catalog

Transcription

catalog

MODERN CERAMICS AND GLASS
Sunday, October 18, 2015
2pm
2 0 0 0 : W A Y L A N D E G R E G O R Y (1905 - 1971)
Female Electron with Lightning Bolt from the Fountain of the Atom, ca. 1938
Glazed earthenware
Unmarked
46 1/2” x 30” x 20”
Provenance: Private Collection, New York.
Estate of the artist.
Exhibited: New York World’s Fair 1939-40
Anderson and Perry,” The Diversions of Keramos, American Clay Sculpture 1925-1950,”
Everson Museum of Art, Syracuse, NY, September 9- November 27, 1983, and traveling to the
New Jersey State Museum, Trenton, February 18- April 15, 1984
Illustrated: World’s Fair, Surprise! Surprise! Surprise! They Will Lurk at Every Turn. These Little
Savages are Electrons. Life Magazine, no. 11 (March 13, 1939), p. 37
The Octet Theory of the Atom in Terra Cotta: The Fountain of the Atom at the New York World’s
Fair, Illustrated London News, April 29, 1939, p. 719
$6,000–9,000
RAGO ARTS AND AUCTION CENTER >
245
Glazed terra cotta study for the sculpture, “Grains,”
ca. 1938
Signed WAYLANDE GREGORY
20” x 15”
Provenance: Collection of Standish Forde Hansell.
Note: Study for the large, multi-part sculpture
“Exports Benefit the American Worker and the
American Farmer” that Gregory designed for the
1939 World’s Fair and was displayed in the General
Motors Building.
Literature: Folk, Waylande Gregory: Art Deco
Ceramics and the Atomic Impulse, University of
Richmond Museums, 2013, pp. 94-97, illus. p. 94
Massive glazed ceramic charger of Adam and Eve
Signed
23” dia.
$4,000–6,000
$8,000–12,000
Unique sculpture, “Bacchante and Satyr,” late 1960s
Hammered metal, wood
Signed and titled
32” x 20” x 8”
Rare stained glass window, ca. 1965
Framed
Unmarked
30 1/2” x 31 1/2”
Provenance: Estate of the artist
Provenance: Estate of the artist
Literature: Folk, Waylande Gregory - Fusing Earth and Sand,
American Craft council e-article, February 11, 2013
Folk, Waylande Gregory: Art Deco Ceramics and the Atomic
Impulse, University of Richmond Museums, 2013, p. 161
$1,500–2,000
$2,000–3,000
246
updated catalogue and condition information on ragoarts.com
247
2005: GLEN LUKENS
Handbuilt earthenware bowl, turquoise with pooled clear
glaze, Los Angeles, CA, mid-20th C.
Signed GLEN LUKENS
2” x 10” sq.
2 0 0 5 A : M A R G U E R I T E W I L D E N H A I N (1896 - 1985)
POND FARM
$1,500–2,000
Glazed earthenware tile incised with fruiting branch,
California, ca. 1950
Incised POND FARM
6 3/4” x 9”
$1,000–1,500
2 0 0 8 : G E R T R U D N A T Z L E R (1908 - 1971)
O T T O N A T Z L E R (1908 - 2007)
Conical bowl, Verdigris Crater glaze, Los Angeles, CA, 1974
Signed NATZLER, original paper label 0237
3 1/2” x 8 1/2”
$2,500–3,500
2 0 0 6 : M A R G U E R I T E W I L D E N H A I N (1896 - 1985)
POND FARM
Glazed and incised earthenware flaring vase, California,
ca. 1950
Incised POND FARM
8” x 6”
2007: ANTONIO PRIETO
2 0 0 9 : G E R T R U D N A T Z L E R (1908 - 1971)
O T T O N A T Z L E R (1908 - 2007)
Glazed stoneware vase, California, 1950s
Signed PRIETO
11 3/4” x 7”
$800–1,200
Folded bowl, chartreuse glaze, Los Angeles, CA
Signed NATZLER
3 3/4” x 7” x 4 1/2”
$2,000–3,000
$1,000–1,500
248
249
2 0 1 0 : H A R R I S O N M c I N T O S H (b. 1914)
2011:
H A R R I S O N M c I N T O S H (b. 1914)
Fine large glazed and incised stoneware lidded jar,
Claremont, CA
Script signature and original paper label
13 1/4” x 7 1/2”
Fine large glazed stoneware lidded jar, Claremont, CA
Stamped HM with original paper label
11 1/2” x 6 1/2”
$1,500–2,000
$1,500–2,000
2 0 1 2 : H A R R I S O N M c I N T O S H (b. 1914)
2 0 1 3 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed stoneware footed bowl, Claremont, CA
Stamped HM with original paper label
5” x 15”
$800–1,200
Large glazed earthenware coupe with figures, New Hampshire,
1967
Signed and dated
12 3/4” x 9 1/2”
$3,000–4,000
250
251
2 0 1 4 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large early charger with figures,
New Hampshire, ca. 1950
Signed Scheier
1 1/2” x 15 1/4”
$2,000–3,000
2 0 1 5 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 1 6 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large early charger with figures,
Signed Scheier
1 1/2” x 15 1/2”
$2,000–3,000
252
Large early glazed earthenware bowl with figures, New Hampshire,
1960s
Signed
7” x 13”
$3,000–4,000
253
2 0 1 7 : E D W I N S C H E I E R (1910 - 2008)
Watercolor, New Hampshire, 1960s
Matted and framed
Unmarked
Sight: 20 1/2” x 16”
$1,000–1,500
2 0 2 0 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 2 1 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed earthenware charger with Adam and Eve,
purple and blue glaze, Green Valley, AZ, 1991
Signed and dated
1 1/2” x 16 1/2”
$1,250–1,750
Glazed earthenware wall-hanging charger with hunting
scene, gunmetal and blue glaze, Green Valley, AZ, 1990
Signed and dated
1 1/2” x 14 1/2”
$1,000–1,500
Lots 2020–2023 are from The Estate of Edwin and Mary Scheier and are
being sold by the the Currier Museum of Art to benefit future acquisitions.
2 0 1 8 : E D W I N S C H E I E R (1910 - 2008)
2 0 1 9 : E D W I N S C H E I E R (1910 - 2008)
Encaustic and sand painting, framed by the artist,
Mexico, 1975
Signed ES 75
Sight: 22 3/4” x 17”
$1,000–1,500
Encaustic and sand painting, framed by the artist,
Mexico, 1975
Signed ES 75
Sight: 22 1/2” x 17”
2 0 2 2 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 2 3 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
$1,000–1,500
Large glazed earthenware footed bowl with female figures,
gunmetal and verdigris glaze, Green Valley, AZ, 1997
Signed and dated
7” x 14 1/4”
$1,500–2,000
254
Large glazed earthenware footed bowl with stylized figures,
variegated purple glaze, Green Valley, AZ, 1997
Signed and dated
8 3/4” x 14 1/4”
$2,000–3,000
255
2 0 2 4 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 2 6 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed earthenware vase with
stylized figures, variegated blue glaze,
Green Valley, AZ, 1993
Signed and dated
13” x 14”
Provenance: The Estate of Edwin
and Mary Scheier, sold by the Currier
Museum of Art to benefit future
acquisitions.
Large early glazed earthenware
lamp with figures, New Hampshire,
1940s/50s
No visible markings
Ceramic only: 23 3/4” x 7”,
total: 38” x 20”
$1,000–1,500
2 0 2 5 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
$3,000–4,000
Early vase with incised decoration,
Signed Scheier
8” x 3 1/4”
$1,500–2,000
2 0 2 7 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed earthenware coupe with
stylized figures, variegated purple
glaze, Green Valley, AZ, 1993
Signed and dated
14 1/2” x 10 1/2”
Provenance: The Estate of Edwin
and Mary Scheier, sold by the Currier
Museum of Art to benefit future
acquisitions.
$3,000–4,000
256
257
2 0 2 8 : W A Y N E H I G B Y (b. 1943)
2 0 2 9 : E R I K G R O N B O R G (b. 1931)
2 0 3 2 : D A V I D G I L H O O L Y (1943 - 2013)
2 0 3 3 : D A V I D G I L H O O L Y (1943 - 2013)
Raku-fired wall-hanging charger from the Landscape series,
Alfred, NY, 1980s
Chop mark
2 1/4” x 17”
$1,000–1,500
Small hand-built glazed, raku-fired charger with female
nude figure, California
Artist stamp
2” x 12”
$800–1,200
Glazed earthenware lidded frog vessel from the Frog World
series, California
Unmarked
10” x 6 1/2”
$2,500–3,500
Small glazed ceramic sculpture from the Frog Food series,
California, 1970s
Unmarked
1 1/4” x 2 1/2” x 1 3/4”
$400–600
2 0 3 0 : E R I K G R O N B O R G (b. 1931)
2 0 3 1 : R O B E R T A R N E S O N (1930 - 1992)
2 0 3 4 : D A V I D G I L H O O L Y (1943 - 2013)
Large hand-built glazed, raku-fired charger with mask and
license plates, California
Artist stamp
4” x 16”
Watercolor, “The Palace at 9AM,” California, 1960s
Framed; Signed
Sight: 17” x 24 1/2”
$800–1,200
$800–1,200
258
Two glazed earthenware sculptures, one from the Frog Food
series, California, 1975
Both signed and dated
Larger: 5” x 14” x 4 1/2”
$3,000–4,000
259
2 0 3 5 : C L A U D E C O N O V E R (1907 - 1994)
2 0 3 6 : R I C H A R D D e V O R E (1933 - 2006)
Glazed stoneware vessel with engobe
decoration, “Pepetec,” Ohio, 1970s
Signed and titled
10 1/2” x 15 1/2”
$2,500–3,500
Fine and large glazed earthenware bowl with
hollow base, Colorado
Unmarked
8” x 15”
$4,000–6,000
2 0 3 7 : P E T E R V O U L K O S (1924 - 2002)
Early abstract bronze sculpture, California, 1960
Signed and dated
7” x 11” x 4”
$5,000–7,500
260
261
2 0 3 8 : T O S H I K O T A K A E Z U (1922 - 2011)
2 0 3 9 : T O S H I K O T A K A E Z U (1922 - 2011)
Three glazed stoneware and porcelain vessels, Clinton, NJ
All signed TT
Largest: 2 3/4” x 15 1/2”
$1,000–1,500
Glazed porcelain Moonpot with rattle, Clinton, NJ
Signed TT
5 1/2” x 6 1/2”
$1,250–1,750
2 0 4 2 : J A C K E A R L (b. 1934)
Painted ceramic sculpture, “Ohio,” Lakeview, OH, 1981
Signed, dated, and titled
26 1/2” x 9”
Provenance: Rago Auctions, Modern Design, April
2009, lot 86
Theo Portnoy Gallery
$4,000–6,000
2 0 4 0 : R O B E R T T U R N E R (1913 - 2005)
2 0 4 1 : K A R E N K A R N E S (b. 1925)
Winged vessel, sprayed copper matte glaze, Morgan, VT,
1980s/90s
Chop mark
8” x 22”
Provenance: Rago Auctions, Modern Design, October 2007,
lot 208
Reduction-fired lidded stoneware vessel, Alfred, NY
Signed Turner
12 1/2” x 12”
$1,000–1,500
$1,250–1,750
262
263
2 0 4 3 : R U T H D U C K W O R T H (1919 - 2009)
2043A: R O N A R T M A N
Glazed porcelain sculpture, Chicago
Base signed R71
8 1/2” x 10” x 4”
$1,000–1,500
Massive glazed ceramic vessel, “Selatan,” Hebron, MD,
ca. 2005
Signed 611
24” x 24” x 6”
$800–1,200
2 0 4 4 : P A U L S O L D N E R (1921 - 2011)
2 0 4 5 : A V I T A L S H E F F E R (b. 1954)
2046: ANNE GOLDMAN
2 0 4 7 : C L I F F L E E (b. 1951)
2 0 4 8 : C L I F F L E E (b. 1951)
Large raku-fired vessel, USA
Stamped chop mark
18” x 11” x 7”
$1,500–2,000
Tall glazed ceramic vessel, “Seter I,”
Australia, 2006
Unmarked
29” x 8” x 5”
$1,500–2,000
“Coastal Rock” floor vase, California,
1990s
Carved and sculpted stoneware with
porcelain slip and iron oxide
No visible signature
33” x 14”
Porcelain Prickly Melon vase, Imperial Yellow glaze,
Stevens, PA, 2007
Signed and dated
14” x 6”
$3,000–5,000
Porcelain Prickly Melon vase, Imperial Yellow glaze,
Stevens, PA, 2011
Signed and dated
10 3/4” x 6 1/2”
$3,000–5,000
$2,000–3,000
264
265
2 0 4 9 : B E N N E T T B E A N (b. 1941)
2 0 5 0 : B R O T H E R T H O M A S B E Z A N S O N (1929 - 2007)
Two-part sculptural vessel on base, Blairstown, NJ, 1997
Pit-fired, painted, and gilded earthenware
Impressed bean cypher/base marked 125
9” x 10” x 7 1/2”
Provenance: Duane Reed Gallery
Early hand-built vase, Copper Red glaze, Weston, VT, 1950s
Signed Benedictine Monks Weston Vermont BT
12 1/4” x 7” x 4”
$3,000–5,000
$1,000–1,500
2 0 5 1 : M I C H A E L C A R D E W (1901 - 1983)
2 0 5 2 : N A N C Y J U R S C A S T L E (b. 1941)
2 0 5 3 : K U R T W E I S E R (b. 1950)
Glazed ceramic sculpture, “Valentina,” Scottsville, NY, 1983
Signed and dated
16 3/4” x 18” x 8 1/4”
Provenance: The Sara Roby Collection
Two fine and large jars, “Covered Jar with Boy and Ferret”
and “Covered Jar with Woman and Snake,” Tempe, AZ, 1996
China painted porcelain
Both signed
Larger: 19 1/2” x 11 1/2” x 6”
Provenance: Garth Clark Gallery, Santa Fe, NM
Fine stoneware teapot with sgraffito decoration, tenmoku
glaze
Artist chop mark
8” x 9”
$1,000–1,500
$800–1,200
$9,000–12,000
266
267
2 0 5 4 : M I C H A E L L U C E R O (b. 1953)
2 0 5 5 : M I C H A E L L U C E R O (b. 1953)
Massive sculpture from The Cast series, “Kangaroo,”
New York, 2003
Hand-built earthenware, applied wool, acrylic yarn
Signed Lucero
38” x 24 1/2” x 18”
Unique bronze sculpture, “Atlantis Dreamer,” New York,
1984
Unmarked
22 1/2” x 38” x 23”
$14,000–19,000
$9,000–12,000
268
269
2 0 5 7 : J A S O N W A L K E R (b. 1973)
2 0 5 8 : J A S O N W A L K E R (b. 1973)
Porcelain sculpture decorated in sgraffito, “Fish Plug,”
Bellingham, WA, 2003
Incised “WARNING: Seductive area - to avoid ill affects (sic)
eat nothing in or from the river”
17” x 7”
$2,000–3,000
Porcelain vessel decorated in sgraffito, “Water Mark,”
Bellingham, WA, 2003
Lid incised “Caution: Please spin lid until cosmic forces are
in harmony - like ebony & ivory,” vase incised “WARNING:
Natural sticky area. Vision may be obstructed. To avoid
capture roll into a ball and play dead,” vase incised
“ATTENTION: Please have jar placed on point in the center
of web. Failure to do so may allow for the capture of some
poor helpless innocent passer by who wants nothing to
do with it - this includes you or the ones you hold dear.
However, capture by the web seems to be inevitable due to
blindness”
18” x 6”
$2,000–3,000
2 0 5 6 : M I C H A E L L U C E R O (b. 1953)
2 0 5 9 : S T E V E T O B I N (b. 1957)
2 0 6 0 : W I L L I A M W Y M A N (1922 - 1980
Sculpture from the Pre-Colombus series, “Lady with Ohr
Hairdo,” New York, 1991
Glazed and painted earthenware
Signed
18” x 11”
$7,000–10,000
270
Bronze sculpture from the Toy Bronze series,
Quakertown, PA, 1994
On painted wood base
Signed
Bronze only: 7 1/2” x 5 1/4” x 4 1/2”
Early glazed stoneware vase, Massachusetts, 1956
Signed and dated
10 1/4” x 9 1/2” x 4 1/2”
$1,000–2,000
$2,000–3,000
271
2 1 0 0 : D A L E C H I H U L Y (b. 1941)
Massive Jerusalem 2000 Cylinder #125, Seattle, WA, 1999
Blown glass, applied glass crystals
Unmarked
35” x 16”
$15,000–20,000
272
273
2101:
D A L E C H I H U L Y (b. 1941)
2 1 0 2 : D A L E C H I H U L Y (b. 1941)
Seven-piece Sky Blue Basket Set with Black Lip Wrap, Seattle, WA, 2001
One piece signed and dated
Largest: 5” x 18”
$6,000–9,000
274
Large blown glass Blanket Cylinder, Seattle, WA, 1984
Signed and dated
12 3/4” x 10”
$7,500–9,500
275
2 1 0 3 : D A L E C H I H U L Y (b. 1941)
2 1 0 4 : D A L E C H I H U L Y (b. 1941)
Eight-piece Crushed Grape Persian Set with Yellow Lip Wrap,
Seattle, WA, 2000
Largest: 11” x 21” x 16”
$8,000–12,000
276
Massive eight-piece Terra Rosa Persian Set with Carbon Lip Wrap,
Seattle, WA, 2002
Smallest piece signed and dated
Largest: 14” x 29” x 31”
$10,000–15,000
277
2 1 0 5 : D A L E C H I H U L Y (b. 1941)
2 1 0 6 : D A L E C H I H U L Y (b. 1941)
Three-piece Manganese Blue Seaform set with Yellow Lip Wrap,
Seattle, WA, 1993
Smallest piece signed and dated
Largest piece: 6” x 13” x 12”
$7,000–9,000
Eight-piece Dark Ocean Persian Set with Teal Lip Wrap,
Seattle, WA, 2000
Largest: 9” x 25” x 25”
$4,000–6,000
278
279
2 1 0 7 : D A L E C H I H U L Y (b. 1941)
2 1 0 8 : D A L E C H I H U L Y (b. 1941)
Large Macchia with Black Lip Wrap, Seattle, WA, 1984
Signed and dated
7 1/2” x 14”
$4,000–6,000
280
Massive Blue Macchia with Yellow Lip Wrap, Seattle, WA, 1996
Signed and dated
18 1/2” x 38” x 35”
$10,000–15,000
281
2 1 0 9 : D A L E C H I H U L Y (b. 1941)
2110:
D A L E C H I H U L Y (b. 1941)
Untitled three-panel painting, Seattle, WA
Acrylic with metallic paint on paper
Signed
Frame: 49” x 98 3/4”, each panel: 41” x 29 1/4”
Untitled three-panel painting, Seattle, WA
Acrylic with metallic paint on paper
Signed
Frame: 51” x 100 1/2”, each panel: 41” x 29 1/4”
$6,000–9,000
282
$6,000–9,000
283
2111:
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2112:
Coral Basket with Black Lip Wrap, Seattle, WA, 1998
Signed and numbered PP98
9” x 8”
$2,000–3,000
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2115:
D A L E C H I H U L Y (b. 1941)
Bright Red Seaform with Blue Lip Wrap,
Seattle, WA, 1995
Signed and dated
7” x 16” x 9”
Cinnamon Macchia with Ruby Lip Wrap, Seattle, WA, 2001
7” x 8”
$2,000–3,000
$2,500–3,500
2113:
D A L E C H I H U L Y (b. 1941)
2114:
D A L E C H I H U L Y (b. 1941)
Small Basket, Seattle, WA, 1992
Signed and dated
5 1/2” x 6”
Small blown glass sculpture, Pilchuck 25th Anniversary
Aerial Edition, Seattle, WA
Signed Chihuly Pilchuck XXV 87/400
5 1/2” x 7”
$2,000–3,000
2116:
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
Ruby Macchia with Green Lip Wrap,
Seattle, WA, 2001
10” x 12”
$1,000–1,500
$3,500–5,000
284
285
2117:
D A L E C H I H U L Y (b. 1941)
Painting, “Venice,” Seattle, WA
Acrylic and gouache on paper
Signed
Frame: 46 ¾” x 34 ¾”, sheet: 41” x 29 ¼”
$2,000–3,000
2118:
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2119:
Two-piece Imperial Iris Persian Set with Chartreuse
Lip Wrap,
Seattle, WA, 1999
Smaller piece signed Chihuly PP99
Larger: 8 1/2” x 15” x 10 1/2”
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2 1 2 0 : Y O I C H I O H I R A (b. 1946)
Exceptional and large Casta Diva vase, Murano, Italy, 2006
Blown glass with murrine and powder inserts, faceted, ground, and polished surface
Executed by Maestro Andrea Zilio and Maestro Giacomo Barbini
Etched Mo. A. Zilio and Mo. G. Barbini 1/1 unico Friday 27-10-2006 murano with artist cipher
8 3/4” x 8 1/2” x 7 1/2”
Published: Rosa Barovier Mentasti, Yoichi Ohira, Neues Glass/New Glass, Spring 2010, p. 29
Two-piece Tiger Lily Seaform Pair with Blue Lip Wrap,
Seattle, WA, 2002
Smaller piece signed and numbered PP02
Larger piece: 5” x 9” x 8”
$3,000–5,000
$2,500–3,500
286
$15,000–20,000
287
288
2121:
Y O I C H I O H I R A (b. 1946)
2 1 2 2 : Y O I C H I O H I R A (b. 1946)
Pozzo d’Africa vase, Murano, Italy, 2000
Blown glass, powder inserts, partial battuto surface
Executed by Maestro Livio Serena and Maestro Giacomo Barbini
Etched Yoichi Ohira Mo. L. Serena Mo. G. Barbini 1/1 unico Thursday 9
Nov. 2000 Murano with artist cipher
6 1/2” x 6”
Polvere con Murrine vase, Murano, Italy, 1998
Blown glass with murrine and powder inserts
Executed by Maestro Livio Serena
Etched Yoichi Ohira - Mo. L. Serena 1/1 unico 07.04.1998 Murano with
artist cipher
7” x 6 1/4”
Exhibited: Barry Friedman Ltd., New York, 2001
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman Ltd.,
New York, 2002, p. 218
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman Ltd.,
New York, 2002, p. 96
$7,000–9,000
$7,000–9,000
289
2 1 2 3 : Y O I C H I O H I R A (b. 1946)
2 1 2 4 : Y O I C H I O H I R A (b. 1946)
Gioco Cromatico vase, Murano, Italy, 2000
Blown glass canes, battuto surface, polished
Executed by Maestro Livio Serena and Maestro Giacomo Barbini
Etched Yoichi Ohira Mo. L. Serena Mo. G. Barbini 1/1 unico
Friday 09-06-2000 murano with artist cipher
6 3/4” x 5 1/2”
Mosaico con Incalmo vase, Murano, Italy, 1997
Blown glass with murrine and powder inserts
Etched Yoichi Ohira Mo. L. Serena 1/1 unico 6-11-1997 murano
with artist cipher
6 1/2” x 5 1/2”
Literature: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman
Ltd., New York, 2002, p. 220
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman
Ltd., New York, 2002, p. 106
$7,000–9,000
$7,000–9,000
290
291
2 1 2 5 : Y O I C H I O H I R A (b. 1946)
2 1 2 6 : L I N O T A G L I A P I E T R A (b. 1934)
Legno vase, Murano, Italy, 1997
Blown glass with murrine, ground surface
Etched Yoichi Ohira M. L. Serena 1/1 unico 1997 Murano with
artist cipher
5 3/4” x 5 1/2”
Sculptural vessel, “Bilbao,” Murano, Italy, 2001
Signed and dated
13 3/4” x 9” x 2 1/2”
$10,000–15,000
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman
Ltd., New York, 2002, p. 126
$5,000–7,000
292
293
2127:
L I N O T A G L I A P I E T R A (b. 1934)
Sculptural vessel, “Tholtico,” Murano, Italy, 2000
Blown and inciso glass
9 1/2” x 11 1/2”
$9,000–14,000
294
Sculptural blown glass vessel, Murano, Italy, 1999
Signed and dated
16 1/2” x 10”
$7,000–9,000
295
EFFETRE INTERNATIONALE
Blown glass sculpture, “Saturno,” Murano, Italy, 1987
Signed, dated, and numbered 3/250
8 1/2” x 21”
$1,000–1,500
T H O M A S B U E C H N E R (1926 - 2010)
Blown glass bowl, Corning, NY, 1989
Signed and dated
6 1/4” x 9”
$1,000–1,500
2131:
L I N O T A G L I A P I E T R A (b. 1934)
R U D I G R I T S C H (b. 1959)
Kilnformed iridescent glass panel, Portland, OR, 1993
Signed and dated
2 1/2” x 16 1/2” x 17”
$7,000–9,000
296
297
2 1 3 6 : S T A N I S L A V L I B E N S K Y (1921 - 2002)
Y A R O S L A V A B R Y C H T O V A (b. 1924)
Sculpture, “Little Arcus,” Czech Republic, 1990
Cast glass
Signed and dated
8 1/2” x 7 1/2”
$9,500–14,500
Vase with swirling cane interior, Murano, Italy, 1986
Blown glass
Signed, dated, and numbered 44/100
12” x 12”
MARINA ANGELIN
$2,000–3,000
Three incalmo glass vases with murrine, Murano, Italy,
1984/85
All signed, dated, and numbered with original Oggetti labels
Tallest: 14 1/4” x 4 3/4” sq.
$2,000–3,000
LA MURRINA
Centerpiece, Murano, Italy, 1970s
Blown glass, murrine
Original La Murrina label
4 1/4” x 22” x 13”
Note: Lino was co-founder and chief maestro at La Murrina
from 1968-76.
2 1 3 5 : P A O L O C R E P A X (b. 1950)
Large blown glass charger, “La Filigrana,” Murano, Italy, 1987
On original metal and glass stand
On stand: 32 1/2” x 26”
$800–1,200
$1,000–1,500
298
299
2137:
V L A D I M I R P R O C H A Z K A (b. 1947)
2 1 3 8 : F R A N T I S E K V I Z N E R (1936 - 2011)
Sculpture, “Unfinished in Red,” Czech Republic, 2006
Cast glass
Signed and dated
7 1/2” x 13”
$6,500–8,500
300
Purple bowl, Czech Republic, 2010
Cast glass
Signed and dated
5” x 12 1/4”
$8,500–12,500
301
2 1 4 3 : W I L L I A M M O R R I S (b. 1947)
Glass sculpture, “Reliquary Vessel,”
Washington, 1998
Signed and dated
17” x 14” x 4”
Provenance: R. Duane Reed Gallery,
St. Louis, MO, 2001. Copy of original
appraisal and receipt available.
$15,000–20,000
2 1 3 9 : T O M A S H L A V I C K A (b. 1950)
Laminated glass object with gold leaf, Czech Republic, 2006
Signed and dated
5 1/2” x 3 3/4” x 3 1/4”
2 1 4 0 : P A V E L H L A V A (1924 - 2003)
UNKNOWN ARTIST
$1,000–1,500
Two blown glass vases, one (shorter) by Pavel Hlava,
Czech Republic, undated/71
Both signed, taller dated
Taller: 20” x 7”
$1,500–2,000
2141:
L A U R A D E S A N T I L L A N A (b. 1955)
VENINI
Charger from the Quattro Stagioni series, “Inverno,” Murano,
Italy, 1997
Blown and battuto incalmo glass, murrina
Etched venini Laura 1997/18 with original VENINI MURANO
MADE IN ITALY decal
1 1/2” x 14 1/4”
2 1 4 2 : W I L L I A M M O R R I S (b. 1957)
Small Red Shard vessel, Pilchuck Glass School, Stanwood,
WA, 1980
Signed, dated, and numbered 5
6” x 7” x 2 1/2”
$1,500–2,000
Provenance: Certificate of authenticity signed by the artist
$800–1,200
302
303
2 1 4 4 : W I L L I A M M O R R I S (b. 1957)
2 1 4 5 : W I L L I A M M O R R I S (b. 1947)
Sculpture, “Urn,” Washington, 2000
Blown glass, rope base
Signed and dated
13” x 7 1/2”
Provenance: R. Duane Reed Gallery, St. Louis, MO, 2000.
Copy of original appraisal and receipt available.
Massive glass sculpture, “Standing
Stone,” Washington, 1984
Signed and dated
33” x 18” x 5 1/2”
$5,000–7,000
$10,000–15,000
304
305
2 1 4 6 : L A U R A D E S A N T I L L A N A (b. 1955)
2 1 4 7 : L A U R A D E S A N T I L L A N A (b. 1955)
A3, Murano, Italy, 2001
Hand-blown and shaped glass, silver leaf
Unmarked
14 1/2” x 17” x 2”
Sculpture, “Untitled (warm grey monochrome),” Murano, Italy, 2001
Hand-blown and shaped glass
Signed and dated
16 1/4” x 14 3/4” x 2”
Provenance: Barry Friedman Ltd., New York, 2001
Exhibited: “Laura de Santillana: Works,” Museo Correr, Venice, Italy,
March 31 - April 26, 2001, illustrated in exhibition catalog p 65
Provenance: Gifted to the artist’s aunt, Laura Venini (daughter of
Paolo Venini), on her 80th birthday
$5,000–7,000
$6,000–8,000
306
307
2 1 4 8 : J O N K U H N (b. 1949)
2 1 4 9 : J O N K U H N (b. 1949)
Rotating sculpture, “Spring Creation,” Winston-Salem, NC, 2009
Internally decorated laminated glass
Base signed, dated, and titled
21 1/2” x 5 1/2”
Rotating sculpture, “Frosty Mist,” Winston-Salem, NC, 2008
Internally decorated laminated glass
Base signed, dated, and titled
26” x 6 1/2”
Provenance: Sandra Ainsley Gallery, Toronto, ON
Provenance: Sandra Ainsley Gallery, Toronto, ON
$6,000–8,000
308
$8,000–12,000
309
2 1 5 0 : B E R T I L V A L L I E N (b. 1938)
2151:
S T E P H E N R O L F E P O W E L L (b. 1951)
Massive tri-lobe murrine glass vessel from
the Teasers series, “Austere Dripping Smith,”
Kentucky, 1997
Signed and dated
37 1/2” x 18”
Cast glass sculpture with figures and unicorns, Sweden
Signed B. Vallien
7 1/2” x 7 1/2” x 6”
$4,000–6,000
$10,000–15,000
310
311
2 1 5 2 : M A R Y A N N “ T O O T S ” Z Y N S K Y (b. 1951)
Massive Filet-de-Verre bowl, “Disputing
Chaos,” USA, 1996
Signed Z
11 1/2” x 23 1/2” x 15 1/2”
$14,000–19,000
312
Filet-de-Verre bowl, “Impetuosa Chaos,” USA,
1999
Signed Z
4 3/4” x 9” x 5”
Massive Filet-de-Verre bowl, “Azzure Grande
Chaos,” USA, 1994
Unmarked
12” x 23 3/4” x 16 3/4”
Provenance: Habatat Gallery
Filet-de-Verre bowl, “Religious Chaos I,” USA,
1994
Signed Z
6” x 10 3/4” x 6 1/4”
$8,000–12,000
$5,000–7,000
$14,000–19,000
313
2 1 5 6 : R I C H A R D M A R Q U I S (b. 1945)
2157:
R I C H A R D M A R Q U I S (b. 1945)
Sculpture, “Granulare Teapot with Battuto,” Washington State, 2001
Blown, granulare, and battuto glass
Signed and dated with copyright
10 3/4” x 7 1/2”
Exhibited: Richard Marquis, Glasmuseet Ebeltoft, Denmark, November 30, 2002
– April 6, 2003 and illustrated in the unpaginated exhibition catalog, a copy of
which accompanies this lot.
Tall sculpture, “First Trophy (Coffee Pot),”
Washington State, 1986
Blown glass, murrine, zanfirico glass
19” x 8”
$3,000–5,000
$5,000–7,000
314
315
2161:
R I C H A R D M A R Q U I S (b. 1945)
Sculpture, “Oculare Teapot,” Washington State,
2003
Blown and zanfirico glass
5” x 6”
Sculpture, “Teapot Goblet,” Washington State,
1990
Blown and zanfirico glass, murrina
8 1/2” x 4 1/2”
Exhibited: Elliott Brown Gallery, Seattle, WA
$2,000–3,000
Sculpture, “Candycorn Teapot,”
Washington State, ca. 2000
Blown and granulare glass, murrine
Signed with copyright
6” x 5 1/2”
$4,000–6,000
Small sculpture, “Teapot,” Washington State,
1978
Blown a canne glass
Signed and dated with copyright and dedication
“For Mom 9/22/78”
4” x 5 1/2”
$2,000–3,000
316
$3,000–4,000
317
2 1 6 2 : B E N J A M I N M O O R E (b. 1952)
WALTER WHITE
2 1 6 5 : B E N J A M I N M O O R E (b. 1952)
Hornet lamp, Seattle, WA, 1986
Blown glass, metal, rubber, copper, single socket
Signed Walter White 1986 60 in MAX with copyright
Lamp only: 22” x 18”
Large Selenium Red Interior Fold vessel, Seattle, WA, 1996
6” x 26”
$2,000–3,000
$1,500–2,000
2 1 6 3 : B E N J A M I N M O O R E (b. 1952)
2 1 6 4 : S O N J A B L O M D A H L (b. 1952)
2 1 6 6 : B E N J A M I N M O O R E (b. 1952)
Green Interior Fold vase, Seattle, WA
Signed
10” x 12 1/2”
$700–900
318
Large incalmo glass vessel, Seattle, WA, 1992
Etched Sonja B4892
15” x 11 1/2”
$1,500–2,000
Large amethyst Interior Fold vessel, Seattle, WA, 1988
4 1/2” x 21”
$1,500–2,000
319
2167:
K A R L A T R I N K L E Y (b. 1956)
2 1 6 8 : K A R L A T R I N K L E Y (b. 1956)
Large vessel, “Blue Tower,” USA, 1991
Pâte-de-verre
Unmarked
19” x 13” x 10 1/2”
$6,000–9,000
320
Vessel, “Lilac and Jade Bowl,” USA, 1992
Pâte-de-verre
Unmarked
7 1/2” x 10”
$3,000–5,000
321
2 1 6 9 : R U T H B R O C K M A N N (1955 - 2013)
2 1 7 0 : R U T H B R O C K M A N N (1955 - 2013)
Sculpture, “Coyote Bearing Gifts,” Vancouver, WA, 1993
Cast glass, stone base
18 1/2” x 8” x 6”
$800–1,200
Sculpture, “Journey,” Vancouver, WA, 1991
Cast glass, stone base
17” x 19” x 5 1/2”
2173:
G I L L E S C H A B R I E R (b. 1959)
STEUBEN
Sculpture, “Head,” Corning, NY
Sandblasted Steuben crystal,
metal stand
18” x 24” x 13”
$800–1,200
$2,000–3,000
2 1 7 4 : M A R Y V A N C L I N E (b. 1954)
Sculpture, “Torso with Gold Leaves,”
Seattle, WA, 2004
Selenium gold pâte-de-verre, gold leaf
Signed and dated
13” x 17” x 6”
$2,000–4,000
2171:
DAN ROTHENFELD
2172:
R O B I N G R E B E (b. 1957)
Tall figural glass sculpture, Cleveland, OH, 1980s
Laminated plate glass
Unmarked
30” x 9” x 5”
Tall figural sculpture, Newton, MA, 1991
Pâte-de-verre, enamels, composite, wood
Signed and dated
24” x 8” x 6 1/2”
$2,500–3,500
322
$1,500–2,000
323
2175:
T H E R M A N S T A T O M (b. 1953)
2177:
D A V I D H U C H T H A U S E N (b. 1951)
Untitled sculpture, Omaha, NE
Mixed media, glass, paint
Unmarked
26 1/2” x 20 1/2” x 3 3/4”
Sculpture, “Leitungs Scherbe,” USA, 1988
Fractured, laminated and optically polished
neodymium plate glass with projected light
and vitriolite
Etched signature 88D/DRH
13” x 18” x 11”
$2,000–3,000
$3,000–5,000
2176:
S T E P H E N H O D D E R (b. 1951)
Sculpture, “A Sense of Time,” USA, 1990
Blown, sandblasted, slumped, and carved
glass
16” x 16”
2178: JULIE MIHALISIN
PHILIP WALLING
Three decorative glass plaques, “Shattered Image,” “Horizontal Cells in Blue
and Yellow,” and “Organic Green Weave,” USA, ca. 2001
Glass, metal, and concrete
All signed
3” x 17” sq.
Provenance: R. Duane Reed Gallery, St. Louis, MO, 2001. Copy of original
appraisal and receipt available.
$1,000–2,000
$3,000–5,000
324
325
2179:
J U D Y J E N S E N (b. 1953)
2181:
C A P P Y T H O M P S O N (b. 1952)
Large sculpture, “Equinox,” Austin, TX, 1991
Reverse-painted glass, gold leaf
Unmarked
49” x 33 1/2” x 3”
Large tripartite vessel, “Water Carriers,” Seattle, WA, 1994
Reverse-painted blown glass with vitreous enamels
25” x 14”
$2,000–3,000
2 1 8 0 : J U D Y J E N S E N (b. 1953)
2 1 8 2 : J U D Y J E N S E N (b. 1953)
Sculpture, “Falling from the Sea,” Austin, TX, 1992
Unmarked
41” x 34” x 3”
$2,000–3,000
326
$1,000–1,500
Sculpture, “On the Road,” Austin, TX, 1993
Unmarked
34” x 31” x 3”
$2,000–3,000
327
2 1 8 3 : D A V I D H O P P E R (b. 1946)
Tall figural sculpture, California, 1992
Blown, sandblasted, cased, enameled, and gilded glass
Signed and dated
20” x 11”
2 1 8 4 : S T E V E N W E I N B E R G (b. 1954)
2 1 8 7 : M I C H A E L C O H N (b. 1949)
Sculpture, “Sphere #2,” Rhode Island, 1996
Polished cast glass, wood base
On base: 12” x 9”
Space Cup sculpture, Berkeley, CA, 1988
Blown glass, sculpted dichroic glass
Signed, dated, and numbered SC115
11” x 17” x 9”
$1,000–1,500
$1,000–1,500
$2,000–3,000
2 1 8 5 : R I C H A R D R I T T E R (b. 1940)
2 1 8 6 : J O H N N Y G R E N (b. 1940)
2 1 8 8 : M A R V I N L I P O F S K Y (b. 1938)
Glass sculpture with colored murrine and figural canes,
Bakersville, NC, ca. 1990
Signed Richard Ritter YC1092R
6 3/4” x 5”
$1,000–1,500
Vase with landscape, 1988
Blown and lampworked glass
Signed, dated, and numbered 3472
8 1/4” x 3”
$800–1,200
Small sculpture, “END ALL WAR,” California, ca. 1967
In original lucite box
Blown and flocked glass, metal
Incised title to metal
Sculpture: 4” x 6” x 7”, box: 5 1/4” x 9” sq.
$1,000–2,000
328
329
2 1 8 9 : L O R E D A N O R O S I N (1936 - 1992)
Three figural glass sculptures, Murano, Italy
All signed
Largest: 16 1/2” x 6” x 11”
$1,000–1,500
2 1 9 0 : L I V I O S E G U S O (b. 1930)
2191:
L I V I O S E G U S O (b. 1930)
2 1 9 2 : P A U L S T A N K A R D (b. 1943)
Glass sculpture of a female torso, Murano, Italy
Signed
20” x 10” x 7”
Sommerso crystal sculpture, “Embryo,” Italy, ca. 1975
Signed Livio Seguso Murano with Seguso Murano decal
label
13” x 7”
$1,000–1,500
$1,000–1,500
330
Tall lampworked glass Botanical paperweight with flowers, berries,
and root people, Millville, NJ, 1986
Signed, dated, and numbered C19
5” x 2 3/4” x 2 1/4”
$4,000–6,000
331
2 1 9 3 : M I C H E L E B U R A T O (b. 1957)
2 1 9 4 : M I C H E L E B U R A T O (b. 1957)
Blown glass vase, Murano, Italy, 2002
Signed and dated
13 1/2” x 14 1/2”
$800–1,200
Gourd-shaped blown glass vase, Murano, Italy, 2001
Signed and dated
18 1/2” x 10”
D A V I D E S A L V A D O R E (b. 1953)
I V A N C A M P A G N O L (b. 1950s)
2 1 9 8 : D A V I D E S A L V A D O R E (b. 1953)
Vase, Murano, Italy
Blown and battuto glass
Signed
24 1/2” x 7 1/2”
$800–1,200
2 1 9 5 : M A S S I M I L I A N O S C H I A V O N (b. 1971)
2 1 9 6 : M A S S I M I L I A N O S C H I A V O N (b. 1971)
Vase, Murano, Italy
Signed
19 1/2” x 7 1/2”
2197:
Blown glass vase with controlled air bubbles, Murano, Italy
Signed
14 1/2” x 6 1/2”
$1,500–2,000
$900–1,400
$900–1,400
$900–1,400
Vase, Murano, Italy, 1990s
Signed
17 1/2” x 8”
$1,300–1,700
332
Early large vase, Murano, Italy
Signed
20 1/2” x 10”
Vase, Murano, Italy, 1990s
Signed
17” x 6 3/4”
$1,400–1,800
333
TERMS OF SALE
Questions? Contact Miriam Tucker, Managing Partner
[email protected]
Rago Arts and Auction Center (Hereafter referred to as “the Auction
House”). 609-397-9374 (p) / 609-397-9377 (f)
All bidders are responsible for reading and understanding these
Terms of Sale, as well as any supplemental notices. If you have any
questions after having read the Terms of Sale, please contact the
C.E.O., Miriam Tucker, at [email protected] or 609.397.9374,
extension 141.
All items in our Unreserved Auctions are “As-Is, Where-Is.”
1. General
Each lot in this catalogue is offered for sale subject to the terms set
out below, as changed or supplemented by provisions a) written in
other places within these Terms of Sale, b) in written supplements to
this Catalogue or other materials prepared by us and c) as stated by
the auctioneer or posted in writing at the auction, prior to a bid being
accepted for a lot. No other communications by any employee of the
Auction House is intended to be binding, and such communications
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the buyer and all bidders agree to be bound by these terms or those
changed and supplemented, whether bidding in person, through a
representative, by phone, by internet, or other absentee bid.
Upon the fall of the auctioneer’s hammer, the successful bidder
becomes the buyer and owner of the property and is responsible for
the property, the amount of the successful bid, the buyer’s premium,
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The thirty (30) day warranty shall commence on the date of sale and
continue to run without any tolling even if the Buyer within that
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A lot will be sold to the highest bidder as determined in the sole and
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Visa, MasterCard, Discover or PayPal. See Terms of Sale paragraph
3.)
334
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regulations, all handguns, pistols, and revolvers will only be shipped
via Federal Express and will only be delivered to a person who holds
a Federal Firearms License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at Auction House by
a person who holds a Federal Firearms License or the proper New
Jersey handgun permits, which must be shown and logged. There are
no exceptions. No firearms will be sold or shipped internationally.
Property purchased and left at the auction house for 90 days will be
sold or donated for you.
6. Buyer Default
Remedies: If any of the Terms of Sale are not fully complied with by
the buyer, the buyer will be in default without need of notice by the
Auction House. The buyer shall be liable to the Auction House and
the consignor for the total purchase price, including all premiums,
charges, and expenses specified in the Terms of Sale. Interest shall
accrue at the rate of 18% per annum commencing with the date of
the auction. In addition to other remedies available to the Auction
House by law, the Auction House may, at its option, a) cancel the
sale of the lot(s) on which the buyer defaulted and of any other lots
sold to the defaulting buyer at the same or any other auction(s) and
retain as liquidated damages all payments made by the buyer, b)
resell the purchased Property, whether at public auction or private
sale, or c) pursue any combination of a) and b) above. In event of
default, the buyer will be responsible to the Auction House and
the consignor for any deficiency, any and all costs and expenses,
including reasonable attorneys’ fees, collection fees and expenses,
late charges, and other damages. The Auction House may, at its
discretion, apply any proceeds of sale otherwise due to the buyer or
monies of the buyer in the Auction House’s possession to reduce or
satisfy the buyer’s obligations.
Security Interest: As security for full payment to the Auction
House and the consignor of all amounts due, the buyer grants the
Auction House the right to retain a security interest in the Property
purchased at auction and in any other property or money of buyer
in the Auction House’s possession or coming the Auction House’s
possession (collectively, ’collateral’). The Auction House shall
have the rights of a secured creditor as provided by the Uniform
Commercial Code and other applicable law. Such security interest
in the Property or other collateral will cease when the Property is
physically delivered to the buyer or the buyer’s agent.
7. Warranties and Guarantees
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in the following paragraph:
All information in the catalogue concerning authenticity is
guaranteed for a period of thirty (30) days from the date of sale.
In that time, prior to payment to the consignor of the work, the
Auction House will allow the buyer to submit, at his own expense,
an opinion in writing from a recognized expert, pre-approved by
the Auction House and the purchaser, regarding authenticity. In
the event the work is judged inauthentic by the expert, the work
may be returned in the same condition as at time of sale and the
buyer’s full purchase price will be refunded. Refunds shall not include
costs of transportation, insurance, or other expenses that may have
been incurred by the buyer. It is the buyer’s responsibility to make
payment in a timely fashion such that the property can be released
and inspected within this thirty (30) day time frame. Should the
buyer not do so, or should the buyer request the auction house to
delay shipment, should he give an incorrect shipping address, or
be unavailable to receive shipment, the thirty (30) day warranty
shall still apply. If the Auction House has paid the consignor the
amounts due consignor as a result of the sale, the Auction House
will (i) refund to the buyer the amount of the buyer’s premium and
applicable taxes received from the buyer, and (ii) make written
demand upon the consignor for the payment of the balance of the
purchase price. If the consignor fails to honor the written demand for
a refund of the balance of the purchase price, the Auction House will
furnish buyer the name and address of the consignor, and assign to
buyer all of the Auction House’s rights for the return of the balance
of the purchase price of the affected lot. Upon this disclosure and
assignment, the Auction House will have no further liability to
buyer or responsibility to pursue the buyer’s claim. The Auction
House will extend reasonable cooperation to buyer, provided that
such cooperation does not require out-of-pocket expenditures by
the Auction House. This limited right of rescission is available only
to the original buyer and may not be relied upon by any heir, agent,
transferee, assign, or other third party or assigned to any subsequent
transferee of the Property which gives rise to the claim.
This Warranty does not cover any description that states there is
a conflict of specialist opinion; any description that states (or is
bracketed in a section described as) “as-is“ or “not guaranteed.”
This Warranty does not cover any typographical errors. This Warranty
does not cover wear on furniture. This Warranty does not cover
flakes, surface scratches, or manufacturing flaws in glass or ceramics.
The description of clocks and lighting devices, whether in catalogues
or condition reports, may be incomplete and not identify every
mechanical replacement, repair, or defect. The absence of reference
to the condition of a clock or lighting device does not imply it to
be in working condition or without defects, repairs, restorations, or
replacement parts.
The description of jewelry, whether in catalogues, condition reports,
or any other form, is rendered as opinion, including, but not limited
to, specialist opinion as to authenticity, the enhancement or
treatment of gemstones, the weight of gemstones, the country of
origin, the authorship or origin (manufacture) of an item, its period
(or c.) or the authenticity of its marks.
No warranty is made that any watch is in working condition or
without defects, restorations, or working parts.
Buyers are advised to check watch works prior to auction.
All measurements are approximate.
This disclaimer of liability on our part applies whether the
information is included in the catalogue, advertisements,
announcements, or communicated through our representatives, bills
of sale, or elsewhere, and whether written or oral.
No Warranty of Reproduction: Neither the consignor nor we make any
warranty or representation, express or implied, as to whether a buyer
will acquire any reproduction rights, copyrights or other intellectual
property rights in, or with respect to, the Property.
The Auction House makes no warranties, express or implied, as to the
merchantability or fitness for purpose except as otherwise expressly
stated in these Terms of Sale.
8. Qualifying to Bid
As a security measure for our consignors and our company,
all bidders must establish credit. You will be asked to furnish
identification and a valid credit card number, credit references and/
or (for absentee, phone and online bidders) an initial deposit in the
form of a pre-authorization hold equal to 10% of the low estimate
of the total number of lots on which you are bidding. First time and
international buyers bidding on Asian lots with a total low estimate
of $5,000 or greater will be asked to a) furnish an initial deposit
in the form of a pre-authorization hold equal to 30% and b) grant
the Auction House the right to charge your credit card 30% of the
selling price on the day of sale. If you are acting as another’s agent
or principal, we may request a letter of authorization. If you are
successful and do not remit payment as specified, the amount owed
will be charged to your credit card together with such charges set
forth in these terms of sale. If you have any questions, contact Eliane
Talec, ext. 118.
Bidding Numbers: All bidders must register and receive a bidding
number from the Auction House prior to bidding at the auction.
9. Bidding Increments
All unreserved bidding starts at 50% of the low estimate unless
there are two or more competing absentee bids in excess of this
figure. The auctioneer has the sole and exclusive power, discretion,
and authority to regulate the bidding and its increments.
Increments
• $10 until $100 is reached
• $25 until $500 is reached
• $50 until $1,000 is reached
• $1,000 until $30,000 is reached
• $10,000 over $100,000
10. Absentee Bids
Absentee bids are requested by no later than 6:00 p.m. on the
business day before the auction. We accept absentee bids by
phone, by mail, in person, or by fax. Absentee bidders are emailed
bid confirmations – If you do not receive a bid confirmation by the
afternoon prior to the auction, please call us. When you do receive a
bid confirmation, please double check for accuracy.
All absentee bidding is handled as though you are in attendance. We
buy all designated lots for you one bidding increment above where
competition stops. Please check and comply with these increments.
In case of failure to comply, we will reduce each off-increment bid to
the next lower figure.
“Plus” bids: Because of our structured bidding increments, it is more
likely that several people will leave identical bids. Since an earlier bid
left with the auction house wins in the event of a tie, a later bid with
an added “plus” bid to the next increment would win the piece.
Absentee bids left with third party online bidding platforms are sent
to the auction house as the lot comes up for auction and not before.
There is no time advantage to absentee bids left with third party
online bidding platforms.
All absentee bidder names and bids are held in strictest confidence,
disclosed only in the event of a question after the sale.
Absentee bidding is a convenience offered to our customers and,
while we will make every effort to execute your instructions, the
Auction House is not liable or responsible for any errors or failure
to do so. If you place absentee bids with the Auction House, then
choose to attend in person, bid by phone or any other means, it is
solely your responsibility to cancel any or all absentee bids prior to
the start of the auction.
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11. Telephone Bids
Rago guarantees you a line and a phone agent for bidding until 4 PM
on the day prior to an auction. After that time, we will gladly accept
your absentee bids, even during the auction (up to 30 minutes before
a lot goes on the block). Changes to bid lists left with us prior to the
deadline will always be accommodated as best we can, as will followup phone bids for those who attend/must leave the auction and
other exceptional cases.
If you need condition reports, please request and review them prior
to reserving phone lines.
Telephone bidders are emailed bid confirmations – If you do not
receive a bid confirmation by the afternoon prior to the auction,
please call us. When you do receive a bid confirmation, please double
check for accuracy.
We can call you at two phone numbers ONLY during the auction. If
you are unsure of where you or your agent will be during the sale, we
recommend you leave absentee bids.
Please do not change your phone number after your phone lines have
been confirmed; if you do, the Auction House will not be responsible
for any breakdown in communications. Overseas phone numbers only
will be confirmed the day before the auction.
We do not have the capacity to assign phone agents to clients who
want to listen only or who will not bid the minimum selling price.
Therefore, if you bid by phone, you must be willing to open bidding
and bid to within 2/3 of the low estimate should the bidding go that
far. You may, however, leave absentee bids for any amount.
Bids are placed on the telephone at the discretion of the Auction
House and at the caller’s risk. Telephone bidding is a convenience
offered to our customers and, while we will make every effort
to execute your instructions, the Auction House is not liable or
responsible for any errors or failure to do so.
If you place absentee bids with the Auction House or Live
Auctioneers and also bid in person, by phone or any other means, it
is solely your responsibility to cancel any or all absentee bids prior to
the start of the auction. If you do not or cannot, regardless of reason,
you will be held responsible for the property’s purchase.
12. Internet Bids
The Auction House has also engaged the services of third party
online bidding platforms called Bidsquare and Live Auctioneers.
Please proceed to these sites for all necessary information on how
to bid and buy online using this system. The user of Bidsquare
and/or Live Auctioneers indemnifies and holds the Auction House
and its consignors harmless against any claim arising out of or
resulting from your use of the Bidsquare and/or Live Auctioneers
sites, including all losses, damages, liabilities, and all fees (including
attorney’s fees), costs, and expenses incurred in connection with
any claim. Under no circumstances, including, but not limited to,
negligence, shall the Auction House and its consignors be liable for
lost profits or any special, incidental, or consequential damages that
result from the use of, or the inability to use, this site.
If you place absentee bids with the Auction House and/or a third
party site and also bid in person, by phone or any other means, it is
solely your responsibility to cancel these absentee bids prior to the
start of the auction. If you do not or cannot, regardless of reason, you
will be held responsible for the property’s purchase.
Absentee bids left with third party online bidding platforms are
released to the Auction House when a lot comes up for sale. The
Auction House cannot distinguish these from bids made in real time.
They have no timed advantage.
13. Condition Reports
Condition reports are rendered as specialist opinion by the staff
of the Auction House and/or independent consultants and not as
statements of fact. We do not guarantee the content of written or
verbal condition reports.
Up-to-date condition reports can be accessed online at ragoarts.com.
If you would like additional information, please call (609) 397-9374,
fax condition report requests to (609) 397-9377 or e-mail them
to [email protected]. Our specialists will respond to requests as
quickly as possible.
Please be patient. We get many requests and we make every effort to
respond to all of them in a timely fashion. The Auction House is not
liable or responsible for any errors or failure to do so.
14. Reserves
A reserve is the confidential minimum price established by the
Auction House and the consignor. The reserve will never exceed the
low estimate of the lot. The Auction House prohibits consignors from
bidding on their own property, but may implement the reserve by
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bidding on behalf of the consignor at the auction up to the reserve.
15. Estimates
The estimates provided in this catalogue are our opinion of the
price that a willing buyer would pay for the property at auction,
based, where possible, on prices paid for comparable items sold in
the past. They are neither a representation nor a prediction of the
actual selling price that will be realized at auction, post-auction
sale, or upon resale, which may be substantially different from these
estimates. We shall not be liable in any way for such a difference.
16. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw property from
the sale for any reason and with no liability whatsoever for such
withdrawal.
17. Rescission by Buyer
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in Paragraph 7. Buyer acknowledges and expressly agrees
that the provisions of this Paragraph state the sole and exclusive
remedy available to a buyer in the event of non-conformity in
Property purchased. The buyer understands and agrees that the
exclusive remedy for any breach of the warranty shall be a rescission
of the sale and a refund of the original purchase price (bid plus
buyer’s premium), as well as any applicable taxes paid. Neither the
Auction House nor its Consignor shall be liable for damages beyond
the remedy expressly provided for herein, such as, but not limited
to, direct, indirect, special, incidental, punitive, or consequential,
including the loss of profit or revenue, cost of obtaining alternative
property, claims of customers of the buyer or otherwise.
18. Rescission by the Auction House
In the event the Auction House receives notice of an adverse claim
with respect to purchased Property, the Auction House shall have the
right (but not the obligation), in its sole and absolute discretion, to
rescind the sale to the buyer, upon written notice to the buyer. Upon
such notice, the buyer will promptly return the purchased property
to the Auction House’s premises in the same condition as when
purchased.
The Auction House will then promptly refund the purchase price,
including the buyer’s premium and applicable taxes paid. Buyer will
have no further recourse against the Auction House or the consignor,
and the Auction House and the consignor shall not be liable for any
damages of any nature suffered by the buyer.
19. Governing Law and Forum for Disputes
The laws of New Jersey shall govern the auctions of the Auction
House. Any disputes that may arise in connection with the auction
and/or any auction purchase, and all of the terms and conditions set
forth herein above, shall be governed by and construed in accordance
with New Jersey law. Anyone who participates in the auction and/or
makes auction purchases agrees to submit to the jurisdiction of the
courts of the State of New Jersey with respect to any dispute arising
in connection with the auction and/or any auction purchases. In the
event that the Auction House needs to bring an action to enforce the
terms and conditions herein and/or to collect any sum due and owing
to it the Auction House shall be entitled in addition to collect its
reasonable attorney’s fees, collection agency fees, and cost of suit.
20. Limitations of Liability
The Auction House acts only as the agent for the consignor and in no
event will be liable for any breach or default by the consignor.
21. Severability and Waiver
If any provision of portion of these Terms of Sale shall be deemed
unlawful, void, or unenforceable under applicable law, that provision
or portion shall be stricken and severed from the remaining
provisions, which shall remain in full force and effect. Failure to
enforce any of the provisions in these Terms of Sale shall not be
deemed a waiver of the right to enforce any other provisions of these
Terms of Sale.
22. No Assignment
Unless the Auction House consents in writing, buyers may not assign
their rights or any of their obligations related to an auction or other
sale by the Auction House.
23. No Modifications
These Terms of Sale may not be changed unless the Auction House
and buyer have agreed to do so in a written agreement signed by
both parties.
24. Export or Import - Endangered/Threatened/Prohibited Species
The State of New Jersey prohibits the import, sale, purchase,
barter, or possession with intent to sell of any ivory, ivory product,
rhinoceros horn, or rhinoceros horn product with exceptions that are
irrelevant to commercial sale. As used in this act “Ivory” means tooth
or tusk from any animal, including, but not limited to an elephant,
hippopotamus, mammoth, narwhal, walrus, or whale, or any piece
thereof, whether raw ivory or worked ivory, or made into, or part of,
an ivory product. As concerns worked products made of species legal
to sell under current Federal guidelines, it is the sole responsibility
of buyers to familiarize themselves with International and U.S.
state laws or requirements for import and export; to identify and
obtain any necessary export, import, endangered species or other
permit prior to bidding; and to abide by International and U.S. laws
and requirements. The Auction House and the Consignor make
no representations or warranties as to whether any lot is or is not
subject to export or import restrictions or any embargoes and will
have no responsibility with regard to these matters. a) International:
Several countries do not allow the importation of lots containing
materials made from endangered species. This includes, but is not
limited to coral and tortoiseshell. An export license may be required
for the export of certain materials, as well. b) State of California:
California Penal Code sections 653o - 653r make it illegal to import
into California for commercial purposes, to possess with intent to
sell, or to sell within the state, the dead body, or any part or product
thereof, of any polar bear, leopard, ocelot, tiger, cheetah, jaguar, sable
antelope, wolf (Canis lupus), zebra, whale, cobra, python, sea turtle,
colobus monkey, kangaroo, vicuna, sea otter, free-roaming feral
horse, dolphin or porpoise (Delphinidae), Spanish lynx, or elephant.
Starting in 2015, it will be unlawful to import into this state for
commercial purposes, to possess with intent to sell, or to sell within
the state, the dead body, or any part or product thereof, of any
crocodile or alligator. Should a buyer in California state an intent to
sell the certain animal parts named in California Penal Code sections
653o - 653r, the Auction House reserves the right to reject bids and
refuse to ship.
Brazilian rosewood (Dalbergia nigra) has been listed in in the most
restrictive category of endangered species, CITES Appendix I, since
June 11, 1992. Brazilian rosewood demonstrably acquired before June
11, 1992, and any product made from such wood, is considered to be
pre-Convention under CITES. The United States currently issues a
pre-Convention certificate under CITES for international trade. The
E.U. includes Brazilian rosewood in Annex A, which means that preConvention specimens generally may not be imported into the E.U.
for commercial purposes unless accompanied by an import permit
proving acquisition before March 1, 1947. Other nations have their
own import requirements. As a result, the Auction House will sell
property made from Brazilian rosewood, in whole or part, only to
buyers residing in the United States. The Auction House will ship
only to addresses in the United States. Inquiries from international
buyers prior to sale will be handled on a case-by-case basis.
25. Firearms
Rago sells only antique firearms as defined by the U.S. Bureau of
Alcohol, Tobacco and Firearms. All Firearms will be sold in accordance
with State of New Jersey and Federal firearms laws and any relevant
State of New Jersey and Federal laws. It is the sole responsibility
of buyers to familiarize themselves with their local laws and
requirements for the possession of firearms; to identify and obtain
any necessary license or permit prior to bidding; and to abide by
all Federal, State and local laws and requirements. The Auction
House and the Consignor make no representations or warranties as
to whether any lot is or is not subject to such restrictions and will
have no responsibility with regard to these matters. Rago sells only
antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco
and Firearms. Due to New Jersey firearms regulations, all handguns,
pistols, and revolvers will only be shipped via Federal Express and will
only be delivered to a person who holds a Federal Firearms License
or a Curios and Relics License. Handguns, pistols, and revolvers can
only be picked up at Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun permits, which
must be shown and logged. There are no exceptions. No firearms will
be sold or shipped internationally.
Paragraph Headings: Paragraph and subheadings are included in
these Terms of Sale for ease of reference and should not be used to
interpret the meaning of the substantive provisions.
ADDENDUM TO TERMS OF SALE: JEWELRY
For centuries, natural gemstones have been enhanced in a variety of
ways, including heating, oiling and other methods. These treatments
are accepted by the international jewelry and gemstone trade. The
Auction House makes no representations or warranties, express or
implied, as to whether natural stones have been treated or enhanced,
whether specifically referenced or not.
All stones have been identified by standard gemological field tests
as the mounting permits and the Auction House will make available
to prospective buyers any gemological certificates in its possession.
It will not always be feasible to obtain a qualified lab report on every
stone offered through the Auction House. Buyers wishing to have
a grading or gemological report from an independent recognized
laboratory such as the Gemological Institute of America, the
European
Gemological Laboratories or the American Gemological Institute may
request one at their own expense or hire an independent adviser of
their choosing.
Weights given are based solely on measurements and known
gemological formulae; they are approximate, not exact. Weight may
differ once a stone is removed from its setting. Buyers are advised to
verify weight estimates prior to auction
ADDENDUM TO TERMS OF SALE: COINS AND CURRENCY
Grading is a not an exact science. It is a matter of opinion as
to condition and other attributes. Because of this, grading can
and will differ among third party grading services (even though
consensus grading is employed by most), independent experts,
dealers, collectors and auction houses, including our own. Due to the
subjectivity of coin and currency grading, a given piece evaluated
twice by the same expert may be assigned a different grade each
time. Opinion as to the grading, condition or other attributes of any
property may have a material effect on value.
Therefore all coins and currency are served “As-Is, Where-Is,” by
the Auction House except as to authenticity, as expressly stated in
the Terms of Sale. They are sold without any additional express or
implied warranty, including, but not limited to, grade. This includes
all coins and currency, including, but not limited to, those:
• Referencing the opinion of a third-party grading service;
• With no reference to the opinion of a third-party grading
service;
• With reference to the opinion of Auction House as to grading;
• Subsequently submitted to a third-party grading service for
determination or certification;
• Encapsulated and therefore unable to be physically examined.
The Auction House reserves the right to differ with the grades
assigned to property, by certificate or otherwise, regardless of the
grading service and will not be bound by any prior or subsequent
opinion, determination or certification by third-party grading
services including, but not limited to, National Guaranty Company
(NGC), Professional Coin Grading Service (PCGS), Paper Money
Guaranty (PMG) and Currency Grading and Authentication (CGA)
or any other any grading service, third party organization or dealer.
There is no guarantee or warranty implied or expressed that the
grading standards utilized by the Auction House will meet the
standards of any grading service at any time in the future.
The Auction House has graded uncertified coins and currency with
reference to the current interpretation of the American Numismatic
Association’s standards at the time of grading.
The Auction House reserves the right to re-grade property reconsigned for any reasons, including, but not limited to a change of
grading standards, differences in opinion, mishandling over time.
The Auction House will not be liable for any patent or latent defect
or controversy pertaining to or arising from any encapsulated coins
or currency. In any such instance, purchaser’s remedy, if any, shall be
solely against the service certifying.
Please note:
• Certain types of plastic may react with a coin’s metal or
transfer plasticizer to notes, causing damage. Avoid storage in
materials that are not inert.
• Catalog illustrations may not be to scale or reflect the
depicted property’s actual size.
26. Miscellaneous
Private Sales: These Terms of Sale shall apply to both auction and
private sales of property.
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RAGO 20TH CENTURY DEPARTMENT
Auction Management: David Rago, Jerry Cohen, Suzanne Perrault
Modern Specialist: Jad Attal
Junior Specialists: Sarah Dziamba, Kimberly Sørensen
RAGO ARTS AND AUCTION CENTER
Partners-in-Charge: David Rago, Suzanne Perrault, Miriam Tucker
SHIPPING/RECEIPT OF PURCHASED PROPERTY
A bid is a contract to buy. So on the fall of the auctioneer’s hammer,
the successful bidder becomes the owner and assumes full
responsibility for the purchased property. This includes all costs and
the expenses of any handling, shipping, insurance, taxes, or export.
When the Auction Center receives and processes your payment, your
property is released - for shipping, delivery by freight, or pick-up.
Please allow up to three weeks.
NOTE: Some property in this sale may require specialized shipping.
Please call us for our recommendations.
S H I P P I N G S M A L L I T E M S B Y C O M M O N C A R R I E R (UPS,
FedEx, DHL or USPS):
Chief Operating Officer: Michael Ingham
Chief Administrative Officer: Eliane M. Talec
Director, Estate Services: Sebastian Clarke
Director, Appraisal Services: Laurel Porcelli
Art Director: Anthony Barnes
Photography Studio Director: Lynnette Mager Wynn
Photographer: Jared Kramer
We have engaged shippers to pick up several times a week from
the auction house. Our recommended shippers for small items are
Masterpiece Shipping and The Flemington UPS Store. Once we
receive your payment and the completed shipping form authorizing
the release of your property to the shipper, we will add your lot(s) to
the list for the next pick up. You will receive a shipping quote for your
approval within 48 hours after the shipper has picked up your lot(s).
If for any reason the quote is not acceptable to you, your property
will be returned to the auction house so that you can make alternate
arrangements.
Masterpiece Shipping
David and Vicki Child, Owners-Operators
Buckingham Green
4950-C Old York Road
Buckingham, PA 18912-2000
T: 215-794-1199 • F: 215-794-1177
Client Services Manager: Karen Davies
Client Services: Martine Webber
Foreman of Operations: Croix Leadem
Art Handlers and Movers:
Charles Chamberlin, Casey Kochis, Jason Kwon, Sean Leslie, Richard
Palleschi, Justin Thomas
Display by: Arlen Sam Brown
Controller: Lisa Kolva
The UPS Store #1752
203 Main Street
Flemington, NJ 08822
T: 908-806-4842 • F: 908-806-4843
SHIPPING LARGER ITEMS BY FREIGHT:
(for example: furniture, bulky or odd shaped items) that exceed
allowable dimensions or weight restrictions of UPS, Fed Ex and
similar carriers. The auction house can provide assistance in
arranging for delivery by freight. Depending on the location, we can
recommend a variety of third party shippers. We are also happy to
work with the freight company of your choosing. Please keep in mind
that delivery of these types of items can be an expensive proposition
and we urge you to consider this before bidding. Please remember
that it is your responsibility to pay for all deliveries.
Marketing Associate: Adrienne Lieberman
PICK UP AT RAGO’S:
Public Relations/Marketing Assistant: Robin Harris
Auction Administration: Rebecca Schild
Administrative Staff: Kathy Buscavage, Guy Benthin
Our thanks to the entire auction staff.
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Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m.
and from 1:30 p.m. to 5:00 p.m. The shipping department closes
each day from 11:30 – 1:30. The Auction House is closed on Federal
holidays and on Mondays following two and three day auctions. We
require 24 hours’ notice in advance of pick up. Please bring your own
packing materials.
IMPORTANT NOTES:
• Weekend pick ups are made by special arrangement and/or by
appointment only.
• New Jersey sales tax of 7% must be added to your invoice when
picking up merchandise unless you have a valid resale number
on file.
• All property must be paid for and removed from Rago Arts &
Auction Center within 15 business days of the auction. Unless
special arrangements are agreed upon in writing before the sale.
Storage fees are charged beginning on day 16. For more details
see our Terms of Sale.
P O S T- W A R A N D C O N T E M P O R A R Y A R T
November 5
catalogue online October 20 – ragoarts.com
RAGO
CONDITION REPORT FORM
phone: 609.397.9374
fax: 609.397.9377
We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators
and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal
condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online
at ragoarts.com.
Lot#
Description
Specific Questions
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Name ______________________________________________________________________________________________________
Telephone _________________________________________________________________________________________________
E-mail _____________________________________________________________________________________________________
A new online bidding site with real goods you won’t find anywhere else.
Where what you see is what you get, from leading auctioneers you know and trust.
Live and timed auctions. New property added daily. Easy to navigate. Reliable. Private. Secure.
I N T E R N A L U S E O N LY
Bid live online for all Rago Auctions. Register Today.
Check Condition Online
Print Initials:_______________________
Add to/confirm in AuctionFlex
Date _______________________________________________________________
BIDDING FORM
RAGO
Buyer Number
ABSENTEE BID
PHONE BID
phone: 609.397.9374
fax: 609.397.9377
e-mail: [email protected]
Name ______________________________________________________________________
Business Name ___________________________________________________
Address ___________________________________________________________________________________________________
City _________________________________________________
State _____________________________________________
Zip Code ____________________________________________
E-mail ____________________________________________
Telephone __________________________________________
Fax ________________________________________________
CC # (Visa/MC/Disc.) ______________________________________________
If using Resale ID, a copy must accompany this form.
Exp. Date ______________
Country ____________________
CSV code (from back) ________________
Resale ID Number ______________________________________
Lot#
Description
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State __________________
Absentee/Contigency Phone
PLEASE ADHERE TO
THE BIDDING INCREMENTS
$10 until $100 is reached
$25 until $500 is reached
$50 until $1,000 is reached
$1,000 until $30,000 is reached
$10,000 over $100,000
Rago’s guarantees you a line
and a phone agent for bidding
until 4 PM on the day prior to
an auction. After that time,
we will gladly accept your
absentee bids, even during the
auction and will do our best to
accomodate before the lot goes
on the block.
T E L E P H O N E B I D P H O N E N U M B E R – D AY O F S A L E :
1).
________________________________________________________________________
2).
________________________________________________________________________
C H E C K , S I G N A N D D AT E B E L O W O R B I D S W I L L N O T B E E X E C U T E D
I
I
I
I
am bound by Terms of Sale
I have read the condition report(s) online / requested all needed information
am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction
am responsible for canceling Absentee Bid if I choose to bid in person/by phone
understand the buyer’s premium (see below)
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the portion from $200,000 through $3,000,000
Signature _____________________________________________________________
Date _____________________________________________________________
I N T E R N A L U S E O N LY
Check Boxes Above
Absentee/Plus
Print Initials:_______________________
New/Hold
AF: confirm contact info/check notes
Date/Time _________________________________________________________
Addendum
Increments
RAGO ARTS AND AUCTION CENTER
333 NORTH MAIN STREET • LAMBERTVILLE, NJ 08530
[email protected] • RAGOARTS.COM • 609.397.9374

catalog

Transcription

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