impressions - McNay Art Museum

Transcription

September December 2015
IMPRESSIONS
BOARD OF TRUSTEES
Tom Frost
Chairman
Sarah E. Harte
President
Connie McCombs McNab
Vice President
Lucille Oppenheimer Travis
Secretary
Barbie O’Connor
Treasurer
Toby Calvert
John W. Feik
Don Frost
Walton Vandiver Gregory
Joan Buzzini Hurd
Harmon W. Kelley, MD
John C. Kerr
Shon J. Manasco
Brad Parman
Carolyn Jeffers Paterson
Harriett Romo, PhD
Kirk Saffell
George F. Schroeder
Opposite page:
Joan Miró, Figures, Birds,
Constellations (detail), 1976.
Oil on canvas. Museo Nacional
Centro de Arte Reina Sofía.
© Successió Miró / Artists Rights
Society (ARS), New York / ADAGP,
Paris 2015.
Georges Braque, Fox (detail),
1911. Etching and drypoint. Gift
of the Friends of the McNay.
Oscar Bluemner, Earth Sets on
Moon (detail), 1922. Watercolor
on paper. Collection of Alice C.
Simkins.
Henri Boutet, L'Averse (Deluge)
or L'Ondee (Rainstrom) (detail),
1895. Etching and aquatint. Gift
of Janet and Joe Westheimer in
honor of the 60th anniversary of
the McNay Art Museum.
Director’s Message
This fall the McNay presents a particularly rich array of exhibitions and installations exploring major
developments in modern and contemporary art. Miró: The Experience of Seeing is a rare opportunity
to see a superb collection from Madrid’s Museo Nacional Centro de Arte Reina Sofia. One of the
great innovators of modern art, Joan Miró (1893–1983) created an expressive and joyful pictorial
and sculptural universe throughout his 60-year career. A contemporary of Picasso, he was aligned
with the Surrealists in 1920s Paris, but developed an independent body of work that earned him a
central place in the history of 20th-century art, culminating in an extraordinary burst of creativity in
the two last decades of his long life.
Simultaneously, the museum presents the exhibition Picasso, Braque, and the Cubist Legacy,
featuring prints and drawings from the permanent collection. A special opportunity to see works
of art infrequently exhibited, it explores the work of the two inventors of Cubism and their lasting
influence on the art of the next generation.
From Europe, we turn to the U.S. in American Modern: Works from the Collection of Alice C. Simkins.
Organized by the Museum of Fine Arts, Houston from a choice personal collection, this exhibition
nicely complements the museum’s strength in American modernism. Collecting in Context takes
a related approach by demonstrating the historical and aesthetic connections to our existing
collection that we consider when choosing new acquisitions for the museum.
The history of art is key to two new exhibitions from the Tobin Collection of Theatre Arts. Art History
Goes to the Theatre: Research Secrets of Great Designers explores the sources in past art that scene and
costume designers have tapped to create sympathetic environments for their productions. Studio to
Stage: Degas’s Little Dancer/Seurat’s Sunday Afternoon is a perfect example of such influence, and one
where works of art serve as the very inspiration for the drama itself.
Bringing us up to the present moment are new installations of contemporary art. The Extraordinary
Ordinary: Three Installations presents works by Tom Burckhardt, Ernesto Pujol, and Sandy Skoglund
that create unique environments for the viewer, using a variety of ordinary materials. Martín
Gutierrez’s Transcending Rhythm is the latest in the museum’s series of video installations in the
Frost Octagon, adjoining the AT&T Lobby where Stephen Westfall’s The Holy Forest remains on view
through July 2016. In addition, you can see many of our 60th anniversary acquisitions, dating from
the 19th century to the present day, on view throughout the Main Collection Galleries.
Finally, I am delighted to report that the San Antonio City Council has made the decision to close the
Rittiman Road spur at the southwest corner of the museum’s campus, allowing the McNay to move
forward with our master plan and create a safer, more attractive welcome to the museum’s campus.
Franco Colavecchia, Front cloth
design for Treemonisha (detail),
ca. 1974. Collage and watercolor
on paper sheet. Gift of the artist.
As I begin my final year as director of
the McNay, I want to thank the many
members and colleagues who have
written to wish me well since announcing
my planned retirement in the fall of next
year. Meanwhile, I look forward to an
exciting year of progress on the museum’s
strategic plan and a smooth transition
to new leadership. As we continue to
bring our public the best of modern and
contemporary art from near and far, I hope
to see you here often during this superb
season of exhibitions and public programs.
William Ivey Long. Costume
design for Young Marie during
prologue of Little Dancer (detail),
ca. 2014. Ink on paper. Collection
of the artist.
Sandy Skoglund, The Cocktail
Party, 1992. Installation with
found objects, Cheez Doodles,
and paint. Given anonymously.
McNay Art Museum
6000 North New Braunfels
San Antonio, Texas 78209
210.824.5368 phone
210.805.1760 fax
mcnayart.org
William J. Chiego and Sarah E. Harte, President of the Board of Trustees
William J. Chiego
Director
EMERITUS TRUSTEES
Miró
The Experience of Seeing...................................................... 4
Picasso, Braque, and the Cubist Legacy
Prints and Drawings from the Collection. . ........................ 7
American Modern
Works from the Collection of Alice C. Simkins................ 8
Curt Anastasio
Laura Bertetti Baucum
Steve Blank
J. Bruce Bugg Jr.
Jonathan C. Calvert
Francisco G. Cigarroa, MD
Barbara Seale Condos
E. H. Corrigan
Raye B. Foster
Betty Murray Halff
Marie M. Halff
Jane Stieren Lacy
Peggy Pitman Mays
Bill McCartney
Charlene McCombs
Allan G. Paterson Jr.
Ethel Thomson Runion
Thomas R. Semmes
Alice C. Simkins
Amy Stieren Smiley
Gaines Voigt
Joe Westheimer
HONORARY TRUSTEE
Mrs. Nancy B. Negley
Collecting in Context........................................................ 9
Art History Goes to the Theatre
Research Secrets of Great Designers. . .............................. 10
HOURS
Degas’s Little Dancer/Seurat’s Sunday Afternoon.............10
Su
Noon–5 pm
MClosed
Tu
10 am–4 pm
W
10 am–4 pm
Th
10 am–9 pm
F
10 am–4 pm
Sa
10 am–5 pm
The Extraordinary Ordinary
Closed New Year’s Day, July 4,
Thanksgiving, and Christmas.
During Daylight Saving Time,
grounds are open 7 am–7 pm.
During Standard Time,
grounds are open 7 am–6 pm.
Studio to Stage
Three Installations................................................................. 11
Video Installation: Martín Gutierrez: Transcending Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Museum News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Special Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Meet the Future Celebration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
McNay Scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Gifts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Where Are
They Now?
page 13
Party
Party
PARTY
page 14
Six Artists
MEET THE
FUTURE
page 15
ADMISSION
During Miro: The Experience of Seeing,
September 30, 2015−January 10, 2016:
McNay members
FREE
Children 12 and under FREE
Adults$20
Students with I.D.
$15
Seniors (65+)
$15
Active Military
$15
Admission price includes
entrance to Main Collection
Galleries and to Miró.
On H-E-B Thursday Nights
(4−9 pm) and First Sundays of
the Month, entrance to Main
Collection Galleries is FREE.
FREE FIRST SUNDAYS is made
possible by generous support
from Dickson-Allen Foundation.
3
5
September 30, 2015 | January 10, 2016
Miró: The Experience of Seeing presents a rare opportunity to
introduce American audiences to the astounding and innovative
paintings and sculptures that Joan Miró (1893–1983) created in his
later years. Comprised of 57 paintings, drawings, and sculptures,
this exhibition is the first dedicated to the fruitful period of the
artist’s life in the United States. The exhibition focuses on Miró’s
late period with works beginning in the 1960s, a chapter that
even today remains mostly overshadowed by his contributions
during the interwar and immediate postwar periods. Miró’s works
during those mature years represent a more personal language,
where neither painting nor sculpture takes precedence. Instead,
approaching these disciplines again from his original perspective,
he set out to explore their conceptual limits by questioning their
very nature.
The paintings and sculpture in the exhibition closely examine
aspects of the art-making process, part of the basis of his output
since his earliest works. In his quest to transcend the idea of easel
painting, the pictorial space is enlarged across expanded canvas
fields, on which calligraphic signs reach maximum intensity
through minimum resources, reflecting the artist’s attempt to
reach a square one of painting through simplicity and emptiness.
Assembling found objects, and adding techniques such as
modeling and bronze casting, also meant that he could create a
work that somehow bestrode all of modern sculpture’s possibilities
for expression. Without ever being part of any formal categories,
Miró continually changed his expressive medium, developing
a process of intervention-reaction in the various series that he
worked on for extensive periods. The modifications he introduced
affected the group’s final equilibrium, always reiterating in both
media the same conceptual aspects and technical solutions:
simplicity, flatness, line, gesture, and ideogram.
Miró: The Experience of Seeing was conceived by Chief Curator
of Sculpture Carmen Fernández Aparicio and Chief Curator of
Paintings Belén Galán Martín, under the guidance of Rosario Peiró,
Chief Curator of the permanent collection at the Museo Nacional
Centro de Arte Reina Sofía in Madrid, Spain. The McNay exhibition
is the final presentation before the works are returned to Spain.
A fully illustrated catalogue is available.
Monday, September 28, 6:00–8:30 pm
Members Preview: Lecture & Cocktail Reception
$25 for members
Tuesday, September 29, 1:00–3:00 pm
Members-only First Look
Exhibition organized by the Seattle
Art Museum and the Museo Nacional
Centro de Arte Reina Sofía.
This exhibition is supported by an indemnity from the Federal Council on the Arts
and the Humanities.
Lead funding at the McNay is most generously given by Brown Foundation, Inc.,
the Elizabeth Huth Coates Charitable Foundation of 1992, and Jane and Bill Lacy.
Additional support is provided by the Elizabeth Huth Coates Exhibition Endowment,
the Arthur and Jane Stieren Fund for Exhibitions, the Robert J. Kleberg Jr. and Helen C.
Kleberg Foundation, the Marcia and Otto Koehler Foundation, Terry Touhey, the Nathalie
and Gladys Dalkowitz Charitable Trust, Rackspace, the Director’s Circle,
and the Host Committee.
Joan Miró, Head in the Night, 1986. Lost-wax casting, patinated bronze. Museo Nacional
Centro de Arte Reina Sofía. © Successió Miró / Artists Rights Society (ARS),
New York / ADAGP, Paris 2015.
Joan Miró, Figure and Bird, 1968. Lost-wax casting, patinated bronze. Museo Nacional
Joan Miró, Head, Bird, 1977. Lithographic ink and acrylic on Barker paper. Museo Nacional
5
Clockwise:
Joan Miró, Figures, Birds, Constellations, 1976. Oil on canvas. Museo Nacional Centro de
Arte Reina Sofía. © Successió Miró / Artists Rights Society (ARS), New York /
ADAGP, Paris 2015.
Joan Miró, Young Woman, 1967. Lost-wax casting, patinated bronze. Museo Nacional
Joan Miró, Figure, Birds, 1974. Oil on canvas. Museo Nacional Centro de Arte Reina Sofía.
© Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2015.
Page 4: Joan Miró, Woman and Bird in the Night (detail), 1974. Oil, acrylic, and charcoal
pencil on canvas. Museo Nacional Centro de Arte Reina Sofía. © Successió Miró /
Artists Rights Society (ARS), New York / ADAGP, Paris 2015.
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October 21, 2015 | January 24, 2016
Picasso, Braque, and the Cubist Legacy
Prints and Drawings from the Collection
The McNay has a very fine collection of Cubist prints and
drawings, including an outstanding group of etchings and
drypoints by Georges Braque. The museum has made a concerted
effort in the last few years to add to this strength of the
collection. These new acquisitions not only provide fascinating
context for the work of Pablo Picasso and Georges Braque,
but also show the different ways various artists used the ideas
introduced by those pioneers of Cubism. This exhibition is the
first time the public has a chance to see newly acquired works by
Louis Marcoussis, Jean-Emile Laboureur, and Henri van Straten
alongside the Picasso and Braque works that inspired them.
Comparing the prints and drawings in the show reveals how
each artist used Cubist elements in different ways, contributing
to the evolution of modern art throughout the 20th century.
The exhibition shows how Cubism inspired or influenced other
important art movements of the 20th century, including Futurism
and Expressionism. Both American and European prints and
drawings are included to show the reach of Cubist ideas not only
over time, but across the Atlantic as well.
Some of the other artists included in the exhibition are Fernand
Leger, Albert Gleizes, Burgoyne Diller, Stuart Davis, Werner
Drewes, Sybil Andrews, C.R.W. Nevinson, Mildred Rackley, and
Fannie Hillsmith.
This exhibition is organized by the McNay Art Museum.
The Elizabeth Huth Coates Exhibition Endowment and the Arthur and Jane Stieren Fund
for Exhibitions are generously funding this exhibition.
Clockwise from left: Pablo Picasso, L’homme a la Guitare (Man with a Guitar), 1915. Etching.
Gift of the Friends of the McNay.
Louis Marcoussis, La Table, 1930. Etching and engraving. Museum purchase.
Fannie Hillsmith, The Chair, 1960. Collage and graphite on paper. Museum purchase with
funds from Alice C. Simkins.
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September 30 | December 6, 2015
American Modern
Works from the Collection of Alice C. Simkins
Alice C. Simkins’s aunt, the Houston collector and philanthropist
Alice N. Hanszen, introduced her to the McNay when she was
quite young. However, it was during a museum trip in 1969 to
London, Paris, and Madrid, led by founding McNay director John
Palmer Leeper, that her long history with the museum really
began. Leeper was so impressed with the Newcomb College
graduate that he invited Simkins to join the McNay’s staff. During
her time as a staff member, she completed her Master of Arts
thesis, a beautifully researched and much needed catalogue
of the collection of Mary and Sylvan Lang, and organized an
exhibition of American women artists in celebration of the
American Bicentennial, American Artists ’76: A Celebration.
Having grown up around art collectors and having served as a
curator at the McNay, it is no surprise that Simkins would become
a collector in her own right. Hers is a laser-focused group of
American watercolors and drawings from the early Modernist
period, particularly the 1910s when American artists were
experimenting with new ideas and forms emanating from the
influential Armory Show in 1913. Tellingly, many of the artists she
has collected have parallels in the McNay’s collection, particularly
works collected by the Langs as well as by Margaret Batts Tobin
and Robert L.B. Tobin. Perhaps the most poignant connection
between Simkins’s and the McNay’s collections is her masterful
watercolor by Charles Burchfield, Sunrise and Rain from 1916.
Simkins was intimately involved in the acquisition of the McNay’s
equally masterful Nasturtiums and Barn created just a year later.
The exhibition is organized by the Museum of Fine Arts, Houston
and is accompanied by a fully illustrated catalogue with an essay
co-authored by MFAH curator Alison de Lima Greene and McNay
Curator of Prints and Drawings Lyle W. Williams.
This exhibition is organized by the Museum of Fine Arts, Houston.
Oscar Bluemner, Earth Sets on Moon, 1922. Watercolor on paper. Collection of
Alice C. Simkins.
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December 16, 2015 | April 17, 2016
Collecting in Context
Museum collections like the McNay’s are built very carefully by
their curators to draw connections between objects, to show the
evolution of a particular style or movement, or to give fascinating
historical context to individual objects. These connections are
not always that visible or obvious. This exhibition strives to
change that. Drawing from the strengths of the McNay’s print
collection and including many recent acquisitions, this exhibition
illustrates the connections a curator sees when making an
acquisition, thus providing a fascinating view into how a museum
builds its collection.
One wonderful example of how the collection is growing is
revealed by the juxtaposition in the show of Mary Cassatt’s
masterpiece In the Omnibus with our recently acquired print
by Henri Boutet, called L’Averse (Deluge). Both are technically
accomplished 19th-century color etchings produced in Paris
in the 1890s. Yet that is not the really important connection.
Cassatt’s image shows a young Parisian mother traveling in an
omnibus, an early form of horse-drawn public transportation,
with her child and nanny. Boutet’s etching shows people running
for cover during a sudden downpour outside the gates of the
Louvre. The location he shows is an important transportation hub
where people could board an omnibus. One of these vehicles is
clearly visible in the background of the composition, with the
lights of the omnibus shining from within.
Another great example is the pairing of David Alfaro Siqueiros’s
Portrait of William Spratling, a masterpiece of the McNay’s
outstanding Mexican print collection, with Mabel Dwight’s
beautifully and affectionately drawn portrait of Carl Zigrosser.
The connections between these two objects might not be readily
apparent, but there are many. Zigrosser was the proprietor of
the Weyhe Gallery in New York and an early promotor of Diego
Rivera, José Clemente Orozco, and Siqueiros in the U.S. William
Spratling, the American silversmith who resurrected the silver
industry in Taxco, often acted as an agent for Siqueiros in his
dealings with Zigrosser.
Other artists include Howard Cook, Jan Wiegers, Ernst Ludwig
Kirchner, Henri de Toulouse-Lautrec, Rene Hermann-Paul, Henri
Guérard, and Pierre-Georges Jeanniot.
Mary Cassatt, In the Omnibus (detail), 1891. Drypoint and aquatint. Gift of Margaret Batts
Tobin.
Henri Boutet, L'Averse (Deluge) or L'Ondee (Rainstrom), 1895. Etching and aquatint.
Gift of Janet and Joe Westheimer in honor of the 60th anniversary of the McNay Art
Museum.
9
Studio to Stage
Degas’s Little Dancer/
Seurat’s Sunday Afternoon
Art History Goes
to the Theatre
Research Secrets of Great Designers
Giotto, El Greco, Veronese, Degas, Monet, Seurat, Klimt,
Kirchner, Delaunay, Mondrian, Ernst, O’Keeffe, Nevelson,
Stella. The names of these and other visual artists may
not appear in playbills. As this exhibition demonstrates,
however, their paintings and sculpture have played
leading roles in theatre productions. Whether quoted
directly, or exerting a more subtle influence, works
of art can be essential to how designers and their
collaborators envision the worlds they create on stage.
For scene and costume designers, paintings, sculpture,
and print, are invaluable historical documents, recording
polychrome reliefs in Egyptian temples or elegant
garments of the Italian Renaissance courts. The works of
well-known artists also function as cultural shorthand.
By referencing El Greco, Monet, O’Keeffe, or Bearden,
designers evoke the austerity of Hapsburg Spain, the
excitement of modern Paris, the vastness of the American
West, or the rhythms of African-American jazz.
In the hands of visionary designers, art history can
actually shape the underlying concept of theatre
productions. When the ruthless philanderer Don
Giovanni meets his fiery end, it takes the form of the
Last Judgment from Medieval churches. The enlarged
and fragmented imagery of Pop Art conveys the
dehumanizing effects of war in Die Soldaten (The Soldiers).
These references not only add new layers of meaning to
theatre, but also call attention to how, and why, certain
works of art continue to capture the imagination.
How did such
famous works
as Edgar Degas’s
Little Dancer
Aged Fourteen
(1878–81) and
George Seurat’s
Sunday Afternoon
on the Island of La
Grande Jatte–1884
(1884–86) come
into being? The
subject of art
historical studies,
these questions
also inspired two musicals: Stephen Sondheim and
James Lapine’s Sunday in the Park with George (1884) and
Stephen Flaherty and Lynn Ahrens’s Little Dancer (2014).
Ann Hould-Ward’s costume designs for Sunday in the
Park with George underscore the strength of Sondheim’s
musical, its exploration of Seurat’s color theories. For the
character Dot, Hould-Ward created a bustled dress with
a silhouette recognizable from the painting. Using layers
of different colors and patterns of fabrics, she suggested
the simultaneous contrasts of colors Seurat sought in his
“pointillist” paintings.
William Ivey Long shared Little Dancer director Susan
Stroman’s fascination with the socio-economic realities
of the struggling young performers at the Paris Opera.
Inspired by Degas’s other paintings, Long created a
fictionalized persona for Marie van Goethem. Like her
mother, an alcoholic, and sister, a prostitute, Marie
seemed destined to succumb to the enticements of male
admirers who pursued members of the corps de ballet.
Represented in the exhibition by drawings and
costumes as well as research materials and performance
videos, these musicals raise provocative questions about
art historical fact and fiction.
This exhibition is organized by the McNay Art Museum and is a program of
the Tobin Theatre Arts Fund.
This exhibition is organized by the McNay Art Museum and is a program of
the Tobin Theatre Arts Fund.
Franco Colavecchia, Front cloth design for Treemonisha, ca. 1974. Collage and
watercolor on paper sheet. Gift of the artist.
William Ivey Long, Costume design for Young Marie during prologue of Little
Dancer, ca. 2014. Ink on paper. Collection of the artist.
10
VIDEO INSTALLATION
Martín Gutierrez
Transcending Rhythm
October 21, 2015 | April 10, 2016
The Extraordinary
Ordinary
Three Installations
Artists Tom Burckhardt, Ernesto Pujol, and Sandy
Skoglund use the stuff of ordinary life to create
extraordinary environments. In FULL STOP (2004–05),
Burckhardt fashions a full-scale artist’s studio from
corrugated cardboard, black paint, wood, and hot
glue. The walk-through installation depicts a mythical
artist’s studio, with sly references to luminaries
including Edward Hopper, Jasper Johns, and Jackson
Pollock. Pujol’s Walk#1 (2005–06) premiered at the
McNay in 2006 and was subsequently acquired by
the museum. Through photographs and artifacts,
Pujol takes the viewer on a meditative walk through a
Southern cemetery, observing a solitary robed figure
as he encounters the cemetery’s natural views and
architectural details. Skoglund’s The Cocktail Party (1992)
recreates this domestic ritual using bright orange junk
food snacks covering figures, furniture, walls, and floor.
Acquired by the McNay in 2009, this presentation is the
McNay’s second exhibition of the full three-dimensional
tableaux, and is accompanied by a large color
photograph of the same subject.
Martín Gutierrez’s music videos, four of which are shown
together at the McNay, explore self-transformation
and the intersection of fantasy and reality. His videos
subvert typical gender tropes, thereby forcing viewers
to come to their own conclusions. In Clubbing, a video
from Gutierrez’s undergraduate years, the artist plays
multiple characters, both male and female, in a bid
to supplant ideas of traditional identity. Trio appears
to display Guiterrez’s form inserted in a bleak desert
landscape. The artist manipulates images of his figure—
in triplicate—in order to arouse in the viewer questions
of identity and reality.
Both Blame the Rain and If feature the character Martine,
Gutierrez’s singer persona. These works examine the
status of celebrity, media, and subculture through
videos that are written, sung, and produced by Gutierrez
alone. The artist describes these music videos as
explorations on the theme of pop singer “Lana del Rey
goes to the Caribbean and is still sad.”
Martín Gutierrez was born in 1989 in Berkeley, California,
to an American mother and Guatemalan father, and
as an adolescent moved to rural Vermont. The artist
received his Bachelor of Fine Arts from the Rhode Island
School of Design in 2012. He works in a variety of media
and is currently focusing on music.
The exhibition is organized by the McNay Art Museum.
The Elizabeth Huth Coates Exhibition Endowment and the Arthur and Jane
Stieren Fund for Exhibitions are generously funding this exhibition.
Martín Gutierrez, Blame the Rain (video still), 2014. Single channel video.
Courtesy of the artist and RYAN LEE, New York.
The Elizabeth Huth Coates Exhibition Endowment and the Arthur and Jane
Stieren Fund for Exhibitions are generously funding this exhibition.
Tom Burckhardt, FULL STOP (detail), 2004-05. Corrugated cardboard, black
paint, wood, and hot glue. Courtesy of the artist. Photograph by Jeff Sturges.
11
Museum News
On Loan
Two Pollock paintings featured in Tate Liverpool’s
Jackson Pollock: Blind Spots
The McNay is pleased to lend Jackson Pollock’s No. 2-A and
No. 2-B to Tate Liverpool, which features late paintings of Jackson
Pollock, made between 1951 and 1953, in the exhibition
Jackson Pollock: Blind Spots. The exhibition focuses on a phase
of work referred to as his black pourings, considered a highly
influential part of his career.
Recent Acquisition
Saul Baizerman (1889–1950), Moonlight, November, 1950–57.
The McNay recently acquired a representative group of five
works by American sculptor Saul Baizerman, including MoonlightNovember, as a purchase and partial gift of Mary Jo and
George N. Newton and family. One of 12 sculptures from his
Months of the Year series executed between 1950 and 1957,
Moonlight-November, a lyrical interpretation of the female form,
has been on loan to the museum for many years. It is currently on
view in the Lang Galleries; other works from this acquisition will be
exhibited later.
No. 2-A and No. 2-B were painted using Pollock’s classic
drip-and-pour technique he became famous for in the late 1940s
and 1950s. The two paintings, featuring black, red, and yellow
blobs, drips, spirals, and lines on white unprimed canvas, were
part of an important bequest to the museum by Mary and Sylvan
Lang in 1975.
An accompanying catalogue includes scholarly texts on Pollock’s
practice with new essays by Jo Applin, University of York; Gavin
Delahunty, Dallas Museum of Art; Michael Fried, Johns Hopkins
University, Baltimore; and Stephanie Straine, Tate Liverpool.
The exhibition is on view in Liverpool from June 30 to October
18, 2015. It will then be on view from November 15 to March
20, 2016 at the Dallas Museum of Art, which organized Jackson
Pollock: Blind Spots in partnership with Tate Liverpool.
The Russian-born Baizerman is a unique figure in American
sculpture. His distinctive medium of hammered copper allies him
to the hand work tradition of direct carving in wood and stone
that is a hallmark of avant-garde American sculpture in the early
20th century. His work is an important addition to the museum’s
growing collection of American modernist sculpture that
includes our recently acquired limestone Head of a Woman by
Elie Nadelman, as well as works by Chaim Gross, Seymour Lipton,
Charles Umlauf, and others.
Saul Baizerman, Moonlight-November, 1950–57. Copper. Purchase with funds from the
Victor and Peggy Creighton Charitable Trust.
Jackson Pollock, No. 2-A, 1952. Oil on canvas, mounted on panel. Mary and Sylvan Lang
Collection.
12
Julie Ledet
Coordinator of Communications and Marketing
Julie Ledet joined the McNay staff as
Coordinator of Communications and
Marketing in March 2015. Ledet holds
a Master of Fine Arts degree from the
University of Texas at San Antonio. For
the past three years she has worked
in collaboration with several artists to
form an artist collective, The Lullwood
Group. She is also a board member
for Contemporary Art Month in San
Antonio. Prior to working at the McNay, she was the Digital Media
Coordinator at the Witte Museum, an adjunct instructor in the
art department at UTSA, and the Assistant Gallery Director at
Parchman Stremmel Galleries.
Former Semmes Interns
Where Are They Now?
The McNay has tracked down several of our former interns and
they have all gone on to start successful careers in the arts.
Our most recent Semmes Curatorial Intern, Genevieve Hulley,
has just accepted a position as Curatorial Assistant with the
Sterling and Francine Clark Art Institute in Williamstown, MA.
Timothy Retzloff
Tobin Theatre Arts Fund Curatorial Assistant
Timothy Retzloff, a native of San
Antonio, joined the McNay in 2013 as
the Tobin Fund Intern in Theatre Arts
and continued until the summer of 2015,
when he enthusiastically transitioned
into his new role as the Tobin Theatre
Arts Fund Curatorial Assistant. Timothy
is an alumnus of Texas State University,
where he received both his Bachelor
of Fine Arts degree in directing for
the stage and his Master of Arts degree in dramaturgy. Prior
to joining the McNay, Timothy acted as dramaturg for several
productions at the Classic Theatre of San Antonio.
While at the McNay, Timothy has had the pleasure of curating
several exhibitions, including a three-part salute to the new
Tobin Center as well as his most notable exhibition, Jedermann:
Medieval Morality Onstage at the Salzburg Festival.
Timothy thanks his family for their continuous and generous
support of both him and the McNay.
Althea Ruoppo, 2013–2014 Semmes Curatorial Intern, works as
the Curatorial Assistant of Contemporary Art & Special Projects at
the Museum of Fine Arts, Houston.
Jacqueline Edwards, Semmes Curatorial Intern 2012–2013,
is currently Curatorial Assistant at the McNay. Jaqueline helps
coordinate several yearlong projects such as Art to the Power of
Ten, View and Vote, GET REEL film series, Artists Looking at Art, and
works closely with the McNay Contemporary Collectors Forum.
Kate Kunau, 2011–2012 Semmes Curatorial Intern, is Associate
Curator at the Cedar Rapids Museum of Art in Iowa.
Celeste Wackenhut, 2010–2011 Semmes Curatorial Intern, has
since opened French & Michigan Gallery and currently represents
a dozen artists from the central Texas region.
The 2009–2010 Semmes Curatorial Intern, Lana Meador, is San
Antonio Museum of Art's Curatorial Assistant for Modern and
Contemporary Art.
Rebecca Norris, 2006–2007 Semmes Curatorial Intern, currently
holds the position of Project Assistant to Vicky Avery, Keeper of
Applied Arts at the Fitzwilliam Museum in Cambridge, England.
Rebecca continues to participate in national conferences,
including the Renaissance Society of America.
Bill Chiego, Geri Bannister, and Kate Carey
Geraldine "Geri" Bannister Makes Donation
Special thanks to Geraldine “Geri” Bannister for her recent
donation of two concrete benches for the McNay grounds.
One bench is in honor of Marion Koogler McNay and the
other is in honor of the McNay docent program. As an active
McNay docent and volunteer, Bannister is pleased to offer
more seating for the enjoyment of the grounds and outdoor
sculpture at the museum.
Adam McCoy, 2005–2006 Semmes Curatorial Intern, is now
Vice President and Senior Specialist at Christie’s International.
13
Special Events
Annual Patrons Party
Tuesday, November 10, 7:00–10:00 pm
Stieren Center for Exhibitions
This year’s elegant event includes a cocktail reception, live
music, dancing, and more! Members of the Patrons Program are
also invited to enjoy a private viewing of Miró: The Experience of
Seeing. Invitation to follow.
For more information about joining the Patrons Program,
please call Jessica Anderson at 210.805.1755 or email
[email protected].
Holiday at the McNay and
Shopping Extravaganza
Tuesday, December 8, 5:30-8:00 pm
Stieren Center for Exhibitions
Presale: Member $25 | Nonmember $35
At the door: $40
Our festive and popular holiday shopping event returns
for a second year. You’re invited to join us to kickoff the
Museum Store double discount days, trunk shows including
Susan Butler jewelry, Ayala Bar jewelry, painted silk scarves
by Kavita Singh, and all things wine by Wine-tique. The
Trinity AcaBellas perform merry carols while you sip
sparkling cocktails and indulge in delicious hors d’oeuvres.
Miró: The Experience of Seeing admission is also included.
Presale admission now through midnight, December 7.
Visit mcnayart.org or call 210.805.1772 to purchase tickets.
14
SAVE THE DATE
Meet the Future Celebration
Friday, January 22, 2016
Cocktails & Dinner 6:00–9:30 pm
After Party 9:30 pm–1:00 am
Donors at leadership levels to the Meet the Future Fund for
Exhibitions and Education are cordially invited to a special
celebration on January 22. The evening includes cocktails and
hors d’oeuvres on the Blackburn Patio, an elegant dinner in the
Tobin Exhibition Galleries with each gallery celebrating a regional
artist, and an After-Party in Leeper Auditorium with live music by
Blind Date, drinks, desserts, and dancing.
Established during the museum’s 60th anniversary, the Fund for
Exhibitions and Education was a resounding success this year.
Emma & Toby Calvert and Caroline & William Carrington are
chairing this initiative in 2016. With a $500,000 annual goal, gifts
made to the fund provide lasting support for the presentation
of changing exhibitions and related educational programs. This
special celebration is fully underwritten, allowing all donations to
be directed to the Meet the Future Fund.
To contribute to the Meet the Future Fund, please contact
Colleen Kelly at 210.805.1769 or [email protected].
Six Artists MEET THE FUTURE at the McNay
2016 Pop-up Exhibition
On view January 22–24, 2016
Ricky Armendariz
Waddy Armstrong
Larry Graeber
Mira Hnatyshyn
Victoria Suescum
Sandy Whitby
15
➋
McNay Scene
1
2
4
1 Members enjoy the Brown Sculpture Terrace at
5
7 Ashley and Britt Campbell, Party Chairs, at
the Lesley Dill: Performance as Art preview and
reception on June 9, 2015
the 7th Annual Spring Party My Big Fat Greek
McNay Party on May 15, 2015
2 Artists César Martinez, Kent Rush, and Victoria
8 Guests in greek-chic attire at the 7th Annual
Suescum at the Recycled, Repurposed, Reborn:
Collage and Assemblage preview and reception
on June 9, 2015
3 Lesley Dill at the Lesley Dill: Performance as Art
preview and reception on June 9, 2015
4 Teens having a blast at Free Teen Night: Art
After Dark on April 10, 2015
5 Chief Curator/Curator of Art after 1945, Rene
P. Barilleaux, and artist Lesley Dill at the Lesley
Dill: Performance as Art preview and reception
on June 9, 2015
6 Teens show off a screen-printed t-shirt at
Free Teen Night: Art After Dark on April 10, 2015
Spring Party My Big Fat Greek McNay Party on
May 15, 2015
9 Visitors show off their photo-op pictures at the
Free Spring Break Family Days, March 10–12,
2015
10 OPA! John Gutzler smashing a plate at the 7th
Annual Spring Party My Big Fat Greek McNay
Party on May 15, 2015
11 Art making fun at the Free Spring Break Family
Days, March 10–12, 2015
12 Art making fun at Free Spring Break Family
Days, March 10–12, 2015
13 Visitors show off their photo-op pictures at Free
Spring Break Family Days, March 10–12, 2015
14 A young visitor plays at our newest program
Toddler Art Play on July 10, 2015
16
3
6
8
7
9
10
12
13
11
14
17
Gifts
Director's Circle
as of June 30, 2015
$25,000 & above
Mr. & Mrs. Tobin R. Calvert
Mr. & Mrs. Tom C. Frost Jr.
Betty Murray Halff
Marie Halff
Mr. & Mrs. Houston H. Harte
Sarah E. Harte & John S. Gutzler
Mr. & Mrs. J.R. Hurd
Mr. & Mrs. John C. Kerr
Jane & Bill Lacy
Peggy & Lowry Mays
Mr. & Mrs. B.J. McCombs
Mr. & Mrs. Sandy McNab
Mr. & Mrs. Thomas I. O'Connor III
Mrs. Frederic J. Oppenheimer
Mr. & Mrs. J. David Oppenheimer
Mrs. Jesse Oppenheimer
Carolyn & Allan Paterson
Jane Cheever Powell &
Thomas L. Powell Jr.
Mr. & Mrs. William Scanlan Jr.
Mr. & Mrs. George Schroeder
Mr. & Mrs. Thomas R. Semmes
Alice C. Simkins
The Tobin Endowment
The Tobin Theatre Arts Fund
Mrs. Terence W. Touhey
Leadership Members
as of June 30, 2015
Philanthropist $10,000
Mr. & Mrs. J.R. Hurd
Mr. & Mrs. Thomas I. O'Connor III
Mrs. Jesse Oppenheimer
Charles Butt
Benefactor $5,000
Mr. & Mrs. James R. Adams
Ann Griffith Ash
Mrs. Lawrence Bertetti
Mrs. Walter F. Brown
Mr. & Mrs. Tobin R. Calvert
Mr. & Mrs. James Dicke II
Mr. & Mrs. John Feik
Dr. & Mrs. Harmon Kelley
Noelle & Shon Manasco
Peggy & Lowry Mays
Mr. & Mrs. Sandy McNab
Mr. & Mrs. Alex H. Oliver
Claire O. O'Malley
18
Carolyn & Allan Paterson
Roxana McAllister Richardson
& Bruce Richardson
Laura & Jack Richmond
Mr. & Mrs. George Schroeder
Erika Ivanyi & Matthias Schubnell
Mr. & Mrs. Thomas R. Semmes
Alice C. Simkins
Amy Stieren Smiley & Chase Smiley
Lucille & Jim Travis
Sponsor $2,500
Mr. & Mrs. Rowan Altgelt
Mr. & Mrs. William D. Balthrope
Mr. & Mrs. Charles E. Cheever Jr.
Flora C. Crichton
Donald J. Douglass
Mr. & Mrs. John Paul Gould
Mr. & Mrs. Fred Hamilton
Mr. & Mrs. John L. Hendry III
Karen & Tim Hixon
Mr. & Mrs. Michael Humphreys
Mr. & Mrs. Ralph Leatherman
Donna C. Martel
Mr. & Mrs. David Meriwether
Bradley J. Parman & Tim Seeliger
Mr. & Mrs. Kirk Saffell
Mrs. Marshall T. Steves Sr.
Mrs. Louis Stumberg
Courtney J. Walker
Mr. & Mrs. Joe M. Westheimer Jr.
Associate $1,500
Mr. & Mrs. Richard N. Azar II
Drs. Maryan & Otis Baskin
Mr. & Mrs. Guy Bodine
Alison & Taylor Boone
Mr. & Mrs. Walter F. Brown Jr.
James S. Calvert
Mr. & Mrs. Richard W. Calvert
Edward E. Collins III
Barbara Seale Condos
Dr. & Mrs. Charles Du Val
Thomas H. Edson
Mr. & Mrs. F. A. Ely
Susan Toomey Frost
Mr. & Mrs. Stephen J. Goebel
Mr. & Mrs. Curtis C. Gunn Jr.
Mr. & Mrs. H. Glenn Huddleston
Dianne Kamolsri
Mr. & Mrs. Darrell J. Kirksey
Diane Hill & James A. Lube
Mr. & Mrs. Clark R. Mandigo
Mr. & Mrs. Peter Margolis
Dr. & Mrs. James McMullan
Dr. & Mrs. Alfred A. Miller
Mr. & Mrs. Stuart D. Moiles
Mrs. Philip M. Mueller
Mr. & Mrs. Lawrence B. Nicholas
Mr. & Mrs. Stanley D. Rosenberg
Ethel T. Runion
Mr. & Mrs. William Scanlan Jr.
Mrs. James D. Sweeney
Mr. & Mrs. Curtis T. Vaughan III
Mr. & Mrs. Gaines Voigt
Mr. & Mrs. Mark E. Watson Jr.
Mr. & Mrs. F. Mark Williams
Mr. & Mrs. Phrixos O. Xenakis
Patron $1,000
Mr. & Mrs. Ben Adams
Mr. & Mrs. Stanley Alterman
Russell J. G. Amsberry
Dr. Mary Arno
Mr. & Mrs. Michael Barry
Mr. & Mrs. Michael Baucum
Alan C. Beckstead
Mr. & Mrs. Bill Been
Dr. & Mrs. Michael Berkus
Jeffrey H. Berler
Mr. & Mrs. D. Dean Bibles
Patti T. Black
Mr. & Mrs. Stanley L. Blend
Donna Block
Margaret Corning Boldrick
Mr. & Mrs. Michael J. Bolner
Dr. & Mrs. Charles H. Bonney
Mr. & Mrs. Bradford R. Breuer
Mr. & Mrs. Scott Brittain
Susan W. Brothers
Mr. & Mrs. Thomas O. Brundage Jr.
Mr. & Mrs. Mike Burke
Dr. & Mrs. Ronald K. Calgaard
Kirsten Carabin
Mr. & Mrs. William Claiborne
Carrington
Mr. & Mrs. Paul Castella
Mrs. C. Brandon Chenault
Dr. & Mrs. William J. Chiego
Barbara Christian Chumney
Mr. & Mrs. Craig A. Clayton
Mr. & Mrs. James F. Clingman Jr.
Mr. & Mrs. Robert L. Cook Jr.
Taliaferro Cooper
Mr. & Mrs. James H. Cowden
Mr. & Mrs. Wallace J. Cox
Margaret Anderson & Bill Crow
Mr. & Mrs. James Cummings
Bryan Dome
Mr. & Mrs. Tucker Dorn
Mr. & Mrs. Walter Downing
Mr. & Mrs. William E. Dreyer
Mrs. Albert C. Droste
Donald G. Elliott & J.T. Rabinowitz
Margaret Mitchell & Douglas Endsley
Joel K. Erben
Mrs. Hertzel Finesilver
Mr. & Mrs. Joseph B.C. Fitzsimons
Charles A. Forster
Mr. & Mrs. Ben F. Foster Jr.
Mrs. Charles E. Foster
Mr. & Mrs. Don Frost
Dr. & Mrs. Joseph W. Goldzieher
Dr. & Mrs. Roy R. Gonzalez Sr.
David Greenwood
Mr. & Mrs. Raul J. Guerra
Lisa Halff
Sally Halff
Dr. Glenn Halff & Mrs. Mindy Alterman
Dr. & Mrs. Weldon W. Hammond Jr.
Mr. & Mrs. John Hannah
Mr. & Mrs. Phillip Hardberger
Mr. & Mrs. Houston H. Harte
Dr. & Mrs. P. Allen Hartsell
Mr. & Mrs. James L. Hayne
Dr. & Mrs. Jay H. Heizer
Peter J. Hennessey
Christopher C. Hill &
Rodolfo Choperena
Mr. & Mrs. Ronald Hornberger
Mr. & Mrs. Reagan Houston IV
Mr. & Mrs. Harvey Howell
Allen Jacobson
Mr. & Mrs. James Jennings
John S. Jockusch
Curtis Johnson
Mrs. Murray L. Johnston Jr.
Mary B. Jones
Dr. & Mrs. Robert L. Jones
Mr. & Mrs. William M. Kanyusik
Mr. & Mrs. Gregory C. King
Mr. & Mrs. Graham B. Knight
Mr. & Mrs. John C. Korbell
Michael Kreager
Dr. & Mrs. Kenneth Krueger
Mr. & Mrs. Daniel Kurokawa
Barbara C. Kyse
Mr. & Mrs. Robert Lende
Ms. Kim Lewis
Mr. & Mrs. Robert L. Lundin
Ronald C. Malek
Paul Martin
Mrs. Walter McAllister Jr.
Mr. & Mrs. William H. McCartney
Mr. & Mrs. Robert S. McClane
Mr. & Mrs. B. J. McCombs
Mr. & Mrs. Stan McCormick
Dr. & Mrs. Peter McGanity
Mr. & Mrs. John V. McLaughlin
Mr. & Mrs. Michael L. Molak
Drs. Blanca & Rodolfo Molina
Mr. & Mrs. Edward D. Moore
Mr. & Mrs. Lewis J. Moorman III
Mr. & Mrs. Thomas S. Moorman
Diana Morehouse
Judith N. Morton
Dr. & Mrs. Claude L. Nabers
Linda C. Nairn
Oak Park Cleaners, LP
Mr. & Mrs. J. David Oppenheimer
Dr. & Mrs. Dan C. Peavy
Kimo Jung & Robert Perdziola
Drs. Diane & Robert Persellin
Mr. & Mrs. Dion Perusquia
Dr. Howard M. Radwin
Sandra Fuller Randol
Sister S. Reed
Mr. & Mrs. William C. Reed
Amy Rhodes
Mr. & Mrs. Lance Rhodes
Mr. & Mrs. Clay P. Richmond
Mrs. Jay Lewis Rubin
Mr. & Mrs. Juan Ruiz-Healy
Jean B. Rumsey
Dr. & Mrs. John C. Russell
Mary Barad & John Seidenfeld
Mr. & Mrs. Davin Shaw
Mr. & Mrs. Eric Shaw
Mr. & Mrs. Stanley Spigel
Mr. & Mrs. Andrew W. Spillman
Conrad K. Sterrett
Mr. & Mrs. George Stieren
Mr. & Mrs. A. Randall Townsend
COL Thomas J. Tredici
Mrs. Harold Vexler
Mr. & Mrs. Jack Vexler
Patricia A. Wagner
Mr. & Mrs. Bruce L Weilbacher
Mr. & Mrs. Mel Weingart
Martin Weiss
Mrs. Herman S. Wigodsky
Ida Wiley
Mr. & Mrs. Thomas A. Wirth
Mr. & Mrs. Fred Woodley
Mr. & Mrs. William E. Woods
Mr. & Mrs. Clint Worth
C. Thomas Wright
Dr. Clinton W. Wright
Robert L. Wright
Mr. & Mrs. Carl E. Wulfe
Mrs. Leon Wulfe Jr.
Mrs. Dennis Yeager
Mr. & Mrs. Richard Zanikos
Corporate Partners
as of June 30, 2015
Philanthropist $10,000 & above
Argo Group, Inc.
AT&T Inc.
The Capital Group Companies
Charitable Foundation
Frost Bank
Gunn Automotive LLC
HEB Grocery Company
Jefferson Bank
JP Morgan Chase Securities
Luther King Capital Management
Mejia Engineering Company
Monticello Group at Jefferson Bank
Sendero Wealth Management, LLC
Valero Energy Foundation
Benefactor $5,000 & above
Bank of America
Lucifer Lighting Company
Neiman Marcus
Paratus Group II, Inc.
Prism Technologies Group
Educational $5,000 & above
Alamo Community College District
Trinity University
University of the Incarnate Word
Sponsor $2,500 & above
BDO USA, LLP
Catto & Catto LLP
Ford, Powell & Carson,
Architects & Planners, Inc.
Plains Capital Bank
Schroeder Interests LLC
Associate $1,500 & above
Argent Court Assisted Living
Bolner's Fiesta Products, Inc.
Christie's - New York & Houston
Hanor Law Firm PC
North American Development Bank
Phyllis Browning Company
Salient Partners LP
Soleil Advertising, Inc.
Business Partners $1,000
Crossvault Capital Management, LLC
Mission Pharmacal
Porter Loring Mortuaries
Business Partners $500
Giles-Parscale
Hamlin Capital Management, LLC
Hot Joy
Honoraria
March 1–June 30, 2015
Parman Family
Paul Darr
Rodrigo Portillo-Oliver
Grace Trumble
Peg Ziperman
Lisa Bragg
Memorials
March 1–June 30, 2015
Ingeborg Buech
Geraldine Bannister
Mr. & Mrs. Gerald Beverly
McNay Docent Council
Mr. & Mrs. George C. Muellich
Amelia Ramirez Canales
William Chumney
Mr. & Mrs. Gaines Voigt
Nestor "Nick" Cisneros
Susan Annette McReynolds
Selig Frank
Jane & Bill Lacy
Joanne Herlick
Joan C. Childress
Jane & Bill Lacy
Ernest Kristoff
Hebe R. Milburn
COL & Mrs. William V. Hill
LTC. Charles Lee Miller
Mr. & Mrs. Richard Baker
Joan C. Childress
Mr. & Mrs. Frederick J. Cutler
Dr. & Mrs. Ed A. Liske
Ollie Moye
Geraldine Bannister
Mr. & Mrs. Darren Harding
Theresa M. Nycz & Gary L. Morrison
Carol "C.C." Muir
Joan C. Childress
Alfred "Jud" Schroeder
David Vexler
COL Joe B. Tye Jr.
COL & Mrs. William V. Hill
Library & Archives
as of June 30, 2015
Monica Boulton
Larry Graeber
John Igo
Jane Martin
Peg Ziperman
In honor of Kate Carey
2014 New Docent Class
In memory of Cathy Herpich
Charles B. Thompson
In memory of Betty Liston
Peg Ziperman
In memory of Jennifer A. Lopez
Dr. Rafael & Mrs. Noris Lopez
Special Thanks
Santikos Theatres—Bijou
at Crossroads
Whole Foods Market
19
Nonprofit
Organization
U.S. Postage
PA I D
San Antonio, Texas
Permit No. 2978
6000 North New Braunfels | PO Box 6069
San Antonio, Texas 78209-0069
mcnayart.org
Address service requested
Cover: Joan Miró, Woman, Bird and Star (Homage
to Picasso) (detail), February 15, 1966 / April 3-8,
1973. Oil on canvas. Museo Nacional Centro de
Arte Reina Sofía. © Successió Miró / Artists Rights
Society (ARS), New York / ADAGP, Paris 2015.
IMPRESSIONS
a members magazine
Museum Store
Miró-inspired items, including pillows, baby gear, journals,
books, calendars and more, fill the museum store this fall.
Add a handsome Miró exhibition
catalogue to your fine arts library.
McNay members $27 | nonmembers $30
Twelve sleek color pencils fill a tin
emblazoned with a painting by Miró.
McNay members $13.50 | nonmembers $15
A Miró espresso cup and saucer add a pop
of color to your table.
McNay members $21.60 | nonmembers $24
HOLIDAY
Double
Discounts
December 9–24
Current members receive
20% discount on all
purchases in the
Museum Store

impressions - McNay Art Museum

Transcription

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