now - International Freelance Photographers Organization

Transcription

THE MAKE MONEY WITH YOUR CAMERA MAGAZINE
Photographer
TODAY'S
www.ifpo.net
NEW
Photo Markets
page 23
Roll in
MORE CASH
From WEDDINGS
PLUS
page 20
page 2
The Wall of Fame
By Richard B. Ressman, M.D., IFPO
How To
Cover High Security
Breaking News Events
and
p age 6
Instructional Photography Programs on DVD
Now Available
pages 59 - 62
S p r i n g
2 0 0 3
Learn
Learn Photography
Photography at
at Home
Home
With Brian Ratty, world famous photographer and educator
#3R0X - $199.95
(#3R01-3R08 bundle) 12 Hours
Spanish language VHS bundle - #3R0X.ESP
European PAL English version bundle - #3R0X.PAL
All $199.95 each bundle.
ON ASSIGNMENT SERIES brings to the amateur and beginning professional photographer the most complete, comprehensive video training
series ever produced. This classic series is a must for any photographer’s library.
#3R01 - BASIC 35MM PHOTOGRAPHY - $39.95
How an SLR works, f-stops and shutter speeds, exposure, depth-of-field, and film. Beyond
basic techniques in taking better pictures, lenses, shooting with available light, flash, filters,
Tools and techniques: candids, formal, environmental portraits, sports-action. 90 min VHS.
Spanish language VHS - #3R01.ESP, European PAL English version - #3R01.PAL, All $39.95
each.
#3R02 - LIGHTING AND EXPOSURE - $39.95
Learn the direction, form, contrast, and color characteristics of light. Learn exposure control
including measuring light, reflective metering, incidence metering, tonal control, fill latitude,
and other factors. Elements of lighting, including natural light, available light, artificial light and
electronic flash. 90 min VHS. Spanish language VHS - #3R02.ESP, European PAL English version - #3R02.PAL, All $39.95 each.
#3R03 - DESIGN•COMPOSITION - $39.95
Learn camera vision, lens-camera choice, framing. Composition- design elements: line, shape,
texture, color; design principles: balance, movement, repetition, scale, emphasis, contrast, unity,
color. Lighting direction and quality, controlling light and color, psychology of color. 90 min
VHS. Spanish language VHS - #3R03.ESP, European PAL English version - #3R03.PAL, All
$39.95 each.
!
Y
U
B
#3R04 - STUDIO PHOTOGRAPHY - $39.95
Learn product photography in the studio. Learn to layout and design your own studio; studio and
still life photography lighting. Learn to use large format cameras, including the view camera,
handling sheet film, shifts, swings, tilts. Shoot people in the studio including portraits, shoot
people on location, and tell a story with candids. 90 min VHS. Spanish language VHS - #3R04ESP, European PAL English version -#3R04.PAL, All $39.95 each.
ds
men
com t to its
e
r
uc
IFPO
prod rs!
this membe
#3R05 - BUSINESS OF PHOTOGRAPHY - $39.95
Make your portfolio, Choosing your direction, the “best” portfolio, portfolio editing, and the
interview. Sell your services. Breaking into and staying in business, directories, stock agencies,
pricing, billing, Learn careers in photography, freelancing, staff opportunities. 90 min VHS.
each.
#3R06 - BASIC VIDEOGRAPHY - $39.95
Video theory, audio theory, video formats, video cameras and recorders. Using a video camera,
pre-production, shooting and editing. Video accessories, lighting , video markets. 90 min VHS.
each.
#3R07 - THE DARKROOM - $39.95
Setting up your darkroom. Black/white film processing and printing. Processing color in the
darkroom. Chemicals and paper. Layout a darkroom. Proofing and enlargements. Printing methods. Negative and print faults. 90 min VHS. Spanish language VHS - #3R07.ESP, European
PAL English version - #3R07.PAL, All $39.95 each.
#3R08 - GLAMOUR PHOTOGRAPHY - $39.95
Understanding glamour and glamour assignments: cameras, film, lighting, make-up, hair,
wardrobe, rights, model releases, magazine layout, props, sets, locations, posing, the glamour
portrait, finding models, glamour markets, boudoir, lingerie. 90 min VHS. Spanish language
VHS - #3R08.ESP, European PAL English version - #3R08.PAL, All $39.95 each.
#3R21
#3R22
Get Pro Results
using a Point and Shoot Camera
#3R21 - $29.95 EASY PHOTOGRAPHY
Use a point and shoot camera to produce professional looking pictures. The program covers
camera types, film, use of light, composition, basic photo techniques and much more. Easy
instruction on how to take pictures of family, friends, children, pets and places. Picture faults and
buying tips are covered. Learn to shoot like a pro, it’s easy! 60 min. VHS.
#3R22 - $29.95 EASY HOME VIDEO
Basic techniques of using a camcorder and how to produce professional looking home videos.
Learn video formats, video accessories, and pre-production planning techniques. Learn the best
way to tell a visual story of your family, friends, events and places. 60 min. VHS.
#3R2X - $49.95
(#3R21, 3R22 bundle)
ORDER TOLL FREE 7 days
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ORDER FORM
on page
47
$39.95
each plus $7 S & H
ORDER All 4 Programs:
PHOTOGRAPHY 101
(ITEM K126XX ) FOR ONLY
$119.95
plus $12 S & H
Use the ORDER FORM on page 47
ORDER TOLL FREE 7 Days
1-800-654-9557 • FAX FREE 1-800-283-5989
Go to www.ifpo.net for Complete IFPO Programs and Catalog
www.ifpo.net
Today's Photographer International
1
BUSINESS FORMS: Packet of 100 for $9.95 each
contracts - checklists - releases - contr
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The Client will compensate the Photographer for the
following estimated miscellaneous expenses:
EXPENSE CATEGORY
AMOUNT
_____________________________________________________
IFPO Form F121
I
Location Plan
to Publish Agreement • IFPO Form F224
Bride's Name ©American
andRights
Contact
Image Press Information:
www.aipress.com (336) 945-9867
__________________________________________________
__________________________________________________
__________________________________________________
__________________________________________________
Ceremony Location:
__________________________________________________
__________________________________________________
__________________________________________________
__________________________________________________
Expires __________________________________
EQUIPMENT RENTALS
_____________________________________________________
_______________________________________________________________________________________
DEPOSIT ______________________________________
FACILITY RENTALS
_____________________________________________________
BALANCE DUE _________________________________
TRAVEL, FOOD, LODGING
Where will portrait(s) be displayed? ___________________________________________________________
After completion of the job and delivery of the photographs as specified, the negatives, proofs, extra photographs, and duplicates will be
_______________________________________________________________________________________
the property of THE PHOTOGRAPHER____ CLIENT____. The Client s permission in writing is required before the photographer can sell
these remaining materials or use them for publication purposes except as specified below:
Color Scheme of display room _______________________________________________________________
Publication rights retained by the photographer:
❏ One-time rights
signed-Photographer
__________________________date _______________
People
Plan
Payment Terms are:
❏ Cash, Check Money Order
❏ Credit Card
Card# ___________________________________
MODELING FEES
_____________________________________________________
How did client learn of the service? ___________________________________________________________
I
ION
________________
AN
AN
TI
ZA
ON
• IN
T
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darkroom: 35mm test strip log
___________________________________________________
PER DAY
OTHER
_______________________________________________________________________________________
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ERS
AN
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33 ____________________________________________________________________________________________________________________
U.R.L. www.aipress.com/~yourname
CITY, STATE/PROVINCE, ZIP, COUNTRY
Name:____________________________ Status: _________________________________
34 ____________________________________________________________________________________________________________________
Thigh
___________________
Dear Sir/Madam:
date
name
exp.
dilution
cap
t1 t2 t3 t4 t5
usage
Name:____________________________
Status: _________________________________
STATISTICS
35 ____________________________________________________________________________________________________________________
Name:____________________________ Status: _________________________________
American Image Press respectfully requests that permission be granted to the AIP Correspondent Press Photographer to cover the
Date of birth
___________________
________________________________________________________________________________________________________________________
36 ____________________________________________________________________________________________________________________
following event(s):
Name:____________________________ Status: _________________________________
COLOR
________________________________________________________________________________________________________________________
Marital Status
___________________
event• ©American
_____________________________________________________________date
__________________time__________________
35mm EXPOSURE LOG
Image Press
www.aipress.com - (336) 945-9867
IFPO Form F125
Other notes:
Test___________________________________ Enlarger height _______________________
Frame size __________________________
________________________________________________________________________________________________________________________
Skin color
___________________
Sex
___________________
event _____________________________________________________________date __________________time__________________
__________________________________________________________________________
________________________________________________________________________________________________________________________
Hair color
___________________
__________________________________________________________________________
event _____________________________________________________________date __________________time__________________
Social Security # ___________________
________________________________________________________________________________________________________________________
__________________________________________________________________________
Eye color
___________________
event _____________________________________________________________date
__________________time__________________
________________________________________________________________________________________________________________________
N
ER
NC
FULL WEDDING PHOTOGRAPHY PLAN
___________________
OPTIONAL BUSINESS OR STUDIO NAME
_________________________________________________
IFPO 32 ____________________________________________________________________________________________________________________
Name:____________________________
Status: _________________________________
email:Chemical
[email protected]
ADDRESS OR BOX NUMBER
Hips
___________________
telephone area code and number
Type ______________________________________________________________________________________________________
100 each
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Waist
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_____________________________________________________
__________________________________________________________________________
Bust
___________________
_________________________________________________
city, state, zip
darkroom: chemical usage
log
Who/How
many involved? ______
______________________________________________________________________________________________________________
or his designee (hereinafter the photographer) according to the following terms:
email:
A
ERS
PH
555-444-3211
ON
I
PH
A
fax:
TI
AN
A
TO: Sponsoring Agency
phone/fax
555-444-3210
fax:
www.aipress.com/~yourname
❏ one time rights
❏ first time rights
❏ exclusive rights
❏ all rights
Rights,credit
Commissions,
Taxes Contract • ©American Image Press
❏ photo credit
line NAME
requiredHERE
❏ photo
line waived
phone: 555-444-3210
YOUR
fax:
555-444-3211
Copyright claim
date: (today's BUSINESS
date) ____________________
OPTIONAL
OR STUDIO NAME
IFPO
email: [email protected]
Compensation:
❏ standard
rate
based on rights $ ________________
CITY,
STATE/PROVINCE,
ZIP, COUNTRY
❏ one time project fee $ ________________________
❏ per image used
❏ per expenses
People
and line
Places
Shooting Plan, page 1 of 4
❏ fees waived (in exchange for
photo credit
and/or
____copies of publication or other compensation
Job# ___________
Name
(bride/groom):
_____________________________________ Billing Name: ________________________
agreed uponJob
by the
publisher
and photographer.
MEASUREMENTS
Model applicant’s full name:
phone:
555-444-3210
How/Why?
Height
___________________
fax:
555-444-3211
Cause or effect of the
event: ____________________________________________________
_________________________________________________
Weight
___________________
street and number
__________________________________________________________________________
31 ____________________________________________________________________________________________________________________
phone: 555-444-3210
YOUR NAME HERE
date
phone:
Sales555-444-3211
Commissions
[email protected]
Name of Job: ___________________________________ Date: ______________________ Location: _____________________________
The agent shall receive __________ percent of sales made by the agent or made on the agent’s
premises. The Agent shall receive___________ percent of any sales of new works
commissioned
Recipient
of Portraitor
_______________________________________________________________________
Photographs are to be of the following type:
Print or transparency size specifications:
The agent shall receive __________
This photographic image is my own and has not been enhanced or
altered in any way. I hereby give permission
to the publisher to
_____________________________________________________
reproduce with the following rights and compensation:
MODEL INTERVIEW FORM
s
m
r
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F
1
6
$9.95
YOUR NAME HERE
OPTIONAL STUDIO OR BUSINESS NAME
YOUR ADDRESS OR BOX NUMBER
YOUR CITY, STATE/PROV., ZIP, COUNTRY
I
• ORG
R
AN
R
_________________________________________________
R
28 ____________________________________________________________________________________________________________________
IFPO
29 ____________________________________________________________________________________________________________________
30 ____________________________________________________________________________________________________________________
R
E • PH O T O G
When?
Exact time of occurance:________________ Date of the occurance:____________________
26 ____________________________________________________________________________________________________________________
YOUR NAME HERE
27 ____________________________________________________________________________________________________________________
E • PH O T O G
NC
ERS
Randklove Alle 134 2th, 2770 Kastrup, Denmark • 0045-01-518775
25 ____________________________________________________________________________________________________________________
A
IFPO
Physical address: _________________________________________________
General location: __________________________________________________
569-3 Ho Buk Ku Bu Pyong 5 Do, Inchon City 403-015, Korea • 523-1511
23 ____________________________________________________________________________________________________________________
Affiliate Agency: Dean Press Image
24 ____________________________________________________________________________________________________________________
PH
Where?
Location
E • PH O T O G
RIGHTS TO PUBLISH assignments
AGREEMENT
arranged for the artist during this contract period.
A
Korean Division
NC
IFPO
• ORG
I
22 ____________________________________________________________________________________________________________________
[email protected]
_____________________________________
A
ERS
AN
http://www.aipress.com
email:
TYPE
QUANTITY
___________________________________________________
Instant
_____________________________________________________
Date: ____________________________________________
Reason For Portrait _______________________________________________________________________
percent ofResponse
cash prizes and purchase awards collected on works included in this contract.
Publisher/Publication: _______________________________
BLACK & WHITE
___________________________________________________
Form 5
_____________________________________________________
Date of Presentation ______________________________________________________________________
Editor: ___________________________________________
Royalties, sale of reproduction rights and sale of copyrights are NOT included in this agreement.
COLOR TRANSPARENCY
___________________________________________________
_____________________________________________________
Address: _________________________________________
Set ___________________________________________________________________________________
COLOR PRINT
___________________________________________________
_____________________________________________________
City/State: ________________________________________
Finances and Taxes
Zip:______ Phone:_________ Fax: ____________________
OTHER
___________________________________________________
Wardrobe _______________________________________________________________________________
The Agent will pay the artist within __________ days after publication agreement or sale is completed. Deferred or
Event ___________________________________________
In return for the contracted goods and services, the client
The client agrees to compensate the Photographer
partial payment requires written consent from the artist. The (agent/artist) _______________
responsible
all
Studio is
Wardrobe
❒ forPersonal
Wardrobe
agrees ❒
to compensate the Photographer as follows:
for travel time in the amount of:
Description:_______________________________________
local and state sales tax. Copyrights are retained by the artist or photographer after the sale of the work.
Location: _________________________________________
COMPENSATION RATE
AMOUNT
TRAVEL TIME
AMOUNT
_____________________________________________________
___________________________________________________
Client Comments _________________________________________________________________________
Copyrights my be purchased only by special contract.
Date of Event:_____________________________________
PER JOB
PER MILE
_____________________________________________________
___________________________________________________
Photo Caption/Description:___________________________
_______________________________________________________________________________________
PER PRINT/TRANSPARENCY
PER HOUR
_____________________________________________________
________________
Technical Data:____________________________________
_____________________________________________________
___________________________________________________
agent signature
date
_______________________________________________________________________________________
________________________________________________
PER HOUR
PER DAY
Overall description of the scene:_________________________________________________
__________________________________________________________________________
phone: 555-444-3210
YOUR NAME HERE
__________________________________________________________________________
fax:
555-444-3211
20 ____________________________________________________________________________________________________________________
Editorial and Administrative Offices
P.O. Box 777, Lewisville, NC 27023-0777 • 336-945-9867
21 ____________________________________________________________________________________________________________________
R
PHOTOGRAPHY JOB CONTRACT
PH
• ORG
What?
19 ____________________________________________________________________________________________________________________
Today’s Photographer Magazine
E • PH O T O G
street and number times in
The agent/publisher may publish ____________________ work(s) for _____________________
Hair color
___________________
_________________________ (publication). Each Published work must be credited
with the name of the
_____________________________________
Eye color
___________________
artist (and copyright if applicable). Each publication requires express permissioncity,
by state,
the artist.
zip The artist
shall receive $_______________ in publication fees for each work under this contract.
The undersigned (hereafter referred to as the client) agrees to contract the services of:
A
ERS
AMERICAN IMAGE PRESS
18 ____________________________________________________________________________________________________________________
NC
IFPO
_____________________________________
Skin color
CITY, STATE/PROVINCE,
ZIP, ___________________
COUNTRY
ZA
I
PH
17 ____________________________________________________________________________________________________________________
Reproduction and Publishing Rights
I
AN
A
16 ____________________________________________________________________________________________________________________
Submit to:
Publication _________________________________________________________________
Department ________________________________________________________________
Address ___________________________________________________________________
City/State _________________________________________ Zip ______________________
Phone ___________________ Fax __________________E-Mail ______________________
A
o EACH Fo m packs o 100 NOT Pe sona zed
o ANY 3 Fo ms packs o 100 NOT Pe sona zed
o ANY 5 Fo ms packs o 100 NOT Pe sona zed
Use he O de Fo m on page 47
AN
• ORG
phone: 555-444-3210
13 ____________________________________________________________________________________________________________________
fax:
555-444-3211
IFPO
14 ____________________________________________________________________________________________________________________
15 ____________________________________________________________________________________________________________________
NC
Action
Scene
form 4
File # _________ Date __________ On-Scene Arrival Time__________________________________
12 ____________________________________________________________________________________________________________________
A
$9 95
$24 95
$39 95
• ORG
ERS
phone: 555-444-3210
Quick Step Property Release • IFPO Form F222
fax:
555-444-3211 ©American Image Press www.aipress.com (336) 945-9867
ERS
PH
IFPO
PH
A
10 ____________________________________________________________________________________________________________________
E • PH O T O G
A
YOUR NAME HERE
R
Quick Response News Log
11 ____________________________________________________________________________________________________________________
NC
ER
_____________________________________________________________
E • PH O T O G
• IN
T
_____________________________________________________________
9 _____________________________________________________________________________________________________________________
A
phone: 555-444-3210
fax:
555-444-3211
R
I
Description of Property: ________________________________________
NC
7 _____________________________________________________________________________________________________________________
YOUR NAME HERE
E • PH O T O G
Date of Interview____________________
INTERVIEW FORM
Date of Photo Session _______________
All sales are exclusive of copyrights and reproduction rights. Publishing or reproduction rights
_____________________________________
require specific written permission from the artist for EACH use.
phone: 555-444-3210
YOUR NAME HERE
CLIENT'S NAME
Age BUSINESS OR STUDIO NAME
fax:
555-444-3211
OPTIONAL
witness______________________ date _____________________________
A
8 _____________________________________________________________________________________________________________________
R
NC
address, city, state, zip
Referred to hereafter as “the artist”, for a period of ____________________ from this date. This
contract may be cancelled by either party upon written notice within __________
days, or atCLIENT
the
PORTRAIT
end of the exhibition or publication period. The termination date is __________.
signed_______________________ date _____________________________
1 _____________________________________________________________________________________________________________________
and parties designated by the photographer, including clients,Property Release • ©American Image Press www.aipress.com (336) 945-9867, IFPO Form F193
2 periodicals,
_____________________________________________________________________________________________________________________
licensees, purchasers, agencies, and
the irrevocable right
to use my name (and any fictional3name)
and photograph for sale to
_____________________________________________________________________________________________________________________
and reproduction in medium for purposes of advertising, trade,
display, exhibition, competition, 4
or _____________________________________________________________________________________________________________________
editorial use. I have read this
release and understand and agree5to_____________________________________________________________________________________________________________________
its terms. I affirm that I am
more than _____ ye
6 _____________________________________________________________________________________________________________________
E • PH O T O G
A
IFPO
AN
I
date ___________
MODEL RELEASE
___________________________
___________________________
__________________________
exp#
mode
f-stop
t___________________________
corr.
flash
remarks
do hereby give (photographer):
__________________________ ___________________________
NC
artist/photographer
___________________________________________________________________________
HOW TO BUY INDIVIDUAL FORMS:
date ___________
Description of Property:
In consideration for value received,
(model):
Film I ________________
From (time/date) __________________________ To (time/date) __________________________ Roll# ____________
A
address, city, state, zip
YOUR NAME HERE
___________________________________________________________________________
• ORG
AN
______________________________
35mm exposure log
witness ______________________________
agent, gallery, publisher
___________________________________________________________________________
Referred to hereafter as “the agent”, agrees to act as a representative for:
do hereby give (agent): __________________________________________
and parties designated by the agent, including clients, licensees, purchasers,
agents, publishers and periodicals, the irrevocable right to use the photograph
of the property described below for sale and for reproduction in any print or
electronic medium for purposes of advertising, trade, display, exhibition,
competition, or editorial use. I have read this release and understand and
agree to its terms. I affirm that I am more than _____ years of age.
ERS
• ORG
signed
___________________________________________________________________________
I, (property owner):______________________________________________
PH
I
ERS
N
QUICK STEP PROPERTY RELEASE
In consideration for promotional, publicity or other value described:
_____________________________________________________________
phone:
fax:
A
AN
PH
IFPO
IFPO
YOUR NAME HERE
• ORG
R
ERS
E • PH O T O G
PH
NC
A
A
fax:
555-444-3211
ARTIST / PHOTOGRAPHER’S CONTRACT
ON
ON
I, (property owner)
________________________________________
do hereby give (agent):
________________________________________
and parties designated by the agent, including clients, licensees,
purchasers, agents, publishers and periodicals, the irrevocable right
to use the photograph of the property described below for sale and
for reproduction in any print or electronic medium for purposes of
phone:use.555-444-3210
YOUR NAME
HERE trade, display, exhibition, competition, or editorial
advertising,
fax:
OPTIONALI have
BUSINESS
OR STUDIO
NAME
read this release
and understand
and agree to its
terms. 555-444-3211
I
I am more than _____ years of age.
ADDRESS
ORaffirm
BOX that
NUMBER
555-444-3210
555-444-3211
CITY,
STATE/PROVINCE, ZIP, COUNTRY
R
TI
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TI
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E • PH O T O G
AL • FR
ON
ER
NC
A
A
I
Releases are not usually required for news photos. Releases are
Instant
required for non-news events or photos for commerical purpose
Response
and must be included with submissions to publishers.
Form 3
A property release form must be signed by the owner of
pets, cars, buildings or any other inanimate object whose photo is for resale or
commercial purpose.
In consideration for promotional, publicity or other value described:
ION
L
EE
AL • FR
AT
IFPO
AN
TI
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phone: 555-444-3210
fax:
555-444-3211
RS • ORG
AN
YOUR NAME HERE
HE
• ORG
ION
R
• IN
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E • PH O T O G
IFPO
ON
NC
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PH
PROPERTY RELEASE
TI
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A
IFPO
❏ Exclusive rights
_______________________________________________________________________________________
❏ First rights
❏ All rights are waived by the photographer.
The Client s permission is granted ___ not granted ___ to the Photographer to use the photos covered under this contract for EXHIBITION,
PHOTOGRAPHY CONTESTS, PORTFOLIOS, or DISPLAY purposes.
Portrait Client Interview Form • ©American Image Press
IFPO Form F158
In the event the photographer fails to provide the photographs and/or services described in this contract, the Photographer is liable to the
Client only for the amount paid by the Client for deposit with no consideration for additional fees or expenses already paid by the
Photographer.
_____________________________________________
___________________________________________
Client s name
Photographer
Officiating Clergy or Justice:
Bride's Family and Contact Information:
_____________________________________________
___________________________________________
address
address
__________________________________________________
__________________________________________________
_____________________________________________
___________________________________________
__________________________________________________
__________________________________________________
phone#
phone#
__________________________________________________
__________________________________________________
_____________________________________________
___________________________________________
date & signature
date & signature
phone: 555-444-3210
YOUR NAME HERE
__________________________________________________
__________________________________________________
________________________________________________________________________________________________________________________
fax:
555-444-3211
photographer's signature ______________________________________________
date ___________________________________________________________
event _____________________________________________________________date
__________________time__________________
OPTIONAL BUSINESS OR STUDIO
NAME
__________________________________________________
❏ Fashion
❏ Pageants
IFPO
Glove
Size
___________________
email:
[email protected]
ADDRESS
OR
BOX
NUMBER
________________________________________________________________________________________________________________________
phone:
555-444-3210
Photography Job Contract ¥ 'American Image Press
IFPO Form F120
Pre-Wedding Shooting Location(s):
__________________________________________________
YOUR NAME HERE
event _____________________________________________________________date __________________time__________________
Quick Response News Log • ©American Image Press
IFPO Form F204
fax:
555-444-3211
__________________________________________________
OPTIONALShoe
BUSINESS
NAME
❏ Commercials
❏ Photographic
________________________________________________________________________________________________________________________
Size OR STUDIO
___________________
phone: 555-444-3210
YOUR NAME HERE
IFPO
email:
[email protected]
__________________________________________________
Maid (matron) of Honor and Party:
fax:for Today’s
555-444-3211
Please issue confirmation
directly toBUSINESS
the following official
Correspondent
Press Photographer
Photographer Magazine:
OPTIONAL
OR STUDIO
NAME
________________________________________________________________________________________________________________________
❏ Promotions
❏ Figure
CITY, STATE/PROVINCE,
IFPO
__________________________________________________
__________________________________________________
Ring SizeZIP, COUNTRY
___________________
__________________________________________________
__________________________________________________
Respectfully yours,
CITY, STATE/PROVINCE, ZIP, COUNTRY________________________________________________________________________________________________________________________
__________________________________________________
The undersigned (hereafter referred to as the client) __________________________________________________
agrees to contract the services of:
________________________________________________________________________________________________________________________
Action
MODELING EXPERIENCE
MODEL TRAINING
__________________________________________________
__________________________________________________
Scene
________________________________________________________________________________________________________
________________________________________________________________________________________________________________________
form 2
__________________________________________________
signature
__________________________________________________
List
modeling
assignments
performed
using
List
modeling
schools
&
training
using
or his designee (hereinafter the videographer) according to the following terms:
Photographic assignments on location require a range of equipment. The following checklist is intended as a guide to the pieces of equipment most often needed on location. This list should be
________________________________________________________________________________________________________________________
__________________________________________________
__________________________________________________
additional space on the back of this form if
additional space on the back of this form if
used as a starting point. Individual photographers have unique needs and should add
pieces of equipment items that may not be listed here and ignore those items that you do not use on
location.
Only those items
that________________________________________
absolutely necessary for your method of on location shooting should
be included.
__________________________________________________
correspondent’s
name
address
_____________________________________________
__________________________________________________
Name of Job: ________________________________
Date: ____________________ Location: ___________________________
necessary:
necessary:
________________________________________________________________________________________________________________________
__________________________________________________
Video Tapes are to be of the following type:
Other tape specifications:
File # _________ Date __________
Time __________
❏ Screwdrivers ________________________________________________________________________________________________________________________
(Phillips and regular tips)
_______________________________________
_______________________________________
EQUIPMENT
CHECKLIST
MISCELLANEOUS CHECKLIST
persons and vehicles involved:
Reception Location:
Assignment Verification Code# ________________________________
_____________________________________
__________________________________________________
❏ Spring clamps (severalcity/state/country
small ones)
In addition to camera bodies, lenses and film the
These items are optional and might be
TYPE
QUANTITY
________________________________________________
________________________________________________________________
__________________________________________________
_______________________________________
_______________________________________
following items should always be a part of on ❏ Super glue ________________________________________________________________________________________________________________________
considered luxury items.
(PARTY 1)
(PARTY 1)
location equipment:
❏ Staple gun and staples
__________________________________________________
phone # ___________________________________________________
zip_________________________________________________
Groom's Name ________________________________________________
and Contact Information:
VHS
________________________________________________________________
________________________________________________________________________________________________________________________
❏ Bottled water for soup, coffee or tea
Name: _______________________________________
Name: _______________________________________
❏ Swiss Army Knife
_______________________________________
_______________________________________
phone:
555-444-3210
YOUR
NAME HERE
❏ Changing bag
__________________________________________________
__________________________________________________
❏ Chicken or beef bouillon
( can opener, scissors, leather punch, clippers etc)
Address: _____________________________________
Address: NAME
_____________________________________
VHS C/S VHS
________________________________________________
________________________________________________________________
fax:
555-444-3211
________________________________________________________________________________________________________________________
❏ Extra batteries
OPTIONAL
BUSINESS
OR
STUDIO
❏ Candy (hard that doesn't melt easily)
❏ Tape (masking, gaffers, electrical, duct tape)
__________________________________________________
__________________________________________________
_______________________________________
_______________________________________
IFPO
❏ Extra
film Request • ©American Image Press
Phone: _______________________________________
Phone: _______________________________________
Press
Assignment
www.aipress.com
- (336) 945-9867 ❏ Coffee (instant)
IFPO Form F155
email:
[email protected]
❏ Tape measurer
(25
foot)
8 MM
________________________________________________
________________________________________________________________
________________________________________________________________________________________________________________________
__________________________________________________
❏ Extra Flash sync cords
❏ Cream
Car Make:_____Model:_____Year:______Color:
______
Car Make:_____Model:_____Year:______Color:
______
❏ Twine or heavy string
U.R.L.
CITY,
STATE/PROVINCE,
ZIP, COUNTRY
_______________________________________
_______________________________________
❏ Extra light meter
Honeymoon Departure Location
__________________________________________________
BETA
________________________________________________
❏ Sugar
❏ Two three prong
to two prong outlet adapters
________________________________________________________________________________________________________________________
License Plate: _________________________________
License Plate: _________________________________
❏ Extra power pack (for flash)
❏ Soup (dehydrated)
❏ Velcro (3 or 4 feet)
__________________________________________________
❏ Extra tripod
Insurance
Co.:
_________________________________
Insurance
Co.:
_________________________________
________________________________________________________________________________________________________________________
❏ Tea bags
❏ Vice grips (small
and large)
In return for the contracted goods and services,Groom's
the clientFamilyThe
client
agrees
to compensate the Videographer__________________________________________________
and
Contact
Information:
I affirm that all the information I have given on
❏ Film x-ray bags (for air travel)
Action
❏ Knife, fork, spoon combination
❏ Weatherproofed map of location area
agrees to compensate the Videographer as follows:
for travel time in the amount of:
Scene
❏ Filters
this form is true to the best of my knowledge.
________________________________________________________________________________________________________________________
__________________________________________________
__________________________________________________
signature___________________________________________
date ___________________
❏ Magazines or other reading material
❏ Wire cutters (small)
(PARTY
1)
(PARTY
1)
form 1
❏ Gray card
❏ Pencils and Pens
❏ Zip-lock plastic bags (12 one gallon size)
__________________________________________________
__________________________________________________
Complete this form to evaluate
the scene
and determine the type of coverage required.
Name:
_______________________________________
Name: _______________________________________
________________________________________________________________________________________________________________________
❏ Instruction Manual (Camera)
COMPENSATION RATE
AMOUNT
TRAVEL TIME
AMOUNT
________________________________________________________________
______________________________________________________________
❏ Permanent marking pens (black)
❏ __________________________________
__________________________________________________
❏ Instruction Manuals (other equipment )
Address: _____________________________________
Address: _____________________________________
❏ Small notebooks (3x5 or journalist type)
________________________________________________________________________________________________________________________
PER JOB
PER MILE
________________________________________________________________
______________________________________________________________
❏ Lens cleaning cloth
❏ __________________________________
Coordination Services:
__________________________________________________
❏ Micro tape recorder
Phone: _______________________________________
Phone: _______________________________________
Model Interview Form • ©American Image Press
IFPO Form F164
❏ Pen or pencil
❏ Extra tapes for recorder
❏ __________________________________
________________________________________________________________________________________________________________________
Limousine ______________________________________
__________________________________________________
PER TAPE
PER HOUR
________________________________________________________________
______________________________________________________________
Car Make:_____Model:_____Year:______Color: ______
Car Make:_____Model:_____Year:______Color: ______
❏ Photographic Reference Book
❏ Safety pins
phone: 555-444-3210
YOUR NAME HERE
❏ __________________________________
________________________________________________
__________________________________________________
❏ Small brush for cleaning camera
License Plate: _________________________________
License Plate:File
_________________________________
________________________________________________________________________________________________________________________
# _________ Date __________ Time __________
❏ Small flashlight
PER HOUR
PER DAY
________________________________________________________________
______________________________________________________________
fax:
555-444-3211
❏ Shooting log
Floral __________________________________________
❏ Tissues
Insurance Co.: _________________________________
Insurance Co.: _________________________________
IFPO
________________________________________________________________________________________________________________________
PER DAY
❏ __________________________________
FIRST AID KIT
CHECKLIST
________________________________________________
Best Man's Name OTHER
and Contact Information:
❏ __________________________________
❏ __________________________________
The following list
of items make up a basic first
________________________________________________________________________________________________________________________
Catering ________________________________________
Scene type:
Other:
The Client will compensate the Videographer for __________________________________________________
the
kit and should always be a part of "on location" ❏ __________________________________
Payment Terms are:
❏ __________________________________
gear. Additional items should be added ❏ __________________________________
________________________________________________
Witnesses: (bystander
or lawscene
enforcement)
❏ Accident
❏ Large crowds gathered
following estimated miscellaneous expenses: __________________________________________________
________________________________________________________________________________________________________________________
depending on the
specific locale. When working
❏ __________________________________
in unfamiliar areas, contact local or state health
Other __________________________________________
__________________________________________________
❏ Cash, Check Money Order
Name: __________________________
Name:__________________________
Investigating
Officer:
❏ Fire
❏ Motorists
re-routed
departments for ________________________________________________________________________________________________________________________
unknown hazzards.
❏ __________________________________
________________________________________________
__________________________________________________
Address: ________________________
Address: ________________________
________________________
EXPENSE CATEGORY
AMOUNT
PHOTO VEST CHECKLIST
________________________________________________________________
❏
Credit
Card
❏ Natural disaster
❏ Major thoroughfare blocked
❏ Aspirin
❏ __________________________________
__________________________________________
___________________
__________________
Phone #: ________________________
Phone #:________________________
________________________
The photo vest is especially handy for
Card# ___________________________________
❏ Adhesive tape 1" x 2* yds
MODELING FEES
On the scene photos: Number
of unprocessed
Film _______________________ Negative ________________________________________________________________________________________________________________________
_____________ Date
_____________________
event _____________________________________________________________date
__________________time__________________
SIZES
exposures available: _________________________
(number) ___ photos can be available by: ____________________________
AREAS OF INTEREST
Hat Size
___________________
Format:
______________________________________________________
________________________________________________________________________________________________________________________
event _____________________________________________________________date
__________________time__________________
❏ Glamour
❏ Video/Cinema
Dress Size
___________________
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________________________________________________________________________________________________________________________
event _____________________________________________________________date
__________________time__________________
ER
VIDEOGRAPHY JOB CONTRACT
ACCIDENT REPORT
NC
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pe 100
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Freelance Photographer's On-Location Checklist
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News Reporter's Log & Evaluation
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PHOTOGRAPHY JOB INVOICE
________________________________________________________________
assignments on location. The vest should be
❏ Catastrophic
event
❏ Neighborhoods threatened
to be
❏ Ammonia Inhalants
FILM DEVELOPING LOG • ©Americancomfortable
Image Press but must be properly stocked
www.aipress.com
- (336) 945-9867
IFPO Form F127
Full Wedding: People and Places Shooting Plan 1 of 4 • ©American Image Press www.aipress.com - (336) 945-9867
functional.
Expires __________________________________
EQUIPMENT RENTALS
Photographs ❏
ofEntertainment
Property Damage:
________________________________________________________________
❏ Environmental hazards
❏ Anti-diarrhea medicine
(PARTY 1-car, building, other)
❏ Band aids (assorted)
❏ Aspirin or other pain reliever
DEPOSIT ______________________________________
❏ Other__________
❏ Residents
evacuated
FACILITY RENTALS
________________________________________________________________
❏ Bottled water
❏ Extra film
❑ Front ❑ Rear
❑ Front ❑ Rear
❑ Front ❑ Rear
❑ Front ❑ Rear
TOOL KIT CHECKLIST
BALANCE DUE _________________________________
❏ Burn Ointment
❏ Hostile surroundings
TRAVEL, FOOD, LODGING
❏ Extra batteries
❑ Right ❑ Left Side
❑ Right ❑ Left Side
❑ Right Side ❑ Left
❑ Right Side ❑ Left
Tools are used routinely on location but are ❏ Chapstick
❏ Extra keys to car or luggage
❏ Other__________
especially important when the unexpected
❑ Make/Model
❑ Make/Model
❑ Make/Model
❑ Make/Model
After completion of the job and delivery of the tapes as specified, the original tapes, cuttings, out-takes, and duplicates will be the property of THE
happens. Tools should be packed separately ❏ Cold pack
❏ International credit card
from Image
cameras
and equipment . Tools shouldwww.aipress.com
be ❏ Eye pads
35mm TEST STRIP LOG • ©American
Press
- (336) 945-9867
IFPO
Form F130telephone card
VIDEOGRAPHER____ CLIENT____. The Client’s permission in writing is required before the videographer can sell these remaining materials or
❏
International
❏
Major
❑
Vehicle
License
Plate
❑
Vehicle
License
Plate
❑
Vehicle
License
Plate
❑
Vehicle
License
Plate
small and lightweight yet functional.
❏ Eye irrigate (small bottle)
use them for publication purposes except as specified below: “Publication” refers to reproduction in the print or electronic media.
❏ Insect repellant
Damaged Area: ❏ Minor Damaged Area:
Damaged Area:
Damaged Area:
❏ First Aid instruction manual
❏ Allen wrenches (US and metric)
❏ Lens cleaning cloth
Reproduction
Publication
rights
retained
by
the
videographer:
❏
Gauze
Bandages
2"
❑
Center
❑
Close-ups
❑
Center
❑
Close-ups
❑
Center
❑
Close-ups
❑
Center
❑
Close-ups
❏ Not worth covering
❏ Binoculars (optional)
❏ Usual
❏ Light meter
❏ Gauze pads 4"
❏ One-time rights
❏ Exclusive rights
❏ Chalk (two or more colors)
❑ Inside/Interior Damage
❑ Inside/Interior
Damage
❏ Micro recorder
❏ Not a newsmaker,
could
be worth two or
❏ Hand lotion
❏ Unusual
❏ Channel locks (medium)
❏ Passport or ID w/ money
❏ First rights
❏ All rights are waived by the videographer.
❏ Hydrogen Peroxide (plastic bottle)
more new clients.
❏ Compass
Accident Diagram:
❏ Other__________
❏ Pen or pencil
❏ Insect spray
❏ Extra hat
The Client’s permission is granted ___ not granted ___ to the Videographer to use the tapes covered under this contract for
Indicate direction of vehicles, direction they were traveling and indicate from where you took your different photographs.
❏ Might be a newsmaker - no other news
❏ Pepper gas or tear gas
❏ Magnifying glass
❏ 50 foot extension cord
EXHIBITION, COMPETITIONS, PORTFOLIOS, or DISPLAY purposes.
❏ Non-Apsirin Pain Reliever
❏ Small brush for cleaning camera
❏ Flashlight
people on
the scene.
North
I, the undersigned
(hereafter
referred to the
❏ Prescription drugs
In the event the videographer fails to provide the tapes and/or services described in this contract, the Videographer is liable to the
❏ Small pocket knife
❏ Flashlight batteries and extra bulb
photographer)
declare
the information
listed
herecoverage
to
❏ Major
event
needs full
news
and Client only for the amount paid by the Client for deposit with no consideration for additional fees or expenses already paid by the
❏ Q-Tips
❏ Foreign adapter plug (foreign travel)
❏ Snacks (crackers, hard candy or jerky)
❏ Reflective Thermal blankets
be accurate and
unbiased
toward any of the parties
❏ Folding shovel or trowel
videographer.
❏ Special medicines
client
notification.
❏ Sting relief wipes
❏ Photographers
involved.
❏ Garbage bags (3 large)
❏ Sun block
___________________________________________
❏ Sting stick
❏ Major
event
Too _____________________________________________
❏ Hammer (small)
The photos
are true
to thenews
scene people
and haveeverywhere
not
❏ Tissue (small pkg.)
Client’s name
Photographer
❏ Sun block
❏ Leatherman Tool
been altered in any manner.
_____________________________________________
___________________________________________
❏ Toothbrush
❏ Sun glasses
E
W
❏ Jewelers screw drivers
address
address
The photographer ______is ______is not available
❏ Triangular bandage (1)
❏ __________________________________
❏ Ladder (3 to 6 foot)
_____________________________________________
___________________________________________
❏ Tube of First Aid Creme
as a witness to appear in court or assist in insurance
phone#
phone#
❏ Nails, bolts, brads, and screws
❏ __________________________________
❏ Tweezers (sharp pointed)
_____________________________________________
___________________________________________
claims.
❏ Pepper or tear gas (rabid animals)
❏ __________________________________
❏ Wound wipes
❏ Rain poncho
❏ Rubber bands
❏ __________________________________
❏ Rulers (12 and 6 inch)
In addition to the equipment list, suggested
signature ____________________date _______________________
❏ __________________________________
South
preparatory routine and a follow-up routine upon
Videography Job Contract • ©American Image Press
IFPO Form F140
❏ Safety Matches or Lighter
return to the studio are included. There are
❏ __________________________________
❏ Saws (small wood and a hack)
several lists depending upon what type of
photography you plan to do away from your
❏ Scissors
home or studio.
Accident Report • ©American Image Press
IFPO Form F202
❏ __________________________________
❏ __________________________________
Scene evaluation overall:
EVALUATION:
client name
IFPO Form F171
address
invoice #
__________________________________________
__________________________________________
city/state/zip/country
__________________________________________
date
________________________________________
name of job
phone number
Date
Item & Description
Quantity
Price Each
Price
Are other news reporters on the
scene?
Freelance On-Location Checklist • ©American Image Press
IFPO Form F301
FREELANCE PHOTOGRAPHER S CONTRACTS AND CHECKL STS
F120
F121
F159
F160
F157
F158
F301
F141
F169
F170
F171
F172
F173
F174
F165
F163
F164
F140
F142
PHOTOGRAPHER S JOB CONTRACT
PHOTOGRAPHER S R GHTS COMM SS ONS CONTRACT
PHOTOGRAPHER S JOB NVO CE
PHOTOGRAPHER S JOB EST MATE WORKSHEET
PORTRA T PHOTOGRAPHER S JOB CONTRACT
PORTRA T PHOTOGRAPHER S NTERV EW FORM
PHOTOGRAPHER S ON ASS GNMENT CHECKL ST
NSURANCE PHOTOGRAPHER S NVENTORY RECORD
WEDD NG PHOTOGRAPHY JOB CONTRACT
WEDD NG PHOTOGRAPHY CHECKL ST
Fu Wedd ng Peop e and P aces Shoo ng P an 1 o 4
Fu Wed P e Ce emony Ce emony Shoo ng P an 2 o 4
Fu Wedd ng Pos Ce emony Shoo ng P an 3 o 4
Fu Wedd ng Shoo ng Appo n men s P an 4 o 4
MODEL PORTFOL O JOB CONTRACT
MODEL PORTFOL O SHOOT NG CHECKL ST
MODEL NTERV EW FORM
V DEOGRAPHER S JOB CONTRACT
V DEOGRAPHER S WEDD NG CHECKL ST
RELEASES AND SUBM SS ON AGREEMENTS
F191
MODEL RELEASE pocke o m
F192
PUBL CAT ON RELEASE pocke o m
F193
PROPERTY RELEASE pocke o m
F147
PUBL CAT ON SUBM SS ON pocke o m
F224
R GHTS TO PUBL SH AGREEMENT
NEWS PHOTOGRAPHERS PLANNERS AND REPORTS
F210
HOT NEWS CHECKPO NTS
F211
DA LY ACT ON PLANNER
F212
HOT CONTACTS LOCAL PUBL CAT ONS
F213
QU CK RESPONSE PROCESS NG LABS
F214
F ELD D RECTORY NOTES
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F220
F221
F222
F201
F202
F203
F204
F223
QU CK STEP PUBL CAT ON RELEASE pocke o m
QU CK STEP MODEL RELEASE pocke o m
QU CK STEP PROPERTY RELEASE pocke o m
NEWS REPORTER S LOG & EVALUAT ON
NEWS REPORTER S ACC DENT REPORT
CL ENT NOT F CAT ON FORMS pocke o m
QU CK RESPONSE NEWS LOG
NSTANT NEWS REPORT FORM
Tax
Subtotal
Less Amt Paid
Due Date
Photography Job Invoice • ©American Image Press
_________________
Total Due
IFPO Form F159
PHOTOGRAPHERS LOGS
F125
35mm EXPOSURE LOG
F146
PHOTO SHOOT NG LOG
F126
DARKROOM F LM DEVELOP NG LOG
F127
DARKROOM CHEM CAL USAGE LOG
F128
DARKROOM ENLARGER CAL BRAT ON LOG
F129
DARKROOM PR NT MAK NG LOG
F130
DARKROOM 35mmTEST STR P LOG
M SCELLANEOUS FORMS
F101
FPO MEMBERSH P APPL CAT ON
F102 a FPO MEMBER S NFORMAT ON FORM
F102 b FPO REFERRAL PROGRAM FORM
F103
FPO ORDER FORM
F104
ASS GNMENT DATA BANK REG STRAT ON
F105
PHOTO CONTEST RULES AND ENTRY FORMS
F106
ED TOR S SWEEPSTAKES & SUBM SS ON NFO
F107
FPO MEMBER S ADVERT S NG RATES
F108 a FPO HOME PAGE PROGRAM K T #1
F108 b FPO HOME PAGE PROGRAM K T #2
F108 c FPO HOME PAGE PROGRAM K T #3
P109
P CTURE AWARD PROGRAM
F139
FPO PRESS ASS GNMENT REQUEST MEMO
F145
PHOTO CONTEST ENTRY FORM pocke o m
F155
PRESS ASS GNMENT REQUEST FORM
F156
PRESS ASS GNMENT RECORD
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R
AT
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____
______________________________
❏ ❏ Reception site, exterior
____________________
❏ ❏ Reception site, interior _______________
_____________________________
❏ ❏ Wedding cake _______________
_
______________________________
❏ ❏ Bride’s cake _______________
_____________________________
❏ ❏ Groom’s cake _______________
__________
_______________
❏ ❏ Buffet/Food table _______________
_______________________
❏ ❏ Photo of Head Table _______________
cake ____________________________
❏ ❏ Bride and Groom slicing
______________
_______________
❏ ❏ Bride feeding cake to Groom
_____________________________
❏ ❏ Groom feeding cake to Bride
other ________________________
❏ ❏ Couple feeding cake to each
_
______________________________
❏ ❏ Couple toasting each other
license_______________________
❏ ❏ Witnesses signing marriage
____________________
❏ ❏ Servers ______________________________
_____________________
❏ ❏ Reception decorations _______________
_________________________
❏ ❏ The Couple’s first dance_________
______________________
❏ ❏ Groom dancing with Mother________
_
______________________________
❏ ❏ Bride dancing with Father
______________________
❏ ❏ Groom dancing with Mother-in-Law
________________________
❏ ❏ Bride dancing with Father-in-Law
_______________________
❏ ❏ Attendants’ dancing _______________
_
______________________________
❏ ❏ Parents’ of Couple dancing
______________________
❏ ❏ Misc. Guests dancing _______________
______________________________
❏ ❏ Bouquet toss _______________
______________________
❏ ❏ Catching the bouquet _______________
___
Bride_________________________
❏ ❏ Groom taking garter off
_________________
_______________
_______________
❏ ❏ Garter toss
_______________________
❏ ❏ Catching the garter _______________
catcher _________________________
❏ ❏ Caught Garter placed on
__________________________
❏ ❏ Best Man’s toast _______________
___
______________________________
❏ ❏ Other Attendants’ toasts
couple ___________________________
❏ ❏ Toasts from Parents’ of
etc.) _________________
(musicians,
entertainment
of
❏ ❏ Photo
____________________
❏ ❏ Centerpieces on Tables _______________
___
______________________________
❏ ❏ Food being served/eaten
________________
_______________
guests
with
mingling
❏ ❏ Bride
_____________________
❏ ❏ Groom mingling with guests_________
with guests ___________________
❏ ❏ Bride and Groom mingling
____________________
_______________
Parents
her
with
Bride
❏
❏
____
______________________________
❏ ❏ Groom with his Parents
sets of Parents ______________
❏ ❏ Bride and Groom with both
Son ________________________
❏ ❏ Groom, Father, Grandfather,
Daughter __________________
❏ ❏ Bride, Mother, Grandmother,
sets of Grandparents ________
❏ ❏ Bride and Groom with both
Guests ____________________
❏ ❏ Bride and Groom with various
Guests_____________________
❏ ❏ Bride and Groom with special
Groom _______________________
❏ ❏ Candid photos of Bride and
__________________________
❏ ❏ Candid photos of Guests________
_____________________________
❏ ❏ Apron/Money dance_________
__
______________________________
❏ ❏ Release of butterflies_____
___________________________
❏ ❏ Release of birds _______________
E • PHOTO
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NC
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FULL WEDDING PHOTOGRAPHY
People and Places Shooting Plan,
page 1 of 4
Job# ___________ Job Name (bride/groom)
: ____________________________________
_
Engagement Photos Shooting
Plan
❏❏
Billing Name: ________________________
❏ ❏ Engagement photo for newspaper
________________________
❏ ❏ Formal engagement photo
________________________________
❏ ❏ Casual engagement photo
________________________________
Bride
______________________
❏ ❏ Bubble-blowing shots _______________
______________________
❏ ❏ Petal throwing shots _______________
_
shots_________________________
❏ ❏ Birdseed or Rice throwing
____________________________
❏ ❏ College friends _______________
__________________________
❏ ❏ Work Associates _______________
Bride’s hand(ring)
under
(ring)
hand
Groom’s
❏ ❏ Close-up of
_____________________
❏ ❏ Outdoor Couple poses _______________
____________________________
❏ ❏ Couple kissing _______________
____
Bouquet______________________
❏ ❏ Photo of Invitation and
and Boutonniere ____________
❏ ❏ Photo of bow tie, Invitation
____
______________________________
❏ ❏ Gift table _______________
___________________________
❏ ❏ Couple opening gifts___________
555-444-3210
555-444-3211
[email protected]
Shooting Plan Prior to the Ceremony
❏ ❏ Bride dressing with Mother's
help _______________________
❏ ❏ Bride dressing with attendants
help ______________________
❏ ❏ Bride alone, full body shot
_______________________________
❏ ❏ Bride alone, 3/4 view ______________
______________________
❏ ❏ Bride alone, head and shoulders
shot ____________________
❏ ❏ Bride looking into full-length
mirror _____________________
❏ ❏ Bride looking into mirror,
head and shoulders shot ______
❏ ❏ Maid/Matron of Honor placing
garter on bride ___________
❏ ❏ Mother adjusting Bride’s
veil_____________________________
❏ ❏ Bride with something new,
borrowed and something blue
❏ ❏ Bride with each of attendant
_____________________________
❏ ❏ Bride with Flower Girl(s)_______
__________________________
❏ ❏ Bride with Maid/Matron
of Honor_____________________
___
❏ ❏ Bride with mother ______________
_________________________
❏ ❏ Bride with father ______________
__________________________
❏ ❏ Bride with her mother and
father ________________________
❏ ❏ Bride with grandparents
_________________________________
❏ ❏ Bride kissed by her father
_______________________________
❏ ❏ Bride pinning boutonniere
on her Father _________________
❏ ❏ Bride putting corsage on
her Mother _____________________
❏ ❏ Bride placing penny in her
shoe__________________________
❏ ❏ Bride giving ring to Maid/Matron
of Honor ______________
❏ ❏ Bride windowlight portraits
______________________________
❏ ❏ Individual portrait of each
person in wedding party______
❏ ❏ Bride giving bouquets/bou
tonnieres to her attendants ____
❏ ❏ Bride in mirror, finishing
touches ________________________
❏ ❏ Bride leaving for wedding
________________________________
❏ ❏ Bride's parents waving
__________________________________
❏ ❏ Bride's parents wiping tears
_____________________________
❏ ❏ Bride arriving at ceremony
______________________________
❏ ❏ Maid/Matron of Honor wiping
Bride’s brow ______________
❏ ❏ Maid/Matron of Honor pulling
Bride into church/site ____
❏ ❏ Picture of Bride entering
church/site_____________________
PLAN
Billing Name: ________________________
Mother kissing Groom_______
_____________________________
❏ ❏ Groom pinning boutonniere
on Father ____________________
❏ ❏ Groom putting corsage on
Mother ________________________
❏ ❏ Groom shining his shoes
_________________________________
❏ ❏ Groom giving ring to Best
Man __________________________
❏ ❏ Groom looking out the window
___________________________
❏ ❏ Individual portrait of each
person in wedding party______
❏ ❏ Groom giving bouquets/bou
tonnieres to his attendants ___
❏ ❏ Groom in mirror, finishing
touches ______________________
❏ ❏ Groom leaving for wedding_____
__________________________
❏ ❏ Groom's parents waving
at groom _______________________
❏ ❏ Groom's parents wiping
tears ____________________________
❏ ❏ Groom arriving at ceremony
site _________________________
❏ ❏ Best Man wiping Groom’s
brow __________________________
❏ ❏ Best Man pulling Groom
into church/site________________
_
❏ ❏ Picture of Groom entering
church/site ___________________
61 FORMS MASTERS ORDER FORM
Departing Reception Shooting
Plan
__
______________________________
❏ ❏ Decorating “getaway” car
goodbye to guests _______________
❏ ❏ Bride and Groom saying
Parents __________________________
❏ ❏ Couple kissing/hugging
_
to getaway car _______________
❏ ❏ Bride and Groom walking
_________________________
❏ ❏ Couple waving to guests_________
car __________________________
❏ ❏ Couple getting into getaway
_
car___________________________
❏ ❏ Couple leaving in getaway
__________________
Honeymoon
for
plane
on
❏ ❏ Couple getting
_
up ______________________________
❏ ❏ Reception site. cleaning
pockets _______________________
❏ ❏ Bride’s father with empty
______________________
_______________
car
to
gifts
❏ ❏ Carrying
__
photo of Groom _______________
❏ ❏ Groom’s mother kissing
of Bride ____________________
❏ ❏ Bride’s mother kissing photo
Photographers’’ Forms Reproducible MASTERS
Complete sets of CURRENT FORMS
❏ 15MA-61 $39.95 NOT PERSONALIZED
❏ 15PR-61 $69.95 PERSONALIZED (see below)
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❏S&H
$9.00 1st Class Mail
$
Total Enclosed
Full Wedding: Post Ceremony Shooting
Press
Plan 3 of 4 • ©American Image
Other Poses for Photographs
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
_______________
❏ ❏ _______________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
_______________
❏ ❏ _______________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
_______________
_______________
❏❏
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
Groom Shooting Plan Prior to
the Ceremony
❏ ❏ Groom dressing with help
of Father ______________________
❏ ❏ Groom dressing with help
of attendants __________________
❏ ❏ Groom alone, full body shot
______________________________
❏ ❏ Groom alone, 3/4 view ______________
_____________________
❏ ❏ Groom alone, head and shoulders
shot ___________________
❏ ❏ Groom looking into full-length
mirror ____________________
❏ ❏ Groom looking into mirror,
head and shoulders shot _____
❏ ❏ Groom with each of his
attendants _______________________
❏ ❏ Groom with Best Man ______________
______________________
❏ ❏ Groom with Ring-Bearer
_________________________________
❏ ❏ Groom with his Mother
__________________________________
❏ ❏ Groom with his Father ______________
_____________________
❏ ❏ Groom with Grandparents
________________________________
IFPO Form F173
SHIPPING & MEMBER INFORMATION:
Full Wedding: Pre-Ceremony and
IFPO MEMBERS ONLY!
Ceremony Shooting Plan
❏ ❏ Picture of church/site ______________
______________________
❏ ❏ Usher/Groomsmen seating
Parents of Bride ______________
Parents of Groom_____________
Bride’s Grandparents _________
Groom’s grandparents ________
❏ ❏ Photo of Musicians ______________
________________________
❏ ❏ Photo of Officiating Clergy
or Justice_____________________
❏ ❏ Groom and attendants waiting
for bride's aisle walk ____
❏ ❏ Bride, attendants and Escort,
about to enter _____________
❏ ❏ Flower girl and ringbearer
walk down aisle ______________
❏ ❏ Bride's attendants walk
down the aisle ______________
____
❏ ❏ Maid/Matron of Honor coming
down the aisle ____________
❏ ❏ Bride and Escort walk down
the aisle (front shot) _______
❏ ❏ Bride and train walking
down aisle (back shot) __________
❏ ❏ Moment that Bride and
Groom meet at altar _____________
❏ ❏ Entire wedding party at
altar ____________________________
❏ ❏ Bride, Groom and Official
________________________________
❏ ❏ Entire interior view (wide
angle)_________________________
❏ ❏ Bride's and Groom's mothers
lighting unity candle
❏ ❏ Bride and Groom lighting
unity candle ___________________
❏ ❏ Medallion ceremony ______________
________________________
❏ ❏ Hands ceremony ______________
___________________________
❏ ❏ Religious Ceremony 1 (option)
___________________________
❏ ❏ Religious Ceremony 2 (option)
___________________________
❏ ❏ Groom placing ring on Bride’s
finger _____________________
❏ ❏ Bride placing ring on Groom’s
finger _____________________
❏ ❏ First kiss as man and wife
_______________________________
❏ ❏ Receiving line ______________
______________________________
❏ ❏ Guests throwing rice or
birdseed _________________________
❏ ❏ Guest blowing bubbles ______________
______________________
❏ ❏ Couple leaving for reception____
__________________________
❏ ❏ Parents of couple leaving
for reception__________________
_
❏ ❏ Grandparents of couple
leaving for reception ____________
❏ ❏ Special guests leaving for
reception ______________________
❏ ❏ Bride and Groom with entire
wedding party______________
Ceremony Shooting Plan 2 of 4
• ©American Image Presswww.aipress
.com - (336) 945-9867
IFPO Form F172
5 Digit IFPO Member# ____________________
name
__________________________________________________________________
city/st/zip
_______________________________________________________________
address
phone/FAX
______________________________________________________________
__________________________________________________________
PERSONALIZATION INFORMATION: (please print or type clearly on this form or your own paper)
name AND / OR business name ________________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________________________________________
contact mailing address _______________________________________________________________________________________________________________________________________
contact information such as phone, fax, email, URL:_________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________________________________________
Order by Check, Money Order, Or Credit Card as follows:
Visa, MasterCard, American Express or Optima Cards Accepted
expiration date
signature __________________________________________________________________
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3
Volume 18, Number 1
2003 SPPRING ISSUE
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6
How To Cover High Security Events
By Dion P. Sparger
20 Roll in MORE CASH from Weddings
By Dennis Hodges
23 New Photo Markets
26 Make Up To $200 per Hour on Location
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26 Legal Photography Markets
Sell Your Photos
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Francis J. Dean Page 63
By Max M. Sundol
33 Team Up with Your Model to Make Money
By Dennis Hodges
800.223.4103
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FEATURES
45 How to Make Your First Assignment the BEST
By Gary Daniel
On Assignment
13 The Firestone Indy 225 at Nazareth Speedway
By Daniel Korup
15 The Adelaide Clipsal 500
By Brendan Cummins
16 CART in Toronto
By Tony Merrill
16 Indy Racing at Kansas Speedway
By Chris A. Cross
24 Around the World
By Donald Smith, Javier Rivera Sanchez, E. Itkin
26 Farm Aid 2002
Shoot Celebrities
for Fun and Fame
page 8
By John Olexa
42 On the Streets of Tel Aviv
By Jeremy Duke-Cohan
IFPO CORRESPONDENT PHOTOGRAPHERS
Kwon Moon Auk, Inchon City, Korea
Keith Cephus, Virginia Beach, VA
Francis J. Dean, Kastrup, Denmark
Dennis Hodges, Kansas City, MO
Barry Myers, Ransom Canyon, TX
David C. Oliver, Reston, VA
Paolo Pedicelli, Montreal, PQ Canada
Book Reviews 19
Photo Contests
27 2002 Monthly Winners
54 Photo Contest Rules
ON THE COVER:
PRESIDENT GEORGE W. BUSH
Ressman’s Wall of Fame
Photos by Richard B. Ressman, M. D.
Richard B. Ressman, M. D. IFPO
IFPO Program Directory:
Classified Ads
Glamour Elite Program
Home Page Program
Homeland Defender Program
IFPO Business Guides
IFPO Business Cards
IFPO Business Forms
IFPO Distributor Program
IFPO Recognition Certificates
Membership Programs
New Discoveries Program
Press Program
Press Accessories
Press Reporter’s Chase Kit
Stock Gallery Program
Today’s Sports Credentials
56
29
14
41
48
5
2
58
25
17
30
10
12
22
18
64
IFPO PHOTOGRAPHERS PUBLISHED IN THIS ISSUE
Brendan Cummims, Australia
Chris Cross, Olathe, KS
George Cotter, Seymour, TN
Gary Daniel, Bartlett, TN
Francis J. Dean, Kastrup, Denmark
Stanley Diamond, Philadelphia, PA
Jeremy Duke-Cohan, Holan, Israel
John M. Evans, Lake Jackson, TX
Lyudmila Fedossov, Skokie, IL
Joshua S. Fraser, Santa Barbara, CA
Thomas Hilliker, Phoenix, AZ
K. Bill Holley, Frankston, TX
Dennis Hodges, Kansas City, MO
E. Itkin, Moscow, Russia
Daniel Korup, Middletown, DE
Tony Merrill, Findlay, OH
Barry Myers, Ransom Canyon, TX
John Olexa, Indian Head, MD
James Peavy, Green Mtn., NC
Tony Petrello, Murrieta,CA
Ronald Pradetto, Jacobsburg, OH
Sean Rice, Coulee Dam, WA
Richard B. Ressman, M. D., Chicago, IL
Javier Rivera Sanchez, San Juan, PR
Donald Smith, Attleboro, MA
Dion P. Sparger, Washington, DC
Max M. Sundol, Dunkirk, NY
Lawrence Worcester, Seattle, WA
COMPLETE IFPO PROGRAM DIRECTORY PAGE 17
NAL • FRE
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• INT
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IFPO
N
TIO
ZA
4
RS • ORGA
HE
NI
AP
Today’s Photographer Magazine is published by American Image Press, at 6495
Shallowford Rd., Lewisville, NC 27023. Send advertising and editorial correspondence to: Today’s Photographer Magazine, P.O. Box 777, Lewisville, NC
27023-0777 USA. One year subscription in USA and possessions, $21; Canada,
$27; all other countries, $36; cash orders only payable in U.S. currency. Standard Mail postage permit 450, paid at Winston Salem, NC 27102. Please send
change of address forms as well as subscription correspondence to Today’s Photographer Magazine, P.O. Box 777, Lewisville, NC 27023-0777 USA. Allow at
least six weeks for the change of address to become effective. COPYRIGHT
AMERICAN IMAGE, INC., ALL RIGHTS RESERVED.
• PHOTO
CE
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Today’s Photographer International
6495 SHALLOWFORD ROAD
LEWISVILLE, NC 27023
(336) 945-9867 FAX (336) 945-3711
MAGAZINE STAFF
Publisher: Jack M. Gallimore
Editor in Chief: Vonda H. Blackburn
Editorial: Cindy Cunningham
Ralph Bryant
Operations Staff: Annette Blackburn
Eloise Brinegar
Debbie Cofer
Editors at large: Peter Potter
Kendall K. Krebs
www.ifpo.net
MAKE YOUR IFPO AFFILIATION WORK WITH
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❏ 5511B.........Member SPORTS Photographer ............................ $36.95 ea.
❏ 5511C ........Member CONCERT Photographer...........................$36.95 ea.
❏ 5511D ........Member WEDDING Photographer..........................$36.95 ea.
❏ 5511E.........Member PORTRAIT Photographer.........................$36.95 ea.
❏ 5511F.........Member WILDLIFE Photographer ..........................$36.95 ea.
❏ 5511G ........Member NATURE Photographer ............................$36.95 ea.
❏ 5511H ........Member GLAMOUR Photographer ........................$36.95 ea.
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Arnold W. Smith #87654
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❏ 5011F.........Member WILDLIFE Photographer ..........................$19.95 ea.
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5
How to Cover High Sec
CHIEF CHARLES A. MOOSE’S NEWS
BRIEFINGS CAPTIVATED THE WORLD
OCTOBER SNIPERS’ SPREE
WASHINGTON, DC. ©2003 DION
P. SPARGER IFPO.
DURING THE
NEAR
S
howing up at a high profile news event with proper credentials will
get you in. Right? Sometimes, but not always unless you are prepared. The Sniper Press Conferences in Rockville, Maryland during the month of October 2002 were under high security for obvious reasons -- everyone was a potential victim. As is widely known, snipers were
shooting innocent victims at random in Maryland, Virginia and the D. C.
Metropolitan area. Fortunately, I was able to cover some of the press conferences because I did have proper credentials and I had an ongoing working relationship with law enforcement in the area.
Being able to respond instantly to breaking news events is usually not an
option for me. I work a full time job so to cover breaking news is very difficult -- unless it happens on a day that I am not working. I do sometimes
carry my camera bag to work just in case I can get to a news event afterward. But it’s the ongoing news events that capture most of my attention
because I can work them into my schedule. And in the D. C. area where I
live there have been an abundance of them in the last year or so.
What usually transpires is that once the news event occurs, and if it goes
on more than a day or so, I contact the police department in that jurisdiction and ask for their media relations division. Once I have reached someone I immediately give them my full name, my location, the name of the
media organization that I represent (American Image Press), and a telephone number where I can be reached.
By experience I have learned that police like details up front about anyone they are speaking with on the telephone. I try to be as forthcoming as
possible; in return they have always been very helpful. For example, during
the Chandra Levy murder investigation, they would fax me the latest police
department press releases regarding the case upon my request. On one
occasion the chief media relations officer called me back with details
about a press conference that was to take place later that day. I was
Continued on Page 40
6
www.ifpo.net
urity and Breaking News Events
BY DION P. SPARGER IFPO, WASHINGTON, DC
MONTGOMERY COUNTY MARYLAND POLICE CHIEF CHARLES A. MOOSE HEADED THE MULTIJURISDICTIONAL TASK FORCE ASSIGNED TO APPREHEND THE SNIPERS WHO TARGETED MEN, WOMEN AND
CHILDREN IN MARYLAND, VIRGINIA AND WASHINGTON, D. C. OVER THREE WEEKS IN OCTOBER, 2002.
THE TASK FORCE INCLUDED THE BUREAU OF ALCOHOL, TOBACCO AND FIREARMS (ATF), THE F. B. I.,
STATE AND LOCAL LAW ENFORCEMENT IN MARYLAND, VIRGINIA AND WASHINGTON, D. C. THE SUSPECTED KILLERS WERE APPREHENDED ON OCTOBER 24, 2002 IN MARYLAND.
www.ifpo.net
7
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ORDER FORM on Page 47
have just stopped performing orthopaedic surgery in
June 2002 and, photography which has been my passion
for the past thirty-three years is
turning into my only source of
income. At present, in addition
to donating my photographic
services to several charitable
organizations, I have begun
earning income from selling
prints and publishing.
I just completed my website
(www.photosurgeon.net) and
will be adding between five and
ten photos a month. I expect to
sell photographic prints from
my website.
I recently had twenty-six photos published in Discovering
Literature, 3rd Edition by Prentice-Hall, 2002. These photos
included images of Brian Dennehy, Michael Jordan, Mikhail
Gorbachev, Marcel Marceau,
folk singer Jim Post, The Statue
of Liberty, and the Viet Nam
Memorial. I am also in the
process of working on a book
on the human body consisting
of the juxtaposition of photographs and contemporary
poems about issues of the body.
At a recent charitable fund
raiser, I met and photographed
Jane Fonda and was surprised at
how cooperative she was in
posing for me.
IFPO and Today's Photographer Magazine have given me
the ability to obtain access to famous
celebrities, entertainers and major sports
events over the last few years. Ω
www.ifpo.net
IFPO Members Report
C ELEBRITIES ... AND LIVE WITH THEIR FACES EVERY DAY
AMONG THE HUNDREDS OF CELEBRITY FACES
ARE (L-R):
CHICAGO BEARS’ BRIAN URLACHER, CHUCK BERRY, JAY LENO AND GARRISON KELLER.
Wall of Fame
IFPO MEMBER RICHARD RESSMAN, CHICAGO ORTHOPEDIC SURGEON, HAS BEEN SHOOTING PHOTOS OF PEOPLE HE HAS ENCOUNTERED
SINCE HE GOT HIS FIRST NIKON IN 1969. A 12-BY-18-FOOT WALL IN HIS RIVER NORTH LOFT IS COVERED WITH THE BLACK AND WHITES.
www.ifpo.net
9
5 in 1 - PRESS PASS
•
GE
APHER
GR
•A
O
T
CA
ERI N IMA
M
CORRE
SP
PRE SS
Credentials
The new Gold Press Pass program embodies all the successful aspects of the original Press
Program and incorporates new vital information and features needed based on the real experiences of our press photographers and the assignment editor of Today’s Photographer International magazine. Collectively, the Gold Press bundle represents a total state-of-the-art “systems”
approach designed to get you and your camera to the action.
1. The GOLD SEAL which appears throughout the credentails, is emblazoned with the American Image PRESS logo to distinguish the new credentials with all of it’s improvements, from the
original landmark Press Program. It is a result of carefully reviewing every “gain access” situation
experienced over the past 15 years. We expect this new program will achieve markedly increased
results accross the board, for all kinds of events, all over the world.
2. ISSUING INFORMATION has been added to the credentials which is extremely valuable
DENT PHO
ON
for gaining access in those particularly tough situations when credentials are being scrutinized for
every piece of validating information. Nationality, sex, date and place of birth add verifiable information often required by uniformed officials in law enforcement, fire and emergency, the military, customs and immigration.
3. CLASSIFICATION is now based on a full 4-tier range of publishing credits starting at A for yet-to-be published photographers
and reaching to AAAA for those who are published frequently.
4. COMPLETE BUNDLE of all credentials and Internet Verification is automatically shipped to those who enroll in the Gold Press
Program. Members no longer have to decide whether the Badge style or Passport style credential works better for the events they
cover or whether covering weekend or after-hours events warrants the Internet Verification option or not. You get it all.
5. INTERNET VERIFICATION All Gold Press Pass holders will be assigned a verification code printed on the face of all the credentials. This code can be used to verify your assignment status with Today’s Photographer magazine by press officials 24 hours a
day EVERY day from anywhere in the world. The Internet Verification site is at www.aipress.com/verify.
6. VERIFICATION UPDATES Now you can go online using your Verification Code and update your own Assignment Verification record. You can change your mailing address, add an email address or change other contact information in seconds.
7. PUBLISHING CREDITS Now you can actually display the names of the publications that have published your photos right on
your Internet Verification site so press officials can see your breadth of experience. And... you can use your Verification Code online
and update your list of publishing credits as often as you like, without having to call the American Image office.
8. RECENT ASSIGNMENTS Now you can display your recent assignments on your Verification site so press officials can see
what kind of events you’ve been covering. And... you can use your Verification Code online to update your display of recent assignments as often as you like.
9. EXPIRATION DATE At last, we have added an expiration date to our Press Credentials. As great as the “lifetime” press credentials may seem, there are big drawbacks. “No expiration date” is the single largest reason for problems being accepted in some
venues, not to mention that photos become outdated. Gold Press Pass holders will be able to renew their credentials every 3 years to
keep them current, and they will get a whole new set with each renewal.
10.NEW LOW PRICE of only $99 is a full $129 SAVING off the price of the previous program for all the credentials and options.
But remember, the programs are not equivalent.
11.NEW FEATURES Even at the same price, the Gold Press Pass program has features enumerated here that aren’t even available in the previous program. The addition of door-opening “Publishing Credits” and “Recent Assignments” alone may achieve more in
gaining new access as our original Press Program concept born in 1985.
The American Image Press Photographer’s Code of Ethics
A press photographer’s reputation is often based on his own code • Stay within the boundaries of the photographers’ area. Never interfere
of ethics. Although getting the story is the ultimate goal, ethical standards can “make or break” a career. As a press photographer, it is
your duty to document newsworthy happenings — never altering circumstances or interfering with action to enhance your photographs.
Your photos should tell a story just as it happened. Meeting the high
standards of good press photography requires patience, determination and a strong set of ethics which can be the difference between
success and failure.
First, foremost and always remember that Press access is a privilege not to be abused. Use the following Code of Ethics to guide
you:
•
•
•
•
• Arrive early — at least 45 minutes to an hour before the event is •
scheduled to begin — in order to check in, find the press area, check
•
out the stage or facility lay-out and choose a vantage point.
• Never show up for an event unprepared. Not only should you have all
the proper equipment, you should have a basic knowledge and under•
standing of the event. Do your homework!
• Try to work with promoters and authorized officials rather than against
•
•
them.
Conduct yourself in a professional manner at all times. Photographers
who complain or cause problems aren’t likely to be admitted again.
Don’t just start shooting. Take time to think about what you’re covering.
10 Today’s Photographer International
with the action, criticize a player or performer or interrupt an authorized
official.
Have patience. Resist the urge to inconvenience other photographers
by changing spots. Your opportunity will come.
Although it can be necessary to fight for a good position, always be
courteous. You’ll find other photographers are usually willing to share
their space -- if you offer them the same courtesy. Try your best to get
along with other members of the press.
Always live up to your obligations to promoters and publications.
If you agree not to sell the photos commercially, DO NOT break this
agreement.
Always clean up after yourself -- film wrappers, etc.
Never photograph anyone in a compromising situation (backstage,
locker rooms) unless it’s a public figure in a public place which qualifies
for news. Don’t abuse the privileges you have been granted.
Always remember you are a photographer on the job -- not a spectator.
Finally, the nature of breaking news makes preparation impossible. However, when you arrive on the scene, you are a press photographer -- expected to live up to the same ethical standards you
have learned to display at scheduled media events. With practice
and common sense, high ethical standards should some as naturally as pressing the shutter. Ω
www.ifpo.net
IFPO Press Program
state-of-the-art features get you
and your camera to the action
better and quicker
than ever.
Gold Passport
Assignment Letter
Wallet I.D.
Gold Badge
EVERYTHING INCLUDED
EASY TO ASSEMBLE AFTER PLACING
YOUR OWN PHOTO
TRY IT OUT: Just go online to www.aipress.com/verify, click on VERIFY and enter the special demo verification code
12345ABC. The test contact information will be displayed as a press official would see it. Click "BACK" on your browser to return to the
verify page and this time click on UPDATE. Again, enter the demo code 12345ABC. This time you will be presented with a screen that
allows you to modify and update the demo contact information as well as enter "Recent Assignments" and "Publishing Credits." Make all the
changes you want and click on SAVE. Next, go back and click VERIFY to check that your updates were made!
GOLD PRESS CREDENTIALS ENROLLMENT FORM
Cat#
5 Digit IFPO Member# ____________________ or enclose dues (see page 17)
name ___________________________________________________________________
address _________________________________________________________________
city/st/zip ________________________________________________________________
phone/fax ________________________________________________________________
email/U.R.L. ____________________________________________________________________
ISSUING INFORMATION:
Nationality: ___________________________________________________
Sex: ________________________________________________________
Place of birth: __________________________________________________
Date of birth: __________________________________________________
CLASSIFICATION INFORMATION: (see ratings opposite page)
Check correct box and name publication(s) where your photos appeared.
A
Not yet published
AA
Publishing pending in: ___________________________________
AAA
Published once in: ______________________________________
AAAA Published frequently (list three publishers)
❐
❐
❐
❐
❏
Description
Price EA.
401GP GOLD PRESS CREDENTIALS
(Renewable in 3 years)
$99.00
Includes:
• GOLD PRESS Passport
• GOLD PRESS Badge Card I.D.
• GOLD PRESS Wallet I.D.
• GOLD PRESS Official Letter of Certification placing you on assignment for American Image Press
andToday’s Photographer International magazine.
• Press Assignment Verification on the Internet.
• Complete assembly instructions, laminating materials and badge clip.
• Press Assignment Request Form and How to Use
Your Press Credentials.
❏
❏
Checking this box confirms that I have read,
understand and agree to comply with the Press
Code of Ethics published on the opposite page.
USA Shipping. First Class Mail
(foreign shipping use the instructions on page 47)
$9.00
TOTAL AMOUNT ENCLOSED
1. ____________________________________________________
2. ____________________________________________________
3. ____________________________________________________
Credit Card orders phone:
expiration date
signature __________________________________________________________________
1-800-654-9557
MAIL ORDERS:
Visa/MasterCard/American Express/Optima Card #
or fax:
1-800-283-5989
IFPO PRESS OFFICE, P.O.Box 777, Lewisville NC 27023-0777 USA
Information or Customer Service calls: 336-945-9867
www.ifpo.net
Today’s Photographer International 11
TURN YOUR CAR INTO A
PRESSCAR
ASSIGNMENT CAP
PRESS
Dash Card
#1410C...$9.95
YOU CAN'T BE WITHOUT IT! The public and
event officials will instantly recognize your status ..
#809A .....1 cap .....$22.95
#809B .....2 caps ...$32.95
#809C .....3 caps ...$39.95
PRESS Cap: solid black cotton twill cap with braid.
One size fits all. One COLOR: Black (with white
embroidered emblem) Order in quantity for family and
friends and save.
P R E S S P H OTOGRAPHERS’ SURV I VA L G E A R
Order Form on Page 47 * Credit Card Orders Call FREE 1-800-654-9557 7 Days
PRESS
Windshield Stickers
#781A - 2 for $9.95
adhere to inside of windshield
or window.
PRESS
PRESS
PHOTOGRAPHER
OFFICIAL BUSINESS
PHOTOGRAPHER
127
actual size:
3" x 3"
OFFICIAL BUSINESS
127
IFPO
LEARN TO COVER:
• Sports
• Entertainment
• Concerts
• Conferences
• Politicals
• Breaking News
• Celebrities
• Fires
• Crimes
• Races
• Storm Chasing
HOW TO SUCCESSFULLY
ACQUIRE AND USE
PRESS
CREDENTIALS
WORKBOOK + 6 AUDIO TAPES
Windshield Stickers
#791A - 2 for $9.95
ZA
TI O
N
ZA
TI O
N
R
INTE
GR
NI
AP
HERS ORGA
NAL • FRE
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NA
INTE
• INT
ER
PHOTOGRAPHER
IFPO
N
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ZA
IFPO
N CE
TO
PHO
actual size:
3" x 3"
#210A - $39.95
LA
N AL FR
EE
TIO
NA
MEMBER
PHOTOGRAPHER
GR
NI
AP
HERS ORGA
12
• PHOTO
CE
GR
AN
N CE
TO
PHO
IFPO
143 page Workbook
plus
6 audio tape lessons
RS • ORGA
HE
NI
AP
N AL FR
EE
TIO
NA
MEMBER
LA
R
adhere to inside of windshield
or window.
Where to go, when to go, how to contact, who to contact and why. 6 complete audio lessons and transcriptions of the audio scripts for further in-depth
study, forms and releases needed to operate as a
PRESS photographer. Learn the privileges of a
PRESS photographer and the type of credentials that
are necessary and how the right credentials work.
Official IFPO Guide #210A
Gain access to PRESS boxes, sidelines, and locker
rooms. GET admitted to concerts, get front row and
backstage passes. Get to political, hostile, disaster,
accident, and crime scenes, how to work with the
police and others including foreign embassies. Learn
to attend celebrity events and press conferences for
politics, sports, business, pageants, and ceremonies.
www.ifpo.net
ON ASSIGNMENT: MOTORSPORTS
The Firestone Indy 225 AT NAZARETH SPEEDWAY
THANKS TO IFPO FOR BEING RIGHT THERE, RIGHT NOW ...
Daniel Korup IFPO, Middletown, Delaware
My first imprint of photography was
when I was a young and my father
gave me an AGFA fixed lens 35 camera. After a lot of tinkering, I finally
was able to operate it and knock a few
pictures out. Somewhere along the
way, that camera was lost and my
interest in photography waned.
The ‘photo bug’ bit again when I
invested in a camera to capture the
precious moments surrounding my
first child. This camera triggered
another silent passion -- my desire to
be a motorsports photographer.
I love cars and the controlled chaos
in racing. In those days as a burgeoning photographer I would try to get
into the local drag tracks with only
moderate success. When I did get in,
my photographs impressed almost
everyone who saw them.
As my confidence grew I decided to
move on to the bigger venues for
motorsports events. I purchased a
Nikon 6006. That worked for awhile
until I realized its limitations so I
quickly moved to a Nikon F4. Further
encouraged by my wife to really pursue motorsports photography, I later
purchased a Nikon F5.
About that time I was in a bookstore
to buy anything that might help me
further understand motorsports photography. I discovered Today’s Photographer Magazine, purchased it,
read it and with some reluctance
joined
t h e
Press
Pro-
gram. I already had enough experience
to know that a motorsport photographer needed press credentials.
I was more than delighted when I
was approved for my first press
assignment, The Firestone Indy 225
at the Nazareth Speedway in Nazareth,
Pennsylvania. This was the Inaugural
race for the Indy Racing League (IRL)
at Nazareth since CART pulled out for
the 2002 season. It was indeed an
action packed weekend with a lot of
drama and personal accomplishments.
I did the usual preparation for a race:
getting the most recent frequencies for
the drivers; preparing my equipment
to keep it at peak performance; selecting film speed etc. And I kept a close
watch on the weather.
I made my way to Nazareth early
enough to attend the mandatory photographers meeting on the day of practice and qualifying. The staff was very
courteous and assured us that if we
needed anything they would accommodate us. After learning the rules of
track photography, we were issued
photographers’ vest and our credentials. I immediately went to work
scouting for race day vantage points.
I found that most of the working
press were courteous and more than
happy to offer tips and suggestions. A
photographer who shoots for the
Craftsman Truck Series was gracious
enough to offer tips from his experience at this particular track. I
was elated when he
approached me the next and
asked how I was doing.
On race day the competition was
fierce. But, patience and luck paid off
for me. When another photographer
vacated a space in a photo tower I
moved into it. Within minutes a fiery
accident unfolded right in front of me.
I was ready and lucky enough to fire
off several sequential shots.
The race was quite diverse. Indy
Racing League (IRL) has one of the
few African American drivers, George
Mack - 310 Racing. Sarah Fisher, the
only female in open wheel motor
sports was awarded a spot in the IRL
for Robbie Buhl (Team Purex), who
was injured in a prior race.
Sarah started 19th in the grid. Her
hard work and patience prevailed
when she ended up in fourth place.
Her adopted team was so ecstatic that
almost all of her pit crew were in tears
after the race. Media instantly
swarmed her and I was right in the
thick of it when she said, “There is no
other place I’d rather be than right
here, right now.” The crowd roared in
approval of her accomplishment.
Ditto. There is no other place I’d
rather be than right here, right now on
the threshold of motorsports photography. I’d like to thank IFPO many
times over for giving me the opportunity to cover my first major assignment -- and for being right there, right
now around the clock for me. Ω
More on page 15
SCOTT SHARP (L) WAS THE WINNER OF
2002 F I R E S T O N E 225 A T
NAZARETH. SARAH FISCHER (R) ON THE
CHARGE FINISHED IN 4TH PLACE.
THE
PHOTOS BY
DANIEL KORUP IFPO
www.ifpo.net
13
now you can publish your photos on the exclusive
TOP PHOTOGRAPHERS WEB SITE
The HOME PAGE Program is like a complete photographer’s PORTFOLIO, RESUME and ADVERTISING BILLBOARD on the Internet. It
can contain complete biographical information, contact information, PUBLISHED or AWARDED photos, or other CURRENT photos that
you want to represent you. Your HOME PAGE will have a unique address (called a URL) much like your mailing address that you can put
on your business cards or other promotional materials you distribute to potential clients. Clients can then view your portfolio and read your
accomplishment facts ON-LINE any time they wish from ANYWHERE in the WORLD!
IFPO Internet HOME PAGE Program
contact information:
TERMS AND CONDITIONS
Credit Card Orders: when you submit your Home Page materials, your credit
card will be billed for the set-up fee only. Then your credit card will be billed
monthly on the first of the month beginning with the first FULL month your
your Home Page is ON-LINE. Your first partial month is FREE! Minimum 12month committment required. After 12 months, monthly charges will continue
until member cancels with a 30-day notice. Visa, Mastercard, American
Express, Optima accepted.
Checks or Money Orders: when you submit your Home Page materials,
enclose a check or money order for the amount of the set-up fee PLUS 119.70,
the first six months of the monthly fee. You will then be billed at 6 month intervals.
to be published on your web-site
name
IFPO Member #
business name (optional)
address
city, state, zip, country
I agree to the above terms and conditions. I enclose my photos:
#HP31, up to15 photos, set-up fee $49.00 and monthly fee: $19.95
phone/fax
#HP32, up to 30 photos, set-up fee $99.00 and monthly fee: $19.95
email, other
signature
IMPORTANT: Allow 30 days for IFPO personnel to scan your images and create your Home Page. Be sure
to add your Home Page URL (www.aipress.com/~yourname) to your business cards, letterhead and all your
promotional material.
expiration date
mail to: IFPO PO Box 777, Lewisville NC 27023-0777
view the top photographers on the internet at http://www.ifpo.net/topphotographers
If convenient, look at other homepages on our Top-Photographers web-site for ideas. Links to Top-Photographers are on our main home
page at www.aipress.com. A good example site is: http://www.ifpo.net/~ellefsen
HOME PAGE information guidelines
The information needed to create your Home Page (print or type clearly):
CONTACT INFORMATION you wish to appear on your
Home Page.
Memberships, Associations, Publishing Credits, Prizes or
Awards.
MOTTO, SLOGAN or Describe Your Specialty (ie: on-location child photography).
Accomplishments, Assignments, current Projects and
Career Objectives in photography
Send b/w or color prints or 35mm slides. Number your pictures or slides. Include a printed or typed list of your pictures with a title or caption for each one. Be sure to put your member# on each photo or slide. Model releases are required for any photos that have human subjects that are not in the public domain.
If you want your photos returned, enclose a self addressed mailer with correct postage. At minimum, we require contact information along
with photos with titles to create your Home Page.
We will assign you an Internet U.R.L. (internet address) in this form: http://www.ifpo.net/~yourname. U.R.L.’s are all lower case and have
no spaces. Please include any suggestions for “yourname.” Avoid long strings of characters like “millersphotographyandvideographics”.
Use names like “paulmiller” or millerphoto.”
Be sure to print your U.R.L. on your business cards, letterhead, etc. This Home Page is your internet portfolio, and you want as many people to visit as possible.
14
www.ifpo.net
Australia: The Adelaide Clipsal 500
PHOTOS BY BRENDAN CUMMIMS IFPO, ALBERT PARK SA, AUSTRALIA
CRAIG LONWDES ON THE EDGE THROUGH TURN 1
NIKON F5, 300MM 2.8,1.4X, FUJI PROVIA 100F
THE ADELAIDE CLIPSAL
500 STREET CIRCUIT
EVENT ATTRACTED A
RECORD CROWD -- OVER
170,000 ON A VERY HOT
ST. PATRICKS DAY WEEKEND. Brendan Cummims
THE CARS LINE UP ON THE STARTING GRID FOR SUNDAY’S SECOND RACE.
NIKON F90X, NIKKOR 24-120MM, FUJI PROVIA 100F
SKAIFE WAS ON FIRE, BOTH SATURDAY AND SUNDAY AT THE CLIPSAL 500
NIKON F5, 300MM 2.8, 2X, FUJI PROVIA 400F
MARK SKAIFE MAKES IT BACK TO BACK WINS
IN THE ADELAIDE CLIPSAL 500.
NIKON F5, 300MM .8, SB-28 FLASH, FUJI PROVIA.
www.ifpo.net
More on page 16
15
CART in Toronto: The Toronto Molson Indy
By Tony Merrill IFPO, Findlay, Ohio
Championship Auto Racing
Teams, (CART) made its annual
stop in Toronto, Ontario, Canada
in July 2002. This is round eight
of twenty in the CART/Fed-Ex
open wheel series and has been
holding a race here since 1986,
known as the Toronto Molson
Indy. The track is a temporary
street circuit 1.755 miles long
laid out on the shore of Lake
Ontario at Toronto’s Exhibition
Place. With a weekend total of
160,000 fans, this is one of CART’s
most popular venues.
This is my third CART event that I
have gained access through the IFPO
press program, but my first temporary
street course as well as my first access
to an event outside the US. My other
two CART events were a permanent
road course and the Mid-Ohio Sports-
RACE WINNER, NEWMANN HAAS
DRIVER, CRISTIANO DA MATTA #6
TAKES THE CHECKERED FLAG FROM
FORMER DRIVER AND CHAMPION
ALEX ZANARDI AT THE FINISH LINE
OF THE SUNDAY RACE. ZANARDI
WHO DROVE IN THIS SERIES FOR
SEVERAL YEARS LOST BOTH LEGS AT
CART RACE IN GERMANY IN SEP2001. THIS WAS HIS FIRST
APPEARANCE AT A CART RACE
SINCE HIS NEAR FATAL ACCIDENT.
©2002 TONY MERRILL IFPO
A
TEMBER
car Course in Lexington, Ohio.
Covering a race on a street course is
a lot different than a permanent road
course. The debris fence and wall are
right up against the track, with cars
passing only inches from you at certain locations, unlike a road course
which has dirt and gravel traps giving
you some distance. Covering a street
race doesn’t require a lot of the bigger
telephotos commonly used at
road courses. My equipment consisted
of 2 Olympus bodies, an OM1 and
OM2, a Tokina 35-70 f3.5 zoom lens,
a Zuiko 65-200 f4 zoom lens, a Zuiko
300 f4.5 telephoto lens as well as a
pair of Sunpak flashes, a 383 super
and a 433D. Film was Kodak
E100VS, E200 and Fuji Sensia 100
slide film. Ω
Inaugural Indy Racing Series at Kansas Speedway
By Chris A. Cross IFPO, Olathe, Kansas
I’ve been doing photography for about six years trying to take all kinds of pictures. It started out as a hobby. After I joined American Image Press I started doing much more serious
photography. I could get into high profile events that were far more challenging than anything I had tried in the past.
My most recent assignments were at the Kansas International Speedway for the NASCAR
Craftsman Truck Series, the Kansas 100 and the Indy Racing Ameristar Casino Indy 200.
This was a great experience and a real help as well to me as a photographer. Anytime you
get a chance to work with other photographers, it influences your style and forces you to
‘measure up’ and grow as a photographer. Ω
A. J. FOYT-HARRAH’S RACING TEAMS WINS BACK TO BACK RACES
AIRTON DAR`E, WINNER
AMERISTAR CASINO
INDY 200, WITH A. J. FOYT
(FAR LEFT).
RACER JASON PRIESTLEY
(OF BEVERLY HILLS 90210
FAME) CAME IN SECOND IN
THE INFINITI PRO SERIES
100. (CENTER LEFT)
A. J. FOYT IV, WINNER
OF THE INFINITI PRO
SERIES 100. (NEAR LEFT).
OF THE
PHOTOS BY
CHRIS A. CROSS IFPO
16
www.ifpo.net
RS • ORGA
HE
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NAL • FRE
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NA
• PHOTO
CE
GR
AN
IFPO
International Freelance Photographers Organization
MEMBERSHIP FORM
N
TIO
ZA
• INT
ER
ABOUT YOU:
E TO FREELANCING
THE PROVEN BRIDG
Which best describes your photography:
❏ I am a beginner or amateur
❏ I am an advanced amateur or Part-Time Pro.
❏ I am a full-time professional.
I want PRESS ACCESS with my camera:
❏ Sports events.
❏ Crime scenes.
❏ Concerts.
❏ Fire scenes.
❏ Breaking news.
❏ Press conferences.
❏ Celebrity events. ❏ Entertainment events.
Check each area that interests you strongly:
❏ Press photography. ❏ Sports/Action.
❏ Nature/wildlife.
❏ Travel photography.
❏ Videography.
❏ Advertising.
❏ Glamour.
❏ Commercial.
❏ Wedding.
❏ Portrait photography.
Are you available for photo assignments?:
❏ YES.
❏ NO.
• Enroll me as an IFPO Member and send my Membership Card and
O
rder the
famous
Parchment Certificate + Complete Membership Packet. I enclose $68 for
IFPO P
atches Membership and Subscription to Today’s Photographer Magazine PLUS
see pag
e 25
$6 for priority handling and First Class Mail of my Membership Packet
($74 TOTAL).
__________________________________________________________________________
• My membership packet will include details
on how I can participate in IFPO's
PROVEN PROGRAMS for getting
PUBLISHED, making MONEY and
gaining PRESS ACCESS with my camera.
name
__________________________________________________________________________
(optional) business name
__________________________________________________________________________
address
__________________________________________________________________________
city/st/zip
__________________________________________________________________________
phone number/FAX number
ENCLOSE CHECK, MONEY ORDER
OR PAY BY MAJOR CREDIT CARD
expiration date
To join IFPO by mail, use this form or the order form on page 47 and send your dues to:
IFPO, P.O. Box 777, Lewisville, NC 27023-0777 USA
OR use your credit card and: CALL FREE
1-800-654-9557 or FAX 1-800-283-5989
IFPO’s 18 PROVEN PROGRAMS
1 PRESS CREDENTIALS •Gain Access to controlled 10 PROFESSIONAL CERTIFICATION CPMP (Certified
events! Sports, Concerts, Crime Scenes, Fires, Storms,
Professional Master Photographer), CPCP (Certified ProPress Passport, Badge & Wallet Cards, Internet Verificafessional Craftsman Photographer and (PCP) Professiontion. details on page 10-11.
al Certified Photographer. IFPO-CPACM Certification
Board of Regents, 59 Canal St. Box 9, Lewiston ME
2 ASSIGNMENT DATA BANK •Register for Assign04240, based on academic merits.
ments! “Dream” assignments you’ve always wanted can
11 GLAMOUR.ELITE •Attract celebrities and “discoveries”
really be yours! see page 34.
plus get published. page 29.
3 STOCK PHOTO GALLERY & SALES •SELL the 12 LEARNING LIBRARY •HOW-TO SHOOT ALL SUBphotos you've already taken! page 18.
JECTS: weddings, sports, travel, wildlife, glamour, model
portfolios, commercial, boudoir, figure and lighting tech4 INTERNET HOME PAGES •on TOP PHOTOGRAniques, pages throughout the magazine.
PHERS web-site! Display your photos, awards, credits,
resume and contact info. page 14.
13 FORMS (61) •For Photographers: Technical, Contracts, Checklists, Releases, Copyrights pg 2-3.
5 TODAY’S SPORTS magazine •gain access to sport14 PHOTO CONTEST Cash prizes, monthly contest, page
ing events, complete credentials. page 64.
54-55.
6 MERIT & ACHIEVEMENT •Gold Seal Merit Cards in
15 IFPO BUSINESS GUIDES •Make money with your
the 60 categories. page 52-53.
camera. Page 48.
7 IFPO CREDENTIALS •Clout to succeed with an inter- 16 ACCESSORIES •IFPO Windshield stickers, press hats
nationally recognized organization. page 39.
and accessories. Page 12.
8 PICTURE AWARDS •Earn publishing credits and "Cer- 17 DISTRIBUTORSHIPS •Sell IFPO programs, books,
videos and forms part or full time. page 58.
tificate of Publication Awards." page 50.
18
NEW DISCOVERIES Model Consulting •Pays you to
9 CUSTOM BUSINESS CARDS •To promote your own
discover new faces and figures while pursuing your interbusiness. Page 5.
est in glamour photography. Page 30-31. Ω
www.ifpo.net
17
SELL PHOTOS YOU ALREADY HAVE!
S TA R T S E L L I N G YO U R P H O T O S
Successful stock libraries contain HIGH QUALITY images of everyday life situations. IFPO members shoot such images everyday as a matter of
course. However, unless a photographer has hundreds or thousands of images, he may be shunned by the large stock houses. This could happen for two
reasons, he simply may not be recognized as a successful stock photographer or his stock of a few dozen images is too small for an agency to consider.
The IFPO Stock Listing service removes these barriers totally and opens doors to the international sales market.
IFPO’s Stock Listing Service
The following elements clearly distinguish the
differences in the IFPO Stock Listing Service and
a stock agency:
1. The service provided to IFPO members is a
STOCK PHOTO LISTING SERVICE and
NOT an agency.
2. Each photographer manages his own sales.
3. No commissions will be charged ever.
4. Image buyers will browse the IFPO image
bank on the internet, select the photos, get the
price, index number and contact information to
order directly from the photographer who
owns the images.
5. Members may set their own pricing for each
photo sold.
6. Complete copyright standards will be available at the site for image buyers and IFPO
member photographers (the sellers).
7. Image searches by buyers may be made by
subject.
8. The most important part of any Stock Photo
Service is its indexing system that allows an
image buyer to identify a photo for purchase. • There are no commissions ever -- unlike
Members are asked to identify their pictures by
agencies who always take at least 50 pertheir 5 digit member number plus a 5 character
cent of sales.
code of their own choosing. Example: IFPO
• Income from sales is instant and all
member 99999 might use Index Codes of
yours -- very different from agencies
99999-KID01, 99999-KID02, etc.
where payment usually follow sales by 6 to
8 months.
DVANTAGES OF THE
A
IFPO STOCK GALLERY SERVICE
www.ifpo.net/stock.html
• List only the number of quality images
• Current and new clients can see your
you wish to list -- not 10,000 to 50,000 as
fresh images instantly and contact you to
required by agencies.
buy -- which could never happen with a
• You can add fresh images at your convestock agency.
nience. No minimums are required -- such
• The more images you list with the IFPO
as the 1000 new images per year by many
Picture Listing Service the more likely you
agencies.
are to make money -- which is the same as
• There are no contracts, exclusive or
with an agency.
otherwise -- to tie up your images for
• The more SUBJECTS you list with the
years as with an agency.
IFPO Picture Listing Service, the more
• The price you set is what you get -likely you are to make money over the long
could never happen with an agency.
haul -- which is also true with an agency.
STOCK GALLERY
REGISTRATION FORM (IFPO MEMBERS ONLY)
name
• Model and other applicable releases are
required for stock images listed with IFPO
-- the same as with an agency.
IFPO Member #
business name (optional)
address
city, state, zip, country
Credit Card Orders: when you submit your stock gallery materials, your
credit card will be billed for the set-up fee only. Then your credit card will be
billed monthly on the first of the month beginning with the first FULL month
your photos are ON-LINE. Your first partial month is FREE! Minimum 12month committment required. After 12 months, monthly charges will continue
until member cancels with a 30-day notice. Visa, Mastercard, American
Express, Optima accepted.
Checks or Money Orders: when you submit your stock gallery materials,
enclose a check or money order for the amount of the set-up fee PLUS $59.70,
the first six months of the monthly fee. You will then be billed at 6 month intervals.
I agree to the above terms and conditions. I enclose my photos:
#ST31, 12 photos, set-up fee $29.00 and monthly fee: $9.95
contact name:
#ST32, 24 photos, set-up fee $49.00 and monthly fee: $9.95
contact method:
(phone, fax, or email)
signature
IMPORTANT: Allow 30 days for IFPO personnel to scan your images and post them for sale in the Stock
Gallery. Be sure to add the Stock Gallery URL (www.ifpo.net/stock) to your business cards, letterhead and
all your promotional material.
expiration date
mail to: IFPO PO Box 777, Lewisville NC 27023-0777
view the stock gallery on the internet at http://www.ifpo.net/stock.html
FOR EACH PHOTO: (make as many copies as you need)
INFORMATION PHOTO
INFORMATION
PHOTO
INFORMATION PHOTO
(complete 1 for each photo)
Image #________- _________
Image #________- _________
Image #________- _________
(your IFPO membership I.D.# followed by a 5-character
code provided by you that identifies your picture)
photo title ____________________________________
subject _______________________________________
photo title ____________________________________
subject _______________________________________
photo title ____________________________________
subject _______________________________________
price
price
price
18
(or print ”CALL”) ___________________________
(or print ”CALL”) ___________________________
(or print ”CALL”) ___________________________
www.ifpo.net
B
O O K
R
E V I E W S
THE ART AND ATTITUDE
COMMERCIAL PHOTOGRAPHY
BY RICK SOUDERS
DIGITAL IMAGE MAKING
The Art
and Attitude
of Commercial Photography is an A to
Z guide to
becoming a
successful
working photographer.
Topics
include
dozens of nofail strategies
and tested techniques for getting started;
using a variety of digital applications; perfecting the art of selling to clients; creating
people and product illustrations; using
sources like stock and travel photography;
and combining all these artistic and business elements together to run a successful,
cost-effective commercial photography
business. 160 pages paperback, 150 color
and 75 black and white illustrations. $29.95
www.watsonguptill.com.
Digital Image Making covers the entire
range of electronic image-making, from the
simple manipulation of elements on a scanner to highly sophisticated artistic techniques illustrated in
easy-to-understand
exercises that are perfect for the novice yet
challenging enough
for experienced
artists.
This guide demonstrates simple techniques for changing black
and white to color and vice versa, explores
the digital equivalent of darkroom toning,
displays a full range of easy-to-create litho
and image retouching techniques, and
experiments with a spectrum of different
colors to achieve dramatic graphic effects.
Each method is accompanied by step-bystep sequences of the evolving images with
their accompanying screen grabs. 400 fullcolor illustrations. 128 pages, 400 color
illustrations, $24.95. Watson-Guptill publications. www.watsonguptill.com
SUCCESSFUL UNDERWATER PHOTOGRAPHY
PERFECT EXPOSURE
BY JIM ZUCKERMAN
OF
BRIAN SKERRY AND HOWARD HALL
A COMPLETE VISUAL GUIDE FOR PHOTOGRAPHERS
BY
LES MEEHAN
Even the most experienced photographers second guess themselves when it
This solid, comes to exposure.
lavishly illusIn PERFECT EXPOSURE, Zuckerman
trated field
provides instruction and advice to help
guide proshoot photos successfully in any lighting
vides no non- situation, Photographers of every skill level
will learn to recognize when light meters
sense inforare inefmation on
fective,
such topics
then
as taking
select
availablealternalight photives to
obtain
tographs,
silhouettes, incredible
marine wildlife results.
He also
portraits, close-focus wide angle phocovers
tographs, and extension tube photographs to the chalname just a few.
lenges of
Readers will also find proven guidance
working
with
for purchasing underwater photographic
snow,
equipment, taking photos of shipwrecks,
backand repairing and maintaining field equiplighting
ment. Plus, 150 stunning, full-color photos
and fill flash, macro subjects, extreme condemonstrate the authors' successful techtrast and more.
niques in action. 144 pages, 150 color illusBeautifully illustrated with more than
trations, 25 diagrams. $24.95 (paperback).
200 of Zuckerman's own exquisite travel
Watson- Guptill Publications. For informa- and nature photographs. $27.99. For information go to www.writersdigest.com
tion go to www.watsonguptill.com.
www.ifpo.net
A BEGINNER'S GUIDE
TO DIGITAL PHOTOGRAPHY
BY ADRIAN DAVIES
For over
150 years, the
photographic
process
remained
unchangedbut now, the
digital revolution has
come.
This book
is about the
cycle of shoot, enhance, and
share. Shooting involves how the image is captured, from camera, lenses, and equipment to
scanning and composition. Enhance by altering
its brightness and contrast, enriching the color,
and improving its clarity and depth. Retouch,
tone, and colorize monochrome images, and use
layered montage techniques to add extra interest.
Try special effects that make photos look like
watercolors or turn them into panoramas. Once
you've got that perfect picture, share it with others: print it, add text, put it on the net. AVA Publishing 128 pages all in color. $24.95. For more
information go to www.sterlingpub.com
PHOTOPAINTING
THE ART OF PAINTING ON PHOTOGRAPHS
BY JAMES A. MCKINNIS
Many traditional photographic techniques,
such as
hand coloring and
toning, are
enjoying a
creative
revival.
Perfect for
all levels,
from
beginner
to veteran
artist.
Learn
how to
take hand coloring photographs to the next
level, where the original photograph is not
just being highlighted or enhanced but
totally transformed into something closer to
a painting than a photo.
The lessons progress from very easy to
more advanced techniques and describe
how to bring a dynamic, fresh approach to
just about any type of photo. 144 pages
paperback, 150 color and 20 black and
white illustrations. $24.95. For information
go to watsonguptill.com Ω
19
Think Outside the Box to
ROLL in MORE CASH
from Weddings
BY DENNIS HODGES IFPO, KANSAS CITY, MISSOURI
P
Gowns from the Renaissance Period are chosen most often by brides for
theme or non-traditional weddings. ©2003 Dennis Hodges.
20
hotographers take note -- times and traditions
are changing. These are the times that the ups
and downs of the stock market make one dizzy.
As citizens are pounded with negative information it
affects how they spend their money -- and that ripples
down to impact our income. Traditions change with the
times, so we too must change if we expect to maintain
or increase our profits.
Diversify, network and cut costs are terms we often
hear. The catch phrase I like best is, ‘think outside the
box.’ For me that means to look beyond shooting
model portfolios for new dependable sources of
income. Any category of photography that includes
people is natural for me so I have many avenues to
explore.
One important thing to note here. Like it or not there
is more sure money in wedding photography for freelance photographers than almost any other category.
Although we have all heard the horror stories surrounding wedding photography, the big bucks are there -especially if we are prepared and understand today’s
weddings.
Due to the slow economy fewer couples are having
huge, traditional weddings due to the skyrocketing
costs. Others simply want a unique ceremony instead
of an expensive one. The one desire of both the rich
and poor is that they want a wedding that is creative,
different and memorable. Standard wedding poses do
not necessarily capture the originality and the spirit of
the non-traditional or theme ceremony. For example,
you could be photographing wedding couples in a hot
air balloon, at an amusement park, a cattle ranch, a
cave or a castle.
Theme weddings are becoming very popular. In Las
www.ifpo.net
Opposite page, top: Model Lorie in a traditional bridal gown .
This page, right: Southern Bell Weddings are popular in some regions
of the country.
Below: Some brides prefer opulent costumes instead of gowns for
their wedding day.
Model: Lorie Reskin
Photos © 2003 by Dennis Hodges .
Vegas weddings range from an inexpensive, drive through chapel to
extremely expensive and opulent
theme affairs. At Caesar’s Palace the
bride and groom can dress up in
Roman attire and have an entourage of
Roman Guards, Gladiators and
Women Servants in attendance.
Around the country other brides are
choosing Renaissance, Southern Bell,
Old West or Cleopatra themes
for the full wedding party as
opposed to the traditional attire.
If a wedding photographer is to
keep up and increase sales, he
must be prepared to capture the
essence of traditional or unusual
ceremonies. A first class portfolio with samples of a full range
of wedding photography can
influence the decisions of almost
any bridal couple.
If you are new to wedding photography, you may use models
to create a portfolio. Spend as
much time as needed (and you
may have to invest a few dollars) to get photos that are really
spectacular in traditional and
non-traditional wedding settings.
How do you shoot a wedding
that is staged? Try to kill two
birds with one stone (this is
thinking outside the box). For
example you may know a model
who needs to expand her portfolio. If
so, she might be the perfect model to
pose as a bride for your portfolio
shots. Know aspiring models who
need a basic portfolio? Schedule several of them to pose as bridesmaids.
All you need is the proper wedding
party attire. Even that is really easier
than you might think.
If you live near a city with a costume
shop or a community theater group,
contact them. Introduce yourself as a
wedding, (portrait or model portfolio)
photographer and tell them you occasionally need costumes for your
clients. Ask if they are willing to give
your clients a break on rental fees or
deposits in return for free photos of
their costumes to display in their shop.
If they are interested, give them an
agreed upon number of framed 8 x 10
photos of your clients wearing their
costumes. (Make sure you are allowed
to display your business card with the
photo.) It’s a win, win situation. Your
clients get a break on the costumes;
you get FREE advertising for your full
range of photography; the costume
shop gets quality photos for advertising or display purposes.
Costumes and More, the largest costume shop in North Kansas City, Missouri is the shop I depend on for the
needs of all my clients. This shop carries over 2,000 different costumes
plus make-up, props, wigs and accessories of every description. Most of
my clients find what they need there.
At this point you should have a good
portfolio to show to family, friends
and co-workers for the purpose of
booking weddings. Hopefully, you
have sold some of the portfolio prints
to the models. You should be getting
FREE advertising in the costume
Continued on Page 28
www.ifpo.net
21
PRESS
’s
r
e
t
r
o
Rep
SURVIVAL GEAR
BREAKING NEWS
CHASE kit!
WHAT YOU GET
WHAT IS IT?
The Pursuit Package:
The Breaking News Chase Kit is composed of
three vital parts. The Pursuit Package gets you
on the scene; the Action Package gives what you
need at the scene; the Instant Response Package
gets your news story to the right news outlet
instantly.
• Three (3) fully assembled laminated NEWS
REPORTER accreditation ID’s each with
your name and Assignment Verification
Code. They are custom made to use with
your current Press Passport, Press Badge
and Press Wallet I.D. Card.
• The Pursuit Guide prepares you to gather,
record and distribute breaking news stories.
WHO CAN GET IT
1. If you are an IFPO member with the Press
Passport, Press Credentials or both, YOU
QUALIFY and may order the Breaking News
Chase Kit.
2. If you are an IFPO member, but not yet a
member of the press program, TO QUALIFY
you must order one of the press programs
(page 10 & 11) before or at the same time you
order the Chase Kit.
Use with chain or clips with 402A press badge card (pg 21).
Accreditation Certificate
The following Correspondent Photographer has
met all standards and requirements to receive full
accreditation as a
NEWS
The Action Package:
• Action Scene Reporters Log
• New Client Hot Sheets
• Accident Report Forms
• Quick Response Information Forms
The Instant Response Package:
• A Field Directory of HOT contacts.
• 3 Quick Step Releases
• Instant Reporter’s Delivery Forms
• Rights to Use Contract & Fee Contracts
All forms include reproduction rights so you
always have a permanent supply.
3 ID’s,
FIELD kit &
PURSUIT Guide!
PLUS 14 Reporter's Forms Masters
REPORTER
NEWS REPORTER
John Q. Smith
Assignment Verification Code: 00001SMI
Accredited: January 14, 1998
Accredited:
The following Correspondent Photographer has met all standards and
requirements to receive full accreditation as a
NEWS REPORTER
John Q. Smith
Assignment Verification Code: 00001SMI
www.aipress.com/news.html
January 14, 1998
Accredited: January 14, 1998
CODE
Nwww.aipress.com/news.html
www.aipress.com/news.html
IF IC A T IO
R
E
V
T
N
Fits inside 408A passport. (pg 20).
S IG N M E
YOUR AS
H
IT
W
NOW
CHASE kit ™
Fits in wallet with 402A press wallet card
(pg 21).
#451B - $39.95
ACTION
Package
INSTANT
PURSUIT
RESPONSE
Package
Package
CHASE kit ™
CHASE kit ™
CHASE kit
™
Forms Masters:
Q&A
I already have Press Credentials.
Why do I have to buy the Chase Kit?
You DO NOT. The Chase Kit was simply
designed to make the breaking NEWS
REPORTER’S job easy. It gives you everything you need on the spot to do the job, do
it right and get it to your nearest editor. The
Chase Kit actually serves as your assistant to
make sure you collect all the facts and then
get them to the right place.
What is a Chase photographer; what
do they chase?
We consider any photographer who is in
search of breaking news events to be a
“Chase Hound”. He chases sports, entertainment, fires, accidents, storms, natural disasters, plane crashes, train wrecks, press conferences and even goodwill tours.
Police will recognize the Press Credentials
which must be used with the NEWS
REPORTER accreditation part of the Chase
Kit.
Will Today’s Photographer publish
these news stories?
Today’s Photographer WILL publish stories
about YOU covering these stories. The
breaking news stories themselves need to go
to daily newspapers and wire services.
How do I find out if a newspaper or
TV station can use my news photos?
Let’s use an auto accident as an example.
You have photographed the wreck and are
leaving the scene without having seen any
other photographers or news teams. Pick up
the nearest phone (using the numbers listed
in your Reporter’s Field Directory) to notify
news agencies that photos of the accident are
available even though the film has not been
processed. Breaking news is HOT and
should be reported immediately.
Reporter's Log & Evaluation
Accident Report
Client Hot Sheets & Notification
Quick Response News Log
News Event Checkpoint List
Daily Action Planner
Hot Local Contacts
Quick Response Labs
Field Directory Notes
Quick Step Publication Release
Quick Step Model Release
Quick Step Property Release
Instant News Report
Rights to Publish Agreement
CHASE kit
22
PRO SS
G
OPT RAM
ION
Will the Chase Kit be recognized?
The following Correspondent Photographer has met all standards and requirements to receive full accreditation as a
John Q. Smith
Assignment Verification
Code: 00001SMI
PRE
™
complete IFPO Programs and Catalog
www.ifpo.net
1-800-654-9557
ORDER FORM
on page
47
New Photo Markets
RIGHT IN YOUR OWN BACKYARD
MALIBU
THIS PHOTO ILLUSTRATES THE POSITION THAT PETS
HOLD IN A HOUSEHOLD ... THEY OFTEN HAVE THE
SAME PRIVILEGES AS FAMILY MEMBERS.
©2002 K. Bill Holley IFPO.
(August Photo Contest Entry)
S
pending expected to be $29.5
billion in 2002 and reach $31
billion in 2003! Sounds like the
US military budget, right? Guess
again. Those numbers come straight
from the American Pet Products Manufacturing Association (APPMA), a
trade association. They also report that
food and supplies rank second and
third respectively, behind services
related to veterinary care as the greatest expenses for pet owners.
This is an astounding amount of
money spent each year by pet owners
which reveals the importance of pets
in family life. APPMA also reports
that today 62 percent of U. S. households own pets compared with 56 percent in 1988, the first year that the
association conducted a national pet
owner survey.
So what does this mean for photographers? A ready made market for pet
photography right in your own neighborhood! That could range from pet
portraits to pets at play for custom
designed greeting cards etc.
How does one get started? It’s probably the easiest market ever to conquer.
Pets are everywhere -- right on the
street where you live. Your neighbor’s
white cat may be doing a ballet on
your deck when you wake up in the
morning. The two long-legged greyhounds drag their 105 pound owner
down your street for their daily walk.
www.ifpo.net
A tiny Shih
Tzu stares at
you from its
PetPocket
(worn by the
owner) at the local park.
Owners are flattered when you ask
for permission to photograph their pet.
In return, present them with one of
your best shots and let them know you
specialize in pet photography.
Take any opportunity available to
shoot the pet with its owner or their
children -- these make great holiday
photos or custom greeting cards for
families and friends.
Once you have a few really good pet
photos, you can easily develop one,
two or three ways to advertise your
services as a Pet Photographer. The
most effective first step could be
business cards with a close-up pet portrait staring straight at the viewer. The
usual contact information would also
appear on the card. Distribute the
cards to everyone in your family,
neighborhood and where you work.
Next could be a simple brochure that
you can design on your home computer with three really good pet images
plus a simple price list and contact
information. Also, if you can provide
specialized greeting cards etc, that
custom service should be explained,
but not priced. Note that free quotes
are available. This same information
could appear on a post card and be
mailed to pet owners.
Finally, you might design a home
page on the internet with several pet
photos, price lists, contact information
etc. However, do not depend for the
internet to bring in your neighborhood
business. But if you advertise your
internet address on business cards and
brochures, the internet site can certainly promote your business with
your neighbors.
Props can be used to enhance pet
photos. For instance a large male dog
might look great in a bow tie for a
photo to be used as an invitation to a
party. A cat with a champagne glass
filled with milk could could be an
invitation to drop in for drinks. And so
it goes. Once you use a few props, an
avalanche of ideas will begin to form.
In the beginning, pricing should be
very reasonable. Remember, you are
expanding or building a new business.
It’s important to get your name out,
have a great portfolio of pet photos
and cover your costs up front if possible. Profits will come in due time so
do not be discouraged if you can
break even for a few months.
On another note take into consideration that many people who appear to
own pets are actually in business.
They may be breeders, trainers or simply provide foster homes for pets.
Their need for photos may far exceed
the average pet owners. That group
could be a goal for further expansion
in your pet photography business.
Few industries grow at more than $1
billion per year and those that do usually cannot be accessed by the freelance photographer. With the enormous growth of the pet industry, there
is certainly a niche for the skillful,
aggressive pet photographer. Ω
23
ON ASSIGNMENT:
AROUND THE WORLD
JETHRO TULL
AT FOXWOODS CASINO. A
GREAT VENUE TO VIEW AND PHOTOGRAPH
A CONCERT . T HE VANTAGE POINT AT
STAGE LEFT IS IDEAL . ©2002 Donald
Smith IFPO, Attleboro, Massachusetts.
THE 4TH
MISS UNIVERSE 2002
OXANA FEDOROVA (MISS RUSSIA) IS CROWNED BY DENISE QUINONES,
MISS UNIVERSE 2002, AT THE ROBERTO CLEMENTE COLISEUM IN SAN
JUAN, PUERTO RICO. ©2002 BY JAVIER RIVERA SANCHEZ IFPO.
OF
JULY
IN
MOSCOW
By the initiative of the American Chamber of Commerce
about 9 thousand Americans and the employees of companies
with relatives and friends celebrate at the old estate of Kuskovo. Traditional American and European dishes were served in
many cafes under the open sky. The culmination of the festival were the fireworks by the pond. Translation of excerpts
from Prazdnik Magazine by Val Ratner IFPO, Maspeth, New York.
THE STARS AND STRIPES COMPETITION
THE BIGGEST COMMOTION AMONGST THE HOLIDAY
GUESTS WAS THE HUGE USA FLAG CAKE, THREE DAYS IN
THE MAKING, FOR THE “FASTEST CAKE EATER” COMPETITION
ORGANIZERS PROVIDED MANY ENTERTAINING ACTIVITIES:
PERFORMANCES BY CLOWNS, TRAMPOLINES FOR CHILDREN, BALLOONS, MINI-GOLF... AMONG THE MOST POPULAR WERE MISS LIBERTY AND UNCLE SAM. ©2002 by E.
Itkin IFPO, Moscow, Russia.
24
More on page 42
www.ifpo.net
MAKE YOUR AFFILIATION WORK FOR YOU!
IFPO RECOGNITION
CERTIFICATES
IFPO style (shown)
PRESS Program style
√
√
Cat#
CATEGORY
❏ ....573A ........Freelance Photographer
❏ ....573B ........Sports Photographer
❏ ....573C ........Concert Photographer
❏ ....573D ........Wedding Photographer
❏ ....573E.........Portrait Photographer
❏ ....573F.........Wildlife Photographer
❏ ....573G ........Nature Photographer
❏ ....573H ........Glamour Photographer
❏ ....573J..........Model Photographer
❏ ....573K ........Model Portfolio Photographer
❏ ....573L.........Nude Study Photographer
❏ ....573X ........OTHER (SPECIFY)
Cat#
CATEGORY
❏ ....574A ........News Photographer
❏ ....574B ........Photojournalist
❏ ....574C ........Concert Photographer
❏ ....574D ........Sports Photographer
❏ ....574E.........Entertainment Photographer
❏ ....574F .........Celebrity Photographer
❏ ....574G ........Police Photographer
❏ ....574H ........Investigative Photographer
❏ ....574J..........Correspondent Photographer
❏ ....574K ........Fire Photographer
❏ ....574L.........Press Photographer
❏ ....574X ........OTHER (SPECIFY)
$9.95 each or ANY 5 CERTIFICATES ABOVE #57XX for only $39.95
Be sure to give your name as you wish it to appear on the certificate(s).
IFPO members only! Give your 5-digit I.D. number when ordering.
$9.95 each
I FPO or Press Style
LETTERHEAD
FREELANCE PHOTO
GRAPHER
MEMBER #00001
E • PHOTO
NC
G
LA
NAL • FR
TIO
EE
NA
Video
Yourtown, NY 12345
• (999) 999-9999
IFPO
• IN
TE
R
YOUR Specifications
ION
AT
IZ
Custom Designed to
John Q. Smith
Smith Photography
and
123 W. Anystreet,
Custom Designed & Personalized, ready to take to your printer, chose paper
stock, ink color at your printer. You get six originals of each set you order! Each
set is Professionally typeset and printed on laser-graphic paper at 600 dpi.
Embroidered
3" Patches
Multi Color for hats,
jackets, camera bags!
Item#
7021
7022
7023
Price
$9.95
$14.95
$19.95
Call FREE
Description
1 patch (3")
2 patches (3")
4 patches (3")
7 Da ys
1-800-654-9557
or use the
ORDER FORM on page 47
IFPO MEMBER STYLE
❏ 511A ..Member FREELANCE Photographer..$19.95 ea.
❏ 511B ..Member SPORTS Photographer.........$19.95 ea.
❏ 511C..Member CONCERT Photographer ......$19.95 ea.
❏ 511D..Member WEDDING Photographer.....$19.95 ea.
❏ 511E ..Member PORTRAIT Photographer ....$19.95 ea.
❏ 511F ..Member WILDLIFE Photographer......$19.95 ea.
❏ 511G..Member NATURE Photographer........$19.95 ea.
❏ 511H..Member GLAMOUR Photographer....$19.95 ea.
❏ 511J...Member MODEL CONSULTANT .......$19.95 ea.
❏ 511X ..Member
Photographer....$19.95 ea.
PRESS PROGRAM STYLE
❏ 512A...NEWS Photographer .........................$19.95 ea.
❏ 512B...PHOTOJOURNALIST......................$19.95 ea.
❏ 512C ..CONCERT Photographer ...................$19.95 ea.
❏ 512D ..SPORTS Photographer......................$19.95 ea.
❏ 512E...ENTERTAINMENT Photographer ...$19.95 ea.
❏ 512F...CELEBRITY Photographer ................$19.95 ea.
❏ 512G ..POLICE Photographer .......................$19.95 ea.
❏ 512H ..INVESTIGATIVE Photographer .......$19.95 ea.
❏ 512J ...CORRESPONDENT Photographer...$19.95 ea.
❏ 512X...
Photographer..............$19.95 ea.
OTHER (SPECIFY)
❏ 51XX
OTHER (SPECIFY)
ANY 6 SETS ABOVE ...................$49.95 Tot.
❏ 512XX ANY 6 SETS ABOVE ................$49.95 Tot.
1-800-654-9557 • ORDER FORM on page 47
FAX FREE:
1-800-283-5989
Go to www.ifpo.net for Complete IFPO Programs and Catalog
www.ifpo.net
ERS • ORG
AN
PH
RA
LETTERHEAD MASTERS!
25
FARM AID 2002
HELD IN BERGETTSTOWN, PENNSYLVANIA HAD A LITTLE
SOMETHING FOR EVERYONE, FROM THE SOFT VOCALS
OF LEE ANN WOMACK (L) TO THE HARD HITTING
LYRICS OF KID ROCK (R).
©2002 John Olexa IFPO, Indian Head, Maryland
I Make $75-$200 per Hour Shooting on Location
By James Peavy IFPO, Green Mountain, North Carolina
M
y photography business is part
time. But it’s easy for me to make
$75-$200 per hour and more just
shooting anniversaries, weddings, and pets
on location. I advertise by passing out business cards and placing small, low cost ads in
the local weekly paper.
I am amazed at the number of customers I
attract who are willing to pay top dollar for
my work. I think that is because I am flexible
enough to take the assignments that studios
often pass up.
I did a 50th Wedding Anniversary party last
year and, even to my surprise, sold every single picture from that event. My profit was
almost three times what I had expected. The
A POPULAR SHOT THAT
people at the party loved it because I mingled ALWAYS SELLS ... TRY IT!
LEGAL PHOTOGRAPHY PAYS VERY WELL
Since I have been a member if IFPO, I
have enjoyed immensely the articles in the
magazine and benefited greatly. I have
also benefited from the instructional and
professional material (business forms,
business cards etc) that is offered.
The majority of my photo work is in the
field of legal work. I work for law firms
that specialize in accident, injury and medical malpractice cases. I photograph the
injuries of the victims of these calamities.
The law firms use the photos in their pursuant legal capacity. There is a tremendous market in this area of photography -26
with the crowd taking all types of
unstaged shots. That
turned out to be the
key to my success
for that event.
I recently tested a new line of photography
-- pet glamour shots! My wife and I used
our two Shetland Sheepdogs for test purposes and received enough positive feedback to add it as a specialty.
The bottom line is that there is a wide
open market for good on-location photography. Make your IFPO credentials work for
you and use the IFPO programs to guide
you. Then have fun making good money
either part-time or full-time. Ω
if you have the stomach for it.
I acquired this position through a connection of friends. When my first prints were
delivered to the representing attorney, he
was so impressed that he gave my name to
other law firms in the area. As a result I
am now engaged in legal photography
almost full time. And the pay is excellent.
IFPO has been a valuable asset to my
photo earning capacity over the past 13
years. It has provided me with the technical aspects needed to be successful - from
the business end to photographic technique. I look forward to many more years.
Max M. Sundol IFPO, Dunkirk, New York.
FOR YOUR INFORMATION
I have been associated with photography
for over 60 years as a one time member of
the New Jersey State Guard, U. S. Navy,
U. S. Maritime Service, U. S. Army
(Retired) and Professional Photographer of
America, Inc. My cameras have recorded
American Presidents, Kings, Queens,
movie stars, concerts, sport events, breaking news, and world wide photography.
The list is much too long.
IFPO is just what all photographers need
regardless of whether they are an amateur
or a professional. Tony Petrello IFPO,
Murrieta, California.
www.ifpo.net
A U G U S T 2 0 0 2 PHOTO CONTEST
THEME:ALL SUBJECTS
The Flute Player
Winner
Minolta 800si, 28-70 Sigma
Lens, Kodachr ome 200
©2002 Stanley C. Diamond
Philadelphia, Pennsylvania
More Winners on page 36
E d i t o r ’ s Sweepstakes
Sweepstakes
ENTRY CHECKLIST
❏
❏
USE THIS FORM to submit ARTICLES, PHOTOS, and TIPS to be considered for
publication in Today's Photographer. WHEN YOU USE THIS FORM and follow these
guidelines you could be selected to WIN the Editor's GRAND PRIZE of $500.00!
LOOK AT THE MAGAZINE!! When you look at examples of what is
actually published in the magazine, it's like looking at the test
answers before taking the test!!
HOW TO SUCCEED is what we are all about! How to make money,
gain access and get published. How did you get the celebrity to let
you get the picture. How did you get the model to pose for you. What
surprise barriers were you able to overcome? How did you get those
death defying pictures right from your car window?
INSPIRATION is the word our readers use most to describe the magazine and it's content! Have you had some success with your camera
or an idea that would inspire others?
SELDOM SHOOTERS: So you only picked up your camera once or
twice in the past few years, shot a lot of film for an afternoon or a
week, then let it get away from you. What was so important that
caused you to pick your camera up? Family reunion? Your kid's big
soccer game? Beach trip of a lifetime? Favorite group finally came to
town in concert? House down the street caught fire? 2 weeks in Yellowstone? Big celebration at work?
DIFFERENT DRUMMERS: Maybe you have a story with a different
slant — enter it. You may inspire us to expand our editorial range.
Enter the Editor’s Sweepstakes even if you have never made a submission before. The sweepstakes is another way for us to reward our
readers who share a special bond in their passion for succeeding as
photographers ... and making money. Again, our resolution is to support that effort in every issue and to make sure that Today’s Photographer “works” for you.
www.ifpo.net
IFPO Member#
_____________
❏
❏
❏
A photo of YOURSELF (suggestions: with your camera, at the scene, with someone important, etc.).
A typed or clearly hand-printed copy of your Article,
Sidetrip, Success Story or Tech Tip. Text files on 1.4
MB floppies are great (PC or MAC).
PRINTS or TRANSPARENCIES that illustrate your
story (COLOR or B/W) with captions and labels.
A list of captions or titles for each photo.
Tell us interesting things about yourself such as past
awards, publishing accomplishments, hobbies, or
even a funny story that would interest a reader. Do
you shoot part time or full time?
Name: ______________________________________________________________________________
this submission and make it AVAILABLE for publication and/or the Grand Prize in all future issues.
❏ Keep
HAVE inclosed a RETURN MAILER with adequate POSTAGE.
❏ IPlease
consider this submission for publication and/or the Grand Prize for the next ______ issues ONLY
and return it to me.
Address: ____________________________________________________________________________
City / State: _________________________________________________________________________
Zip Code/ Country ____________________________________________________________________
Phone: _____________________________________ Fax: ____________________________________
Submission of your entry grants Today’s Photographer permission to publish your story or photos.
signature ______________________________________________________ date _______________________________
Editor’s Sweepstakes, PO Box 777, Lewisville NC 27023-0777
27
More CASH from Weddings
Continued from page 21
shop. And if you are really smart,
in the last forty years -- even for phoshoot any poses that are not satisfactoyou’ve convinced the shop to:
tographers who do NOT use digital
ry. Traditions change ...
• use your photos for their newspaper cameras! Because digital scanners are
Remember I also said times are
advertising or promotional
available to almost everyone, wedding changing? Some wedding photograbrochures (with photo credit of
photographers who still rely on film
phers who use digital cameras now
course).
believe that during the
• refer their clients to you
wedding festivities is the
for all of their photogratime to sell pictures to
phy needs.
almost everyone present
And you should be schedwhile they are full of
uling weddings and collectexcitement -- and wine!
ing booking fees. (Use WedEquipped with high resoluding Photography Job Contion printers on the scene,
tracts, and refer to How
they do a good business in
Freelance Photography
candids of families, the
Really Works to make sure
wedding party (especially
you protect your interests as
the child attendants) and
a wedding photographer.)
others. This sort of activity
So the cash starts to roll in,
MUST have the prior
right? It will for sure but one
approval of the bridal coumust continue to think outple.
side the box if you hope to
Another option is instead
stay ahead of the competiof mixing sales inside the
tion. You must constantly
celebration, the photograexplore options beyond the
pher casually shoots cannormal traditions. New ones
dids of certain groups or
are being established all the
individuals who seem to be
time.
having a good time. He has
For example, some brides
an assistant set up nearby
have started a new custom
with printing capabilities
that can increase the wedto produce the prints. The
ding photographer’s income
images are then displayed
substantially. On the day of
in an area near the exit
the wedding the bride premost likely to be used by
sents the groom with special
the wedding guests. Print
photo of herself as a token
prices that can’t be refused
L ORIE . P ERIOD G OWNS S ET THE S TAGE FOR N ON -T RADITIONAL
of her love. This is often a
to encourage sales. A large
WEDDINGS AT A FRACTION OF THE COST OF A TRADITIONAL GOWN.
PHOTOS ©2003 DENNIS HODGES.
romantic pose or a very perpercentage of the subjects
sonal photo -- straight from
are surprised to see their
a studio or location shoot. A creative
must contract the number of prints,
photos on display and will joyfully
image (don’t forget the soft lights and
the type of albums etc. at the time of
pay for them -- while they are still
soft focus filters) for this purpose can
the booking and collect a portion of
celebrating. Again, permission must
roll in another hundred dollars (or
the fees up front.
be granted by the bride and groom and
even two hundred) over and above the
On the positive side, digital photogthe facility.
wedding photos. If your bridal client
raphy has simplified the wedding
The determining factor on which is
doesn’t ask for it, suggest it!
photography business and opened up
best, film or digital, depends on the
Digital photography must be considtotally new markets for those who
photographer’s preference. Regardless
ered in your mix of options for
dare. With the right equipment you
of the type of camera you use, there is
expanding your wedding and other
can print and show the proofs instanta tremendous amount of money to be
photography business. It has influly. Some couples prefer to see the
made in wedding photography -- espeenced the course of wedding photogproofs right after the ceremony (others cially if you dare -- in these changing
raphy more than any other technology
cringe), while there is still time to retimes. Ω
28
www.ifpo.net
3 Good Reasons to Become an
.elite
GLAMOUR
magazine
OFFICIAL PHOTOGRAPHER
1. YOU GET THE PICTURES
YOU’VE ALWAYS WANTED FROM THE SUBJECTS YOU'VE ALWAYS WANTED TO SHOOT. The credentials give
you the confidence to shoot and gives your subjects the confidence in you.
2. YOU GET PUBLISHING CREDITS
Cindy
YOU NEED TO ENHANCE YOUR STATUS AND BUILD YOUR REPUTATION. You are encouraged (but not
required) to submit photos of the discoveries you make using your GLAMOUR.elite magazine credentials. All of your
submissions are entitled to review by the editorial staff and could be selected for publication in GLAMOUR.elite magazine. Each time one of your photos is selected for publication in GLAMOUR.elite, you will be issued a certificate of
accomplishment indicating your name, the photo description and the GLAMOUR.elite issue date. Your collection of
these certificates will further enhance your glamour photographer status. Each submitted photo must be accompanied
by the GLAMOUR.elite submission form (comes with your kit) and a small service charge of $8.00 per photo to cover
the cost of scanning your image for publication. The $8.00 fee is refunded if your photo is not selected for publication.
3. GUARANTEE YOUR SUBJECTS
Jackie
THAT THEY CAN GET PUBLISHED IN GLAMOUR.elite MAGAZINE. You may (but are not required) to turn your fascinating glamour hobby into cash. Each photo received with the "publication spotlight" form (in your kit) and fee of
$19.00 gets published in the on-line edition of GLAMOUR.elite magazine. In operating your business, you are free to
charge your subject an appropriate amount to take into account your own expenses, overhead and profit. Photos
rejected by the editors for quality reasons will receive a full refund.
GLAMOUR
.elite magazine features both well known celebrities and "newly discovered" subjects.
Find GLAMOUR.elite magazine at www.aipress.com/glamourelite
GLAMOUR.elite Photos by Dennis Hodges, IFPO
If you are an IFPO member, you can get on the GlamourElite magazine band wagon quickly and inexpensively by taking advantage of
the GlamourElite BUNDLE GEXX!. You get the GE08A Passport, GE02B Full Badge Set and GEAV Internet Assignment Verification for
ONLY $108.00 (a SAVING of $128.95). Proof of publication is also waived for this offer.
Glamour Elite BUNDLE
SPECIAL
RICE
BU N D L E P
REG.PRICE
SPECIAL
$99.00
$20.00
$69.95
$39.00
$228.95
$9.00
GEXX-SPECIAL
BUNDLE
$236.95
$108.00
#GE08A GlamourElite Passport
Application Fee
#GE02B GlamourElite Badge Set
#GEAV Assignment Verification Option
(all items listed above)
PLUS SHIPPING/HANDLING
Total Amount Due
$99.00
$9.00
OFFICIAL PHOTOGRAPHER ORDER FORM
Cat#
Description
❏
GE02B
Glamour.elite Full Badge Set
❏
GE08A
GE02A (above) + 1 wallet I.D. Card, 3 I.D. tags with laminating jackets and leatherette
straps.
Glamour.elite Passport
The custom designed Glamour Elite PASSPORT style credential comes with everything you
need for final assembly in just seconds using your own photo. A special statement of certification is a permanent part of your passport's upper panel.
PASSPORT APPLICATION FEE
❏
❏
GEAV
$69.95
.GeLliAteMOUR
$99.00
PLACE
PHOTO
HERE
Price EA.
Glamour.elite Assignment Verification Option
Officials/clients/subjects can verify your assignment status by calling 336-945-9867 or fax 336945-3711, 9:AM - 5:PM Eastern Time, weekdays except holidays. This is a free service that
comes with the Glamour Elite Program. BUT . . If you are covering an evening or weekend
event or are out of the Eastern Time-zone, GEAV Assignment Verification works from ANYWHERE in the world, 24 hours/day, 365 days/year! The $39 fee includes a $19 one-time set-up
fee and the first 2-year Internet Assignment Verification service fee of $20 ($10/year). You will
receive a laminated ASSIGNMENT VERIFICATION CARD to present to officials.
USA Shipping, Priority Mail / First Class Mail, ADD $9 (foreign shipping use the
instructions on page 47)
USE THE ORDER FORM ON PAGE 47
magazine
UR
GLAMmO
agazine
.elite
signature
$20.00
John Q. Smith
photographer
correspondent
ear below, is a e. This photographer will
e and photo app
magazin
concerts, conwhose signatur for GLAMOUR
rest including OUR
AM
on assignment ts of national and local inte
GL
s.
ram
a
prog
be covering even news, sports and special ted permission to work as
, the bearer will
ventions, breakingests that the bearer be gran
in this capacity
respectfully requ er in your domain. While
l regulations.
Press Photographexisting federal, state and loca
comply with all
O.eliFte FIC
IAL
PHOTOGRA
PHER
$39.00
.elite
John Q. Smith
P.O. Box 8347
231 USA
Your city, NJ 08 55
724-777-55
PLACE
PHOTO
HERE
$9.00
OFFICIAL PHOTOGRAPHER
John Q. Smith
OR
Credit Card Orders: 1-800-654-9557 or FAX 1-800-283-5989
John Q. Smith
P.O. Box 8347
Your city, NJ
08231 USA
724-777-5555
signature
IAL
OFFIC
RAPHER
PHOTOG
PLACE
PHOTO
HERE
signature
.elite
R
OU
GLAMmag
azine
signature
www.ifpo.net
29
IFPO New Discoveries
MODEL CONSULTANTS
ATTRACT NEW FACES & FIGURES
http://www.ifpo.net/discoveries
WHY CONSULTING?
EL
G
R
I
N A L • FR E
IO
AT
ZA
TI
O N • IN TE
RN
• PH OTO
AN
30
CE
• O RG
1. Offers opportunity to start or expand a
model portfolio business (photo or
video).
2. Provides photographers with an easy
way to attract models for their other
photography interests and assignments.
3. Provides models immediate exposure
on the IFPO New Discoveries Internet
Site.
Photographers often need models in their
egular work, and models always need pho-
N
ERS
Model Consulting is a business opportunity
ponsored by the International Freelance
Photographers Organization (IFPO). The
rogram gives photographers three effective
ways to make money immediately and get
mmediate exposure for their newly discovred models:
A
PH
WHAT IS
MODEL CONSULTING?
NEW DISCOVERIES
A
• Attract New Faces and Figures
• Recruit Models For Money
• Shoot Glamour Photos for Cash
• Be Your Own Boss
• Work at Your Own Pace
• Make Money and Have Fun
Your
photo
here.
Certifies:
BE YOUR OWN BOSS
SHOOT GLAMOUR PHOTOS
for CASH
FULL TIME or PART TIME
at HOME - STUDIO
or ON-LOCATION
or without a studio.
Hundreds of models have been recruited
over the years by IFPO member photographers. Consultants may experience dramatic
increases in their incomes as a result of the
IFPO New Discoveries program; first, by
photographing aspiring new models’ portfolios, then by providing access to the IFPO
New Discoveries internet site. Consultants
who do not recruit models for IFPO are able
to attract all the models they need for their
other photography interests!
AMATEUR MODELS
Your Name, ID #99999
Top Notch Photos
PO Box 777
Lewisville, NC 27023
New “amateur” models discovered by consultants have starred in major video productions, auditioned for prime time TV shows,
and participated in fashion, photography, and
honor
an
in
I pledge to present each model
able and professional manner.
promotional assignments too numerous to
)
signed
____(
_____
____________________
name.
Many photographers have used Model ConMODEL CONSULTANT
sulting as a springboard to launch successful
www.ifpo.net/discoveries
careers in model portfolio and video production businesses. Many consultants use the
t o g r a - program to make it easy to attract models for
phers to produce their portfolios in order that use in their other photography interests and
they may promote themselves and pursue a never list their models on the IFPO New Discareer development program. IFPO serves coveries internet site. You can use the promore than 100,000 photographers and mod- gram to further any of your business or
els in 131 countries around the world.
hobby interests.
ALL THE MODELS YOU NEED
BENEFITS TO MODELS
Hundreds of Consultants since 1984 have
proven and refined the program. It works.
Freelance photographers are natural
“body hunters” in
search of new
images.
Through Model
Consulting, photographers can earn
money while starting
or developing their
business in model
portfolios or even
starting a modeling
agency. IFPO supplies you with eacy,
complete, instructions to get started
making money with
The benefits afforded models through the
IFPO New Discoveries Program are unique.
The dues are only $40 for the first year and
$30 for each year thereafter. For that the
model receives a complete New Discoveries
Kit with an Identification Card and Parchment Certificate. The model also receives a
current issue of How to Become a Successful
Model.
Each model gets a free listing on the IFPO
New Discoveries Internet site for freelance
models:
http://www.ifpo.net/discoveries
Models who wish to have their photos published on the internet site may do so for additional fees which cover the cost of scanning
and set up. Detailed information is in the
Consultant’s New Discoveries Manual. Models may also be randomly selected as an Official New Discoveries Model.
www.ifpo.net
OG
N
N
A
AT
IO N
ERS • O R G
AL • F
R
EE
PH OT
PH
IZ
AT
IO N • IN T
ER
IFPO New Discoveries models annual
dues are only $40.
E
A
HOW TO MAKE MONEY
NC
R
JOIN OR
UPGRADE
NOW...
LA
NEW DISCOVERIES
www.ifpo.net/discoveries
Your Name, ID #99999
Top Notch Photos
PO Box 777
I pledge to present each
model in an honorable
and
professional manner.
____________________
_________(signed)
Your
photo
here.
MODEL CONSULTANT
ber New Discoveries
are eager to have these
photos taken and published!
Model Portfolios Pay Big Bucks
As an authorized IFPO New Discoveries
IFPO Pays Directly To You:
Model Consultant, you are in a perfect situ$20.00 for each New Discoveries model ation to capture and build on this business
recruited! Payment is instant. You collect opportunity. A Consultant can easily gain
the $40 dues for the first year and send only the confidence of the model with the offi$20 on to IFPO with the internet listing cial credentials to guide and direct the
form.
development of the model’s portfolio.
$30.00 for each model RENEWAL! Each
Consultants have developed “packages”
time your model renews, you collect the for new discoveries that have sold for
$30 renewal fee and send only $10 to IFPO between $75 and $400 per model. Consulwith renewal form!
tants have reported income as high as $427
$$$$$ PLUS! You make even more the first week.
money when your “discovered” models
want their photo published on the New Dis- MODEL CONSULTING
coveries internet site. You collect the SOLVES AN OLD PROBLEM
money ($20 for one photo; $50 for three)
Your New Discoveries Model Consultant
and KEEP 50% for yourself! (See the OperMembership does NOT require you to
ating Manual.)
recruit a single model EVER!
New Discoveries Models Pay You Directly:
Many IFPO photographers join the ConIFPO suggests that each new model pro- sultant Program simply to solve the age old
vide 1-3 photographs for publication on the problem of finding models for other aspects
internet. Those photos should depict the of their photography work without spendmodel in the broadest possible range of ing an arm and a leg with a modeling
poses and settings...portraits to full shots... agency and without potential models being
location to studio...furs to figure. Remem- skeptical of the photographer’s intentions.
The official, internationally recognized
IFPO Credentials and the New Discoveries
Model Consulting Program make it supereasy to approach and convince any potential model to work with you.
EVERYTHING YOU NEED
Consultants report that potential models
are convinced instantly when you use the
identification materials provided in your
Model Consultant Enrollment Kit!. New
model prospects recognize you as a professional and are eager to follow your guidance without question. “I’ve never found it
so easy to attract models,” is the most common response from new consultants.
Enrollment as a consultant gives you
everything you need to make money the
very first week. It includes setting up your
account at IFPO, your New Discoveries
Model Consultant I.D. Cards, Letter of Certification, Operating Instructions and a supply of the business forms needed to get you
up and running. It includes easy to follow
instructions for promoting your business as
an IFPO New Discoveries Model consultant and attracting or recruiting models.
ATTENTION CURRENT IFMO MODEL CONSULTANTS
You may upgrade (get a completely new package) to the New Discoveries Program for only $39 plus $9 S&H. Order item #905A-UP.
IFPO NEW DISCOVERIES MODEL CONSULTING ENROLLMENT COUPON ( Available to IFPO Members only)
5 Digit IFPO Member #___________ or enclose dues.
_____________________________________________
name
_____________________________________________
_____________________________________________
address
_____________________________________________
city/st/zip
_____________________________________________
phone
FAX
_____________________________________________
email
URL
Use your Check, Money Order, OR Credit Card as follows:
❏ 905A.....Full Model Consultant Membership
$69.00
(The $69 fee includes a $10 initiation fee for setting up your
Consultant’s account and a $59 permanent Consultant Membership Dues) Your Consultant’s Kit contains: 1 Badge/Wallet
ID card, 1 Wallet ID Card and laminating materials, Consultant’s Certificate, Consultant’s Operating Instructions and
the following master forms: Model Interview Form (F164),
Model Portfolio Contract (F165), Model Portfolio Checklist
(F163) and Model Release (F191). You also get IFPO New Discoveries Enrollment Forms, Renewal Forms, and Internet
Listing Releases.
❏ USA FIRST CLASS MAIL SHIPPING
$ 9.00
(foreign shipping use instructions on page 47)
TOTAL PAYMENT ENCLOSED
______
expiration date
______________________________________________________
signed
date
MAIL THIS COUPON TO: IFPO ORDER DEPT.
PO BOX 777, Lewisville, NC 27023-0777
www.ifpo.net
CREDIT CARD ORDERS:
CALL FREE 1-800-654-9557 or FAX 1-800-283-5989
(MAIL, C.O.D. ORDERS USE ORDER FORM ON PAGE 47)
31
Professional Photography Techniques
Basic 1
HOWTO
Create &
Market
Glamour
Videos
• in your own home
• with your own gear
• in your spare time
Video Production Series Volume 1
By Chuck and Bev Hemstreet
#3CH8 - $39.95
#3R09
#3R09 $39.95
FINALLY! A home video that
tells you how to CRITIQUE
your own photos.
Learn what makes some images successful
and others not successful! NEW from
famous photographer and educator Brian
Ratty and Media West Home Video! 60 minutes.
Glamour videos are a market
that's waiting to be tapped. This
video will show you how to produce exciting glamour videos that
will dazzle and delight your customers.
Learn a 12 Point Marketing
Plan that will assure your success. This video shows you how
to make the transition into video.
Topics covered are: •Working
With the Client •Video Lighting for
Maximum Impact •Animating
Standard Poses •5 Important Editing Tips •Simple Set Designs. 45
min. VHS. #3CH8 $39.95.
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young women in a variety of natural and rustic
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USE THE ORDER FORM ON PAGE 47
Credit Card Orders: 1-800-654-9557 or FAX 1-800-283-5989
Finally
a Nude Photography Program with C O N T E N T
FIGURE NUDE
with Hugh Frazier
VHS or DVD
10 FINE ART MODELS
OVER 100 POSES
10 LIGHTING TECHNIQUES
DIRECTING TECHNIQUES
PROPS THAT WORK
NEW IDEAS THAT REALLY WORK
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32
$49.95 DVD
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www.ifpo.net
Team Up WITH YOUR MODEL TO Make Money
By Dennis Hodges IFPO, Kansas City, Missouri
Model Lisa Hadley, Makeup Artist Lisa Wilson, Photos ©2002 Dennis Hodges
...always shoot a full range of looks. Never limit the look to age or a particular category of modeling.
NC
E • PH OTO
G
N
N
A
AT
IO N
ERS • O R G
AL • F
R
PH
EE
LA
A
IZ
AT
IO N • IN T
ER
www.ifpo.net
to understand the business and its targeted ideas to expand her range to create an
audience. Then you should talk with the appealing portfolio with real sales potenowners or managers to show the quality of tial. Then team up to take it to market!
your work, a range of models available,
Team effort between the model and
ball park pricing and the scope of the pro- photographer is extremely important. Both
ject. You should also provide references should be dedicated to the end product -from other jobs. Once you have their atten- the portfolio. It’s your only sales tool. The
tion you should get permission to make a better it is, the more you have to sell.
proposal especially designed to advertise
My most successful projects have come
their product or service. At this point you from working with a reliable model to go
must be prepared to put together a first after a job and get it. If we succeed, we
class proposal.
split the money on a pre-arranged percentExperience as a Model Consultant can age agreement. This is a terrific arrangereally kick in for you in the freelance ment for both parties. Each one works
advertising business. Models are practical- harder and takes on a pride of ownership
ly always used to persuade the public to of the project. It also gets the model’s head
buy, recognize or approve a product or ser- out of the clouds and down to the real
vice. But while a model commands the business of being a model. And it keeps
attention of the buyer, its the verbal or my head exactly where it should be -written word that makes the sale. So if you making money from my photography. Ω
have great models and don’t
understand ad copy, team up with
someone who does.
Working as a Model Consulwww.ifpo.net/discoveries
tant can serve as the basis of a
Yo
ur
Nam
freelance ad business if you have
e, ID #99999
Top Notch Photos
a broad range of models and
PO Box 777
Your
portfolios. But whether you
photo
I pledge to present each
intend to freelance in advertising
model in an honorable
and
professional manner.
here.
or not you should always shoot a
____________________
_________(signed)
full range of looks for each
MODEL CONSULTANT
model. Never limit the model’s
look to her age or a particular
category of modeling. Try new
R
Making some money with your camera
is actually quite simple. However, when
you decide to make a living from photography, you will need to move up to another
level. You might consider starting a model
consulting business or freelance in advertising. This is not as difficult as it sounds.
If you have a camera, computer, a reasonable amount of determination and some
good old fashion manners, you will soon
get more jobs than you can handle alone.
And as an IFPO member and Certified
Model Consultant, you already have a
great advantage -- an association that
opens doors for you.
In most states you cannot operate a
school or modeling agency unless you are
licensed. However, you can usually freelance in photography and advertising as
you wish. You can always check with your
Chamber of Commerce or State Attorney
General’s Office before you advertise your
services.
To get started there are three good
resources to get you moving. Your telephone directory yellow pages, local radio
and TV station advertising. Your purpose
is to learn what local businesses are advertising, then see if you can provide them
better service at the same or even better
price.
A full advertising package at a reasonable rate appeals to most small business.
To make a realistic proposal you first need
NEW DISCOVERIES
Model Consulting Program on page 30
33
ASSIGNMENTS NOW!
FREELANCE PHOTOGRAPHER’S ASSIGNMENT BANK on the INTERNET
GET ASSIGNMENTS or SELL PHOTOS you already have!
Editors and Photo Buyers Find You!
Assignment and Picture Editors and other Photo Buyers have
DIRECT and INSTANT INTERNET access to this vital information from ANYWHERE in the WORLD!
Photo buyers and Editors can search the assignment banks by:
COUNTRY, STATE or PROVINCE, CITY or PHOTOGRAPHERS’ SPECIALTY. Check it out at:
http://www.ifpo.net/assignment.html
mor e than 12,000 sear ches per MONTH!
If you’re on it, Assignment and Picture Editors can find you for the dream assignments you’ve been looking for! Registrations are accepted on a FIRST
COME, FIRST SERVE basis!
Assignment Registration For m
(IFPO MEMBERS ONLY!)
LIST YOUR SPECIALTIES:
YOUR CONTACT INFORMATION
1. ____________________
name
2. ____________________
# I.D.
studio or business name (optional)
3. ____________________
address
4. ____________________
city, state, zip code, country
5. ____________________
6. ____________________
fax (optional)
phone
home page URL (optional)
email address(optional)
Credit Card Orders: when we receive your registration form, your credit card will
be billed for the set-up fee only. Then your credit card will be billed monthly on the
first of the month beginning with the first FULL month your your Data Bank information is ON-LINE. Your first partial month is FREE! Minimum 12-month committment required. After 12 months, monthly charges will continue until member
cancels with a 30-day notice. Visa, Mastercard, American Express, Optima accepted.
Checks or Money Orders: when you submit your registration form, enclose a
check or money order for the amount of the set-up fee PLUS 119.40, the first
twelve months of the monthly fee. You will then be billed at 12 month intervals.
I agree to the above terms and conditions. I enclose my fees as follows:
#ADB21, $10 per SPECIALTY set-up fee ___ . ___ and monthly fee: $9.95
#ADB31, 10 SPECIALTIES, set-up fee
$49.00
and monthly fee: $9.95
signature
expiration date
7. ____________________
8. ____________________
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15.____________________
Choose from these
Specialties or Name
Your Own!
All Assignments
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Group
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Product
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TOLL FREE:
1-800-654-9557 (CREDIT CARDS ONLY!) or BY FAX: 1-800-283-5989
ON-LINE:
http://www.ifpo.net/feelance.html
or MAIL TO:
A.D.B. PO Box 777, Lewisville NC 27023-0777
34
www.ifpo.net
PROFESSIONALPHOTOGRAPHYTECHNIQUES
3VV1
GET
PUBLISHED
techniques
techniques
2
PRESS+
LIGHTING
techniques
4
professional
HOW TO GET
PRESS
ASSIGNMENTS
SIMPLE
techniques
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professional
professional
SPECIAL EFFECTS
3
3VV5
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professional
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+FIGURE
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EFFECTS
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DIGITAL IMAGING
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ACTION
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LIGHTING
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Originally produced
for Kodak, these “Pro
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fessional
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nt new and
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on-location. The photogr
ios and
in thei r resp ecti ve fieldaphers featured are at the top
s.
The
y
reve
al
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secrets that you can
ess iona l
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before. They share thei in ways you have not seen
r striking images and
by step "magic" they
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You will be
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insider tips and working , trad e sec rets , tech niqu es,
dance on these tapes. habits waiting for you in abunThese are the secrets
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ment ladder no matter
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l
all 16 Pro-Secrets Vide . See the complete review of
os at IFPO’s Internet Site
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: http://
Professional
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techniques
Visions in View Series
$39.95
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3VV7
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PROFESSIONAL PORTRAIT TECHNIQUES
3PS1
professional
portrait
MARKETING
1
3PS3
professional
portrait
3PS2
professional
portrait
OPPORTUNITIES
techniques
2
MAKING
THE SALE 3
techniques
SHARPENING
Your SKILLS
techniques
4
3PS5
professional
portrait
3PS4
professional
portrait
3PS6
professional
portrait
IMAGE IS
SELLING
EVERYTHING
PORTRAITS 5
techniques
TO THE HEART
6
techniques
ONE STEP
AHEAD
professional
portrait
k, these “Professional
Originally produced for Koda
video s docum ent
Portrait Techniques” semin ar style work in their stuat
new and innovative photographers
graphers featured are
dios and on-location. The photo
They reveal profesat the top in their respective fields.
in ways you have not
sional secrets that you can use
g images and the
seen before. They share their strikin
produce them. You
step by step "magic" they use to
trade secrets, techwill be amazed at the insights,
habits waiting for you
niques, insider tips and working
are the secrets
in abundance on these tapes. These al jumps up the
sever
that can transform your photos
er your interest is
development ladder no matter wheth
. See the comp lete
as a hobby ist or profe ssion al
IFPO’s Internet
at
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review of all 16 Pro-Secrets
Site: http:// www.ifpo.net
Professional Portrait
Techniques
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WINNING
IMAGE 8
techniques
professional
PORTRAIT
TECHNIQUES
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Portraits of Success Series
$39.95
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3PS8
3PS7
ORDER FORM
on page
47 1-800-654-9557
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35
2 0 0 2 M O N T H LY C O N T E S T W
MAY WINNER
THEME: THINGS WITH WHEELS
WHEELS IN THE PARK
Photo © 2002 by Sean Rice, Coulee Dam, Washington. Contax RTS-3, Zeiss 80-200 zoom
2002 Photo Contest Winners
April
Honorable Mentions
Gathering Hay
Andrew Bohanon, Halifax, Virginia
Eagle River
Stuart McHattie, Mintuen, Colorado
Tioga Falls
Tommie Shaw, Louisville, Kentucky
February Storm
Andrew Bohanon, Halifax, Virginia
May
Honorable Mentions
Just Like Grandpa
Suzann Rethorn, Godfrey, Illinois
Paddle Wheel
Tommie Shaw, Louisville, Kentucky
Canon
John M. Evans, Lake Jackson, Texas
36
June
Honorable Mentions
Spring Blossoms
Robert M. DeAngelo, Jr., Roslyn, New York
A Blooming Mixture
Claudia Murray, Jamestown, North Carolina
Three Armed Ball
Sid Rotz, Decatur, Illinois
Belingrath Water Lilies
Charles D. Forgue, Cookville, Tennessee
My Well House
Errol Ramsfield,Whitney, Texas
Untitled
Carol Koontz, Lutz, Florida
Tree Blossoms
Daniel W. Poirier, Gladstone, Missouri
Summer Aster
Lyudmilla Fedossov, Skokie, Illinois
Cactus Blossoms
Tommie R. Shaw, Louisville, Kentucky
Pink and Yellow Bloom
Dale Allison, Amity, Oregon
July
Certificate Winner
Fajada Butte at Sunset
Sean Rice, Coulee Dam, Washington
Honorable Mentions
Firebird Inflight
Richard Chambless, Virginia Beach, VA
Sunset Sentinels
Thomas Hilliker, Surprise, Arizona
MORE WINNERS PAGE 45
www.ifpo.net
WINNERS
NOVEMBER WINNER: TRAVEL • SCENICS • HIGHWAYS
ALASKAN FISHING VILLAGE. Photo © 2002 by Sean Rice IFPO, Coulee Dam,
Washington. Contax RTS-3, Zeiss 28-85mm zoom.
MORE WINNERS ON PAGE 43
L
JUNE CERTIFICATE WINNER: ALL SUBJECTS
ROSE Photo © 2002 by Thomas Hilliker IFPO, Surprise,
. Contax 167, Tokina 80-200, 2.8 21mm Ext. Tube.
SEPTEMBER WINNER: BEACHES, MOUNTAINS, DESERTS
MAJESTIC REFLECTION. Photo © 2002 by Claudia Murray, Jamestown,
JULY WINNER: SUNSETS AND SUNRISES
UNDER SAIL. Photo © 2002 by Lawrence Worcester, Seat-
North Carolina. Mamiya camera, 200 zoom. KRG 200.
tle, Washington. Canon EOS 3, 70-200 F2.8 lens.
www.ifpo.net
37
Camcorder - Videography Techniques
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4
5
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3CT1
3CT4
3CT2
3CT5
The CAMCORDER INSTRUCTIONAL Video Series
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3CT2 - The Definitive Guide To Shooting And Editing. Principals of
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Know Your
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• continuity
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3
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and more. 90 min. VHS.
Learn how to add variety and interest to
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you should zoom. PLUS “In-Camera” Editing Techniques and Shooting To Edit. 120
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Lighting and Sound Techniques
Use photo concepts the way the pros do to
make super videos. Learn visual basics,
focusing tips, and proper composition. Discover how shutter speed and depth of field
principals impact on your videomaking.
BONUS: How to transfer your own home
movies, slides and photographs to videotape. 90 min. VHS.
38
Get great lighting with minimal equipment.
Discover how to use the 4 qualities of light;
5 ways to overcome dreaded backlighting
problems; Filters add a new dimension.
Recording Sound: Why the microphone on
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ORDER FORM
on page
47
T
PHO OGRA
ER • SENI
O
PH
IFPO
since 1984
R
ER • SENI
O
PH
R
ER • CHIE
F
PH
Could the title of CHIEF
PHOTOGRAPHER set you
apart from your competition
NOW?
OTOGR
A
PH
IFPO
since 1984
OTOGR
A
PH
You now have more than one option ...
ER • CHIE
H
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Do You Need More Impressive Credentials?
Is SENIOR PHOTOGRAPHER
a title that could give you you
an edge?
PHOTOGR
A
Are you ALREADY qualified to be
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To apply for the Chief Photographer, Senior Photographer or Master Photographer
Programs, please call FREE 1800-654-9557 to have an
application mailed to you.
For detailed program information please call 336-9459867 weekdays 10:a.m. to
6:00 p.m.
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www.ifpo.net
IFPO Master Photographers are offered a full range of credentials including updated Master
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beautifully embroidered Master patches and more.
39
HOW TO COVER HIGH SECURITY NEWS EVENTS
CONTINUED FROM PAGE 6
The Daily Briefings Were Often Emotional. The F. B. I., Chief Moose, Maryland State Officials and others held daily news briefings in Rockville, Maryland. Photos ©2002 Dion P. Sparger
very surprised and very grateful for
that type of consideration. I later saw
him at one of the press conferences
and took the opportunity to thank him
for his consideration and the information. But more important what I wanted was for him to be able to put my
face with my name and to remember
me for future reference.
While covering a range of events,
my experience with the media relations divisions in the D. C. Metropolitan Police Departments has always
been positive. They have always
shared any information they could.
I try to attend the major news events
when I can for two main reasons: 1) to
get good photojournalistic shots, and
2) to keep my face before the police
and members of the media. Usually, I
try to get to press conferences early,
even though they usually start later
than scheduled. Once I have been
screened by a police officer and given
access to the restricted area, I use this
time to walk around and look over the
area for good vantage points.
A key goal of mine is to talk with
those police officers who are handling
security, especially the ones who are
in charge of screening members of the
press for access. I introduce myself
and tell them the organization I repre40
sent. I may engage them in light conversation but, being careful not to
impede them from doing their job. I
want my face, name and mode of conduct to be ‘burned into their memory’
for the next time I need to attend a
news event in their jurisdiction.
Police officers are highly-trained
professionals. Part of their job is to
remember faces and names and that
works in my favor. For example, I
attended two news events in the same
police jurisdiction four months or so
apart. The first was an Amtrak train
wreck, the second was one of the press
conferences during the sniper investigation. By coincidence, the same
police officer was providing security
at both events and remembered me.
But he still did his job and thoroughly
checked my credentials.
I also try to talk with other photographers and TV camera personnel at
these events to get additional information and to have them remember me as
well. You never know when it may be
helpful to have a member of the media
vouch for you should the occasion
ever arise.
There is a sort of standard format
for news conferences. Usually a police
officer or other official will come out
to the podium and give the press the
two-minute warning. This lets everyone know they are about to start and
the network camera crews can prepare
to go live.
At the Sniper Press Conferences,
because of the tight security, it was
difficult to get a good camera shot.
The network TV cameras are always
given the prime spots so I had to shoot
from the side or from a vantage point
between and behind the TV cameras
using a longer focal length lens.
Kneeling below the TV cameras in the
front row is an option, but the news
reporters are camped out there so they
can ask questions. I try to find some
harmony between getting the best shot
available from the spots I can find
without infringing on the other photographers and cameramen.
At all times I keep a good balance
of being professional and courteous
but also being aggressive in getting
the type of photojournalistic images
that are needed to make a good presentation.
My American Image Gold Press
Credentials are priceless. Without
them I could not have gained access to
these events. I also believe that a
familiar face at the scene is also
invaluable. Both are entwined in my
success and inseparable for me. Ω
www.ifpo.net
NEW!
Badge ID
Homeland
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Times have changed for everyone since 9-11. Even
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In this new high security environment, the Home land Defender credentials will do the job for you.
Wallet I.D.
The Homeland Defender program provides
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ING YOUR PHOTO)
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hours -- on the internet 24-7.
4. MORE PUBLISHING OPTIONS:
2. BACK-UP AND SUPPORT IN WRITING:
The Homeland Defender program will offer IFPO members
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Officials who want an editor’s letter of assignment for a specific event can get it. This support is easy to use with request
sheets and a telephone help number.
YES.
YES Sign me up as a Homeland Def ender
Cat#
name ___________________________________________________________________
address _________________________________________________________________
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phone/fax ________________________________________________________________
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1. ____________________________________________________
2. ____________________________________________________
expiration date
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signature _________________________________________________________________
1-800-654-9557
MAIL ORDERS:
or fax:
1-800-283-5989
H omeland D efender , P.O.Box 777, Lewisville NC 27023-0777 USA
www.ifpo.net
41
ON ASSIGNMENT
freelancer's
Directories
on DISK!
PC or MAC!
MAILING ADDRESS
+PHONE NUMBERS!
#DD201
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ORDER FORM
on page
47 1-800-654-9557
What started as a hobby, photographing birthdays and holidays as a child,
slowly grew into photographing events,
demonstrations and every day life. It
was in coming to Israel in 1990 that my
interest in political demonstrations and
public events events really took off.
I now have a collection of forty pictures of political happenings around Tel
Aviv on display at Moshe Taub’s studio. (He’s an IFPO member who has
helped me immensely, and chairs the
Camera Club in Tel Aviv.) The same
collection will later be shown in North
Tel Aviv.
UP CLOSE ... GOVERNMENT OPPOSITION
LEADER YOSSI SARID AT A PEACE RALLY
Macintosh .eps file on 1.44MB
IBM Compatible Floppy!
MACINTOSH ONLY!
TEL AVIV
NAME
ADDRESS
CITY
STATE
ZIP
PHONE NUMBER
IFPO Seal On Disk!!
Item# D7049, $19.95
OF
WAS MISSING ...
Jeremy Duke-Cohan
DD101
$9.95 6,830 Book Publishers
DD102 $19.95 19,745 Newspaper Publishers
DD103 $19.95 10,400 Magazine Publishers
DD104
$9.95 1,299 Poster Publishers
DD105
$9.95 382 Post Card Publishers
DD99X - $129.95
(All 15 Disks above)
STREETS
LEVEL OF RESPECT THAT
PUBLISHERS
FREELANCE
BUNDLE!
THE
By Jeremy Duke-Cohan IFPO, Holan, Israel
THE IFPO PRESS
Freelance Photographers
DD301 $19.95 16,808 Advertising Agencies
DD302 $9.95 1,894 Modeling Agencies
DD303 $9.95 909 Modeling Schools
COVERING
CARD COMMANDS A
100,701 Contacts for
AGENCIES
Around the World
©2002 Jeremy Duke-Cohan IFPO
The current political situation in Israel
and the Middle East has made it
increasingly difficult to get my camera
on the scene. Slowly and surely the
Intafada made security a real big issue - until I joined IFPO earlier this year.
Using the IFPO Press Credentials I
have covered prominent members of the
Meretz and Labor Parties as well as
breaking news events.
Having the IFPO press card commands
a level of respect that was missing -although I did not notice it until I had
the card for inspection by security personnel. And other photographers give a
little more space instead of trying to
take over and generally get in the way
of a ‘non-card’ holder trying to cover an
event. Ω
www.ifpo.net
2 0 0 2 M O N T H LY C O N T E S T W I N N E R S
OCTOBER WINNER: ALL SUBJECTS
ALINA - SWEET SIXTEEN. Photo © 2002 by Lyudmila Fedossov
IFPO, Skokie, Illinois . N90s, Travelite Studio Lamp. Nikkor 80200 lens.
APRIL WINNER: ANYTHING GOES
UTAH FARM LAND. Photo © 2002 by John M. Evans
IFPO, Lake Jackson, Texas. Canon A-1.
MAY CERTIFICATE WINNER
THINGS WITH WHEELS
T-MODEL WHEELS. Photo © 2002 by George W. Cotter IFPO,
Seymour, Tennessee. Nilon FG 28-200 zoom. F5.6 /125. KG 400.
JUNE CERTIFICATE WINNER
BLOSSOMS AND BLOOMS
CLOUD FORREST BLOOM. Photo © 2002 by Barry W.
Myers IFPO, Ransom Canyon, Texas. Canon EOS-IV
MORE WINNERS PAGE 55
www.ifpo.net
43
introducing:
IFPO Member
"MAX-SET
MAX-SET"
IMUM
. . . . MAX
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CREDI
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.....
IMUM
X
TRUST . .
A
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.
NCE
XIMUM
CONFIDE
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M
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.
S
S
E
EN
printed on the finest "geopaper"
high quality credentials bond.
EFFECTIV
MAX-SET order form
(or use the order form on page 47)
IFPO Member# __________________ or enclose dues (see page 17 for membership information)
name __________________________________________________________________________________
address _______________________________________________________________________________
city/st/zip ______________________________________________________________________________
IFPO Credentials are proven to solve the "credibility" and
"trust" problems often encountered by freelance photographers.
These credentials set your subject's mind at ease and allow you
to get the shots you want. Your name and member number are
professionally typeset on each credential. Do-it-yourself laminating materials with easy to follow instructions are included
so you can apply your photo and finish them yourself. Each set
includes 1 Passport Style Credential, 1 Badge I.D. and 1 Wallet
I.D. An introductory letter of certification is included to complete the package. This is the most comprehensive membership
I.D. and Credential set ever offered!
phone/FAX ____________________________________________________________________________
❏ 701A....Member FREELANCE Photographer .......$39.95 ea.
❏ 702A....Member SPORTS Photographer..................$39.95 ea.
❏ 703A....Member CONCERT Photographer..............$39.95 ea.
❏ 704A....Member WEDDING Photographer ............$39.95 ea.
❏ 705A....Member PORTRAIT Photographer ...........$39.95 ea.
❏ 706A....Member WILDLIFE Photographer .............$39.95 ea.
❏ 707A....Member NATURE Photographer.................$39.95 ea.
❏ 708A....Member GLAMOUR Photographer ..........$39.95 ea.
❏ 709A....Member MODEL CONSULTANT..............$39.95 ea.
❏ 799X....Member
Photographer ....$39.95 ea.
badge I.D.
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Member#
87244
signature
John Q. Smith
P.O. Box 8347
Your city, NJ 08231 USA
724-777-5555
4 LINES OF CUSTOM INFORMATION CAN BE PLACED ON YOUR MAX-SET CREDENTIALS:
Line 1
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John Q. Smith
FREELANCE
P.O. Box 8347
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PHOTOGRAPHER
signature
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Money Order,
Or Credit Card:
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PLACE
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signature
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44
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and whose signature and photo appear below,
is a correspondent photographer on assignment
for Today's Photographer magazine. This photographer will be covering events of national
and local interest including concerts, conventions, breaking news, sports and special programs. American Image Press respectfully
requests that the bearer be granted permission
to work as a Press Photographer in your
domain. While in this capacity, the bearer will
comply with all existing federal, state and local
regulations.
FREELANCE
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ORDER any 1 set for:. . . . . . $39.95 +shipping
any 2 sets for: . . . . . $59.95 +shipping
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any 6 sets for . . . . . $99.95 +shipping
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International Freelance IFPO
Photographers Organization
BEARER CERTIFICATE
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OTHER (SPECIFY)
1-800-654-9557 or fax 1-800-283-5989
FREELANCE
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IFPO Order Dept., PO Box 777, Lewisville NC 27023-0777
www.ifpo.net
How to Make Your First Assignment -- the Best
By Gary Daniel IFPO, Bartlett, Tennessee
MY INTEREST IN PHOTOGRAPHY STARTED WHEN I
WAS 17. I AM NOW 42. IT HAS TAKEN ME MOST OF
THESE YEARS TO AFFORD SOME DECENT EQUIPMENT
AND EVEN LONGER TO FIND
I
have had the desire to express myself
through photography since I visited
Nashville Tech more than twenty
years ago and saw photographs that the
students had taken for a project.
It was much later when I invested in my
first camera, a Yashica FX3 2000 with a
Carl Zeiss 50mm 1.7 lens. I spent a year
experimenting and learning with it before I
decided to get a more automatic camera.
Wanting something basic, I chose the
Minolta Maxxum 5 with a 50mm 1.7 autofocus lens and a Sigma 100-300 4.5 to 6.7
zoom lens.
After spending another year with this
set-up, I learned about IFPO and joined. I
was excited and ready to cover my first
NBA basketball game only to learn from
the Memphis Grizzlies public relations
office that they do not allow freelance photographers to cover their games.
I was really disappointed until I read
about the Gold Press Program in Today’s
IFPO. Gary Daniel.
Photographer Magazine. I joined the program and sent in my letter of assignment to
cover the Memphis Grizzlies versus the
LA Lakers game at the Pyramid Arena. I
was approved!
I was very excited and began to prepare
for the game. First I bought some 1600
speed Fuji film, then I reviewed the Photographer’s Code of Ethics from the Gold
Press Program. I also kept in mind much of
what I had learned in Today’s Photographer Magazine.
When I arrived at the game I introduced
myself to the Media
Director and learned
that I had access to
the locker rooms
before and after the
game as well as the
coaches’ press conference after the
game.
I met Isaac Hayes
who sang the National Anthem at the
opening of the game and found myself
standing next to Phil Jackson while he was
being interviewed by news groups from
around the country.
After I left the game, the police stopped
traffic for me as I left the the media parking lot. This was a night I will never forget.
I owe it all to the Gold Press Program
and IFPO. I am confident now that I can
cover the kind of events in the future that I
had only dreamed about in the past. Ω
LOS ANGELES LAKERS’
SHAQUILLE O’NEAL TAKES THE REBOUND FROM
MEMPHIS GRIZZLIES’ SHANE BATTIER IN THE NBA
GAME AT THE PYRAMID ARENA IN MEMPHIS.
Photo by
Gary Daniel IFPO,
Bartlett, Tennessee.
2002 Contest Winners
August
Certificate Winner
Spokes of Time
Cinderella Morff, Lohman, Missouri
Honorable Mentions
Inside Ellis Island 1
Edgardo Cardinal, North Bergen, New Jersey
The Spring Flowers
Craig Rubin,Lincoln Park, Michigan
Constructing the Leonard Zakin Bridge
Elizabeth Della Piana, Winchester, Mass.
September
Honorable Mentions
Strolling the Beach
Claudia Murray, Jamestown, NC
www.ifpo.net
continued from page 37
October
Honorable Mentions
Dream
Lyudmila Fedossov, Skokie, Illinois
Pretty Woman 6
Carleen Bragg, Chicago, Illinois
Swimsuit Glamour by Little Miss
November
Honorable Mentions
Sawston High Street
Dawn Burns, Riverside, California
Wyoming Fireman Respond to Disaster Drill
Arlo Abrahamson, San Diego, California
December
Certificate Winners
A Beautiful Ending
Peacock
Malcolm G. Smith, Westborough, Mass.
Honorable Mentions
Alexandra
Dean Sfikas, Port St. Lucie, Florida
My Girl
Andre’ Amory, Sandys, MA02, Bermuda Ω
MONTHLY WINNERS BEGIN ON PAGE 27
45
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IFPO
IFPO MEMBERSHIP UPGRADE
NOTICE
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Your Membership I.D. May become Obsolete!
IF YOUR MEMBER# IS LESS THAN 72000, your IFPO Membership should be UPGRADED in order to gain the
improved credibility and effectiveness that Internet Membership Verification brings to your Lifetime IFPO Membership.
Here's Why:
Officials who need to verify your membership status are quickly accepting the convenience of INSTANT VERIFICATION via the internet. Many are REQUIRING this capability NOW. These Officials include Clients, Law
Enforcement, Customs, Government, Education, Sports, Entertainment and others.
How Membership Verification Works
New IFPO Membership Credentials Upgrade (#700B-UPGRADE) come printed with a unique VERIFICATION
CODE. In seconds, Officials can confirm membership status when they enter your code on our Membership
Verification Internet Site. Your Membership is instantly verified 24 hours a day, 7 days a week from any where
in the world!
What You Get:
#700B Upgrade MEMBERSHIP KIT REG.PRICE
New IFPO I.D. Card + Certificate
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Membership Verification on the Internet
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PLUS SHIPPING/HANDLING
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SPECIAL
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If you DO NOT Upgrade!
Your current Lifetime Membership I.D. Card is still valid and your subscription to Today's Photographer
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Yes, I want to Upgrade my IFPO membership
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Call Customer Service at 1-336-945-9867 about RETURNS, EXCHANGES or REFUNDS. Shipping or C.O.D. charges will NOT be refunded under any circumstances. Refunds will not be made
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47
For Photographers who are starting or expanding a model portfolio
business, a step-by-step guide to get you started immediately in your
home or studio with equipment you presently own. You can make $100$800 easily the very first month shooting model portfolios for professional or amateur models. Learn how and why models will pay you to shoot
them. You will find ways to meet beautiful - prospective models.
You will learn to shoot figure portfolios plus backgrounds and unusual
ways to get the model to interact with a background. Learn 35 shooting
locations that are available to anyone. Find proven methods to gain the
model’s confidence. You will learn the secrets and value of interviewing
your model to planning an exciting portfolio with her.
Pricing guides are accompanied by five complete sample Portfolio
Packages. Tips for equipment, lighting, props and tips plus checklists,
invoice and interview forms, business forms/contracts for all your needs,
stunning sample composite and when to use it.
HOW TO START
Your Own
MODEL
PORTFOLIO
Business
ok,
age bo
125 p
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A
5
0
101
5
$24.9
#2
#205A
MODEL
Complete range of poses including sitting, kneeling, standing and walking.
You and your model can execute every one of these poses without a single
prop or piece of furniture. The poses can be performed in any setting
including home, studio or location. The poses are suitable for all types of
photography: glamour, fashion, advertising and figure. The poses have been
specially compiled to assist a photographer and model in creating a model
portfolio. Use this guide to instruct your model while you shoot, use it to
teach posing to the model or to conduct a workshop for several models.
SAVE TIME: A model can study and practice these poses on her own using
a mirror, then execute them for you during the shooting session.
59 standing and “walking” poses, 32 kneeling poses and 10 sitting poses
are fully illustrated.
POSES
fully illustrated
5
24.9
ook, $
page b
5
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1
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#206A
#206A
How To Start Your Own
BOUDOIR PHOTOGRAPHY BUSINESS
is a book for photographers who want to CASH IN on the booming
boudoir and intimate portraiture business. Photographers can start a profitable sideline income or expand their current photography income with
boudoir photography by using the techniques and ideas in this manual.
This book guides you step-by-step through everything you need to know
from finding your first client to building a thriving business! You will learn
which women want your services and why. You will discover how you can
get started fast — with basic 35mm equipment you already own. You will
learn lighting methods that work to achieve the results your clients want.
You will get instructions for creating sets that can be set up anywhere.
Everything you need to get started FAST in this exciting and rewarding
field of photography is included in an easy to follow 9-part ready to use
Start-up Kit. You get proven marketing ideas, pricing guidelines, checklists, interview forms, business forms, lighting and setting arrangements.
• 4 MIRACLE PROPS • 11 QUICK CHANGES
• 7 INTIMATE SETTINGS • 17 "MUST ASK" QUESTIONS
• 30 MINUTE SHOOT CHECKLIST
• HOW TO GET YOUR SUBJECT TALKING ABOUT YOU
5
.9
k, $29
ge boo
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p
5
, 12
#207A
3 BOOK BUNDLE
(205A, 206A, 207A)
#207A
48
#207X - $59.95
www.ifpo.net
1-800-654-9557
ORDER FORM
on page
47
Guides include:
PORTRAIT - WEDDING - COMMERCIAL - GROUP - PRESS STOCK - ART - GLAMOUR. guide: finding models, how to create
willing subjects, shooting models for money. PLUS pricing tables for
PORTRAIT, WEDDING, COMMERCIAL, GROUP, PRESS,
STOCK, and GLAMOUR. Includes B/W, color pricing, package-pricing and pricing to publishers.
HOW
HOW
FREELANCE
PHOTOGRAPHY
really
WORKS
Freelance
Photographer's
#201
HANDBOOK
& Complete
Technical Manual
95
.
k, $24
ge boo
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p
8
1
#202A
2A, 1
.95
24
book, $
e
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p
A, 115
#201A
BUSINESS &
PRICING GUIDE
LIGHTING: six lighting arrangements for portrait or glamour photography, six
ways to use flash in all your photography shots, calculate flash exposures, common flash mistakes; DARKROOM: twenty two steps to make great black and
white proof sheets, twenty eight steps to make black and white enlargements,
color kits for home processing, chemicals in color processing; EQUIPMENT:
cameras, lenses, filters, accessories; FILM: black and white negative films, black
and white reversal films, color negative films, color reversal films; EXPOSURE:
how a light meter works, reading reflected light, reading incidence light, spot
meters, built-in meters, hard to meter situations, reciprocity, close-up exposures;
PLUS: complete technical glossary.
#20
80 FULLY ILLUSTRATED DETAILED LIGHTING
DIAGRAMS THAT YOU CAN USE AT HOME
Use these easy to follow diagrams to shoot portrait, glamour or any
kind of photography with professional results. These diagrams use
lighting elements that you can find around your own home including
windowlight, natural sunlight, easy to make reflectors, and flash.
• 15 diagrams illustrating indoor direct lighting.
• 18 diagrams illustrate using sunlight.
• 26 diagrams illustrating bounce light indoors.
• 21 diagrams illustrate special arrangements for glamour and
portrait that you can do around your own home.
80
TESTED
LIGHTING
$24.95 each or
3 BOOK BUNDLE
(201A, 202A, 203A)
#203X - $59.95
ORDER FORM
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DIAGRAMS
fully illustrated5
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24
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#203
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49
NAL • FRE
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IFPO PICTURE AWARDS
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guaranteed publishing credits
PICTURE AWARDS PROGRAM
Members can start or expand their publishing credits using IFPO's
unique "PICTURE AWARD" program.
Each photo submitted will be published in Today's Photographer
magazine on-line or subscriber edition. A handsome 5.5 inch x
8.5 inch
"Certificate of Publication Award"
will be issued for each qaulifying photo. To qualify:
❏ Include your Member#, name, address with each photo.
❏ Give each photo a name, title or caption. Technical info
is helpful.
❏ Each photo can be a color or B/W print or
transparency. No prints larger than 8.5 x 11 inches.
❏ A $15 service fee is required for each photo to
cover the cost of scanning for publication.
Photos to be returned to the member must be accompanied by a
suitable photo mailer with sufficient postage.
f Publication
Certificate o ward
icture A
P
John C. Smith, Jr.
97
mber 01, 19ont
Date: Dece
Publication Title: Savannah Riverfr
e
ur
Pict
ckburn
Annette B. Bla
om
Today's
www.aipress.c
Photographer,
editor
Photographer
AY'S
TOD
TODAY'S
THE PROVEN
magazine
FREELANCING
BRIDGE TO
please copy as many of these forms as you need
PICTURE AWARD FORM
PICTURE AWARD FORM
Name, member# _____________________________________________
Name, member# _____________________________________________
Address ____________________________________________________
Address ____________________________________________________
City/State/Zip________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
Phone or fax ________________________________________________
Date:_________________________PHOTO #________ OF __________
Date:_________________________PHOTO #________ OF __________
Title (opt):___________________________________________________
Title (opt):___________________________________________________
Technical info (opt): __________________________________________
______________________________________________
______________________________________________
The photographs submitted are my own, and I hereby give permission to Today's Photographer to reproduce them. I agree that Today's Photographer bears no responsibility for entries without the service fee or
return mailer with postage. Model releases must be included where applicable.
$15 SERVICE FEE ENCLOSED for EACH PHOTO! ❏ Check, ❏ Money Order,
❏ Cash, ❏ Credit Card# ___________________________exp date ________
signature __________________________________________________________________________
signature __________________________________________________________________________
MAIL PHOTOS TO:
PICTURE AWARDS (IFPO)
PO Box 777 Lewisville NC 27023-0777
MAIL PHOTOS TO:
PICTURE AWARD FORM
PICTURE AWARD FORM
Name, member# _____________________________________________
Name, member# _____________________________________________
Address ____________________________________________________
Address ____________________________________________________
City/State/Zip________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
Phone or fax ________________________________________________
Date:_________________________PHOTO #________ OF __________
Date:_________________________PHOTO #________ OF __________
Title (opt):___________________________________________________
Title (opt):___________________________________________________
______________________________________________
______________________________________________
signature __________________________________________________________________________
signature __________________________________________________________________________
MAIL PHOTOS TO:
50
MAIL PHOTOS TO:
www.ifpo.net
WEDDING
Paul Thompson is a Master
Craftsman Photographer
awarded from The Professional Photographers of
America for photographic
excellence. He was featured
in two Kodak video taped
productions that were sold
worldwide. He built "The
Huntington House" photography studio, a 3 story capecod style building from the
ground up. He is well
known for his mastery in
photography as well as his
business and marketing
skills. He shares his expertise on advertising, promotions, studio operations and
management. He has been a
speaker across the nation,
published articles and has
been an instructor at the college level inspiring and promoting his passion and
artistic creativity for photography.
Photography
T
his new video
series is packed
with 20 years of
practical experience,
knowledge, skills and
tips. Paul uses a real
wedding as well as studio demonstrations to
illustrate methods he
has learned and developed while becoming
one of the nation's most
successful wedding
photographers.
#380B - $139.95
(2 vol. set VHS)
Vol. 1 (55 Min.) Includes:
• An actual wedding being photographed
• How to achieve quality lighting on location
• Posing the bride and groom at the wedding
• How to pose small and large family groups
• Ceremony photographs that must be taken
• Studio lighting and posing demonstrations
• Tips on how to operate a studio successfully
!
Y
U
B
endss
t
comm
e
t
r
t oi
IFPO producers!
this memb
FREE BONUS
• An actual reception being photographed
• How to photograph cake cutting and groups
• Outdoor romantics with the bride and groom
• Studio portrait session with bride and groom
• Complete equipment guide for weddings
• Recommendations for forms and contracts
with your order
(WHILE SUPPLIES LAST)
• Detailed list of "must poses" that will make
every wedding day complete.
• Sample "agenda card" to carry with you, and
make your day run smoother.
• Copy of Paul's actual "wedding contract" that
every bride completes.
• "Schedule" to help plan the wedding day's
photographs with the bride.
ORDER TOLL FREE 24 hours 7 days
1-800-654-9557
www.ifpo.net
Vol. 2 (45 Min.) Includes:
ORDER FORM
on page
47
51
IFPO FLEX SYSTEM
NOW in Color
ALL 8 SETS only $49.95
TOGRAP
HO
WHAT’S NEW!!
IFPO
Your Personal Name
Studio or Business Name (optional)
Street Address or PO Box
City, State (prov) Zip (country)
Phone and/or fax number and/or email
since
1984
ELANCE P
RE
1. NEW: Design and color cards in specialty sets.
2. NEW: We’ve unbundled the 48 card set so you can choose only
the sets you need and slashed the “prices” drastically. Buy the first
set or cards complete with wallet and badge holder for $24.95; add
two additional sets of cards for only $10 more for a total of $34.95.
3 NEW: The “badge holder” option allows you to use your I.D. cards
as a Badge.
4. NEW: Members report that the most effective components of the
“flex I.D. system” are the “Gold Seal of Achievement” and the “specialty image” portrayed on each card. Early tests indicate client
acceptance increases of more than 300% and more!
SPOR TS
signature
AA
P hotographer
Sports set 1
#752A
1. Football
3. Skiing
5. Olympics
2. Golf
4. Archery
6. SportsOfficial
SERVICE
RATING
✰✰✰
TOGRAP
HO
Your Personal Name
CLASS LIFETIME
MEMBER
GRADE
since
1984
STORM
signature
ISSUED 12/31/98
IFPO
Identification # 99999
WHAT WORKS!!
CHASER
AA
Weather Set
#752D
TOGRAP
HO
since
1984
ELANCE P
RE
CAMPAIGN
P hotographer
signature
ISSUED 12/31/98
SERVICE
RATING
✰✰✰
MEMBER
GRADE
AA
RS
O rg a
n iz a ti
on
ERS INT
E
PH
OTOGRA
PH
g ra p
h e rs
ATIONAL
RN
YOUR
PHOT
O
HCLASS
ERLIFETIME
E
IFPO
al
IFPO
sin
ce
1984
RS INTER
HE
EELANC
E
FR
#752H
1. Campaign
2. 2000 Campaign
3. Democratic 4. Republican
5. White House 6. National Campaign
IONAL
AT
F
N
Political set
OW
r
H
S raphe
R
AI otog
Ph
BALLOON
Identification
# 99999
YOUR U
R
PHOTO Your
Personal Name
TO
O
HERE Street
REAddress or PO Box
P h o t C A M PA I G N
o
her
IFPO
since
1984
E
Festivals/Shows #752E
1. Air Show
2. Balloon Show
3. Auto Show 4. Rodeo
5. Water Sports 6. Festival
signature
ISSUED 12/31/98
SERVICE
RATING
✰✰✰
CLASS LIFETIME
MEMBER
GRADE
AA
P hotographer
IF YOU ALREADY HAVE THE FLEX System, You may ADD TO IT!
item#
price
description
755B-1A . . .$14.95* . .1Set of Cards only - personalized, with Service Rating and Member Grade Set #_______.
755B-3A . . .$19.95* . .Any 3 Sets of Cards only - personalized, with Service Rating and Member Grade.Set 1#_____, Set 2#_____, Set 3#_____,
755B-8A . . .$29.95* . .All 8 Sets of Cards only, all personalized, with your Service Rating and Member Grade.
755A-LPC . .$19.95* . .Leather Presentation Case only with Gold Embossed Seal (see picture above).
755A-GSA . .$9.95* . .“Gold Seal of Achievement” card only that fits in the upper window of the Presentation Case.
755A-BPC . . .$9.95* . .Badge Presentation Holder holds any of the 48 I.D. cards.
Add $9 S & H . . . . . . .
52
O
ce
sin 84
19
n
International o
Freelance
Photographers Organization
2000
og r a p
INTERN
IFP
gr
oto
Ph
nce
a
l
e
Fre
NAL FR
TIO
E
Your Personal Name
In te
rn aor
Studio
Name (optional)
ti oBusiness
n a lorFPO Box
Street Address
re e la
nce
h o to
Phone and/or fax number and/orPemail
TIONAL
F
NA
RS INTER
HE
12/31/98
ISSUED
E ✰✰
SERVIC
RATING
4. We’ve kept the leather Presentation Case with the Gold
Embossed Seal exactly the same! So if you have ordered the
ISSUED 12/31/98
original FLEX system in the past, you don’t have to buy the
SERVICE ✰✰✰
RATING
leather I.D. Presentation Case again.
5. We’ve kept the “Gold Seal of Achievement” that slides into the
upper part of the Presentation Case exactly the same! If you
already have it, you don’t need to replace it.
6. We’ve kept the “Service Rating” and “Member Grade” that
n
tio
awards excellence for service and IFPO activity exactly the
iza
gan
A
Or
s
same on each and every I.D. card!
her
ap
1. Storm Center 2. Storm Chaser
3. Disaster
4. Hurricane
5. Flood Patrol 6. Tornado
YOUR
PHOTO
HERE
YOUR
PHOT
HER
ELANCE P
RE
YOUR
PHOTO
HERE
IONAL
AT
F
N
RS INTER
HE
a ti o n
In te r n
OGRAPHE
OT
MEMBER
GRADE
TOGRAP
HO
✰✰✰
SERVICE
RATING
CLASS LIFETIME
ELANCE P
RE
ISSUED 12/31/98
ANCE PH
EL
YOUR
PHOTO
HERE
IONAL
AT
F
N
RS INTER
HE
Clearly print the personalized information you desire for the cards. .
www.ifpo.net
1-800-654-9557
ORDER FORM
on page
47
since
1984
ELANCE P
RE
CONCER T
signature
CLASS LIFETIME
✰✰✰
SERVICE
RATING
ONE Set of cards
plus wallet
and badge holder
#755B-1
IFPO
Your Personal Name
ISSUED 12/31/98
$24.95
TOGRAP
HO
RS INTER
HE
YOUR
PHOTO
HERE
IONAL
AT
F
N
N
G
I
S
E
D
W
E
N
MEMBER
GRADE
AA
P hotographer
Entertainment set#752G
1. Concert
2. Country Music
3. Radio/TV
4. Recording Industry
5. Jazz
6. Rock and Blues
MEMBER
GRADE
YOUR
PHOTO
HERE
IFPO
Your Personal Name
since
1984
FIRE SCENE
signature
SERVICE
RATING
✰✰✰
CLASS LIFETIME
MEMBER
GRADE
CLASS LIFETIME
AA
P hotographer
TOGRAP
HO
SPOR TS
P hotographer
AA
Sports set 3
#752C
1. Baseball
2. Hockey
3. Soccer
4. Boxing
5. Track & Field 6. Martial Arts
RS INTER
HE
RS INTER
HE
ISSUED 12/31/98
MEMBER
GRADE
CLASS LIFETIME
YOUR
PHOTO
HERE
Your Personal Name
IONAL
AT
F
N
gr
Photo
IONAL
AT
F
N
signature
ETIME
ASS LIF
EMBER AA
RADE
E hO
D
O
R
rap er
✰✰✰
TOGRAP
HO
Name me (optional)
rsonal
Your Peor Business NaBox
s or PO untry)
Studio
ail
(co
Addres
Street ate (prov) Zip ber and/or em
St
,
fax num
City
and/or
Phone
TOGRAP
HO
OGRAPH
OT
# 99999
SERVICE
RATING
All 8 Sets of cards
plus wallet
and badge holder
#755B-FX
ELANCE P
RE
LANCE PH
EE
ation
Identific
since
1984
since
1984
signature
ISSUED 12/31/98
$49.95
IFPO
Your Personal Name
IFPO
since
1984
ELANCE P
RE
IONAL F
R
AT
ti o n
g a n iz a
ers Or
S INTERN
graph
ER
to
o
h
nce P
F r e e la
IFPO
ELANCE P
RE
$34.95
Any 3 Sets of cards
plus wallet
and badge holder
#755B-3
IONAL
AT
F
N
RS INTER
HE
YOUR
PHOTO
HERE
MOT
MOTORSPORTS
ORSPORTS
signature
ISSUED 12/31/98
SERVICE
RATING
✰✰✰
CLASS LIFETIME
MEMBER
GRADE
AA
P hotographer
AA
Sports set 2
Emergency set #752F
1. Forensic
3. Court
5. Investigator
cards are protected behind
sturdy clear plastic
item#
price
description
755B-1 . . . .$24.95 . . . 1Set of Cards, personalized, with Service
Rating and Member Grade plus Leather Presentation Case, “Gold Seal of Achievement”
card and badge holder Set : #______,
755B-3 . . . .$34.95 . . . Any 3 Sets of Cards, personalized, with Service Rating and Member Grade plus Leather
Presentation Case, “Gold Seal of Achievement” card and badge holder.
Set 1#_____, Set 2#_____, Set 3#_____.
755B-FX . . .$49.95 . . . All 8 Card Sets, personalized,with your Ser-
*S & H . . . . . .$9.00 . . .
vice Rating and Member Grade plus Leather
Presentation Case, “Gold Seal of Achievement” card and Badge Holder.
SHIPPING for above items
from pg. 26
755B-1A . . .$14.95 . . . 1 Set of Cards only Set #______.
755B-3A . . .$19.95 . . . Any 3 Sets of Cards only
Set 1#_____, Set 2#_____, Set 3#_____.
755B-8A . . .$29.95 . . . All 8 Sets of Cards only,
755A-LPC . .$19.95 . . . Leather Presentation Case only.
755A-GSA . .$9.95 . . . Gold Seal of Achievement card only.
755A-BPC . . .$9.95 . . . Badge Presentation Holder only
*S & H . . . . . .$9.00 . . . SHIPPING for items from page 26
Total
_______
ORDER FORM
on page
#752B
1. Motor Sports 2. Basketball
3. Tennis
4. Equestrian
5. Motocross
6. Bowling
2. Fire Scene
4. Medical
6. Emergency
T O ORDER: W ith y our cr edit car d
CALL 1-800-654-9557or use the
or der f or m BELOW or on pa g e 47.
Clearly print the personalized information desired for the cards.
5 Digit IFPO Member #___________ or enclose dues.
_____________________________________________
name
_____________________________________________
_____________________________________________
address
_____________________________________________
city/st/zip
_____________________________________________
phone
FAX
_____________________________________________
email
URL
Use your Check, Money Order, OR Credit Card as follows:
expiration date
______________________________________________________
signed
date
MAIL THIS COUPON TO: IFPO ORDER DEPT.
PO BOX 777, Lewisville, NC 27023-0777
47 1-800-654-9557
www.ifpo.net
53
MONTHLY PHOTO CONTEST
Winners Every Month!
S
$1000 CASH PRIZE
*
Entries must be postmarked by the last day of each contest
month.Late entries will be judged in the following month.
HOW TO ENTER
*The Annual Grand Prize winner will receive $400 in cash and be published
in Today’s Photographer magazine. Each MONTHLY WINNER will receive
$50 in cash. Winners and honorable mentions will be announced. All monthly winners and honorable mentions will become eligible to compete for the
Grand Prize.
MONTH
CONTEST RULES:
1. $5 ENTRY FEE for EACH photo entered must be included.
2. ENTRY FORM (or the same information) must accompany
each entry.
3. PRINTS or SLIDES: (color or B/W) not larger than 8.5 x 11
inches. Do not submit original negatives Please title, caption
and give technical data if possible.
4. INCLUDE RETURN photo mailer with correct postage if you
want your entries returned.
JANUARY CONTEST . . . . ANYTHING OUTDOORS
FEBRUARY CONTEST . . . PEOPLE UP CLOSE
MARCH CONTEST . . . . . . ANYTHING GOES (ALL SUBJECTS)
APRIL CONTEST . . . . . . . FLOWERS UP CLOSE
MAY CONTEST. . . . . . . . . YOUR BEST SHOT: ALL SUBJECTS
JUNE CONTEST . . . . . . . . YOUR BEST SHOT: ALL SUBJECTS
JULY CONTEST . . . . . . . . YOUR BEST SHOT: ALL SUBJECTS
AUGUST CONTEST . . . . . YOUR BEST SHOT: ALL SUBJECTS
SEPTEMBER CONTEST . FLOWERS UP CLOSE
OCTOBER CONTEST. . . . YOUR BEST SHOT: ALL SUBJECTS
NOVEMBER CONTEST . . YOUR BEST SHOT: ALL SUBJECTS
DECEMBER CONTEST . . YOUR BEST SHOT: ALL SUBJECTS
CONTEST ENTRY
Name, member# _____________________________________________
Address ____________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
ENTRY MONTH:__________________ENTRY THEME ______________
Title (opt):___________________________________________________
______________________________________________
The photographs submitted are my own, and I hereby give permission to Today's Photographer to reproduce them. I agree that
Today's Photographer bears no responsibility for entries without the service fee or return mailer with postage. Model releases must
be included where applicable.
❏ $5 ENTRY FEE ENCLOSED for EACH PHOTO! Please enter them in the
regular MONTHLY CONTEST AWARDS ONLY!
❏ Also consider this photo for the Picture Award Program
I ENCLOSE an additional $15 for EACH PHOTO. (see page 50)
❏ Check/M.O./Cash, ❏ Card# ______________________exp date __________
signature __________________________________________________________________________
MAIL PHOTOS TO:
CONTEST ENTRY FORM
Name, member# _____________________________________________
Phone or fax ________________________________________________
Title (opt):___________________________________________________
______________________________________________
❏ Check/M.O./Cash, ❏ Card# ______________________exp date __________
signature __________________________________________________________________________
MAIL PHOTOS TO:
54
PHOTO CONTEST
PO Box 777
CONTEST ENTRY
Address ____________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
Title (opt):___________________________________________________
______________________________________________
❏ Check/M.O./Cash, ❏ Card# ______________________exp date
City/State/Zip________________________________________________
PHOTO CONTEST
PO Box 777
Name, member# _____________________________________________
Address ____________________________________________________
MONTHLY WINNERS
will be judged for content and quality by a panel of Today’s Photographer editors and art directors. All decisions will be final.
Monthly winners are eligible for the Grand Prize.
GRAND PRIZE WINNERS
for each annual Contest will be announced on March 15, of the
following year and will be published in Today’s Photographer.
For example, the 2002 Contest winners will be announced March
15, 2003. Monthly winners will be announced in each issue during the year.
ENTRIES FOR the Annual Grand Prize must be postmarked no
later than December 31st of the contest year.
Returns: Pictures should be accompanied by a stamped and
addressed return mailer. OR a $7 return shipping/handling fee.
Because we know your photos are important to you, every effort
within reason will be made to return the photographs. However,
Today’s Photographer will not be responsible for any damaged or
lost submissions. Entries received without a return mailer plus
adequate postage OR a $7 return handling fee WILL NOT be
returned.
Model releases must be included and signed if applicable.
All entries are eligible for publication in Today’s Photographer
Entry Fees are non-refundable.
Photos without entry fees or return postage and packaging
become will not be returned.
CONTEST THEME
signature __________________________________________________________________________
MAIL PHOTOS TO:
PHOTO CONTEST
PO Box 777
www.ifpo.net
2 0 0 2 M O N T H LY
CONTEST WINNERS
DECEMBER WINNER: ANYTHING GOES (ALL SUBJECTS)
SEPTEMBER CERTIFICATE WINNER: BEACHES • MOUNTAINS • DESERTS
MONUMENT VALLEY AT SUNSET. Photo © 2002 by Sean Rice IFPO,
Coulee Dam, Washington. Contax RTS-3, Zeiss 28-85mm zoom.
WINE GLASSES. Photo © 2002 by Joshua S. Fraser,
Santa Barbara, California. Epson 1280 print. Premium
Glossy Epson Photo Paper from a 4 x 5 transparency (Fuji
Provia 100) scanned on polaroid shot in studio with strobes.
JUNE WINNER. ANYTHING GOES (ALL SUBJECTS)
TOUGH TO TACKLE.
Photo © 2002 by Ronald Pradetto IFPO, Jacobsburg, Ohio.
Canon EOS. Sigma 70-200 F2.8 lens.
AUGUST HONORABLE MENTION. ANYTHING GOES (ALL SUBJECTS)
CONGRATULATIONS. Photo © 2002 by Lyudmila Fedlssov IFPO,
Scokie, Illinois. N90s, SB-28, 28-105, Hand held F5.6, S 1/60.
www.ifpo.net
55
CLASSIFIED ADVERTISING
---------------------------------------------BOOKS/MAGAZINES
----------------------------------------------
GET PAID $268.20 ROLL TAKING easy snapshots! Film supplied. Photowsealth, Box 3706-TP,
Idyllwild, CA 92549. Recorded Info/F.O.D. 909Book Wanted: “THE CANOE PIRATES OF BRE- 659-9757, www.photowealth.com.
MEN” by Hajo Ortil. Pastiches, et al. J. M., P.O.
________________________________________
Drawer 2508, Santa Rosa, CA 95405.
_________________________________________
_________________________________________ HELP NEEDED TAKING PICTURES. Pays
PLAYBOY MAGAZINES: For Sale. All in excel- $60.00 Per Photo! PHOTOCASH, Box 2457-A,
lent to mint condition. For listing send SASE.
Pinecove, CA 92549. Recorded Info and Fax-onPlease state age. Dan's Photo & Video, 103 N.
Demand: 714-647-2322. www.photocash.com.
Wood Ave. #76, Linden, NJ 07036.
_________________________________________
HELP WANTED taking pictures. Assignments
BUSINESS CARDS
pay $50 per photo. Start immediately. Free Information. Write: Camera Ventures, Box 771-HH,
5,000 Photo Business Cards $149 (on disc) douLamar, CO 81052-0771.
ble-sided. Shipping extra. On 10 pt cover on 12 pt
_________________________________________
W/coating. www.photobusinesscards.com. Call: 1- MAKING $100,000 in Photography? Then Learn
the Secret Advantages of Digital Photography The
877-895-4990.
Easy Way. Call 910-397-0680 or email
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[email protected] for Free Information..
_________________________________________
“$2,970 IN ONE WEEKEND PHOTOGRAPHING PEOPLE AND PETS!” Home, studio, onwww.PhotoBusinessCardMagnets.com
location. Free book tells the secret. Not Your NorGreat Promotional Advertising for your photography!
mal Photography®, T61, 600 Kelly Road,
Everyone has a Fridge or Filing Cabinet!
Carthage, NC 28327.
Call for Brochure and Sample: (415) 663-8739.
_________________________________________
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
$$$ EASY MONEY in PHOTO RESTORATIONS. “Easiest and Quickest Money I’ve Ever
Made” exclaims one photographer. No Experience
or Work Required. Reap Big Time $$$. Call 910397-0680 for Secret info.
_________________________________________
“Amateurs,” 200 Models. Lingerie and Nudes.
Sample $1.00; 8-4X5’s $5.00; 20-4X5’s $10.00.
Uniques by Russell, Post Office Box 101, Akron
Ohio 44305-0101.
http://www.ifpo.net/tpmag.html
issues.
---------------------------------------------COMPUTERIST
---------------------------------------------Womens Specialty Shops: What? Markets Newist.
Play Online Casinos, fun, save a trip. Logon:
http://www.Clicketyklat.com/2997.
---------------------------------------------MONEY
---------------------------------------------- EXTRA
---------------------------------------------COLOR PHOTOS/SLIDES
---------------------------------------------- PHOTOGRAPHERS - VIDEOGRAPHERS
Classified AD Order Form
Please run my AD in
www.angelfire.com/ak2/russ.
_________________________________________
“NUDE” Mother/ Daughter, fitness girls,
“Blondes- Brunettes & Redheads” photo sets. Samples and Catalog $5. VIP, Box 35214-TP, Tucson,
Arizona 85740. www.familynude.com.
_________________________________________
_________________________________________
MODEL POSES NUDE, EROTIC
Samples and information $5 (no checks please state
age) Kats-lair, PO Box 44102, Eden Prairie, MN
55344 or KATS-LAIR.COM.
_________________________________________
NAUGHTY NEW ENGLAND WOMEN!
FOR LISTING, SAMPLES SEND $10 CASH
ONLY: HOLLY (TPM), PO BOX 28060, PROVIDENCE, RI, 02908-0060. ADULTS ONLY!
_________________________________________
NEW FACES. For Samples Send $10.00 CASH
ONLY: JFG, PO Box 623, Millington, TN 38083.
No Orders in TN.
Earn Extra Money, Manual Tells How. $24.95,
$3.00 S/H Money Order. Lindsey Head, 1625
Belvidere St., Detroit, Mich. 48214.
_________________________________________
Place your ad in TP Classifieds for only $2.00 per word ($40.00 min.).
Address, City, State, Zip count as 5 words. Phone# is one word. EMAIL or
URL Address is one word. First 2 words in ALL CAPS bold. Each additional
bold word $1.
Amount Enclosed: $
AD COPY:
HEADING:
TP WELCOMES HEADING SUGGESTIONS
if existing headings don’t fit your AD!
__________________________________________________________________________
WORD ADS are alphabetized by AD TEXT within each HEADING. therefore changing your AD COPY can change your AD POSITION
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
use extra paper if more space is needed
IFPO I.D. # (if a member) ______________________________________________________
ENCLOSE CHECK, MONEY ORDER, OR PAY BY CREDIT CARD
contact name ________________________________________________________________
advertiser name ______________________________________________________________
address ____________________________________________________________________
city/state/zip _________________________________________________________________
Visa/MasterCard/American Express/Optima Card#
expiration date
Credit Cards FAX 1-800-283-5989 or MAIL to:
TP Classifieds, PO Box 777, Lewisville, NC 27023
phone/fax ___________________________________________________________________
56
www.ifpo.net
-----------------------------------------------------------------------------------------
FPO DISTRIBUTOR
ALWAYS 20% DISCOUNT
Off new memberships
and IFPO products and programs!!
Links to online discount photo
equipment and supplies
http://www.FZippererPhoto.homestead.com
________________________________________
SPECIAL OFFER LIMITED
40% DISCOUNT
Off All Regular Price IFPO Products & Programs
Contact For PRESS ASSIGNMENTS in your AREA
http://www.hollywoodsstudios.com
http://www.photoartsnet.com .
________________________________________
-----------------------------------------------------------------------------------------
FPO MEMBER DISTRIBUTOR
0% DISCOUNT off regular price on IFPO Memerships, forms, press programs, books, videos, and
her items listed in today’s Photographer Magane. Send order with check or P.P. money order to
mes Franklin, 2115 Gault Avenue South, Fort
ayne AL 35967-4656.
_________________________________________
THE HOPOSCOTCH crowd back when slick
photographers were venturesome. Young beauty
from an innocent yet candid era. Color and BW
photos all $39.00. Oldcastle Laboratory, Box 508,
New York, NY 10276-0508.
---------------------------------------------PHOTO PROCESSING
----------------------------------------------
SELL PROFESSIONAL OIL PORTRAITS ON
CANVAS HAND PAINTED FROM ANY PHOTO FREE FRAME! We do the work...You collect
commissions. Send $5.00 (refundable) for
brochure. 15 Sample Prints and selling aids agent
kit to: Ness Studios, Dept. T-10, 83 Scarcliff Dr.,
Malverne, NY 11565. Our 30th Year.
http://www.nessstudios.com
E-mail: [email protected]
CONFIDENTIAL, DISCRETE processing of
adult subjects. 35mm, 120/220. SASE to Q.S.
Photo, 1059 South Main St., Cheshire, CT 06410 or
fax to 1-800-33PHOTO for information.
www.qsphoto.com.
_________________________________________
UNCENSORED DEVELOPING by Pro Photographer. Get the Highest Quality Color and B & W
Process and Prints of 35mm, APS, and 120 / 220.
For Price List E-Mail us at [email protected] or
call (806) 828-5650.
---------------------------------------------PHOTO RETOUCHING
---------------------------------------------Digital Photo Retouching and Restoration!
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www.ifpo.net
RUBBER STAMP & SEAL, Inc.
PO Box 2258 • Wichita, KS 67201
(316)682-5511 or FAX 1-800-242-9312
Continued on page 59
57
• PHOTO
CE
GR
AN
NAL • FRE
TIO
EL
NA
IFPO DISTRIB UTOR
RS • ORGA
HE
NI
AP
YOU CAN BE AN
IFPO
THE ADVANTAGE
HOW IT WORKS
WHY YOU?
An IFPO Distributorship is an exceptional
opportunity for IFPO members to achieve success
and make money by taking advantage of the millions of dollars and 15 years of research that have
gone into developing the IFPO / Today's Photographer Magazine Concept. The modest distributor's
fee gives you the value of MILLIONS of dollars
that have been invested in 15 years of advertising
IFPO’s dependability, quality and services.
Today's Photographer Magazine and its associated products gets more exposure than any other
photography magazine. It is advertised regularly in
display space advertising in Popular Photography,
Photographic, Outdoor Photographer, American
Photographer and Shutterbug. As a distributor, you
get the direct benefit of this advertising.
Today's Photographer is sold on Newsstands
throughout the United States, Canada, and around
the world.
IFPO is recognized in more than 140 countries
on all continents of the world and has more than
67,000 members. Today's Photographer Magazine
is currently being distributed to more than 80,000
photography enthusiasts 4 times a year.
Typically, distributorships or franchises that
give a distributor this kind of exposure, promotion
and value are priced from $10,000.00 to
$150,000.00.
1. DISTRIBUTOR DISCOUNT: You are entitled
to order products and services from a current issue
of Today's Photographer at a only 50% of the listed standard price. For example: multiply list prices
by 0.5 (a $68 membership would be $34.00). Half
of $39.95 for example, would be $19.98 (rounded
off to the nearest cent).
•You may wish to purchase many IFPO programs
or services for yourself. A distributorship will save
you 50%.
•You can reap the profits from more than 2.5 million dollars already spent on advertising in all the
major photography and video magazines. Let
these IFPO advertising dollars work for you and
your business by building name recognition for the
IFPO products and programs that you sell.
•You can offer IFPO products and programs to
your clients without spending a penny for market
research or product development. IFPO is constantly upgrading its products and services to
maintain its leadership position in the international
marketplace.
•You can guarantee satisfaction for each product
and program you offer. That customer satisfaction
is backed up by IFPO and is a vital part of the
IFPO success story.
_________________
FREQUENTLY ASKED QUESTIONS:
http://www.ifpo.net/dfaq
MAKE MONEY:
•A distributor could sell only 2 videos a week and
net up to $2000.00 a year. He could build his
business up to 200 videos a week and be pulling in
potentially $200,000.00 per year.
•A distributor could set up a network of 100
Model Consultants "talent scouts" in an area. He
would make nearly $15,000 just on the model consultant kits and IFPO memberships, then would
make more on the videos, forms, books and other
items that consultants frequently buy.
•A distributor could sell to schools and educational institutions. IFPO's instructional videos are
very popular with schools of all kinds (Junior
Highs, High Schools, Colleges, Trade Schools,
etc.). Schools typically purchase in larger quantities, often 10 to 20 videos at a time. Currently,
about 100 schools are purchasing from IFPO.
There are tens of thousands more in this country
alone.
•Recreational groups sponsored by government or
other non-profit groups. For example, Military
bases have recreational programs that include selfhelp and how-to programs on video. Currently,
IFPO does a brisk business with military base purchase orders from only a few bases.
•Many other groups sponsor recreational programs
that would be very interested in photography
instructional videos. Groups plan trips. Vacationers use cameras and camcorders.
•Photographer's swap meets or flee markets are
ideal places to set a booth and market IFPO products. In these situations, having merchandise to
sell (like videos) is a plus. But if you don't have
the merchandise, be sure to get the name, address,
and phone number of each person that stops by
your booth. Each one is a prospective customer
for the future. If you run out of copies of Today's
• INT
ER
•You can start a new business and coast in the
wake of the IFPO flagship. Let its research, product development, name recognition and dollars
spent on advertising make money for you. Let
IFPO's rapid success plan turn into financial
growth for you.
3. EXCLUSIONS: You CANNOT apply your distributor's discount to: USA or Foreign shipping •
Workshop programs • Quantity discount packages
such as 3R0X, 3VVX, item numbers containing
“X”, or special offers with expiration dates • Classified and display a dvertising • Items in out-ofdate issues may no longer be valid • Items not sold
by IFPO/American Image are excluded. Items not
sold in Today’s Photographer magazine are
excluded.
N
TIO
ZA
YOU CAN:
2. QUANTITIES AND SHIPMENTS: Order in
any quantity. IFPO will ship to you or your customer direct. No minimums or quotas.
•You may be associated with a group such as a
camera club, family members or close associates
who may want to participate in IFPO products and
services at discount prices.
•If you have a photography studio or similar business may wish to arm all of your staff members
with memberships and press program credentials
from IFPO to make them more competitive. An
IFPO Distributorship would enable them to do
this at reduced costs to the studio or company.
•You may want to start down the road of being
your own boss with an IFPO distributorship. You
can start small, order in any quantities, part time or
full time. Most of all, you may have a few hours a
week to invest in your financial future.
Photographer at your booth, you can always mail
them one in the future with a special offer flyer of
some kind.
REPEAT CUSTOMERS
The best opportunity you have to make
money as a distributor is to give your customers a
REASON to do business with you. You can use
your own liberal distributor discount to your
advantage. If you can give your customers a 5 or
10% discount by purchasing through you, then
they have a reason to order with you instead of
ordering directly through mail order with IFPO.
Your own margins may be a little slimmer, but
your volume would be much higher.
Now you could consider distributing Today's
Photographer Magazines liberally with your business card attached and a notice that offers your
own 5% or 10% discount if they order through
you.
In this way, you would get the full advantage
of repeat orders from the same customers.
Here is a sample list of schools and institutions
that have already placed large orders directly with
IFPO:
AFETA, Camp Peary, VA; Miami Killian
Senior High School, Miami, FL; Leon County Schools,
FL; River East School Division, Winnipeg, Manitoba,
Canada; Aims Community College, Greeley, CO; CBN
University Library, Virginia Beach, VA; Southwest State
University Library, Marshall, MN;University of Pittsburgh, Pittsburgh, PA; NAF Fort Sam Houston, TX;
Stockton Unified School District, Stockton, CA; Phillipsburg Board of Education, NJ; Roberts High School, Florence, CO; Oakton Community College, Des Plaines, IL;
Greenville Technical College, SC; Curtis Jr High School,
Tacoma, WA; Minuteman Regional Vocational Technical
School District, MA; Ferris State College Library, Big
Rapids, MI; Maricopa Community College, Phoenix, AZ;
Southeastern Mass. University, MA; Sparta Senior High
School, Sparta, WI; and many, many more.
The List Price of the IFPO Distributor Program is $1,490. For a limited time, the price is reduced to $387 but will only remain at
hat special price until our current Distributor Enrollment program has met it’s goals.
call the IFPO office at 336-945-9867 or 1-800-654-9557 with your credit card
58
www.ifpo.net
HOW TO START
YOUR OWN
BOUDOIR
PHOTOGRAPHY
BUSINESS
CASH IN on the booming boudoir and intimate portraiture business.
START a profitable sideline income or
$29.95
expand current photography income by using #207A, 125 pg. book
the techniques and ideas in this manual.
DISCOVER how to get started fast — even
with basic equipment you already own.
LEARN lighting methods to achieve the results your clients want.
COMPLETE INSTRUCTIONS for creating sets that can be set up anywhere.
A step-by-step guide to everything from finding your first client to building a thriving
usiness! Learn which women want your services and why. Everything you need to get
arted FAST in an easy to follow 9-part ready to use Start-up Kit. You get proven marketng ideas, pricing guidelines, checklists, interview forms, business forms, lighting and setng arrangements.
•
•
•
•
4 MIRACLE PROPS • 11 QUICK CHANGES
7 INTIMATE SETTINGS • 17 "MUST ASK" QUESTIONS
30 MINUTE SHOOT CHECKLIST
HOW TO GET YOUR SUBJECTS TALKING ABOUT YOU
ORDER FORM
on page
1-800-654-9557
47
FIGURE NUDE
with Hugh Frazier #3F08
10 FINE ART MODELS
OVER 100 POSES
10 LIGHTING
TECHNIQUES
DIRECTING
TECHNIQUES
Item #3F08
PROPS THAT WORK
$39.95 VHS
NEW IDEAS
THAT REALLY WORK
Fine Art Figure Photography
Also Available on DVD
Item #3F08DVD $49.95 plus S&H
1-800-654-9557
www.ifpo.net
ORDER FORM
on page
47
Continued on page 61
59
Glamour Photography
Te c h n i q u e s
Professional GLAMOUR and FIGURE Techniques:
1
professional
GLAMOUR
+FIGURE
techniques
For Experienced Models
#3VV1 - VHS $39.95
Originally produced for Kodak, this
seminar style video documents innovative glamour and figure photographers
at work in their studios and on location.
They share professional secrets that
you can use in ways you have not seen
before. 55 minutes VHS. $39.95
• Great for experienced models
• Techniques for a ‘professional look’
• Posing tips for figure photography
• Choosing the Right Setting & Accessories
• How to make a professional presentation
• More Tips
3VV1 VHS $39.95
POSING and
SHOOTING
SWIMSUIT
MODELS
POSING and
SHOOTING
FIGURE
MODELS
NUDE & SWIMSUIT MODEL POSING SERIES
Available in VHS and DVD Formats
Photographer Hugh Frazier demonstrates reclining poses, standing poses, sitting
poses. Learn how to achieve flattering effects and how to use sets and props. Both
professional and amateur models are used. Each is 1 hour in length and contains
unrated nudity.
#3F21 VHS: $39.95 Posing & Shooting SWIMSUIT Models
#3F22 VHS: $39.95 Posing & Shooting FIGURE Models
#3F2X VHS: $59.95 FIGURE/SWIMSUIT 2 Vol. Set (#3F21 & #3F22)
#3F21
#3F22
#3F21 DVD: $49.95 Posing & Shooting SWIMSUIT Models
#3F22 DVD: $49.95 Posing & Shooting FIGURE Models
#3F2X DVD: $79.95 FIGURE/SWIMSUIT 2 Vol. Set (#3F21 & #3F22)
HOW TO
#305A - $39.95
How To Pose My Way
You will learn:
• Over 100 Poses for the face and body
• Four costume changes
• Dozens of “mood changes”
• Make-up changes
POSE
MY WAY
STARRING
Jeanette
Learn to increase your income by reducing
model training time. puts your models at
ease and builds confidence: the key to
success. Produced By Mike Rose AMR
Productions. VHS.
#305A
BECOMING A
MODEL
#353A
Four part program to assist photographers in
posing positions, directing techniques, working
with amateur models, and the “do’s and don’ts”
of model photography. Learn how to make a
model feel free and uninhibited in your environment. Prepare amateur models for their first
shooting session including make-up, wardrobe
and props
Learn how to pose models, even amateur,
untrained models in their first photo session.
Each pose is illustrated carefully, showing the
position of the feet, angles of the hips and shoulders, tilt of the head and the curve of the spine.
Variations of each pose are explained fully with
advantages and disadvantages. Learn standing,
kneeling, sitting, reclining poses. 30 min. VHS
HOW TO SHOOT
#353A - $49.95
This is the "WARM-UP" tape you have
been looking for to get your amateur model in
"the right mood" to help you get the shots
you've always wanted to get! This tape
explains to amateur models what is expected
of them.
BONUS: This tape explains to the model
what the portfolio is for and will be convinced that money spent on a portfolio is an
investment for her future.
Make-up for composites, hair styles for
various poses, required poses for composites,
selling yourself and the model interview. 34
MODEL
PORTFOLIOS
and
COMPOSITES
min. Jim Trotter.
1-800-654-9557
POSE
SHOOT
DIRECT
MODELS
Model
Magic
#351A
HOW TO SHOOT
MODEL PORTFOLIOS
and
COMPOSITES
#352A - $49.95
60
HOW TO
#351A - $39.95
#352A
MODEL PHOTOGRAPHY, You get the
knowledge of what a portfolio should be
and how to shoot it. A simple and inexpensive lighting set-up that anyone can do.
Posing is included, as well as basic makeup and business practices. Systems for
Success by Jim Trotter. 40 min. VHS. con-
tains unrated nudity
ORDER FORM
on page
47
www.ifpo.net
GORGEOUS
ASIAN WOMEN
SEXY GIRLS
Horny housewife and several girlfriends will
pose nude for you. Photos, videos, and phone
sex. I also have pregnant, black, spanish and lesbian friends who pose. Send $4.00 for info and
photos toDonna Young
8280 Janes Ave. PMB 296
Woodbridge, IL. 60517-4300
DESIRE AMERICAN MEN!
Romance, correspondence, lifemates!
Free Details and
Color Photo Brochure!
P.I.C., PO Box 4601
Thousand Oaks, CA 91362
805-492-8040
www.pacisl.com
Beyond Basic
1
Beyond Basic
3BP1
The Mystery
Revealed
3BP2
The Art of
60 MIN.
Beyond Basic
Portraiture
3RH5
Glamour
2
Boudoir
60 MIN.
Illusion
(30 minute sample video only $12.95)
Beyond Basic
3
Boudoir
3BP5 - $59.95
Beyond Basic
Portraiture
The creators of the
famous “Beyond Basic
Boudoir” series reveals
their best tips for shooting
glamour portraits: Secrets
of in-studio, on-location,
lighting set-ups, exposures,
filters, posing, costumes,
and much more. Explore
in-depth lighting selection,
lighting placement and
effective lighting. Step by
step procedures make it
easy to learn for fun or
profit. 60 min.
Contains
Unrated Nudity.
Boudoir
Lighting
60 MIN.
4
3BP4
3BP3
The Mystery of
60 MIN.
Beyond Basic
The Simplistic to the
Bizarre
60 MIN.
BOUDOIR PHOTOGRAPHY
4 Vol. Set, 4 Hours BEYOND BASIC BOUDOIR
3BPX - $219.95 Bundle
Contains Unrated Nudity
3BP1 - $59.95. The Mystery Revealed! Enter the sensual world of
BOUDOIR PHOTOGRAPHY through this electrifying, provocative and
highly informative video. Transform most any woman into a beautiful centerfold. 60 min.
3BP2 - $59.95. The Art Of Illusion. This volume depicts both studio and
location scenarios. This Volume is not just a sequel to Volume I but a
uniquely different approach to Advanced Boudoir Photography. 60 min.
3BP3 - $59.95. The Mystery Of lighting. Demonstrates studio and
portable lighting, indoor and outdoor settings. Posing, sets and diagrams
are shown, and emphasizes lighting and teaches you how your images
can be more dramatic through the selective and use of lighting. 60 min.
3BP4 - $59.95. The Simplistic to the Bizzare. Walk through step-by-step
simple and elaborate settings. Learn to take the average woman, and
through the art of posing, styling, and lighting, photographically present
her in a wonderfully exciting and alluring manner. All in exquisitely good
taste. Add variety to your boudoir imagery with this video. 60 min.
The nationally known award-winning team, Robert and Sheila Hurth, take you on a fascinating and visual journey into an
area which lies between simple boudoir and nude photo studies: “Beyond Basic Boudoir” and "Beyond Basic Portraiture".
These videos show you in explicit detail how each shot was made. See how you can pose your model to get the effect you
and she will love. You will learn dramatic lighting setups and actually see what effect they have on a model. You will be able
to use the set designs presented in these videos to add excitement to your photos.
Use the ORDER FORM on page 47
www.ifpo.net
1-800-654-9557 • FAX FREE 1-800-283-5989
61
photographing
GLAMOUR
MODELS
PHOTO
BEST OF
PHOTO
SESSIONS
FANTASIES
Frazier Photography
VOL.UME 1
FIGURE
NUDE
PHOTOGRAPHY SERIES
These videos help beginning models get started in nude and
figure glamour modeling and help photographers and videographers sharpen their ability to work with nude models. These
videos are loaded with example shoots that you can do yourself. 60 min. per video, VHS & DVD contain unrated nudity.
Hugh Frazier, Frazier Photography.
1
SESSIONS
VOLUME 2
3F05
How To Shoot
How To Shoot
FIGURE - NUDE Series
FIGURE - NUDE Series Frazier Photography
Frazier Photography
BY POPULAR
DEMAND
5
How To Shoot
Frazier Photography
4
3F03
3F02
How To Shoot
Frazier Photography
PHOTO
3
2
3F01
How To Shoot
Frazier Photography
How To Shoot
Frazier Photography
Frazier’s
these videos contain
FAVORITES
Unrated Nudity
How To Shoot
Frazier Photography
Lighting
Lighting
FIGURE
FIGURE
VHS $39.95 each or
MODELS
MODELS
#3F3X - $59.95
2 Vol. VHS bundle
(3F31 and 3F32)
An Educational Photography Production featuring 15 Beautiful California
Models contains unrated nudity.
Learn: •Single light sources •Multiple
light sources •Light readings •Preventing lens flare •Special effects.
Some areas discussed are: 3 point
lighting system, film latitude, exposure values, hard vs. soft light, high
key vs. low key lighting, color, B&W.
Each tape approx. 60 min. VHS and
DVD. contain unrated nudity
3F31
3F32
VOLUME 2
VOLUME 1
Frazier Photography
#3F0X - $199.95
(7 Vols. #3F01-3F07)
Also available in DVD $49.95
each or
#3F0XD - $249.95
(7 DVD Vols. #3F01D-3F07D)
INSIDE
GLAMOUR
LIGHTING FIGURE MODELS
PHOTOGRAPHY SERIES
VHS $39.95 each or
#3F01 - PHOTOGRAPHING GLAMOUR MODELS
#3F02 - BEST OF FRAZIER PHOTOGRAPHY
#3F03 - PHOTO FANTASIES
#3F04 - PHOTO SESSIONS VOLUME 1
#3F05 - PHOTO SESSIONS VOLUME 2
#3F06 - BY POPULAR DEMAND
#3F07 - FRAZIER’S FAVORITES
#3F0X - 7 Vol. VHS Bundle (3F01-3F07) - $199.95
7
3F07
6
3F06
3F04
Frazier Photography
DVD $49.95 each or 2 Vol.DVD Set
3F3XD: $79.95 (3F31D and 3F32D)
PHOTO SESSIONS
NOW you can take a front row seat
in the photo studio of glamour and figure photographer Hugh Frazier Jr. as
he photograph's 12 beautiful figure
models.
You will learn lighting including diagrams plus hear the photographer
and director direct the models
through their poses.
If you want to see what really happens in a figure studio, this video is
for you. 60 min VHS, contains unrated nudity.
#3F38
#3F38VHS - $49.95
#3F38DVD - $59.95
AMATEUR FIGURE PHOTOGRAPHY SERIES
basics of
AMATEUR FIGURE
SHOOTS
FIGURE
USING
SETS & PROPS in
FIGURE SHOOTS
POSING
IDEA VIDEO
HOW TO WORK WITH
AMATEUR
FIGURE MODELS
3F14
3F11
3F12
1
3F13
3
2
AMATEUR
FIGURE Series
Frazier Photography
AMATEUR
FIGURE Series
Frazier Photography
AMATEUR
FIGURE Series
Frazier Photography
4
Basics of AMATEUR FIGURE SHOOTS
SETS/PROPS for FIGURE MODELING
FIGURE POSING Ideas
Working with FIGURE MODELS
#3F1X - $129.95
4 Vol. Bundle (3F11 - 3F14)
AMATEUR
FIGURE Series
Frazier Photography
1-800-654-9557
1
2
3
4
VHS $39.95 each or
62
These videos are designed to help photographers work with amateur nude models
and help amateur models break into nude
modeling. All titles are approximately 1 hour
long and contain unrated nudity.
DVD $49.95 each or
#3F1XD - $159.95
4 Vol. Bundle (3F11D - 3F14D)
ORDER FORM
on page
47
www.ifpo.net
SELL YOUR PHOTOS
on a Global Market
IFPO member
Francis J. Dean,
doing business as
DeanPictures, is
seeking IFPO members and other freelance photographer
who want to sell
Francis J. Dean images on a global
IFPO market.
DeanPictures
DeanPictures can
market high quality
images of news, royalty, internationally
known models, celebrities and photo features for editorial purposes.
• NO sports will be considered.
• Only digital images via email will be accepted.
• Good, complete captions in English (who, what, when, where
and how) must accompany each photo. Even the best photo is
W
worthless when not captioned.
• Sales will be shared equally. The photographer will receive
50% of the sales price. DeanPictures will retain 50%.
• Payment to photographer will be made within 60 days of sale.
DeanPictures will syndicate digital images to publications and
other buyers in the United Kingdom, United States, Germany,
France, Sweden and Denmark.
DeanPictures, previously known as Dean Press Image has been
associated with IFPO since 1985.
To submit photos or get further information contact:
Francis Joseph Dean, DeanPictures
Photojournalist Fotograf
Postbox 144, DK-2770 Kastrup (Copenhagen, Denmark
Telephone and FAX: 32 51 87 75, Mobile phone: 40 95 87 75
A visit to the following web sites might also be helpful:
http://mypages.netopia.com/deanpictures
www.picturtraile.com/deanpictures
http://www.picturtraile.com/deanpictures
Thanks to DeanPictures for this opportunity. Good luck to IFPO
members in this new venture. The Editors Ω
I N N E R
WORLD PRESS PHOTO EXHIBITION
Photo by Francis J. Dean IFPO, DeanPictures
Copenhagen, Denmark: Danish Photojournalist Erik Refner stands in front of his winning photo in the World Press
Photo Exhibition in the beautiful Oeksnehall, a former cattle market. His winning photo of a dead child was taken in
an Afghan refugee camp while a student with a local Danish Daily.
www.ifpo.net
63
and
m
e
D
r
ula
By Pop
NOW ONLINE . . . .
Today’s SPORTS magazine
Thanks to the UNLIMITED POTENTIAL of the Internet and IFPO’s aggressive leadership in electronic publishing, IFPO
is able to bring new muscle to the large number of IFPO members who are interested in sports photography.
Today’s Sports magazine is an On-Line electronic publication with the capacity to promote and publish ALL of it’s
SPORTS Photographer’s photos. A print magazine could NEVER MAKE SUCH a promise.
1. TESTED The Today’s Sports Credential Program is a result of carefully reviewing every “gain access” situation
experienced over
the past 15 years. We expect this new program will achieve markedly increased results accross the board, for all kinds of events, all
over the world.
2. ISSUING INFORMATION has been added to the credentials which is extremely valuable for gaining access in those particularly tough situations when credentials are being scrutinized for every piece of validating information. Nationality, sex, date and place
of birth add verifiable information often required by uniformed officials in law enforcement, fire and emergency, the military, customs
and immigration.
3. CLASSIFICATION is now based on a full 4-tier range of publishing credits starting at A for yet-to-be published photographers
and reaching to AAAA for those who are published frequently.
4. COMPLETE BUNDLE of all credentials and Internet Verification is automatically shipped to those who enroll in the Today’s
Sports Program. Members no longer have to decide whether the Badge style or Passport style credential works better for the events
they cover or whether covering weekend or after-hours events warrants the Internet Verification option or not. You get it all.
5. INTERNET VERIFICATION All Today’s Sports Credentials holders will be assigned a verification code printed on the face of
all the credentials. This code can be used to verify your assignment status with Today’s Sports magazine by press officials 24 hours a
day EVERY day from anywhere in the world. The Internet Verification site is at www.aipress.com/verify.
6. VERIFICATION UPDATES Now you can go online using your Verification Code and update your own Assignment Verification record. You can change your mailing address, add an email address or change other contact information in seconds.
7. PUBLISHING CREDITS Now you can actually display the names of the publications that have published your photos right on
your Internet Verification site so press officials can see your breadth of experience. And... you can use your Verification Code online
and update your list of publishing credits as often as you like, without having to call the American Image office.
8. RECENT ASSIGNMENTS Now you can display your recent assignments on your Verification site so press officials can see
what kind of events you’ve been covering. And... you can use your Verification Code online to update your display of recent assignments as often as you like.
9. NEW LOW PRICE of only $99 is a full $129 SAVING off the price of the previous program for all the credentials and options. But
remember, the programs are not equivalent.
10.NEW FEATURES Even at the same price, the Today’s Sports program has features enumerated here that aren’t even available
in the previous program. The addition of door-opening “Publishing Credits” and “Recent Assignments” alone may achieve more in
gaining new access as our original Press Program concept born in 1985.
The American Image Press Photographer’s Code of Ethics
A press photographer’s reputation is often based on his own code • Stay within the boundaries of the photographers’ area. Never interfere
of ethics. Although getting the story is the ultimate goal, ethical standards can “make or break” a career. As a press photographer, it is
your duty to document newsworthy happenings — never altering circumstances or interfering with action to enhance your photographs.
Your photos should tell a story just as it happened. Meeting the high
standards of good press photography requires patience, determination and a strong set of ethics which can be the difference between
success and failure.
First, foremost and always remember that Press access is a privilege not to be abused. Use the following Code of Ethics to guide
you:
•
•
•
•
• Arrive early — at least 45 minutes to an hour before the event is •
scheduled to begin — in order to check in, find the press area, check
•
out the stage or facility lay-out and choose a vantage point.
• Never show up for an event unprepared. Not only should you have all
the proper equipment, you should have a basic knowledge and under•
standing of the event. Do your homework!
• Try to work with promoters and authorized officials rather than against
•
•
them.
Conduct yourself in a professional manner at all times. Photographers
who complain or cause problems aren’t likely to be admitted again.
Don’t just start shooting. Take time to think about what you’re covering.
64
with the action, criticize a player or performer or interrupt an authorized
official.
Have patience. Resist the urge to inconvenience other photographers
by changing spots. Your opportunity will come.
Although it can be necessary to fight for a good position, always be
courteous. You’ll find other photographers are usually willing to share
their space -- if you offer them the same courtesy. Try your best to get
along with other members of the press.
Always live up to your obligations to promoters and publications.
If you agree not to sell the photos commercially, DO NOT break this
agreement.
Always clean up after yourself -- film wrappers, etc.
Never photograph anyone in a compromising situation (backstage,
locker rooms) unless it’s a public figure in a public place which qualifies
for news. Don’t abuse the privileges you have been granted.
Always remember you are a photographer on the job -- not a spectator.
Finally, the nature of breaking news makes preparation impossible. However, when you arrive on the scene, you are a press photographer -- expected to live up to the same ethical standards you
have learned to display at scheduled media events. With practice
and common sense, high ethical standards should some as naturally as pressing the shutter. Ω
www.ifpo.net
Today’s SPORTS magazine
SPORTS’ CREDENTIALS
state-of-the-art features get you and your
camera to the action better and quicker
than ever.
TODAY’S
Assignment Letter
All of Today’s Sports Credentials holders are automatically assigned a verification
code printed on the face of all
the credentials. This code can
be used to verify your assignment status with Today’s Sports
magazine by press officials 24
hours a day EVERY day from
anywhere in the world.
magazine
John H. Bluhm
Assignment
Verification
Code: Sports
10474BLU
Today's Sports Magazine
INTERNET VERIFICATION:
Now a standard part of
Today’s Sports Credentials
SPORTS
TOGRAPHER
PRESSThisPHO
is to certify that the bearer:
John H. Bluhm
whose ASSIGNMENT VERIFICATION
CODE is 10474BLU
Badge
PRESS
below, is a correspondent photograand whose signature and photo appear pher magazine. This photographpher on assignment for Today's Photogra
and local interest including concerts,
er will be covering events of national special programs. American Image
conventions, breaking news, sports and
bearer be granted permission to work
Press respectfully requests that the
While in this capacity, the bearer
as a Press Photographer in your domain.
state and local regulations.
will comply with all existing federal,
__________
________________________________
Photography Editor
PHOTOGRAPHER
TODAY’S
SPORTS
TODAY’S
SPORTS
magazine
John H. Bluhm
Assignment Verific
code: 10474BLUation
Wallet I.D.
magazine
Sports Passport
PRESS PHOTOG
signature
CLASSIFICATION:
John H. Bluhm
AAA
ASSIGNMENT VERIFICATION CODE:
#10474BLU
RAPHER
EVERYTHING INCLUDED
PRESS PHOTOGRAPHER
EASY TO ASSEMBLE AFTER PLACING
YOUR OWN PHOTO
SPOR TS CREDENTIALS ENR OLLMENT FORM
Cat#
name ___________________________________________________________________
address _________________________________________________________________
city/st/zip ________________________________________________________________
phone/fax ________________________________________________________________
email/U.R.L. ____________________________________________________________________
Nationality: ___________________________________________________
Sex: ________________________________________________________
Place of birth: __________________________________________________
Date of birth: __________________________________________________
A
Not yet published
AA
AAA
❐
❐
❐
❐
❏
Description
Price EA.
602TS SPORTS CREDENTIALS
$99.00
(Renewable in 3 years)
Includes:
• TODAY’S SPORTS Passport
• TODAY’S SPORTS Badge Card I.D.
• TODAY’S SPORTS Wallet I.D.
• TODAY’S SPORTS Official Letter of Certification
placing you on assignment for American Image
Press andToday’S Sports online magazine.
• Sports Assignment Verification on the Internet.
• Sports Assignment Request Form and How to Use
Your Sports Credentials.
❏
❏
Checking this box confirms that I have read,
understand and agree to comply with the Press
Code of Ethics published on the opposite page.
$9.00
1. ____________________________________________________
2. ____________________________________________________
3. ____________________________________________________
expiration date
signature __________________________________________________________________
1-800-654-9557 1-800-283-5989
IFPO PRESS OFFICE, P.O.Box 777, Lewisville NC 27023-0777 USA
or fax:
MAIL ORDERS:
www.ifpo.net
PRST STD
US POSTAGE
PAID
AMERICAN
IMAGE, INC.
TODAY’S PHOTOGRAPHER
P.O. BOX 777, LEWISVILLE, NC 27023-0777
MEMBERSHIP FORM
RS • ORGA
HE
NI
AP
NAL • FRE
TIO
EL
NA
• PHOTO
CE
GR
AN
IFPO
N
TIO
ZA
• INT
ER
ABOUT YOU:
IFPO’s 18 PROVEN PROGRAMS see page 17
Which best describes your photography:
❏ I am a beginner or amateur
❏ I am an advanced amateur or Part-Time Pro.
❏ I am a full-time professional.
I want PRESS ACCESS with my camera:
❏ Sports events.
❏ Crime scenes.
❏ Concerts.
❏ Fire scenes.
❏ Breaking news.
❏ Press conferences.
❏ Celebrity events. ❏ Entertainment events.
Check each area that interests you strongly:
❏ Press photography. ❏ Sports/Action.
❏ Nature/wildlife.
❏ Travel photography.
❏ Videography.
❏ Advertising.
❏ Glamour.
❏ Commercial.
❏ Wedding.
❏ Portrait photography.
Are you available for photo assignments?:
❏ YES.
❏ NO.
• Enroll me as an IFPO Member and send my Membership Card and
O
rder the
famous
Parchment Certificate + Complete Membership Packet. I enclose $68 for
IFPO P
atches Membership and Subscription to Today’s Photographer Magazine PLUS
see pag
e 24
$6 for priority handling and First Class Mail of my Membership Packet
($74 TOTAL).
__________________________________________________________________________
• My membership packet will include details
on how I can participate in IFPO's
PROVEN PROGRAMS for getting
PUBLISHED, making MONEY and
gaining PRESS ACCESS with my camera.
name
__________________________________________________________________________
__________________________________________________________________________
address
__________________________________________________________________________
city/st/zip
__________________________________________________________________________
phone number/FAX number
ENCLOSE CHECK, MONEY ORDER
OR PAY BY MAJOR CREDIT CARD
expiration date
To join IFPO by mail, use this form or the order form on page 47 and send your dues to:
IFPO, P.O. Box 777, Lewisville, NC 27023-0777 USA
OR use your credit card and: CALL FREE
1-800-654-9557 or FAX 1-800-283-5989
E TO FREELANCING
THE PROVEN BRIDG
•
GE
APHER
GR
•A
TO
CA
ERI N IMA
M
CORRE
SP
PRE SS
PRESS CREDENTIALS
page 10
Go On-Assignment for
Today’s Photographer Magazine
STOCK
GALLERY page 18
Start Selling Photos You Already Have
MODEL
CONSULTING page 30
Search for New Faces & Figures for Cash!
DENT PHO
ON

now - International Freelance Photographers Organization

Transcription

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