The Case of Tiziano Terzani`s Culture of Consumption
Transcription
The Case of Tiziano Terzani`s Culture of Consumption
The Consumption of Culture. The Culture of Consumption Venice, 16th-17th April 2009 Culture Brand Community: The Case of Tiziano Terzani’s Culture of Consumption Andrea Moretti with Elena Bonel, Donata Collodi and Francesco Crisci Agenda Research objectives Methodology Theoretical foundations Results/Findings Discussion © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 2 Research objectives (1) to present an ethnographic analysis of a subculture of consumption focused on the enthusiastic and charismatic figure of Tiziano Terzani (TT and TTSC) to address specific methodological implications in studying subculture of consumption and to refer to the phenomenon of brand community creation (TTBC) to argue in favor of specific “cultural discourse” in consumer research for understanding: the “objects and consumptions patterns with which people (and markets) define themselves in our culture” (Schouten and McAlexander 1995, 44); and to remember that “the researcher and the researched move between a background of shared meaning and a finite foreground of experience within in” (Joy et al. in Belk 2006, 346) © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 3 Research objectives (2) This article is part of a pilot study, a detailed ethnography of Tiziano Terzani literary phenomenon, by which we wished to identify and describe different themes connected with Consumer Culture Theory tradition (Arnould, Thompson 2005): Sub culture of consumption; Sub culture and sources of meaning; Element of brand community sense-making Build and manage brand community and brand meaning © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 4 Agenda Research objectives Methodology Theoretical foundations Results/Findings Discussion © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 5 Methodology (1): a consumer-oriented ethnography. Time line of research 2007 2008 Stage of Jan May Oct Jan Mar ethnographic Non-participant observation involvement May 2009 Oct Jan Researcher status Research tasks Personal involvement (A) (B) “outsiders”: “tourists” at events (1) (2) Occasional readers of TT’s books (C) (D) “neophites”: “us” and “TT’s fans” (3) Passionate about TT’s books; (E) Part-time observ. (F) “evolving insiders”: inquiry during V/L festival (4) (5) (E) (F) “insiders” in culture of consumption; “insiders/outsiders” (6) Positive SelfConsciousness; Participants but not members (7) Partially involved with community Fascination with V/L Self-Consciousness referrig to V/ The Consumption of Culture. The Culture of Consumption artistic projects L project (organizational culture) © Bonel, Collodi, Crisci, Moretti Sep Full-time ethnography Different research groups involved (*) Marker events May (8) Partially involved with organization Time line 6 Methodology (2): time line of research (complete pilot study) Marker events: Research tasks: A. Conceptualize project; first inquiry about V/L organization and festival project; 1. Identify and describe V/L’s organizational culture; 2. Examine stereotypes and ideologies; intial interviews B. First contact with TT’s culture of 3. “Revelatory incident” consumption C. Tony Capuozzo and his interview 4. Descriptive dimensions of TTSC as “sacred consumption” (WHY TT in UDINE?) phenomenon; D. Preliminary research phase 5. TT readers as “research object”; E. Naturalistic and survey inquiries sources of meanings for TTBC during V/L Festival; members F. Interpretative phases (in 6. Conceptualize intepretative dimensions of TTBC progress) (*) Research Groups. Universities of Udine and Trento: Naturalistic Inquiry; The Consumption of Culture. The Culture of Consumption 7 Universities of Udine and Padova: Survey Inquiry © Bonel, Collodi, Crisci, Moretti Methodology (3): ethnographic procedures The cultural sites/contexts of this ethnography are two artistic projects of vicino/lontano cultural organization (V/L): the vicino/lontano festival and the Tiziano Terzani International Literary Prize We combine data-collection methods to achieve representation consistent with informant experience: photographic essay of the last three editions (Holbrook 1995), internal and public documentations of “V/L” cultural organization (Stern 1998), cultural events video of last two editions of “V/L” Festival, press review of last two editions, TT’s books, TT’s reportage (Sherry 1995, Kozinets 2001), TT’s fans community and online discussion forum, online book reviews of TT’s readers (Belk 2006); © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 8 credits: tizianoterzani.com © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 9 Tiziano Terzani’s Books © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 10 Tiziano Terzani Biography © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 11 Agenda Research objectives Methodology Theoretical foundations Results/Findings Discussion © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 12 Theoretical foundations (1) A “subculture of consumption” is defined “as a distinctive subgroup of society that self-select on the basis of shared commitment to a particular product class, brand, or consumption activity” (Schouten, McAlexander 1995); In this article the TTSC is informed by the: intertextual linkages of cultural objects (i.e., V/L Festival as a cultural product) (McCracken 1988), texts (TT’s books and TT International Literary Prize winners) (Hirschman, Holbrook 1993), and ideologies in consumers’ cultural meanings systems (TT’s fans) (Kozinets 2001) © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 13 Theoretical foundations (2) Descriptive dimensions: the domains of “sacred consumption” (Belk et al. 1989) in TTSC. Places; Times; Tangible Things; Intangible Things; Persons and Others Beings; Experiences Interpretative dimensions: “movement of meanings” (McCracken 1988) in the TTSC as processes of sacred consumption (Belk et al. 1989). Sacralization processes: ritual; pilgrimage; quintessence; gift-giving; collecting; inheritance; external sanction; Perpetuating Sacredness: separation of sacred from profane; sustaining rituals; bequets; contamination © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 14 Agenda Research objectives Methodology Theoretical foundations Results/Findings Discussion © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 15 Movement of meaning in the TTSC: Location of meaning Instrument of Meaning Transfer CULTURALLY CONSTITUTED WORLD Tangible Intangible Persons and Experiences Places Times Things Things Others Beings SACRED CULTURAL PRODUCTS Ritual, Pilgrimage, Sacralization Quintessence, Gift-Giving, Processes Collecting, Inheritance, External Sanction Separation of Sacred from Profane, Perpetuating Sustaining Rituals, Sacredness Bequets, Contamination INDIVIDUAL SACRED CONSUMPTION © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 16 Culturally Constituted World “Culture” constitutes our phenomenal world in two ways (McCracken 1988): culture is the “lens” through which all phenomena are seen (“cultural categories” as the fundamental co-ordinates of meaning, referring to TT experience as journalist and writer ); culture is the “blueprint” of human activity (“cultural principles” consists “in the ideas or value according to which [TT] cultural phenomena are organized, evaluated, and constructed”). © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 17 Sacred Cultural Products (1) Cultural categories of TTSC as the constitutive dimensions of “sacred consumption”: Places. The St. Francis’ Church in Udine during V/L Festival? But also: the Hanoi Station; the train for the Chinese border during Saigon freedom; Tiananmen Square; Amur River, the frontier from URSS and China; the huts in Himalaya or Orsigna; etc. Times. Foundation myths and the history of a community. The sacred past is associated with nostalgia or with everyday life: cyclically or episodically during the day (the press conference announcing prizewinner), week (the sequence of artistic program during V/L Festival), month (the announce of a new edition of TT books) and year (the anniversary of TT death in Orsigna). © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 18 Sacred Cultural Products (2) Cultural categories of TTSC as the constitutive dimensions of “sacred consumption”: Tangible and Intangible Things. The sacred should connect “authentically” with TT narratives and the themes of cultural relations and conflicts in today globalized world through debates and talks in V/L Festival. Persons and Others Beings. The lives of TT (as journalist and writer), “take on a sacred character through good deeds, self-abnegation, sacrifice, martyrdom, and piety” Experiences. The prophetic charisma of the TT message, as correspondent from different tragical theaters of war, descends from magical power of experience © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 19 Movement of meaning in the TTSC: Location of meaning Instrument of Meaning Transfer CULTURALLY CONSTITUTED WORLD Tangible Intangible Persons and Experiences Places Times Things Things Others Beings SACRED CULTURAL PRODUCTS Ritual, Pilgrimage, Sacralization Quintessence, Gift-Giving, Processes Collecting, Inheritance, External Sanction Separation of Sacred from Profane, Perpetuating Sustaining Rituals, Sacredness Bequets, Contamination INDIVIDUAL SACRED CONSUMPTION © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 20 Individual Sacred Consumption (1) Sacralization processes. “The ways objects and people move between the sacred and profane realms”: Rituals: Reading TT books; on-line community as a non-place Pilgrimage: the theme of “journey”; a TT book (or reportage) as a venerable portolan during the liminal time of vacation Quintessence: the “sense of odyssey” or the “escape journey” Gift-giving: TT book as “transcendent guide” Collecting: “quotation” is a serious matter for TT readers Inheritance: continuous readings in searching for a new “hermeneutically correct” interpretation; narratives of “authentic” and “personal” stories; External Sanction: discussion concerning “stigma” and “false stereotypes” © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 21 Individual Sacred Consumption (2) Perpetuating the sacredness. “Processes to prevent lost of sacred status, and the practices required to maintain sacredness”: Separation of sacred from profane: the book, as profane object, become sacred by reason of a “ritual transfer of possession”; Sustaining rituals: “utopianism” in TTSC is connected with “stigma” to remark the social sphere of TTSC in which “acceptance of differences is the norm form us!”. Bequets: Why an award dedicated to TT? «What inspires us is the desire to acknowledge those who demonstrate a willingness to understand, the willingness to look at the world and at different cultures with the eyes of a curious child» (Angela, TT wife); Contamination: the prizewinner book is “authentic” if it is perceived to be a reflection of his writer’s future confidence in leading everyday “journey” of TT readers. © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 22 Agenda Research objectives Methodology Theoretical foundations Results/Findings Discussion © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 23 Discussion (1): locations of cultural meaning in TTSC Three locations of meaning in the case of TTSC (culturally constituted world, sacred cultural products and individual sacred consumption) was identified and described (McCracken 1988) Two moments of meaning transfer connecting three locations are analyzed (Belk et al. 1989): the properties and manifestations of the sacred in cultural products (places, times, tangible and intangible things, persons and other beings, experiences); and the processes by which consumers sacralize and desacralize the dimensions of their experiences © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 24 Concluding remarks The brand “is the principal repository of meaning in culture consumer, in both a residential and generative sense” (Sherry 2005) Describing “meaning transfer” between constitutive dimensions in TTSC is only a step to understanding the brand meaning processes and relationships whitin a bearing brand community The evolution of our research program: Describe and analyse brand meaning and the sources of meanings co-generate between cultural organization and audience to move from “brand equity management” to “brand meanings management” © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 25 Thank you for the attention! Andrea Moretti with Donata Collodi and Francesco Crisci Department of Economics University of Udine and with Elena Bonel Department of Informatics and Business Management University of Trento mailto:[email protected], [email protected], [email protected], [email protected] © Bonel, Collodi, Crisci, Moretti The Consumption of Culture. The Culture of Consumption 26