Portfolio - Marc Szarkowski
Transcription
Portfolio - Marc Szarkowski
PORTFOLIO OF WORK MARC SZARKOWSKI CONTENTS PAGE NUMBER AND PROJECT TITLE: 3 CONTACT AND DEGREE INFORMATION 4 PROPOSAL: CROSS STREET MARKET ADDRESS Marc Szarkowski 1301 St. Paul Street, Apt. 82 Baltimore, MD 21202 PHONE 410.218.8694 6 PROPOSAL: EAST BALTIMORE INFILL BLOCK 8 EMAIL [email protected] WEBSITE http://marc.szarkowski.us (résumé and additional work samples available online) CONTACT INFORMATION PROPOSAL: JONES FALLS CANAL GRADUATION DATE May 2010 16 SELECTION OF: DETAIL MODELS 18 SELECTION OF: STREETSCAPE RENDERINGS DEGREE Bachelor of Architecture, Magna Cum Laude SCHOOL Rensselaer Polytechnic Institute School of Architecture 110 Eighth Street Troy, NY 12180 DEGREE INFORMATION 3 CROSS STREET MARKET 2011 - 2012 This proposal envisions rebuilding Federal Hill’s Cross Street Market to accommodate additional commerce and space for other social functions. Several commonly-discussed ideas for improving Cross Street Market - dissolving the blank walls facing Cross Street, adding a second floor, adding more entrances, adding stables for arabbers’ horses, and improving natural lighting have been incorporated into the rebuilt market proposal. The proposed market’s architecture was inspired by Baltimore’s rich maritime history. The market’s brick and stone exterior seeks to complement the attractive brick rowhouses of Federal Hill, but its exuberant, oriental, bazaarlike architectural motifs and sea monster ornaments allude to the city’s fascinating history as a beehive of commerce, shipping, trade, and exotic seafaring activity. The market’s buttressed facade intends to recall the impressive architecture of the Fifth Regiment Armory, while the airy, light, glass-and-steel (or cast iron) interior gallery arcade alludes to the Peabody Library’s awe-inspiring atrium. Above: This section was cut through one of the proposed market’s three headhouses to highlight their interior appearance. The market incorporates several headhouse transept windows, arcade windows, transoms, and a vaulted glass roof to allow natural light to flood the interior. Below: The first illustration is an elevation of the proposed market as seen from Cross Street; the second illustration is a longitudinal section through the market’s central gallery. Arched steel or cast iron trusses support the glass roof and distribute its weight to the ground via steel or cast iron columns. Above: This section was cut through one of the proposed market’s three headhouses to highlight their exterior appearance. The market’s oriental cupolas, towers, sea monster sculptures, and covered arcades seek to convey a bazaarlike atmosphere and a romantic aura of nautical adventure. Above: This section was cut through the proposed market’s gallery to highlight its construction and spatial configuration. The sunlit, glass-roofed central gallery contains seating areas and tables to accommodate customers from the adjacent market stalls, restaurants, and bars. The ultimate intention is to make the market’s interior feel light, airy, and cheerful. This market proposal hopes to serve as an attractive focal point for Federal Hill, to boost the neighborhood’s street life, and to improve the exposure of the neighborhood’s retail establishments and other businesses. A full-size pdf of this proposal is available at the author’s website (via a link in the online portfolio). 5 EAST BALTIMORE INFILL BLOCK Right: This elevation sketch illustrates a strategy for unifying the facade of an entire block of medium (middle income) infill rowhouses. 2010 The typical East Baltimore block is already arranged hierarchically: larger rowhouses traditionally face the outer (wider) streets of a block while a narrow brick alley bisects the block to provide access to smaller alley rowhouses. This arrangement can be modified to provide larger corner stores and interior gardens for each block. I decided to reinforce the perimeter block strategy by proposing two different templates for infill blocks: the first block would contain a community garden (A) and a pocket park/playground (B) in the interior (similar to Harlem Park), while the second block would continue to offer small (but affordable) alley rowhouses (C) in the interior. Both templates would contain large corner business blocks (D) which would offer ground-floor retail and offices or apartments above. The corner business blocks would be connected by short lines of rowhouses (E). All the rowhouses would retain small backyards (F) that could be used for additions, gardens, garages, parking pads, or patios. I proposed unifying the facades of the blocks so they would read as impressive, unified ensembles and avoid falling into the trap of repetition that plagues some of Baltimore’s rowhouses. The unity might also help each block develop its own self-contained identity. C E 350’ E B 350’ A ALLEY D D ALLEY These sketches illustrate a vision for infilling the vacant blocks around the Johns Hopkins Hospital with new rowhouses arranged in a “perimeter block” format. ALLEY F F CORNER STORE w/ APTS. SCENARIO 1 ROWHOUSE ROWHOUSE ROWHOUSE ROWHOUSE ROWHOUSE ROWHOUSE CORNER STORE w/ APTS. SCENARIO 2 350’ 350’ Right: This elevation sketch illustrates a strategy for unifying the facade of an entire block of large (high income) infill rowhouses. ALLEY ALLEY CORNER STORE w/ APTS. ROWHOUSES ROWHOUSES CORNER STORE w/ APTS. Top: These plan drawings depict two different strategies for building perimeter blocks (described in the text to the left). CORNER STORE w/ APTS. ROWHOUSE ROWHOUSE STUDIO APT. ROWHOUSE ROWHOUSE CORNER STORE w/ APTS. Middle: This elevation sketch illustrates a strategy for unifying the facade of an entire block of small (affordable) infill rowhouses. Right: This elevation sketch depicts a strategy for infilling a block that already contains several rowhouses (far right) with new rowhouses, shops, and apartments that form an enclosed perimeter block. The architectural motif varies even though all the infill buildings are built out to the existing street wall/ sidewalk. ALLEY 7 JONES FALLS CANAL 2010 - 2011 SITE LOCATION This proposal envisions rebuilding Baltimore’s Jones Falls Expressway into a formal canal lined with a promenade/bikeway, tram network, tree-lined boulevard, and many infill buildings and blocks. The existing desolate corridor serves as a physical and psychological barrier between various neighborhoods: The struggling Johnston Square and undervalued Station North and Remington neighborhoods are cut off from thriving Mt. Vernon by a repellent, barren no-man’s-land of railroad tracks, overgrown ditches, drab bridges, noisy sunken highway lanes or gloomy elevated highway decks, decrepit warehouses, and a motley arrangement of dusty outlands and vacant expanses of weeds and brush. B SIDEWALK BIKE LANE PARKING LANE 2 TRAVEL LANES PLANTING STRIP TRAM TRACKAGE A SIDEWALK w/ TRAM STOP PUBLIC STAIRWAY w/ BIKE RAMPS PROMENADE w/ SHOPS PLANTING STRIP PROMENADE w/ BIKEWAY LAMPPOST STRIP JONES FALLS CANAL Above: The new Jones Falls corridor contains a sunken canal and promenade/bikeway, a tram line, a tree-lined boulevard, and a bike lane and wide sidewalk enclosed with infill buildings. This illustration is a section through half of the canal and boulevard complex; the other half is a mirror of the same layout. The proposed boulevard and canal strive to improve the connections between downtown and uptown Baltimore by uncovering and revitalizing a neglected asset (the Jones Falls) and transforming it into a commercial and recreational byway. This byway intends to serve as a pleasant processional route from the Inner Harbor to Druid Hill Park to improve access to the park and spur further revitalization of that urban gem. The tree-lined boulevard along the canal replaces the JFX and the sunken promenade/bikeway serves as an extension of the Jones Falls Trail. A full-size pdf of this proposal is available at the author’s website (via a link in the online portfolio). INFILL BLDGS 3 to 7 stories A B Left: This close-up rendering shows the canal and sunken promenade/ bikeway pass underneath a bridge. The promenade/bikeway contains alcoves built into the embankment; these can serve as vendors’ kiosks or farmers’ market stalls. Left: This close-up rendering depicts the wide boulevard sidewalks enclosed with infill buildings. Canopies, shop displays, signs, and restaurant tables are encouraged to spill out onto the sidewalk to entice passersby. Opposite page: This site plan shows the route for the entire canal/ boulevard. Existing buildings are in gray while new infill buildings and blocks are in black. The callouts refer to local conditions and details. A full-size pdf of this proposal is available at the author’s website (via a link in the online portfolio). 9 JONES FALLS CANAL, CONTINUED: PROPOSED TRAM LINES Opposite page: This proposal also envisions providing a comprehensive tram network for Baltimore, of which many routes would run along or across the new canal/promenade. Subway and light rail construction has become much more expensive over the decades, so the proposal suggests rebuilding the city’s existing avenues to accommodate tram lines in their medians. Trams would run much like the current QuickBuses - rather than containing a stop on each block, the lines would offer stops spaced further apart, just like light rail or subway stops. The rolling stock would be short - about the length of an articulated bus - so the trams could maintain short headways and clear intersections quickly. A full-size pdf of this plan is available at the author’s website (via a link in the online portfolio). A INFILL BLDGS 3 to 7 stories SIDEWALK BIKE LANE PARKING LANE TRAVEL LANE TRAVEL LANE A PLANTING STRIP TRAM TRACKAGE PLANTING STRIP TRAVEL LANE TRAVEL LANE PARKING LANE Above: This diagram depicts the tram network’s routes/stops as they cross over the site. The new canal/boulevard accommodates a north-south tram line that conveniently connects downtown Baltimore to the many uptown neighborhoods. This double-track line runs along both embankments of the canal/ promenade; the tracks split in the middle to accommodate it. Several east-west crosstown routes also pass over the canal. PLANTING STRIP BIKE LANE SIDEWALK Above left: This rendering shows how the pedestrian-repelling, highwaylike avenues that currently carve up the Jones Falls corridor can be rebuilt to serve a variety of travel modes. The new boulevards would contain six vehicle lanes (four travel lanes, two parking lanes), a central median for trams, and a bike lane and wide sidewalk on each side. The boulevards would also be lined with shade trees. The infill buildings enclosing the sidewalks range from three to seven stories high. PROPOSED ROLLING STOCK 11 JONES FALLS CANAL, CONTINUED: PROPOSED TRAM STOPS Below: This illustration shows how the existing avenues could be rebuilt to accommodate tram stops in their medians. Tram tracks would almost always be placed in their own medians so that automobile traffic wouldn’t interfere with and delay tram traffic (and vice versa). The tram stops would usually be spaced three to ten blocks apart, depending on the size of the blocks. They would also be sited near intersections to allow passengers to access them via crosswalks as well as via underground passageways. The illustration also shows the proposed bike and parking lanes along each boulevard. A varied brick paving pattern and cast iron fences are used to distinguish the bike lane from the sidewalk. The parking lanes are paved with stone blocks and are separated from the bike lanes via a second line of fences and a line of shade trees. INFILL BLDGS 3 to 7 stories SIDEWALK Right: This illustration depicts a typical tram stop built into a boulevard median; the stairs to the underground passageways (which connect the tram stops to the sidewalks) are also shown. The platforms are completely fenced in from the roadway and are furnished with frosted glass canopies. Bottom right: Tram stops are situated near intersections so they can be accessed via crosswalks. To allow for an alternate access route out of the path of cars, each tram stop also contains an underground passageway that connects the median to the sidewalks on either side of the boulevard. The exit/entrance stairs always contain signs indicating the name, route number(s), and route name(s) of the tram stop. A BIKE LANE PARKING LANE B TRAVEL LANE TRAVEL LANE A PLANTING STRIP TRAM STOP PLANTING STRIP TRAVEL LANE TRAVEL LANE Above: This diagram shows how the Jones Falls Expressway would transition into a boulevard at 41st Street in Hampden and terminate at the existing roundabout in Harbor East. The proposed canal/ promenade would be located in the middle of the boulevard for most of its route. The mixed-use buildings along the boulevard would form a rhythmic street wall and range from 3 to 7 stories high; all empty lots and parking lots would be infilled. B PARKING LANE PLANTING STRIP BIKE LANE SIDEWALK 13 JONES FALLS CANAL, CONTINUED: PROPOSED INFILL BUILDINGS Right: These two sketches illustrate a strategy for infilling the empty lots and parking lots along the new canal/boulevard with mixed-use buildings. The infill buildings would form an enclosing street wall and offer retail on the ground floor (parking can be tucked behind buildings). These sketches refer to an example block that lies along Guilford Avenue between Chase and Eager Streets. INFILL BLDGS 2 to 7 stories SIDEWALK PLANTING STRIP PARKING LANE TEMPLE GARDENS APARTMENTS (EXISTING) INFILL APARTMENTS TRAVEL LANE TRAVEL LANE PARKING LANE PLANTING STRIP SIDEWALK Above: The fragmented outer plots of Druid Hill Park near Reservoir Hill are infilled with buildings that evoke a sharp and majestic street wall effect (similar to New York’s Central Park). Top left: A TYPICAL INFILL THROUGH STREET Existing through streets are rebuilt to be more welcoming to pedestrians. Through streets are enclosed with residential/ retail buildings and have brick sidewalks lined with shade trees. Their parking lanes are paved with stone blocks to distinguish them from the travel lanes and to help the through streets feel narrower. No new through streets are one-way, and all existing one-way streets are reverted to two-way traffic. SIDEWALK PLANTING STRIP TRAVEL LANE PARKING LANE ROWHOUSE PARKING LOT WAREHOUSE INFILL APARTMENTS w/ SHOPFRONTS WAREHOUSE RETROFITTED w/ SHOPFRONTS Bottom left: A TYPICAL INFILL ALLEY Most existing alleys are retained and new alleys are added to almost every infill block. The alleys provide access to many interior block activities such as parking pads, backyards, alley rowhouses, and community gardens. COMMERCIAL BLDG CHASE STREET ROWHOUSE CHASE STREET EXISTING ROWHOUSE PROPOSED EXISTING ROWHOUSE Below: The proposal envisions expanding Penn Station and connecting it to the canal/promenade with a plaza. The Jones Falls Boulevard is placed in a short tunnel; the Northeast Corridor’s trackage is also placed inside a deeper tunnel. Middle left: A TYPICAL INFILL SIDE STREET Intimate side streets branch off many of the through streets. They contain a single travel lane and a parking lane and are paved entirely with stone blocks to discourage speeding. Side streets contain sidewalks and lines of shade trees; they are also enclosed with residential/retail buildings. INFILL BLDGS 2 to 5 stories EXISTING APARTMENTS ADDED ATOP EXISTING BLDG; ALSO RETROFITTED w/ SHOPFRONTS EXISTING PARKING LOT REPLACED WITH RETAILLINED PARKING GARAGE ROTUNDA (UPPER CONCOURSE) EXISTING PENN STATION PLANTING STRIP SIDEWALK PENN STATION TRAM STOP PEDESTRIAN BRIDGE CONNECTING TO DOWNTOWN TAXIS JONES FALLS BOULEVARD INFILL BLDGS 2 to 3 stories DROP-OFF JONES FALLS CANAL AND PROMENADE SIDEWALK TRAVEL LANE SIDEWALK FOOD COURT AND SHOPS (LOWER CONCOURSE) TRACKS AND PLATFORMS UNDERGROUND PARKING GARAGE 15 DETAIL MODELS 2008 - 2010 In the scarce free time I had during my school years, I took the opportunity to practice methods for ornamenting buildings via digital modeling and hand sketching. I object strongly to Loos’ “ornament is a crime” mantra and believe that most ornament has deep cultural and orienting functions. Before the era of relatively-cheap 3D modeling software, it also seemed that complex architectural embellishments were the first elements to be “value engineered” out of a proposed design, but now I think the many intuitive parametric and generative design tools in such software as Revit, Rhino, and Generative Components can increasingly be used to sculpt ornament in an economic (and hopefully elegant) manner. Since skilled sculptors and craftsmen are hard to find (and very expensive!), computer-aided fabrication and milling techniques could augment and assist the craftsmen, potentially reviving the Industrial Revolution’s flourishing ornament-manufacturing industry before it was trampled by the postwar “less is more” mindset. These pages contain hand drawings and digital drawings of various buildings I modeled (in full 3D) to study various techniques for ornamenting facades. Some of the buildings were inspired by existing structures while others are fictional creations. Most studies were done independently but a few were done for school projects. Above: A Revit rendering of a strategy for encasing double-hung windows with sandstone surrounds. The window and surround were modeled in Revit and arranged into a family so they could be applied to various wall types. Right: When asked to draw and detail a wall section for a construction systems class at RPI, I chose to draw a wall section of a platformframed dwelling clad in brick veneer. In the section drawing I made sure to surround the window opening with a brick soldier-arrayed lintel and a sloped rowlock-arrayed sill. (I have seen several contemporary buildings that seem to give little thought to how brick veneer should behave when it meets window or door openings.) Below: A detail rendering of some rhythmic swell-front rowhouse cornices. Note also that the three levels of windows use different lintels: The first two floors use a heavily-ornamented cornice while the third floor uses a simpler pediment. Above: 3D models of several apartment buildings and rowhouses inspired by the many similar residential buildings of New York City. Left: A view of a fictional apartment building with a ground-level department store. This building has a corner “wedge” in the facade to allow a store sign to be equally visible from two directions. 17 STREETSCAPE RENDERINGS 2010 - 2011 Drawings and renderings can often convey architectural and urban design ideas better than a plethora of elevations, plans, or sections. A powerful and enticing rendering can help win over a skeptical audience, so I attempt to create renderings that tell dramatic and compelling stories. Each rendering contains a sprinkling of props and people that are chosen to appeal to the target audience. I deliberately keep the number of people in the renderings sparse because I think an oversaturation of people (so common in today’s fashionista renderings depicting vast crowds of ghosted hipsters wandering around with dreamy expressions) is often an attempt to cover up abstract, barren architecture. In reality these abstract proposals often end up being desolate, repellent, and devoid of people! Whenever I show the streetlevel view of a proposal, I try to emphasize details that could allow viewers to project themselves into the illustration (rather than cramming in too many strangers). Variations in building masses, accumulated ornaments, street details (hydrants, fences, lampposts, and even some grit/weathering) intend to catch the viewer’s eye and project believability. I textured, lit, rendered, and postprocessed these scenes myself. I also modeled all the buildings in the scenes, but the props (people, trees, cars, bikes, lampposts, etc.) were obtained from free 3ds mesh websites. Above: There are some streetcar-era rowhouse suburbs in Baltimore that, having fallen on hard times in the last couple of decades, now contain many derelict rowhouses and vacant lots. If revitalization begins to spread outward from stable neighborhoods like Ednor Gardens, Mayfield, and Mt. Washington into troubled neighborhoods like Coldstream-Homestead-Montebello, Belair-Edison, and Pimlico, then the hillside rowhouses pictured above could be used to infill vacant lots. These rowhouse designs were inspired by the elegant rowhouses of Belair-Edison, but they have been modified to offer deeper porches, wider steps and fences built of ashlar, golden Roman brick facades, and heavier cornices. As depicted in the rendering, the infill proposal also suggests narrowing the streets to offer wider sidewalks and planting strips for shade trees (where they don’t already exist). Top right: This rendering depicts a proposal for a block of swell-front infill rowhouses in the North Central neighborhood of Troy, NY. Middle right: There is a very handsome twoblock line of porch-front/bay-front rowhouses in Baltimore’s Charles Village neighborhood. Bottom right: This is the entrance to the Earl Court apartment building in Baltimore’s MidtownBelvedere neighborhood. The scene is part fantasy since the details shown here are romanticized and more ornate than they are in real life. 19 ABOUT THE PORTFOLIO’S BACKGROUND IMAGE: The fictional buildings in this pencil drawing are composed of eclectic motifs inspired by the palatial architecture of Baltimore’s Mt. Vernon neighborhood. A quick walk around this neighborhood exposes the pedestrian to many impressive and romantic architectural motifs; the details that left the strongest impression on my mind were used to sketch an imaginary streetscape. All portfolio content © Marc Szarkowski