Rock On! - the Heckscher Museum of Art

Transcription

Rock On! - the Heckscher Museum of Art
The Heckscher Museum of Art
SPECIAL EXHIBITION RESOURCE GUIDE
FOR TEACHERS
Rock On!
Masterworks of
Rock Photography
October 2, 2010 - January 9, 2011
WHAT’S INSIDE...
About
the Exhibition.................................... 1
What will students see?
Photographers featured
Musicians/bands featured
Exhibition Checklist...................................2-6
About the Photographers..........................7-12
Exhibition-Related Websites....................13-14
Exhibition-Related Books............................15
Art Kane, The Rolling Stones, 1966 (printed 2007),
LightJet Digital C-Print, 10 x 16 in.
© Art Kane Archive www.artkane.com
Exhibition-Related Vocabulary......................16
Pre- and Post-Visit Activities...................17-18
Select Images from the Exhibition...........19-25
NEW! Rock On! T-Shirts and Pins................26
Explore the Collection.................................27
2 Prime Avenue
Huntington, NY 11743-7702
631.351.3250 Tel
631.423.2145 Fax
www.heckscher.org
ABOUT THE EXHIBITION
Rock On! Masterworks of Rock Photography
What will students see?
60 photographs of rock ‘n’ roll stars
Since its beginnings, rock ‘n’ roll has been both a musical and visual movement, complete
with dramatic concert performances featuring wild hair-dos and costumes, pyrotechnics
and light shows. Rock ‘n’ roll is a revolutionary musical form reflective of society’s need
for freedom and creativity.
Photographers have immortalized the rebellious personas of rock ‘n’ roll stars, capturing
their appearance in candid and studio portraits and in behind-the-scenes and concert
shots that have become an indelible component of Rock ‘n Roll history.
Rock On! Masterworks of Rock Photography presents 60 images of Rock ‘n Roll musicians
from the early days of Elvis Presley, Little Richard and Chuck Berry, through the classic
period of The Beatles, The Rolling Stones, The Who and The Doors, up to today’s hiphop musicians Tupac Shakur and LL Cool J. These iconic images by 28 of rock’s master
photographers reveal the extraordinary artistry that has created a compelling visual record
of self-expression in the second half of the 20th century.
Photographers featured
Joel Brodsky
Danny Clinch
William Coupon
Henry Diltz
Claude Gassian
Greg Gorman
Henry Grossman
Bob Gruen
Art Kane
Elliot Landy
Gered Mankowitz
Jonathan Mannion
Linda McCartney
Tom Murray
(alphabetical)
Jan Olofsson
Mick Rock
Mark Seliger
Joseph Sia
Kate Simon
Frank Stefanko
Peter Strongwater
Musicians/bands featured
The Beatles
Chuck Berry
Blondie
David Bowie
Eric Clapton
The Clash
Kurt Cobain
LL Cool J
Country Joe and
the Fish
David Crosby and
Graham Nash
The Doors
Bob Dylan
Elvis Presley
Aretha Franklin
Jerry Garcia
Marvin Gaye
Isaac Hayes
Jimi Hendrix
Lauryn Hill
Michael Jackson
Jefferson Airplane
Joan Jett
Masayochi Sukita
Allan Tannenbaum
Dick Waterman
Barrie Wentzell
Alfred Wertheimer
Baron Wolman
Firooz Zahedi
(alphabetical)
Janis Joplin
KISS
Led Zeppelin
John Lennon
Little Richard
Courtney Love
Madonna
Bob Marley
Prince
The Ramones
Lou Reed
The Rolling Stones
Diana Ross
Tupac Shakur
Grace Slick
Patti Smith
Sonny & Cher
Bruce Springsteen
Cat Stevens
The Who
Neil Young
Frank Zappa and the
Mothers of Invention
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EXHIBITION CHECKLIST
(alphabetical by photographer)
Rock On! Masterworks of Rock Photography
Photographer
Photographs
Joel Brodsky
The Doors, 1967
Black and white pigment print
24 x 20 in.
Courtesy Govinda Gallery
KISS, 1975
Color pigment print
24 x 20 in.
Courtesy Govinda Gallery
Jim Morrison, 1967
Black and white pigment print
21 x 17 in.
Courtesy Govinda Gallery
Isaac Hayes, 1971
Color pigment print
20 x 16 in.
Courtesy Govinda Gallery
Danny Clinch
Tupac Shakur, NYC, 1993
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
William Coupon
Jerry Garcia, 1989
Color pigment print, 24 x 20 in.
Courtesy Govinda Gallery
Neil Young, 1988
Color pigment print, 22 x 17 in.
Courtesy Govinda Gallery
Henry Diltz
Crosby-Nash, Woodstock ‘69, 1969
Silver gelatin print, 16 x 20 in.
Courtesy Govinda Gallery
Claude Gassian
Madonna, 1984
Silver gelatin print, 20 x 16 in
Courtesy Govinda Gallery
Marvin Gaye, 1976
Silver gelatin print, 20 x 16 in
Courtesy Govinda Gallery
Prince
Silver gelatin print, 20 x 16 in
Courtesy Claude Gassian and Govinda Gallery
Greg Gorman
Michael Jackson, 1987
Silver gelatin print, 26 x 20 in.
Courtesy Govinda Gallery
Henry Grossman
The Beatles, 1968
Color pigment print, 25 1/2 x 21 in.
Courtesy Govinda Gallery
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EXHIBITION CHECKLIST (continued)
Rock On! Masterworks of Rock Photography
Photographer
Photographs
Bob Gruen
John Lennon, 1974
Silver gelatin print
14 x 11 in. Courtesy Govinda Gallery
Led Zeppelin, in Front of Plane, New York, 1973
Silver gelatin fiber base photo print
16 x 20 in.
Courtesy Bob Gruen
Art Kane
The Who with Flag,
Morningside Park, NYC, 1968
Photograph
Roger Daltrey, 1968
Photograph
Janis Joplin, 1968
Photograph
Rolling Stones, 1966
Photograph
Mick Jagger, 1966
Photograph
Jim Morrison X-Ray, 1968
Photograph
Brian Jones and the Queen, 1966
Photograph
Bob Dylan, Cornered, 1966
Photograph
The Mothers of Invention, 1969
Photograph
Sonny & Cher, 1966
Photograph
Country Joe and the Fish, 1968 Photograph
Aretha Franklin, 1967
Photograph
Jefferson Airplane 1968
LIFE Magazine Cover, 1968
Photograph
Elliott Landy
Jim Morrison, Hunter College, NYC, 1968
Silver gelatin print, 12 3/4 x 19 in.
Courtesy Private Collection
Music from Big Pink, The Band, Woodstock, NY, 1968
Silver gelatin print, 19 x 12 1/2 in.
Courtesy Private Collection
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EXHIBITION CHECKLIST (continued)
Rock On! Masterworks of Rock Photography
Photographer
Photographs
Gered Mankowitz
Jimi Hendrix, 1966
Black and white pigment print
20 x 16 in.
Courtesy Govinda Gallery
Keith Richards, 1965
Black and white pigment print
20 x 16 in.
Courtesy Govinda Gallery
Jonathan Mannion
Lauryn Hill, 2001
Digital C-print, 24 x 20 in.
Courtesy Govinda Gallery
LL Cool J, 2002
Digital C-print, 24 x 20 in.
Courtesy Govinda Gallery
Linda McCartney
John Lennon, 1968
Silver gelatin print, 16 x 20 in.
Courtesy ??? and Govinda Gallery
Tom Murray
The Beatles, 1960s
Color C-print, 20 x 24 in.
Courtesy Govinda Gallery
Jan Olofsson
The Beatles, May 1967, 1967
Hand-tinted silver gelatin print, 17 x 21 in.
Courtesy Govinda Gallery
Mick Rock
Blondie, 1978
Color C-print, 20 x 16 in.
Courtesy Govinda Gallery
Lou Reed, 1975
Silver gelatin print, 21 x 24 1/2 in.
Courtesy Govinda Gallery
Mark Seliger
Kurt Cobain, 1993
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
Joseph Sia
Eric Clapton, 1979
Silver gelatin print, 21 x 17 in.
Courtesy Govinda Gallery
Joan Jett, 1979
Color C-print, 20 x 16 in.
Courtesy Govinda Gallery
The Ramones, 1979
Color C-print, 20 x 16 in.
Courtesy Govinda Gallery
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EXHIBITION CHECKLIST (continued)
Rock On! Masterworks of Rock Photography
Photographer
Photographs
Kate Simon
Bob Marley, “Kaya”, 1976
Silver gelatin print, 14 x 11 in.
Courtesy Govinda Gallery
Frank Stefanko
Patti Smith, “The Stoop,” 1974
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
The Clash, 1976
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
Bruce Springsteen, “Badlands,”
Haddonfield, NJ, 1978
Silver gelatin print, 16 x 20 in
Courtesy Govinda Gallery
Peter Strongwater
Mick Jagger, 1983
Silver gelatin print, 24 x 20 in.
Courtesy Govinda Gallery
Masyoshi Sukita
David Bowie, 1977
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
Allan Tanenbaum
John and Yoko, 1980
Black and white pigment print
16 x 20 in.
Courtesy Govinda Gallery
Cat Stevens, 1971
Silver gelatin print, 16 x 20 in.
Courtesy Govinda Gallery
Dick Waterman
Chuck Berry, 1965
Black and white pigment print, 22 1/2 x 17 in.
Courtesy Govinda Gallery
Barrie Wentzell
Little Richard, 1972
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
Alfred Wertheimer
Elvis: Going Home, July 4, 1956, 1956
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
Grace Slick, 1970
Silver gelatin print, 20 x 16 in.
Courtesy Govinda Gallery
Diana Ross, 1965
Silver gelatin print, 16 x 20 in.
Courtesy Govinda Gallery
5
EXHIBITION CHECKLIST (continued)
Rock On! Masterworks of Rock Photography
Photographer
Photograph
Baron Wolman
Janis Joplin, 1968
Color C-print, 20 x 16 in.
Courtesy Govinda Gallery
Jimi Hendrix performing, 1967
Color pigment print, 16 x 20 in.
Courtesy Govinda Gallery
Firooz Zahedi
Courtney Love, 2004
Color C-print, 20 x 16 in.
Courtesy Govinda Gallery
Pete Townshend, 1967
Silver gelatin print, 14 x 11 in.
Courtesy Govinda Gallery
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ABOUT THE PHOTOGRAPHERS
Rock On! Masterworks of Rock Photography
Joel Brodsky (American, 1939 - 2007)
Joel Brodsky opened his first photography studio in 1967, seven years after graduating from Syracuse
University, where he had enrolled in one photography course. That same year, Brodsky landed the
cover of The Doors self-titled debut album, which was nominated for a Grammy. Throughout his career,
Brodsky photographed many musicians including Aretha Franklin, Isaac Hayes, Led Zeppelin and KISS.
In 2007, Brodsky’s work was the subject of a significant, ground-breaking exhibition at the Stax Museum
of American Soul in Memphis.
Danny Clinch (American)
Danny Clinch interned with famed photographer Annie Leibovitz at the beginning of his career. His
beautifully detailed music photographs have appeared in publications such as Rolling Stone and Vanity
Fair, as well as in two books, Discovery Inn in 1998 and The Iron Bird Flies in 2000. In 2003, Clinch
founded Three on the Tree Productions, which produces music videos, concert films and documentaries.
Clinch has filmed musicians such as Dave Matthews and Van Morrison, and he received a Grammy
nomination for the video portion of Bruce Springsteen’s dual disc Devils and Dust.
William Coupon (American, b. 1952)
William Coupon is a New York based artist who has worked in photography and commercial film since
the late 1970s, when he created a series on New York youth culture. His portrait subjects range from
Turkish Kurds to celebrities and penitentiary inmates to Drag Queens. These wide ranging subjects
from around the world form a Social Studies series – an examination of subcultures through portraiture.
Coupon’s aims were not “to make it a series solely of indigenous peoples. It was always to show how the
individual plays into the group, how the individual defines the group.” Coupon’s portraits also include
diplomats and politicians, including every U.S. president from Nixon to George W. Bush.
Henry Diltz (American, b. 1938)
Henry Diltz has been a photographer and musician since the 1960s, when he was a founding member of
the Modern Folk Quartet. Over the course of his career, he has toured with various bands and captured
many iconic moments in music history. He photographed at the Monterey Pop Festival in 1967 and
was an official photographer at Woodstock in 1969. His photographs have appeared on over 100 album
covers, and his work has appeared in Billboard, Newsweek, Rolling Stone and elsewhere. The limited
edition book California Dreaming, published in 2007, provides a retrospective of Diltz’s career with an
insider’s view of the Southern California music scene during the 1960s and 70s. In 2001, Diltz was one
of the co-founders of the Morrison Hotel Galleries, which specializes in fine art music photography.
Claude Gassian (French)
The best-known photographer in Paris, Claude Gassian was always interested in music. He studied
electronics for seven years in order to work in a recording studio before turning to photography. In 1970,
he photographed The Doors, Jimi Hendrix and The Who at the Isle of Wight Festival and since then he
has photographed celebrity musicians from many musical genres, including rock ‘n’ roll, rhythm and
blues, jazz and rap. In his photographs, Gassian attempts to merge his subject with the surroundings,
creating images that are at once both intimate and artistically striking.
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Greg Gorman (American, b. 1949)
Greg Gorman’s photography career began in the late 1960s when he photographed music legends such
as Jimi Hendrix and Janis Joplin in concert. While studying cinematography in Los Angeles, Gorman
did actors’ headshots and for several years he focused on celebrity portraiture. His focus shifted in
the 1980s when he began photographing male and female nudes, and since then he has expanded his
repertoire to include everyday people in places like India and Thailand. Gorman has also traveled across
America photographing the country’s many diverse peoples and character, which is documented in his
series We the People.
Henry Grossman
Henry Grossman began his career as a photographer in the early 1960s with work for weekly magazines
and newspapers such as Time, Life and Newsweek. He photographed a wide range of personalities,
including Andy Warhol, Elizabeth Taylor, John F. Kennedy and Nelson Mandela. Although he is probably
better known as a photographer of opera stars, Grossman photographed The Beatles during their Sgt.
Pepper period, spending one evening at the Abbey Road Studios when the band recorded “Lucy in the
Sky with Diamonds.”
Bob Gruen (American, b. 1945)
Bob Gruen was raised in Great Neck and attended college in Ohio before moving to New York in 1969
to experience the rock ‘n’ roll lifestyle. Living in Greenwich Village, he explored the underground music
scene in Manhattan and became a major photographer of New York and London punk and New Wave
groups. Gruen became the chief photographer of Rock Scene magazine, which covered the cult music
world of New York City, and his subjects included Led Zeppelin, Iggy Pop, Blondie and many other stars.
Gruen met John Lennon and Yoko Ono in 1971. As a friend and neighbor, he became their personal
photographer, helping them craft the public image they wanted to project. The image of John Lennon
on view in Rock On! Masterworks of Rock Photography is one of the most well-known photographs in
rock ‘n’ roll history.
Art Kane (American, 1925-1995)
Art Kane began his career as an art director before turning to photography in 1958. His first assignment
was a portrait shot of 57 influential jazz musicians on a Harlem street. Harlem 1958 was published in
Esquire magazine (January 1959) and is renowned as one of the greatest photographs in the history of
jazz. In the 1960s, Kane shot two major photo essays on rock ‘n’ roll that featured musicians such as
Bob Dylan, Sonny and Cher, The Rolling Stones, Jim Morrison and The Doors, The Who, Janis Joplin,
and Country Joe and the Fish. Rather than shooting live performances, Kane preferred to compose his
photographs. His approach was that of a director: “If you want to shoot a performer, then grab them,
own them, …then twist them into what you want to say about them.” Kane’s work is characterized by
its creative conceptual approach and his photographs often express unseen aspects of his subjects,
while capturing their essential spirit. He has been described as a “photographer’s photographer,” and
his innovative work in music, fashion and editorial photography has exerted significant influence in the
field.
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Elliott Landy (American, b. 1942)
Elliott Landy’s earliest photographs document the anti-Vietnam War movement and the underground
music scene in New York City in the late 1960s. Between 1967 and 1969, Landy toured with Janis
Joplin, Jimi Hendrix and Jim Morrison, and in 1969 he was an official photographer for the Woodstock
Festival. Landy’s photographs have appeared on the covers of magazines such as Rolling Stone, Life
and Saturday Evening Post, as well as on many classic album covers, including Bob Dylan’s Nashville
Skyline.
Gered Mankowitz (English, b. 1946)
By 1964 Gered Mankowitz had established himself as a talented portrait photographer of musicians
like Marianne Faithful and the vocal duo Chad and Jeremy. The following year he shot the cover for the
Rolling Stones album Out of Our Heads, released in the U.S. as December’s Children (and Everybody’s).
Mankowitz was the official photographer on the Stones American tour that year, helping establish their
bad boy image. A 1982 exhibit of Mankowitz’s work received record-breaking attendance at London’s
Photographer’s Gallery, resulting in the publication of the photography book Hit Parade.
Jonathan Mannion (American, b. 1970)
Jonathan Mannion’s love of urban culture and his desire to be a photographer drew him to New York, where
he studied with Richard Avedon in the 1990s. He began his professional career in 1996 with a shoot
for Brooklyn rapper Jay-Z’s album Reasonable Doubt, and since then he has become the quintessential
hip-hop photographer. Mannion also directs music videos and has photographed sports figures, such as
Kobe Bryant and Lance Armstrong, as well as many other celebrities, including Hugh Heffner.
Linda McCartney (American, 1941 - 1998)
While working as a receptionist for Town and Country magazine, Linda McCartney attended a promotional
party for the Rolling Stones, where she took photographs that propelled her career into rock ‘n’ roll
photography. During the 1960s, she photographed many musicians, including Eric Clapton for the
May 1968 cover of Rolling Stone, becoming the first woman to shoot a cover for the magazine. On
assignment in London to cover the “swinging sixties,” she met her future husband, the Beatle Paul
McCartney. Linda was a member of McCartney’s band Wings, and she became a vocal animal rights
activist and proponent of vegetarian lifestyles.
Tom Murray (English)
Tom Murray started his career as a newspaper photojournalist working in Africa as chief photographer
for The Zambia News & Times. When he returned to England, Murray worked with photographer Lord
Snowdon and was later hired by the Royal Family, becoming their youngest official portrait photo-grapher.
Murray’s photograph of The Beatles seen here was shot at their last official promotional shoot.
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Jan Olofsson (Swedish, b. 1946)
Jan Olofsson has worked in the music industry for more than four decades doing everything from public
relations and managing musicians to photography. At age 16, he moved to Hamburg, Germany, where
he saw The Beatles in concert and he later lived with the band for several weeks. In 1963, he began
studying journalism in London, and he worked as a photojournalist for Swedish newspapers. He also
worked as the photographer for the pop British TV show Ready Set Go!, taking backstage pictures of
musicians. Olofsson opened Flicka, a club in London, in 1970 and since then has established his own
record company, Young Blood Records.
Mick Rock (English)
Before becoming an accomplished photographer, Mick Rock studied modern languages at Cambridge
University in England, where he was exposed to the rock ‘n’ roll culture that has shaped his career. As
one of David Bowie’s favorite photographers, Rock worked with Bowie in the early 1970s on the book
Moonage Daydream, creating memorable images of the musician’s alter ego, Ziggy Stardust. Rock also
photographed album covers for Lou Reed, Queen and Iggy, and the Stooges, and he was allowed access
to photograph the making of the cult movie The Rocky Horror Picture Show. In 2006, Rock was honored
with a Diesel U Music Legends Award.
Mark Seliger (American, b. 1959)
Mark Seliger studied the history of documentary photography in college before moving to New York in
1984 to establish himself as a photographer. In 1987, he started working for Rolling Stone magazine,
succeeding Annie Liebovitz as chief photographer there in 1992. In ten years, Seliger shot more than
100 covers for the magazine, creating a photographic history of rock music in America, from classic rock
through alternative rock, country, hip hop and rap. His subjects are a ‘Who’s Who’ of popular music,
including Chuck Berry, Johnny Cash, Kurt Cobain, the Grateful Dead, Jay-Z, Dolly Parton, Tom Petty,
the Rolling Stones, U2 and countless others. In 2006, Seliger co-founded 401 Projects, a non-profit
photography gallery in New York that focuses on emerging and established artists.
Joseph Sia (American, 1945-2003)
Bronx-born Joseph Sia spent much of his thirty-year career shooting live performances of musicians.
Among his earliest photographs are images of the Grateful Dead from 1968, and his first published
photograph was an image of the English rock/blues musician Joe Cocker that appeared on the cover
of Rolling Stone magazine in 1969. Sia’s work has been widely published in magazines and books,
including two of his own: Woodstock ’69: A Photo Essay in 1970 and Eight Days A Week: An Illustrated
History of Rock and Roll in 1992.
Kate Simon (American)
Kate Simon is best known for her soulful portrait photographs of Jamaican reggae artists. She began her
career in London, taking pictures of bands like Led Zeppelin and the Rolling Stones and in 1975 took
her first photos of Bob Marley and the Wailers. Her work was admired by Chris Blackwell, the owner of
Island Records, who sent her to Jamaica in 1976 to photograph reggae artist Bunny Wailer. Simon’s
photograph of Marley was used for the cover of his album Kaya in 1978 and was chosen by French
journalist Marie-Monique Robin as one of the defining images of the 20th century in her book Les 100
Photos du Siècle. In 2004, Simon published 400 photographs in Rebel Music: Bob Marley and Roots
10
Reggae.
Frank Stefanko (American, b. 1946)
Frank Stefanko became interested in photography as a result of his friendship with Patti Smith in
college in the mid-1960s. His most famous photographs are the Springsteen album covers Darkness
on the Edge of Town and The River. The photographer’s close relationship with Springsteen resulted
in Stefanko’s book, Days Of Hope And Dreams, An Intimate Portrait of Bruce Springsteen. Many of
Stefanko’s photographs of Springsteen were also featured in the exhibition Troubadour of the Highway
that toured America between 2002 and 2004.
Peter Strongwater
Peter Strongwater’s earliest work in the entertainment industry was as a photographer for Andy Warhol’s
pop magazine Interview during the 1980s. Strongwater’s avant-garde photographs included musicians
like Diana Ross and fashion shoots. In 1995, he founded Photo-Group, a production company that
handles casting, shoot locations and crews, as well as rental studios for advertising campaigns.
Masayoshi Sukita (Japanese)
The Japanese photographer, Masayoshi Sukita, met David Bowie in London in 1972 when he shot his
first Ziggy Stardust photos. Sukita became one of Bowie’s favorite photographers and traveled with the
musician on tour to New York and Japan in 1973. In 1992, Sukita and Bowie published a book of
photographs called Ki – Spiritual Force, featuring images from August 1972 through February 1992.
The forward of the book explains the concept of ki as a “spiritual force [that] defies explanation. We
experience it in silence and without fanfare. Spiritual force touches us and flows from us, like the ripple
in a still pond.…Spiritual force is the fundamental secret shared by artists and is the reason art so vitally
inspires. Spiritual force, or ki, is everything. And without ki, there is nothing.
Allan Tanenbaum (American, b. 1945)
Allan Tanenbaum began his career as an independent filmmaker before becoming chief photographer and
photo editor of the Soho Weekly News in 1973. He photographed John Lennon and Yoko Ono just two
weeks before Lennon’s death in 1980. Since then, Tanenbaum has concentrated on photojournalism,
covering many international news events including the Philippine Revolution, the siege of Kabul, the
Rwanda refugee crisis and the Palestinian Intifada, which won first prize in Spot New Stories at the
World Press Photo competition in 1989.
Dick Waterman (American, b. 1935)
Dick Waterman photographed prominent blues musicians during the 1960s, sometimes also acting as
their manager and promoter. Having full backstage access allowed him to shoot intimate images that
have now become iconic. In an interview for Nashville Scene, Waterman described his experience: “It
was just me having the camera around my neck and the guys or women just hanging out, relaxing and
being themselves.” Waterman founded Avalon Productions, the first agency to represent blues artists,
and in 2000 he became the first non-musician to be inducted in the Blues Hall of Fame.
11
Barrie Wentzell (English, b. 1942)
Barrie Wentzell learned the fundamentals of photography working for the photo studio Color Applications
in London between 1961 and 1962. This experience in the field inspired him to pursue photography
as a career and he began working as a fashion, music and advertising photographer. In 1965, he met
the then unknown Diana Ross and took a picture of her that landed the cover of The Melody Maker,
England’s most distinguished music magazine. The image proved pivotal to Wentzell’s career; Bob
Houston, assistant editor of the magazine, hired Wentzell as chief photographer, a position he held until
1975.
Alfred Wertheimer (American, b. 1929)
In 1956, when Alfred Wertheimer was asked by RCA to photograph their newly signed singer Elvis
Presley, Wertheimer didn’t know who Elvis was. Wertheimer first photographed the up-and-coming star
when he appeared on television on the Dorsey Brothers Stage Show, and he then traveled with Elvis for
ten days, shooting 1500 images that provide the greatest photographic record of the young ‘King’ on
the brink of superstardom. Wertheimer had studied photography at the Cooper Union in New York, and
his interest was in the photojournalistic tradition of telling a story through pictures. He photographed
Elvis in intimate and low-key settings, capturing the musician serious at work and also revealing his
tenderness, sexiness and charisma. Wertheimer’s photographs of Elvis were not well known until after
the singer’s death in 1977, although they are now regarded as among the most memorable images in
rock ‘n’ roll history.
Baron Wolman (American, b. 1937)
Baron Wolman worked as a freelance photojournalist until 1967 when he became the first chief
photographer for the new rock magazine Rolling Stone. In three years Wolman shot 22 covers for the
magazine, photographing many rock superstars, including Jimi Hendrix, Janis Joplin and Pink Floyd.
When Wolman left Rolling Stone, he founded Rags, a short-lived, counter-culture fashion magazine.
Since then Wolman has worked in aviation photography, and he founded the publishing house Square
Books, which produced two books of his photography – California from the Air: The Golden Coast in
1981 and The Holy Land: Israel from the Air in 1987.
Firooz Zahedi (Iranian, b. 1949)
Firooz Zahedi studied at Georgetown University’s School of Foreign Service before deciding after
graduation to pursue photography. In the mid-1970s, he worked for Andy Warhol’s Interview magazine
and met Elizabeth Taylor, who asked him to be her personal photographer on her movie shoots. In Los
Angeles, Zahedi became a renowned celebrity portrait photographer, and he did editorial work for The
New Yorker, Vanity Fair, Time, and Esquire. Zahedi has been a prominent cinema photographer as well,
working on the set of cult classics such as Quentin Tarantino’s Pulp Fiction and Tim Burton’s Edward
Scissorhands.
12
EXHIBITION-RELATED WEBSITES
Joel Brodsky: http://www.tmetta.com/brodsky.html
Danny Clinch: http://www.dannyclinch.com/
William Coupon: http://www.williamcoupon.com/
Henry Diltz: http://www.henrydiltz.com/
Claude Gassian: http://www.claudegassian.fr/
Greg Gorman: http://www.gormanphotography.com/
Henry Grossman: http://www.govindagallery.com/2009/01/henry-grossman/
Bob Gruen: http://www.bobgruen.com/
Elliott Landy: http://www.landyvision.com/
Gered Mankowitz: http://www.mankowitz.com
Jonathan Mannion: http://www.jonathanmannion.com/
Linda McCartney: http://www.lindamccartney.com/
Tom Murray: http://www.tommurrayphotos.com
Jan Olofsson: http://janolofsson.com/
Mick Rock: http://www.mickrock.com/
Mark Seliger: http://www.markseliger.com/
Joseph Sia: http://www.wolfgangsvault.com/joseph-sia/memorabilia/
Kate Simon: http://www.katesimonphotography.com/
Frank Stefanko:
https://www.morrisonhotelgallery.com/photographer/default.aspx?photographerID=12
Peter Strongwater: http://www.photo-group.com/
Masayoshi Sukita: http://www.5years.com/gallerysukita.htm
Allan Tannenbaum: http://www.sohoblues.com/
Dick Waterman: http://dickwaterman.com/
Barrie Wentzell: http://www.barriewentzell.com/
Alfred Wertheimer: http://www.photokunst.com/photographer_detail.php?artist_id=13
Baron Wolman: http://www.wolfgangsvault.com/baron-wolman/photography.html
Firooz Zahedi: http://firoozzahedi.com/
http://rockhall.com/ Rock & Roll Hall of Fame
http://rock.about.com/ About.com information about Rock Music. Links to information about artists, styles, reviews, and much more.
http://www.mantoani.com/
http://rockarchive.com
Photographer Tony Mantoani’s
“Behind Photographs Project”
includes photographs of several
of the photographers featured in
Rock On! Masterworks of Rock
Photography with one of their
famous photographs.
This database of Limited
Edition Rock and Roll Photographic Prints is searchable
by musician/artist or photographer.
13
Official websites of select Musicians/bands (alphabetical)
The Beatles
http://www.thebeatles.com/
Bob Dylan
http://www.bobdylan.com/
Bob Marley
http://web.bobmarley.com/
Chuck Berry
http://www.chuckberry.com/
The Doors
http://www.thedoors.com/
Elvis Presley
http://www.elvis.com/
Jimi Hendrix
http://www.jimihendrix.com/us/home
Lauryn Hill
http://www.lauryn-hill.com/
Madonna
http://www.madonna.com/
Michael Jackson
http://www.michaeljackson.com/us/home
The Rolling Stones
http://www.rollingstones.com/
Tupac Shakur
http://tupac-online.com/
14
EXHIBITION-RELATED BOOKS
Morse, Tim. Classic Rock Stories: The Stories Behind the Greatest Songs of All T
Time. New York: St. Martin’s Griffin, 1998
DeCurtis, Anthony, James Henke and Holly George-Warren. The Rolling Stone Il
lustrated History of Rock and Roll: The Definitive History of the Most Im-
portant Artists and Their Music. New York: Random House, 1992.
George-Warren, Holly, Patricia Romanowski and Jon Pareles. The Rolling Stone
Encyclopedia of Rock & Roll, Revised and Updated for the 21st Century.
New York: Fireside, 2001.
Buckland, Gail. Who Shot Rock and Roll: A Photographic History, 1955-Pres-
ent. New York : Alfred A. Knopf, 2009.
15
EXHIBITION-RELATED VOCABULARY
photograph: An image created by light falling on a light-sensitive surface, usually
photographic film.
silver gelatin print: A traditional photographic print in which the final imaging
material is metallic silver suspended in a gelatin binder.
c-print or chromogenic print: Color print made from a color transparency or
negative. The print material has at least three emulsion layers of silver salts. Each layer
is sensitized to one of the three primary colors in the spectrum. During the first stage of
development a silver image is formed on each layer. Dye couplers are then added which
bond with the silver and form dyes of the appropriate colors in the emulsion layers.
pigment print: A print made from a process by which an image is digitally rendered
on an inkjet printer using archival pigment inks that have been laboratory tested to be
fade resistant for 150 years.
point of view or viewpoint: The position from which the subject of a work of art
is observed. (Examples: bird’s eye, ant’s eye)
portrait: A painting, photograph, sculpture, or other artistic representation of a person,
in which the face and its expression is predominant.
rock ‘n’ roll:
A genre of popular music originating in the 1950s; a blend of black
rhythm-and-blues with white country-and-western; “rock” is a generic term for the range
of styles that evolved out of rock ’n’ roll.
16
PRE- and POST-VISIT ACTIVITIES
Musical Debate: Marketing v. Fine Art
Grade Level: Middle through High School (adjust as needed)
Motivation:
The first music video was created and aired on MTV in 1981. This was a benchmark
in music history; Music was no longer just an auditory experience, but a multi-sensory
experience that enabled musicians to reach millions of viewers.
Look carefully at select works of art on view in Rock On! Masterworks of Rock Photography.
Then view several music videos by these same musicians.
Procedure:
1. Present the following issues to the class (if you would like, brainstorm more):
• Is the music video a new art form?
• Is still photography an effective method of portraying a musician?
• Are music videos and still photographs of musicians created as marketing tools,
fine art expressions, or both?
• Is the music video now outdated with the advent of iTunes and iPods?
2. Divide the class into two groups per issue. Assign set of groups an issue to debate.
3. Students present their arguments to the class.
17
Rock Star Portraits
Grade Level: Elementary (adjust as needed)
Motivation:
Look at select artwork from the exhibition Rock On! Masterworks of Rock Photography.
What is similar about these works of art? What is different? Discuss and define key
terms portrait and photograph (for more terms and definitions, see Exhibition-Related
Vocabulary on page 16). Older grades may discuss point of view.
These photographs were taken of famous musicians and bands of the past and present.
Do you have a favorite musician or band? Looking at these portraits, how can you tell that
these people are musicians? What do you see that makes you say that? Do you think the
musicians posed for these photographs?
Procedure:
1. Explain that students will be creating portraits of one another as rock musicians.
2. As a class, brainstorm about the props needed to make everyone look like a rock star. (Examples: sunglasses, clothing, wigs). If possible, coordinate with the Music
Department to borrow instruments or use party favors such as inflatable guitars.
3. Once the props are ready, students will take turns posing for one another and
sketching in pencil. Students may also form rock “bands” and create group
portraits. Encourage students to think carefully about the way they pose their bodies
and the expressions on their faces. Photographs may be taken to use as references.
4. Use media of your choice to add color to the portraits.
5. When the portraits are complete, hold a class critique. How do these drawings
compare to some of the photographs in the exhibition?
18
Rock On! Masterworks of Rock Photography
October 2, 2010 - January 9, 2011
The Heckscher Museum of Art
Art Kane, The Rolling Stones, 1966 (printed 2007), LightJet Digital C-Print,
20 x 16 in. © Art Kane Archive www.artkane.com
19
Rock On! Masterworks of Rock Photography
October 2, 2010 - January 9, 2011
The Heckscher Museum of Art
Art Kane, Bob Dylan Cornered, 1966 (printed c. 2000), Color C-print,
20 x 16 in. © Art Kane Archive www.artkane.com
20
Rock On! Masterworks of Rock Photography
October 2, 2010 - January 9, 2011
The Heckscher Museum of Art
Jan Olofsson, The Beatles, May 1967, 1967, Hand-tinted silver gelatin print, 17 x 21 in.
© Jan Olofsson/Courtesy Govinda Gallery
21
Rock On! Masterworks of Rock Photography
October 2, 2010 - January 9, 2011
The Heckscher Museum of Art
Baron Wolman, Janis Joplin, 1968, Color C-print, 20 x 16 in.
© Baron Wolman/Courtesy Govinda Gallery
22
Rock On! Masterworks of Rock Photography
October 2, 2010 - January 9, 2011
The Heckscher Museum of Art
Gered Mankowitz, Keith Richards, 1965, Pigment print, 20 x 16 in.
© Gered Mankowitz/Courtesy Govinda Gallery
23
Rock On! Masterworks of Rock Photography
October 2, 2010 - January 9, 2011
The Heckscher Museum of Art
Jonathan Mannion, LL Cool J, 2002, Color C-print, 24 x 20 in.
© Jonathan Mannion/Courtesy Govinda Gallery
24
Rock On! Masterworks of Rock Photography
October 2, 2010 - January 9, 2011
The Heckscher Museum of Art
Johann Georg Meyer von Bremen, Mending the Rents,
1886, Oil on canvas, 13 x 9-1/2 in.
August Heckscher Collection. 1959.173
Mick Rock, The Ramones, 1979, Color C-print, 20 x 16 in. © Mick Rock/Courtesy Govinda Gallery
25
The Heckscher Museum of Art Rock On! Masterworks of Rock Photography
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26
EXPLORE THE COLLECTION @ www.heckscher.org
Your Key to the Museum’s Permanent Collection
Learn about
COLLECTION HIGHLIGHTS.
George Grosz’s Eclipse of the Sun
and much more!
SEARCH THE COLLECTION of more than
2,200 works by artist, classification, or date.
See artwork that is
CURRENTLY ON VIEW.
Click thumbnails for
large images and detailed information.
Select works of art have Huey’s Kid-Friendly
Information. These guided questions are
designed for children to learn along with a
grown-up. Huey makes it fun for everyone to
look and learn together!
27
@
Everything you need
www.heckscher.org
SPECIAL EXHIBITION RESOURCE GUIDES for TEACHERS
Prepare your students before their School Discovery Program! Guides are developed on
a rolling basis and are available free of charge at www.heckscher.org. Simply click on
“Education”/“Educator Resources”. All guides include exhibition-specific information
including:
• Artist biographies
• Exhibition summaries
• Full-color artwork images
• Vocabulary words
• Pre- and post-visit activities
“KIDS CORNER”
The Museum displays artwork by young
artists in this online gallery.
HOW TO ENTER:
Please send a .jpg of student artwork to
[email protected]. All entries must include
first name, title of the artwork, and artist’s age.
SHARE LESSONS and STUDENT ARTWORK
Have you taught your students a lesson inspired by an exhibition on view in the Museum?
Share it with us and fellow art teachers at www.heckscher.org.
Please send a description of your lesson along with .jpg files of student work to [email protected].
All submissions must include teacher’s full name, school name, district and grade level.
QUESTIONS?
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631.351.3250 Tel
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[email protected].