awards book
Transcription
awards book
1 PELE AWA R D S 0 ABOUT THE PELE AWARDS THE PELE AWARDS is a creative competition designed to recognize excellence in Advertising and Design in the State of Hawaii for the past calendar year. As a part of the American Advertising Awards system , the first place winners or the Pele Gold winners in all National categories are sent from the Pele Awards to the National American Advertising Awards (formerly the ADDYs) to compete in the National Finals at no charge. The American Advertising Federation (AAF), who runs the National American Advertising Awards Competition, has divided the country into 15 districts. Most districts are comprised of numerous advertising trade organizations (or ad clubs) and cover more than one state. Hawaii is luckier than most areas in the United States. Since we live on an island, far removed from the other states, we applied for District status in early 1980 and Hawaii became the American Advertising Federation District 13 or AAF District 13. We really only have one competition to clear before our work goes on to the National American Advertising Awards Competition. Win a Pele Gold in Hawaii and you’re on your way to potential National stardom! The Pele Awards originally belonged to Ad Infinitum, the organization that later became AIGA – Honolulu or the American Institute of Graphic Arts. The Pele Award was an award given for excellence in graphic design. In the late 1970s, the Honolulu Advertising Federation (today now known as the AAF-Hawaii or the American Advertising Federation - Hawaii took over the competition and it became an advertising and design competition. Today it has evolved into a National American Advertising Awards District Competition. The entire advertising and design industry makes the Pele Awards happen each year….entrants, production companies, volunteers and attendees. Hawaii produces some great work and we deserve to celebrate! 2016 PELE AWARDS - SPONSORS & ACKNOWLEDGEMENTS LEAD CREATIVE AGENCIES brandHAWAII Nella Media Group AWARDS ROOM DISPLAY PRODUCTION PARTNERS What Would MacGyver Do Productions Shooters Film Production Pacific Music Productions Jeff Marzo (Team Lead) Chris Boyd Brian Dumalan Sean Takehara Alexa Warjonen Production Hawaii OFFICIAL PRINT SPONSOR Electric Pencil OFFICIAL WINE OF THE 2016 PELE AWARDS LEI WINE SUPPORTING SPONSORS AAF-Hawaii Ad 2 Honolulu Lei Wine Servco Honolulu Community College Communication Arts Student Volunteers OFFICIAL PELE PHOTOGRAPHERS Chaz Hendrickson, ACES XP Tyson Yamada, Proforma Specialties PELE BOOK Mae Ariola, Design Ries (Erik), Illustration SPECIAL MAHALO (IN ALPHABETICAL ORDER) Governor Neil Abercrombie Luke Aguinaldo (MVNP) Chris Ahn Maile Alsup Anthology Marketing Group Mae Ariola Lois Asato James Charisma Lori Chinen Dennis Christianson Jason Cutinella Stacy Duldalao Max Ebersbach Gerry Ebersbach Gerard Elmore Xavier DeJesus Figueroa Lowell Gillia Design Asylum Matt Heim Aaron Ichiki Darrin Kaneshiro Jenni Katinszky (MVNP) Kyle Kosaki Rayton Lamay Vince Keala Lucero Tai Matsuoka Kristi Otsuji Ries (erik) Mike Rosene Mariah Rocker Barbara Scott Brent Shiratori Jody Shiroma Keoki Smith Nick Stone Sharyn Takushi Kristin Tate Jody Tuiolemotu Casey Vigushin Dennis Yee Guy Yoshimura 1 B E ST 2 0 1 5 H A W A I ‘ I F O R T H E L G B T I N S H OW 0 T R A V E L E R BEST IN SHOW - DESIGN “LEI MAGAZINE” PUBLICATION DESIGN 8D – ENTIRE MAGAZINE DESIGN NELLA MEDIA GROUP CREDITS: E X P L O R E : A R T S : F O O D : N I N E G A Y E D A Y S C H A N ’ S B R U N C H I N S A L T “ E A T I N G I N P U B L I C ” W I S E L Y two BEST IN SHOW - ADVERTISING “POP 2015 RADIO CAMPAIGN” 48C - RADIO ADVERTISING CAMPAIGN CLIENT: POP Fishing & Marine 4FRONT BRANDING CREDITS: CREATIVE DIRECTOR – Stan Moy PUBLISHER – Joe Bock; EDITOR – Lisa Yamada; PRESIDENT & CEO – Jason Cutinella; ARTS & CULTURE DIRECTOR – Ara Feducia; OPERATIONS DIRECTOR – Jill Miyashiro; VP – BUSINESS DEVELOPMENT – Gary Payne; DESIGNER – Michelle Ganeku; MANAGING EDITOR – Anna Harmon; GROUP PUBLISHER – Mike Wiley; MARKETING & ADVERTISING DIRECTOR – Keely Bruns. 1 2 01 6 ST U D E N T P E L E S 0 BEST IN SHOW – STUDENT DIVISION PELE GOLD – STUDENT DIVISION PELE GOLD – STUDENT DIVISION S01A - PACKAGING S20 – INTEGRATED BRAND IDENTITY CAMPAIGN S12 – WEBSITE DESIGN “CHRIS + JESSIE” HYELA LEE Kapiolani Community College BRONZE – STUDENT DIVISION “SEVERED: AN EXHIBITION ON THE YAKUZA IN TRADITIONAL JAPANESE SOCIETY” S04 – SPECIAL EVENT MATERIALS ALEX YACHI University of Hawaii-Manoa “HILO BAY KEN” “CMYK MAGAZINE” ISAAC IKEDA Honolulu Community College BRONZE – STUDENT DIVISION “TRUST YOUR APPetite - APP” S14 – APP (MOBILE OR WEB BASED) HAWAII PACIFIC UNIVERSITY 2014-15 National Student Advertising Competition Team HYELA LEE Kapiolani Community College BRONZE – STUDENT DIVISION “CARICATURE: A FAIRYTALE PARADISE” S24D – CAMPAIGN GEOFFREY SIU University of Hawaii-Manoa HPU’S JOSHUA SHEETZ IS NAMED ONE OF NATION’S 50 MOST PROMISING THE AMERICAN ADVERTISING FEDERATION MOST PROMISING MULTICULTURAL STUDENT CLASS OF 2016 JOSH SHEETZ Senior, Advertising/PR Hawaii Pacific University The American Advertising Federation ( AAF ) has named Hawaii Pacific University Senior, Joshua Sheetz, to the 2016 class of Most Promising Multicultural Students ( MPMS). The MPMS Program is part of an initiative to promote diversity and inclusion within the advertising industry. A Colorado native, he is majoring in Advertising and Public Relations. Students from AAF’s 200 college chapters are nominated for the program, but only the 50 Most Promising are chosen to participate in the MPMS program. Eligible students are nominated by a recommendation from an AAF college chapter advisor or a senior-level ad professional. 1 2 01 6 J U D G E S AWA R D S 0 JASON BAGLEY JUDGE’S AWARD MARY KNIGHT JUDGE’S AWARD TV ADVERTISING - :60 OR MORE TELEVISION ADVERTISING “FIRST HAWAIIAN BANK- ORIGIN” “HOTEL CLOWNIFORNIA :30 TV” 51C3 – PRODUCTION BUDGET OF $50,000 PLUS 51B3 - :30 PRODUCTION BUDGET OF $50,000 PLUS CLIENT: First Hawaiian Bank MVNP CLIENT: HEMIC ANTHOLOGY MARKETING GROUP CREDITS: CREDITS: EXECUTIVE CREATIVE DIRECTOR – Vince Soliven SENIOR COPYWRITER – Jo Archibald SENIOR ART DIRECTOR – Juju Ranches EXECUTIVE PRODUCER – Jenni Katinszky. CREATIVE DIRECTORS – Dennis Christianson & April Rutherford COPYWRITER – Kim Porter ACD/ART DIRECTOR – Allan Payne VP/BROADCAST – Dennis Mahaffay ASSOCIATE PRODUCER – Neil Sauvage DIRECTOR – Brett Wagner DIRECTOR OF PHOTOGRAPHY – Paul Atkins MOANA PRODUCTIONS; PRODUCER – Grace Atkins, Moana Productions OFFLINE EDITOR – Jay Evans, Montag 9 ONLINE EDITOR – Mel Matsuoka, Montag 9 POST AUDIO ENGINEER – Shawn Takabayashi, Audio Bytes VP/ACCOUNT SERVICE – Mei Jeanne Wagner. NOREEN MORIOKA JUDGE’S AWARD “YEAR OF THE MONKEY 2016” SPECIAL EVENT MATERIAL 9B – CAMPAIGN MOZAIC CREDITS: DESIGNER – Lori Nuha PRINTER – Electric Pencil 1 2016 AD PEOPLE AWARDS 0 2016 AAF-HAWAII ADVERTISING WOMAN OF THE YEAR JENNIFER TANABE 2016 AAF-HAWAII ADVERTISING MAN OF THE YEAR PAUL LAM Associate Creative Director Wall-To-Wall Studios Media & PR Manager Servco To many, it’s clear that Jennifer Tanabe deserves the honor of being this year’s Ad Woman of the Year. She has contributed over 20 years of award-winning work to the advertising community, serving as a Creative that connects concept and strategy. From her first presentation where she immediately won over the client to her current role as Associate Creative Director at Wall-to-Wall, Jennifer has been a quiet force of positive change in the advertising community. What separates her from the rest is that she hasn’t just focused on her career, rather also working to raise the bar of the industry as a whole by believing strongly, and working towards, developing the next generation of advertising creatives. She serves on the Board of Directors of AAF-Hawaii, where she helped initiate the Shining Star Scholarship for college students in Hawaii and has helped to create a variety of education and engagement opportunities for our industry. Jen is also active in community service as a whole. She is a founding board member of the HeartStart Hawaii Foundation, which raises funds to provide heart defibrillators in Hawaii schools. She is also an active volunteer with the Punahou Alumni Association and is a Mentor for Punahou’s Student Global Leadership Institute. Paul Lam, a 30-year Media veteran at Servco has been a dedicated steward and ambassador of the advertising community for numerous years. He has selflessly given of his time and energy to keep the advertising community moving forward. He’s been involved with AAF-Hawaii since 1995, serving as Board President three different terms. As the current Governor of the American Advertising Federation - District 13, he oversees and works closely with the boards of AAF-Hawaii and AD 2 Honolulu and chairs the annual Pele Awards. Thanks to his endless energy and dedication, he has revamped and reenergized the Pele Awards making it an event that everyone in the industry looks forward to attending every year. He’s a member of the National Board of Directors of the American Advertising Federation, a member of the AAF National Council of Governors and is a member of the National American Advertising Committee. He’s also the District Coordinator for Hawaii’s National Student Advertising Competition (NSAC), an investment he is committed to in building Hawaii’s future advertising leaders. 1 2016 AD PEOPLE AWARDS 0 2016 AD 2 HONOLULU OUTSTANDING YOUNG ADVERTISING PERSON OF THE YEAR JAY HANAMURA Director Kinetic Productions Inc. Jay Hanamura graduated from the University of Hawaii at Manoa’s Academy for Creative Media with a degree in film-making. He got his start as an intern at Kinetic Productions, where he was able to carry on the tradition of raising the bar and pushing the limits of creativity and production. Jay moved through the company, quickly serving in key roles as Editor, Director of Photography and today holds the position of Director. He has spent countless hours supporting his clients on and off the clock, both for profit and non-profit ones. He’s worked on such top accounts as Hawaiian Electric, Hawaii Pacific Health, Taco Bell, Levi’s Strauss and Servco, and has dedicated his time to supporting AD2 Honolulu and Aloha United Way, to name a few. Thanks to his commitment and dedication, Jay has created topnotch psa work for 3 years in a row for AD 2 Honolulu. His keen eye for detail, his drive to not settle for less and his ‘can do’ attitude, has allowed him to create award-winning work for 3 years in a row for AD 2 Honolulu and has made him the Director that he is today. 2016 AAF DISTRICT 13 EXTRA MILE AWARD DARRIN KANESHIRO 2016 AAF DISTRICT 13 SILVER MEDAL APRIL RUTHERFORD Executive Producer Shooters Film Production Creative Director Anthology Marketing Group With numerous experience under his belt, Darrin Kaneshiro is a well-known name in the advertising industry. His career began with a short stint on the mainland after college at a retail store however this was short-lived, considering he wanted to return back to Hawaii to work in the advertising industry. So he did. Upon arriving in Hawaii, he got his start at the agency, McMahon & McMahon. Thereafter, he was hired for production at McHale Video Film, where he worked with independent directors and also created in-house TV spots. After McHale, he served as a Freelance Producer. Today he is the Executive Producer at Shooters Film Production. One of Darrin’s most valued qualities is his demand for the highest quality work, and maybe more importantly, ensuring that everyone around him does it the right way, by treating people properly, no matter who they are or the position that they hold. Darrin is also invested in developing the next generation of filmmakers. He does this by serving as the Managing Director of the ‘Ohina Short Film Festival, giving budding filmmakers a chance to connect with a professional audience. He is also heavily involved in public service work for the Sex Abuse Treatment Center and the Epilepsy Foundation of Hawaii. Having discovered a knack for coloring outside the lines at an early age, April Rutherford can always be counted on for her creative passion, ideas that are out-of-the-box, and work that is striking, memorable, and always relevant. April earned her degree from New York’s famed School of Visual Arts and has made Hawai‘i her home for 25 years. She has served as Creative Director for Ogilvy & Mather Hawai’i, Hendrix Miyasaki Shin Advertising, and has been Vice President and Creative Director at Anthology Marketing Group since 2010. April was named Ad Women of he Year in 2007, and has won countless local and national awards for her work and the work of her team. Her extensive client experience includes Hawaiian Airlines, Hawaiian Telcom, Foodland, Hawai‘i Pacific Health, Hawai‘i Gas, American Savings Bank, Maui Visitors & Convention Bureau, HGEA, Hawai‘i Department of Health, HVCB, Royal Hawaiian Center, Microsoft, Polynesian Cultural Center, and Outrigger Hotels. She has donated her time and creative talents to many organizations including the Hawai‘i Humane Society, Aloha United Way, Institute for Human Services, ‘Olelo, Catfriends, and the Hawaii International Film Festival. She is a past president of AAF Hawai‘i, has been deeply involved with Ad 2 Honolulu, and has supported numerous student programs. 1 2016 PELE GOLD WINNERS 0 1 1. “CRAZY BEAUTIFUL” PUBLICATION DESIGN 08B – COVER, EDITORIAL SPREAD OR FEATURE - SERIES Client: Hawaii Skin Diver Magazine VOICE 2. “LEI MAGAZINE” PUBLICATION DESIGN 08D – ENTIRE MAGAZINE DESIGN 2 0 1 5 H A W A I ‘ I F O R T H E L G B T NELLA MEDIA GROUP T R A V E L E R 3. “MINIT STOP-ISMS PACKAGING DESIGN” SALES PROMOTION PACKAGING 02A – SINGLE UNIT Client: Minit Stop E X P L O R E : A R T S : F O O D : N I N E G A Y E D A Y S C H A N ’ S B R U N C H I N S A L T “ E A T I N G I N P U B L I C ” W I S E L Y 3 two 2 GILBERT & ASSOCIATES, LLC. 4. “MALAMA - #62” PUBLICATION DESIGN 08A – MAGAZINE OR BOOK COVER DESIGN Client: Hawaii Skin Diver Magazine VOICE 5+6. “THE PHOTO ISSUE - #63” PUBLICATION DESIGN 08A – MAGAZINE OR BOOK COVER DESIGN 08D – ENTIRE MAGAZINE DESIGN Client: Hawaii Skin Diver Magazine 4 5+6 VOICE 1 2016 PELE GOLD WINNERS 0 1 1. “RESERVE” PUBLICATION DESIGN 08E – ENTIRE BOOK DESIGN Client: Waikiki Parc Hotel NELLA MEDIA GROUP 2. “YEAR OF THE MONKEY 2016 – CARD SET. T-SHIRT AND TOTE BAG” SPECIAL EVENT MATERIAL CAMPAIGN 9B – CARD, INVITATION, ANNOUNCEMENT 2 MOZAIC No lungs. No glory. 4 NEW RECRUITS 3. “THIS SIDE UP” MAGAZINE ADVERTISING SELF PROMOTION 18A– SINGLE Client: Hawaii Skin Diver Magazine ELEMENT 8 4. “STORM WATER PATROL BOOK” PUBLIC SERVICE COLLATERAL 13 – DIRECT MARKETING/ SPECIALTY ADVERTISING 3 Client: Department of Transportation Highways Division, Oahu Division MVNP 5. “808 ON MAIN” SPECIALTY ADVERTISING 11C – CAMPAIGN Client: 808 on Main SAE DESIGN 5 1 2016 PELE GOLD WINNERS 0 1. “HARAJUKU: TOKYO STREET FASHION EXHIBITION INSTALLATION” OUT OF HOME 25A - SINGLE INSTALLATION HONOLULU MUSEUM OF ART 1 Harajuku: Tokyo Street Fashion installation The museum’s installation designer, textiles curator and art director collaborated on creating a J-fashion wonderland featuring a giant mushroom, birch forest, and two-tiered revolving “cake” of mannequins dressed in tasty ensembles. Through graphic elements, visual cues, and builds, the show takes guests on a magic carpet ride that has them coming back multiple times—often in costiume! The exhibition welcomes guests with a giant version of the art director’s graphic for the show, visually connecting the installation with collateral and the ad campaign. 2. “HANA HOU PICTURE SHOW – FAST & FURIOUS TOKYO DRIFT” OUT OF HOME 27A – POSTER – SINGLE UNIT Client: Consolidated Theatres MVNP 3. “HERMIN” ONLINE/INTERACTIVE 38A – SOCIAL MEDIA SINGLE PLATFORM 2 Client: Hawaiian Humane Society LENT ENTERPRISES, INC. 4. “JJ DOLAN’S WEBSITE” ONLINE/ INTERACTIVE 37A - WEBSITE DESIGN - CONSUMER 3 Client: JJ Dolan’s WALL-TO-WALL STUDIOS 5. “HARAJUKU: TOKYO STREET FASHION SOCIAL MEDIA CAMPAIGN” ONLINE/INTERACTIVE 38B – SOCIAL MEDIA – MULTIPLE PLATFORMS 4 Harajuku: Tokyo Street Fashion social media campaign 5 HONOLULU MUSEUM OF ART 1 2016 PELE GOLD WINNERS 0 1. “TOUR ALOHA” ONLINE/INTERACTIVE 39A – MOBILE APP IKAYZO 1 2+3. “STORM WATER PATROL BOOK” ONLINE/INTERACTIVE 45 – BRANDED CONTENT & ENTERTAINMENT 46 – PUBLIC SERVICE Client: Department of Transportation Highways Division, Oahu Division MVNP 2+3 4. “wall-to-wall.com” ONLINE/INTERACTIVE 47 – ADVERTISING INDUSTRY SELF PROMOTION WALL-TO-WALL STUDIOS 5. “FISH IS WAITING RADIO SPOT” RADIO ADVERTISING LOCAL 48B – SINGLE SPOT – MORE THAN :30 4 Fishing is Waiting ANNCR VO: Fishing is waiting. Knowledge, luck, hard work. They play their part. But mostly, it’s waiting. You wait for a full moon. You wait for the sun to rise. You wait for the wind to die down. You wait for a line to twitch. Waiting for your buddy to show up with a cooler of beer? That’s fishing. Would you like to be a better fisherman? (9 sec. pause) Client: POP Fishing & Marine The Fish Laugh 4FRONT BRANDING ANNCR VO: Mister fish is laughing at the bait you choose. How unlikely it floats there in the ocean, miles from where God created it to live. Mister fish is laughing at the tackle you use. The bright line glowing in the dark water. A warning visible from far away. Mister fish is laughing at the pole you think can tire him. The knots you imagine he cannot break. The hooks you believe he cannot straighten. 6. “FISH LAUGH RADIO SPOT” RADIO ADVERTISING LOCAL 48B – SINGLE SPOT – MORE THAN :30 Mister fish is laughing. Do you like the sound of mister fish laughing? There is a place where fishermen go to buy gear that works. Perhaps you will visit this place, which kills the laughter of fishes. POP Fishing & Marine. On Pier Thirty Eight, next to Nicos. Weʼve got it. Client: POP Fishing & Marine Ok, that was practice. Now all you need is some gear. 5 POP Fishing & Marine. On Pier Thirty Eight, next to Nicos. We’ve got it. 4FRONT BRANDING 6 1 2016 PELE GOLD WINNERS 0 1. “POP 2015 RADIO CAMPAIGN” RADIO ADVERTISING LOCAL 48C – CAMPAIGN Client: POP Fishing & Marine 4FRONT BRANDING 2 2. “WELL-BEING AND YOU” TELEVISION ADVERTISING 51B2 - BUDGET $25,000 TO $50.000 HMSA 3 3. “IN PARADISE, BAD STILL HAPPENS - UKULELE” TELEVISION ADVERTISING 51B2 - BUDGET $25,000 TO $50.000 Client: First Insurance Company of Hawaii MVNP 4. “HOTEL CLOWNIFORNIA: 30 TV” TELEVISION ADVERTISING 51B3 - BUDGET $50,000 OR MORE Client: HEMIC ANTHOLOGY MARKETING GROUP 4 5. “FIRST HAWAIIAN BANK - ORIGIN” TELEVISION ADVERTISING 51C3 – LOCAL :60 OR MORE BUDGET $50,000 OR MORE Client: First Hawaiian Bank MVNP 5 1 2016 PELE GOLD WINNERS 0 1. “IN PARADISE, BAD STILL HAPPENS CAMPAIGN” TELEVISION ADVERTISING 51D2 – CAMPAIGN – ANY LENGTH Client: First Insurance Company of Hawaii MVNP 2+3. “LET HAWAII HAPPEN – CAMPAIGN” TELEVISION ADVERTISING 52B – REGIONAL/NATIONAL CAMPAIGN 1 73 – ONLINE/INTERACTIVE CAMPAIGN Client: Hawaii Visitors & Convention Bureau MVNP 4. “2015 HAWAII 5-0 COLLATERAL” 75 - ADVERTISING INDUSTRY SELF PROMOTION 2+3 Client: AIGA Honolulu 4 CLARENCE LEE DESIGN [ANTHOLOGY] HEMIC “Hotel Clownifornia” TV :30 4/28/15 OPEN ON A BUSTLING PORTE-COCHERE OF A HAWAII HOTEL. (“THE ROYAL NENE” IS THE HOTEL NAME ON THE BELLMAN’S PODIUM AND NAMETAG. THE LOGO, A REGALLOOKING HAWAIIAN GOOSE WEARING A CROWN.) SFX: OUTDOOR AMBIENCE; CROWD; ROLLING SUITCASES; LUGGAGE CARTS, ETC. THE HOTEL MANAGER APPROACHES AN OVERWHELMED BELLBOY. BOSS: How’s everything going? BELLBOY: It hasn’t been easy getting these clowns checked in. BOSS: Please, refer to them as “guests.” AT THIS POINT, WE REVEAL THAT THE HOTEL GUESTS ARE ACTUAL CLOWNS. ALL TYPES OF CLOWNS. SOME ARE GOING ABOUT THEIR BUSINESS LIKE REGULAR PEOPLE…ROLLING THEIR SUITCASES, ONE IS TALKING ON A CELL PHONE, ANOTHER IS SIPPING A MAI TAI. OTHERS ARE ACTING MORE CLOWN-LIKE…ONE DOES CARTWHEELS THROUGH THE LOBBY, ANOTHER SCARES SOME GUESTS WITH A SNAKE THAT SHOOTS OUT OF A CAN. (A SIGN IN THE BACKGROUND READS, “WELCOME NATIONAL CLOWN CONVENTION.”) SFX: BEEP-BEEP! OF TAXI HORN. A VALET RUNS TO OPEN THE DOOR OF A CLOWN CAR TAXI…AND CLOWNS START PILING OUT. THEY KEEP COMING…AND COMING…AND COMING…THROUGHOUT THE REMAINDER OF THE SPOT. 5. “FISH IS WAITING – COPYWRITING” ELEMENTS OF ADVERTISING 77 - COPYWRITING Client: POP Fishing & Marine 4FRONT BRANDING Copywriter – Stan Moy BEHIND THE BELLBOY WE SEE TWO CLOWNS JUGGLING IN TANDEM. IN THE DEEP BACKGROUND, WE SEE A GROUP OF GIRL CLOWNS FROLICKING. BELLBOY: Our “guests” are pretty demanding. And the sad clowns are not happy. BEHIND THE BOSS IS A CLOWN ON A TRUNK WHO IS BALANCING ONE ONE LEG. 5 Fishing is Waiting ANNCR VO: Fishing is waiting. Knowledge, luck, hard work. They play their part. But mostly, it’s waiting. You wait for a full moon. You wait for the sun to rise. You wait for the wind to die down. You wait for a line to twitch. Waiting for your buddy to show up with a cooler of beer? That’s fishing. Would you like to be a better fisherman? (9 sec. pause) Ok, that was practice. Now all you need is some gear. POP Fishing & Marine. On Pier Thirty Eight, next to Nicos. We’ve got it. BOSS: What’s wrong? 1 6 7 6. “HOTEL CLOWNIFORNIA: 30 TV – COPYWRITING” ELEMENTS OF ADVERTISING 77 - COPYWRITING Client: HEMIC ANTHOLOGY MARKETING GROUP Copywriter – Kim Porter 7. “WASHIN AIR – TOTAL VISUAL BRANDING” ELEMENTS OF ADVERTISING 78 – LOGO DESIGN Client: Washin Air Inc. CLARENCE LEE DESIGN Designer – Etsuko Ono 1 2016 PELE GOLD WINNERS 0 1. “ANTARCTICA ARTICLE PHOTOS” ELEMENTS OF ADVERTISING 80D – STILL PHOTOGRAPHY CAMPAIGN Client: Hawaii Skin Diver Magazine VOICE Photographer – Alex Barnab Voyer 1 2+3. “WELL-BEING AND YOU” ELEMENTS OF ADVERTISING 81 – ART DIRECTION 83 - ANIMATION Animator – Brad Crawford HMSA 2+3 4. “ISLAND VALUES :60 MARCUS MARIOTA” ELEMENTS OF ADVERTISING 82 - CINEMATOGRAPHY Client: Island Insurance EDGE CITY FILMS Cinematographer – Shawn Hiatt 5. “FIRST HAWAIIAN BANK - ORIGIN” ELEMENTS OF ADVERTISING 82 - CINEMATOGRAPHY 4 Client: First Hawaiian Bank MVNP Cinematographer – Paul Atkins 5 1 2016 PELE GOLD WINNERS 0 1. “HVCB HOLIDAY CARD ANIMATION” ELEMENTS OF ADVERTISING 83 - ANIMATION Client: Hawaii Visitors and Convention Bureau WALL-TO-WALL STUDIOS Animator – Scott Daimaru 2. “INDIAN HEAD CAMP WEBSITE” DIGITAL CREATIVE TECHNOLOGY 88 – INTERFACE & NAVIGATION 89 – RESPONSIVE DESIGN 93 – USER EXPERIENCE Client: Indian Head Camp WALL-TO-WALL STUDIOS “FIRST HAWAIIAN BANK – ORIGIN” RETAIL ADVERTISING // 96E TELEVISION – ANY LENGTH Client: First Hawaiian Bank MVNP “LEI MAGAZINE” TRAVEL & TOURISM // 97E – ENTIRE MAGAZINE DESIGN NELLA MEDIA GROUP 2 0 1 5 H A W A I ‘ I E X P L O R E : A R T S : F O O D : F O R N I N E G A Y E T H E D A Y S C H A N ’ S B R U N C H L G B T I N T R A V E L E R S A L T “ E A T I N G I N P U B L I C ” W I S E L Y two 1 2016 SILVER & BRONZE WINNERS 0 2015-2016 How far away from your world can you get? Candy Bar Packaging S U M M E R 2 0 1 5 A R T S T E XT BY BRAD DE LL I M AGE S C O URT E SY O F HO NO LULU M USE UM O F ART 文=ブラッド・デル M O RE THAN A HO US E ハワイのモダン建築 The Liljestrand House tour is a mix of childhood memories and architectural history. リジェストランドハウスツアーで触れる建築史と幼少時代の思い出 The best way to view O‘ahu is to travel far above the This page: buildings city, high enough that skyscrapers no longer seem designed by the master of Hawaiian architecture so tall. Atop Mount Tantalus sits the Liljestrand Vladimir Ossipoff. House, boasting one of the best seats on the island for views. Designed by architect Vladimir Ossipoff, Shown top, the exterior THE A P O C A LY P S E ISSUE the three-tiered house rests on the side of the steep view of the Pauling mountain. Betty and Howard Liljestrand, a nurse and House, completed in SWIMMING WITH SHARKS doctor, respectively, had spent 10 years searching 1957 in Honolulu, shot the mountains for the perfect site on which to build by Robert Wenkam and T H E W R E C K T H AT I N S P I R E D M O BY- D I C K their house before stumbling upon this location. courtesy of Honolulu The couple purchased the land from the Territory of Museum of Art; bottom, A H O Y ! L I F E O N B O AT S KLEIN’S RISING TIDE Hawai‘i in 1946, hired architect Vladimir Ossipoff to Honolulu International take on the project, and moved into the house in 1952. Airport, 1970–1978, LDS PREPPERS THE REAL LIFE ON FA K E M A R S In Betty’s opinion, Ossipoff, who was noted for from the J. Paul Getty SE A ZO M B I E N AT I O N his ability to work around the existing environment, was the obvious choice. Ossipoff’s structures, she Trust and Julius Shulman wrote of his work, “looked all well on the outside, Photography Archive Research Library at the Getty Research Institute. オアフの全景を見渡す一番の方法は、 高層ビルがそれほど高く感じら れないほどの高台に登ることだ。 オアフ一見晴らしの良いタンタラスの 丘の頂上に立つリジェストランドハウスがそのひとつである。 建築家の (写真上)1957年に完成した ウラジミル・オシポフ氏がデザインした3階建の邸宅は険しい山の斜面 ホノルルのポーリングハウスの に建っている。 看護婦と医者だったベティとハワード・リジェストランド 外観。 ロバート・ウェンカム氏 夫妻は、 10年かけて彼らの家を建てるのにふさわしい条件の山を探し 撮影。 ホノルル美術館提供。 ( 回った末、 この最高の場所に巡り会ったという。 夫婦は1946年にハワ 下)1970-1978年のホノルル イ準州からこの土地を購入し、 建築家のウラジミル・オシポフ氏にプロ 国際空港。 ゲティ研究所にある ジェクトを依頼。 1952年からこの家に住んだ。 J.ポール・ゲティ・トラスト&ジ ュリウス・シュルマン写真資料 シポフ氏の起用は、 当然の選択だった。 オシポフ氏の建築について、 「全 保存研究所収蔵。 てがもともとそこにあったかのように美しく完全に調和している」 と綴っ ベティさんにとって自然環境に配慮したデザインで評価の高いオ ているベティさんは、 そのセンスのよさに感銘を受けたようだ。 数十年 The living room of the Ossipoff House, completed in 1958 1958年にオシポフ氏がデザインしたホノルルのクリオウオウにある一 and located in Kuli‘ou‘ou in Honolulu, shot by Robert 軒家のリビング。 ロバート・ウェンカム氏撮影。 ホノルル美術館提供。 Wenkam and courtesy of the Honolulu Museum of Art. + FORM: 2015 | 2016 STYLE SUPPLEMENT where traveler.com ® where traveler.com ® 31 Halekulani Living where GUESTBOOK ® where traveler.com ® ® where GUESTBOOK ® where GUESTBOOK where traveler.com 30 ® 6/10/15 10:57:40 AM Untitled-2 1 10/21/15 12:55:44 PM HAWAI‘I ISLAND HAWAI‘I ISLAND 2015-2016 KAUA‘I 2015-2016 O‘AHU 2015-2016 MAUI KAUA‘I MAUGB_150700_Cover_Final.indd 1 1 2016 SILVER & BRONZE WINNERS 0 BRONZE “UH & OC SPORTS SALES PRESENTATION BOOK” SALES PROMOTION 01B – SALES KIT Oceanic Time Warner Cable Media Sales Printer: Electric Pencil BRONZE “FLOWER BOX” SALES PROMOTION PACKAGING 02A – SINGLE UNIT Client: HAWAIIAN AIRLINES ANTHOLOGY MARKETING GROUP BRONZE “1910/1955 RAMEN – PACKAGE DESIGN” SALES PROMOTION PACKAGING 02B – CAMPAIGN Client: Sun Noodle Brand CLARENCE LEE DESIGN BRONZE “FRUIT BITES” SALES PROMOTION PACKAGING 02B – CAMPAIGN Client: Hawaiian Host SAE DESIGN BRONZE “CANDY BAR HAWAII PACKAGING” SALES PROMOTION PACKAGING 02B – CAMPAIGN Client: Candy Bar Hawaii WALL-TO-WALL STUDIOS SILVER “111-HAWAII PROJECT – BRAND PRODUCTS” SALES PROMOTION PACKAGING 02B – CAMPAIGN Client: 111-Hawaii Project CLARENCE LEE DESIGN BRONZE “OUTRIGGER RESORTS CONSUMER BROCHURE” BROCHURE DESIGN 07A – SINGLE UNIT OUTRIGGER RESORTS BRONZE “TRIM WINTER COVER” PUBLICATION DESIGN 08A – MAGAZINE OR BOOK COVER DESIGN TRIM SILVER “FLUX HAWAII – APOCALYPSE ISSUE” PUBLICATION DESIGN 08A – MAGAZINE OR BOOK COVER DESIGN NELLA MEDIA GROUP SILVER “FLUX HAWAII – SEA ISSUE” PUBLICATION DESIGN 08A – MAGAZINE OR BOOK COVER DESIGN NELLA MEDIA GROUP SILVER SILVER “HAWAII SKIN DIVER MAGAZINE COVERS” PUBLICATION DESIGN 08C – COVER, EDITORIAL SPREAD OR FEATURE SERIES Client: Hawaii Skin Diver Magazine VOICE SILVER “WHERE GUESTBOOK” PUBLICATION DESIGN 08C – COVER, EDITORIAL SPREAD OR FEATURE SERIES WHERE HAWAII BRONZE “LIVING – MORE THAN A HOME” PUBLICATION DESIGN 08B – EDITORIAL SPREAD OR FEATURE “RESERVE” PUBLICATION DESIGN 08D – ENTIRE MAGAZINE DESIGN Client: Halekulani NELLA MEDIA GROUP Client: Waikiki Parc Hotel NELLA MEDIA GROUP BRONZE SILVER “FOUNDRY – THE JOURNAL OF OUR KAKA’AKO – HANDS ON HAWAII SERIES” PUBLICATION DESIGN 08C – COVER, EDITORIAL SPREAD OR FEATURE SERIES Client: Our Kaka’ako NELLA MEDIA GROUP “LIVING” PUBLICATION DESIGN 08D – ENTIRE MAGAZINE DESIGN Client: Halekulani NELLA MEDIA GROUP 1 2016 SILVER & BRONZE WINNERS 0 J O U R N A L DANIEL FULLER ARC H ITECTURAL WARD V ILL AGE KAKA‘AKO PIVOT FOUNDATION FARMERS MARKET FISH C AKE U. S. P O STAG E PAI D HON O LU LU, H AWA I I P E R M I T N O. 119 & N O N P ROF I T O RG. 1 & & fold# Honolulu Museum of Art 900 S Beretania St Honolulu, Hawaii 96814 & & & #fold H I G H FA S H I O N . P L E A S E P R E PA R E F O R TA K E O F F. FEEL ALOHA NO MATTER WHICH SIDE YOU’RE ON. We’re a proud partner of Cal Athletics. Fly with us non-stop to Hawai‘i from San Francisco, Oakland or San Jose and experience authentic Hawaiian hospitality in the air. Proud sponsor of the Hawai‘i Bowl. 1 2016 SILVER & BRONZE WINNERS 0 SILVER “TRIM COVER SERIES” PUBLICATION DESIGN 08C – COVER, EDITORIAL SPREAD OR FEATURE SERIES TRIM SILVER “CHINATOWN – THE PRESERVATIONISTS” PUBLICATION DESIGN 08D – ENTIRE MAGAZINE DESIGN NELLA MEDIA GROUP SILVER “FORWARD JOURNAL” PUBLICATION DESIGN 08D – ENTIRE MAGAZINE DESIGN Client: Ward Village NELLA MEDIA GROUP BRONZE “HANAU KA UA: HAWAIIAN RAIN NAMES” PUBLICATION DESIGN 08E – ENTIRE BOOK DESIGN Client: Kamehameha Publishing BARBARA POPE BOOK DESIGN 38B-Social Media - Facebook - Hawaiian Airlines “Trade in Your Winter” Campaign BRONZE “HARAJUKU: TOKYO STREET FASHION MEMBERSHIP APPEAL DIRECT MAIL” DIRECT MARKETING 10A – SINGLE ENTRY HONOLULU MUSEUM OF ART BRONZE “NOMURA DESIGN NEW DAY CARDS” ADVERTISING INDUSTRY SELF PROMOTION 16 – SPECIAL EVENT MATERIAL SILVER “HIFF MOMENTS” OUT OF HOME 27B – POSTER CAMPAIGN Client: Hawaii International Film Festival NELLA MEDIA GROUP BRONZE “WASHIN AIR – TOTAL VISUAL BRANDING” OUT OF HOME 29B – MASS TRANSIT NOMURA DESIGN Client: Washin Air Inc. 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Client: Hawaii International Film Festival NELLA MEDIA GROUP BRONZE SILVER BRONZE Client: Lazy Ninja’s Guide To Losing 33 Pounds ORIG MEDIA “HERMIN” INTERNET COMMERCIALS 55A – SINGLE SPOT Client: Hawaiian Humane Society LENT ENTERPRISES, INC. “HERMIN” BRANDED CONTENT & ENTERTAINMENT 58B – ONLINE – MORE THAN :60 “LET HAWAII HAPPEN – SURPRISE WEDDING” BRANDED CONTENT & ENTERTAINMENT 58B – MORE THAN :60 Client: Hawaii Visitors & Convention Bureau MVNP “HIFF – MOMENTS TRAILER” CINEMA ADVERTISING 62 – IN THEATRE COMMERCIALS OR SLIDES “HERMIN” 64 – MUSIC VIDEOS Client: Hawaiian Humane Society LENT ENTERPRISES, INC. 1 2016 SILVER & BRONZE WINNERS 0 ON VIEW THROUGH APRIL 3 Med ia sp onsor H O NO LU LU Ma g a z ine H osp ita lity S p onsor #HarajukuHoMA )EREHW( )NEHW( )NEHW( )HCUM WOH( Harajuku: Tokyo Street Fashion van advertisements Harajuku: Tokyo Street Fashion TheBus advertisements 5102 keeW ngiseD wohS sdrawA O-5 30/01 yadrutaS 40 TNEVE )EREHW( )NEHW( )NEHW( )HCUM WOH( sdrawA O -5 s’i‘iawaH ehT w o h S d n a n o it it e p m o C u l u l o n o H A G I A e ht s i dna tseggib s’retpahC ngised gninnur-tsegnol ngised s’etats ehT .tneve ht i w g n o l a y t i nu m m o c e m o c s e i r t s u d ni r e n t r a p r a e y r e h t o y r e v e r e h t e g ot ni n g i s e d t a e r g et a r b e l e c ot lliw srenniw 05 llA .i‘iawaH g ni d u l c ni , d e c n u o n n a e b eb lliw hcihw 5 poT eht r et e P s e g d u j y b d et n e s e r p nosrednA illeK ,sotakraM gninniW .rehctelF yaJ dna y a l p s i d n o e b l li w s t c e j o r p e ht f o n o i s u l c n o c e ht t a siht ssim t’noD .margorp d l e h , t n e v e l am r o f - i m e s l u f it u a e b e ht t a r a e y s i ht .bulC cfiicaP )HCUM WOH( mp00:5 ) s l i a t k c o C( b u l C c i f i c aP t S a m m E n e e u Q 15 4 1 , s r e b m e m r of 0 6$ , s r e b m e m -n o n r o f 0 9 $ s t n e d u t s r of 0 3$ yvaeh dna stnemhse rfeR . d ev r e s e b l l i w s u p u p 0 0 : 9– 0 0 : 7 ) d e l a ev e R s r e n n iW ( t i s i v n o i t a m r o f n i e r o m r oF gro.u lu lonohagia.keewn gi sed re paP awakodaK ydoJ :repaP srecipS tneculsnarT raelC #03 :no detnirp retsoP g n i l i a M & n o i t c u d or P , g n i t n i r P uhcS eemiA ,redeorhcS tnilC :enodagaH ot uoy kn aht laiceps A stnoF o r P t x e N ni D ryC nitsuA & yb d et i d E lluM ffeJ n o i t c er i D t r A & t p e c n o C n o s r e bmE a o N stiderC noitcudorP LNHwd# LNHagia# 5102 keeW ngiseD deronoh si ululonoH AGIA yllanoitan eerht evah ot nioj *srengised dezingocer erahs ot gninrom a rof su klat dna krow etirovaf rieht ,ssecorp ngised rieht tuoba spihsnoitaler tneilc/rengised .ecnalab efil-krow dna ) r ek a e p S g n i n r o M ( nosrednA illeK t a e r g e h t m o r f g n i li a h yl l a n i g i r O no s red n A i l le K , s na e l r O w e N f o y t i c e h s e r e h w n yl k o o r B n i s e d i s e r w o n d e h s i lpmo c c a na s a fle s re h ro f s k ro w .rotartsulli dna rengised ) r ek a e p S g n i n r o M ( rehctelF yaJ y a J C S , no t s e l ra h C f o t u o d e s a B sessenisub htiw dekrow s’rehctelF L F N e h t g nid u l c ni , e d i w d l r o w e h t d n a , s e m a E , n o i t a d nu o F o t a r t s e h c r O y no hpm yS no t s e l ra h C .wef a tsuj eman :seireS rekaepS segduJ O-5 10/01 yadsruhT 30 TNEVE r of n i - kc e hc m a 0 3 : 9 .n oi sse s g n i n r om ,r e t a e hT a l o p u C r e t n e C n g i s e D u l u l o n oH . dv l B i n a l o‘ i p aK 0 5 2 1 r of n i - kc e hc m a 5 4 : 1 1 . n o i s s e s hc n u l : y l n o s r e k a e p S g n i n r oM , s r e b m e m r of 5 2$ s r e b m e m -n o n r o f 5 3 $ LNHwd# LNHagia# t n e vE er i t n E ) hc n u l s e d u l c n i( , s r e b m e m r of 5 4 $ s r e b m e m -n o n r o f 0 6 $ y l n o r e k a e p S l a n iF ) hc n u l s e d u l c n i( , s r e b m e m r of 5 3$ s r e b m e m -n o n r o f 5 4 $ )etirbtnevE aiv( 40 TNEVE wohS sdrawA O-5 )etirbtnevE aiv( 01$ | srebmeM-noN ti lleh eht tahw tsuj rednow revE * ?rengised a sa deeccus ot sekat . u o y ll e t ll i w e e r h t e s e h T ) r ek a e p S l a n i F ( s ot a k r a M r et e P n a S ni s o id u t S M M f o r e d nu o f o c e h t s A yl t n e r r u c s o t a k r a M r e t e P , o c s i c n a r F evitaerc ’ssenisub eht sa skrow yarra na seesrevo eh erehw ,rotcerid e v i t c a r e t ni d n a y g e t a r t s d n a r b f o . s t c e j o r p ng i s e d ngiseD ot xueD sekaT tI 20 TNEVE e ht t a s r e b m e M - n o N 51$ | rood 01$ | rood eht ta srebmeM 5$ | *srebmeM seireS rekaepS 30 TNEVE S T E K C I T T N E V E L AU D I V I D N I stekciT keeW ngiseD rekaepS laniF )hcnuL sedulcni( 53$ | *srebmeM 5 4 $ | s r e bm e M - n o N 06 $ | * s r e bm e M 09$ | srebmeM-noN 03$ | stnedutS a eviecer ll ’uoy rebmem a era uoy fi tuB .gniddik tsuJ !eiD ro nioJ * retnE“ no kcilC .gnicirp rebmem rof xobni liame ruoy ni edoc lanoitomorp .ecirp rebmem eht eviecer ot edoc deliame eht retne dna ”edoC lanoitomorP tekcit rewol fo egatnavda ekat ot yadot nioj ,rebmem a ydaerla ton era uoy fI .gnoleb/gro. AGIA .secirp 59$ | *srebmeM 541$ | srebmeM-noN )etirbtnevE aiv 5102/02/9 yb desahcrup eb tsum( .stneve keeW ngiseD diap lla rof dooG S S AP K E E W N G I S E D a e s ah c r u p d n a g n i ht t r am s e ht o d n a c u oy r O tnevE eritnE )hcnuL sedulcni( 5 4 $ | * s r e bm e M 06 $ | s r e bm e m - n o N ylnO srekaepS gninroM 02$ | *srebmeM 03 $ | s r e b m e M - n o N )HCUM WOH( )EREHW( )NEHW( )HCUM WOH( )HCUM WOH( xueD sekaT tI ngiseD ot 92/9 yadseuT 5102 keeW ngiseD tnorf ni tub ,gnitad deeps ekil s’tI * d n A . s r e e p r u o y f o e za g d l o c e h t f o d n A . t n e i l c r u o y o s l a s i e t ad r u o y e w t u B . e t ad r u o y o s l a s i t n e i l c r u o y .tsalb a eb yllaer ll ’ti ,esimorp ,nevaeH ni edam hctam a nI maet lliw srengised lacol klat ot stneilc rieht htiw pu ni tcejorp ngised a tuoba wohsedils decap-tsaf a euqinu sihT *.noitatneserp -keep a sedivorp tamrof eht ta niatruc-eht-dniheb spihsrentrap tneilc/rengised fo emos ot esir evag taht gnitseretni tsom s’i‘iawaH A&Q A .snoitulos ngised ,wollof lliw noissucsid lenap copgaM sirhC yb detaredom remrof dna ngiseD fiD fo .tnediserp ululonoH AGIA 20 TNEVE supup thgil dna stnemhse rfeR . d ev r e s e b l l i w m p 0 0 : 9– 0 0 : 6 ar o g A o k a‘ a ka K t e e r t S ek o o C 14 4 a i v s r e b m e m r of 5$ r o o d e h t t a 0 1$ ,e t i r b t n e v E a i v s r e b m e m -n o n r o f 0 1 $ r o o d e h t t a 5 1$ ,e t i r b t n e v E hcsiW ailaM – tnediserP gnehZ neJ – rerusaerT r e e hc S s iu o L – y r a t e rc e S otomamaY nayR – rotanidrooC reetnuloV agairaC -etnomaT eilseL – riahC pihsrotneM unaB ahiM – riahC noitacudE miK nyL-eivetS – riahC gnimmargorP adnoH ttaM – riahC hcaertuO amayoT recnepS – riahC pihsrent raP ednaliP leunammE – riahC beW gnabaR acilegnA – tnediserP tsaP etaidemmI srotceriD fo draoB retpahC ululonoH AGIA ...si ululonoH AGIA LNHwd# LNHagia# E V E RY DE S IGNER K NOW S T HE DE V IL IS IN T HE D E TA I L S Representative artwork Mobile Media 900 S Beretania St 808.532.8700 honolulumuseum.org Comprehensive Proof of Posting: Honolulu Museum of Art (Harajuku) December 2015 1001 Bishop St. Suite 2820, Honolulu, Hawaii 96813 Phone: 808 526 4044 | Fax: 808 523 9143 presents u lu lonoH A GIA yB detn e serP ngiseD keeW 5102 stneserp ylduorp retpahC ululonoH AGIA gnolkeew lanoitaripsni na ,keeW ngiseD gnicnavda ,gnisacwohs stneve fo seires e c i t c a r p l a n o i s s e f or p e h t g n i t a r b e l e c d n a .ediwetats ngised fo eulav dna Design Week 2015 5102 ,3 re botcO – 82 re bmetpeS t a hW sI ngiseD k e eW ?yltcaxE Reveal stsop ruoy gat ot erus eB LNHtnuhngised# htiw LNHwd# dna LNHagia# htiw ffo skcik keeW ngiseD r e g n e v a c s g n o lk e e w a n o t u o y a l p l l i w t ah t t n u h siht yad y revE .margatsnI wen edivorp ll’ew ,keew - n g i s e d r o f s n o i t c u r t s ni r o f k o o l ot s g ni h t d et a l e r d n u o r a h p a r g ot o h p d n a uoy erom ehT *.i‘iawaH ru o y r et t e b e ht , et a pic it r a p ytterp emos niw ot ecnahc .sezirp teews dlefi siht llac dluoc uoy ,yllacinhceT* .kcolc eht no yats dna hcraeser In our world, we know it’s the little things, the sum of all those moving parts, that make the difference between your work raising an eyebrow, or raising the bar. This year, we’re paying homage to paying attention to detail. So grab a beer, grab a seat, and get ready to toast the subtleties that elevate our craft. Welcome to AIGA’s Design Week 2015. LNHwd# LNHagia# LNHtnuhngised# d e c n u o n n a sr e n n iW . 5 r e b o t c O , y a d n oM sd n e g n i t soP .4 r e b o t cO ,y a d n u S s n o i t c u r t s n i w eN ,yl i a d d ec n u o n n a ! kee w l l a y a l p t u b / m o c . m a r g a t s nI u lu lon ohag ia tnuH ngiseD ffokciK 82/9 yadnoM)snigeB( 5102 keeW ngiseD 10 TNEVE fo ytnelp eb ll ’ereht ni sa…eroM * . e zo o b t i s i v n o i t a m r o f n i e r o m r oF gro.u lu lonohagia.keewn gi sed na si keeW ngiseD A G I A f o n o is n a p x e launna s’retpahC ululonoH s e h c a e r d n a g ni m m a r g o r p y t i n u m m o c e s r e v i d a ot t u o sa slanoisseforp ngised fo , s e s s e ni s u b l a c o l s a l l e w ,sruenerpertne ,stfiorpnon s t n e d u t s , s r e nt r a p e v it a e rc *.erom dna )EREHW( )NEHW( )WOH( )NEHW( Harajuku: Tokyo Street Fashion exhibition logo A SELFIE MAY BE THE ONLY THING YOU’RE TAKING HOME. YOU’LL LAUGH. YOU’LL CRY. YOU’LL CURSE THE JUDGES. – Jimmy Gold – Jimmy Gold License Plates: SPD 896 SCS 198 RSN 426 1 2016 SILVER & BRONZE WINNERS 0 BRONZE “STROKE AWARENESS ‘DEAN’ :30 TV PUBLIC SERVICE 65 – TELEVISION SILVER BRONZE “HARAJUKU: TOKYO STREET FASHION CONSUMER CAMPAIGN” 70C - INTEGRATED CAMPAIGNS – CONSUMER/LOCAL “HARAJUKU: TOKYO STREET FASHION LOGO” ELEMENTS OF ADVERTISING 78 – LOGO DESIGN SILVER BRONZE “MINIT STOP LOGO DESIGN” ELEMENTS OF ADVERTISING 78 – LOGO DESIGN Client: Ala Kuola AD 2 HONOLULU Client: AAF District 13 ANTHOLOGY MARKETING GROUP SILVER SILVER Client: HPH Pali Momi Medical Center WALL-TO-WALL STUDIOS “ALA KUOLA – STOP THE CYCLE” PUBLIC SERVICE TELEVISION 65 – SINGLE – ANY LENGTH “HERMIN” 67 - PUBLIC SERVICE ONLINE, VIDEO & SOUND Client: Hawaiian Humane Society LENT ENTERPRISES, INC. 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