil on canvas laid to masonite, 12'' H x 16'' W, est: $800/1200
Exhibited: Pasadena Heritage Blinn House Exhibition, Pasadena, CA, ''Early California
Impressionist & Post Impressionist Paintings'', 1-2 November 1996. Provenance:
Stewart Galleries, Palm Springs, CA; Estate, Anacortes, WA. Condition: Visual:
Generally good condition. Very fine craquelure throughout the mountains. Tiny flecks
of paint loss scattered throughout the lower quadrant. Blacklight: Touch-up scattered
throughout the mountains. Your bid indicates acceptance of our Conditions of Sale.
1057 H. Richter (20th Century- American)
Trees by a lake, signed lower right: H. Richter, oil on canvas, 25’’ H x 34’’ W,
est: $1000/1500
Provenance: Private Collection, Hasbrouck, NJ. Condition: Visual: Stretcher bar creases.
Frame abrasion. Loose, rippled canvas lower right corner. Surface dirt. Blacklight: A
7’’ x 7’’ area of scattered touch-up upper left with corresponding patch verso. A 5’’ line of
touch-up lower left with corresponding patch verso. Three 1.5’’ x 1’’ spots of touch-up
right center, one with corresponding patch verso. A 9’’ x 5’’ area of scattered touch-up
upper center. Repair to a small hole upper center with corresponding patch verso. A
3.5’’ x 3’’ area of scattered touch-up upper right. A 3’’ x 2’’ area of scattered touch-up
right center edge. A 2’’ x 1.5’’ area of touch-up lower right above the signature. Spots of
touch-up scattered throughout the lake. A 3’’ line of touch-up left center edge. Touchup throughout the tree left center. A 2’’ line of scattered touch-up lower center with
corresponding patch verso. Your bid indicates acceptance of our Conditions of Sale.
15
1058 William Dorsey (1942-* Ojai, CA)
Spring in California with snowcapped mountains, signed lower right: Wm. Dorsey, oil
on canvas, 16’’ H x 20’’ W, est: $800/1200
Provenance: Private Collection, Newcastle, CA. Condition: Visual: Generally good
condition. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1059 An inlaid silver kachina bolo tie, Bennett
Circa mid-20th century, impressed fleur-de-lis mark, further marked ‘’Bennett / Pat.
Pend. / C 31’’ to slide, depicting a kachina dancer in polychrome stone inlay, with a
braided leather tie terminating in silver tips with turned circular finials, 2.5’’ H x 2’’ W,
est: $350/450
Condition: The tie: 36’’ approximately. Overall good condition. General marks and
tarnishing commensurate with age and use. Your bid indicates acceptance of our
1060 After Giuseppe Moretti (1857 - 1935, Alabama / New York)
Signed to verso ‘’G. Moretti’’, a bronze bust of a Plains Indian man raised on a black
marble plinth, overall: 13.5’’ H x 9’’ W x 8’’ D, est: $1000/1500
Provenance: Private Collection, Newcastle, CA. Condition: The bronze: 12.25’’ H.
Overall good condition. Minor (.25’’-long) surface chip and a 1.25’’-long crack and
possible repair to front right corner of plinth. Your bid indicates acceptance of our
1061 A pair of Reed & Barton ‘’Francis I’’ sterling silver bowls
One dated 1946, the other 1948, Taunton, MA, each with maker’s marks, further marked
‘’Sterling / X569 / Francis I’’, each with a circular flared scalloped rim repousse-decorated
with C-scrolls, foliate clasps and fruiting pendants, over a tapering body, 2 pieces, each:
2.75’’ H x 11.5’’ W x 11.25’’ D, total weight 19.985 oz troy approximately, est: $1000/1500
General marks, scratches, rubbed wear and tarnishing commensurate with age. With
polish residue to crevices and sticker residue to undersides. One with a 1’’ x .125’’ section
of shallow impressions to rim. Your bid indicates acceptance of our Conditions of Sale.
16
1062 Gary Sheahan (1893-1978 Chicago, IL)
Tetons, signed and dated lower left: Gary ‘30, signed again and titled verso, oil on canvas,
24’’ H x 30’’ W, est: $1000/2000
Provenance: Private Collection, Tustin, CA. Condition: Visual: Generally good
condition. A small area of damage to the canvas with minor paint loss upper left.
Damage to the back of the canvas left center resulting in minor paint loss. A few lines
of vertical craquelure upper center. Blacklight: No evidence of restoration under
blacklight. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1063 Leland S. Curtis (1897-1989 Carson City, NV)
‘’The Black Kaweah’’, signed in graphite lower right: Leland S. Curtis, signed again,
titled, inscribed with address and numbered verso: #7, oil on board, board size:
5.5’’ H x 6.75’’ W, est: $600/900
Note: Sight size: 5’’ H x 6’’ W. Provenance: Private Collection, Apple Valley, CA.
Condition: Visual: Generally good condition. The board is glued to the recto mat. Your
1064 20th Century American, redwoods landscape
Path through Redwood forest, signed and dated lower right: A. Ostergren 1947, oil on
canvas laid to panel, 36’’ H x 50’’ W, est: $500/700
condition. Small areas of paint shrinkage in some of the darker pigments upper
and lower left. Minor frame abrasion. Blacklight: No evidence of restoration under
blacklight. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1065 Marshall Wayne Hibbard (1910-1989 San Francisco, CA)
Street scene in a western town, signed lower left: Marsh Hibbard, oil on canvas laid to
board, 19.25’’ H x 22’’ W, est: $600/800
condition. Scattered areas of fine craquelure. Blacklight: No evidence of restoration
under blacklight. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
17
1066 George Spangenberg (1907-1964 San Diego, CA)
‘’Snowscape’’, House in a winter landscape, signed lower right: G. Spangenberg, signed
again, titled and numbered verso: #1, oil on board, 12’’ H x 14’’ W, est: $1000/1500
Provenance: Estate of Charles Augustus Hill, Point Loma, CA, acquired directly from
the artist in exchange for room and board. Condition: Visual: Generally good condition.
Small surface scratches in the center, upper center and lower left. Fine craquelure
throughout the white pigment of the snow. Blacklight: No evidence of restoration under
FINAL
‘’Mist In The Valley’’, signed lower left: G. Spangenberg, titled and numbered verso: #45,
oil on canvas laid to artist board, 4.5’’ H x 5.5’’ W, est: $800/1200
‘’Young’onn’’, Portrait of a young Indian boy, signed lower left: G. Spangenberg, title by
repute, oil on board, 14.25’’ H x 12.25’’ W, est: $500/700
1069 Leonard Reedy (1899-1956 Chicago, IL)
Wagon train with Native Americans, signed and dated lower right: Leonard Reedy ‘45,
watercolor on paper under glass, paper size: 8.75’’ H x 11.75’’ W, est: $400/600
Provenance: Private Collection, Santa Monica, CA. Condition: Visual: Tape remnants
from a previous matting remain in the corners and are visible. Damage to the paper with
paint loss in the left corners. Glue remnants in the upper right corner. Small tear in the
paper lower right edge. Toning to the paper. Mat burn along the left edge. Mounted to
the recto mat with scotch tape in the four corners. Your bid indicates acceptance of our
18
1070 Frank Bowers (1905-1964 Los Angeles, CA)
Buccaneers on a beach, signed lower left: Frank Bowers, unframed oil on canvas,
39.75’’ H x 69.75’’ W, est: $600/800
Provenance: Private Collection, Tustin, CA. Condition: Visual: Craquelure throughout.
Areas of paint loss scattered throughout. A large area of paint loss and instability upper
center. The canvas is loose in the upper left corner. Frame abrasion. Surface dirt and
grime. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1071 A pirate themed hand-wrought copper living room set
Circa 1920s, apparently unsigned, comprising a fire screen (30’’ H x 44’’ W x 5’’ D), a
smoking stand with weighted base (28.5’’ H x 8’’ W x 8.5’’ D), a set of fireplace tools with
stand (32.5’’ H x 14’’ W x 8.5’’ D) and a floor lamp (55’’ H x 29’’ W x 6.5’’ D), 4 pieces,
est: $3000/5000
General marks, scratches and rubbed wear commensurate with age. Lamp with one
broken length of chain to lampshade and semicircular tray to lamp base loose; wiring
should be checked by a qualified electrician prior to use. Your bid indicates acceptance
1072 A Tiffany Studios ‘’Greek’’ table lamp base with iridescent Favrile prism
drop shade
Early 20th century, marked to underside of base ‘’s142 / Tiffany Studios / New York’’,
surmounted by a ball finial issuing dual sockets with pull-chains, over an urn-form
patinated bronze body issuing three upswept arms supporting a circular rim suspending
56 yellow-green iridescent favrile glass prisms, raised on four tapering feet mounted to a
stepped, shaped square base, electrified, 22.25’’ H x 15’’ Dia., est: $2000/3000
Literature: This shade pictured, R. Koch, ‘’Louis C. Tiffany: The Collected Works of
Robert Koch’’, Schiffer Publishing Ltd., 2001, p. 241, upper right; gas lamp base model
#181 illustrated, A. Duncan ‘’Tiffany Lamps and Metalware: An illustrated reference to
over 2000 models’’, Antique Collectors Club Ltd., 2007, p. 28, #73. Note: This base and
shade combination a custom, electrified version of Tiffany Studios ‘’Greek’’ oil lamp
base model #181. Provenance: Private Collection, Pasadena, CA. Condition: Overall
good condition. Lacking shade dome cover. Prisms with general marks, scratches,
cracks and chips commensurate with age. One prism broken and detached from rim;
retained. Prisms with general marks, scratches, cracks and chips commensurate with
age. One prism with two horizontal breaks and subsequent repairs. Some prisms with
inherent bubbles. Scattered minor verdigris to lamp base. Wiring should be checked by
a qualified electrician prior to use. Your bid indicates acceptance of our Conditions of
19
1073 A pair of green upholstered love seats
Mid-20th century, each upholstered in green velvet, with an arched tufted back,
tassels at the arms and a brush fringe-lined base, with four velvet pillows, each:
34’’ H x 59.5’’ W x 29’’ D, est: $600/800
Provenance: Private Collection, Pasadena, CA. Condition: Seat depth: 23.5’’. Overall
good condition. Upholstery in clean, usable condition. Each lacking one button to
tufting; one with one additional button detached, retained. Each lacking 11 bows to top
of fringe. One with minor spots of lightening to upholstery on seat; the largest 3.5’’ Dia.
1074 A Syrian mother of pearl and bone-inlay chest of drawers
19th century, the serpentine rectangular white marble top over one long serpentine
pierced-front drawer over four long flat-front drawers, each drawer with blue and white
circular ceramic pulls, with geometric mother of pearl and bone inlay to drawer fronts,
apron and sides, on bracket feet, 55.5’’ H x 48’’ W x 23.75’’ D, est: $2000/4000
Provenance: Private Collection, La Jolla, CA. Condition: Scattered chips and losses to
inlay, including a number of deficient sections to drawer banding (each approximately
1’’-long). Facing metal rosettes on ceramic pulls bent, creased and worn. Ceramic pulls
with darkening to verso; one pull with a .5’’ Dia. dark blemish, another with breaks and
losses. Marble top likely a later replacement; with a few minor chips, the largest a .5’’ chip
to left back edge. Reconstructed incorporating some newer timber elements. Shrinkage
cracks and splits to timber. Extensive wear and evidence of water damage to feet;
front left foot with horizontal break and repair. Your bid indicates acceptance of our
1075 A Continental patinated bronze figure
Late 19th / early 20th century, depicting a classical maiden seated on the edge
of a dual-handled basket, on an integrated naturalistic stepped base dotted with
flowers, raised on a red marble plinth, overall: 32.75’’ H x 17’’ W x 18’’ D; the bronze:
31’’ H x 14.5’’ W x 16.5’’ D, est: $1000/1500
General marks, scratches and rubbed wear commensurate with age. The marble base
with chips and nicks to edges and corners throughout. Your bid indicates acceptance of
1076 A bisque porcelain and gilt bronze bust of a lady
Late 19th / early 20th century, unsigned, depicting a young woman wearing a
bonnet, her dress and hat of gilt bronze, raised on an oval white marble base,
9.75’’ H x 8.75’’ W x 4.75’’ D, est: $800/1200
Provenance: Private Collection, West Hills, CA. Condition: Overall good condition.
Minor rubbed wear and patination to gilt bronze. Areas of minor discoloration to bisque
porcelain beneath bonnet; largest area approximately .5’’ x .25’’. Scattered minor chips
and fleabites to edge of marble base; the largest approximately .25’’-long. Green felt
applied to underside of base. Your bid indicates acceptance of our Conditions of Sale.
20
1077 A sterling silver overlay emerald glass vase, likely Alvin
Early 20th century, likely Alvin-Biederhase Co. / Alvin Silver Co., Providence, RI,
marked ‘’999 / 1000 Fine LL 23’’, the circular flaring rim over a baluster-form body
supported on a circular foot, the pierced silver overlay engraved with acanthus to the
shoulders and bellflowers on elongated stems to the body, monogrammed ‘’FLW’’ in
script to the foot, 12’’ H x 4.125’’ Dia., est: $500/700
Condition: Overall good condition. General rubbing, marks, scratches, and tarnishing
commensurate with age. Heavier rubbing to marks and engraved decoration due to
polishing. Scattered minor chips and fleabites to glass, primarily localized to underside
of foot, the largest .375’’-long. Monogrammed, as stated. Your bid indicates acceptance
1078 A Revere Silversmiths sterling silver tea service
1914 - 1960, Brooklyn, NY, with maker’s mark, further marked ‘’Sterling’’ and ‘’690’’,
comprising: a coffee pot (11.5’’ H x 11’’ W x 5’’ D), a teapot (10.5’’ H x 11’’ W x 5.5’’D),
a milk jug (6’’ H x 5.5’’ W x 3.5’’ D), a covered sugar bowl (7’’ H x 7’’ W x 4.25’’D), and a
waste bowl (5.25’’ H x 4.25’’ Dia.), each decorated to the shoulders with a stippled band
suspending repousse floral clusters and shells, on a pedestal foot, 5 pcs, gross weight
73.8 oz troy tw approximately, est: $1000/2000
Provenance: Estate, San Marino, CA. Condition: Overall good condition. General light
scratches and tarnishing commensurate with age and light use. The waste bowl, jug and
sugar bowl each with 3 - 4 small dings and folds to lower body. The coffee pot with an
approximately .5’’ x .75’’ shallow ding and 5 - 6 additional smaller dings to body. Typical
stable cracks to insulators. Not monogrammed. Weight includes insulators. Your bid
1079 A Shreve & Co. pierced-rim sterling silver bowl
First half 20th century, marked ‘’Shreve & Co / Sterling’’, further marked ‘’8563’’, the
circular waved pierced rim repousse-decorated with bouquets and ribbon-tied floral
swags within a network of arches, above a tapering body, monogrammed to bowl
‘’HCMcL’’, 3.25’’ H x 12.5’’ Dia., 27.385 oz troy approximately, est: $500/700
General marks, scratches, tarnishing, and rubbed wear commensurate with age and use.
Minor spots of oxidation and scratches to bowl interior. Monogrammed, as stated. Your
‘’Ernest Hemingway’’, signed in ink on the mount lower left: Karsh, artist’s studio stamp
on the mounting board and titled and dated in pencil: 1957, numbered on the board
backing: 12132, gelatin silver print on paper under glass, paper size: 19.75’’ H x 15.75’’ W,
est: $5000/7000
Literature: Y. Karsh, ‘’Karsh Portraits’’, New York, NY, 1976, cover, another example
illustrated. Note: Printed later. Provenance: sale, Swann Galleries, New York, NY, 22
April 1994, lot 417 ($1,955); acquired by the present owner from the above, Private
Collection, Los Angeles, CA. Condition: Visual: Generally good condition. A tiny bend
in the extreme lower left corner. Photograph mounted as stated. Your bid indicates
21
‘’Tennessee Williams’’, 1956, likely printed later, signed in ink on the mount lower left:
Karsh, artist’s studio stamp on the mounting board and titled in pencil, gelatin silver
print on paper under glass, paper size: 19.75’’ H x 15.75’’ W, est: $1500/2500
Provenance: sale, Christie’s, New York, NY, 15 April 1992, lot 264 (aftersale); acquired
by the present owner from the above, Private Collection, Los Angeles, CA. Condition:
Visual: Generally good condition. Photograph mounted as stated and the mounting
board tipped onto the front mat. Your bid indicates acceptance of our Conditions of
‘’George Bernard Shaw’’, signed in ink on the mount lower left: Karsh, artist’s studio
stamp on the mounting board and titled and dated in pencil: 1943, numbered
on the board backing: 3253, gelatin silver print on paper under glass, paper size:
19.75’’ H x 15.75’’ W, est: $1500/2500
Note: Likely a later impression. Provenance: Private Collection, Los Angeles, CA.
Condition: Visual: Generally good condition. Photograph mounted as stated. Your bid
1083 Berenice Abbott (1898-1991 Abbott, ME)
‘’James Joyce’’, Seated portrait, 1928; likely a later impression, signed in pencil on
the mount lower right: Berenice Abbott, with the artist’s Maine studio stamp
on the mounting board, gelatin silver print on paper under glass, paper size:
9.375’’ H x 7.125’’ W, est: $1500/2000
condition. Photograph mounted as stated. The edges with scattered tiny edge nibbles.
1084 Edward Steichen (1879-1973 New York, NY)
‘’Sinclair Lewis’’, unsigned, artist’s studio stamp verso, titled and dated in pencil verso:
1932, gelatin silver print on paper under glass, paper size: 17’’ H x 14’’ W, est: $2000/3000
Note: Inscribed in pencil verso: Exh. #133 / Book pl. 185 / 1932 and with other printer
notations. Provenance: Private Collection, Los Angeles, CA. Condition: Visual:
Generally good condition. A 2mm surface abrasion on the figure’s forehead. Hinged
with two layers of archival paper tape along the upper edge to the back mat. Your bid
22
1085 A Boston Clock Co ‘Giant’ brass carriage clock
Late 19th / early 20th century, signed ‘’Boston Clock Co. / Boston / Pat’d Dec 28, 1880’’,
serial number B 8705 S 50, marked to bottom ‘’BB’’, tandem wind movement, with a
swing handle over a beveled glass plate and gilt brass rectangular case with square
columns enclosing a pale yellow enamel dial with black enamel Arabic numerals within
white enamel circles, and with a fan-shaped cut-out, raised on a rectangular plinth on
bracket feet, with key, 11’’ H x 6.5’’ W x 5.25’’ D, est: $1000/1500
Provenance: Property from the Estate of Dr. Robert Schiffman. Condition: Height
includes handle. Height not including handle: 8.25’’. Overall good condition. General
light marks, scratches and rubbing commensurate with age. Winds and runs. Moran’s
does not guarantee working condition of clocks and watches. Your bid indicates
1086 A John Wesley Forbes coin silver tea service
Circa 1808 - 1838, New York, NY, maker’s mark ‘’I.W.FORBES’’ and further partially
obliterated pictorial marks including a star and anchor, comprising: a teapot (7.75’’ H x
13’’ W x 5’’ D), a covered sugar bowl (7.25’’ H x 8.5’’ W x 4.5’’ D), and a milk jug (6.75’’ H
x 6’’ W x 3.5’’ D), each of oblong form with a gadrooned rim and foliate scroll band to
body, ‘S’-scrolled dolphin-form handles and leaf-capped ball-and-claw feet, the teapot
and sugar bowl each with cover with recumbent lion finial, the teapot handle partially of
ebony, 3 pcs, gross weight 65.3 oz troy tw approximately, est: $2000/2500
Provenance: Property of a Private Collection, Berkeley, CA. Condition: Overall good
condition. General marks, scratches, and tarnishing commensurate with age and use.
Each piece with several small dings and folds scattered throughout body, ranging from
minute to approximately .25’’ diameter. The sugar bowl with a minute (.125’’ wide)
puncture beneath gadrooned rim, and a small ding to rim on underside of cover. Weight
includes wooden handle of teapot. Your bid indicates acceptance of our Conditions of
1087 An ebonized carved oak vitrine cabinet
Late 19th century, constructed in two pieces, the outset rectangular top over a foliate
frieze carved with opposing phoenixes, surmounting fluted pilaster-flanked double
glazed locking doors enclosing a damask-backed cabinet with three adjustable glass
shelves, over a long locking drop-front cabinet door enclosing a single shelf, on paw feet,
with one key, 91’’ H x 63.5’’ W x 22.25’’ D, est: $1000/2000
Provenance: Private Collection, La Jolla, CA. Condition: General marks, scratches, chips
and scattered losses, breaks and repairs commensurate with age and use. Woodworm
damage evident. Upper cabinet with three holes drilled to top for inset lighting. Dropfront cabinet with replaced hardware, breaks, repairs and reinforcements to interior;
left side flush hinge detached from carcass, right side arm hinge broken. Key for upper
cabinet retained; lower cabinet lacking key. Your bid indicates acceptance of our
1088 Two Berlin / KPM porcelain pictorial chargers
Late 19th / early 20th century, each with underglaze blue scepter and overglaze gold
orb marks, each with original ‘’Konigl Porzellan Manufactur / Berlin’’ and title paper
labels; the smaller titled ‘’Temple of Peace’’ and further impressed ‘’G / 3’’, the larger
titled ‘’Temple of Venus’’ and further impressed ‘’G / 4’’, each depicting temple ruins
and passing figures, on a short circular foot, the larger: 2’’ H x 15.75’’ Dia; the smaller:
1.75’’ H x 14’’ Dia., est: $600/900
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition. Each
with scattered minor light scratches; the larger with a .25’’-long abrasion to rim. Your bid
23
1089 A Danish gilt bronze-mounted tortoiseshell box with fitted interior
Late 19th / early 20th century, the domed rectangular tortoiseshell-clad cover centered
by a pierced foliate C-form handle over a gilt bronze-framed white metal portrait
medallion, with further portraits to each corner, enclosing a fitted interior outfitted with
nine compartments in three rows; seven with handled covers, within a conformingly
decorated exterior, 6’’ H x 11.25’’ W x 8.125’’ D, est: $1000/1500
Note: Accompanied by a letter dated 3/9/1926, certifying purchase at an auction
held at the Danish palace, signed by Kristine Jansen, Antique Specialist, Stockholm.
Provenance: Private Collection Altadena, CA. Condition: Overall good condition.
General marks, scratches, rubbed wear and darkening to portrait medallions
commensurate with age. Scattered cracks to tortoiseshell, including localized
cracking around hinges. Three minor losses to tortoiseshell (the largest approximately
.5’’ x .125’’), and a 2’’ x .5’’ area of replaced shell to edge of lid. Scattered chips and losses to
portraits; the largest .25’’ x .375’’ approximately. Lacking scattered supports for interior
compartment covers. Lacking key. Your bid indicates acceptance of our Conditions of
1090 A Dutch marquetry cabinet
Second half 19th century, of walnut veneer inlaid with birds, figures, foliage, flowers,
winged putti, angels and vases, with oak secondary wood, constructed in two sections,
surmounted overall by a curving pediment over two locking ogee arch-paneled doors
enclosing a single shelf above two short marquetry-front drawers, over a bombe
substructure with three long drawers, on bracket feet, 89.5’’ H x 71.25’’ W x 20.5’’ D,
est: $3000/5000
Provenance: Private Collection, La Jolla, CA. Condition: General marks, scratches,
shrinkage cracks, and scattered lifting, rippling and chipping to veneer commensurate
with age. Drawer interiors with modern liners. Drawer glides and backboards replaced;
modern reinforcements throughout. Two approximately .5’’-Dia holes drilled through
bottom of cabinet interior to drawers; one plugged. Key does not function in drawers;
door lock does not completely open. Banding on lock stile of right-hand double-door
partly detached. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1091 A pair of Berry & Whitmore sterling silver 5-light candelabra
Late 19th / early 20th century, each marked to base ‘’Sterling / 1835 / Berry & Whitmore
Co.’,’ each with a baluster-form standard surmounted by a removable scrolled finial,
issuing four S-scroll arms each supporting an urn-form socket with a circular rocaille
drip pan, raised overall on a shaped domed and stepped foot, weighted, 2 pieces, each:
22.75’’ H x 16’’ Dia., est: $2000/3000
General marks, scratches, tarnishing and rubbed wear commensurate with age and use.
One with a .5’’ x .25’’ dent to side of central light and two smaller dents to upper portion
of standard; rim of standard fitting slightly warped. The other with scattered shallow
dings to sockets; the largest .25’’ x .25’’ approximately. Your bid indicates acceptance of
24
1092 Abbott L. Pattison (1916 - 1999 American)
Seated figure, signed ‘’A. Pattison’’, silvered metal, on an integral square base mounted
to a black stone plinth, overall: 5.75’’ H; excluding plinth: 4.375’’ H x 2.25’’ W x 2.75’’ D,
est: $400/600
1093 An archaistic Chinese bronze vessel
A Qing dynasty (1644 - 1912) bronze vessel combining earlier Shang and Zhou dynasty
design elements, the rimmed, flaring mouth over a squat circular body overall decorated
in relief, with four ring handles at the shoulders separated by Tatoie, raised on a tapering
circular foot, engraved to underside with bronzeware script in imitation of a Chou
dynasty inscription, with a later carved wooden plinth, 8.5’’ H x 10.5’’ W, est: $3000/5000
Note: See accompanying letters regarding dating and identification from Maxwell
K. Hearn, Metropolitan Museum of Art, New York, NY, dated January 23, 1990
and summary by Ron Kendrick, dated August 1990. Additional radiocarbon dating
by Austin Long, Ph.D The University of Arizona, Tucson, AZ, dated July 5, 1990
tested organic carbonaceous compounds from inside the bronze vessel, which were
consistent with dating of the Qing Dynasty. Provenance: Private Collection, Portland,
OR. Condition: Overall good condition. Minor scattered marks, scratches and nicks
commensurate with age and light handling. An approximately .75’’-long dent to foot.
1094 A gilt bronze-mounted celadon ground Chinese export vase
20th century or earlier, the gilt bronze mount stamped ‘’T’’ to underside, the vase with
now deficient and illegible gilt-inscribed signature, the flared mouth polychromedecorated to the interior with bunches of pink roses, over a stepped neck flanked by
two shaped gilt-painted handles, over a baluster-form celadon-ground body overall gilt
and polychrome-decorated with figural scenes, parcels and flowers, mounted on a gilt
bronze floral and foliate-cast base, 26.5’’ H x 11.75’’ W x 12.5’’ D, est: $1000/1500
General marks, scratches and rubbed wear to gilt decoration commensurate with
age. Scratches and scattered losses to painted decoration; the largest area 1’’ x 2’’
approximately. Previous break and subsequent repair to mouth, with a corresponding
4’’ x 3’’ area of discoloration to white-ground interior. Mount with rubbing, darkening
and scattered minor oxidation. Your bid indicates acceptance of our Conditions of Sale.
1095 A Chinese gilt metal jardiniere
Late 19th / early 20th century, the oblong pierced quatrefoil body decorated with
dragons, birds, snakes and twisting foliage, raised on four demon-headed ball and claw
feet, with liner, 14.25’’ H x 20.5’’ W x 15’’ D, est: $400/600
General marks, scratches and rubbed wear commensurate with age and use. Scattered
minor chips and losses, including loss of peacock’s crest and scattered losses to gilding
at upper borders. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
25
1096 A carved lavender jadeite water buffalo
Chinese, depicting a water buffalo in repose, of lavender jadeite jade, accompanied with
GIA report # 2161302758, semi-translucent to opaque, variegated light purple, light
green and green, natural green color, no indications of impregnation, together with a
carved naturalistic base, the figure: 3.5’’ H x 8.5’’ W x 3.75’’ D, est: $6000/8000
Provenance: Property from an Important Thai Family. Condition: Overall:
5.5’’ H x 9’’ W x 5.75’’ D. Overall good condition. Your bid indicates acceptance of our
1097 A large Chinese pierced bronze censer
Probably late Qing Dynasty (1644 - 1912), with archaistic seal to underside, the
dragon-form finial surmounting a circular pierced scrolling branch-form cover
issuing leaves and blossoms and dotted with mice, over a similarly decorated squat
circular body flanked by two elephant head handles, supported on three branchform supports and raised on a pierced scrolling tripod base centering a dragon,
18.5’’ H x 20.25’’ W x 15.75’’ D, est: $800/1200
Topmost dragon lacking barbels to each side of mouth. Lacking pin to lower section
of one elephant-head handle; handle somewhat loose. General minor marks, scratches
and nicks commensurate with age. Scattered areas of darkening to bronze and minor
oxidation throughout. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1098 An Otto and Gertrude Natzler lavender crater glaze bowl
Mid-20th century, signed in black ‘’Natzler’’ for Gertrud Natzler (1908 - 1971, Los
Angeles, CA) and Otto Natzler (1908 - 2007, Los Angeles, CA), the flaring rim over a
circular body raised on a short circular foot, 3’’ H x 5.5’’ Dia., est: $1000/1500
Provenance: Private Collection, Altadena, CA. Condition: Overall good condition. A
.125’’-long chip and scattered fleabites to foot. Your bid indicates acceptance of our
1099 A group of 3 Claremont College stoneware ceramic bowls
Each second half 20th century, Claremont, CA, two bowls by Harrison McIntosh (b.
1914 Claremont, CA), the first: signed with impressed chop ‘’HM’’, the shallow circular
body raised on a short circular foot, glazed to exterior in mottled blue, decorated to
interior with sunburst stripes radiating from a blue center over a mottled beige and bluespotted wax resist ground; the second: incised signature ‘’McIntosh’’, with paper label
‘’Handthrown / Stoneware / Harrison / McIntosh / Claremont / California’’, the slightly
tapering bulbous body raised on a short circular foot, glazed all-over in speckled beige,
with vertical black stripes to exterior; together with a third bowl, signed to underside
‘’RD’’ for Rupert Julian Deese (1924 - 2010 Claremont, CA), the circular body raised
on a short circular foot, glazed in mottled greyish blue and dark blue to interior, with
blue overlapping stripes to exterior, 3 pieces, the first: 2.25’’ H x 10’’ Dia.; the second:
2.5’’ H x 3.25’’ Dia.; the third: 3’’ H x 7.75’’ Dia., est: $300/500
Provenance: Private Collection, Claremont, CA. Condition: Overall good condition.
26
1100 Pablo Picasso (1881-1973 Spanish), Madoura ceramic plate, Face No.
101
Circa 1960s, number 97 from the edition of 150, inscribed ‘’No 101 / Edition / Picasso /
97/150 / Madoura’’, polychrome glazed, 1’’ H x 10’’ Dia., est: $4000/6000
Condition: Overall good condition, with a few scattered light scratches. With typical
inherent flaws and bubbles to glaze throughout. Two minor chips to face (each less
than .125’’ dia.); two minor chips to verso rim, each approximately .125’’-long. Your bid
1101 Pablo Picasso (1881-1973 Spanish), Madoura ceramic plate, ‘’Toros’’
Circa 1952, from the edition of 500, stamped ‘’Edition Picasso’’ and inscribed ‘’Edition /
Picasso / Madoura’’, englobe and polychrome glazed, 1.125’’ H x 8’’ Dia., est: $1500/2500
Condition: Overall good condition, with a few scattered light scratches. With typical
inherent flaws and bubbles to glaze throughout. Your bid indicates acceptance of our
1102 Paul Outerbridge Jr (1896-1958 New York, NY)
‘’Study of a Man’’, signed and dated in pencil on the mount lower right: Paul Outerbridge
Jr / 1923, platinum print on paper under glass, paper size: 8.25’’ H x 5.75’’ W,
est: $6000/8000
Exhibited: Laguna Beach Museum of Art, Laguna Beach, CA, n.d. (see verso labels).
Provenance: Laguna Beach Art Museum, Laguna Beach, CA, gift of Mrs. Lois
Outerbridge; sale, Christie’s, New York, 23 April 1996, lot 287 ($4,025); acquired by the
present owner from the above, Private Collection, Los Angeles, CA. Condition: Visual:
Generally good condition. Photograph mounted as stated. The lower right corner
slightly lifting from the mat. Your bid indicates acceptance of our Conditions of Sale.
1103 Ansel Adams (1902-1984 Carmel, CA)
‘’Eldridge T. Spencer, Stanford University, California’’, circa 1950s, signed in pencil on
the mount lower right: Ansel Adams, artist’s Carmel studio label on the original board
backing, gelatin silver print on paper under glass, 5.25’’ H x 7’’ W, est: $800/1200
Provenance: Sale, Butterfields, San Francisco, CA, 21 November 1993, lot 1543 ($977);
acquired by the present owner from the above, Private Collection, Los Angeles, CA.
Condition: Visual: Generally good condition. Photograph mounted as stated. The
extreme upper right corner with a tiny tear. Your bid indicates acceptance of our
27
‘’Norman Rockwell’’, 1956, signed in ink on the mount lower left: Karsh, with the artist’s
studio stamp on the mounting board and titled in pencil, gelatin silver print on paper
under glass, paper size: 19.75’’ H x 15.75’’ W, est: $1500/2500
Provenance: Sale, Christie’s, New York, NY, 10 October 1991, lot 239 (aftersale);
Condition: Visual: Generally good condition. Photograph mounted as stated and
mounting board tipped into a second mat. Your bid indicates acceptance of our
1105 Hans Namuth (1915-1990 New York, NY)
‘’Jackson Pollack’’, 1950; printed 1981, signed in ink on the paper lower left: Hans
Namuth, numbered in ink on the paper lower left: 9/50, with the artist’s studio stamp
lower left: Hans Namuth 1981, gelatin silver print on paper under glass, image size:
18.75’’ H x 18’’ W, est: $3000/5000
condition. Adhered to the front mat along the four edges. A spot of stain in the upper
left margin. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1106 Sanford H. Roth (1906-1962 New York, NY)
Pablo Picasso standing in his studio, 1951, recto unsigned, gelatin silver print on paper
under glass, sight size: 13.25’’ H x 10’’ W, est: $500/800
Provenance: Sale, Butterfields, San Francisco, CA, 21 November 1993, lot 1934 ($287);
Condition: Visual: Generally good condition. Diagonal creases in the paper in the four
corners, particularly the upper right. Glued into the archival mat, verso not viewable.
Appears to be hinged to the back mat. Your bid indicates acceptance of our Conditions
1107 Henri Matisse (1869-1954 French)
‘’La Nageuse Dans L’Aquarium (The Swimmer In The Aquarium)’’, from the ‘’Jazz Suite’’,
1947, unsigned, color pouchoir on paper under Plexiglas, paper size: 16.5’’ H x 25.75’’ W,
est: $10,000/15,000
Note: Image size: 16’’ H x 24.5’’ W. Provenance: Harcourts Gallery, San Francisco, CA;
acquired by the present owner from the above, 1987. Condition: Visual: Generally good
condition. Toning to the paper, heavier toning along the edges except on the recto areas
backed by tape. Two spots of restoration on the black area to the left of the figure in the
lower center. A spot of foxing on the red element and two spots of foxing in the blue area
in the upper center. Mounted to the backing mat with tape in the four corners and in
the left and right center edges. Your bid indicates acceptance of our Conditions of Sale.
28
1108 Fernand Joseph Henri Leger (1881-1955 French)
‘’Nature Morte Aux Fruits (Fruit Still Life)’’, 1948, signed in pencil lower right: F. Leger,
numbered in pencil lower left: 22/75, color lithograph on Arches paper under Plexiglas,
paper size: 19.5’’ H x 25.5’’ W, est: $3000/5000
Note: Image size: 13.5’’ H x 17.5’’ W. Provenance: Pasquale Iannetti Art Gallery, San
Francisco, CA. Condition: Visual: Generally good condition. Toning to the paper.
Hinged to the back mat with linen hinge tape in the upper corners. Your bid indicates
1109 George Braque (1882-1963 French)
‘’L’Oiseau d’Octobre (The Bird Of October)’’, 1962, signed in pencil lower right: G.
Braque, numbered in pencil lower left: 75/90, color lithograph on BFK Rives paper
under Plexiglas, paper size: 29’’ H x 21’’ W, est: $2500/3500
Note: Image size: 10.5’’ H x 19.25’’ W. Provenance: Private Collection, Santa Barbara,
CA. Condition: Visual: Generally good condition. The edges are deckled. Framed
floating and hinged to the back mat. Your bid indicates acceptance of our Conditions
1110 Pablo Picasso (1881-1973 Spanish)
‘’Embrace’’, From ‘’La Suite Vollard’’, circa 1933, unsigned, numbered in pencil lower left:
351 (29), etching and drypoint on Montval paper with the Vollard watermark, image
size: 7.75’’ H x 10.75’’ W, est: $2000/3000
Literature: M. Fox ed., ‘’Picasso For Vollard’’, New York, NY, 1956, p. 29, no. 351. Note:
Paper size: 13.25’’ H x 17.5’’ W. Provenance: Ambroise Vollard Estate, Paris, France;
Baron Henri Petiet, Paris, France, acquired directly from the above; The Estate of Ruth
and Dalzell Hatfield, Los Angeles, CA, acquired directly from the above, September 19,
1973; by descent in the family to present owner; Private Collection, Thousand Oaks, CA.
Condition: Visual: Generally good condition. Very minor light toning in the image and
extending 1’’ into the margins. Three deckled edges. Paper loose, not mounted. Your
‘’Sculptor Working From A Model’’, From ‘’La Suite Vollard’’, March 25, 1933, unsigned,
numbered in pencil lower left: 309 (47), etching and drypoint on Montval paper with
the Picasso watermark, image size: 10.5’’ H x 7.5’’ W, est: $2000/3000
Paper size: 17.5’’ H x 13’’ W. Provenance: Ambroise Vollard Estate, Paris, France; Baron
Henri Petiet, Paris, France, acquired directly from the above; The Estate of Ruth and
Dalzell Hatfield, Los Angeles, CA, acquired directly from the above, September 19,
Condition: Visual: Generally good condition. Very minor light toning in the image and
extending 1’’ into the margins. Three deckled edges. Paper loose, not mounted. Your
29
‘’Studies Of Heads, With Seated Nudes’’, From ‘’La Suite Vollard’’, January 30, 1934,
unsigned, numbered in pencil lower left: 372 (18), etching and drypoint on Montval
paper with the Picasso watermark, image size: 10.75’’ H x 7.5’’ W, est: $2000/3000
Paper size: 16.5’’ H x 13.25’’ W. Provenance: Ambroise Vollard Estate, Paris, France;
Baron Henri Petiet, Paris, France, acquired directly from the above; The Estate of Ruth
and Dalzell Hatfield, Los Angeles, CA, acquired directly from the above, September 19,
Condition: Visual: Generally good condition. Extremely minor light toning in the image
and extending 1’’ into the margins. Two deckled edges. Paper loose, not mounted. Your
1113 Joan Miro (1893-1983 Spanish)
‘’Exhibition at the Pasadena Art Museum’’, 1969, signed in pencil lower right: Miro,
numbered in pencil lower left: 65/100, color lithograph on Arches paper under Plexiglas,
paper size: 29.5’’ H x 22’’ W, est: $3000/5000
Note: Image size: 25’’ H x 19.25’’ W. Provenance: Estate of L. Eugene and Elynor J.
Baughman, La Canada, CA, acquired from the Pasadena Art Museum, circa 1969.
Condition: Visual: Generally good condition. Toning to the paper. Hinged to the back
mat with acid free tape in the upper corners and upper center. The right and lower edge
are deckled. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1114 Joan Miro (1893-1983 Spanish)
Poster for the Exhibition: ‘’Miro Sculptures’’, 1971, signed in pencil lower right: Miro,
inscribed and numbered in pencil lower left: H.C. 2/5, color lithograph on paper under
glass, paper size: 33.5’’ H x 28.5’’ W, est: $3000/4000
Provenance: Walker Art Center, Minneapolis, MN, purchased directly from artist by the
then museum director, 1971; Margo Leavin Gallery, Los Angeles, CA, acquired from the
above; acquired by the present owner from the above, October 1986. Condition: Visual:
Generally good condition. Minor toning to the paper. Heavier toning along the extreme
left, right and upper edges. Framed floating and hinged to the back mat. The left, right
and upper edges are deckled. Your bid indicates acceptance of our Conditions of Sale.
30
1115 An Isamu Noguchi ‘’Rudder’’ stool, model IN-22
Designed 1944, unsigned, Isamu Noguchi (1904 - 1988 American), the circular
birch wooden seat over a parabolic beech leg and two straight zinc-plated steel
legs mounted with steel brackets to a plywood block mounted to underside of seat,
17.75’’ H x 14’’ W x 19.25’’ D, est: $8000/12,000
Literature: Alexander von Vegesack et al, eds., Isamu Noguchi: Sculptural Design, exh.
Cat., Vitra Design Museum, Weil am Rhein, 2002, pp. 120 - 124, models in different
finishes illustrated p. 121. Provenance: This lot, as well as the other Noguchi pieces
on offer, was purchased by the Consignor circa 1949 directly from the Herman Miller
Showroom at Chicago’s Merchandise Mart in order to suit the decor of the Consignor’s
newly acquired modern apartment in Chicago’s iconic Brockton building. The set
has remained in the same Private Collection, Chicago, Illinois, ever since. Condition:
Structurally sound. General marks, scratches, nicks, and rubbed wear commensurate
with age and use. Areas of dryness and milky discoloration to finish on top of and
beneath seat; scattered scratches to finish of seat. One 4.5’’-long and one .5’’-long
shrinkage crack to seat at joint. Scattered minor gouges and two shallow chips to seat
at joint; one 1.25’’-long, the other .25’’-long. Scattered minor scuffs and scratches to
wooden leg; primarily localized to lower third. One steel leg with a 7.5’’ x .5’’ area of
oxidation. Original hardware and shock mounts in place. Your bid indicates acceptance
17.5’’ H x 13.875’’ W x 19.5’’ D, est: $8000/12,000
with age and use. Areas of dryness and milky discoloration to finish beneath seat; two
small spots of green paint (each less than .25’’ Dia.). Scattered minor scuffs and whitish
spots to top of seat. One 6’’-long shrinkage crack to seat at joint. Scuffs and scratches to
lower quarter of wooden leg. Original hardware and shock mounts in place. Your bid
17.5’’ H x 13.875’’ W x 20’’ D, est: $8000/12,000
with age and use. Areas of dryness and milky discoloration to finish on top of and
beneath seat; scattered scratches to finish of seat. Minor (.5’’-long) split to timber near
edge of seat and one 2’’-long shrinkage crack at joint. Lacking backing bracket to hold
tubular steel legs in place behind wooden leg; seat somewhat loose as a result. Scuffs and
scratches to wooden leg; the longest 1.75’’-long. Remaining original hardware and shock
mounts in place. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
31
1118 An Isamu Noguchi ‘’Rudder’’ dinette table, model IN-20
Designed 1944, unsigned, Isamu Noguchi (1904 - 1988 American) for Herman
Miller, of birch and zinc-plated steel, the free-form top over three parabolic legs,
26.25’’ H x 50’’ W x 35.5’’ D, est: $6000/9000
Literature: Alexander von Vegesack et al, eds., Isamu Noguchi: Sculptural Design, Vitra
Design Museum, 2002, pp. 120 - 124, model in birch with inset flower vase illustrated p.
121. Provenance: This lot, as well as the other Noguchi pieces on offer, was purchased
by the Consignor circa 1949 directly from the Herman Miller Showroom at Chicago’s
Merchandise Mart in order to suit the decor of the Consignor’s newly acquired modern
apartment in Chicago’s iconic Brockton building. The set has remained in the same
Private Collection, Chicago, Illinois, ever since. Condition: Structurally sound. General
marks, scratches, nicks, and rubbed wear commensurate with age and use. Pitting and
scattered minor losses to finish on tabletop; the largest a 3’’ x 1’’ section near table edge.
A few scattered shrinkage cracks to veneer on underside; the largest approximately
16’’-long. Scattered minor areas of oxidation to zinc-plated steel legs; scattered gouges,
scratches, and wear to finish on wooden leg. Rubbed wear and minor chipping to
underside of table at edges, primarily localized to one end. Table applied with green
paint by previous owner and then professionally removed; remnants of green paint
evident throughout where finish has pitting, cracking or been worn. Your bid indicates
1119 An Eames/Herman Miller lounge chair 670 and ottoman 671
Second half 20th century, lacking labels, of five-ply molded walnut-veneered
shells with black leather upholstery, each raised on polished and black-enameled
aluminum bases, the chair with five legs and the ottoman with four, 2 pcs, the chair:
32.5’’ H x 33’’ W x 32’’ D; the ottoman: 17.25’’ H x 25.75’’ W x 22.5’’ D, est: $1500/2000
Provenance: Private Collection, Southern California. Condition: General rubbed
wear, marks and scattered scratches to wood shells. Chair with concentrated area of
scratching and minor discoloration to veneer behind left armrest and spots of minor
discoloration to finish at underside due to apparent liquid drips. Each with scattered
scuffs and minor chips to veneer around edges of shells, especially to ottoman. Each
with extensive wear to leather; the chair with a 2.5’’-long rip to top cushion near seam,
the ottoman with scattered rips (the largest a 4’’-long area of tearing near one button).
Ottoman with three replaced glides. Your bid indicates acceptance of our Conditions of
1120 Roy Lichtenstein (1923-1997 New York, NY)
‘’Best Buddies’’, dated, signed and numbered in the margin lower right: 54/100, Roy
Lichtenstein ‘91, with Pro Creations embossed seal lower left, screenprint on paper
under Plexiglas, paper size: 35.75’’ H x 32’’ W, est: $12,000/18,000
Note: Image size: 30.25’’ H x 28’’ W. Provenance: Erika Meyerovich Gallery, San
Francisco, CA; acquired by the present owner from the above, February 1992.
Condition: Visual: Generally good condition. Framed floating and hinged to the back
mat. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
32
1121 Roy Lichtenstein (1923-1997 New York, NY)
‘’Femme au Chapeau (Woman with Hat)’’, 1962, signed in ink lower center: R.
Lichtenstein, printed title in the lower center margin, offset lithograph on paper under
Plexiglas, image size: 24.25’’ H x 20’’ W, est: $700/900
Literature: Shorewood Publishers, Inc., New York, NY. Provenance: Private Collection,
Las Vegas, NV. Condition: Visual: Generally good condition. A 4’’ crease in the paper in
the lower left corner resulting in minor ink loss. Other minor handling creases along the
upper and lower edges. Not examined out of the frame. Your bid indicates acceptance
1122 Fritz Scholder (1937-2005 Scottsdale, AZ)
‘’July Carnival’’, From the ‘’Possession Series’’, 1988, signed in pencil in the margin lower
right: Scholder, numbered in pencil in the margin lower center: 34/60, titled in pencil
in the margin lower left, with Rezvani Workshop embossed seal lower center, titled
again, dated and inscribed verso, lithograph on BFK Rives paper under glass, paper size:
30’’ H x 22.5’’ W, est: $400/600
Note: Inscribed verso: Fritz Scholder, ‘’July Carnival’’, Drawn in July 1988, Printed in Sept.
1988, By Shahrokh Rezvani with copyright symbol, Published by the Rezvani Workshop,
Scottsdale, Arizona, U.S.A., 34/60. Provenance: Private Collection, Aptos, CA.
Condition: Visual: Generally good condition. The four edges are deckled. Hinged to the
back mat with archival tape upper left and upper right. A few minor handling creases.
1123 Rufino Tamayo (1899-1991 Mexico)
‘’Vergonzoso (Shameful)’’, 1983, signed in crayon lower right: R. Tamayo, numbered in
crayon lower left: 31/100, color Mixographia on handmade paper under Plexiglas, paper
size: 38.25 ‘’ H x 30.5’’ W, est: $3000/5000
Literature: Editions Press, San Francisco, CA, pub. Pereda, 310. Note: Image size:
33.75’’ H x 27’’ W. Provenance: B. Lewin Galleries, Palm Springs, CA; Private Collection
Pacific Palisades, CA. Condition: Visual: Generally good condition. The paper with
deckled edges. Framed floating and hinged to the back mat. Your bid indicates
1124 Rufino Tamayo (1899-1991 Mexico)
‘’Pajaro Liberado (Freed Bird)’’, 1986, signed in crayon lower right: R. Tamayo, numbered
in crayon lower left: 22/100, color Mixographia on handmade paper under Plexiglas,
Literature: Editions Press, San Francisco, CA, pub. Pereda, 330. Note: Image size:
37.5’’ H x 28.25’’ W. This image is often referred to as ‘’Liberated Bird’’. Provenance: B.
Lewin Galleries, Palm Springs, CA; Private Collection Pacific Palisades, CA. Condition:
Visual: Generally good condition. The paper with deckled edges. Framed floating and
hinged to the back mat. A pea-sized stain to the paper in the margin right center. Your
33
1125 Chaz Bojorquez (1949-* Los Angeles, CA)
Senior Suerte and Veterano roll call, signed lower right: Chaz, unframed black spray
paint on bed sheet, 79.5’’ H x 95.75’’ W, est: $30,000/50,000
Note: Chaz Bojorquez was an important Los Angeles Chicano street artist from the
late 1960s until 1986 when he stopped illegally spray painting and tagging graffiti in
public places. Since that time, Bojorquez transitioned into a fine artist creating works for
galleries and exhibitions. The present piece features an early tag called Senior Suerte, a
stylized skull image that was adopted by the Avenues in the 1970s (‘’The Art and Life of
Chaz Bojorquez’’, Bologna, Italy, 2009, pp. 58-59). It was used as an Avenues clubhouse
banner in the late 1970s and then a club member used the banner as the headliner
for their car. Provenance: Avenues Clubhouse member; gifted to Private Collection,
Altadena, CA. Condition: Visual: As found condition. Staining throughout the center
area and scattered spots of stain along the edges. Two stitched C-shaped repaired areas
in the center where the sheet was torn to accommodate the car lights when used as a
headliner, one 4.5’’ x 2’’ and the other 4.75’’ x 1.5’’. Tack holes in the corners and other
scattered small holes and tears. Wrinkles and folds throughout. Bed sheet not mounted
or framed. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1126 A collection of 20 Guillermina, Jose Juan Garcia & Josefina Aguilar
munecas
Last quarter 20th century, Ocotl n, Oaxaca, Mexico, each muneca hand-modeled in clay
and polychrome painted, comprising: 1 unsigned, depicting a standing female figure
in a revealing dress with a fancy hairdo; 1 signed ‘’G.A.A.’,’ depicting a seated scantily
clad female figure adjusting her hair; 15 signed ‘’Josefina Aguilar’’, including eleven
‘’woman of the night’’ figures in glittering dresses, two pairs of mustachioed men seated
on spotted benches, a dancing couple, and two figures beneath a light on an integral
base; 3 signed ‘’Jose Juan Garcia Aguilar’’, the first depicting an exotic dancer putting on
her shoes, the others further inscribed ‘’Nada con exceso / todo con medida’’ and titled
‘’Bar las ‘Delisias’’’ and ‘’Bar el ‘Encanto’’’, each depicting seated male figures and standing
female exotic dancers in club interiors, 20 pieces, the largest: 8.5’’ H x 5.75’’ W x 2.5’’ D,
est: $500/700
Provenance: Private Collection, Southern California. Condition: Each in overall good
condition. With scattered minor marks, scratches, fleabite chips and dust accumulation
commensurate with age. Some with inherent firing cracks or pitting. Your bid indicates
1127 Adrian Rizkallah (1962 -*, Brazil), a group of three ‘’Folha’’ sculptures
Circa 2007, each signed ‘’Adriana Rizkallah’’ along edge, two dated ‘’07’’, each further
inscribed to verso, the first: ‘’923927 / AR 064A-80200 / ‘’Leaf ’’ / No 5’’; the second:
‘’924089 / AR 064A 80200 / Leaf / No 24’’; the third: ‘’924089 / AR 064A 80200 / Leaf /
No 5’’, three papier-mache sculptures, each in the form of a monumental brown-green
leaf dissected by a raised midrib, 3 pieces, the largest: 78’’ H x 36’’ W, est: $600/900
Note: Adriana Rizkallah was born in Sao Paulo in 1962, and has been working in papiermache since the 1990s, producing geometric forms as well as sinuous, organicallyinspired compositions. To this day, the artist works primarily in the latter, producing
experimental forms, installations and textured interior spaces. Provenance: Proceeds
benefit Habitat for Humanity. Condition: Overall good condition. Your bid indicates
34
‘’Winston Churchill’’, signed in ink on the mount lower left: Karsh, artist’s studio stamp
on the mounting board and titled and dated in pencil: 1941, gelatin silver print on paper
under glass, paper size: 19.75’’ H x 15.75’’ W, est: $8000/12,000
condition. Photograph mounted as stated and mounting board tipped into a second
mat. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1129 Sid Avery (1918-2002 Los Angeles, CA)
‘’Ike’’, Portrait of President Eisenhower, signed in pencil on the mat lower right: Sid Avery,
dated in pencil on the mat lower left: 1961, gelatin silver print on paper under glass, sight
size: 10.75’’ H x 7.5’’ W, est: $500/800
condition. Tipped in the four corners to the back mat. Your bid indicates acceptance of
‘’John F. Kennedy’’, printed circa 1980, signed in ink on the mount lower left: Karsh, with
the artist’s Ottawa hand stamp on the mounting board and dated in pencil: 1960, gelatin
silver print on paper under glass, paper size: 19.75’’ H x 15.75’’ W, est: $3000/5000
Provenance: sale, Christie’s, New York, NY, 15 April 1992, lot 267 (aftersale); acquired
by the present owner from the above, Private Collection, Los Angeles, CA. Condition:
Visual: Generally good condition. Photograph mounted as stated and the mounting
board tipped onto the front mat. Your bid indicates acceptance of our Conditions of
1131 Dmitri Baltermants (1912-1990 Russian)
‘’Nikita Khrushchev’’, circa 1955; likely a later impression, recto unsigned, gelatin silver
print on paper under glass, sight size: 11’’ H x 7.25’’ W, est: $600/800
condition. Glued into the archival mat, verso not viewable. Appears to be hinged to the
FINAL
35
‘’Fidel Castro’’, signed in ink on the mount lower left: Karsh, artist’s studio stamp on the
mounting board and titled and dated in pencil: 1971, numbered on the board backing:
YK003, gelatin silver print on paper under glass, est: $2500/3500
Provenance: sale, Christie’s, New York, NY, 10 October 1991, lot 240 (aftersale);
Condition: Visual: Generally good condition. Photograph mounted as stated and the
mounting board tipped onto the front mat. Your bid indicates acceptance of our
‘’Valhjalmur Stefansson’’, Standing portrait of the Canadian Arctic explorer and
ethnologist, 1947, signed, inscribed and with copyright symbol in pencil on the paper
lower left: Y. Karsh / Ottawa, gelatin silver print on paper under glass, image size:
11.75’’ H x 9’’ W, est: $400/600
Provenance: Collection of Bill Hersch; Private Collection, Los Angeles, CA. Condition:
Visual: Generally good condition. Taped in the corners and along the upper edge to the
FINAL
1134 Lord Bertrand Russell (1872-1970 British), autographed letter
A handwritten letter from Russell dated January 21, 1925 regarding selling an article
titled ‘’Is America becoming Imperialistic?’’, ink on paper, framed together with a
photograph of the philosopher, letter paper size: 7’’ H x 4.75’’ W, est: $400/600
Provenance: Private Collection, Los Angeles, CA. Condition: Both: Generally good
condition. The letter is mounted to the back mat with double-sided tape in the four
corners, the remnants of old tape visible in the upper left corner. Minor handling creases
throughout with a horizontal folding crease across the center. Your bid indicates
1135 A pair of carved commemorative George V armchairs, 1911 Delhi
Durbar
Circa 1911, each of walnut construction, with two crown-form finials surmounting
the chair back carved in high relief with curtains, tassels, scepters and ‘’Delhi / GRI
/ 1911’’ over a white enamel and polychrome painted crest with the motto ‘’Ne te
quaesiveris extra’’, the serpentine arms terminating in lion heads over the square red
velvet upholstered seat, supported by double-scroll legs terminating in scrolling ball feet,
2 pieces, each: 42’’ H x 26.5’’ W x 28’’ D, est: $2000/3000
Note: These chairs likely constructed on behalf of a British aristocrat (crest illegible)
to commemorate the Delhi Durbur of December 12, 1911, where King George V
and Queen Mary were presented to an assembled audience of Indian dignitaries and
princes as the Emperor and Empress of India. ‘’GRI’’, for ‘’Georgius Rex Imperator’’, is the
Royal and Imperial Cypher of George V. Provenance: Private Collection, La Jolla, CA.
Condition: Each in overall good condition, with general marks, scratches and rubbed
wear commensurate with age and use. The first: Heavy rubbed wear to crest. Chips to
verso of rear left leg and foot (3’’ x .5’’ each). Splitting to seat support at left side, right
side with 3’’ x .5’’ shallow loss. Chips and scuffs to apron and lower cross support. Very
few scattered minor losses to upholstery pile. The second: Heavy rubbed wear to crest;
motto now illegible. Chipping to bottom edge of front seat support. Chipping and losses
to inside corner of left rear leg. Scuffs to cross support and apron. Your bid indicates
36
1136 A pair of Victorian sterling silver ewers, Walter & John Barnard
1892 & 1894, London, each with maker’s mark, one further marked ‘’967’’, the other
‘’776’’, each all-over chased and repousse-decorated in high relief with rocaille, floral
garlands, margents and masks, each hinged lid surmounted by a tripartite rocaille finial
and opened via a trigger mechanism attached to the interior of the neck-mounted
scroll handle, the slender tapering neck over a squat body decorated to two sides with a
shaped reserve flanked by merfolk with applied wings, heads, and outstretched hands,
centered by a single applied lion’s head, raised on a domed and stepped circular foot,
one: 14.5’’ H; the other: 14.75’’ H x 6.5’’ Dia., gross weight 84.25 oz troy approximately,
est: $15,000/25,000
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition. Not
monogrammed. General light marks, rubbing, and tarnishing commensurate with age.
One with a pin loose to lower section of handle, the other with a pin loose from upper
section of handle; each handle slightly loose and showing some separation at bone
insulators. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1137 A Victorian mahogany secretary bookcase, M. Harris & Sons
Mid 19th century, with maker’s label ‘’M. Harris & Sons / 44/62 New Oxford St. /
London W.C.1.’,’ of mahogany with oak secondary wood, constructed in two parts,
surmounted overall by an open pediment with carved chinoiserie latticework, over a
pair of mullioned glazed doors enclosing three shelves within a chinoiserie silk-lined
interior, above a slant-front bureau opening to reveal an inlaid tooled brown leather
writing surface before a locking cabinet door flanked by four cubbyholes over one long
and two short drawers to each side, surmounting a pair of paneled doors enclosing a
single adjustable shelf, on bracket feet, 102.5’’ H x 53’’ W x 24.5’’ D, est: $4000/6000
Provenance: Private Collection, Palm Springs, CA. Condition: Overall good condition.
General marks, scratches, gouges and minor chips commensurate with age and use.
Shrinkage cracks and splits to timber to lower section of bottom cabinet and verso.
Cracking and lifting to veneer on lower cabinet doors; a 1.5’’ x .75’’ loss to veneer on
upper section of one cupboard door. Scattered marks and scratches to leather writing
surface commensurate with use. One pull from long interior drawer detached; retained.
A 2.75’’-long area of loss and repair to lower right section of drop front. Your bid
1138 A Victorian beaded needlepoint fire screen on brass stand
Second half 19th century, the needlepoint panel with beaded grey and white calla lilies
centering a geometric, banded reserve accented with grey roses, over a rust-colored
background with a brown wrapped cord border and ties, suspended from a fleur de lissurmounted brass standard with an adjustable-height slider, raised overall on three spiral
legs terminating in acanthus-topped claw feet, 58.75’’ H x 24’’ W x 14’’ D, est: $600/900
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition. Minor
sun fading to panel and verso liner and some rippling to panel at bottom edge due to
weight of beading commensurate with age. A few scattered beads deficient. Finial to one
end of crossbar bent slightly back. Your bid indicates acceptance of our Conditions of
37
1139 A Towle sterling silver coffee / tea service
After 1890, each with maker’s mark and pattern number ‘’7617’’, each further marked
‘’Sterling’’, a five-piece set comprising: a coffee pot (8.5’’ H x 9.5’’ W x 5.5’’ D) further
marked ‘’5 1/2 Half Pints’’; a tea pot (6’’ H x 5.75’’ W x 5.25’’ D) further marked ‘’4 1/2
Half Pints’’; a milk jug (5’’ H x 6’’ W x 4.5’’ D) further marked ‘’D’’; a waste bowl (3.75’’ H x
5.25’’ W x 5’’ D) further marked ‘’C’’; and a covered sugar bowl (5.25’’ H x 7.5’’ W x 5’’ D),
each of squat quatrefoil form decorated with daffodils, over a spreading, scalloped foot;
the covered pieces each surmounted by a floriform finial, each monogramed ‘’P.G.W.’,’ 5
pieces, gross weight 114.665 oz troy approximately, est: $3000/5000
Provenance: Private Collection, San Diego, CA. Condition: Overall good condition.
General rubbing, marks, scratches, and tarnishing commensurate with age and use.
Each with scattered dings and dents, the largest of which include: a .75’’-long dent to
coffee pot near handle, a .75’’-long dent to body of waste bowl, a .5’’-long dent to cream
pot near handle and a .5’’-long ding to covered sugar bowl. One edge of cream pot’s foot
bent slightly upwards. Monogrammed, as stated. Your bid indicates acceptance of our
1140 A Duffner & Kimberly table lamp with leaded glass shade
First quarter 20th century, apparently unmarked, the patinated metal base model
#3027, the square foliate-festooned base rising to a tapering columnar standard issuing
three sockets, surmounted by a conical, scalloped edge ‘’Open Top’’ leaded glass shade ,
23.5’’ H x 19’’ Dia., est: $2000/3000
Literature: This base illustrated P. Crist, ‘’Mosaic Shades, Volume II’’, Santa Fe Springs,
2005, p. 301. Provenance: Private Collection, Fullerton, CA. Condition: Overall good
condition. Base with general marks, scratches and light wear commensurate with
age. Chipping to patinated finish around base; the largest area 1’’ x .25’’ approximately.
Scattered cracks to glass panels. Wiring should be checked by a qualified electrician
prior to use. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1141 A Loetz iridescent art glass basket
Circa early 20th century, apparently unsigned, with a clear glass handle terminating
in clear rosettes at the incurved basket edge, the basket of iridescent pink glass with
mottled white stripes to the interior, the wide mouth tapering to a cylindrical body over
a slightly spreading circular foot, 21’’ H x 13.75’’ W x 9.75’’ D, est: $600/900
Condition: Overall good condition. Scattered, minor scratches to interior and to
underside of foot. A small (.125’’-long) shallow chip to underside edge of basket rim.
1142 A Biedermeier Vienna wall regulator
Mid-19th century, unmarked, the circular white porcelain dial with black Roman
numeral chapters and indices within a brass rim, attached to a single train movement
with suspended weight, within an arched rosewood veneered and glazed case,
37.5’’ H x 14.75’’ W x 5.75’’ D, est: $1500/2500
Provenance: Private Collection, Southern California. Condition: Overall good
condition. Scattered minor scratches, rubbing and shrinkage cracks at joints
commensurate with age. A 2’’ x 1’’ localized area of shallow dents and scratches and a
.5’’ x .5’’ loss to veneer and corresponding area of fill to top of case. A .75’’-long vertical
dent to upper case. Scattered minor chips to pendant. Works complete; working
condition unknown. Moran’s does not guarantee working condition of clocks. Your bid
38
1143 Abastenia St. Leger Eberle (1878 - 1942 American)
Signed to base ‘’A. SL. Eberle, / 1914 c’’, a patinated bronze figural group depicting
Bacchus, thyrsus in hand, dancing with a Bacchante clutching a cluster of grapes, on a
naturalistic base, 28.75’’ H x 15.5’’ W x 13’’ D, est: $3000/4000
Provenance: Private Collection, Los Angeles, CA. Condition: Overall good condition.
General marks, scratches and rubbing commensurate with age. The thyrsus slightly bent
at upper quarter, with a crack to shaft above Bacchus’s thumb. Bacchus’s arm broken and
repaired at left shoulder. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1144 A George II Bacchic sterling silver lidded urn with handles, Paul de
Lamerie
1741, London, with maker’s marks for Paul de Lamerie, the twisted acanthus finialtopped domed lid over an urn-form body centered by branch-form handles, over a
circular socle on a domed, stepped base, the whole intricately chased and repoussedecorated with flowers, foliage, rocaille, grape vines and clusters, Bacchic putti,
lions and heads of Bacchus, 15’’ H x 7.5’’ W x 6.375’’ D, 82.605 oz troy approximately,
est: $3000/5000
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition. Not
monogrammed. General marks, scratches, rubbing and tarnishing commensurate with
age. Scattered minor dings and scratches to interior rim of urn mouth, lid and foot;
additional minor rubbed wear around outer bottom edge of foot. Your bid indicates
1145 An English oak lift-top blanket chest
19th century, the paneled hinged rectangular lift-top over a marquetry and strapworkpaneled body, raised on channeled ball feet, 28’’ H x 65’’ W x 21.5’’ D, est: $1000/1500
Provenance: Private Collection, Palm Springs, CA. Condition: General marks, scratches,
minor losses, gouges and rubbed wear commensurate with age and use. Lock previously
replaced; chipping and losses to timber surrounding previous lock’s footprint. Evidence
of woodworm. Splits and shrinkage cracks to timber. Added reinforcements to
underside. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1146 A pair of Neoclassical silver plate vases, Elkington & Co.
Late 19th / early 20th century, each signed to underside ‘’Published By / 1478 / Elkington
& Co.’’ within an applied oval, each with a flared rim over a tapering neck above an
urn-form body repousse-decorated with scenes depicting the birth of Venus to one face
and the punishment of Cupid to the other, flanked by scroll handles issuing from female
portrait medallions, supported overall by a waisted two-tiered spreading circular foot,
2 pieces, 9.5’’ H x 5’’ W x 4.5’’ D, est: $500/700
General marks, scratches, tarnishing, and rubbed wear commensurate with age.
Remnants of polish throughout. A few scattered minute dings to each. Your bid
39
1147 A patinated brass-overlay mahogany pedestal stand
Late 19th / early 20th century, possibly English, of mahogany construction with brass
overlay, repousse-decorated throughout with grape vines, wheat, bamboo, rocaille and
acanthus, the tapering square cornice over a square standard decorated to each face
with a draped female figure; two holding tools, three depicted with stylized mushrooms,
over a spreading stepped square plinth, raised on a later square mahogany base on
bracket feet, 47’’ H x 19.5’’ W x 19.25’’ D, est: $600/900
Minor lifting to brass elements and scattered minor dings throughout; the largest
a .5’’-wide dent to one figure’s arm. Spots of dark discoloration, scratches and nicks
to mahogany top. A 2.5’’ split to one corner of mahogany top. Your bid indicates
1148 A Majolica Palissy-style wall platter, likely Rafael Bordalo Pinheiro
Early 20th century, impressed to verso ‘’Made / In / Portugal / (illegible circular mark)
/ A.V / 18’’, circular mark likely that of Rafael Bordalo Pinheiro, the circular brownglazed plate with an applied polychrome chestnut branch issuing leaves and seed pods;
two pods cut away revealing chestnuts inside, centered overall by a perched kestrel ,
3’’ H x 17.75’’ Dia., est: $600/900
Provenance: Private Collection, Encino, CA. Condition: Overall good condition.
Maker’s mark lightly impressed and illegible, as stated. Craquelure to glaze throughout.
A localized 2’’ x 1.5’’ area of light scratching to upper plate. Your bid indicates
1149 A Biedermeier Vienna wall regulator
Mid-19th century, unmarked, the circular white porcelain double sunken dial with
black Roman numeral chapters and indices, black skeletonized hands attached to an
engine turned brass bezel, single train movement, with suspended weight, within a
simple rosewood and burl veneered and glazed case, 37.5’’ H x 14.75’’ W x 5.75’’ D,
est: $800/1200
Provenance: Private Collection, Southern California. Condition: Lacking pediment.
Typical scratches, nicks and marks commensurate with age. Shrinkage cracks at joints.
A 2’’-long crack to molding at bottom edge of door and a 1’’-long crack to bottom edge
near finial. Dent to bottom edge of weight; brass casing detached from interior lead
weight. Works complete; does not run. Moran’s does not guarantee working condition
of clocks. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1150 Amedee Joullin (1862-1917 San Francisco, CA)
‘’Cherry Time, Brittany’’, signed, inscribed and dated lower left: A Joullin Paris 09, oil on
canvas, 26’’ H x 20’’ W, est: $1200/1800
Note: The painting retains its original J. Bohne, New York frame. The title comes from
artist’s labels no longer attached. Provenance: sale, John Moran, Pasadena, CA, 24
June 2008, lot 223 ($2,300); Private Collection, Montebello, CA. Condition: Visual:
Craquelure and paint shrinkage throughout. Stretcher bar creases along the upper
and lower edge. Small spots of paint loss upper center, upper left, lower left and lower
right, the largest pea-sized. Blacklight: Extensive touch-up in the background and on
the figure in the upper half of the painting. Other scattered areas of touch-up in the
lower half. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
40
1151 Frances Miller Mumaugh (1859-1933 Newark, NJ)
Still life of roses, signed lower left: Frances Mumaugh, oil on canvas, 12’’ H x 42’’ W,
est: $1500/2000
Condition: Visual: Generally good condition. Crazing scattered throughout. Small spots
of paint loss upper right, lower right and the lower left corner. Stretcher bar creases. The
canvas is slightly rippled in the upper left corner. Blacklight: Apparently no restoration
under blacklight. Difficult to read under varnish. Your bid indicates acceptance of our
1152 Frederick R. Wagner (1864-1940 Philadelphia, PA)
House in a winter landscape, signed lower right: F. Wagner, pastel on board under glass,
board size: 7.5’’ H x 9.5’’ W, est: $400/600
Note: Sight size: 7’’ H x 9’’ W. Provenance: Private Collection, Lake Elsinore, CA.
Condition: Visual: Generally good condition. Mounted to the recto mat with glued
down backing paper and archival tape in the lower corners. Your bid indicates
1153 Alexander Bowers (1875-1952 Wilmington, DE)
Maine coastal with crashing waves, signed with conjoined initials lower left: ABower, oil
on canvasboard, 9’’ H x 12’’ W, est: $600/800
Provenance: Private Collection, Lakewood, CA. Condition: Visual: Generally good
condition. Varnish discoloration. Blacklight: No evidence of restoration under
FINAL
1154 Lester J. Chaney (1907-1998 Chicago, IL)
‘’Sunset off Richmond Island, Maine’’, signed lower right: Lester J. Chaney, titled on the
stretcher, oil on canvas, 20’’ H x 24’’ W, est: $400/600
Provenance: Private Collection, San Marcos, CA. Condition: Visual: Generally good
condition. A couple of small areas of paint shrinkage lower right. Stretcher bar creases.
Minor scattered craquelure. Blacklight: A 3’’ x 1.5’’ area of touch-up lower left with
corresponding patch verso. Your bid indicates acceptance of our Conditions of Sale.
41
1155 A pair of gilt bronze mirror-backed five-light wall sconces
Late 19th / early 20th century, each pierced scrolling gilt bronze backplate decorated
throughout with cherubs, fruit, rocaille, fish tails and foliage, the inset shaped beveled
mirror surmounted by a ram’s skull, issuing an outswept scrolling foliate-clad arm
suspending a five-arm candelabrum, each arm terminating in a single gadrooned urnform light, 2 pieces, 33.5’’ H x 22’’ W x 15.5’’ D, est: $5000/8000
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition. Each
with general marks, scratches and rubbed wear commensurate with age. One with a
loose scroll to upper arm. Mirror plates somewhat loose in frames; each with chipping
and losses to edges of silvering. Each with scattered dark spots of tarnishing to plate; the
largest .5’’-Dia. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1156 A Rococo style carved giltwood console table
Late 19th century, likely Italian, of gilt carved and gessoed wood construction
with pine secondary wood, the serpentine beveled-edge white marble top over a
foliate-scrolled and rocaille apron raised on one male and one female caryatid half
figure-topped cabriole legs joined by a conforming stretcher, on claw and ball feet,
32.5’’ H x 57’’ W x 19.75’’ D, est: $2500/3500
Provenance: An Important Private Collection, Southern California. Condition: Regilt.
Scattered cracks and repairs to timber and joints throughout. Minor areas of breaks,
losses and subsequent regilding; the largest approximately 1’’ x .5’’. Scattered minor chips
and fleabite nicks to underside edge of marble top. Your bid indicates acceptance of our
1157 A complementary pair of three-light gilt bronze figural candelabra
Late 19th / early 20th century, likely French, each with three poppy-form sockets
issuing from stem-form arms adorned with poppy buds and leaves, rising from a tree
trunk base flanked by two standing putti playing instruments; one pair playing a flute
and cymbals, the other pair with a horn and a drum, each on a shaped purple marble
base raised on four toupie feet, 2 pieces, the first: 15’’ H x 10’’ W x 8’’ D; the second:
14.5’’ H x 11.75’’ W x 8.75’’ D, est: $1000/2000
General light marks, scratches, patination and rubbed wear to gilding commensurate
with age. One with a .25’’-long chip to one leaf and another leaf snapped off at the base
(leaf not retained). The other lacking putti’s drum. Your bid indicates acceptance of our
1158 After M. Moreau, a gilt bronze figural group, mother and child
Late 19th / early 20th century, French, signed to base ‘’Moreau’’ (after Mathurin Moreau
1812 - 1912 French), depicting a standing woman and child perusing a book, on an
integral shaped base, raised on a stepped black metal plinth, 20.5’’ H x 11’’ W x 7.5’’ D,
est: $1000/1500
General marks, scratches and rubbed wear commensurate with age. Scattered minor
spots of darkening and verdigris to gilt bronze. Scattered minor dents and nicks to edges
of base and plinth; the largest a .125’’ x .125’’ chip to left verso edge of plinth. Your bid
42
1159 A pair of French porcelain Sevres-style urns mounted as lamps
Early 20th century, each signed ‘’G. Poitevin’’, each with a single socket over a turquoiseground body with gold-painted highlights, reserved to each side with hand-painted
panels depicting courting couples to one face and landscapes to the other, flanked by
twisted foliate U-form handles, on a waisted socle over a square base, raised on a square
gadrooned plinth, electrified, 2 pieces, each: 22’’ H x 10.5’’ W x 7.25’’ D, est: $1000/1500
Each with general marks, scratches and rubbed wear commensurate with age. Rubbed
wear to gilt highlights, primarily localized to bases and lids. Scattered fleabite chips to
rims of urn covers. Urns drilled for lamp fittings, as stated. Wiring should be checked by
a qualified electrician prior to use. Your bid indicates acceptance of our Conditions of
1160 A Rococo style giltwood wall mirror
19th century, the rectangular plate within a pierced C-scroll and rocaille carved
surround with leafy vines climbing the columns on each side, the arched crest
surmounted by flower heads, 66.5’’ H x 31.5’’ W x 5’’ D, est: $1000/2000
Provenance: Property of an Estate, Montecito, CA. Condition: General rubbed wear
to gilding, revealing red bole and white gesso. Shrinkage cracks to timber. Nicks and
a few losses to carved elements. Scattered repairs to carved elements. Flowers broken
off of right-hand side of crest; the pieces retained. The mirror plate a later replacement.
Wooden planks attached to rear of mirror frame with screws. Your bid indicates
1161 A gilt bronze and Sevres-style porcelain mantel clock, Japy Freres
Late 19th / early 20th century, stamped to movement, case, and original pendulum
‘’8277’’, further impressed to backplate with Japy Freres / Med. D. Honneur pastille,
the porcelain panels inscribed ‘’8277’’ and with further illegible notes verso, the
circular pink-painted porcelain dial decorated to the central reserve with a bird
alighting on flowers, surrounded by black Roman numeral hour markers separated
by applied turquoise ‘’jewels’’, within an urn-topped arched rectangular case flanked
by espagnolettes issuing floral margents centering a painted plaque depicting figures
in a verdant landscape, supported overall on an outset oblong base inset with further
porcelain plaques, on toupie feet, 14.5’’ H x 10.75’’ W x 5’’ D, est: $500/700
Clock face with break and subsequent repair to porcelain between the VIII and IX
hour markers (.5’’ x .25’’); one turquoise ‘’jewel’’ deficient. Minor scratch to lower right
of painted porcelain panel. Scattered areas of rubbed wear to gilt bronze. Minute
hand bent. No key. Moran’s does not guarantee working condition of clocks. Your bid
1162 A pair of Italian Rococo carved and gilt wood jardinieres
Late 19th century, each with a beveled rectangular edge supported by C-scroll corners
centering a rocaille-edged reserves inset with a diaper-patterned ground to three faces,
over a bombe rocaille base with foliate C-scroll knees, raised on scroll feet, 2 pieces,
each: 16’’ H x 23.75’’ W x 14.75’’ D, est: $3000/4000
with general marks, scratches, rubbed wear and scattered minor chips to giltwood
commensurate with age. Shrinkage cracks at joints. Your bid indicates acceptance of
43
1163 A French Rococo-style carved giltwood console table with marble top
Early 20th century, of gilt and painted carved and gessoed wood construction, the
rectangular beveled-edge white marble top over a palmette-centered foliate-scrolled
apron, supported on four cabriole legs terminating in open-mouthed dolphins,
joined by an X-stretcher with dolphin-form center joints, raised on pillow-form feet,
32.5’’ H x 57’’ W x 26’’ D, est: $2500/3500
Structurally sound. Scattered chips and fleabites to edges of marble top; the largest an
approximately .5’’-long loss to left rear corner. Cracks to timber on front and side aprons.
Minor scattered chips and scratches to carved elements; the largest loss to gilding
approximately .5’’. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1164 A pair of French gilt bronze three-branch candelabra
Late 19th / early 20th century, each with three foliage-wrapped sockets with rocaille
drip pans issuing from branch-form arms over a twisted standard supported by a shaped
rocaille base, 2 pieces, each: 14’’ H x 10’’ W x 8’’ D, est: $800/1200
General marks, oxidation and rubbed wear commensurate with age and use. Wear
to gilding throughout. One with a .5’’-long casting crack to base. Your bid indicates
1165 A pair of Italian carved Rococo-style Chinoiserie vitrine cabinets
Mid-19th century, each polychrome and gilt painted, with a pierced rocaille crest
above a locking glazed door enclosing a silk-lined interior with one shelf, over a
bombe body decorated to each side with a painted red-ground Chinoiserie reserve,
faced with a single drawer over a cabinet door centering a third Chinoiserie reserve
enclosing a fabric-bottomed interior, raised on four cabriole legs, 2 pieces, the first:
69’’ H x 20.5’’ W x 12.5’’ D; the second: 68.5’’ H x 20.5’’ W x 12’’ D, est: $4000/6000
Provenance: Private Collection, La Jolla, CA. Condition: Lacking keys. Each lacking one
shelf. Each with scattered evidence of insect damage. Structurally sound, with general
marks, scratches, nicks and shrinkage cracks commensurate with age. Fabric lining
worn. The first: a 5.5’’-long horizontal crack to lower left side of one glazed panel. A 1.5’’
split to upper right side panel. Door and right side glass panels replaced; door lacking
portions of original interior molding. Drawer bottom does not sit flush with drawer face.
The second: vertical split and subsequent repair to cabinet face above and below drawer.
1166 Dan Lutz (1906-1978 Santa Barbara, CA)
‘’Promenade’’, signed and dated lower left: Dan Lutz ‘59, signed and dated again verso,
titled on a gallery label, oil on canvas, 24’’ H x 30’’ W, est: $1200/1800
Provenance: Dalzell Hatfield Gallery, Los Angeles CA; Private Collection, Los Angeles,
CA, acquired from the above; by descent to the present owner, Private Collection, La
Crescenta, CA. Condition: Visual: Generally good condition. Craquelure scattered
throughout the darker pigments. Blacklight: No evidence of restoration under
FINAL
44
1167 Bernice (Burr) Singer (1912-1992 Los Angeles, CA)
Girl watching a storm from her bed, signed lower left: Burr Singer, oil on masonite,
24’’ H x 28’’ W, est: $500/700
Provenance: Private Collection, Santa Monica, CA. Condition: Visual: Generally good
condition. A few vertical lines of craquelure lower center. Blacklight: No evidence of
restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
1168 Carl Sprinchorn (1887-1971 New York, NY)
‘’Woman In Riding Habit’’, signed with initials in pencil lower right: C. Sp., titled
on a gallery label verso, watercolor and graphite on paper under glass, paper size:
12’’ H x 8.75’’ W, est: $800/1200
Note: Sight size: 11.75’’ H x 8.5’’ W. Provenance: Zabriskie Gallery, New York, NY;
Private Collection, Encinitas, CA. Condition: Visual: Generally good condition. Mat
burn along the edges. Toning to the paper. Handling creases throughout, the largest
a 6’’ crease in the paper extending from upper left to left center. Mounted to the back
mat with brown paper tape in the four corners. The recto and back mat are hinged
together along the upper edge with scotch tape. Your bid indicates acceptance of our
1169 Leonardo Nierman (1932-* New York, NY)
Abstract ship, signed and dated lower left: Nierman 65, oil on masonite,
23.5’’ H x 31.5’’ W, est: $1000/1500
Provenance: Private Collection, Encinitas, CA. Condition: Visual: Generally good
condition. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1170 Hans Gustav Burkhardt (1904-1994 Los Angeles, CA)
Still life with fruit, incised signature lower right: H. Burkhardt, oil on canvas,
14’’ H x 17’’ W, est: $800/1200
45
1171 Pal Fried (1893-1976 New York, NY)
‘’Cannes’’, Portrait of a French woman, signed lower left: Fried Pal, titled and numbered
verso: 44448, oil on canvas, 24’’ H x 30’’ W, est: $1500/2000
condition. A small scuff mark upper center. Blacklight: No evidence of restoration
SALES FINAL
1172 Pal Fried (1893-1976 New York, NY)
‘’Fandango’’, signed lower left: Fried Pal, titled and numbered verso: 35904, oil on canvas,
30’’ H x 24’’ W, est: $800/1200
Provenance: By descent to present owner, Private Collection, Pennsylvania. Condition:
Visual: Generally good condition. A .5’’ scratch with paint loss right center. Two small
spots of paint loss upper center. Stretcher bar crease along the lower edge. Scattered
craquelure, concentrated mainly in the upper quadrant. Blacklight: No evidence of
restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
1173 Richard Whorf (1906-1966 Los Angeles, CA)
French market with figures, signed lower right: Richard Whorf, gouache on board,
28’’ H x 22.25’’ W, est: $400/600
Provenance: Private Collection, Simi Valley, CA. Condition: Visual: Generally good
condition. Minor frame abrasion. Your bid indicates acceptance of our Conditions of
1174 George Orry-Kelly (1897-1964 New York, NY)
Street vendor with view of a church, signed lower right: Orry-Kelly, oil on board,
19.5’’ H x 16’’ W, est: $600/900
Note: George Orry-Kelly was a prolific costume designer who worked on over 300
productions in Hollywood. He was nominated for an Oscar for Best Costume Design
four times winning three of them for ‘’An American in Paris’’, ‘’Cole Porter’s Les Girls’’ and
‘’Some Like it Hot’’. Provenance: Private Estate, Los Angeles, CA, acquired directly from
the artist; Private Collection, Pasadena, CA, gifted from the above. Condition: Visual:
Generally good condition. Blacklight: No evidence of restoration under blacklight. Your
46
1175 George Orry-Kelly (1897-1964 New York, NY)
Group of three works depicting a church and fruit vendors, signed lower left or
right: Orry-Kelly, the first and second: oil on masonite; the third: gouache on board
under glass, the first: 7’’ x 8’’; the second: 6’’ x 4’’; the third: board size: 6.25’’ H x 4.5’’ W,
est: $400/600
Provenance: Private Estate, Los Angeles, CA, acquired directly from the artist; Private
Collection, Pasadena, CA, gifted from the above. Condition: Visual: The first: Generally
good condition. The second: Generally good condition. Spots of paint loss around the
edges. The third: Generally good condition. Mounted to the recto mat with archival tape
along all four edges. Blacklight: The first and second: No evidence of restoration under
FINAL
1176 Four Continental carved polychrome and gilt painted Santos
Late 18th century, apparently unsigned, depicting three male saints and one female,
4 pieces, the largest: 49’’ H x 26’’ W x 18’’ D, est: $12,000/18,000
Provenance: Private Collection, La Jolla, CA. Condition: Woodworm holes throughout
each. Extensive chips, losses, cracks, and repairs to each. One male figure lacking both
hands and with losses to bottom of robe and feet; another with smaller losses to feet, two
deficient fingers and a deficient thumb; the third male lacking feet and one hand. The
female figure lacking one hand. Your bid indicates acceptance of our Conditions of Sale.
1177 A Russian menological icon, month of September
Early 19th century, egg tempera on gilt and gesso wood panel, depicting patron saints
of each day arranged in four tiers, each clad in garments respective to their position
in the celestial hierarchy and bearing their attributes, with depictions of events and
celebrations, 12.25’’ H x 10.375’’ W x 1’’ D, est: $3000/5000
Provenance: Andre Ruzhnikov, Palo Alto, CA, Estate Palos Verdes Estates, CA.
Condition: Overall good condition. Minor bowing, scattered shrinkage cracks and
minor chips to wood panel. Touch-ups throughout, with minor surface abrassion and
scattered minor areas of paint loss. Your bid indicates acceptance of our Conditions of
1178 A Russian icon, extended Deesis with Apostles
Possibly 18th century, gilt and egg tempera on gesso wood panel, inset onto a velvetlined wood surround, 7.875’’ H x 8.5’’ W x 1.125’’ D, est: $1500/2500
Provenance: Benedicte Oehry, Arlington Gallery, Ventura California, Estate Palos Verdes
Estates, CA. Condition: Overall good condition. Craquelure throughout, with scattered
touch-ups and minor paint loss. Your bid indicates acceptance of our Conditions of
47
1179 A Russian icon, St. Paraskeva Pyatnitsa
Mid-18th century, egg tempera on gesso wood panel, mounted within a contemporary
frame, the icon: 12’’ H x 10.375’’ W x 0.75’’ D, est: $800/1200
Condition: Framed dimensions: 21’’ H x 17.5’’ W. Bowing and scattered chips and losses
to wood panel. Craquelure and scattered fill, touch-ups and losses to gesso. Your bid
1180 A Greek icon, St. George and St. Theodore
Mid-19th century, egg tempera on gilt and gesso wood panel, depicting St. George
and St. Theodore each on horseback spearing the dragon, 13.25’’ H x 11.25’’ W x 1’’ D,
est: $700/1000
Condition: Overall good condition. Minor bowing, shrinkage cracks and chipping to
wood panel. Touch-ups throughout lower portion. Your bid indicates acceptance of our
1181 A Russian icon, St. Nicholas the Miracle Worker
Late 19th century, egg tempera on gilt and gesso wood panel,
12.25’’ H x 10.375’’ W x 1.25’’ D, est: $600/900
Condition: Overall good condition. Minor bowing to wood panel. Touch-ups and
surface abrasion throughout. Your bid indicates acceptance of our Conditions of Sale.
1182 A Continental carved walnut court cupboard
Mid 19th century and earlier, with pine secondary wood, constructed in two pieces,
the trapezoidal top supported by turned columns surmounted by figural brackets at
the corners, over a paneled body carved with monastic figures in high relief faced by
two locking doors enclosing a single shelf, over a conformingly decorated lower cabinet
inset with two tiers of drop-front and hinged cabinet doors, 79.75’’ H x 91’’ W x 26’’ D,
est: $1500/2500
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition, with
general marks, scratches, gouges and wear commensurate with age. Damage due to
woodworm evident, primarily localized to figural brackets. Splits and breaks to three
upper figural brackets due to shrinkage stress. Figures with scattered losses and chips.
Refinished. One drop-front cabinet with replaced pull. Your bid indicates acceptance of
48
1183 A pair of Continental carved wood and gesso pricket candlesticks
19th century, each with a spire pricket surmounting a carved and gesso wood acanthusdecorated stem, raised on a scrolling quatrefoil wrought iron base adorned with floral
medallions, 2 pieces, the first: 61.75’’ H x 24’’ Dia.; the second: 59.5’’ H x 24’’ Dia., est:
$2000/3000
chips and rubbed wear commensurate with age. Shrinkage cracks, splits to timber and
cracking to gesso. Each with breaks and repairs to three acanthus leaves at stem. The
second with two horizontal splits and subsequent repairs to stem and a 1’’ loss to tip of
one acanthus leaf near pricket. Your bid indicates acceptance of our Conditions of Sale.
1184 A pair of German carved gesso and gilt wood wall mirrors
Late 18th / early 19th century, each surmounted by a shaped cornice supported by dual
columns centering the pedimented mirror plate over a bracketed base, 2 pieces, the first:
59.5’’ H x 41.25’’ W x 10’’ D; the second: 59.5’’ H x 40.24’’ W x 9.5’’ D, est: $3000/5000
chips, losses and rubbed wear revealing gesso and red bole commensurate with age.
Scattered splits, warping, and shrinkage cracks throughout. Scattered losses and repairs;
the first lacking bottom molding, the second lacking an 8’’-long section of molding. The
second with a detached bracket to underside of cornice; retained. Plates replaced. Your
1185 A Spanish carved and gilt wood pediment
18th century, the whole foliate-scrolled, gilt and polychrome painted, centering an
oval-shaped white ground reserve painted with the coat of arms of Castile and Leon,
49.5’’ H x 35’’ W x 7’’ D, est: $800/1200
Provenance: Private Collection, La Jolla, CA. Condition: Evidence of woodworm
throughout. General scratches, rubbed wear, chips and losses to paint, gilding and
timber commensurate with age. Warping, shrinkage cracks, and scattered breaks and
repairs. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1186 An Austro-Hungarian .800 silver shell-form centerpiece bowl, Bruder
Frank
Late 19th century, with Diana standard mark for .800 fineness to body and base, further
marked with small ‘’AV’’ import mark within a clipped-corner rectangle and ‘’BF’’
within an oval for maker Bruder Frank, the cherubs each marked with dog’s head small
article .800 standard mark, the pierced-rim shell-form bowl flanked by winged cherubs
clutching plaques each monogrammed ‘’MR’’, over a rocaille and foliage-wrapped stem
raised on a pierced rocaille-topped notched oval base, 15.75’’ H x 15.5’’ W x 10.5’’ D,
136.875 oz troy approximately, est: $12,000/18,000
General light marks, rubbing, and tarnishing commensurate with age. A .25’’ crack and
apparent repair to silver near upper terminal of shell and a shallow .5’’ x .25’’ dent to rear
of bowl. An approximately .75’’-long loss to one end of garland; a leaf has been bent over
to mask loss. Polish residue throughout. Monogrammed, as stated. Your bid indicates
49
1187 An Italian Renaissance ‘’engien d’esbattement’’ automaton cabinet
18th century or earlier, of carved walnut, inscribed to front panel ‘’Ritratto dellasig
/ rvsili cei’’, the voluted pediment surmounted by turned, urn-form finials, over a
rectangular cabinet flanked by voluted brackets and foliate margents, centering a
partially-covered portrait of a lady of the Rucellai family, the whole of which drops
when the obscuring panel is touched to reveal a mechanical polychrome painted
demon which lurches toward the viewer, over two short drawers, raised on an
associated mid/late 19th century carved walnut console-style cabinet surmounted by
a shell frieze centering a rectangular figurative panel depicting satyrs, the two front
legs each with a large-bosomed grotesque at the knee on scroll-backed paw feet, over
an integrated stepped and beveled rectangular plinth, on carved bun feet, overall:
80.5’’ H x 38.75’’ W x 21’’ D, est: $6000/8000
Literature: To be sold with the framed catalog entry from previous purchase at auction,
circa first half 20th century. Note: Mechanical ‘’engiens d’esbattement’’, or ‘’frolicsome
engines’’ were popular among Italian, French and German Renaissance-era aristocrats
who would employ them to spray water on unsuspecting guests, activate speaking or
gesticulating automaton figures or animals, or otherwise surprise, embarrass or delight
the viewer in any number of ways. Provenance: From the Estate Collection of Bruno
Tesari, Pacific Palisades, CA. Condition: The upper cabinet: 46’’ H x 35’’ W x 20’’ D.
Overall good condition. General marks, scratches, chips, shrinkage cracks, minor
warping and rubbed wear commensurate with age. Extensive woodworm throughout,
primarily localized to upper cabinet with corresponding holes, plugs and losses; more
extensive losses to verso. A .5’’ x 2.25’’ chip to front left edge of lower cabinet. Breaks
and repairs to four fingers and a 3.5’’-long strip of paint loss to demon’s right hand.
Upper cabinet lacking verso panel; current panel a later replacement. Your bid indicates
1188 A pair of carved walnut Renaissance revival Savonarola chairs
19th century, Italian, each of typical X-form, with a scrolling foliage-topped pierced
removable backrest centered by a male portrait in profile, the arms terminating in
rosettes modeled in the round, each accompanied by a later down-filled pillow, 2 pieces,
each: 40.5’’ H x 29.75’’ W x 22.5’’ D, est: $600/900
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition;
general scuffs, marks, scratches and wear commensurate with age. Each has been
refinished, with some lightening to finish at feet due to probable water damage. Each
with scattered chips and scuffs to legs. The first: With some sun fading. Interior notch to
left side of backrest has been shaved down, most likely to ease removal due to shrinkage
over time. Evidence of woodworm to slats and feet; a 2’’ x .125’’ loss due to insect damage
to one slat. The second: Evidence of woodworm to slats; a .5’’ x .125’’ loss due to insect
damage. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1189 A pair of neoclassical four-light figural torchieres
Late 19th / early 20th century, French, the male figure marked ‘’X’’ beneath one foot,
each surmounted by a single cut crystal flambeau light supported by a foliate-sheathed
standard issuing three additional cut crystal lights, held by a standing spelter figure
in classical armor; one male, one female, raised on an associated fluted white marble
column mounted to a patinated quatrefoil metal base over a stepped quatrefoil black
and white marble plinth, electrified, 2 pieces, each overall: 90.75’’ H x 22.5’’ Dia.,
est: $3000/5000
Scattered minor chips to rims of crystal light covers. Horizontal break and repair to
standard of male figure. Scattered spots of verdigris to figures. Possible loss to tips of
fingers of female figure’s fingers. Chipping and scuffs to wooden bases. Scattered chips,
scuffs and minor losses to marble columns; one with a diagonal break and subsequent
repair and fill. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
50
1190 A Continental gilt & white-painted center table
Late 19th / early 20th century, in the Italian Baroque style, the circular variegated stone
top over a foliate-carved apron on a scrolled tripartite pedestal base, 31’’ H x 39.5’’ Dia.,
est: $1500/2500
Provenance: Property of an Estate, Montecito, CA. Condition: Overall good condition.
Structurally sound. Scratches to top. Typical nicks and stable shrinkage cracks to timber
and wear to gilt and painted finish revealing white gesso and bare wood. Woodworm
holes. A loss to timber at top of pedestal shaft. Finish probably refreshed at some point.
The top a later replacement. Your bid indicates acceptance of our Conditions of Sale.
1191 A pair of Italian polychrome & gilt carved pine candelabra
Late 18th / early 19th century, each modeled as a draped female figure holding one arm
aloft, the other arm supporting a flowering cornucopia-form candle arm, mounted to
square plinth, 2 pcs, 21’’ H, est: $1500/2000
Condition: Each with heavy rubbed wear and losses to polychrome and gilt decoration
revealing bare wood. Shrinkage cracks, abrasions, nicks and chipped losses to timber.
Woodworm holes throughout. Nail holes to plinths. Each with 2 - 3 glued repairs. One
with a vertical split running the full length of figure and reinforced with iron pins. Your
1192 An Italian Baroque-style pedestal jardiniere
19th century, of carved and gessoed patinated gilt-wood construction, the oval basin
with eight rocaille-framed reserves polychrome-painted with scenes of cherubs,
raised on a carved fluted, rocaille and floral-wrapped standard with a single painted
reserve at its midpoint, raised on a tripod base, on casters, 41’’ H x 30.5’’ W x 20.25’’ D,
est: $2000/3000
Provenance: Private Collection, La Jolla, CA. Condition: Structurally sound. Previously
repainted; chips throughout reveal brighter gold-tones beneath current patinated finish.
Extensive rubbed wear and fading to polychrome painted reserves. Breaks, cracks, lifting
and subsequent repairs to carved wood throughout. One foot lacking a rosette; not
retained. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1193 A Baroque style walnut chest of drawers
Second half 20th century, the rectangular top over three drawers faced with foliate
marquetry and cross banded borders, raised on bracket feet, 42’’ H x 59’’ W x 24.5’’ D,
est: $1000/2000
Structurally sound. The timber intentionally distressed to give the appearance of age,
with extensive marks, gouges, scratches and faux woodworm holes throughout. No key.
51
1194 An Italian carved marble figure
Late 19th / early 20th century, unsigned, depicting a standing maiden, one hand tucking
a flower behind her ear, the other hand resting on an ivy-entwined stump, on a circular
base, 31’’ H x 13.5’’ W x 14’’ D, est: $1500/2500
Scattered minor marks and nicks. The figure lacking one finger. Your bid indicates
1195 Nell Walker Warner (1891-1970 Carmel, CA)
Eucalyptus landscape, signed lower right: Nell Walker Warner, oil on canvas,
22’’ H x 28’’ W, est: $1200/1800
Exhibited: Pasadena Heritage Blinn House Exhibit, Pasadena, CA, ‘’Early California
Impressionist & Post Impressionist Paintings’’, 1-2 November 1996. Provenance: Estate,
Anacortes, WA. Condition: Visual: Generally good condition. A small tear in the canvas
left center with a .75’’ x .5’’ area of paint loss. Stretcher bar crease along the upper edge.
Craquelure in some of the lighter pigments.Blacklight: No evidence of restoration under
FINAL
1196 William Seltzer Rice (1873-1963 Oakland, CA)
‘’A Monterey Cypress, Laguna Cal.’,’ signed lower left: W.S. Rice, titled and inscribed
with artist’s address verso, watercolor on paper under glass, paper size: 10’’ H x 7’’ W,
est: $500/700
Note: Sight size: 9.75’’ H x 6.5’’ W. Provenance: Private Collection, Pasadena, CA.
Condition: Visual: Generally good condition. Mat burn along the edges. A few spots of
foxing scattered throughout. Hinged to the back mat with archival tape in the corners
and upper center. The recto and back mat are hinged together with archival tape along
the left edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1197 Frederick William Becker (1888-1974 Palm Springs, CA)
‘’Midway Point, Monterey, Calif.’,’ Cypress trees overlooking Monterey coast, signed
lower left: Frederick Becker, signed again and titled on an artist label verso, oil on canvas
laid to artist board, 12’’ H x 15.75’’ W, est: $800/1200
Craquelure throughout. Damage to the canvas with paint loss in the lower left and
both upper corners. Blacklight: No evidence of restoration under blacklight. Your bid
52
1198 Henry Dietrich (Dick) Gremke NAS (1860-1939 Oakland, CA)
Oaks in a foothill landscape, signed lower right: Dick Gremke NAS, oil on canvas,
20’’ H x 28’’ W, est: $1000/1500
condition. Craquelure throughout. Blacklight: An 8.5’’ x 2.5’’ area of scattered touchup and a few small spots of touch-up upper left. Your bid indicates acceptance of our
1199 Arthur W. Best (1859-1935 San Francisco, CA)
California wildflower landscape, signed lower left: A.W. Best, oil on photographic print
under glass, paper size: 10’’ H x 13.5’’ W, est: $800/1200
Provenance: Private Collection, Altadena, CA. Condition: Visual: Generally good
condition. A partial secondary signature in graphite under the painted signature lower
left. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1200 Florence Parker Bloser (1889-1935 Los Angeles, CA)
Still Life with Zinnias in a vase, signed lower right: Florence Parker Bloser, oil on canvas,
25’’ H x 30’’ W, est: $700/1000
Provenance: Estate of Domingo Amestoy; by descent in the family to the present owner.
Condition: Visual: Generally good condition. Blacklight: No evidence of restoration
SALES FINAL
‘’The Copper Bowl’’, signed lower right: G. Spangenberg, signed again and titled verso, oil
on canvas laid to artist board, 9.5’’ H x 7.75’’ W, est: $800/1200
53
‘’Summer’s Offering’’, signed lower left: G. Spangenberg, signed again and titled verso, oil
on panel, 9’’ H x 8’’ W, est: $700/1000
Fine craquelure throughout. Blacklight: No evidence of restoration under blacklight.
1203 A Russian menological icon, month of October
Late 18th / early 19th century, egg tempera on gilt and gesso wood panel, depicting
patron saints of each day arranged in four tiers, each clad in garments respective to their
position in the celestial hierarchy and bearing their attributes, with depictions of events
and celebrations, 12.125’’ H x 10.675’’ W x 1.75’’ D, est: $2500/4500
Condition: Overall good condition. Bowing, scattered shrinkage cracks and minor chips
to wood panel. Craquelure throughout, with scattered fill, touch-ups and losses to gilt.
1204 Two Russian icons, Pentecost & the Exaltation of the True Cross
19th century, egg tempera on gesso wood panel, each within a contemporary glazed
carved frame with linen-lined mat, each sight size: 3.5’’ H x 3.25’’ W, est: $800/1200
Provenance: Benedicte Oehry, Arlington Gallery, Santa Barbara, CA, Estate Palos Verdes
Estates, CA. Condition: Each framed: 6.625’’ H x 6.125’’ W x 1.5’’ D. Each with localized
crazing, scattered touch-ups and lifting to tempera. Your bid indicates acceptance of
1205 Two Russian icons
18th century, The Woman at the Empty Tomb and Saint Tychon, each egg tempera on
circular gesso wood panel mounted within a contemporary glazed shadow box, each
icon: 4.5’’ Dia., est: $800/1200
Provenance: Benedicte Oehry, Arlington Gallery, Santa Barbara, CA, Estate Palos
Verdes Estates, CA. Condition: Overall: 9.825’’ H x 9.5’’ W x 2’’ D; 10.625’’ H x 10.125’’ W
x 2’’ D. Each with craquelure throughout and scattered touch-ups. Your bid indicates
54
1206 A Russian icon, Mother of God Assuage My Sorrows
First half 19th century, egg tempera on gilt and gesso wood panel,
13.25’’ H x 11.125’’ W x 1.375’’ D, est: $1000/2000
Condition: Overall good condition. Minor bowing and scattered chips to edges of wood
panel. Craquelure and touch-ups throughout. Your bid indicates acceptance of our
1207 A Russian icon, intercession of the Mother of God
Early 19th century, gilt and egg tempera on gesso wood panel,
12’’ H x 9.875’’ W x 1.375’’ D, est: $800/1200
Condition: Overall good condition. Bowing to panel. Crazing throughout, with
scattered touch-ups, lifting and losses to tempera. Your bid indicates acceptance of our
1208 A pair of gilt bronze and cut crystal five-light wall sconces
Late 19th / early 20th century, each of typical bag chandelier form, acanthus-crowned,
with two tiers of suspended clear cut-crystal garlands, the central gilt bronze semicircular support issuing five outswept foliate-scroll arms each topped by an urn-form
light fitted with a faux candle; each drip pan suspending six clear cut-crystal drops,
electrified, 2 pieces, each: 42’’ H x 27’’ W x 15’’ D, est: $4000/6000
General marks, scratches and rubbing commensurate with age. Drilled for electricity,
as stated. Crystals with scattered chips and nicks; the largest approximately .25’’ x .5’’.
One lacking two crystal drops and with one broken garland (lacking one connecting
crystal). The other with a slight bend to pendant. Each possibly lacking a decorative
element to central support; dual screw holes visible. Your bid indicates acceptance of
1209 Two polychrome-painted and gilt carved blackamoors on stands
Late 19th / early 20th century, likely Italian, one male and one female figure, each
richly dressed, supporting a fruit-adorned basket atop their head; the male with a
quiver of arrows, the female with a feathered fan, each standing contrapposto on a
tripartite, columned base, raised on a conforming tripartite plinth, 2 pieces, each:
87’’ H x 23.5’’ Dia., est: $4000/6000
shrinkage cracks, scattered chips and losses commensurate with age, including a
localized area of paint loss to one face of male figure’s base. Each with drilled holes to
plinths for electrical wiring; the female with a corresponding .5’’ x 2’’ loss to surrounding
veneer. Each with wiring now deficient. Breaks and repairs to female figure’s arm at the
shoulder, fingers, scepter, basket and head wrap. Your bid indicates acceptance of our
55
1210 A large carved giltwood wall mirror
Late 19th century, the rectangular beveled glass plate flanked by foliate scroll-and-bird
clasps applied to the marginal plates, with acanthus clasps to each corner, within a
ribbon-and-flower head surround crested by foliate scrolls and a festoon centered by a
bust of a maiden and a grape cluster, 85’’ H x 58’’ W x 11’’ D, est: $4000/6000
General marks and rubbed wear to gilding commensurate with age. Shrinkage cracks
throughout. Scattered glued repairs to carved elements. The crest lacking one carved
leaf. Gilding refreshed at some point. Your bid indicates acceptance of our Conditions
1211 A Continental carved gilt & painted wood console table
The base late 19th / early 20th century, the base of dolphin form on a shaped
green faux marble plinth, with a later associated rectangular black stone top,
34.25’’ H x 60’’ W x 18’’ D, est: $1500/2000
Provenance: Property of a Private Collection, Rancho Palos Verdes, CA. Condition:
Overall good condition. General marks, nicks, scratches and rubbed wear
commensurate with age and use. Scattered losses to painted and gilt finishes. Shrinkage
cracks to timber. Structurally sound. A minor nick to one corner of top. The top later
and associated, as stated. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1212 A Continental patinated bronze figure
Late 19th / early 20th century, lacking signature, depicting a classical maiden draped
in a toga, standing beside a tree stump, on an integral rectangular base, overall:
24’’ H x 7’’ W x 6’’ D, est: $500/700
Provenance: Property of a Private Collection, Rancho Palos Verdes, CA. Condition:
Overall good condition. Scattered minor marks and scratches commensurate with
age and use. Areas of rubbed wear to patination, with some patches to legs, tree stump
and base entirely lacking patination. Patination a medium brown. Your bid indicates
1213 A large Continental marquetry armoire
19th century and later, of pine veneered with oak, elm, walnut, burl walnut and other
woods, the projecting molded rectangular cornice over a dentil molding over a frieze
with shaped oblong panels applied with raised scrolled motifs, over two hinged
doors with hand forged iron hardware, the panels applied with conforming scrolled
motifs and with carved portrait heads, and inlaid with arches enclosing applied
palmettes, divided by conformingly decorated engaged columnar supports resting
on carved scrolled corbels, over a plinth base enclosing two drawers, on bun feet,
90.5’’ H x 73.25’’ W x 27’’ D, est: $3500/5000
Refinished. Original fixed shelves removed (not retained). Interior with later-added
supports for adjustable shelves. No shelves included. Several inconsequential repairs to
rear panel. The drawers reconstructed with later sides, bottoms and glides. A 2’’ x 8.5’’
area of over-painted restoration to left side panel. A 2.25’’ Dia. drilled hole to rear panel.
Areas of woodworm holes scattered throughout, including to front. The legs replaced
and newer. No key. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
56
1214 A German .800 silver jardiniere with cut glass liner
Late 19th / early 20th century, marked ‘’Germany’’, for .800 fineness and with National
German Silver Mark, further marked with right-facing lion and ‘’B’’ for unknown maker,
the oval body formed by floral garlands suspended between four winged putti, over a
spreading pierced, chased and repousse-decorated rocaille base, inset with a removable
scalloped edge etched glass liner, 6’’ H x 17.5’’ W x 10.75’’ D, silver weight 36.390 oz troy
approximately, est: $3000/5000
General light marks, rubbing, and tarnishing commensurate with age. The glass liner
with scratches to underside, scattered minor scratches to interior and scattered minor
fleabite nicks to scalloped edge of liner; the largest .125’’ wide. Weight does not include
liner, as stated. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1215 A Hanau .800 silver mirrored plateau, J.D. Schleissner & Sohne
Late 19th / early 20th century, with scythe maker’s mark in a shaped cartouche, further
marked ‘’Germany’’, ‘’800’’ and with pseudo ‘’English’’ marks, the oval-shaped beadbanded top inset with a conforming beveled-edge mirror plate, over a spreading pierced
scrolling foliate body set with four rocaille-bordered reserves depicting cherubs, raised
on four tapering rocaille feet, 2.75’’ H x 20.75’’ W x 15.5’’ D, est: $2500/3500
General marks, scratches, rubbed wear and tarnishing to silver commensurate with age.
Horizontal splits to base above two legs, one 1’’- and one .5’’-long. Milky spotting and
fogging to mirror plate commensurate with age. Underside covered with later green
felt-lined panel. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1216 A Continental carved walnut cabinet
19th century or earlier, the rectangular carved walnut case surmounted by a foliate
molding centering a horned grotesque mask, over two locking paneled doors centering
grotesque putti masks flanked by griffins enclosing a single adjustable shelf, over two
short drawers with molded gargoyle-head pulls, over an associated rectangular base
with paneled backboards and open gallery front, raised overall on a stepped beveled
plinth, on bun feet, with key, 78.75’’ H x 70’’ W x 28.25’’ D, est: $2000/3000
gouges and shrinkage cracks commensurate with age. With added reinforcements to
verso. Refinished. Upper and lower sections a marriage. Evidence of active woodworm.
Horned grotesque lacking one horn. Repairs to molding on rightmost leg; a 2’’-long
portion of molding detached from leftmost leg (retained). Cabinet lock replaced. Your
1217 A French Provincial double-door armoire
Second half 18th century, of carved walnut, the curving molded cornice surmounting
two conformingly carved doors enclosing an open cabinet, over a rocaille apron, raised
on scroll feet, 110’’ H x 73.5’’ W x 26.5’’ D, est: $1000/2000
Provenance: Private Collection, La Jolla, CA. Condition: Extensive woodworm
throughout. General marks, scratches, chips and rubbing commensurate with age.
Extensive shrinkage cracks and splits to timber throughout. Has been refinished;
scattered remnants of previous orange paint visible in crevices, primarily localized to
lower half. Hardware likely replaced. With added reinforcements to interior and cornice
and scattered replaced portions of exterior elements including feet and a 6.25’’ Dia.
section to verso. The cornice with breaks and repairs. Lacking key. Your bid indicates
57
1218 A pair of French biscuit porcelain lamps
Late 19th / early 20th century, each inscribed ‘’Canova’’, the male further inscribed with
Sevres-style interlaced double ‘’L’’ mark, modeled after ‘’L’etude’’ and ‘’La Philosophie’’
designed by Simon Louis Boizot (1743 - 1809 French), one depicting a male figure, the
other a female, each reading and seated atop oil lamps, mounted with gilt metal sockets
and scalloped edge cut glass shades on oval bases, electrified, 2 pieces, the female:
18’’ H x 13’’ W x 5.25’’ D; the male: 18.5’’ H x 12.25’’ W x 5.25’’ D, est: $3000/5000
with general marks, scratches and rubbing commensurate with age; gilt foliate margents
somewhat loose. Shades later replaced. The male figure lacking writing implement to
right hand and one screw to secure glass shade; not retained. Same figure with a .25’’long firing crack to hairline. The female with white paint applied to arms, hands and
one foot and two apparent repairs to oil lamp (the largest .75’’ x .5’’). Wiring should be
checked by a qualified electrician prior to use. Your bid indicates acceptance of our
1219 A French biscuit porcelain lamp
Late 19th / early 20th century, inscribed ‘’Canova’’, modeled after ‘’L’etude’’ designed by
Simon Louis Boizot (1743 - 1809 French), depicting a seated female figure reading atop
an oil lamp, mounted with a gilt metal socket surmounted by a gilt flambeau finial on an
oval base, previously electrified, 15’’ H x 12.5’’ W x 5.25’’ D, est: $1500/2500
Provenance: Private Collection, La Jolla, CA. Condition: Overall good condition. With
general marks, scratches and rubbing commensurate with age. Lacking foliate margents
to socket. Socket and finial detached from mount. Fleabite chip to edge of porcelain
base. Floral swags on base have been shortened to accommodate on/off switch.
Base with a gilt rosette covering hole for cord. Your bid indicates acceptance of our
1220 A pair of French gilt bronze four light wall sconces
Late 19th century, unsigned, each with a gilt bronze foliate backplate issuing scrolled
supports surmounted by an ebonized seated putti; one playing the cymbals, the other
with a drum, rising to a bifurcated standard issuing four arms terminating in foliate-cast
lights with faux candles, electrified, 2 pieces, the first: 30’’ H x 18’’ W x 15’’ D; the second:
30 ‘’ H x 16’’ W x 16’’ D, est: $2000/3000
Provenance: Property of a Private Collection, Malibu, CA. Condition: General marks,
scratches, rubbed wear, darkening to bronze and minor cracks commensurate with age.
The first with repairs and new screws to backplate; glue evident. The second with central
and right arm positions reversed. Your bid indicates acceptance of our Conditions of
58
1221 A Regence style gilt bronze-mounted marquetry vitrine cabinet
Mid to late 19th century, faintly stamped ‘’PS’’, possibly for Paul Sormani (1817 - 1887
Paris), to verso of one bronze mount, the beveled-edge serpentine marble top over a
gilt bronze haloed Apollo head surmounting a locking cabinet door with hand-painted
Vernis Martin panel depicting Venus, the Graces and puttis at Vulcan’s forge, enclosing
a rosewood-interior cabinet with two adjustable shelves, flanked by two locking glazed
cabinet doors each enclosing two shelves, the whole decorated throughout with
marquetry, gilt bronze banding and rocaille, raised on short curved legs with paw sabots,
with key, 51.25’’ H x 67.75’’ W x 21’’ D, est: $5000/7000
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition. With
scattered chips and losses to marble top; the largest an approximately 1.25’’ x 1’’ loss at
rear edge. Later replaced back panels to glazed-front cabinets; each panel with a vertical
split to center. Minor cracking to rear lower panel. Scattered minor losses, cracks, and
chips to veneer; some repairs evident. Sun fading throughout. Scratches and gouges to
center cabinet’s interior shelves. Vernis Martin panel with crazing throughout, minor
scratches and losses. Hinges and locks have been replaced; side doors difficult to open.
Key functions in all locks. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1222 An early French brass carriage clock
First half 19th century, the white dial with Roman numeral hours and circular
minute track, with three hands, above a second dial for alarm, center sweep-seconds,
within a brass and beveled glass case stamped to underside ‘’Brevete S.G.D.G. /
H.A.’,’ marked to back plate ‘’L S’’ with a spade, and stamped ‘’118’’, with dual key,
5.625’’ H x 3.125’’ W x 2.75’’ D, est: $400/600
Provenance: Property from the Estate of Dr. Robert Schiffman. Condition: Height
includes handle. Height not including handle: 4.25’’. Overall good condition. General
light marks, scratches and rubbing commensurate with age. Cracks to dial. Winds and
runs. Moran’s does not guarantee working condition of clocks and watches. Your bid
1223 A Meissen coffee pot & sugar bowl
Mid 20th century, each with underglaze blue crossed swords mark, each decorated with
polychrome-painted applied flowers on a white ground with gilt highlights, the sugar
bowl with rosebud finial, 2 pcs, the coffee pot: 5.5’’ H x 5.25’’ W x 4’’D; the sugar bowl:
3.75’’ H x 3.825’’ Dia., est: $400/600
Condition: Each with scattered small chips to edges of applied flowers and leaves. Each
with some larger losses to stems and leaves. Coffee pot lacking lid. Your bid indicates
1224 A group of four Sevres-style porcelain female busts
Early 20th century, each with overglaze blue intertwined ‘’L’’s enclosing ‘’M’’ mark, each
polychrome and gilt painted with applied floral and foliate elements, raised on a blue
circular pedestal base, 4 pieces, the largest: 23.5’’ H x 15’’ W x 9.5’’ D, est: $1500/2500
with general marks, scratches and rubbed wear commensurate with age. Scattered
minor chips, losses and areas of cracking to applied elements, including a 3’’ x 1.5’’ area
to poppy on one figure and a .75’’ x 1.25’’ loss and area of fill to grape leaf on another.
One figure with a 5’’-long hairline crack to chest. Your bid indicates acceptance of our
59
1225 Bennett Bradbury (1914-1991 Carmel, CA)
‘’Gull Rock’’, Marin County, California coastal rock with sea gulls, signed lower left:
Bennett Bradbury, signed again, titled and numbered verso: 1180, oil on canvas,
16’’ H x 20’’ W, est: $700/900
condition. Fine crazing throughout. An area of instability with two minor spots of paint
loss lower right. Stretcher bar crease along the upper edge. Minor surface dirt and grime.
1226 Alexander Dzigurski (1911-1995 Los Angeles, CA)
Coastal seascape, signed lower right: A. Dzigurski, oil on canvas, 24’’ H x 30’’ W,
est: $500/800
Provenance: Estate, San Marino, CA. Condition: Visual: Generally good condition.
Craquelure in the center and upper center. Minor surface grime. Blacklight: No
evidence of restoration under blacklight. Your bid indicates acceptance of our
1227 Harry Mann Waddell (1876-1956 Los Angeles, CA)
‘’The Race For Gold And Glory’’, Ships at sea, signed and dated lower right: Harry Mann
Waddell ‘40, signed again, titled and numbered on the stretcher: #4, oil on canvas,
30’’ H x 36’’ W, est: $600/800
Provenance: Private Collection, Huntington Beach, CA. Condition: Visual: Generally
good condition. Craquelure throughout the blue pigments of the ocean and a small spot
on the bow of the ship in the foreground. Stretcher bar crease along the upper edge.
Blacklight: A 4.5’’ x 2’’ ‘T’-shaped area of touch-up right center with corresponding patch
verso. A 5’’ x 2’’ area of touch-up upper left. A .5’’ line of touch-up upper center. A small
spot of touch-up in the sail upper right. A 2’’ line of touch-up along the upper right edge.
1228 Milford Zornes A.N.A. (1908-2008 Claremont, CA)
Three Irish landscapes, the first: signed and dated lower right: Zornes 1989, inscribed
indistinctly verso; the second: unsigned, inscribed and dated lower right: Listowel, Aug
23 ‘90, titled verso: Castle Walls (sic) In Kerry; the third: signed lower right: Zornes,
inscribed indistinctly lower left, each: watercolor on paper under glass, paper size: each:
11’’ H x 15’’ W, est: $1000/1500
Note: Each sight size: 10.25’’ H x 13.25’’ W. Each painting has unfinished sketches
verso. Provenance: Private Collection, Palm Desert, CA, acquired directly from the
artist. Condition: Visual: Each: Generally good condition. Mounted to the recto mat
with archival tape along the upper center and lower center edge. The second with tape
remnants from a previous mounting. Your bid indicates acceptance of our Conditions
60
1229 Milford Zornes A.N.A. (1908-2008 Claremont, CA)
Two works: ‘’Laguna’’ and ‘’Point Arguello’’, the first: signed, titled and dated lower left:
Milford Zornes Laguna 1970; the second: signed, titled and dated lower right: Zornes
Point Arguello 63, titled again verso, each: watercolor on paper under glass, the first:
11’’ H x 13.75’’ W. The second: 13.75’’ H x 16.75’’ W, est: $600/800
Note: Each sight size: 10.25’’ H x 13.5’’ W. ‘’Point Arguello’’ with sketches of female forms
and male busts verso. Provenance: Private Collection, Palm Desert, CA, acquired
directly from the artist. Condition: Visual: Each: Generally good condition. Minor
toning to the paper. Mounted to the recto mat with archival tape along the upper center
and lower center edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1230 Jack Laycox (1921-1984 San Francisco, CA)
‘’Space Needle’’, signed lower right: Jack Laycox , unframed watercolor on Arches paper,
Provenance: Acquired directly from the artist, Private Collection, Austin, TX.
Condition: Visual: Generally good condition. Scattered foxing. The edges are deckled.
1231 Jack Laycox (1921-1984 San Francisco, CA)
‘’Quiet Afternoon On West Broadway’’, signed lower right: Jack Laycox, signed again
and titled verso, signed again, titled again and inscribed on the backing board verso:
New York, unframed watercolor on Arches paper, paper size: 15’’ H x 22.25’’ W,
est: $700/1000
Provenance: Acquired directly from the artist, Private Collection, Austin, TX.
Condition: Visual: Generally good condition. The edges are deckled. The paper is lined
with a .25’’ strip of linen tape along the edges verso. Mounted to the backing board with
plastic pocket corners and linen tape. Your bid indicates acceptance of our Conditions
1232 A ‘’Boulle’’ marquetry & ebonized wood side table
Late 19th / early 20th century, the hinged rectangular top over a drawer raised on a
tapering pedestal base with three S-scrolled legs, veneered in a pattern of arabesques,
30.75’’ H x 18.25’’ W x 15’’ D, est: $500/800
Provenance: Property of an Estate, Montecito, CA. Condition: General marks, nicks
and wear commensurate with age and use. Several areas of lifting to veneer throughout.
Several large losses to veneer on legs. Rubbed wear and marks to top. With top unfolded:
36.25’’ W. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
61
1233 A pair of Louis XV style gilt bronze four-light candelabra
Late 19th / early 20th century, each surmounted by four faux candles issuing from
urn-form lights held aloft by foliate-sheathed C-scroll arms centered by an acanthus
finial, over a tripartite foliate base, raised on a stepped circular rocaille foot, electrified,
2 pieces, each: 22.5’’ H x 14.75’’ Dia., est: $2000/3000
Provenance: Private Collection, La Jolla, CA. Condition: Drilled for electricity, as
stated. General marks, scratches, rubbed wear, darkening to gilding and minor localized
oxidation commensurate with age. Cracks and scattered losses to wax of faux candles.
Wiring should be checked by a qualified electrician prior to use. Your bid indicates
1234 A Directoire gilt bronze-mounted marquetry commode
Circa 1800, the shaped rectangular top of red and pink variegated marble, over a
long drawer flanked by two short drawers, over two long drawers, each drawer front
inlaid in variously colored woods with banded and strapwork borders, the side panels
conformingly inlaid, raised on tapering circular legs, with key, 34’’ H x 51’’ W x 23’’ D,
est: $800/1200
Provenance: Estate, San Marino, CA. Condition: Overall good condition for age.
General marks, nicks, scratches, wear and shrinkage cracks commensurate with age and
use. Scattered areas of lifting, repairs and losses to veneer. The marble with extensive
well executed repairs and restorations. The case with glued canvas reinforcements
to rear panel, underside, and top beneath marble. The legs repaired and restored
with newer timber. At least one dust panel probably replaced. Later added timber
reinforcements to underside and interior of carcass. Scattered areas of woodworm. The
locks replaced. The pendant on apron a later addition. Pine and oak secondary wood.
1235 A pair of French gilt bronze-mounted bergeres
First quarter 20th century, each with an arched-back gilt bronze-mounted frame,
upholstered with later floral on striped-ground damask fabric, raised on four square
tapered legs with columnar sabots, 39.25’’ H x 29.5’’ W x 29.5’’ D, est: $1000/2000
Provenance: Property of a Private Collection, Malibu, CA. Condition: Overall good
condition. General minor marks, scratches and rubbed wear commensurate with age
and use, with more extensive rubbed wear to mounts on hand rests. Refinished; finish
with minor shrinkage-induced cracks to joints and scattered areas of minor chipping
beneath mounts. Each with a minor break and subsequent repair to right side apron at
leg joint. One with a broken vertical mount to front of left leg. Reupholstered, as stated.
1236 A bronze figural group, after A.-E. Carrier-Belleuse
Late 19th / early 20th century, signed to base ‘’A. Carrier Belleuse’’, cast from the model
by Albert-Ernest Carrier Belleuse (1824 - 1887 French), depicting a classical female
figure dancing with two putti; one holding a tambourine, the other holding a flute, raised
on a naturalistic rectangular base, 26.5’’ H x 16’’ W x 9.5’’ D, est: $3000/5000
Scattered areas of patination throughout. General minor spots of rubbed wear, marks
and scratches commensurate with age. Bronze slightly loose on base; would benefit from
tightening. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
62
1237 An Empire style gilt bronze-mounted vitrine
20th century, French, the beveled green and white-veined shaped rectangular marble
top over a veneered pediment mounted with gilt-bronze lyres and griffins, supported
by dual caryatid-topped tapering brackets terminating in gilt bronze sandal-clad
feet, centering a single glazed door enclosing a three-shelf satin-lined interior over
a satinwood-veneered interior cabinet, raised on paw feet, electrified, with key,
62.25’’ H x 31.5’’ W x 16.25’’ D, est: $4000/6000
condition. General scattered marks, scratches, minor chips and losses to veneer
commensurate with age; the largest loss a 1.25’’ x .5’’ section above rear left foot.
Scattered areas of lifting and rippling to veneer, including a 3.25’’-long crack to veneer
on verso panel. Scattered minor chips and areas of fill to marble top; the largest a 1’’-long
loss to underside edge. Drilled hole to verso for wiring. Your bid indicates acceptance of
1238 A Victorian sterling silver coffee and tea service, Joseph & Albert
Savory
1843 - 1847, London, maker’s marks of Joseph & Albert Savory, the coffee pot,
milk jug, and sugar bowl further marked ‘’2’’, the teapot further marked ‘’1’’, a
five piece set comprising: a coffee pot (10.5’’ H x 9.5’’ W x 6.5’’ D), a tea pot
(5.75’’ H x 11.5’’ W x 6.75’’ D), a sugar bowl with gilt interior (4.5’’ H x 8.25’’ W x 6’’ D),
and a milk jug with gilt interior (5’’ H x 6.5’’ W x 4.75’’ D), the hinged lidded articles with
leaf and pumpkin finials, each of squat gourd-form with scrolling handles, raised on four
scroll feet, each inscribed to one face ‘’Presented To / The Rev.d Edward Forbes, B.A. /
by / the Parishioners of / Ramsey, /13, September, 1847.’,’ together with a three-footed
serving tray (1.5’’ H x 10’’ Dia.) inscribed ‘’Presented / to / The Rev.d Edward Forbes,
B.A. / by the / Parishioners Of Ramsey, / (with a Tea Service) / as a small token of their
esteem & of the high respect they entertain of / His Character / and for the faithful
manner, in which he has discharged his duties, / As / Minister of the Parish / during his
residence among them / 13: September, 1847’’, accompanied by a custom green felt-lined
oak canteen, 5 pieces, gross weight 92.415 oz troy approximately, est: $1500/2000
Provenance: Sold to benefit Campbell Hall Episcopal, North Hollywood, CA.
Condition: Inscribed, as stated. Overall good condition. General marks, scratches
and tarnishing commensurate with age and use. Minor dings and dents to spout of
coffee pot, primarily localized to top of spout near joint with body. Teapot with one
1’’ x .75’’ dent to body. The sugar bowl with scattered minor dents; the largest .5’’ x .25’’.
Scattered minor dents to body of milk jug. Shallow marks and scratches to serving tray; a
concentrated 1.5’’ x 5’’ area of more extensive scratches and marks to underside. Weight
includes items with bone inserts to handles. Your bid indicates acceptance of our
1239 An Empire style gilt and flame mahogany bed
Third quarter 18th century and newer, the headboard in two parts, surmounted
by opposing carved gilt wood female figures supporting a wreath between them
with outstretched arms, the laurel-wrapped posts topped with clusters of arrow
fletches, the footboard adorned with two sets of gilt wood wings, raised on paw feet,
83.5’’ H x 76’’ W x 91.5’’ D, est: $2000/4000
Provenance: Private Collection, La Jolla, CA. Condition: Scattered scratches, gouges,
rubbed wear to gilding, chips, repairs and minor losses commensurate with age and use.
Scattered areas of re-gilding. Headboard panel with shrinkage cracks and splits. Each
arrow fletch-topped bedpost lacking finial. One side of upper portion of headboard
lacking edging. Each figure’s outstretched arm with a break, repair, and later-added
metal reinforcements; one figure lacking four fingers, the other lacking one. Innermost
wings each with 4 drilled holes to verso; one facing wing with a vertical split and
subsequent repair. A horizontal break and repair to foliate pendant on footboard. Your
63
1240 A pair of French gilt bronze three-light wall sconces
Late 19th century, one stamped to verso of mount ‘’v’’, each with three curving foliateclad arms each supporting an urn-form acanthus-clad socket inset with a faux candle,
issuing from a scrolling rocaille support surmounted by a winged putti; one clutching an
arrow in each hand, the other with a bow and a single arrow, electrified, 2 pieces, each
overall: 33.5’’ H x 15’’ W x 8’’ D, est: $2000/3000
condition. General marks, scratches and rubbing to gilding commensurate with age.
Re-gilt. Drilled for electricity. Wiring should be checked by a qualified electrician prior
to use. Puttis’ arrows lacking heads. Your bid indicates acceptance of our Conditions of
1241 A French gilt bronze-mounted marquetry and marble-top server
Late 19th / early 20th century, the demi-lune beveled grey marble top surmounting a
short marquetry-front locking drawer with laurel-wreath pull, over a curved locking
glazed door flanked by conforming glazed panels, enclosing overall a mirror-backed
cabinet with a single glass shelf, raised on tapering squared feet, 52’’ H x 38’’ W x 19.5’’ D,
est: $1500/2000
Lacking backboard. Scattered chips and fleabites to edges of marble top; the largest
approximately .75’’ x .25’’. Scratches to marble top and to wood surrounding keyholes.
Locks likely replaced. Scattered wear to gilding, primarily localized to facing vertical
bands. Scattered scratches and minor gouges to legs. Your bid indicates acceptance of
1242 A Louis XVI style lamp table
Late 19th / early 20th century, the circular galleried top inset with gray marble over a
single drawer with laurel-wreath pull, supported on four fluted tapering legs connected
by a quatrefoil marble-inset under shelf, on bun feet, 29’’ H x 26.25’’ Dia., est: $500/700
General marks and scratches to marble top and under shelf. Your bid indicates
1243 A French gilt bronze-mounted curio cabinet
Late 19th / early 20th century, constructed in two sections, the galleried rectangular
marble top over locking glazed double doors enclosing a mirror-backed interior
fitted with a single adjustable glass shelf and glazed paneled sides, over a long locking
drawer, above locking double-doors inset with later added satin-backed gilt bronze
lattice panels enclosing a single adjustable shelf, raised on foliate scroll-sabot feet,
62.75’’ H x 35.75’’ W x 17.5’’ D, est: $2000/3000
Some oxidation to mirror plate. Scattered evidence of woodworm. Scattered minor
chips and shrinkage cracks to veneer; the longest approximately 3.5’’. Refinished. Lattice
panels a later addition, as stated. Your bid indicates acceptance of our Conditions of
64
1244 A matched pair Meissen porcelain figural groups
Late 19th / early 20th century, each with underglaze blue crossed swords mark and
incised ‘’B60’’, the first impressed ‘’147’’, the second impressed ‘’28’’, each modeled
by Johann Joachim Kandler, the first depicting four children with flowers and
fruit, the second depicting four children playing musical instruments, the first:
10.5’’ H x 6’’ W x 5.75’’ D; the second: 10.25’’ H x 6’’ W x 5.75’’ D, est: $2000/3000
Literature: These models illustrated, L. Mitchell, ‘’Meissen: Collector’s Catalogue’’,
Woodbridge, 2004, p. 71, plate 5. Provenance: Private Collection, West Hills, CA.
Condition: Each with general light marks, scratches, fleabite chips and rubbing
commensurate with age. The first: One female figure with .25’’-long firing crack to back
of neck. Scattered small chips and losses to flower petals and leaves and fleabite chips to
base. A small repaired chip to base with a 2’’ x .5’’ area of surrounding yellowing to glaze.
Horizontal break to upper section of rake. The second: Topmost male figure with breaks
and repairs to right arm and lower section of face; lacking horn. An approximately
.25’’ loss to one end of violin bow on base. Your bid indicates acceptance of our
1245 A Meissen porcelain figural group
Late 19th / early 20th century, underglaze blue crossed swords mark, incised ‘’2897’’
and impressed ‘’23’’, further marked with overglaze painter’s mark ‘’74’’, depicting
three figures gathered around a birdcage on a table; a seated man playing the flute, a
lady holding a small dog and an umbrella, and a gentleman offering the lady a flower,
5.75’’ H x 5.75’’ W x 6.75’’ D, est: $800/1200
Literature: This model illustrated, L. Mitchell ‘’Meissen: Collector’s Catalogue’’,
Woodbridge, 2004, p. 95, plate 17. Provenance: Private Collection, West Hills, CA.
Condition: Overall good condition. Break and subsequent repair to lady’s hand and
umbrella handle; handle currently detached from one of lady’s fingers. Repair and
repainting to knuckle guard of gentleman’s sword hilt; minor scuff to same figure’s jacket
cuff. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1246 A Louis Philippe bureau a cylindre
Second quarter 19th century, of mahogany with gilt brass mounts and line inlay, the
rectangular top of variegated red marble within a pierced three-quarter gallery over
three frieze drawers above a cylinder with a retracting lid enclosing a fitted interior and
a hinged slant front reversing to a gilt-tooled red leather writing surface, over a long
drawer with false drawer fronts, on fluted circular tapering legs with capped toupie feet,
42.5’’ H x 35.5’’ W x 19.5’’ D, est: $1000/2000
Provenance: Estate, San Marino, CA. Condition: Overall good condition. General
marks, scratches, nicks and wear commensurate with age and use. Scattered white
marks. Lifting to a section of metal line inlay on left-hand side panel. A crack across
width of leather writing surface along the fold. No key. Your bid indicates acceptance of
65
1247 A pair of patinated and gilt bronze candelabra
Late 19th / early 20th century, probably French, each surmounted by a single light over
a foliate standard issuing six S-scroll arms each supporting a rocaille urn-form light,
raised overall on a scroll stem held by a seated putti atop a pierced, scrolling foliate base,
2 pieces, 26.5’’ H x 17’’ Dia., est: $3000/5000
Provenance: Private Collection, La Jolla, CA. Condition: Drilled for electricity;
wiring deficient. Each candelabrum lacking one arm. General marks, scattered minor
oxidation, scratches and rubbed wear commensurate with age. One lacking screw to top
of putti’s head. Some elements loose; would benefit from tightening. Your bid indicates
1248 A French brass wall clock, E. Portelance
20th century, the movement stamped to backplate ‘’E.P. / Depose’’ within an oval, ‘’2939’’
and ‘’84’’, further stamped ‘’39’’ and ‘’E. Portelance / Paris’’ within an oval, with original
pendulum stamped ‘’2939’’, the circular hinged glazed door over the circular gilt dial with
inset shaped white ceramic hour marks applied with black Roman numerals, within
a colonnaded pediment-topped shield-shaped case, issuing scrolling foliate elements
backed by reticulated brass-overlaid red enamel, 20’’ H x 9.75’’ W x 4.5’’ D, est: $300/400
General rubbing, wear and oxidation to brass commensurate with age. Surface crack to
base of pediment and right edge of scrolled foliage. Works complete. Runs and stops.
Moran’s does not guarantee working condition of clocks. Your bid indicates acceptance
1249 A pair of Bohemian cut glass lusters
19th century, of gilt and floral polychrome enameled white glass cut back to
cranberry, the flaring scalloped rim suspending ten clear cut crystal prisms, over a
bulbous bowl atop a waisted socle raised on a domed circular foot, 2 pieces, each:
11’’ H x 6.75’’ Dia., est: $500/800
One with minor rubbed wear to gilt highlights at base and rim. Surface abrasion to
lower section of prisms due to rubbing. Scattered chips and nicks to prisms; the largest
.75’’ x .25’’. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1250 A Victorian sterling silver monteith, Daniel & John Wellby
1890, London, with maker’s mark ‘’DWJW’’ within a rectangle, the oval bowl with
a chased and repousse-decorated floral and rocaille rim with female masks and
cherubs at each side and end, over a gadrooned foliate body flanked by lion’s head
ring handles, monogrammed to one reserve ‘’RSB’’, raised on a spreading oval foot,
8’’ H x 15.5’’ W x 11’’ D, 68.980 oz troy approximately, est: $2000/3000
General light marks, scratches, dings and tarnishing commensurate with age and use,
including three minor dings around base of bowl. A 1’’ x 3’’ area of scratching to bottom
of bowl interior. Monogrammed, as stated. Your bid indicates acceptance of our
66
1251 An assembled set Reed & Barton ‘Francis I’ & A. Cesa S.C. ‘Quirinale’
sterling flatware
Second quarter 20th century, the ‘’Francis I’’ pieces with ‘’Reed & Barton’’ or Eagle-’’R’’Lion mark for Reed & Barton (Taunton, MA), the ‘’Quirinale’’ pieces marked ‘’ACC’’ and
with ‘’1 AL’’ within a lozenge for A. Cesa S. C. (Alessandria, Italy), many further marked
for retailer ‘’Fornari-Roma’’, each marked ‘’Sterling’’ or ‘’925’’, an assembled service, the
‘’Francis I’’ comprising: 4 heavy dinner forks (7.75’’) (3 monogrammed ‘’B’’), 16 salad forks
(7.125’’) (4 monogrammed ‘’B’’, 1 monogrammed ‘’EPM’’), 7 luncheon forks (7.125’’),
19 oyster forks (5.625’’) (2 monogrammed ‘’B’’, 1 monogrammed ‘’P’’, 3 monogrammed
‘’EPM’’), 9 round bowl (cream) soup spoons (5.875’’) (1 monogrammed ‘’B’’), 1 oval bowl
soup / dessert spoons (7.25’’), 26 teaspoons (5.875’’) (6 monogrammed ‘’B’’), 12 steelbladed hollow handle dinner knives with curved blades (9.75’’), 3 steel-bladed hollow
handle steak knives (8.875’’), 16 steel-bladed hollow handle luncheon knives (4 measure
9.125’’; 12 with replaced blades measuring 8.875’’) (2 monogrammed ‘’P’’), 13 ‘’New
French’’ steel-bladed hollow handle knives (9.125’’) (3 monogrammed ‘’B’’), 12 steelbladed hollow handle butter spreaders (6.25’’), 15 flat handle butter spreaders (5.875’’) (6
monogrammed ‘’B’’), and 1 small sugar tongs (4.25’’); the ‘’Quirinale’’ comprising: 8 heavy
dinner forks (8.125’’), 7 small forks (6.75’’), 9 fish forks (7’’), 9 oval bowl soup / dessert
spoons (7’’), 12 steel-bladed hollow handle dinner knives with straight blades (10.25’’),
12 fish knives (8.5’’), and 6 steel-bladed hollow handle luncheon knives (8.625’’), some
monogrammed, 217 pieces, together with two associated canteens, weighable sterling
222.11 oz troy approximately, est: $5000/7000
Note: The ‘’Quirinale’’ pattern by Italian maker A. Cesa S. C. is virtually indistinguishable
from the American Reed & Barton ‘’Francis I’’ pattern, aside from differences in
piece size and minor decorative detail. Provenance: Private Collection, La Jolla, CA.
Condition: Weight does not include steel-bladed articles. Some monogrammed,
as stated. Overall good condition, with general marks, scratches, rubbed wear and
tarnishing commensurate with age and use. Many of the ‘’Quirinale’’ dinner knives with
rust to blades. A few of the ‘’Francis I’’ ‘’New French’’ knives with minor rust to blades.
The ‘’Francis I’’ dinner knives and 12 of the luncheon knives with replaced blades. A few
pieces with minor bending to fork tines, knife blades, etc. Your bid indicates acceptance
1252 A group of 5 Georgian sterling silver articles
Comprising: 1 Christening cup, 1776, London, with rubbed maker’s mark,
monogrammed ‘’GARL’’ and inscribed ‘’Agnes’’ (4’’ H x 4’’ W x 2.75’’ D); 2 matching berry
spoons, London, one dated 1787 with maker’s mark for George Smith III & William
Fearn, the other dated 1791 with maker’s mark for Thomas Wallis, each repoussedecorated with birds and flowers and vermeiled to waved bowl rims and stems, each: 9’’;
1 wine funnel with removable sieve, 1807, London, with partially rubbed maker’s mark
for John Emes (5.25’’ H x 3.125’’ Dia.); and 1 chamberstick with snuffer, 1803, London,
with maker’s mark for John Wren (4’’ H x 6’’ W x 5.625’’ D), 5 pieces, 21.325 oz troy
approximately, est: $800/1200
Condition: The Christening cup monogrammed and inscribed, as stated. Each in overall
good condition, with general marks, scratches, tarnishing and wear commensurate with
age. The wine funnel with a minor ding to bowl. The berry spoons with wear to vermeil
commensurate with age and use. Your bid indicates acceptance of our Conditions of
67
1253 A group of 7 assorted sterling silver serving pieces, Georg Jensen
Spanning dates circa 1910 - after 1945, each with maker’s mark and further marked
‘’Sterling / Denmark’’, comprising: 1 serving spoon (7.5’’), 1 serving fork (7.375’’), and 1
tomato server with stainless blade (8’’), each in the ‘’Rose’’ pattern designed by Georg
Jensen circa 1913; 1 sugar spoon (5.5’’) in the ‘’No. 41’’ pattern; 1 pair sugar tongs (4’’) in
the ‘’Blossom’’ pattern designed by Georg Jensen circa 1919; 1 olive fork (6.25’’) in the
‘’Akkeleje’’ pattern designed by Georg Jensen circa 1918; and 1 pie / tart server (9’’) in the
‘’Acanthus’’ pattern designed by Johan Rohde circa 1917, not monogrammed, 7 pieces,
weighable sterling 9.165 oz troy approximately, est: $500/800
Condition: Overall good condition. General rubbing, marks, scratches, and tarnishing
commensurate with age and use. The olive fork with wear and slight bending to tines.
The pie server with a .125’’-long blemish to reverse of terminal and a slightly bent handle.
Weight does not include steel-bladed tomato server. Your bid indicates acceptance of
68
C a l ifor nia & A m er ic a n
F ine A rt A u ct ion
M ar ch 2 4 , 2 0 1 5 - 6 p m
Pasadena Convention Center
300 East Green Street, Pasadena CA 91101
Guy Orlando Rose (1867-1925 Pasadena, CA)
Black Rock, Laguna (Goff Island)
oil on canvas, 21'' x 24''
est: $150,000/200,000
Call today to order your fully illustrated color catalogue.
Bid In Person - Absentee - Telephone - Live Online
www.johnm or an. com · inf o @johnm or a n. com · ( 626) 7 9 3 - 1 8 3 3
Now Acc e p t in g Con sig nme nt s
HQ F ine J e wel ry A u ction
M ay 5, 20 1 5
Sold at the December 9, 2014 HQ Fine Jewelry Auction:
A gemset bird brooch, Van Cleef & Arpels
est: $5000/7000
SOLD: $26,400.00
www.johnm or an. com · inf o @johnm or a n. com · ( 626) 7 9 3 - 1 8 3 3

Pdf Catalogue - John Moran Auctioneers

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