2008 - Sony Product Guide

Transcription

2008 - Sony Product Guide
Contents
Recorders
Wired Microphones
Shotgun Microphones
Lavaliere Microphones
Accessories
Head-Set Microphones
Hand-Held Microphones
Table Microphones
Stereo Microphones
Studio Microphones
Mixers
Portable & Rack
3
4
5-6
7
8
8
9
9
9
10
System Switchers & DSP Mixers
10
Why Sony?
Wireless Microphones
Wireless Series
Camera Configurations
New Digital Wireless Microphone System
Hand-Held Transmitters
Plug-On Transmittes
Receiver accessories
Body-Pack Transmitters
Body-Pack Options
Multi-Channel Configuration
Multi-Channel Examples
Headphones
Professional
Consumer
Sony Media
Software
11
12
13-16
17-18
19
20
20
21
21
22-23
24
25
26
27
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PCM-D50 Recorder
The PCM-D50 is a 96 kHz/24-bit recorder fitted with two-position (X-Y or Wide) stereo microphones, 4 GB of
internal flash memory and a Memory Stick Pro-HG Duo™ slot (for additional storage). The body of the D50
is constructed of lightweight metal (aluminum) and it's built rugged to withstand the demands of pro applications, plus it offers long battery life using conventional AA alkaline batteries. The recorder includes a USB
high-speed port for simple uploading/downloading its native .WAV format files to/from Windows® PC or
Macintosh® computers.
Other unique PCM-D50 features include digital pitch control, dual digital limiter (inherited from the PCM-D1),
low-cut filter, Super Bit Mapping®, A-B repeat and MP3 playback capability. To complement the D50
recorder, new optional accessories include a remote commander, tripod stand, and microphone windscreen.
Additionally, the D50 offers compadible mounting and use with the recently introduced XLR-1 wide-bandwidth
balanced XLR microphone adapter.
Features:
• 4GB built-in memory (6 hours. @ 44.1)
• Digital In and Out
• Digital Pitch control on playback (-75%,+125% speed)
• 5 sec. Recording Buffer
• Additional 4GB memory expansion
• Records WAV file format
• Digital limiter: never overload (Keeps live mirror recording
@ 12dB lower, replaces any overloads automatically)
• Built-in microphones (130dB SPL)
• PC & MAC compatible (USB drag & drop)
• Two-position built-in condenser mics X-Y and wide-pattern
• AA Battery Powered (14 hours)
PCM-D1
MZM-200
This is the big brother to
the D50, with similar
record functions, a high
performance mic preamp, vintage VU meters
and a rugged, lightweight
titanium body.
MZM-200 Hi-MD recorder uses 1GB Mini Discs, for up to 94 minutes
of uncompressed recording time and up to 34 hours in ATRAC3 plus
format. There’s USB 2.0 to upload recordings to a PC. Mac and
Windows software (Sonicstage) converts Hi-MD recordings to WAV
files. Linear PCM (44.1kHz 16-bit) uncompressed recording also
possible to yeild 94 min. on a Hi-MD disc. AC adapter/charger and
Lithium Ion rechargeable battery, ECM-DS70P stereo microphone
and MDR-EO ear bud headphones included.
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Wired Microphones
Shotgun Microphones
ECM-673
Short shotgun, electret condenser-type microphone with 2 way
powering (battery or phantom). 7 7/8" long. 4.7 ounces.
Frequency response 40-20kHz. XLR type connector. 36sensitivity. 17dB self noise. low-cut filter switch to reduce wind
noise or other rumble.
ECM-674
Medium-sized shotgun, electret condenser-type microphone with
2 way powering (battery or phantom). 10 5/8" long. 7 ounces.
Frequency response 60-18kHz. XLR type connector. -36
sensitivity. 19dB self noise. low-cut filter switch to reduce wind
noise or other rumble. Liquid leakage protection from battery by
shutting off when voltage drops.
ECM-678
9.9" long . Frequency response 40-20kHz. XLR type connector. 28sensitivity. less than 6dB self noise. Phantom power only.
ECM-680S
It measures only 9 7/8 inches in length and weighs less than 4.9
oz, maintaining good balance and mobility. Superior Sound Quality.
Stereo and Mono Switchable. Flat-and-Wide Frequency
Response. Compact and Lightweight Design.
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Wired Microphones
Lavaliere Microphones
ECM-44B
Miniature electret condenser lavaliere microphone. Black anodized
finish; Omni-directional; AA battery operation only. Frequency response
40-15kHz. XLR type connector. -53dB sensitivity.
ECM-44BC
ECM-44B type microphone head with 1.2m cable and SMC9-4P
connector for connection to Sony wireless belt pack transmitters.
ECM-44BMP
Omni-directional electret condenser lavaliere microphone with locking 1/
8" Mini Phone Plug.
ECM-44BPT
ECM-44B microphone without the power unit, or connector.
ECM-55
Omni-directional electret condenser lavalier with black anodized finish
and a frequency response with enhanced presence. Battery or phantom
power. Frequency response 30-18kHz. XLR type connector. -52dB
Sensitivity.
ECM-66B
Uni-directional electret condenser lavaliere microphone features mic
head that weighs only .25 ounces, a black finish, and battery or
phantom power. 70-14KHz frequecny response. XLR connector. -50 dB
sensitivity. 300 hour battery life. -29 dB noise.
ECM-66BC
ECM-66B type microphone head with 1.2m cable and SMC9-4P
connector for connection to Sony wireless belt pack transmitters.
ECM-77B
Perfect for television applications, omni-directional electret condenser in
a miniature design to be inconspicuous. This tiny mic runs on either
phantom power or AA battery operation. Frequency response 4020,000Hz. XLR connector. -52dB sensitivity. SN +62dB
ECM-77BC
ECM-77B type microphone head with 1.2m cable and SMC9-4P
connector for connection to Sony wireless belt pack transmitters.
ECM-77BMP
High-Quality, omni-directional micro-lavaliere condenser microphone
with BMP style 1/8" locking mini plug, for use with UWP series.
ECM-77BPT
ECM-77B microphone without the power unit, or connector.
ECM-77FPT
ECM-77F Beige colored microphone without power supply or connector.
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Wired Microphones
Lavaliere Microphones
ECM-88B
The ECM-88 is a miniature omni-directional electret-condenser
microphone ideally suited for quality-critical applications in broadcasting,
theater and field production. This lavaliere mic achieves high-sensitivity
and has a flat-and-wide frequency response 40-20kHz.
ECM-88BC
with 4-pin (SMC9-4P) connector
ECM-88BPT
without connector (Pigtail)
ECM-88FPT
Beige colored for applications that require hidden against skin.
ECM-166
Basic uni-directional lavaliere condenser microphone with BMP style 1/8"
locking mini plug, for use with UWP series. Frequency response 10010,000Hz SMC9-4P typeconnector.
Supplied accessories for Lav mics
Vertical, horizontal and dual clips, foam windscreen and carrying case.
ECM-44 & 166 have one clip, screen and case.
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Wired Microphones
Accessories
ADKIT-77 / ADKIT-88 / ADKIT
Accessory kit includes one horizontal (black) single holder clip, one vertical
(black) single holder clip, one horizontal (black) double holder clip, one safety pin
clip, one (black) metal wind screen, and six colored urethane windsreens for the
ECM 77 or ECM 88.
ADR-44B
Urethane wind screens for ECM-44. Black 12 pieces in each package.
ADR-55B
Metal wind screens for ECM-55. Black, 6 pieces in each package.
ADR-66B
Urethane wind screens for ECM-66. Black 12 pieces in each package.
ADR-77B
Metal wind screen pack for ECM-77. Black, 6 pieces in each package.
ADC-77B
Urethane colored wind screens or ECM-77 6 colors, 12 pieces each pack
ADR-88B
Black urethane windscreen for ECM-77. Package of 12.
ADC-88
Color wind screen pack for ECM-88 Lavalier Mic. Urethane, package includes a
total of 12 (with 6 colors, includes two of each color)
SADH- 44B, SADH-55B, SADH-77B, SADH-88B
Black horizontal single clip for ECM 44, 55, 77 and 88 (10 piece pack)
SADP- 88
Black pin type clip pack for ECM-88 (6 piece pack)
SADS-77, SADS-88
Safety pin clip pack for ECM 77 and 88. (6 piece pack)
SADS-77, SADS-88B
Safety pin clip pack for ECM 77 and 88. (6 piece pack)
SADV- 77B, SADV-88B, SADH-77B, SADH-88B
Black vertical single clip for ECM 47 and 88(10 piece pack)
SADW- 77B, SADW-88
Double lack horizontal single clip for ECM 77 and 88 (10 piece pack)
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Wired Microphones
ECM-322
Head-Set Microphones
Designed for highly sensitive and clear sound pickup in live sound, house of
worship, corporate, and educational applications. Lightweight, extremely
comfortable, and inconspicuous, these systems were created to provide A/V
presenters, lecturers, ministers, and educators with hands-free capability.
ECM-322BC
headset mic system features a four-pin connector for Sony’s WL-800
Wireless Series
ECM-322BMP
1/8" connector for UWP Series Wireless UWP X5 Headset/Wireless Package
includes ECM-322BMP headset, UWP body pack transmitter, and URX-M1
tuner module.
Hand-Held Microphones
F112
Dynamic omni-directional handheld wired ENG microphone. High sensitivity
of -54 dB
F710
Low cost dynamic handheld microphone for general purpose use. Neodynium
magnet offers high output. On/off switch.
F720
Quality dynamic hand-held cardioid microphone. Rugged construction.
Built-in LC switch. Replaceable capsule. Finished in black. Efficient onepiece shock mount to protect the capsule from external noise and vibration.
Integral double windscreen to prevent popping & blasts.
F740 9X
Designed for critical live vocal and instrumental reproduction, this dynamic
handheld microphone features an AlNiCo magnet and Copper Clad
Aluminum Wiring for very crisp, clean, transparent sound.
F780 9X
A perfect choice for critical live vocals or where high-quality, rugged reliability,
and resistance to feedback are required. Sony Pro Audio's F7809X HyperCardioid Handheld, Dynamic Vocal Microphone is an enhanced version of its
top-of-the-line model F-7
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Wired Microphones
Table Microphone
ECM -530
Tabletop condensor microphone. Ideal for conference or lecture application. Flexible
gooseneck design, “AA” Battery and Phantom Power operation, matte black finish,
noise-isolated base, inconspicuous wiring through the back of the base. Frequency
repsonse 70-18K Hz. Uni-directional. Sensitivty -48 dB
Wired Microphone Systems
Stereo Microphone
ECM 957PRO - Coming Soon
The ECM-957PRO is a MS (Mid-Side) stereo electret
condenser microphone with switchable directional
characteristics (90º or 120º) and greatly improved
sensitivity. This microphone offers a unique adjustable
capsule that allows for a choice of vertical or horizontal
sound pick-up. The ECM-957PRO has a built-in MS decoder providing a conventional left and right stereo output.
ECM 719
• Capsule Type: Electret Condenser
• Stereo Type: MS (Mid-Side) Stereo
• Directivity Unidirectional x 2
(Directive angle 90° or 120°, switchable)
• Frequency Response: 50 - 18,000 Hz
• Sensitivity: (directive angle 120°) -37 dB (0 dB =
1 v/Pa, 1,000 Hz (1 Pa = 10 ubar = 94 dB SPL)
• Output Impedance: 600 Ohm +/-30% unbalanced
• Signal to Noise Ratio More than 69 dB
• Dynamic Range More than 90 dB
• Maximum Sound Presure Level: More than 115 dB
SPL
• Power Requirements: One AA size battery
provides appx. 200 hours operation
Super small ideal fo Sony MD Walkman & DAT. Stereo unidirectional (Cardioid) electret
condenser. Oxygen-free copper cable for excellent conductivity. L-Shaped Gold-Plated
Stereo Mini Plug. 2-Way Power supply from LR44 type battery, & plug-In power. 100 Hz15 kHz Frequency Response & 80 dB Dynamic Range Weight: Approx. 2oz Dimensions: 1-1/2" x 1-5/8" x 1-1/4"
Studio Microphones
C-800G PAC
Ultra-Sonic
Large diaphragm tube condenser microphone is designed for the highest possible sound
reproduction quality. Warm sound quality through a 6AU6 vacuum tube, a unique Peltierbased cooling system to achieve optimum tube operating temperature, and an
electronically selectable pick-up pattern (Omni/Uni) for various recording applications.
The package includes a power supply (AC-MC800G) and all the necessary accessories.
High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz. Signal-to-noise
ratio: 73 dB. Dynamic range: 113 dB. Max. sound pressure level 131 DB SPL. Self
noise 18dB.
C-38B
Vintage
Large diaphagm FET condenser microphone. Selectable directivity, uni-directional or
omni-directional 140 dB SPL, suitable for recording wind instruments 2-way powering,
internal 9V battery (battery life approximately 250 hours) or 48V phantom power
Vibration resistant construction Excellent shielding against external magnetic fields.
Frequency response 30 to 18,000 Hz Signal to noise ratio (A weighted, 1 kHz, 1 Pa)
70+ dB, Self noise 26 dB, Sensitivity -48 dB Maximum input sound presure level- 40
Page 9
dB SPL, Attenuator -8 dB.
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Microphone Mixers
Portable & Rack
DMX-PO1
Digital, lightweight, portable field mixer for ENG and EFP. 32-bit, full digital
sound processing and Scene Memory to recall ten parameter settings. Four XLR
inputs as mic or line, phase reverse, 2 master outs, AES & SPDIF digital outs,
tape out, 24 bit A/D, low cut filter, eq, comp/limiting, 5 hours of battery life, 4lbs.
13ounces. -126 dB noise. Green electronics.
SRP-X100
SIngle space rack-mount mixer for business meeting, boardroom, educational and
house of worship needs. Includes 6 mono inputs (2 mic and 4 switchable mic/line)
and 3 stereo input channels with flexible routing to stereo master, two mono subs
and record outputs (not including chan.9). -83dB noise. Green electronics.
Microphone Mixers
System Switchers & DSP Mixers
SRPX-500P
The SRP-X500 A/V switcher and matrix mixer offers an “all-in-one” solution for
multimedia presentation environments. It unites the functions of an RGB computer &
video switcher with a high quality audio mixer, wireless microphone receiver slots,
equalizer, active feedback reducer and 4 channel power amplifier in a single, compact unit. Ideal for conference rooms and classrooms or lecture halls. Parallel,
Control-S and RS-232 ports allow for a range of control. There’s also RS-232 control
out to address a projector. The optional wireless tuner slots allow the UWP-X1/X2 or
the WRU-806 series modules. An intuitive software interface allows for easy set-up.
• 4 Audio Inputs; Mic Inputs 1 to 4
Connector: XLR-3-31 type Circiut Balanced
• 5 Audio Inputs; Line IN/AV INPUT A to E
Connector: RAC Phono
• Audio Outputs; Line Output 1 to 4
Connector: Phono Jack
• Audio Outputs; Speaker Output CH 1/4
Terminal: Screw Type
• 3 Video Input; AV RGB Input - Video A to C
Connector: RCA & S - Video
• 2 Video Input; AV RGB Input RGB D-E
Connector: HD D-sub, 15-pin
SRPX-700
The SRP-X700P is the big brother A/V switcher and matrix mixer with the “all-in-one”
approach.. It unites the functions of an RGB computer & video switcher with a high
quality audio mixer, wireless microphone receiver slots, equalizer, active feedback
reducer and 2 channel power amplifier in a single, compact unit. Like the SRPX-500,
it has 6x1 video switching with the addition of 5.1 surround audio channels (no
decoding). There’s also 3 component inputs. Mic input are increased to 6 and audio
outs are 8 plus a record out. Processing is expanded to include feedback reducer.
• Audio Outputs; Speaker Output CH 1/2
Terminal: Screw Type
• 3 Video Input; AV RGB Input - Video A to C
Connector: RCA & S - Video
• 2 Video Input; - RGB Input RGB D-E
Connector: HD D-sub, 15-pin
• 4 Audio Inputs; Mic Inputs 1 to 4
Connector: XLR-3-31 type Circiut Balanced
• 5 Audio Inputs; Line IN/AV INPUT A to E
Connector: RAC Phono 5.1 for Composite ins
• Audio Outputs; Line Output 1 to 4
Connector: Phono Jack
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Wireless Microphone Systems
Why Sony UHF Wireless?
• PLL synthesized system—no need to “re-crystal” for
changed frequency requirements
• Over 700 frequencies available on 800 series with predetermined channel sets that allow user selectable
choice of clear frequencies
• Informative LCD screen on transmitters & receivers
• Low battery alarm (select models)
• Auto frequency search and setup on modular series
will find the best freqiencies to use automatically
• Preprogrammed groups of frequencies built into the
memory of each receiver allows the user to add
additional systems without trial and error frequency
selection.
• Tone squelch circuitry activates receiver to open to
signals only from a Sony transmitter on the same
frequency. This minimizes “surprise audio” from taxis
or other interfering RF during use of the system.
• Channel plan allows 54+ simultaneously operating
transmitter/receiver pairs over two antennas. Up to 6wireless systems in 1 rack space!
• Receivers types available for permanent install, camera
mount, or portable/touring applications.
• User friendly operation allows the user to easily
reconfigure, change frequencies and change the number
of simultaneously operating systems.
More channels to work around
DTV stations
Wireless frequency selection requires careful assessment of available bandwidth. Recent reallocation of the
frequency spectrum to allow for digital television has
caused some concern among wireless users. Sony's
commitment to being prepared is demonstrated in their
latest product expansion. To combat the reallocation of
TV, public safety and last-mile wireless data up to the
full conversion in 2009, new channel groups including
30,31,32,33 and 42,43,44,45 are available in the 800
series.
Six channel receiver with auto-tuning, built-in
antenna divider in a single rack space.
Two-in-one independent diversity tuners
for camera mounting! No longer tape
two receivers together. Get a summed
output to monitor 2 talent on the headphone out, that is selectable. There's
discrete outputs to feed your camera
inputs. Get 5 hours of continuous operation on 4 AA batteries.
Modular mic transmitters with
screw-on mic elements allowing
easy changes for various uses.
Capsules include:dynamic &
condenser super cardioid, dynamic
omni and even a condenser
shotgun.
Networked 4 channel receiver modular bay system
enables remote control from a mix or other position
via PC software.
Cable-free camera receiver slots right
into HDCAM, XDCAM, Digital Betacam
and MPEG IMX cameras.
Plug-on transmitters in the 800 and
UWP series can connect to any
favorite existing mic the user likes
and may already have.
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Wireless Microphone Systems
Two field proven wireless series to meet the demands
and budgets of professionals at all levels
800 Series
- High caliber, broadcasttouring grade performance
Consistent RF transmission power
Transmitter power supply provides level power
over the life of the battery for even radio signal.
Remote battery alarm
Plug-on, hand-held and body pack transmitters
can be monitored on the transmitter and
receiver for remaining battery life and specific
indication one hour before it goes dead.
Widest array of channels to select
TV channels inlcude 30,31,32,33 / 42,43,44,45
/ 62, 62, 64, 65 / 66, 67, 68, 69 with the
cordinated groups.
Up to 54 simultaneous channels
These are possible channels, with the location
of use determining the exact number capability.
UWP Series
- Cost-effective reliability
8 turn-key transmitter-receiver packs
Up to 16 simultaneous channels
NOTE: The 800 and UWP
Series are not interoperable.
Use each series transmitters with respective receivers.
Common Benefits
TONE CODE SQUELCH An ultra-high 32kHz audio pilot tone
PRE-PROGRAMMED FREQUENCY GROUPS Optimum
is transmitted with the audio signal. In the receiver, it only
allows audio to pass when it detects this tone. This prevents
the output of stray RF and suppresses popping noise when
the transmitter is turned on.
combinations assure coordinated operation among channels,
with virtually intermodulation-free groups.
COMPANDER To increase the dynamic range and lower the
noise and interference in transmission. Attack and release
is engineered to respond smoothly & effectively to the
application.
DIVERSITY RECEPTION Not just dual antennae that are
switched like some other brands, Sony two full receiver
circuits to undetectably pick the strongest signal. This greatly
reduces drop-outs caused by multi-path reflections seen in
non-diversity systems.
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Wireless Microphone Systems
Camera Configurations
CAMCORDER TYPE
BUILT-IN
SLOT
DC
OUT
MIC IN AUDIO IN
TYPE
APPLICABLE WIRELESS
Yes
Yes
Yes
Yes
XLR-5p
XLR-3p
WRR-855S (1ch)
HDCAM
HDW-F900R/750/750P
HDW-730S
XLR 3pX2
XLR-3pX2
WRR-862B (2ch)
A-8278-057-A Mount
Add transmitter
Add transmitters
WRR-855S (1ch)
WRR-862B (2ch)
Digital Betacam
DVW-970/970P
Yes
Yes
XLR-3p
XLR-3pX2
A-8278-057-A Mount
Add transmitter
Add transmitters
WRR-855S (1ch)
WRR-862B (2ch)
XDCAM
PDW-530/530P/510/510P
Yes
Yes
XLR-3p
XLR-3pX2
A-8278-057-A Mount
Add transmitter
Add transmitters
MPEG IMX
MSW-970/970P
Yes
Yes
XLR-3p
XLR-3pX2
WRR-855S (1ch)
WRR-862B (2ch)
A-8278-057-A Mount
Add transmitter
Add transmitters
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Wireless Microphone Systems
Camera Configurations
CAMCORDER TYPE
HDCAM HD
BUILT-IN
DC
MIC IN AUDIO IN
APPLICABLE WIRELESS
PDW-F350/F330
No
Yes
XLR-5p
WRR-861B (1ch)
XLR 3pX2
WRR-862B (2ch)
A-8278-057-A Mount
A-8278-057-A Mount
WRR-855A/855S (1ch)
CA-WRR855 Mount
Add transmitter
Add transmitters
WRR-861B (1ch)
WRR-862B (2ch)
A-8278-057-A Mount
A-8278-057-A Mount
HDV & DVCAM
HVR-Z1 Series
HVR-V1 Series
HVR-A1 Series
No
No
No
X
X
X
None
XLR X2
None
XLR X2
Stereo XLR X2
Mini
DSR-400/400P
DSR-450WS/450WSP
DSR-250/250P
DSR-PD170/PD170P
No
No
No
No
X
Stereo XLR X2
Mini
WRR-/855S (1ch)
CA-WRR855 Mount
Add transmitter
Add transmitters
UWP-C1 Pack
UWP-C2
UWP-C3 Pack
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Wireless Microphone Systems
Camera Configurations
WRR-861B
• Single-channel version camera pack receiver
• Channel models U30/32, U4244, U62/64, U66/68 available
• Two way powering: Internal battery or external from Sony camcorders via supplied cable
• A red LED flashes approximately 1 hour before the transmitter’s battery is exhausted
• Switchable RF squelch levels: ON (5 dB˜, 10 dB˜, 15 dB˜) or OFF
• Stereo mini jack for headphone monitoring the output sound
• Monitor volume control provided
WRR-862B
• Receives two independent RF signals simultaneously on two separate channels
• Channel models U30/32, U4244, U62/64, U66/68, AVU66 available
• Compact and lightweight: 14.1 oz (400 g) including batteries (not supplied)
• Two way powering: Internal battery or external from Sony camcorders via supplied cable
• A red LED flashes approximately 1 hour before the transmitter’s battery is exhausted
• Two SMC9-4S (Sony 4-pin) audio output connectors are provided on the top panel
• Switchable RF squelch levels: ON (5 dB˜, 10 dB˜, 15 dB˜) or OFF
• Stereo mini jack for headphone monitoring (switchable: Tuner 1/Tuner 2/Mixed)
• Monitor volume control provided
WRR-855S
• Single channel diversity receiver for camcorder use
• Slots into Sony HDCAM/Digital Betacam/XDCAM/MPEG IMX
• No need for audio/power cables or a mounting adaptor
• Channels U30/32, U42/44, U62/64, U66/68 models
• Compact and lightweight design: 11 oz (280 g)
• A D-sub 15-pin connector for audio power supply from camera
CA-WR855
Enables a WRR-855A/855B to mount on specific camcorders without tuner
slots (V-wedge style-DSR-450WS/450WSP/400/400P DVCAM and PDWF350/F330 XDCAM) with direct audio/power connection interfacing.
BTA-801
Adapter for the WRR-855 for other cameras. Receives camera power via a
supplied 4-pin DC cable, and provides audio output via a balanced XLR output
connector. When used in conjunction with Sony Lithium-Ion battery packs,
mounts onto a bracket (Sony part number A-8278-057-A).
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Wireless Microphone Systems
Camera Configurations
• Space diversity reception system for stable RF reception
• Angle-adjustable antennas to help eliminate signal dropouts and provide
mounting-position flexibility
• RF squelch function virtually eliminates ambient noise and unwanted signals from
other wireless microphone systems
• A channel search function automatically seeks and selects the same RF signal
frequency as set on the UWP transmitter
• An LCD screen provides extensive information, including the operating channel
number and its frequency in MHz, audio output status, RF-input level, tunerbattery status, and accumulated operating time
• A dual color red/green LED indicator illuminates when RF-input signals are
appropriately received
• Approximately six hours of continuous operation with two AA-size alkaline
batteries (not supplied)
• Stereo mini jack with monitor-volume control
• Supplied shoe-mount adaptor enables easy mounting on Sony camcorders. A
microphone stand adaptor (not included), belt clip and two output cables (3-pole
mini-plug/XLR-type, 3-pole miniplug stereo mini-plug) are also provided.
UWP-C1 Package
UWP-C2 Package
UWP-C3 Package
UTX-B1 body pack transmitter,
omni-directional lavaliere mic
and URX-P1camera receiver
UTX-H1 Hand-held mic
transmitter and URX-P1
camera receiver
UTX-P1 Plug-on transmitter with
URX-P1camera receiver
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Wireless Microphone Systems
NEW Digital Wireless Transmitters
Coming April `08
With the introduction of a new fully digital wireless microphone system, Sony has made a breakthrough in the
history of wireless microphone technology. Comprised of the DWT-B01 bodypack transmitter, DWR-S01D slot-in
type two-channel receiver, and DWA-01D adapter, the system provides excellent-quality digital wireless audio
transmission, large-scale,multi-channel operation, and enhanced system flexibility – a perfect match for highquality ENG/EFP applications. With its excellent audio quality, system flexibility, and operational efficiency, the
Sony digital wireless microphone system opens up a whole new world of professional audio applications.
• Superb Quality Wireless
Transmission
• Simultaneous Multi-channel
Operation
• Stable and Secure
Transmission
• Pre-programmed Frequency
Groups
• Metadata Transmission
• Innovative Wireless Remote
Control
• Easy-to-see, Full Dot-matrix
OLED Display
• USB Interface
System Specifications
Sampling frequency:
Quantization bit length:
Reference input level:
48 kHz
24 bit
MIC -58 dBu, 1 kHz (-60 dBV, 1 kHz)
LINE +4 dBu, 1 kHz
Analog output -58 dBu
AES/EBU output -36 dBFs/-20 dBFS switchable
Analog output -22 dBu
AES/EBU output 0 dBFs
20 Hz to 20 kHz
106 dB typical (A-weighted, T.H.D=1%)
0.03% or less
π/4 Shift QPSK
3.6 ms
2.4 GHz IEEE802.15.4 compliant
USB 2.0 compliant
(at 0-dB audio attenuator level)
Reference output level:
Maximum output level:
Frequency response:
Dynamic range:
Distortion (T.H.D):
Modulation method:
Audio delay:
Remote control:
USB:
DWT-B01
DWT-B01 Specifications
Transmitting section
Oscillator:
Carrier frequency range:
U3040
U4250
CE6267
Channel step:
U3040/U4250
CE6267
RF power output:
Occupied RF bandwidth:
Audio delay:
Audio section
Maximum input level:
MIC
LINE
Audio attenuator adjustment range (pad):
• Wide RF Carrier Frequency Range
• Compact, Lightweight, and Rugged
Design
• Switchable Mic or Line Input Level
and Adjustable Attenuator
• Selectable RF Output Power
(1/10/50 mW)
• Power Sleep/Wake Mode
• Digital Low-cut Filter
• Accommodates Various Types of
Battery
Input connector:
Input impedance:
General
Operating voltage:
Battery life:
Dimensions (W x H x D):
Mass:
Supplied accessories:
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Crystal controlled PLL synthesizer
566 to 607 MHz (TV 30 to 36 channels)
615 to 638 MHz (TV 38 to 41 channels)
638 to 698 MHz (TV 42 to 51 channels)
798 to 822 MHz (TV 62 to 64 channels)
838 to 862 MHz (TV 67 to 69 channels)
125 kHz
25 kHz
1 mW/10 mW/50 mW (e.r.p.) selectable
192 kHz
1.5 ms
-22 dBu (with 0 dB attenuator)
+24 dBu
0 to 48 dB
(3 dB steps, MIC input mode only)
Sony 4-pin (SMC9-4S) (x1)
4 k or more
DC 3.0 V, (two LR6 AA-size alkaline
batteries)
Approx. 4 hours at 10 mW output(at 25
8C (77 8F), with Sony LR6 AA-size
alkaline batteries)
Approx. 63 x 73 x 17 mm (2 1/2 x 2 7/8
x 11/16 inches) excluding projection
Approx. 125 g (4 oz) including batteries
Soft case (x1), Spare battery case (x1)
Mic. cable (4-pin to XLR-3-pin) (x1),
USB adapter cable (x1), USB cable (x1),
Carrying case (x1), Frequency list (x1),
Operating instructions (x1) Page 17
www.SonyPro.us
Wireless Microphone Systems
NEW Digital Wireless Transmitters
DWR-S01D
• Industry-first Two-channel Slot-in Wireless Receiver
• Rear Mounting to Camcorders
• Compact, Lightweight, and Rugged Design
• Auto Channel Scanning Functions
• Wireless Remote Control
DWR-S01D Specifications
Tuner section
Type of reception:
Circuit system:
Receiving frequency:U3032
range
U4244
CE62
CE67
Channel step:
U3032/U4244
CE62/CE67
Local oscillators:
RF input terminal:
Sensitivity:
Audio delay:
Audio section
Audio output connector:
General
Dimensions (W x H x D):
Mass:
Supplied accessories:
Space diversity
Dual conversion superheterodyne
566 to 590 MHz (TV 30 to 33 channels)
638 to 662 MHz (TV 42 to 45 channels)
798 to 822 MHz (TV 62 to 64 channels)
838 to 862 MHz (TV 67 to 69 channels)
125 kHz
25 kHz
PLL synthesizer
BNC-R, 50
20 dBµor less (at bit error rate=1 x 10
2.1 ms
D-sub 15-pin (x1)
Approx. 88 x 117.8 x 31.3 mm (3 1/2 x
4 5/8 x 1 1/4 inches) excluding projection
Approx. 280 g (9 oz)
Whip antenna (x2), USB cable adapter
(x1), USB cable (x1), Frequency list (x1),
Operating instructions (x1)
DWA-01D
• Camcorder Rear-mount Operation
• Stand-alone Wireless Receiver Operation
• Unique Joint Mechanism
• Wide Array of Interfaces
DWA-01D Specifications
Audio section
Output connector:
Analog audio output impedance:
AES/EBU audio output impedance:
WORD SYNC input:
Monitor output connector:
Monitor output level:
General
Power requirements:
Operating voltage:
Dimensions (W x H x D):
Mass:
Supplied accessories:
Page 18
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Sony 4-pin (SMC9-4S)
(x2) (OUTPUT1, OUTPUT2)
150 or less
75 or less
BNC-R, 75, lockable range: 32 to 54 kHz
3.5 mm stereo mini-jack
5 mW (at 16 load, T.H.D=1%)
DC 12 V
DC 3.6 to 17 V
Approx. 88 x 138 x 31.5 mm
(3 1/2 x 5 1/2 x 1 1/4 inches)
excluding projection
Approx. 250 g (8 oz)
Audio cable (x2), DC cable (x1),
Mount plate kit (x1),
Operating instructions (x1)
Phone: 219-929-4127
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Wireless Microphone Systems
Hand-Held Transmitters
WRT-847B
Handheld transmitter with interchangeable heads
Modular design 5 available mic capsules below. PLL-synthesized tuning to188 frequencies of agility within a 24 MHz range. Four channel groups available. Selectable
sensitivity. Back-lit LCD display. 8 hours battery life. Locking on/off switch. 10mW/
50mW switchable RF output. Rugged, all-metal construction.
Models:
WRT-847B 30/32
WRT-847B 62/64
WRT-847B 42/44
WRT-847B 66/68
WRT-847B capsule options:
CU-F780 Dynamic
Super-Cardioid
(For female voice)
CU-E700 Condenser
Super-cardioid
(Performance vocals)
CU-G780 Dynamic
CU-F117 Dynamic
Super-Cardioid
Omni-Directional
(Interviews)
(uses F-780/9X mic)
CU-E672 Condenser
Hyper-Cardioid Shot-Gun
(Broadcast applications)
WRT-807B
Handheld dynamic microphone transmitter
WRT-867A
Handheld transmitter for "concert" sound
UWP-C2 Package
UWP-X2 Package
UWP-S2 Package
UTX-H1 hand-held mic
and camera receiver
UTX- H1 hand-held mic and
URX-M1 plug-in receiver
UTX-H1 hand-held mic and
URX-R1 half-rack receiver
Page 19
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Wireless Microphone Systems
Plug-On Transmitters
WRT-8P
Plug-on microphone transmitter
Equipped with selectable 50mW to 250mW RF output power, the WRT-8P is wellsuited to any ENG field application. The long-distance high-power range provides
stability for large-scale sporting event coverage and the low power setting excels in
multi-channel environments, reducing susceptibility RF interference. It supplies +48V
external power capability, has a MIC / LINE input selector, an easy to read LCD display
with amber backlighting, up to 4 hours of abttry life with a battery alarm function
transmitted to the receiver and model versions provide 4 channel groups. Provides
phantom power and will work with condenser mics as well as dynamic. Frequency
Response: 70-15kHz. Available channels: 30/32, 42/44, 62/64, 66/68
Models:
WRT-8P 30/32
WRT-8P 62/64
UTX-P1
WRT-8P 42/44
WRT-8P 66/68
Plug-on microphone transmitter
The UTX-P1 plug-on transmitter is designed to be used with Sony UWP series wireless
receiver. Converts a wired microphone to a wireless microphone via an XLR connection.
50mW RF power output for stable and long-distance transmission. MIC/LINE input
level switchable. Approximately six hours of continuous operation with two AA-size
batteries. A backlit LCD provides extensive information, including the operating channel
number and frequency in MHz, attenuator level, audio-input status, RF-output status,
transmitter-battery status and accumulated operating time. Frequency Response: 5015kHz. Available channels: 62/64, 66/68
Models:
UTX-P1 62/64
UTX-P1 66/68
Receiver Accessories
WD-850
Antenna Divider
Connection of up to 4 diversity distribution outputs, using a pair of AN-820A antennas. Two pair of antenna input for 4 x AN-820A antennas, expanding the operating
area. With cascade output. Not channel specific, Handling 566 MHz to 806 MHz
range. Switchable power supply (DC 9 V or 12 V).
WD-880A
Antenna Divider
Connection of up to 6 diversity distribution outputs when using a pair of AN-820A
antennas. Handles 70 MHz to 806 MHz. Band pass SAW filters divide the spectrum
of TV channels into multiple frequency bands to outputs. Switchable power supply
(DC 9 V or 12 V)
AN-820A
Active antenna (not channel specific)
Page 20
Built-in RF amplifier (10 dB gain). Installation on wall or place on mic stand with
supplied adaptor. Use in pairs for diversity reception. LED for installation check.
External power supply from the MB-8N/X6, WD-850/880A or SRP-X500 or 700 via a
coaxial cable (sold separately).
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Phone: 219-929-4127
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Wireless Microphone Systems
Body Pack Transmitters
WRT-8B
Ultra-compact body pack for lavalier mic or instrument
• 40-20kHz typical frequency response
• Light weight 5 ounces
• Removable antenna
• Switchable 10 to 50mW output power
for bat. life or range
• Accepts lavalier microphones with an
SMC9-4P connector, like the Sony
ECM-77BC, ECM-44BC, ECM-166BC
• Switchable input level (Mic/Line)
• Variable attenuator
• Selectable RF output level
• 13 hour operation using two AA-batteries
at 10mW output power
• 6 hour operation using two AA-batteries
at 50mW output power
• Low battery alarm indicator
• Rugged, die-cast magnesium construction
• 40-20 kHz Frequency Response
• Available Channels: 30/32, 42/44, 62/64, 66/68
Models:
WRT-8B 30/32
WRT-8B 62/64
WRT-822B
WRT-8B 42/44
WRT-8B 66/68
Bodypack transmitter for lavalier mic or instrument
• 100-15kHz typical frequency response
• 20mW output power
• Accepts lavalier microphones with
an SMC9-4P connector, like the Sony
ECM-77BC, ECM-44BC, ECM-166BC
• Switchable input level (Mic/Line)
• Variable attenuator
• Fixed antenna
• 8 hour operation using two AA-batteries
at 20mW output power
• Low battery alarm indicator
• 70-15 kHz Frequency Response
• Available Channels: 30/32, 42/44, 62/64, 66/68
Models:
WRT-822B 30/32
WRT-822B 62/64
WRT-822B 42/44
WRT-822B 66/68
Body Pack Options
EC1.5CF: XLR cable (female)
Plug in hand-held or output of
mixer to body pack
UWP-S1 Package
UTX-B1 body Pack,
Mic &
URX-R1 rack receiver
K1161: Guitar cable
Mic stand adapter
for UWP-B1
UWP-X1 Package
UTX-B1 body Mic &
URX-M1
plug-in receiver
ECM-166BC: Uni Lav Mic
ECM-44BC: Omni Lav
ECM-55BC: Omni Lav
ECM-66BC: Uni Lav Mic
ECM-77BC: Mini Omni Lav
ECM-77FC: Mini Omni Lav (skin tone)
ECM322BC: Headset Mic
UWP-X5 Package
UTX-B1 body pack,
head-mic &
URX-M1 camera receiver
Page 21
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Wireless Microphone Systems
Multi-Channel Configurations
MB-8N/9F
Tuner base unit accommodates up to 4 WRU-8N receiver modules (not channel specific)
• Ideal for multi channel operation
• Remote operation over Ethernet
• Supplied PC control software controls up to 49 wireless tuners with
antennae cascade function
• Storage and recall of configurations for easy set-up
• Front panel LCD display allows access to all settings
• Supports up to four WRU-8N wireless mic receiver modules
• Built-in antenna divider accommodates up to 16 channels
• Up to 42-channel simultaneous operation is possible using an optional
WD-880A antenna divider
WRU-8N
Diversity receiver module
• Up to 4 x WRU-8N tuners can be installed into the MB-8N tuner
base unit
• Includes channel search and group search functions
• Supports MB-8N tuner base PC control capability
• Remote operation and monitoring over Standard Ethernet
• Wide dynamic range (116dB typical)
• Low noise and distortion
Note: Only works with MB-8N frame;
• Audio Channels: 1
not the MB-X6.
• Available Channels: 62/62, 66/68, 30/32, 42/22
PC Control Software
Supplied free with the MB-8N
• Uses standard Ethernet connections
• Set up and control from a PC running the supplied GUI software
• Store and recall of different channel configurations
• Monitor individual channels
• Status indicators on all important functions
Page 22
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Phone: 219-929-4127
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Wireless Microphone Systems
Multi-Channel Configurations
MB-X6
Modular receiver chasis
• Accommodates up to six WRU-/806B for up to six
channels of simultaneous operation.
• Addition of the WD-850 or WD-880A allows multichanneloperation with even more channels.
• Easy mechanism for attaching and detaching tuner
modules
• RF inputattenuator switch (10 dB/0 dB).
• Accommodates up to six WRU-806A/806B or UWP
series URX-M1 modules for up to six channels of
simultaneous operation.
URX-M1
Diversity receiver module
• Audio channels: 1
• Available Channels: 62/64, 66/68
WRU-806B
Diversity receiver module
• Audio channels: 1
• Available Channels: 30/32*, 42/22*, 62/64, 66/68
*The existing MB-806A receiver chasis does not
support these channels. It is limited to CH62-69.
Page 23
Starin is your Sony Supply Partner
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Wireless Microphone Systems
Multi-Channel Examples
3 to 6 -
WRT-8B or WRT-822 Body packs with ECM-XX-BC style lavaliere mics for chans.30/32, 42/44, 62/64, 66/68
or UTX-B1 (includes mic) Body pack for channels 62/64, 66/68 (use with URX-M1 module)
or WRT-807 or WRT-867 or WRT847B66/68 with CU mic capsule hand-held mics
1-
or WRT-8P (use WRU-806 module) or UTX-P1 Plug-on (use URX-M1 module)
MB-X6 module bay
3 to 6 -
WRU-806B66/68 diversity receiver module for chans.30/32, 42/44, 62/64, 66/68
22-
or URX-M1 for UWP transmiterchannels 62/64, 66/68
AN820A active antennas (optional, recommended)
WBC-10B5P antenna cables (optional, recommended)
7 to 12 - WRT-8B or WRT-822 Body packs with ECM-XX-BC style lavaliere mics for chans.30/32, 42/44, 62/64, 66/68
2-
or UTX-B1 (includes mic) Body pack for channels 62/64, 66/68- match with
or WRT-807 or WRT-867 or WRT847B66/68 with CU mic capsule hand-held mics
or WRT-8P or UTX-P1 Plug-on
MB-X6 module bay
7 to 12 - WRU-806B66/68 diversity receiver module for chans.30/32, 42/44
44-
or URX-M1 for UWP transmiterchannels 62/64, 66/68
AN820A active antennas (optional, recommended)
WBC-10B5P antenna cables (optional, recommended)
13 to 18- WRT-8B or WRT-822 Body packs with ECM-XX-BC style lavaliere mics for chans.30/32, 42/44, 62/64, 66/68
or WRT-807 or WRT-867 or WRT847B66/68 with CU mic capsule hand-held mics
or WRT-8P or UTX-P1 Plug-on
(UWP series does not operate beyond 16 live mics)
3MB-X6 module bay
13 to 18- WRU-806B66/68 diversity receiver module for chans.30/32, 42/44
and 62/64, 66/68
AN820A active antennas (optional, recommended)
WBC-10B5P antenna cables (optional, recommended)
WBC03BP divider cables
WD820A Antenna divider
2261-
19 to 24- WRT-8B or WRT-822 Body packs with ECM-XX-BC style lavaliere mics for chans.30/32, 42/44, 62/64, 66/68
or WRT-807 or WRT-867 or WRT847B66/68 with CU mic capsule hand-held mics
or WRT-8P or UTX-P1 Plug-on
(UWP series does not operate beyond 16 live mics)
4MB-X6 module bay
19 to 24- WRU-806B66/68 diversity receiver module for chans.30/32, 42/44
2261-
and 62/64, 66/68
AN820A active antennas (optional, recommended)
WBC-10B5P antenna cables (optional, recommended)
WBC03BP divider cables
WD820A Antenna divider
Page 24
Starin is your Sony Supply Partner
Phone: 219-929-4127
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Headphones
Pro Headphones
MDR-7502
Small diaphragm headphones. Headphone features include 30mm
driver unit, closed ear design. Frequency response: 60Hz to 16kHz,
Sensitivity: 98 db/mW
MDR-7505
Small diaphragm foldable headphones. Headphone features include
folding construction, 40mm driver unit, closed ear design. Frequency
response: 10Hz to 25kHz, Sensitivity: 105 dB/mW
Supplied Accessories: Carrying case
MDR-7506
Large diaphragm foldable headphones. Headphone features include
rugged design, folding construction, 40mm driver unit, closed ear
design. Response: 5Hz to 30kHz, Sensitivity: 106 dB/mW
Supplied Accessories: Carrying case
MDR-7509HD
Auranomic (driver units have been designed in accordance with the
angle of the ear) large diaphragm studio-reference full-cup (closed
ear) headphones. Features rugged design, folding construction,
360kJ/m3 high power neodymium magnets, 80kHz reproduction
using 50mm HD driver units, high power handling capacity 3,000mW
&Gold connectors. losed ear design. Response: 10Hz to 20kHz.
Supplied Accessories: Carrying case
Page 25
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Headphones
Consumer Headphones
MDR-V700DJ
Disc Jocky Headphones
• Large diaphragm DJ headphones
• Neodymium Magnet
• Impedance 24 ohms
• Sensitivity 107 dB/mW
• Power Handling Capacity 3000 mW
• Frequency Response 5 — 30,000 Hz
•
•
•
•
Auto-return mechanism
50mm drivers
Supplied: Carrying case
Wide, adjustable single
headband with folding earcups
• Earcups swivel and reversible
for single-sided monitoring
MDR G42 LP
Street Style® Heaphones; Behind-the-neck
• Drive Unit: 30 mm
• Diaphragm: PET
• Impedance: 24 ohms
• Frequency Response: 16 - 20,000 Hz
• Headband: Behind-the-neck, Single
headband
• Cord: Oxygen-free copper;
Single-sided,5 feet (1.5 m)
• Plug: L-Shaped, stereo mini plug
• Audio sensitivity: 104 dB/mW
• Magnet: Ferrite
• Power Handling Capacity: 1000 mW
MDR-RF960RK
Wireless Headphones
• 150 foot range. 900 MHz Radio Frequency •
(RF) Transmission
•
• Rechargeable NiMH batteries.
• 30mm diameter, dome type
• Automatic tuning
•
• RF Carrier Frequencies: Ch.1: 913.5 MHz •
Ch. 2: 914.0 MHz Ch. 3: 914.5 MHz
• Frequency Response: 20-20,000Hz
•
MDR-NC6
Sensitivity: 105 dB/mW
Power AC 120Vm 60Hz when used
with supplied AC power adapter which
connects to the DC 9V jack
UniMatch® plug adapter
Weight: Headphones: 9.5 oz
w/battery Transmitter: 6.7 oz (195g)
Dimensions: Transmitter:
5.2" x 4.9" x 5.35"(133 x 124 x 136mm)
Noise Cancelling Headphones
• Reduces outside noise by 70% (10db)
• Frequency Range: 10 dB at 300 Hz
• Slim Swivel Folding StylE
• Noise Reduction: 40 - 1,500 Hz
• Impedance: Power On: 20 ohms at 1kHz; • Single AA battery required. )
Power Off: 65 ohms at 1kHz
MDREX71SL
Super-Light In-The-Ear Design New, Super-Small 9 mm Drivers Soft,
Silicon Earbuds
Response: 6 - 23,000 Hz
Weight: 0.1 oz. (4g), without cord
Supplied Accesories: Carrying case, Second set of earpads
Page 26
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Phone: 219-929-4127
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Media
Software
Sound Forge
Professional Digital Audio Production Suite
The Sound Forge 9 professional digital audio production suite includes
everything you need to quickly get from raw audio to finished master. Use
this suite to create and edit stereo and multichannel audio files with speed
and precision. Efficiently analyze, record and edit audio, digitize and restore
old recordings, model acoustic environments, design sound for multimedia,
and master replication-ready CDs.
Acid Pro
Professional Music Workstation
In the world of digital music creation, ACID Pro software has always stood
out from the crowd. Its automatic loop time-stretching and tempo-matching
technology is second-to-none, and its straightforward pick, paint, and play
functionality has helped make ACID Pro software the favorite loop-based
music creation tool for millions of users worldwide. Now reformulated to add
multitrack recording and full MIDI sequencing to its superior looping functionality, ACID Pro 6 software delivers a new formula for ground-breaking music
creation: loops + multitrack + MIDI. Together, these key components add up
to a full-featured professional music workstation unlike any other.
Vegas Pro
Professional Video, Audio, and DVD Creation
The Vegas Pro collection combines Vegas Pro 8, DVD Architect Pro 4.5, and
Dolby® Digital AC-3 encoding software to offer an integrated environment for
all phases of professional video, audio, DVD, and broadcast production.
These tools let you edit and process DV, AVCHD, HDV, SD/HD-SDI, and all
XDCAM™ formats in real time, fine-tune audio with precision, and author
surround sound, dual-layer DVDs.
Cinescore
Professional Soundtrack Creation
Cinescore software introduces new levels of customization, performance,
and accuracy to the world of professional soundtrack creation. Automatically
generate an unlimited number of musical compositions using royalty-free
Theme Packs in a wide array of popular styles. Discover the true potential of
your video by taking full control over your soundtrack.
Page 27
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Fax: 219-929-4377
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136 Venturi Drive, IN 46304
www.SonyPro.us
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